Journal Index by Volume

1 2 3 4 5 6 7 8 9 10 11 12 13 14/15
16/17 18/19 20 21 22 23 24 25 26 27 28/29 30 31 32
33 34 35 36
Type Author Title Formats
Volume 36 (2023) Back to top
Articles Motazedian, Táhirih, and Scott Murphy Holst’s Planets, The Final Frontier:
Interplanetary Voyage as Intrapersonal Escape
Nobile, Drew Narrative Opposition in the Beatles’ Verse–Chorus Songs, 1966–1967 HTML
Osborn, Brad Formal Functions and Rotations in Top-40 EDM HTML
Rabinovitch, Gilad Reimagining Fauré’s Harmony HTML
Strykowski, Derek R. Hearing the Interrogative in the Cadences of Sigismondo d’India: A Quantitative Analysis of the Polyphonic Madrigals HTML
Analytical Vignettes Amarosa, Leah Unveiling the Signifiers of Rain in John Adams’s China Gates HTML
Boyd, Michael Integrating Opposites: Iannis Xenakis’s Charisma for Clarinet and Cello HTML
Gotham, Mark R. H. Old Sources in new Sauces: John Joubert and the Analysis of Ancient Materials in Modern Music HTML
Hutchinson, Kyle Pendular Thirds and Pentatonic Parallelisms: Intersecting Black Vernacular and neo-Romantic Idioms in the Second Movement of Florence Price’s Piano Sonata in E minor HTML
Keep, Dave The Voice of Enigma: Intertextuality in “Im wunderschönen Monat Mai” HTML
Lai, Hei-Yeung (John) Counterpoint and Formative Process in ’Are’are Cyclic Panpipe Music HTML
MacKay, James S. “Unloosing the Gordian Knot”: Sonata Theory, Form-Functional Analysis, and Becoming in Joseph Haydn’s String Quartet, op. 64, no. 2, I HTML
Ng, Samuel The Trimodular Block and L’art de bien chanter in Hélène de Montgeroult’s Piano Sonatas, Op. 5 HTML
Patrick, Morgan Into Wondrous Realms with Two Triads: Markedness, Voice Leading, and Functional Multivalence as Correlates of Fantasy Induction in the “Fantasy Fifth” Progression HTML
Pellegrin, Rich Salience, Common Tones, and Middleground Dissonance in the Fourth Chorus of Brad Mehldau’s Improvisation on “All the Things You Are” HTML
Segall, Christopher Franz Liszt’s Bagatelle ohne Tonart (in B Minor) HTML
Swinkin, Jeffrey Cyclic Form in Clara Schumann’s Four Fugitive Pieces, op. 15 HTML
Zhang, Xieyi (Abby) Hope to Grief: An Analysis of Dvořák’s Moravian Duets, op. 38 HTML
Reviews Lopez, Gerardo Review of The Art of Post-Tonal Analysis: Thirty-Three Graphic Music Analyses by Joseph N. Straus, Oxford University Press, 2022 HTML
Lucas, Olivia R. Review of Musical Agency and the Social Listener by Cora Palfy, Routledge, 2021 HTML
Volume 35 (2022) Back to top
Articles Cubero, Diego Blurred Harmonies in Robert Schumann and Johannes Brahms HTML
Ferrandino, Matthew Multi-Centric Complexes in Pop-Rock Music HTML
Maler, Anabel Listening to Phrase Structure and Formal Function in Post-Tonal Music HTML
Wadsworth, Benjamin K., and Simon Needle Rhyme, Metrical Tension, and Formal Ambiguity in Kendrick Lamar’s Flow HTML
Reviews Milius, Emily Review of A Blaze of Light in Every Word: Analyzing the Popular Singing Voice, by Victoria Malawey, Oxford University Press, 2020 HTML
Hudson, Stephen S. Review of Making Sense of Recordings: How Cognitive Processing of Recorded Sound Works, by Mads Walther-Hansen, Oxford University Press, 2020 HTML
Volume 34 (2020) Back to top
Articles Jakubowski, Joseph R. Embodied Form in Grisey’s Prologue: Variation, Opposition, Tension HTML
Komaniecki, Robert Vocal Pitch in Rap Flow HTML
Reviews Dunsby, Jonathan Review of Performing Knowledge: Twentieth-Century Music in Analysis and Performance, by Daphne Leong, Oxford University Press, 2019 HTML
