EILEEN MALONE COLLECTION

SUB-GROUP II: PROFESSIONAL PAPERS

Series 1: Publicity

Box 22

folder 1 Reviews, articles and publicity: Miss Malone’s career, 1936-1969.
folder 2 Reviews, articles and publicity: Miss Malone’s career, 1970-1973.
folder 3 Other press material: file of press clippings.
Contents are the following:

  • article “Music school graduates in fine recital” by William P. Costello, published in the Rochester press (attribution lacking)
  • Section of Rochester Times-Union, May 16, 1931, bearing a drawing (“study”) of E.M. by John C. Menihan on page 15, together with three copies of same extracted from the newspaper and filed herein
  • Issue of The Rochester Herald, May 15, 1931, featuring page-one article “M. Eileen Malone to study in Paris with Marcel Tourneer [sic]”
  • article “Week in Music: Civic Orchestra at Eastman—Opera Slated” in Rochester Democrat & Chronicle, April 25, 1943, bearing photo of Eileen Malone as featured soloist with the RCO
folder 4 Xerox Social Involvement Program [report in the form of a promotional brochure]. Two copies.
On p. 11, a color photo of several RPO members with Miss Malone in the foreground, seated at the harp. The accompanying caption cites the Xerox Corporation’s support of “vital institutions and programs such as . . . the
Rochester Philharmonic Orchestra, seen here with principal harpist Eileen Malone.”
folder 5 Reviews, articles and publicity: Miss Malone’s career, 1980-1989; also includes undated items.
folder 6 Articles and publicity: other musicians, 1949-1981.
folder 7 Articles and publicity: other musicians, 1982.
folder 8 Articles and publicity: other musicians, 1987-1989; also includes undated items.

Series 2: The American Harp Society

Box 22

folder 9 Proposed revised by-laws
folder 10 Minutes of meetings of the Board of Directors, 1971-72:
Seventeenth Meeting, June 23, 1971 (3 pages);
Eighteenth Meeting, June 24, 1971 (3 pages);
Twentieth Meeting, June 20, 1972 (3 pages);
Twenty-second Meeting, June 24, 1972 (3 pages).
folder 11 Minutes of meetings of the Executive Committee, 1971-1972:
Fifth Regular Meeting, January 5, 1971 (3 pages, appended by copy of the financial report, AHS 7th National Conference, June 1970);
Sixth Regular Meeting, February 3, 1971 (3 pages);
Seventh Regular Meeting, March 9, 1971 (2 pages);
Eighth Regular Meeting, May 3, 1971 (3 pages);
Ninth Regular Meeting, July 29, 1971 (3 pages);
Special Meeting, June 22, 1971 (1 page);
Tenth Regular Meeting, October 5, 1971 (3 pages; appended by a
memorandum from President Balderston, October 1971);
Eleventh Regular Meeting, November 21, 1971 (2 pages);
Twelfth Regular Meeting, January 4, 1972 (4 pages);
Thirteenth Regular Meeting, February 1, 1972 (2 pages);
Fifteenth Regular Meeting, May 2, 1972 (2 pages).
First [sic] Regular Meeting, July 18, 1972 (3 pages).
folder 12 Minutes of the Annual Meeting of Members, 1971-72:
June 22, 1972, 9:30 AM and 12 noon sessions (3 pages); June 24, 1971 (2 pages).
folder 13 Official program, Second National Convention, June 25-27, 1965. Two copies.
folder 14 Official program, Third National Convention, June 23-26, 1966.
folder 15 Official program, Fourth National Convention, June 22-25, 1967. Two copies.
folder 16 Official program, Fifth National Convention, June 26-30, 1968.
folder 17 Participant’s folder, Eighth National Convention, June 23-26, 1971.
Includes copy of official program.
folder 18 Official program, Thirteenth National Conference, June 23-26, 1976.
folder 19 Participant’s folder, Sixteenth National Conference, June 19-23, 1979.
Includes copy of official program.
folder 20 Participant’s folder, 17th National Conference, June 24-28, 1980.
Includes copy of official program.

Box 23

folder 1 Participant’s folder, 21st National Conference, June 20-23, 1984.
Includes copy of official program.
folder 2 Participant’s folder, 22nd National Conference, June 19-22, 1985.
Includes copy of official program.
folder 3 Participant’s folder, 23rd National Conference, June 25-28, 1986.
Includes copy of official program.
folder 4 Participant’s folder, 24th National Conference, June 17-20, 1987.
Includes copy of official program.
folder 5 Preparatory Draft Materials; and, Participant’s folder, Sixth National Conference, June 26-29, 1969.
Includes copy of official program.
folder 6 Memberships Directories, January 1, 1979; and, January 1, 1985.
folder 7 Programs, various, 1968-1976
folder 8 Awards and Certificates
folder 9 Publicity and Speeches
folder 10 Correspondence, 1963, 1969-71, 1979, 1980, undated
folder 11 Notes taken at harp workshops, July 8th and 9th, 1963 (ink MS; 17 pages)
folder 12 Hand-out from presentation “Programming and Presentation for Harpists” by
Longstreth & Escosa, Workshop on June 22, 1979 at AHS Convention, San
Francisco, California.

Series 3: Festivals, Conventions, and Competitions

Box 23

folder 13 Participant’s folder, Second Summer Festival of Pop Music for Harp, 1979.
folder 14 Hand-outs from presentation by Eleanor Fell at the [? Festival of Pop Music for Harp], 1982 [? at the Eastman School of Music]
folder 15 Official program, Eileen Malone Celebration at the Eastman School of Music,September 23-25, 1983. Two copies.
Accompanied by a copy of the Beaux Arts Concerts bureau press release (3 pages).
folder 16 Official brochure, Sixth International Harp Contest (Sixième Concours International de Harpe), Jerusalem, Israel, September, 1976.

Box 24

folder 1 Participant’s folder, Seventh International Harp Contest in Israel, September 2nd-14th, 1979. Includes copy of official program.
folder 2 Participant’s folder, Eighth International Harp Contest in Israel, September 6th-15th, 1982. Includes copy of official program.
folder 3 Adjudication notes, Seventh International Harp Contest in Israel, September 2-14, 1979.             RESTRICTED
folder 4 Press clippings, Ninth International Harp Contest in Israel, July 9-21, 1985.
folder 5 Adjudication notes, Tenth International Harp Contest in Israel, November 20- December 3, 1988.                RESTRICTED
folder 6 Press clippings, Tenth International Harp Contest in Israel, November 20- December 3, 1988.
folder 7 Adjudication notes, Eighth International Harp Contest in Israel, September 5- 15, 1982.                               RESTRICTED
folder 8 “Intimate Encounter with the Harp”: Colloquium with composers at Eastman, October 30, 1981. A free transcript of the lecture Lucile Johnson Rosenbloom and Marcela Kozíkova.

