Jenine Lawson Brown and Michael Callahan, editors
Articles
Marva Duerksen | Schenker’s Organicism Revisited
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Edward Gollin | On Bartók’s Comparative Musicology as a Resource for Bartókian Analysis
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Trevor Pearce | Tonal Functions and Active Synthesis: Hugo Riemann, German Psychology, and Kantian Epistemology
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Frank Samarotto | Fluidities of Phrase and Form in the “Intermezzo” of Brahms’s First Symphony
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Review
Robert Samuels | Entendez-vous la musique? Review of Peter Dayan: Music Writing Literature, from Sand via Debussy to Derrida. Aldershot: Ashgate, 2006.
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