Hynes-Tawa, Liam Review of Hearing Homophony: Tonal Expectation at the Turn of the Seventeenth Century, by Megan Kaes Long, Oxford University Press, 2020 HTML
Suurpää, Lauri Review of Graphic Music Analysis: An Introduction to Schenkerian Theory and Practice, by Eric Wenn, Lowman & Rittlefield, 2019 HTML
Volume 33 (2019) Back to top
Articles Swinkin, Jeffrey Analytic Context and Aesthetic Properties: Listening to Recordings of Beethoven’s Largo Appassionato from Op. 2, No. 2 HTML
Adams, Kyle Musical Texture and Formal Instability in Post-Millennial Popular Music: Two Case Studies HTML
Morgan, Alexander Renaissance Ternary Suspensions in Theory and Practice HTML
Symposium on Open-Access Publication Iverson, Jennifer Open Access Meets Critical Disability Studies HTML
Rao, Nancy Yunhwa On Division of Intellectual Labor HTML
Lochhead, Judy Coloring the Future: Visualizing Music in the Digital Era HTML
Marvin, William M. Online Publication: Reflections on the Recent Past, Possibilities for the Near Future HTML
Reviews Ito, John Paul Review of Brahms and the Shaping of Time, ed. Scott Murphy, University of Rochester Press, 2018 HTML
Vágnerová, Lucie Review of Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde, by Jennifer Iverson, Oxford University Press, 2018 HTML
Volume 32 (2018) Back to top
Articles Pau, Andrew The Harmonic Theories of Jean-Adam Serre HTML
Bakulina, Ellen Proto-Harmony and the Problem of Tonal Centricity in Rachmaninoff’s All-Night Vigil HTML
Goldenberg, Yosef When and How are Modulations Diatonic? HTML
Reviews Lumsden, Rachel Review of Laurel Parsons and Brenda Ravenscroft, eds., Analytical Essays on Music by Women Composers: Concert Music 1960-2000, Oxford University Press, 2006 HTML
Stoecker, Philip Review of Edward Venn, Thomas Adès: Asyla, Routledge, 2017 HTML
Orosz, Jeremy Review of John MacAuslan, Schumann’s Music and E. T. A. Hoffmann’s Fiction, Cambridge University Press, 2016 HTML
Volume 31 (2017) Back to top
Article Temperley, David The Six-Four as Tonic Harmony, Tonal Emissary, and Structural Cue PDF
Symposium on Music of the Long Eighteenth Century   Editors’ Foreword: Symposium on Music of the Long Eighteenth Century PDF
Wintle, Christopher Corelli’s Tonal Models: The Trio Sonata Op. 3, No. 1 PDF
Wintle, Christopher Corelli’s Rhythmic Models: Dance Movements in the Seventeenth and Eighteenth Centuries PDF
Byros, Vasili Mozart’s Vintage Corelli: The Microstory of a Fonte-Romanesca PDF
Reviews Gollin, Edward Music and Text: A Review Essay on David Lewin’s Morgengruß:  Text, Context, Commentary, edited by David Bard-Schwarz and Richard Cohn PDF
Hunt, Graham G. Review of Formal Functions in Perspective, edited by Steven Vande Moortele, Julie Pedneault-Deslauriers, and Nathan John Martin PDF
Volume 30 (2016) Back to top
Articles Alegant, Brian Reconsidering Debussy’s Bruyères PDF
Sallmen, Mark Transposition Networks and Network Chains in Schoenberg’s Sechs kleine Klavierstücke, Op. 19 PDF
Rogers, Nancy Hearing an Old Story in a New Way: An Analysis of Loewe’s Erlkönig PDF
Buchler, Michael Are There Any Bad (or Good) Transformational Analyses? PDF
Mak, Su Yin String Theory: An Ethnographic Study of a Professional Quartet in Hong Kong PDF
Jones, Evan Dynamics and Dissonance: The Implied Harmonic Theory of J.J. Quantz PDF