Series 4: Research

Box 24

folder 9 Goetschius, Percy. The Theory and Practice of Tone Relations. New York: G. Schirmer, Inc., c1892. 174 pages.
folder 10 Pratt, Samuel O. Affairs of the Harp. New York: Charles Colin, c1964. 206 pages.
Author’s inscription on title page.

Box 25

folder 1 Swift, Frederic Fay. The Story of Musical Instruments. Book 1: Strings [and] Woodwinds. New York: Belwin-Mills, c1973. 64 pages.
folder 2 Tournier, Marcel. The Harp. A history of the harp throughout the world; with a preface by Marcel Dupré. Paris: Henry Lemoine & Cie, c1959. 94 pages.
folder 3 Copy of patent no. 2,812,681. A. L. Carron, inventor. Electrically operated key-changing harp mechanism. Filed November 13, 1953; patented November 12, 1957.
folder 4 John, Patricia. The Gothic Harp and its Music. Houston: The Pantile Press. Contents are ten works of music dating from the XIII-XVI centuries; illustrated.
folder 5 Rosen, Myor. Manual on Writing Technique of the Harp. Copyright 1959 by the author.
Author’s inscription on title page.
folder 6 Suchy, Jessica. The Baroque Harp. — 1976
Author’s inscription on title page.
Inscribed by the author.
folder 7 Suchy, Jessica. Carl Philipp Emanuel Bach: A Mixture of Stylistic Traits as Illustrated by his Sonata for Harp. — 1978
folder 8 The American Harp Journal, vol. 2, no. 2 (Fall 1969).
Letter from Eileen Malone published on page 2.
folder 9 The American Harp Journal, vol. 7, no. 1 (Summer, 1979).
Feature article “Eileen Malone: Eastman School of Music” by Sally Maxwell on pages 3-5.
folder 10 The American Harp Journal, vol. 9, no. 3 (Summer, 1984).
Eileen Malone appears in the photograph of the jury of the First International Harp Competition in Israel (1959), page 40.
folder 11 The American Harp Journal, vol. 10, no. 1 (Summer, 1985).
An issue largely in tribute to Carlos Salzedo, whose photo appears on the cover.
folder 12 Bulletin de L’Association Internationale Des Harpistes et Amis de la Harpe (Juin, 1964).
Miss Malone cited within as an honorary member of the Association.
folder 13 Notes from Eastman, vol. IV, no. 1 (October, 1969).
Miss Malone in cover photograph (with composer Alec Wilder).
folder 14 Malone, Eileen. Evolution (History) of the Harp [research paper]. Typescript drafts and one pencil draft.
folder 15 Malone, Eileen. The Harp in the Time of the Bible [research paper]. Typescript draft; accompanied by MS compilation of “Quotations from the Bible on the Harp”.
folder 16 Transcript of episode of University Open House, April 26, 1965, featuring Eileen Malone speaking on the harp. Typescript.
folder 17 Malone, Eileen. Notes on the history of the harp.
folder 18 Malone, Eileen. Reference Material for History of the Harp
folder 19 Malone, Eileen. Similarities and Differences Between Keyboard Instruments and the Harp. Typescript; 3 pages.
folder 20 Malone, Eileen. Technique and Playing the Harp. Typescript; 7 pages. Two copies.
folder 21 Neill, Lou Anne. Report on the harp part of Circles (1960) by Luciano Berio. Presented at the salvi Summer Festival, Santa Barbara, CA, July 10, 1980.

Series 5: Concert Programs

Box 26

folder 1 Rochester Philharmonic Orchestra: a sampling (7 documents)
November 6, 1941—December 3, 1942—December 14, 1952— December 18, 1952—April 1, 1965—April 5/26 and May 10/17, 1973—March 6, [without year]
folder 2 Eastman School of Music, 1935-1945 (30 documents)
folder 3 Eastman School of Music, 1946-1989 (62 documents)
folder 4 Other, 1925-1940 (10 documents)
folder 5 Other, 1962-1968 (34 documents)
folder 6 Other, 1969-1972 (16 documents)
folder 7 Other, 1980-1989, and those undated (16 documents)

Series 6: Correspondence

Box 26

folder 8 Correspondence, 1948-1956 (3 documents)
folder 9 Correspondence, 1962-1969 (9 documents)
folder 10 Correspondence, 1970-1973 (23 documents)
folder 11 Correspondence, 1978-1990 (16 documents)
folder 12 Correspondence, undated (9 documents)
folder 13 ESM Intra-mural Correspondence (7 documents)

Series 7: Photographs

Sub-series A: 4 x 5” sleeves

Box 27

The photos in box 27/sleeves 1 – 18 were originally enclosed in a card housed in box 26/11.

