EILEEN MALONE COLLECTION
SUB-GROUP I: MUSIC LIBRARY
Box 1
| folder 1 | Adler, Samuel. Introduction and Capriccio. MS repro; 10 pages of music. At end: MacDowell Colony, June 1964. |
|---|---|
| folder 2 | Adler, Samuel. Introduction and Capriccio. New York: Southern Music, c1968. 14 pages. |
| folder 3 | Ascher, J. Alice. Publication data lacking. 9 pages of music. |
| folder 4 | Alexander, Josef. Three Pieces for Harp. MS repro; 19 pages of music. I. Prelude — II. Interlude — III. Postlude. |
| folder 5 | Alvars, Parish. The Greek Pirate’s Chorus. New York: Brown and Buckwell, s.d. 7 pages. |
| folder 6 | Aptommas. Last Rose of Summer. New York: Brown and Buckwell, s.d. 9 pages. |
| folder 7 | Aronowicz, Dan. La nuit sur le Mont Carmel. MS repro; 5 pages of music. |
| folder 8 | Bach, C. Ph. Em. Sonate für Harfe [in] G-dur. Herausgegeben von Hans J. Zingel. Wiesbaden: Breitkopf u. Härtel, 1968. Ed. Breitkopf Nr. 6593. 15 pages. |
| folder 9 | Bach, Carl. Ph. E. Sonate pour harpe. Réalisation de Marcel Grandjany. Paris: Durand, c1963. Pl. no. D. & F. 13960. 18 pages. “Publiée d’après le manuscrit du ‘Solo pour la harpe’ conservé à la Bibliothèque du Conservatoire Royal de Bruxelles.” |
| folder 10 | Benda, F. Sonata [D major] [Moskva: Sovetskii kompozitor, s.d.]. Pl. no. CK 3178. 18 pages. |
| folder 11 | Britten, Benjamin. Suite for Harp, op. 83. Edited by Osian Ellis. London: Faber Music Ltd, c1970. 15 pages. 1. Overture — 2. Toccata — 3. Nocturne — 4. Fugue — 5. Hymn (St. Denio). |
| folder 12 | Busser, Henri. Ballade en la bémol, op. 65. Paris: Evette et Schaeffer, c1920. Pl. no. E. & S. 912. 10 pages. |
| folder 13 | Cabezón, Anonio de. Romance V. New York: Lyra Music Company, c1970. 4 pages. Presentation copy: inscribed by Nan Gullo Mann. |
| folder 14 | Caplet, André. Divertissements pour la Harpe. Paris: Durand & Fils, c1925. 8 pages. Pl. no. D. & F. 10,726. The first of two Divertissements: I. à la française. |
| folder 15 | Caplet, André. Divertissements pour la Harpe. Paris: Durand & Fils, c1925. 7 pages. Pl. no. D. & F. 10,727. The second of two Divertissements: II. à l’espagnole. |
| folder 16 | Chapuis, Auguste. Harpe éolienne. Paris: Durand & Fils, c1923. 3 pages. Pl. no. D. & F. 10,336. |
| folder 17 | Chapuis, Auguste. Sérénade: en quatre parties. Paris: Durand & Fils, c1926. 3 pages. Pl. no. D. & F., 10,916. I. Entrée cortège. |
| folder 18 | Chertok, Pearl. Around the Clock. New York: Interstate Music, c1948. 14 pages of music. I. Ten part two — II. Beige nocturne — III. Harpicide at midnight — IV. The morning after. Original verses precede each movement. |
| folder 19 | Cheshire, John. Home Sweet Home. London: J. B. Cramer, s.d. 7 pages. Pl. no. J.B.C. & Co. 7489. |
| folder 20 | Cheshire, John. “Une fleur”: valse mignon. London: Cramer & Co. Copyright 1904 by the composer. 7 pages. |
| folder 21 | Corniot, René. Ondine: pièce pour harpe seule. Paris: Éditions Choudens, c1959. 8 pages. Pl. no. A.C. 19,719. |
| folder 22 | Damase, Jean-Michel. Sarabande, op. 8. Paris: Henry Lemoine & Cie, c1951. 7 pages. 23 523 HL |