Bribitzer-Stull, Matthew Die Geheimnisse der Form bei Richard Wagner: Structure and Drama as Elements of Wagnerian Form PDF
Jenkins, J. Daniel “Im Zusammenhang des Zwölftonwegs sprechen”: Reconsidering Pitch-class Sets in Schoenberg’s Atonal Music PDF
Franck, Peter Structural Framing and its Interaction with Linkage Technique PDF
Koslovsky, John and Matthew Brown The Contrapuntal Legacy of the French fin-de-siècle: A Look at Dukas’s Piano Sonata in E-flat PDF
Volume 28/29 (2014-15) Back to top
Articles Dunsby, Jonathan Grim Reapings Theorizing Undertheory PDF
Monahan, Seth Negative Catharsis as Rotational Telos in Mahler’s First Kindertotenlied PDF
Pedneault-Deslauriers, Julie ‘Denk an meinen Hund’: Applied Subdominants and Motivic Treatment in Schoenberg’s “Warnung,” Op. 3, No. 3 PDF
Barry, Christopher M. Being, Becoming, and Death in Twelve-Tone Music: “Wie bin ich froh!” as Epitaph PDF
Lavacek, Justin Contrapuntal Ingenuity in the Motets of Machaut PDF
Decker, Gregory J. Strategies for Opposition, Ambiguity, and “Amarilli” in the Seconda Pratica Italian Madrigal PDF
Reviews Agawu, Kofi Death in Winterreise: Musico-Poetic Associations in Schubert’s Song Cycle, by Lauri Suurpää PDF
Marvin, William M. Wagner’s Parsifal, by William Kinderman PDF
Volume 27 (2013) Back to top
Articles Boss, Jack Presentation of “Musical Idea” through Tetrachord Exchanges and Rhythmic/Metric Correspondences in the Intermezzo and Gavotte of Schoenberg’s Suite for Piano, Op. 25 PDF
Reale, Haley Beverburg Dissolving Monotonality: Expressive Modulation in Two Works by C.P.E. Bach PDF
Auerbach, Brent Techniques for the Functional Classification of Two-Chord Sequences PDF
Heetderks, David Semitonal Succession-Classes in Prokofiev’s Music and Their Influence on Diatonic Voice-leading Backgrounds in the Op. 94 Scherzo PDF
Volume 26 (2012) Back to top
Articles Franck, Peter Canon and Its Effect on Tight-Knit Organization within Classical Themes PDF
Biamonte, Nicole Variations on a Scheme: Bach’s ‘Crucifixus’ and Chopin’s and Scriabin’s E-minor Preludes PDF
Murphy, Scott Septimal Time in an Early Finale of Haydn PDF
Argentino, Joe Serialism and Neo-Riemannian Theory: Transformations and Hexatonic Cycles in Schoenberg’s Modern Psalm, Op. 50c PDF
Review Berry, David Carson Advanced Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive, and Form, by David Beach PDF
Volume 25 (2011) Back to top
Articles Au, Hiu-Wah The Prolongation Function of Secondary-Key Variations in Brahms’s Variations for Four Hands on a Theme of Robert Schumann, Op. 23 PDF
Laroche, Guillaume Striking Similarities: Toward a Quantitative Measure of Melodic Copyright Infringement PDF
Smyth, David H. and Don Traut Stravinsky’s Sketches for the Great Chorale PDF
Vande Moortele, Steven Sentences, Sentence Chains, and Sentence Replication: Intra- and Interthematic Formal Functions in Liszt’s Weimar Symphonic Poems PDF
Review Klumpenhouwer, Henry History and Structure in Richard Cohn’s Audacious Euphony PDF
Volume 24 (2010) Back to top
Marvin, Elizabeth West Robert Wason: A Tribute and Dedication PDF
Brown, Matthew 2B or not 2B PDF
Brown, Matthew C. P. E. Bach, Schenker, Improvisation, and Composition PDF
Callahan, Michael Improvising Motives: Applications of Michael Wiedeburg’s Pedagogy of Modular Diminutions PDF
Koslovsky, John Tracing the Improvisatory Impulse in Early Schenkerian Theory PDF