sleeve 1 Unidentified adult harpist in Kilbourn Hall, ESM during summer harp institute, July 1984. Color.
sleeve 2 Assembled harp class on-stage in Kilbourn Hall, ESM during summer harp institute, July 1984. Color.
sleeve 3 Assembled harp class on-stage in Kilbourn Hall, ESM during summer harp institute, July 1984, while Eileen Malone directs from the house. Color.
sleeve 4 Unidentified adult harpist in Kilbourn Hall, ESM during summer harp institute, July 1984. Color.
sleeve 5 Unidentified adult harpist in Kilbourn Hall, ESM during summer harp institute, July 1984. Color.
sleeve 6 Unidentified harpist in Kilbourn Hall, ESM during summer harp institute, July 1984. Color.
sleeve 7 Unidentified adult harpist in Kilbourn Hall, ESM during summer harp institute, July 1984. Color.
sleeve 8 Unidentified adult harpist in Kilbourn Hall, ESM during summer harp institute, July 1984. Color.
sleeve 9 Unidentified harpists in Kilbourn Hall, ESM during summer harp institute, July 1984. Color. Two copies.
sleeve 10 Unidentified harpist in Kilbourn Hall, ESM during summer harp institute, July 1984. Color. Two copies.
sleeve 11 Unidentified harpist in Kilbourn Hall, ESM during summer harp institute, July 1984. Color. Two copies.
sleeve 12 Unidentified harpist in Kilbourn Hall, ESM during summer harp institute, July 1984. Color. Two copies.
sleeve 13 Assembled harp class on-stage in Kilbourn Hall, ESM during summer harp institute, July 1984, while Eileen Malone directs from the house. Color.
sleeve 14 Unidentified harpist in Kilbourn Hall, ESM during summer harp institute, July 1984. Color.
sleeve 15 Unidentified adult harpist in Kilbourn Hall, ESM during summer harp institute, July 1984. Color.
sleeve 16 Assembled harp class on-stage in Kilbourn Hall, ESM during summer harp institute, July 1984, while Eileen Malone directs from the house. Color.
sleeve 17 Assembled harp class on-stage in Kilbourn Hall, ESM during summer harp institute, July 1984, while Eileen Malone directs from the house. Color.
sleeve 18 Eileen Malone with students enjoying a restaurant gathering during the summer harp institute at the ESM, July 1984. Color.
sleeve 19 Eileen Malone with Mr. and Mrs. Marcel Grandjany; [1970]. Color.
Accompanying letter filed in box 26/10.
sleeve 20 Eileen Malone (at harp) with an unidentified man; undated. Color.
Accompanying note indicates photo was taken at a conference of the American Harp Society.
sleeve 21 Five Kodachrome Transparency slides. Color.
N.B. These images comprise a sequence, apparently taken during an out-of-town (or out-of- country) engagement.
slide 15: Eileen Malone tuning a harp in a backstage setting
slide 17: taken in sequence with no. 15, Eileen Malone tuning (here smiling)
slide 27: three people (Eileen Malone at left, in sunglasses), outdoors
slide 29: Eileen Malone photographed outside terminal at Patrick Henry Airport [today Newport News/Williamsburg International Airport]; formally dressed, as was once customary for air travel; fine weather
slide 32: travellers making their way onto the airport tarmac; Eileen Malone at center, facing the camera and smiling, boarding pass in hand; name PATRICK HENRY visible on terminal’s exterior wall; tail of an aircraft visible at far right
sleeve 22 Unidentified woman playing the harp; undated. B&W
sleeve 23 Sandy and Bruce Grandjany with their three children, Max, Amanda, and Blake; undated. Color
sleeve 24 Penny Currier and Rubén González on their wedding day, November 17th, 1990. Color
N.B. Penny Currier, BM ’75, student of Eileen Malone.
sleeve 25 Eileen Malone with an unidentified couple; undated. Color
sleeve 26 Eve and Daniel Patton on the occasion of their wedding day; Color.
Inscription on reverse sending Christmas (1988) wishes to “Miss Malone”.
sleeve 27 Portrait of Eileen Malone by John C. Menihan. Color.
N.B. Today the hangs on Cominsky Promenade at the Eastman School of Music.
sleeve 28 A gathering of five harpists, identified on reverse by their first names: Billie, Julia Louise, Eileen [Malone], Margaret, Gail; undated. Color.
Caption indicates taken in Lubbock [Texas].
sleeve 29 Elinor [and ?husband] with four children, Joe, Dave, Jennie, Laurie; October,1988. Color
sleeve 30 Elinor [and ?husband] with children Jennie, Laurie, Dave, and Joe; 1987. Color
sleeve 31 Eileen Malone, Billie Walfe, and Margaret Norman, taken in Lubbock (as per caption on reverse); undated. Color
sleeve 32 Reunion of Eastman harpists at the [?American Harp Society] conference, Denver in June, 1988; Eileen Malone seated, flanked by seven women, all standing. Color
sleeve 33 Doris Scharing and Jasna Corrado at harp workshop; undated. Color. Two copies
N.B. Ms. Scharing, principal harpist, Niagara Symphony Orchestra, St. Catharines, ON Canada; Ms. Corrado (later Corrado-Merlak), a pupil of Miss Malone in the 1980s, later an international competition winner and frequent soloist around the world
sleeve 34 Close-up of harp with score on music stand; undated. Color
sleeve 35 Five unidentified young women, presumably all harp students, seated in a vehicle; undated. Color
sleeve 36 Beth Anne Breneman and Cathy Cavenaugh standing outside the ESM [ ?on the occasion of a master class under Eileen Malone] beneath marquee announcing “TRIBUTE TO EILEEN MALONE”; September 24, 1983. Color