| folder 23 | Desportes, Yvonne. Poete, prends ton Luth… . Paris: Éditions Salabert, c1958. 8 pages. Pl. no. E. A. S. 16130. |
| folder 24 | Eberhard, Dennis. “Especially. . .”. MS repro; 16 pages of music. At end: May 16, 1983. |
| folder 25 | Farkas, Ferenc. Tre Pezzetti. MS repro; 8 pages of music. I. Maestoso, poco rubato — II. Più mosso — III. Allegro moderator. |
| folder 26 | Fauré, Gabriel. Une Châtelaine en sa tour…, op. 110. Paris: Durand & Fils, c1918. 7 pages. Pl. no. D. & F. 9577. Text of text attributed to Paul Verlaine. Accompanied by a repro bearing E.M.’s handwriting. |
| folder 27 | Fauré, Gabriel. Impromptu, op. 86. Paris: Durand & Fils, c1904. 13 pages. Pl. no. D. & F. 6428. |
| folder 28 | Fauré, Gabriel. Impromptu, op. 86. Paris: Durand & Fils, c1904. 13 pages. Pl. no. D. & F. 6428. Annotated in pencil; this copy markedly more worn than that in folder 23. |
| folder 29 | Flagello, Nicolas. Sonata for Harp. New York: Lyra Music Co, c1963. 24 pages. |
| folder 30 | Flothuis, Marius. Pour le Tombeau d’Orphee, op. 37: danse élégiaque pour harpe seul. Amsterdam: Donemus, c1950. 7 pages. |
| folder 31 | Frackenpohl, Arthur. Five Short Pieces for Harp. MS repro; 6 pages of music. At end: Potsdam, N.Y. 12/66. Accompanied by a cover note from the composer. |
| folder 32 | Franck, Maurice. Suite pour Harpe. Paris: Éditions Musicales Transatlantiques, c1959. 12 pages. Pl. no. E. M. T. 564. I. Prélude — II. Scherzo — III. Improvisation — IV. Final. “Concours du Conservatoire National supérieur de Musique de Paris (année 1959).”—on first page of music. |
| folder 33 | Galeotti, Cesare. Fantaisie, op. 138. Printed in France; publisher’s imprint lacking. 16 pages. Pages of music mounted on cardstock. |
| folder 34 | Galeotti, Cesare. Légende, op. 139. Paris: Enoch & Cie., 1910. 12 pages. Pl. no. E. & C. 7128. |
| folder 35 | Gaubert, Philippe. Sarabande. Paris: A. Durand & Fils, c1920. 4 pages. D. & F. 9877. |
| folder 36 | Glinka, M. I. Nocturne. Publisher’s imprint lacking. 8 pages of music, numbered 20-27. Pl. no. 21251. Title printed in Cyrillic letters. |
| folder 37 | Glinka, M. I. Variations on a Theme of Mozart. New York: Lyra Music Co, s.d. 17 pages. “This version originally published about 1854. This is a more recent edition.”—at foot of first page of music. |
| folder 38 | Godefroid, Félix. Ballade de la fée. Paris: F. Durdilly, Ch. Hayet, s.d. 7 pages. Pl. no. V. D. et Cie. 960. |
| folder 39 | Godefroid, Félix. La Danse des Sylphes: rondo brillant, étude. Paris: P. Schott, s.d.. 11 pages. Pl. no. 10654. |
| folder 40 | Godefroid, Félix. “Le Désir” (Frühlings Sehnsucht.) Mayence: B. Schott’s Söhne, s.d.. 5 pages. Pl. no. 23098.3. No. 3 in the composer’s Fantaisies sur des Mélodies favorites de Fr. Schubert. In series: École mélodique pour la harpe. |
| folder 41 | Godefroid, Félix. Quand tu me vois souffrir (“Nur wer die Sehnsucht kennt”),op. 201. Mayence: B. Schott’s Söhne, s.d. 5 pages. Pl. no. 23098.1. No. 1 from the composer’s Fantaisies sur des mélodies favorites de Fr. Schubert. |