Terefenko, Dariusz Keith Jarrett’s Art of Solo Introduction: “Stella by Starlight” – A Case Study PDF
McGowan, James Riemann’s Functional Framework for Extended Jazz Harmony PDF
Waters, Keith “Giant Steps” and the ic4 Legacy PDF
Volume 23 (2009) Back to top
Articles Black, Brian The Functions of Harmonic Motives in Schubert’s Sonata Forms PDF
Hunt, Graham The Three-Key Trimodular Block and its Classical Precedents: Sonata Expositions of Schubert and Brahms PDF
Ng, Samuel Reinterpreting Metrical Reinterpretation PDF
Suurpää, Lauri Interrelations between Expression and Structure in the First Movements of Joseph Haydn’s Piano Sonatas Hob. XVI/44 and Hob. XVI/20 PDF
Review Carey, Christian Arnold Whittall and the Perils of Transcontinental Serialism PDF
Volume 22 (2008) Back to top
Articles Duerksen, Marva Schenker’s Organicism Revisited PDF
Gollin, Edward On Bartók’s Comparative Musicology as a Resource for Bartókian Analysis PDF
Pearce, Trevor Tonal Functions and Active Synthesis: Hugo Riemann, German Psychology, and Kantian Epistemology PDF
Samarotto, Frank Fludities of Phrase and Form in the “Intermezzo” of Brahms’s First Symphony PDF
Review Samuels, Robert Entendez-vous la musique? Review of Peter Dayan: Music Writing Literature, from Sand via Debussy to Derrida. Aldershot: Ashgate, 2006. PDF
Volume 21 (2007) Back to top
Articles Bribitzer-Stull, Matthew and Robert Gauldin Hearing Wagner in Till Eulenspiegel: Strauss’s Merry Pranks Reconsidered PDF
Callender, Clifton Interactions of the Lamento Motif and Jazz Harmonies in Györgi Ligeti’s Arc-en-ciel PDF
Capuzzo, Guy Registral Constraints on All-Interval Rows in Elliott Carter’s Changes PDF
Smith, Peter H. New Perspectives on Brahms’s Linkage Technique PDF
Review Hook, Julian David Lewin and the Complexity of the Beautiful PDF
Volume 20 (2006) Back to top
Articles McClelland, Ryan Metric Dissonance in Brahms’s Piano Trio in C Minor, Op. 101 PDF
Roeder, John and Scott Alexander Cook Triadic Transformation and Parsimonious Voice Leading in Some Interesting Passages by Gavin Bryars PDF
Brown, Stephen C. Tracing the Origins of Shostakovich’s Musical Motto PDF
Grabócz, Márta Stylistic Evolution in Mozart’s Symphonic Slow Movements: The Discursive-Passionate Schema (A Narrative Approach) PDF
Review Marvin, William Heinrich Schenker: A Guide to Research, by Benjamin McKay Ayotte, and A Topical Guide to Schenkerian Literature: An Annotated Bibliography with Indices, by David Carson Berry PDF
Volume 18/19 (2004-05) Back to top
Articles Braunschweig, Karl Rhetorical Types of Phrase Expansion in the Music of J.S. Bach PDF
Brown, Matthew Composing with Prototypes: Charting Debussy’s L’Isle joyeuse PDF
Carson, Sean H. The Trace, Its Relation to Contour Theory, and an Application to Carter’s String Quartet No. 2 PDF
Gauldin, Robert New Twists for Old Endings: Cadenza and Apotheosis in the Romantic Piano Concerto PDF
Morris, Robert D. Aspects of Post-Tonal Canon Systems PDF
Peck, Robert W. Aspects of Recursion in M-Inclusive Networks PDF
Review Article Scotto, Ciro Music Theory at the Turn of the Millennium and The Open Space Magazine PDF
Review Carey, Norman Music in the Mirror: Reflections on the History of Music Theory and Literature for the Twenty-First Century, edited by Andreas Giger and Thomas J. Mathiesen PDF
Volume 16/17 (2002-03) Back to top
Articles BaileyShea, Matthew Wagner’s Loosely Knit Sentences and the Drama of Musical Form PDF