sleeve 37 Master class in Howard Hanson Hall at the ESM. Eileen Malone working with Beth Breneman, September 24, 1983; Elizabeth Baker and Suzanne Thomas sitting directly in front of the camera. Color
sleeve 38 On the occasion of the unveiling of Eileen Malone’s faculty portrait, Eileen Malone receives a congratulatory handshake from an unidentified gentleman [?the artist?], September 24, 1983. Color
sleeve 39 Eileen Malone, Beth Breneman, and Suzanne Thomas on the occasion of the unveiling of Eileen Malone’s faculty portrait; September 24, 1983. Color
sleeve 40 Eileen Malone, Donna Hawkes and “Dad” Hawkes, December 14, 1989. Color
sleeve 41 Eileen Malone and [ ?Cathy White] on the Isle of Man, 1983. Color
sleeve 42 Eileen Malone and Lou Anne Neill, Phoenix, June 1983. Color
N.B. Lou Anne Neill, principal harpist of the Los Angeles Philharmonic Orchestra.
sleeve 43 Eileen Malone appearing beside a chromatic harp, Maastricht, 1983. Color
sleeve 44 Eileen Malone and David Watkins on the Isle of Man; [1983]. Color
sleeve 45 Stephanie Pelz and Eileen Malone, summer 1980. Color
N.B. Stephanie Pelz (later Bennett), Los Angeles-based harpist, composer, arranger, vocalist.
sleeve 46 Penny Currier seated at harp, December, 1980. Color
sleeve 47 Penny Currier seated at harp, December 1981. Color. Inscription on reverse.
sleeve 48 Linda Warren and Eileen Malone on the occasion of the latter’s wedding; undated. Color
N.B. Linda Warren, later Mrs. Linda K. Nash, BM ’79, MM ’80.
sleeve 49 Members of the Remsen family at wedding; undated. Color
N.B. Eric Remsen, percussionist, member of the St. Paul Chamber Orchestra and Los Angeles Chamber Orchestra, and son of Dorothy Remsen, BM ’41, former student of Eileen Malone and harpist, Los Angeles Philharmonic Orchestra.
sleeve 50 Eileen Malone, outdoor shot; undated. Color
sleeve 51 Eileen Malone and an unidentified gentleman; undated. Color
sleeve 52 Eileen Malone and Gail Barber in Lubbock, Texas; undated. Color
N.B. Gail Barber (1937-2017), ESM graduate (BM/PC, 1959), harpist, composer and Professor at Texas Tech University in Lubbock.
sleeve 53 Eileen Malone and husband of Gail Barber in Lubbock, Texas; undated. Color
sleeve 54 Eileen Malone and others, unidentified; undated. Color
sleeve 55 Eileen Malone and others, unidentified; undated. Color
sleeve 56 Group of four unidentified women (two of whom appear in photo in sleeve 55); undated. Color
sleeve 57 Eileen Malone and others, unidentified (one gentleman appears in photo in sleeve 55; the woman appears in photo in sleeve 56); undated. Color
sleeve 58 Eileen Malone and others, unidentified; undated. Color
sleeve 59 Eileen Malone and others, unidentified; undated. Color
sleeve 60 Eileen Malone and others, unidentified, same function as that of photo in sleeve 59; undated. Color
sleeve 61 Unidentified young people (presumably harp students) on the occasion of a Christmas recital, December 1981. Color
sleeve 62 Eileen Malone with [unidentified woman] and 1-year-old Marielle Sofia, September, 1983. Color
sleeve 63 Unidentified young family — man, woman and child; undated. B&W
sleeve 64 Eileen Malone and unidentified woman ( ?former student); undated. Color
sleeve 65 Harpist Lauralee [ ?last name not given], seated harp; inscribed “To my wonderful / teacher 7 friend / Love / Lauralee”; undated. B&W
sleeve 66 Unidentified gentleman with horn; undated. B&W
sleeve 67 Eric and Gail Remsen, August 5, 1967. Color.
sleeve 68 Unidentified harpist
sleeve 69 Unidentified woman
sleeve 70 Eileen Malone
sleeve 71 Eileen Malone and harp (negative)
sleeve 72 Eileen Malone and harp (negative)
sleeve 73 Eileen Malone and harp
sleeve 74 Eileen Malone and harp (negative)
sleeve 75 Eileen Malone: senior photograph for The Score 1928. B&W. Three copies
sleeve 76 Eileen Malone (with harp) and an unidentified man; undated. Color
sleeve 77 Unidentified boy; undated. B&W. In commemorative photo holder
sleeve 78 Eileen Malone on the day of her ESM graduation, standing outside the ESM. B&W.
The photos in sleeves 79-89 were originally housed in a small album.
sleeve 79 Two young harpists seated at their instruments; undated. Color.
sleeve 80 Melissa Mildred Reif Webster, aged one month, in her cradle; October 22, 1965. Color.
sleeve 81 Two unidentified women (and a dog) in park near the lakeshore; undated. Color. (Print indicates AUG 59 as date of processing.
sleeve 82 Melissa Mildred Reif Webster in the arms of [ ?her grandmother], aged one month, October 22, 1965. Color. Inscription to Eileen Malone on reverse.
sleeve 83 Outdoor gathering of women and girls at luncheon or tea; date on reverse indicates print processed in November, 1963. Color.
sleeve 84 The same outdoor gathering as seen in sleeve 83, here seen from a different angle; processed in November, 1963. Color.
sleeve 85 The same outdoor gathering as seen in sleeves 83 and 84; in this shot, Eileen Malone has joined the group; processed in November, 1983. Color.
sleeve 86 Group of three (two men and a woman) at poolside in a Southern California backyard; the famed Hollywood sign visible in distance; processed in December, 1959. Color.
sleeve 87 Unidentified family of six at water’s edge on a beach or shoreline; signed Joe and Terry Martins; undated. B&W.
sleeve 88  Group of three (Eileen Malone and a man and woman) seated at water’s edge; undated. Color.
sleeve 89 Eileen Malone, seen outside what is apparently a church; undated; Color.