| folder 42 | Godefroid, Félix. La Sérénade (“Das Ständchen”), op. 201. Mainz: B. Schott’s Söhne, s.d.. 5 pages. Pl. no. 23098.5. No. 5 from the composer’s Fantaisies sur des mélodies favorites de Fr. Schubert. |
| folder 43 | Godefroid, Félix. Stella: romance sans paroles. Paris: F. Durdilly, s.d.. 7 pages. Pl. no. D. 4019. |
| folder 44 | Goossens, Eugene. Two Ballades for Harp. London: J. Curwen & Sons, Ltd. Copyright 1924 by the composer. 13 pages. Pl. no. 94039. |
| folder 45 | Grandjany, Marcel. Arabesque. Paris: Durand et Fils, c1912. 4 pages. Pl. no. D. & F. 8602. No. 1 from Trois Pièces pour le Piano. |
| folder 46 | Grandjany, Marcel. Arabesque. Paris: Durand et Fils, c1912. 4 pages. Pl. no. D. & F. 8602. No. 1 from Trois Pièces pour le Piano. This copy annotated in pencil; markedly more worn than that in folder 45. |
| folder 47 | Grandjany, Marcel. Automne. Paris: Durand & Cie, c1927. 4 pages. Pl. no. D. & F., 11,300. |
Box 2
| folder | Grandjany, Marcel. Children at Play (Les enfants jouent), op. 16. Paris: Durand & Fils, c1929. 11 pages. Pl. no. D. & F., 11,816. |
|---|---|
| folder | Grandjany, Marcel. Children’s Hour: Suite, op. 25. New York: G. Schirmer, c1950. 23 pages. Pl. no. 42114C. |
| folder | Grandjany, Marcel. Children’s Hour: Suite, op. 25. New York: Carl Fischer, c1966. Publisher’s number O4651; pl. no. N4885. |
| folder 4 | Grandjany, Marcel. “Dans la Forêt du charme et de l’enchantement” op. 11: conte de fée pour harpe. Paris: Durand & Fils, c1923. 10 pages. D. & F. 10,326. |
| folder 5 | Grandjany, Marcel. Le bon petit roi d’Yvetôt. Paris: Durand & Fils, c1913. 4 pages. Pl. no. D. & F. 8925. No. 1 from Deux Chansons Populaires Françaises |
| folder 6 | Grandjany, Marcel. Le bon petit roi d’Yvetôt. Paris: Durand & Fils, c1913. 4 pages. Pl. no. D. & F. 8925. No. 1 from Deux Chansons Populaires Françaises. |
| folder 7 | Grandjany, Marcel. Le bon petit roi d’Yvetôt. Paris: Durand & Fils, c1913. 4 pages. Pl. no. D. & F. 8925. No. 1 from Deux Chansons Populaires Françaises. |
| folder 8 | Grandjany, Marcel. Et ron ron ron, petit patapon. Paris: Durand & Fils, c1913. 4 pages. Pl. no. D. & F. 8926. No. 2 from Deux Chansons Populaires Françaises. |
| folder 9 | Grandjany, Marcel. Et ron ron ron, petit patapon. Paris: Durand & Fils, c1913. 4 pages. Pl. no. D. & F. 8926. No. 2 from Deux Chansons Populaires Françaises. |
| folder 10 | Grandjany, Marcel. Divertissement, op. 29. Paris: Durand & Cie, c1963. 13 pages. Pl. no. D. & F. 13959. I. Canon (à la quinte inférieur) — II. Fughetta — III. Final. |
| folder 11 | Grandjany, Marcel. Fantaisie: sur un thème de J. Haydn. Paris: Alphonse Leduc, c1958. 12 pages. Pl. no. A. L. 23,442. |
| folder 12 | Grandjany, Marcel. Frère Jacques. Paris: Durand & Cie, c1957. 7 pages. Pl. no. D. & F. 13.869. |
| folder 13 | Grandjany, Marcel. Impromptu, op. 33. New York: Lyra Music, c1964. 4 pages. |
| folder 14 | Grandjany, Marcel. Pastorale: pour harpe sans pédales. Paris: Durand, c1971. 2 pages. Pl. no. D. & C. 14048. |
| folder 15 | Grandjany, Marcel. Préludes pour harpe. Paris: Éditions Salabert, c1921. 5 pages. Pl. no. E. M. S. 4192. |