Turner, Mitchell Interval-Class Exchanges in a Two-Dimensional Pitch-Class Space PDF
Alegant, Brian Inside the Cadenza of Schoenberg’s Piano Concerto PDF
Slottow, Stephen Carl Ruggles’s Cadential Complex PDF
Sallmen, Mark Composition with a Single Row Form? Webern’s “Schatzerl klein,” Op. 18, No. 1 PDF
Leong, Daphne Kaleidoscopic Symmetries: Time and Pitch Relations in Conlon Nancarrow’s Tango? PDF
Mailman, Joshua Review Forum: Analysing Musical Multimedia, by Nicholas Cook PDF
Lipscomb, Scott D. Modelling Multimedia Cognition: A Review of Nicholas Cook’s Analysing Musical Multimedia PDF
Leong,Daphne Fantasia’s Rite of Spring as Multimedia: A Critique of Nicholas Cook’s Analysis PDF
Zbikowski, Lawrence M. Music Theory, Multimedia, and the Construction of Meaning PDF
Reviews Peck, Robert W. Class Notes for Advanced Atonal Theory, by Robert D. Morris, 2001 PDF
Morris, Robert D. Reply to Robert W. Peck PDF
Volume 14/15 (2000-01) Back to top
Forum Various Authors Music Theory at the Turn of the Millennium Introduction PDF
Articles Anson-Cartwright, Mark Haydn’s Hidden Homage to Mozart: Echoes of “Voi che sapete” in Opus 64, No. 3 PDF
Boss, Jack The “Musical Idea” and Global Coherence in Schoenberg’s Atonal and Serial Music PDF
Horlacher, Gretchen Multiple Meters and Metrical Processes in the Music of Steve Reich PDF
Lewin, David All Possible GZ-Related 4-Element Pairs of Sets, in All Possible Commutative Groups, Found and Categorized PDF
Thomas, Margaret Nancarrow’s “Temporal Dissonance”: Issues of Temporal Proportions, Metric Synchrony, and Rhythmic Strategies PDF
Wheeldon, Marianne Interpreting “strong moments” in Debussy’s “La terrasse des audiences du clair de lune” PDF
Review Galand, Joel Analysis Through Composition: Principles of the Classical Style, by Nicholas Cook PDF
Volume 13 (1999) Back to top
Articles Berry, David Carson Dynamic Introductions: The Affective Role of Melodic Ascent and Other Linear Devices in Selected Song Verses of Irving Berlin PDF
Clampitt, David Ramsey Theory, Unary Transformations, and Webern’s Op. 5, No. 4 PDF
Doerksen, John F. Comparing Collections of Set-Classes: Indexes in Forte’s Genera Theory PDF
Smyth, David Beethoven’s Last Bagatelle PDF
Review Essay Galand, Joel Formenlehre Revisited (Review-Essay on William Caplin’s Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart and Beethoven) PDF
Reviews Capuzzo, Guy The Music of Elliott Carter, Second Edition, by David Schiff PDF
Gagné, David Unfoldings, by Carl Schachter PDF
Volume 12 (1998) Back to top
Article Grabócz, Márta A. J. Greimas’s Narrative Grammar and the Analysis of Sonata Form PDF
Klumpenhouwer Network Symposium Gollin, Edward Some Unusual Transformations in Bartók’s “Minor Seconds, Major Sevenths” PDF
O’Donnell, Shaugn Klumpenhouwer Networks, Isography, and the Molecular Metaphor PDF
Klumpenhouwer, Henry The Inner and Outer Automorphisms of Pitch-Class Inversion and Transposition: Some Implications for Analysis with Klumpenhouwer Networks PDF
Reviews Brown, Matthew Rothstein’s Paradox and Neumeyer’s Fallacies PDF
Neumeyer, David Response to Matthew Brown PDF
Hyde, Martha The Music of Ruth Crawford Seeger, by Joseph Straus, 1995 PDF
Volume 11 (1997) Back to top
Foreword Beach, David Reflections on Intégral: Its Inception and Early Years PDF
Articles Lefkowitz, David Perspectives on Order, Disorder, Combinatoriality, and Tonality in Schoenberg’s Opus 33a and 33b Piano Pieces PDF