Sub-series B: 4 x 6” sleeves

Box 28

sleeve 1 Eileen Malone and an unidentified man standing in the main hall of the ESM. B&W. Photo by Louis Ouzer, Rochester NY (Ouzer Archive 4025-31, October 11, 1991).
Photos in sleeves 2-4 originally enclosed with letter now in box 26/11.
sleeve 2 Eileen Malone with unidentified women; [1990]. Color.
Provenance: Laurie Buchanan, July, 1990.
sleeve 3 Unidentified group (conference attenders), all wearing badges; Eileen Malonein first row, seated; [1990]. Color.
Provenance: Laurie Buchanan, July, 1990.
sleeve 4 Eileen Malone seated at harp; [1990]. Color.
Provenance: Laurie Buchanan, July, 1990.
Photos in sleeves 5 and 6 originally enclosed with letter now in box 26/11.
sleeve 5 Eileen Malone with two unidentified women; [1990]. Color.
Provenance: Laura Zaerr, August, 1990.
sleeve 6 Eileen Malone with an unidentified woman; [1990]. Color.
Provenance: Laura Zaerr, August, 1990.
sleeve 7 Negatives
sleeve 8 Negatives
sleeve 9 Unidentified man and woman, “Before the Concert”, July 24, 1990. Color.
sleeve 10 Penny Currier, 1987. Color. Inscription on reverse.
sleeve 11 Group of four: Eileen Malone with two women and a gentleman; undated.Color.
sleeve 12 Eileen Malone with Mariella Sofia (aged 4 and a half) and holding Giovannino (aged 14 months); March, 1987. Color.
sleeve 13 Eileen Malone and unidentified woman; March, 1987. Color.
sleeve 14 Unidentified girl with harp; undated. Color.
sleeve 15 Christmas photo-card of the Edwards family (Chris, Dawn, and Mike); undated as to year. Color.
sleeve 16 Two young women with harp, outdoor shot; signed Linda and Laura on reverse; undated. Color.
sleeve 17 Maastrieht skyline; message on reverse from Lucile Jennings; undated. Color.
sleeve 18 Maria Banks (seated at harp) and Eileen Malone; undated. Color
sleeve 19 Maria Banks (seated at harp) and Eileen Malone; undated. Caption on reverse “lesson in my apartment”. Color.
sleeve 20 Maria Banks (seated at harp) and Eileen Malone; undated. Color.
sleeve 21 Maria Banks, standing on the steps to no. 148 Gibbs Street, Rochester NY; undated. Color.
sleeve 22 Maria Banks (seated at harp) and Eileen Malone; undated. Color.
sleeve 23 Picture postcard of Comox Bay, Vancouver Island, B.C.; handwritten message (unsigned) on reverse; undated. Color.
sleeve 24 Picture postcard of the Hornby Island Community Theater, Hornby Island, B.C.; handwritten message (unsigned) on reverse; undated. Color.
sleeve 25 Unidentified woman holding baby Mariella Sofia (aged 3 weeks) on her Christening Day, October 24, 1982. Dolor.
sleeve 26 Holiday photo-card from The Speros; signed on reverse “Barbara L____ Spero & family”; undated. Color.
sleeve 27 Eileen Malone (in her mature years) seated at harp; undated. Color.
sleeve 28 Eileen Malone (in her mature years) and harp; undated. B&W.
sleeve 29 Eileen Malone (in her mature years) and two unidentified young women (presumably students); undated. Color.
sleeve 30 Eileen Malone (in her mature years) seated before a microphone at a gathering; undated. Color.
sleeve 31 Group of three: Eileen Malone, Gail Barber and one unidentified woman; undated. Color.
sleeve 32 Four harpists, standing with their instruments; the event not identified; undated. Color.
sleeve 33 Ensemble of four harpists seated at their instruments; undated. B&W.
sleeve 34 Mariella Sofia, aged 8 and a half months; outdoor shot; undated. Color.
sleeve 35 Christmas photo-card showing the two Hasty children (boy and girl); reverse signed The Hastys; undated. B&W.
sleeve 36 Group of six: Eileen Malone at left; five others unidentified; date of processing on reverse “JULY 90”. Color.
sleeve 37 Eileen Malone with unidentified man and woman (two harps behind); date of processing on reverse “AUG 90”. Color.
sleeve 38 Eileen Malone with two unidentified women; date of processing on reverse “AUG 90”. Color.
sleeve 39 Eileen Malone with an unidentified woman; date of processing on reverse “AUG 90”. Color. Same event as that of photo in sleeve 38.
sleeve 40 Eileen Malone with two unidentified women; date of processing on reverse “AUG 90”. Color. Same event as that of photo in sleeve 38.
sleeve 41 Eileen Malone with three unidentified women; date of processing on reverse “AUG 90”. Color. Same event as that of photo in sleeve 38.
sleeve 42 Eileen Malone with four unidentified women, outdoor shot; presumably an American Harp Society meeting; date of processing on reverse “AUG 90”. Color.
sleeve 43 Eileen Malone with unidentified man and woman; date of processing on reverse “JULY 90”. Color. Same event as that of previous sleeves in box 28.
sleeve 44 Eileen Malone with an unidentified man; date of processing on reverse “JULY 90”. Color. Same event as that of previous sleeves in box 28.
sleeve 45 Assembled group; Eileen Malone seated in first row at center; date of processing on reverse “AUG 90”. Color. Matches group in photo in sleeve 42.
sleeve 46 Close-up shot of hands on harp strings; their identity uncited; undated. B&W.
sleeve 47  One of two shots of a formal gathering, attendees all seated at luncheon or banquet tables; undated. B&W.
sleeve 48 Second of two shots of a formal gathering, attendees all seated at luncheon or banquet tables; undated. B&W.
sleeve 49 Marilyn Schiewe, harpist (publicity shot). Color.
Evidence of use: pin-holes indicating display on board.
N.B. Marilyn Schiewe, BM ’64, MM ’66, later Mrs. Marilyn Hopkins.
sleeve 50 Eileen Malone at the harp (publicity shot). B&W. Photo by Louis Ouzer, Rochester NY.
sleeve 51 Eileen Malone (in her mature years), close-up shot of face and hands on the harp strings; undated. B&W.
sleeve 52 Eileen Malone as a young adult (publicity shot); undated. B&W. Print bears watermark UNRETOUCHED PROOF.
Photos in sleeves 52, 53, and 54 apparently taken during one photo shoot (based on Miss Malone’s attire).
sleeve 53 Eileen Malone as a young adult (publicity shot); undated. B&W. Print bears watermark UNRETOUCHED PROOF.
Photos in sleeves 52, 53, and 54 apparently taken during one photo shoot (based on Miss Malone’s attire).
sleeve 54 Eileen Malone as a young adult (publicity shot); undated. B&W. Print bears watermark UNRETOUCHED PROOF.
Photos in sleeves 52, 53, and 54 apparently taken during one photo shoot (based on Miss Malone’s attire).
sleeve 55 Eileen Malone as a young adult (publicity shot); undated. B&W. Print bears watermark UNRETOUCHED PROOF.
Photos in sleeves 55 and 56 apparently taken during the same photo shoot (based on Miss Malone’s attire).
sleeve 56 Eileen Malone, as a young adult, seated at harp (publicity shot); undated. B&W. Print bears watermark UNRETOUCHED PROOF.
Photos in sleeves 55 and 56 apparently taken during the same photo shoot (based on Miss Malone’s attire).