| folder 16 | Grandjany, Marcel. Rhapsodie. Paris: Louis Rouhier, s.d. 13 pages. Pl. no. L. R. 432. Copy now wanting: worn to the point of lacking viability. |
| folder 17 | Grandjany, Marcel. Souvenirs: poème pour harpe, op. 17. Paris: Durand & Fils, c1930. 8 pages. Pl. no. D. & F. 11,959. |
| folder 18 | Grandjany, Marcel. Trois Petites Pièces. Paris: Rouhier; Gay & Cie, Successeurs, s.d. 7 pages. Pl. no. L. R. 409. I. Rêverie — II. Nocturne — III. Barcarolle. |
| folder 19 | Grandjany, Marcel. Trois Pièces Faciles (Three Easy Pieces). New York: Edward B. Marks, c1943. 7 pages. Pl. no. 11930-6. I. Nocturne — II. Reverie — III. Barcarolle. |
| folder 20 | Griffiths, Ann. Beth Yw’r Haf I Mi? (What is Summer to me?): Fantasia on a Welsh Folk Song. Abergavenny: Adlais, c1973. 7 pages. Inscribed by the composer on title page. No. 2 from the composer’s Alawon Traddodiadol Cymreig (Welsh Folksong Fantasias). Complete verse, with English translation by the composer, on page 1. |
| folder 21 | Handel, Darrell. Suzanne’s Animal Music. For troubadour or pedal harp. MS repro; 6 pages of music. 1. The skunk — 2. The black panther — 3. An inchworm — 4. In the fish bowl — 5. The colt. Accompanied by cover note (November 12, 1969) to Eileen Malone from the composer. |
| folder 22 | Hasselmans, Alph. Aubade, op. 30. Paris: A. Durand & Fils, s.d.. 5 pages. Pl. no. D. & F. 4581. Unmarked copy. |
| folder 23 | Hasselmans, Alph. Aubade, op. 30. Paris: A. Durand & Fils, s.d.. 5 pages. Pl. no. D. & F. 4581. Unmarked copy. |
| folder 24 | Hasselmans, Alph. Au Monastère: esquisse pour la harpe, op. 29. Paris: A. Durand & Cie, s.d.. 5 pages. Pl. no. D. & F. 4580. |
| folder 25 | Hasselmans, Alph. Ballade. Paris: Alphonse Leduc, s.d.. 11 pages. Pl. no. A. L. 7860. |
| folder 26 | Hasselmans, Alph. Étude Mélodique, op. 35. Paris: A. Durand & Fil, s.d.. 5 pages. Pl. no. D. & F. 5020. |
| folder 27 | Hasselmans, Alph. Étude Mélodique, op. 35. Paris: A. Durand & Fil, s.d.. 5 pages. Pl. no. D. & F. 5020. Copy annotated in pencil and rather more worn than that in folder 26. |
| folder 28 | Hasselmans, Alph. Fileuse (Marguérite au Rouet), op. 27: étude caractéristique pour la harpe. Paris: Éditions S. Chapelier, c1892. 10 pages. Pl. S. C. 36. Unmarked copy. |
| folder 29 | Hasselmans, Alph. Menuet, op. 34. Paris: A. Durand & Fils, s.d.. 5 pages. Pl. no. D. & F. 5019. |
| folder 30 | Hasselmans, Alph. Prélude, op. 51, no. 1. Paris: A. Durand & Fils, s.d.. 4 pages. Pl. no. D. & F. 6185. No. 1 from Trois Préludes, op. 51. |
| folder 31 | Hasselmans, Alph. Prélude, op. 52, no. 2. [New York]: Lyra Music, s.d.. 5 pages. No. 2 from Trois Préludes. |
| folder 32 | Hasselmans, A. Prière. Paris: Éditions Salabert, c1895. 7 pages. Pl. no. E. A. S. 7397. |
| folder 33 | Hasselmans, A. Prière. 10me Édition. Paris: Ulysse T. du Wast & Lacombe, c1913. 7 pages. U.T.W. 120. |
| folder 34 | Hasselmans, Alph. Sérénade, op. 5. Paris: L. Philippo, s.d.. 7 pages. Pl. no. P. 533. |
| folder 35 | Hasselmans, Alph. Valse de Concert. Paris: L. Philippo, s.d.. 9 pages. Pl. no. P. 534. |
