Philip Chang and J. Daniel Jenkins, editors
Articles
Matthew BaileyShea | Wagner’s Loosely Knit Sentences and the Drama of Musical Form
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Mitchell Turner | Interval-Class Exchanges in a Two-Dimensional Pitch-Class Space
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Brian Alegant | Inside the Cadenza of Schoenberg’s Piano Concerto
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Stephen Slottow | Carl Ruggles’s Cadential Complex
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Mark Sallmen | Composition with a Single Row Form? Webern’s “Schatzerl klein,” Op. 18, No. 1
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Daphne Leong | Kaleidoscopic Symmetries: Time and Pitch Relations in Conlon Nancarrow’s Tango?
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Forum: Analysing Musical Multimedia,by Nicholas Cook
Joshua Mailman | Review Forum Overview
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Scott D. Lipscomb | Modelling Multimedia Cognition: A Review of Nicholas Cook’s Analysing Musical Multimedia
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Daphne Leong | Fantasia’s Rite of Spring as Multimedia: A Critique of Nicholas Cook’s Analysis
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Lawrence M. Zbikowski | Music Theory, Multimedia, and the Construction of Meaning
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Reviews
Robert W. Peck | Class Notes for Advanced Atonal Theory, by Robert D. Morris, 2001
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Robert D. Morris | Reply to Robert W. Peck
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