Lewin, David Conditions Under Which, in a Commutative GIS, Two 3-Element Sets Can Span the Same Assortment of GIS-Intervals; Notes on the Non-Commutative GIS in This Connection PDF
Straus, Joseph A Strategy of Large-Scale Organization in Stravinsky’s Late Music PDF
Tymoczko, Dmitri The Consecutive-Semitone Constraint on Scalar Structure: A Link Between Impressionism and Jazz PDF
Reviews Horlacher, Gretchen Meter as Rhythm, by Christopher Hasty PDF
Krebs, Harald A Reader’s Guide to the Chopin Preludes, by Jeffrey Kresky PDF
Neumeyer, David and Julian L. Hook Analysis of Tonal Music: A Schenkerian Approach, by Allen Cadwallader and David Gagné PDF
Volume 10 (1996) Back to top
Articles Dobos, Lora Gingerich Transformations of BACH in Webern’s Op. 16 No. 4 PDF
Koivisto, Tiina Aspects of Motion in Elliott Carter’s Second String Quartet PDF
Uno, Yayoi The Tempo-span GIS as a Measure of Continuity in Elliott Carter’s Eight Pieces for Four Timpani PDF
Suurpää, Lauri Schumann, Heine, and Romantic Irony: Music and Poems in the First Five Songs of Dichterliebe PDF
Review Article Lidov, David Musical Semiotics—Science, Letters, or Art? PDF
Reviews Butler, David Shaping Time: Music, the Brain, and Performance, by David Epstein, 1995 PDF
Kinderman, William The “Galitzin” Quartets of Beethoven, by Daniel K. L. Chua, 1995 PDF
Volume 9 (1995) Back to top
Articles Marion, Gregory J. Inciting Transformational Insights PDF
Morris, Robert D. The Structure of First-Species Canon in Modal, Tonal and Atonal Musics PDF
Sly, Gordon The Architecture of Key and Motive in a Schubert Sonata PDF
Reviews Gjerdingen, Robert O. Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents, by Daniel Harrison PDF
Gauldin, Robert Analyzing Fugue: A Schenkerian Approach, by William Renwick PDF
Laitz, Steven Poetry into Song: Performance and Analysis of Lieder, by Deborah Stein and Robert Spillman PDF
Volume 8 (1994) Back to top
Articles Rothstein, William Ambiguity in the Themes of Chopin’s First, Second, and Fourth Ballades PDF
Pierce, Alexandra Developing Schenkerian Hearing and Performing PDF
Beach, David The Initial Movements of Mozart’s Piano Sonatas K. 280 and K.332: Some Striking Similarities PDF
Reviews Kurth, Richard An Introduction to the Music of Milton Babbitt, by Andrew Mead, 1994 PDF
Alphonce, Bo Musical Form and Transformation: 4 Analytic Essays, by David Lewin, 1994 PDF
Ossi, Massimo Musical Poetics, by Joachim Burmeister, translated by Benito Rivera, 1993 PDF
Volume 7 (1993) Back to top
Articles Folio, Cynthia J. Analysis and Performance: A Study in Contrasts PDF
Hatten, Robert S. Schubert the Progressive: The Role of Resonance and Gesture in the Piano Sonata in A, D. 959 PDF
Korsyn, Kevin Schenker’s Organicism Reexamined PDF
Platt, Heather Unrequited Love and Unrealized Dominants PDF
Saltini, Roberto Antonio Structural Levels and Choice of Beat-Class Sets in Steve Reich’s Phase-Shifting Music PDF
Review Hubbs, Nadine A Guide to Schenkerian Analysis, by David Neumeyer and Susan Tepping PDF
Volume 6 (1992) Back to top
Articles Cohn, Richard Metric and Hypermetric Dissonance in the Menuetto of Mozart’s Symphony in G Minor, K. 550 PDF
Gillespie, Jeffrey L. Motivic Transformations and Networks in Schoenberg’s “Nacht” from Pierrot Lunaire PDF
Cinnamon, Howard New Observations on Voice Leading, Hemiola, and their Roles in Tonal and Rhythmic Structures in Chopin’s Prelude in B Minor, Op. 28 No. 6 PDF