| folder 36 | Hayakawa, Masaakì. Impromptu. MS repro; 6 pages of music. |
| folder 37 | Healey, Derek. Wake Up!, op. 56: Variations on an Appalachian folk melody. MS repro; 9 pages of music. Copyright Derek Healey 1979. Accompanied by cover note (August 30, 1981) from the composer. |
| folder 38 | Hilton, Brian L. Toccata. MS repro; 5 pages of music. |
| folder 39 | Hindemith, Paul. Sonata for Harp (1939). New York: Associated Music Publishers, c1940. 15 pages. Pl. no. B. S. S. 36123. “Sole American issue of the original Schott Edition.”—on cover. |
| folder 40 | Hoberg, Margaret. Country Dance. New York: Arthur P. Schmidt, c1917. 5 pages. Pl. no. A. P. S. 11286-f. |
| folder 41 | Houdy, Pierick. Sonate pour harpe. Paris: Alphonse Leduc, c1955. 11 pages. Pl. no. A. L. 21.596. |
| folder 42 | Huston, Scott. Suite of Three: for solo harp. MS repro; 10 pages of music. “For Marilyn Schiewe and Eileen Malone”—on cover. At end of music: September 16, 1963 / Cincinnati, Ohio / Scott Huston. I. Eulogy — II. Improvisation — III. Dance. |
| folder 43 | Huston, Scott. Suite of Three. New York: G. Schirmer, c1967. 15 pages. Pl. no. 45997. “Eileen — may you enjoy — with the grateful thanks of Scott Huston 1/14/67”—penned on title page. |
| folder 44 | Johnsen, Paul. The Tripart of Action: a solo for non-pedal or pedal harp. Tuscon, Arizona: Symbolism Counts, c1991. 11 pages of music. Publication is an MS repro. Accompanied by a letter (November 20, 1991) from the composer. |
| folder 45 | Jolas, Betsy. Tranche. Paris: Heugel & Cie, 1968. 1 large chart of music when unfolded. Pl. no. H. 31.844. Explication of notation precedes the music. |
| folder 46 | Jolivet, André. Prelude pour Harpe. London: Boosey and Hawkes, c1966. 4 pages. Pl. no. B. & H. 19407. |
| folder 47 | Kaminski, Joseph. Piece for Harp Solo. MS repro; 7 pages of music. Title and composer’s name also in Hebrew on first page of music. |
| folder 48 | Krumpholtz, J. B. Moderato. Scribal MS; 3 pages of music. No. 6 from Préludes. |
| folder 49 | Kufferath, Jeanne Andrienne. Simple histoire. Paris: Maurice Senart, s.d.. 7 pages. Pl. no. E. M. S. 8244. No. 1 from Deux pièces pour harpe. |
| folder 50 | Lapitino, Francis J. The Harp. New York: International Music, s.d.. 11 pages. Pl. no. H. S. 104. Text of poem by Ella Wheeler Wilcox precedes the music; the text also printed throughout the music (i.e., within the systems). |
| folder 51 | Lebano, Felix. Tristesse!!: romance sans paroles. Ink MS; 5 pages of music. First page stamped with name of Prof. F. Sevasta. |
| folder 52 | MacDowell, Edw[ard]. To a Wild Rose. Scribal MS in ink; 1 page of music. |
| folder 53 | McKay, Neil. World(s): three pieces for solo koto or harp. Delaware Water Gap, PA: Shawnee Press, c1976. Two parts, the first accounting for the first two pieces and the second accounting for the third piece. Pengawit — Ai — Veränderungen. Accompanied by cover note (Feb. 18, 1980) from the composer. Contains second copy of “Veränderungen”. |
| folder 54 | Maingueneau, Louis. Sonate. Paris: Durand & Cie, 1946. 21 pages. Pl. no. D. & F. 13,238. |
