Mark Kellogg

Associate Professor of Euphonium, Trombone, and Brass Chamber Music

Affiliate Faculty, Jazz Studies and Contemporary Media
Affiliate in Music Teaching and Learning
Chair, Woodwinds, Brass & Percussion

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Biography

Throughout his career, Mark Kellogg has embraced a wide range of musical roles as a performer, teacher and administrator. Whether it’s taken the form of appearing as a concerto soloist, playing in a variety of chamber ensembles, performing as an orchestral musician or as a jazz player, teaching students of all ages or overseeing artistic programs or festivals, he has been most fortunate to experience a rich array of musical opportunities. In addition to holding the position of Associate Professor of Trombone, Euphonium, and Brass Chamber Music at the Eastman School of Music, Mr. Kellogg is chair of the Winds, Brass and Percussion Department and an affiliate faculty member in the school’s departments of Jazz and Contemporary Media and Music Teaching and Learning. Co-Director of the Eastman Trombone Choir, he also serves as Director for the school’s community engagement program, Eastman To Go.

Inspired by his son’s experiences as an actor, Mr. Kellogg initiated a course under the auspices of the Eastman School’s Arts Leadership Program in 2014 called “Parallels Between Acting and Musical Performance”. This annual class seeks to identify the commonalities between these two art forms and is team taught with two professional actors and arts educators, Skip Greer and Robert Rutland.

Mr. Kellogg recently concluded a twenty-eight year tenure as a member of the Rochester Philharmonic Orchestra. He occupied the Austin Hildebrandt Principal Trombone position and appeared as soloist with the RPO on many occasions, performing the concerti of Tomasi, Albrechtsberger, Larsson, Shilkret and Jeff Tyzik (commissioned by the RPO in celebration of the orchestra’s 80th anniversary), works by Elliott Carter and Fred Sturm and numerous jazz and euphonium solos on the orchestra’s Pops series. Prior to his appointment in the Rochester Philharmonic, Mr. Kellogg performed as a member of the San Francisco Symphony and the National Repertory Orchestra.  In recent seasons, he has also played with the Oregon Symphony, the Florida Orchestra, the Charleston Symphony, the Naples Philharmonic and Symphoria.

Mr. Kellogg has been a frequent guest with the Eastman Wind Ensemble, appearing as soloist in the Eastman Theatre and on tours to Japan and Carnegie Hall with Donald Hunsberger and Mark Davis Scatterday. He has also appeared as a soloist with the Hartford Symphony, the US Army Orchestra, the University of Rochester Symphony, the Youngstown Symphony, the Penfield Symphony, the Hamilton New Music Ensemble and Argentina’s Camerata Eleuthera Chamber Orchestra.

Active as a jazz and chamber musician, Mr. Kellogg was a founding member of the brass and percussion ensemble Rhythm & Brass, touring the United States and Japan and recording four CDs during his two years in the group. He has also performed with Clark Terry, Chris Vadala, Wynton Marsalis, Eddie Daniels, and Mel Tormé. Jazz and commercial recordings include collaborations with Jeff Tyzik, Gene Bertoncini, Allen Vizzutti, Steve Gadd, Gap Mangione and as a member of the Dave Rivello Ensemble. His jazz recording with Eastman School faculty colleague pianist Tony Caramia, Upstate Standards, celebrates the music of upstate New York composers Harold Arlen, Alec Wilder, and Jimmy Van Heusen. Mr. Kellogg’s most recent CD, Impressions, is a collection of French music for trombone and piano, featuring pianists Joseph Werner and Christopher Azzara. Since 2016, he has performed extensively with pianist Priscilla Yuen across the United States and South America.

A Conn Trombone performing artist, Mr. Kellogg has made appearances at numerous festivals and low brass symposia including the International Trombone Festival, the American Trombone Workshop, the Falcone International Euphonium and Tuba Festival, the Northeast Regional Tuba-Euphonium Conference, the Asian Pacific Music Educators Conference, the New York Brass Conference, the National Taiwan Symphony Orchestra’s International Youth Orchestra Institute, and the Hawaii Performing Arts Festival, as well as at trombone festivals in Panama, Costa Rica, Argentina and Brazil.