Sub-series C: 8 x 10” sleeves

Box 29

sleeve 1 Eileen Malone shaking hands with an unidentified man; others standing nearby, indicating a reception; undated. B&W. Two copies.
sleeve 2 Eileen Malone, dressed in academic garb, on the day of her ESM Commencement; exterior shot outside the ESM. B&W.
sleeve 3 Unidentified woman, dressed in academic garb, outside the ESM; apparently on same day as preceding photo. B&W.
sleeve 4 Eileen Malone seated at harp (publicity shot); undated. B&W. Signed “Eileen”. Photo by Loulen Studio, Rochester NY.
sleeve 5 Eileen Malone seated at harp (publicity shot); undated. B&W.
sleeve 6 Eileen Malone, portrait (publicity shot); undated. B&W. Photo by Varden.
sleeve 7 Eileen Malone seated at harp (publicity shot); side view; undated. B&W.
Photo by Loulen Studio, Rochester NY.
sleeve 8 Eileen Malone with harp (publicity shot). B&W. Photo by Louis Ouzer,
Rochester NY (Ouzer Archive R452-22; November 1, 1968).
sleeve 9 Eileen Malone seated at harp (publicity shot [possibly a cropped copy of image in Box 29/5]); undated. B&W.
sleeve 10 Eileen Malone seated at harp (publicity shot); undated. B&W.
sleeve 11 Eileen Malone seated at harp (publicity shot); side view; undated. B&W.
sleeve 12  Eileen Malone and harp (publicity shot); undated. B&W.
sleeve 13 Eileen Malone and harp (publicity shot); undated. B&W. Two copies.
sleeve 14 Eileen Malone in young adulthood, portrait; undated. B&W.
sleeve 15 Eileen Malone seated at harp (publicity shot); undated. B&W. Photo by Louis Ouzer, Rochester NY.
sleeve 16 Ensemble of five women, each seated at a harp, assembled on-stage in a studioistic setting; Eileen Malone second from right; undated. B&W.
sleeve 17 Ensemble of five women (the same five harpists as in image Box 29/16); undated. B&W.
sleeve 18 Eileen Malone, in her youth, seated at harp (publicity shot); undated. B&W. Photo by Byron Morgan, Rochester NY. Four copies.
sleeve 19 Eileen Malone and harp (publicity shot); undated. B&W. Five copies.
sleeve 20 Eileen Malone and harp (publicity shot); undated. B&W. Photo by Louis Ouzer, Rochester NY. Eleven copies.
sleeve 21 Eileen Malone and harp (publicity shot); undated. B&W. Five copies.
sleeve 22 Eileen Malone, as a young adult, seated at harp (publicity shot); undated. B&W. Photo by Loulen Studio, Rochester NY.
sleeve 23 Eileen Malone, in her youth, seated at harp (publicity shot); undated. B&W.
Photo by Byron Morgan, Rochester NY.
sleeve 24 Woman (not identified in full) seated at harp; undated. B&W. Photo bears inscription to “Miss Malone” from “Laurie”. Photo by James J. Kriegsmann.
Evidence of wear; several pin-holes as though displayed on a board.
sleeve 25 Four young children, each seated at a harp, on-stage in Kilbourn Hall at the ESM; undated. B&W.
sleeve 26 Group of fourteen women assembled in a pose between two harps; Eileen Malone seated in first row at left; details as to purpose of the gathering are lacking; undated. B&W. Photo by Louis Ouzer [attribution on accompanying sleeve, no longer extant]. Two copies.
sleeve 27 Close-up shot of row of harps with harpists’ hands; caption “Xmas 1963” on reverse. B&W. Markings on print indicate pre-publication copy.
Evidence of wear; several pin-holes as though displayed on a board.
sleeve 28 Gérard Hekking, violoncellist. B&W. Inscribed to “Miss Aline Malone” with date 1933.
sleeve 29 Erich Leinsdorf, conductor. B&W. Inscribed “To Miss Eileen Malone with many good wishes Erich Leinsdorf”. [Photo by Alexander Leventon, Rochester NY.]
sleeve 30 Ribert A. Kidera (President, Nazareth College) congratulates three recipients of the honorary Doctor of Laws degree at Nazareth College’s 55th annual commencement, May 16th, 1982. From left to right, Dr. Allan Kuusisto, Edward Villella, Eileen Malone, President Kidera. B&W. Excerpt from publication under caption “News at Nazareth”.
sleeve 31 Eileen Malone with two unidentified woman; outdoor shot; undated. Color.
sleeve 32 Unidentified woman seated at harp; undated. B&W. Photo by The Buffalo Evening News.
Evidence of wear; several pin-holes as though displayed on a board.
sleeve 33 Unidentified woman; undated. B&W. Caption on reverse cites “p. 31 Score” [ESM yearbook photo?].
Evidence of wear; several pin-holes as though displayed on a board.
sleeve 34 Eileen Malone as a young adult; portrait; undated. B&W.
sleeve 35 The Rochester Civic Orchestra, assembled on-stage; conductor Guy Fraser Harrison on podium; his back to the house; ESM faculty members in the shot include John Celentano (at left in second row of violinists) and Eileen Malone (at far right); undated. B&W.
sleeve 36 Chamber group (possibly ESM students), three members seated and two standing; Eileen Malone (with harp) at center; undated. B&W.
sleeve 37 Eileen Malone, smiling, tuning harp; undated. B&W.
sleeve 38 Pierre Monteux, conductor, in jovial pose. B&W. Inscribed by Monteux to Eileen Malone.
Evidence of wear; several pin-holes as though displayed on a board.
sleeve 39 Frederick Fennell, conductor. B&W. Inscribed “To Eileen with love and best wishes FF 1 August 62”.
Evidence of wear; several pin-holes as though displayed on a board.
N.B. Photo is a portrait of FF, smiling and with cigarette in hand, that was taken during the 1961-62 overseas tour by the Eastman Philharmonia.
sleeve 40 Unidentified man playing harp; undated. B&W.
sleeve 41 Mildred Dilling seated at harp. B&W. Inscribed “To lovely Eileen / with admiration / and affection / Mildred”.
sleeve 42 Unidentified young woman seated at harp; undated. B&W.
Evidence of wear; several pin-holes as though displayed on a board.
sleeve 43 Eileen Malone and Alec Wilder. B&W. Photo by Louis Ouzer, Rochester NY (Ouzer Archive R691-16, July 3, 1969).
sleeve 44 Nine young women, each with harp (four standing, five seated); possibly Eileen Malone’s harp class at the ESM; undated. B&W.
Evidence of wear; several pin-holes as though displayed on a board.
sleeve 45 Robert Barlow playing the harp. B&W. Inscribed “In deep gratitude / and appreciation to / my wonderful teacher / and friend, Eileen Malone — / Robert Barlow.” Photo by Louis Ouzer, Rochester NY.
Evidence of wear; several pin-holes as though displayed on a board.
N.B. Published in The Score 1961 as Mr. Barlow’s senior picture.
sleeve 46 Eileen Malone as a young woman, seated at harp; undated. B&W.
sleeve 47 Marcel Grandjany playing the harp; close-up shot. B&W. Inscribed “To my dear Eileen / with affectionate wishes / Marcel Grandjany Septembre 1957”.
Evidence of wear; several pin-holes as though displayed on a board.
sleeve 48 Georges Enesco, composer; portrait shot. B&W. Inscribed “A Mademoiselle Eileen Malone, / respectueusement Georges Enesco 1946”.
Evidence of wear; several pin-holes as though displayed on a board.
sleeve 49 Hands of Marcel Grandjany; close-up shot at the harp; undated. B&W.
Evidence of wear; several pin-holes as though displayed on a board.
sleeve 50 José Iturbi, conductor. B&W. [Photo by Alexander Leventon.]
Evidence of wear; several pin-holes as though displayed on a board.
sleeve 51 Mildred Dilling, harpist (publicity shot). B&W. Inscribed “For my dear colleague Eileen — for her rogue’s / gallery or history of the Harp Class. Fondly Mildred”.
Evidence of wear; corners worn by tape, as though displayed.
sleeve 52 Ensemble of six harpists on-stage; Eileen Malone (her back to the camera) visible in capacity as director or conductor. B&W. Photo by Louis Ouzer,
Rochester NY (Ouzer Archive R1539-16A, May 3, 1972).
sleeve 53 Eileen Malone with an unidentified harp student, a young girl; undated. B&W.
N.B. Their respective ages (based on their appearances) indicate that Miss Malone was at this time a young faculty member working with a student of the ESM’s Preparatory Department.
sleeve 54 Eileen Malone with an unidentified harp student, a young boy; undated. B&W.
N.B. Their respective ages (based on their appearances) indicate that Miss Malone was at this time a young faculty member working with a student of the ESM’s Preparatory Department.
sleeve 55 Unidentified woman with harp; undated. B&W.
Evidence of wear; several pin-holes as though displayed on a board.
sleeve 56 Eileen Malone as a young woman, seated at harp; undated. B&W.
Evidence of wear; several pin-holes as though displayed on a board.
sleeve 57 Eileen Malone as a young woman (publicity shot); undated. B&W. Photo by Byron Morgan, Rochester NY. Three copies.
Evidence of wear; one copy with pin-holes as though displayed on a board.
sleeve 58 Eileen Malone and harp (publicity shot). B&W. [Photo by Josef Schiff.]
N.B. Attribution appeared on previous accompanying sleeve, no longer extant.
sleeve 59 Eileen Malone and harp (publicity shot). B&W. Photo by Josef Schiff, Rochester NY. Four copies.
sleeve 60 Eileen Malone and harp (publicity shot). B&W. [Photo by Josef Schiff.]
sleeve 61 Eileen Malone and harp (publicity shot). B&W. [Photo by Josef Schiff.]
sleeve 62 Eileen Malone and harp (publicity shot). B&W. [Photo by Josef Schiff.] Two copies.
sleeve 63 Eileen Malone as a young woman (publicity shot). B&W. Photo by Byron Morgan.
sleeve 64 Eileen Malone as a young woman with a harpist colleague; undated. B&W.
sleeve 65 Eileen Malone as a young woman, with an unidentified percussionist; undated. B&W.
sleeve 66 Eileen Malone as a young woman with harp; undated. B&W.
Evidence of wear; several pin-holes as though displayed on a board.
sleeve 67 Eileen Malone as a young woman with a harpist colleague; undated. B&W.
sleeve 68 Eileen Malone as a young woman, seated at harp; undated. B&W.
Evidence of wear; several pin-holes as though displayed on a board.
sleeve 69 Eileen Malone sharing a convivial moment with a gentleman at a reception; each in formal dress and with a martini glass in hand. B&W.
Inscribed on reverse “To Eileen / With great affection & admiration / from Wanda & Fred Geib / Taken at Wanda debut party Sept. 1958”.