| folder 55 | Makarova, Nina. Фреска “Шествие Нефертити” (Fresco “Nefertiti’s procession”); [and] Вальс: (Waltz). Arranged by V. Dulova. Moskva: Sovetskii kompozitor, 1967. 11 pages. Pl. no. 4586. Accompanied by cover note from Walter Hendl, Director, ESM. |
Box 3
| folder 1 | Mathias, William. Improvisations, opus 10. London: Oxford University Press, c1964. 7 pages. |
|---|---|
| folder 2 | Maurat, Edmond. Sept Miniatures d’Époque, op. 3. Paris: Max Eschig, c1967. 11 pages. Pl. no. M. E. 7804. …d’expression: I. nostalgique — II. avenante — III. narquoise — IV. désinvolte — V. désuète — VI. composite — contrastée, |
| folder 3 | Mortari, Virgilio. Sonatina Prodigio. Milano: Carisch, S.p.A., c1959. 5 pages. Pl. no. 19375. Title page bears a cancellans slip citing Mills Music, Inc, New York. Gagliarda — Canzone — Toccata. |
| folder 4 | Mourant, Walter. Manhattan Suite. New York: Hendon Music, c1966. 16 pages. 1. Prelude — 2. Intermezzo — 3. Dance. Provenance: Walter Mourant. |
| folder 5 | Nadermann, F. J. Sieben Progressive Sonatinen, opus 92. Heft I. Neue revidirte Ausgabe von E. Schuëcker. Leipzig: C. E. W. Siegel, s.d.. 23 pages. Pl. no. 9662. Heft I contents: No. 1 — No. 2 — No. 3 — No. 4. |
| folder 6 | Natra, Sergiu. Prayer: for Harp. Tel Aviv: Israel Music Institute, c1972. 12 pages. Pl. no. I. M. I. 181. Prefatory notes precede the beginning of the music. Title, composer’s name, publisher’s information, and prefatory notes rendered in both Hebrew and English. Accompanied by a cover letter (22nd September, 1972) from William Elias, Managing Director, Israel Music Institute. |
| folder 7 | Noda, Teruyuki. The Dream of Endymion. Tokyo: Ongaku No Tomo Edition, c1986. 12 pages. Composer’s name and title in both Japanese and English on front cover; with end notes in Japanese and English inside back cover. Accompanied by a cover note (May 15, 1986) from the composer. |
| folder 8 | Noël, Marcel. Impromptu. Paris: Louis Rouhier, c1919. 18 pages. Pl. no. L. R. 416. |
| folder 9 | Oberthür, Charles. The Gondolier. Mayence: B. Schott’s Söhne, s.d.. 5 pages. Pl. no. 1229. No. II from Three Musical Sketches for the Harp. |
| folder 10 | Partos, Oedoen. Improvisation and Niggun. Tel Aviv: Israeli Music Publications, c1959. 16 pages. Pl. no. I.M.P. 157. Title, composer’s name, and publisher’s information in both Hebrew and English. “Commissioned by the Israel Festival Committee for the First International Harp Contest, Israel, September 1959”—on title page. Inside front cover inscription by the composer. |
| folder 11 | Partos, Odoen. Mizmor. Revised and edited by W. Y. Elias. Tel Aviv: Israel Music Institute, c1976. 12 pages. Pl. no. IMI 370. “Set piece for performance by contestants in the 6th International Harp Contest, Jerusalem Sept. 1976”—on title page. Editor’s Preface on the notation conventions used precedes beginning of the music. |
| folder 12 | Pierné, G. Impromptu-Caprice, op. 9. Paris: Alphonse Leduc, s.d.. 9 pages. Pl. no. A. L. 10.381. “Concours du Conservatoire 1900”—on title page and in caption on first page of music. |
