Audio or video recorded auditions are accepted from October 15 to March 10. If positions are open in your category, they may be accepted after March 10 and up to June 15.

·      For a live audition, you must bring the accompaniment to this piece. An accompanist will be provided or you may bring your own.

·      For a recorded audition, ALL solos (except percussion) must be recorded with accompaniment.

o   $9,200

·      Half Session I: June 19 – July 21

·      Half Session II: July 22 – August 18

o   $6,160

·      Fellowship makes it free- only applicable for full session

$60 Application due by December 1

$125 application due by January 2

·      MOZART: Requiem, K. 626 (“Tuba mirum”)

·      ROSSINI: La Gazza Ladra (Overture)

·      RAVEL: Bolero

•  Two contrasting solo movements (fast, slow); accompaniment not required
• BERLIOZ: Hungarian March (6 measures before Reh. 4 through 2 after Reh. 5)
• SCHUMANN: Symphony 3 “Rhenish” (first 2 passages of movement 4)
• WAGNER: Ride of the Valkyries from Die Walküre (major section only)
• NIELSEN: Flute Concerto (solo at 81 until D)
• RESPIGHI: Pines of Rome (Pines Near a Catacomb, 7 measures before Reh. 11 to 3 bars after Reh. 12)

·       Contact Information: Your current and permanent contact information including mailing addresses, telephone numbers, and email address

·       Professional Information: List of schools attended, degrees/awards received, principal teachers, professional ensembles, and other festivals including dates for all of the above

·       Reference Information: Names and email addresses of two professional references, one reference may be your current teacher

Not updated yet

June 22–August 25

ROCHESTER, NY 
January 24
11 a.m. – 1:30 p.m.
Eastman School of Music
Main Building, Room 514

TUITION

$2,885

Tuition

$2,441

Room & Board

$370

Fees (Health, Activity, Cleaning, ID Card, Key And Security)

·       One solo/movement of your choice: 3-5 minutes (must be unaccompanied)

The following excerpts are required: (Must be in this order and unedited in one file)

1.     Bartók: The Miraculous Mandarin

2.     Mozart: Requiem

3.     Mahler: Symphony No. 5

4.     Saint-Saëns: Symphony No. 3

5.     Berlioz: Hungarian March

·       The following excerpts are required: (Must be in this order and unedited in one file)

1.     Haydn: The Creation

2.     Bartók: The Miraculous Mandarin

3.     Mahler: Symphony No. 5

4.     Schumann: Symphony No. 3

5.     Berlioz: Hungarian March

All Excerpts are Trombone 2 unless specified

Mozart: Requiem. Tuba Mirum

Berlioz: Hungarian March, 6 measures before ‘4’ through 2 measures after ‘5’

Wagner, Ride of the Valkyries (Trombone I), pickup to ‘6’ through 3 measures after ‘7’

Bach: Sarabande from Suite No. 5 in c minor, no repeats

Haydn:  Creation, No. 26; beginning through 7 measures after B

Schumann: Symphony No.3 “Rhenish”; Fourth Movement, beginning through 3 measures after A; 7 measures after A through 5 measures before the 3/2 time signature

Wagner, Ride of the Valkyries; pickup to ‘6’ through 3 measures after ‘7’

Audition at Eastman, date TBD

workshop