Sub-series D: 11 x 14” sleeves

Box 30

sleeve 1 Unidentified harpist at the harp [this harpist seen in other photos]; undated. B&W.
sleeve 2 ? Eileen Malone and harp; undated. B&W.
sleeve 3 Helen Esselstyn; undated. Bears inscription “With love from your housemother”. B&W. Photo by Moser Studio, Rochester NY. Mounted in photo holder.
sleeve 4 Child standing at the harp; adult seated beyond; undated. Inscribed “Love Polly”. Color. Mounted in photo holder.
sleeve 5 Eileen Malone seated at the harp; Kilbourn Hall, ESM; undated. B&W. Mounted on cardstock.
sleeve 6 Unidentified woman at the harp; close-up shot of face and hands; August 27, 1974. Inscription on reverse. B&W. Mounted in matte holder.
sleeve 7 Unidentified; close-up shot; undated. Color. Photo by Peter Frosig. Mounted on cardstock.
sleeve 8 Unidentified woman, seated; undated. B&W.
sleeve 9 Page extracted from yearbook profiling Private John Patrick Malone [brother of E.M.] in ROTC uniform. B&W with text.
sleeve 10 Eileen Malone in young adulthood, seated at harp; close-up of hands on strings; undated. B&W. Two copies.
Evidence of use: pin-holds indicate was displayed on board.
sleeve 11 Eileen Malone in young adulthood, seated at harp; close-up of hands on strings; undated. B&W. Two copies.
Evidence of use: pin-holds indicate was displayed on board.
sleeve 12 Chamber orchestra; E.M. (and harp) at far right; undated. B&W.
N.B. Possibly members of the Rochester Civic Orchestra; E.M. a young adult in this shot.
sleeve 13 E.M. as a young adult; undated. B&W. Photo by White Studio, New York.
Three copies, each mounted in a folder.
sleeve 14 E.M. as a young adult; undated. B&W. Photo by White Studio, New York.
Mounted in folder.

Sub-series E: Photo albums

Box 30

album 1 Photo album no. 1
Brand: MB Keep ‘n Touch Self Adhesive Magnetic Album, 13 x 11”.
Pages 1-17 bear photographs; the bulk of them (pages 1-12) depict scenes in Israel, presumably during one of the international harp competitions.
Other identified shots:
page 14, a group photo of E.M.’s 1981-82 class (also published in The Score 1982, page 37)
page 15, a group photo of E.M. with Professor and Mrs. Abram Loft and an unidentified gentleman
page 16, a group photo of E.M. with Marcel Grandjany and, presumably, a mother and daughter (the latter seated at harp)
album 2 Photo album no. 2
Brand: MB Keep ‘n Touch Self Adhesive Magnetic Album, 13 x 11”
Photographs (pages 1-9) include shots of Malone family members in and around their Victor, NY home; Eileen Malone with Marcel Grandjany and Mrs. Grandjany; and students of Eileen Malone, photographed either with or without her.

Sub-series F: Framed prints

Box 31

item 1 Ann Nisbet; undated. B&W.
Inscribed “With sincere appreciation”.
Photo by Barker, Rochester NY; framed by Frank L. Powers, Rochester, NY.
Altogether 5.5 x 7.5”
item 2 Connie Harding; undated. B&W.
Inscribed with message.
Altogether 8 x 10”
item 3 Emory Remington; 1929. B&W.
Inscribed with message.
Photo by Alexander Leventon, Rochester NY; framed by Frank L. Powers, Rochester NY.
Altogether 9 x 12”
item 4 Doris [last name not provided]; undated. B&W
Inscribed with message.
Photo by Zamsky Studios, Philadelphia & New Haven; framed by Frank L. Powers, Rochester NY.
Altogether 7.25 x 10.25”
item 5 Janet [Remington]; undated. B&W
Inscribed with message.
Photo by Bruno & Hollywood, New York City.
Altogether 8 x 9.75”
item 6 Five young harpist seated at their instruments, not identified; presumably at the Eastman School of Music; undated. B&W
Not inscribed.
Photographer not cited.
Altogether 10.25 x 8.5”
item 7 Eugene Goossens. B&W
Inscribed with message “For my friend / Eileen Malone / souvenir of an artist. . . / and a charming personality / from her s[ illegible] / Eugene Goossens / Rochester 1931”.
Photo by Byron Morgan, Rochester NY; framed by Frank L. Powers, Rochester NY.
Altogether 9 x 12”

Series 8: Ephemera

Box 30

folder 15 Harp cartoon by Glen Morley.
N.B. Glen Morley (1912-1996), composer, conductor, and arranger; violoncellist and music librarian with the Rochester Philharmonic Orchestra.
folder 16 [Sergiu Natra], conductor: ink drawing by Herbert Sondant. Mounted on cardstock.
folder 17 Pedagogical chart showing hand positions in 13 Figures. Extracted from publication 40 Studies [no further bibliographic information provided], in which this chart is Plate III. Mounted on cardstock.
folder 18

Handbills promoting concerts. Two items:

  1. Phi Mu Alpha Sinfonia honors Dr. Howard Hanson, January 24, Kilbourn Hall; and,
  2.  Rochester Chamber Orchestra, season 1964-1965, three concerts [Eileen Malone, harp soloist, December 6, 1964].
folder 19 Harp cartoon by Potto. Copyright 1973 Clef House.
folder 20 Charcoal drawing of a harp. Artist’s signature visible but difficult to discern.