| folder 13 | Pratt, Samuel. Toccata for Harp. MS repro; 8 pages of music. “Manuscript by Henry Maiben / S.L.C. / 1952”—on title page. |
| folder 14 | Presle, Jacques de la. Le Jardin Mouillé. Paris: Louis Rouhier, c1913. 12 pages. Pl. no. L. R. 363. |
| folder 15 | Presle, Jacques de la. Le Jardin Mouillé. Paris: Louis Rouhier, c1913. 12 pages. Pl. no. L. R. 363. Copy significantly more worn than that in folder 23. |
| folder 16 | Prokofiew, Serge. Прелюдъ (Prélude), op. 12, no. 7. Piano ou harpe. [Publication information lacking] Copy wanting: worn to the point of lacking viability. |
| folder 17 | Quintile, Joseph. Fuga, op. 4. New York: International Music Pub. Co., c1917. 7 pages. I. Allegro moderator — II. Moderato quasi andante — III. Allegro. Composer’s inscription on first page of music. |
| folder 18 | Ravel, Maurice. Introduction and Allegro. Paris: Durand & Cie, c1906. 13 pages. Pl. no. D. & F. 6738. Harp part from the complete chamber version. |
| folder 19 | Read, Gardner. Sea-scapes, op. 46. Ink MS; 7 pages of music. At end: Feb 3, 1938 — Feb 26 1940. No. 1. Sea-murmurs — No. 2. Sea-spray. |
| folder 20 | Reid, Clement. Seascape #2. MS repro; 10 pages of music. Copyright 1988 by the composer. At end: January 26, 1988 / Seattle, Washington. “Seascape #2 was commissioned and first performed by Carol Sue Mukhalian on March 9th, 1988, at the American Embassy in Paris.”— inside front cover. Two copies. Accompanied by a cover letter (Nov. 24, 1988) and by a copy of the printed program from the premiere performance (9 mars 1988). |
| folder 21 | Renié, H. Danse des Lutins. Paris: Louis Rouhier, c1912. 10 pages. Pl. no. L. R. 331. |
| folder 22 | Renié, H. Esquisse. From the Feuillets d’album. Scribal MS in ink; 3 pages of music. |
| folder 23 | Renié, H. Feuillets d’album. Paris: Éditions Henry Lemoine, s.d.. 7 pages. Pl. no. 19302.H. Esquisse — Danse d’autrefois — Angelus. |
| folder 24 | Renié, Henriette. Grand’Mère raconte une histoire…. Petite pièce très facile pour la harpe sans pédales. Paris: Alphonse Leduc, c1940. 3 pages. Pl. no. A. L. 19,922. |
| folder 25 | Renié, H. Légende: d’après les Elfes de Leconte de Lisle. Paris: Alphonse Leduc, c1949. 17 pages. Pl. no. L. R. 146. Text of poem “Les elfes” by Leconte de Lisle precedes beginning of music. |
| folder 26 | Renié, H. Six Pièces: 1re Suite. Paris: Louis Rouhier. 7 pages. Pl. no. L. R. 176. Menuet — Au bord du Ruisseau — Petite valse. Copy is wanting, to the point of lacking viability. |
| folder 27 | Renié, H. Six Pièces: 2e Suite. Paris: Louis Rouhier. 7 pages. Pl. no. L. R. 177. Air ancien — Lied — Valse mélancolique. |
| folder 28 | Renié, H. Six Pièces: 2e Suite. Paris: Alphonse Leduc, s.d.. 7 pages. Pl. no. A.L. 20.019. Air ancien — Lied — Valse mélancolique. Copy annotated in pencil; markedly more worn than that in folder 35. |
| folder 29 | Roger-Ducasse. Barcarolle. Paris: Durand & Fils, c1907. 8 pages. Pl. no. D. & F. 6951. |
| folder 30 | Rogers, Van Veachton. Barcarole, op. 17. New York: Carl Fischer, c1941. 1 page. Pl. no. 19647-2. |