Reviews Mead, Andrew The Twelve-Note Music of Anton Webern: Old Forms in a New Language, by Kathryn Bailey PDF
Harrison, Daniel Playing with Signs: A Semiotic Interpretation of Classic Music, by V. Kofi Agawu PDF
Dempster, Douglas and Matthew Brown Style and Music: Theory, History, and Ideology, by Leonard B. Meyer PDF
Volume 5 (1991) Back to top
Articles Adrian, Jack The Function of the Apparent Tonic at the Beginning of Development Sections PDF
Cherlin, Michael Thoughts on Poetry and Music, on Rhythms in Emily Dickenson’s “The World Feels Dusty” and Aaron Copland’s Setting of It PDF
Gauldin, Robert Beethoven’s Interrupted Tetrachord and the Seventh Symphony PDF
Reviews Block, Steven Ear Training for Twentieth-Century Music, by Michael L. Friedmann PDF
Brown, Matthew Remaking the Past: Musical Modernism and the Influence of the Tonal Tradition, by Joseph N. Straus PDF
Snell, James L. Pascal Programming for Music Research, by Alexander R. Brinkman PDF
Volume 4 (1990) Back to top
Articles Darcy, Warren A Wagnerian Ursatz; or, Was Wagner a Background Composer After All? PDF
Kaplan, Richard A. Transpositionally Invariant Subsets: A New Set-subcomplex Relation PDF
Rolf, Marie and  Elizabeth West Marvin Analytical Issues and Interpretive Decisions in Two Songs by Richard Strauss PDF
Review Wennerstrom, Mary H. Kostka, Lester, and Straus: Twentieth-Century Materials and Analytical Techniques in Review PDF
Volume 3 (1989) Back to top
Articles Lambert, J. Philip Ives’s “Piano Drum” Chords PDF
Morris, Robert D. Some Compositional and Analytical Applications of T-Matrices PDF
Gjerdingen, Robert O. Meter as a Mode of Attending: A Network Simulation of Attentional Rhythmicity in Music PDF
Mead, Andrew Twelve-Tone Organizational Strategies: An Analytical Sampler PDF
Reviews Proctor, Gregory A Classic Turn of Phrase: Music and the Psychology of Convention, by Robert O. Gjerdingen PDF
McCreless, Patrick Reading Schenker’s Kontrapunkt PDF
Green, Douglass M. A Practical Approach to Eighteenth-Century Counterpoint, by Robert Gauldin PDF
Volume 2 (1988) Back to top
Articles Cadwallader, Allen Prolegomena to a General Description of Motivic Relationships in Tonal Music PDF
Lewis, Christopher Text, Time, and Tonic: Aspects of Patterning in the Romantic Cycle PDF
Beach, David Motivic Repetition in Beethoven’s Piano Sonata Op. 110, Part II: The Trio of the Second Movement and the Adagio-Arioso PDF
Laufer, Edward On the Fantasy PDF
Warburton, Dan A Working Terminology for Minimal Music PDF
Reviews Alphonce, Bo Generalized Musical Intervals and Transformations, by David Lewin, 1987 PDF
Cherlin, Michael Composition with Pitch-Classes, by Robert D. Morris, 1987 PDF
Schaffer, John Wm. CMAP: Contemporary Music Analysis Package, by Craig Harris and Alexander Brinkman, 1988 PDF
Volume 1 (1987) Back to top
Articles Beach, David Motivic Repetition in Beethoven’s Piano Sonata Op. 110, Part I: The First Movement PDF
Cone, Edward T. Brahms: Songs With Words and Songs Without Words PDF
Wason, Robert W. Webern’s Variations for Piano, Op. 27: Musical Structure and the Performance Score PDF
Rahn, Jay Music Theory and Practice: A Behavioral View PDF
Loft, Abram The Larger View PDF
Reviews Brinkman, Alexander R. Microcomputers and Music, by Gary E. Wittlich, John W. Schaffer, and Larry R. Babb, 1986 PDF
Block, Steven Sound Color, by Wayne Slawson, 1985 PDF