Series 9: Audio-Visual Media

Box 32

item 1 Harp Music of the New World. Jennifer Sayre, harpist.
Music by Ruiz de Ribayaz, Vargas y Guzmán, Houdy, Grandjany, Halffter, and Schifrin.
AMR 440 Amphion Musical Recordings, c1988
audio-cassette
item 2 The Moon in the Labyrinth / Luedeke. Judy Loman, harp.
No other information provided.
audio-cassette
item 3 Seascape no. 2 / Clement Reid. Carol Sue Mukhalian, harp. 3/9/88
No other information provided.
audio-cassette
item 4 The Song of the Lark / Charles Rochester Young.
No other information provided.
audio-cassette
item 5 The Gods Amused / Eliot Feld.
Danses sacrée et profanes / Debussy.
No other information provided.
5” magnetic reel
item 6 Duo for Flute and Harp / James Willey (1976)
Carl Adams, flute; Mario Falcao, harp.
No other information provided.
5” magnetic reel
item 7 Pierre Jamet: “Un Siècle de Harpe.”
Duration: 30:00.
No other information provided.
VHS video-cassette
item 8 Binder’s collection of 78rpm discs.
SEPARATED: shelved free-standing as Box 35 at C3B 1,3. 

Series 10: Oversized Material

Box 33

item 1 Photo of the assembled members of the Rochester Philharmonic Orchestra;
Eugene Goossens, conductor; undated. B&W
item 2 Mortarboard with tassel
item 3 Photo of the assembled members of either the Rochester Philharmonic Orchestra or the Rochester Civic Orchestra; Eileen Malone at far right; undated. B&W.
Framed; altogether 14 x 6”
item 4 Photo of E.M. at the harp [enlargement of a photo filed previously]; undated.
Color.
Framed; altogether 14.5 x 11.5”
item 5 Citation in recognition of E.M.’s 59 years of teaching. June, 1990.
Framed; altogether 11.5 x 15”
item 6 Citation by Rochester Alumnae Chapter of Mu Phi Epsilon. Undated.
Framed; altogether 18.75 x 12.75”

Box 34

item 1 Luedeke, Raymond. The Moon in the Labyrinth. — 1985
For harp and string quartet or string orchestra.
Harp part. MS facsim; 35 pages.
Performance notes immediately preceding the first page of music.
Accompanied by letter (undated) from the composer E.M.
item 2 Sheriff, Noam. Essay for Harp and String Quartet. — 1976
Full score. MS facsim.; 12 pages of music.
The lines of music pasted onto cardboard, presumably for ease of reading in performance.
item 3 Photo of E.M. seated at the harp; undated. B&W
Photo by Peggy Stewart, Canandaigua NY.
Mounted in a matte folder.
item 4 Photo of E.M. seated at the harp; an unidentified gentleman (her father?) in black tie stands behind her, looking into the camera; undated. B&W
Photo by Peggy Stewart, Canandaigua NY.
Mounted in a matte folder.
item 5 Commemorative album presented to E.M., June, 1990
Contains letters, photographs, and other documents constituting altogether a celebration of E.M.’s pedagogical service.
50 pages.
The full citation reads thus:
The Memory Book: / recollections from students of / Eileen Malone, / Professor Emerita of Harp / Eastman School of Music / of the / University of Rochester / 1930-1989 / Compiled by the / Rochester Chapter of the American Harp Society / Rochester, New York / Presented at the / Annual Conference / of the / American Harp Society / Trinity University / San Antonio, Texas / June, 1990.

Box 35

Binder’s collection of 78rpm discs. Separated from Series 9.

disc 1 Carlos Salzedo, harp solo.
A side: Memories of a clock — 2. Pirouetting Music Box — 3. Behind the Barracks
B side: 1. Rocking Horse — 2. On Donkey Back — 3. Rain Drops.
RCA Victor Red Seal Record 14871
Discs 2, 3, and 4 form a discographic unity.
disc 2 Concerto for Flute and Harp in C major, K.V. 299 (Mozart).
Marcel Moyse & Mlle. Lily Laskine and Orchestra (M. Piero Coppola, conductor).
[side] no. 1: Allegro (1st record)
[side] no. 6: Rondo cadence de Graener (2nd record)
His Master’s Voice C7219
disc 3 Concerto for Flute and Harp in C major, K.V. 299 (Mozart)
Same artists as on discs 2 and 3.
[side] no. 2: Allegro (2nd record)
[side] no. 5: Rondo (1st record)
His Master’s Voice C7220
disc 4 Concerto for Flute and Harp in C major, K.V. 299 (Mozart)
Same artists as on disc 2.
[side] no. 3: Andantino (1st record)
[side] no. 4: Andantino (2nd record)
His Master’s Voice C7221
disc 5 Debussy: Nuages (Clouds): No. 1 from “Nocturnes”. In two parts.
side A: Part One.
side B: Part Two.
World’s Greatest Music SR-18-A and SR-18-B. Copyright 1938
disc 6 Debussy: Fêtes (Festivals): No. 2 from “Three Nocturnes”. In two parts.
side A: Part One
side B: Part Two.
Performing forces not identified.
World’s Greatest Music SR-19-A and SR-19-B. Copyright 1938
disc 7 Debussy: Prelude to the Afternoon of a Faun. In two parts.
side A: Part One
side B: Part Two.
Performing forces not identified.
World’s Greatest Music SR-17-A and SR-17-B. Copyright 1938
disc 8 Rapsodie (for the harp) (Marcel Grandjany).
Marcel Grandjany, harp solo.
side A: Part One
side B: Part Two.
Performing forces not identified.
Victor Red Seal Record 2060-A and 2060-B.
disc 9 [Two works performed by Marcel Grandjany, harp solo]
side A: Toccata (Jean Baptist Loeillet; transcribed by Grandjany).
side B: Largo (from Violin Sonata no. 3) (Bach; adapted for harp from a transcription for piano by Saint-Saëns).
Victor Red Seal Record 2153-A and 2153-B.

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