In 2006, Mr. Kellogg founded Eastman’s annual Summer Trombone Institute, a week-long workshop for high school, college, young professional and adult amateur trombonists. In June 2014, he served as co-host of the International Trombone Festival, held at the Eastman School.

Works / Publications

Selected Discography

2004 – Upstate Standards (Eastman) featuring jazz standards of Arlen, Can Heusen, and Wilder with Tony Caramia, piano

2003 – Low Brass Album of Art Songs (Universal Edition), music of Dowland, Fauré, and Schubert; recording to accompany text of the same name

2001 – Alternate Voices; chamber music for trombone and trumpet with Gret Jones, trumpet

2000, 2003 – Gap Mangione Big Band; Moments Notice and Planet Gap, respectively

1999 – Society for Chamber Music in Rochester; chamber jazz ensemble featuring music of Gershwin (Jeff Tyzik, conductor)

1996 – Recording with the Brass Band of Battle Creek (BBBC), Brassamatazz

1993-1995 – Three recordings with Rhythm and Brass (d’Note Records)
Song and Dance
Time in September
Christmastime Is Here

1989-present – Six recordings with the Rochester Philharmonic Orchestra
A Celebration of Gilbert and Sullivan; Mark Elder, conductor (Pro Arte)
The Story of Percussion; William Cahn, conductor (Nexus)
Pops Legacy with Peter Nero; Peter Nero, conductor (Pro Arte)
Rochester Philharmonic 75th Anniversary Double CD Recording; Robert Bernhardt and Jeff Tyzik, conductors: Soloist in Mussorgsky’s Pictures at an Exhibition “Bydlo” and “I’m Getting Sentimental Over You”
Holiday Pops Live; Jeff Tyzik, conductor; soloist in “I’ll Be Home for Christmas”
Holiday Pops Live II; Jeff Tyzik, conductor; soloist in Tchaikovsky/Ellington “Nutcracker Suite”
Rachmaninoff Piano Concerti, Jon Naketmatsu, piano; Christopher Seaman, conductor (harmonia mundi)
Tchaikovsky Francesca di Rimini and Piano Concerto No. 1, Olga Kern, piano; Christopher Seaman, conductor (harmonia mundi)

1988-89, 1993 – Five recordings with the San Francisco Symphony; Herbert Blomstedt, conductor (London)
Brahms Works for Chorus and Orchestra
Hindemith Nobilissma Visione
Nielsen Aladdin Suite; Symphonies No. 1 and 6
Sibelius Symphonies No. 4 and 5
Bartok Kossuth

1985-present – Numerous commercial recordings and soundtracks for accounts
such as PBS, NBC, HBO, and ESPN (all done in Rochester, NY)

1985-1990 – Three recordings with the Eastman Wind Ensemble; Donald Hunsberger, conductor (CBS Masterworks; Sony Classics)
Carneval (Wynton Marsalis, soloist)
Quiet City: Featured as soloist on Hindemith Konzertmusik, Op. 41
Live from Osaka

1985 – Recording with Eastman Philharmonia; David Effron, conductor (RCA Red Seal)
Corigliano Pied Piper Fantasy (James Galway, soloist)

1985 – Recording with Eastman Jazz Ensemble; Rayburn Wright, dir. (Mark Records)
Hang Time


Publications

2004 – Twenty-Four Advanced, Practical Etudes (Kagarice Brass Editions)

2004 – Low Brass Album of Art Songs (Universal Editions): A text giving historical perspective to the pedagogical practice of brass players transcribing vocal music. Contains transcriptions, translations, and editions of music or John Dowland, Franz Schubert, and Gabriel Fauré.

2002 – School Band and Orchestra Magazine; “How to Buy a Euphonium” (July, 2002 edition)