Volume 36 (Current Volume)

David Falterman and Derek J. Myler, Editors
Andrew Blake, Guest Symposium Editor
Reviews Editor, Lukas Perry
Andrew Blake and Noah Kahrs, Web Managers

Complete Volume

Editors’ Note (i)
HTML & PDF

Articles

Táhirih Motazedian and Scott Murphy | Holst’s Planets, The Final Frontier:
Interplanetary Voyage as Intrapersonal Escape (1–17)
HTML & PDF ——Abstract

Drew Nobile | Narrative Opposition in the Beatles’ Verse–Chorus Songs, 1966–1967 (19–34)
HTML & PDF ——Abstract

Brad Osborn | Formal Functions and Rotations in Top-40 EDM (35–54)
HTML & PDF —— Abstract

Gilad Rabinovitch | Reimagining Fauré’s Harmony (55–101)
HTML & PDF —— Abstract

Derek R. Strykowski | Hearing the Interrogative in the Cadences of Sigismondo d’India: A Quantitative Analysis of the Polyphonic Madrigals (103–28)
HTML & PDF —— Abstract

Analytical Vignettes

Vignette Symposium Editors’ Note (129–30)
HTML & PDF

Leah Amarosa | Unveiling the Signifiers of Rain in John Adams’s China Gates (131–41)
HTML & PDF —— Abstract

Michael Boyd | Integrating Opposites: Iannis Xenakis’s Charisma for Clarinet and Cello (143–51)
HTML & PDF —— Abstract

Mark R. H. Gotham | Old Sources in new Sauces: John Joubert and the Analysis of Ancient Materials in Modern Music (153–62)
HTML & PDF—— Abstract

Kyle Hutchinson | Pendular Thirds and Pentatonic Parallelisms: Intersecting Black Vernacular and neo-Romantic Idioms in the Second Movement of Florence Price’s Piano Sonata in E minor (163–74)
HTML & PDF —— Abstract

Dave Keep | The Voice of Enigma: Intertextuality in “Im wunderschönen Monat Mai” (175–91)
HTML & PDF—— Abstract

Hei-Yeung (John) Lai | Counterpoint and Formative Process in ’Are’are Cyclic Panpipe Music (193–206)
HTML & PDF—— Abstract

James S. MacKay | “Unloosing the Gordian Knot”: Sonata Theory, Form-Functional Analysis, and Becoming in Joseph Haydn’s String Quartet, op. 64, no. 2, I (207–19)
HTML & PDF ——Abstract

Samuel Ng | The Trimodular Block and L’art de bien chanter in Hélène de Montgeroult’s Piano Sonatas, Op. 5 (221–34)
HTML & PDF —— Abstract

Morgan Patrick | Into Wondrous Realms with Two Triads: Markedness, Voice Leading, and Functional Multivalence as Correlates of Fantasy Induction in the “Fantasy Fifth” Progression (235–45)
HTML & PDF —— Abstract

Rich Pellegrin | Salience, Common Tones, and Middleground Dissonance in the Fourth Chorus of Brad Mehldau’s Improvisation on “All the Things You Are” (247–61)
HTML & PDF —— Abstract

Christopher Segall | Franz Liszt’s Bagatelle ohne Tonart (in B Minor) (263–71)
HTML & PDF —— Abstract

Jeffrey Swinkin | Cyclic Form in Clara Schumann’s Four Fugitive Pieces, op. 15 (273–82)
HTML & PDF —— Abstract

Xieyi (Abby) Zhang | Hope to Grief: An Analysis of Dvořák’s Moravian Duets, op. 38 (283–304)
HTML & PDF —— Abstract

Reviews

Gerardo Lopez | The Art of Post-Tonal Analysis: Thirty-Three Graphic Music Analyses by Joseph N. Straus, Oxford University Press, 2022 (305–8)
HTML & PDF

Olivia R. Lucas | Musical Agency and the Social Listener by Cora Palfy, Routledge, 2021 (309–12)
HTML & PDF