| folder 31 | Rogers, Van Veachton. Fleurette. Boston: C. W. Thompson, 1900. 5 pages. Pl. no. T. & Co. 831 4. |
| folder 32 | Rogers, Van Veachton. A Jolly Tar (For the Clark Irish Harp). New York: International, 1923. 2 pages of music. Pl. no. H. S.-152. |
| folder 33 | Rota, Nino. Sarabande e Toccata. Milano: G. Ricordi & C., 1955. 8 pages. Pl. no. 128870. |
| folder 34 | Rotondi, Umberto. Cinque Episodi. Revisione di Giuliani Albisetti. Milano: Edizioni Suvini Zerboni, c1966. 15 pages. Pl. no. S. 6442 Z. |
| folder 35 | Rousseau, Marcel Samuel. Variations Pastorales sur un Vieux Noël. Paris: Louis Rouhier, c1917. 16 pages. Pl. no. L. R. 408. Annotated in pencil. |
| folder 36 | Rousseau, Marcel Samuel. Variations Pastorales sur un Vieux Noël. Paris: Louis Rouhier, c1917. 16 pages. Pl. no. L. R. 408. Unmarked copy. |
| folder 37 | Roussel, Albert. Impromptu, op. 21. Paris: Durand & Cie, c1919. 7 pages. Pl. no. D. & F. 9788. |
| folder 38 | Saint-Saëns, C. Fantaisie, op. 95. Paris: Durand & Fils, s.d.. 15 pages. Pl. no. D. & F. 4661. Unmarked copy. |
| folder 39 | Saint-Saëns, C. Fantaisie, op. 95. Paris: Durand & Fils, s.d. 15 pages. Pl. no. D. & F. 4661. Annotated in pencil; copy more worn than that housed in folder 38. |
| folder 40 | Salzedo, Carlos. Ballade. Paris: Alphonse Leduc, c1913. 15 pages. Pl. no. A. L. 15,278. No. 1 from Trois Morceaux. |
| folder 41 | Salzedo, Carlos. Rumba. New York: G. Schirmer, c1950, 1953. 5 pages. Pl. no. 42734. No. VIII from Suite of Eight Dances. |
| folder 42 | Salzedo, Carlos. Variations sur un thème dans le style ancien, op. 30. Paris: Alphonse Leduc, c1913. 16 pages. Pl. no. A. L. 15,280. No. 3 from Trois Morceaux Title page lacking. |
| folder 43 | Salzedo, Carlos. Variations sur un thème dans le style ancien. Paris: Alphonse Leduc, c1913. 16 pages. Pl. no. A. L. 15,280. No. 3 from Trois Morceaux pour harpe seule, op. 30. Title page lacking. Markedly worn. |
| folder 44 | Salzedo, Carlos. Whirlwind. New York: Composers’ Music Corporation, c1924. 11 pages. Pl. no. 827-9. No. IV from Five Preludes for Harp Alone (First Series). |
| folder 45 | Schifrin, Lalo. Continuum. [New York]: Associated Music, c1970. 8 pages. Pl. no. AMP-7014. Accompanied by page bearing statement that copy is a “pre-publication copy…prepared especially for the 1970 Conference of the American Harp Society by Associated Music Publishers, Inc., N.Y.” |
| folder 46 | Schuëcker, Edmund. Mazurka, op. 12. Leipzig: Breikopf & Härtel, s.d.. 7 pages. Pl. no. 18848. |
| folder 47 | Schuetze, Charles. In the Garden. New York: G. Schirmer, c1911. 7 pages. Pl. no. 22946. |
| folder 48 | Sheriff, Noam. Invention for Harp. Tel Aviv: Israel Music Institute, c1969. 7 pages. Pl. no. I. M. I. 121. Title, composer’s name, publisher’s information, and Editor’s preface in both Hebrew and English. |
| folder 49 | Siegmeister, Elie. American Harp: suite for solo harp. MS repro; 19 pages. I. Reverie — II. Dance — III. Ballet — IV Celebration. “Commissioned by and dedicated to the Long Island Chapter of the American Harp Society.” Printed at Circle Blue Print Co., Inc., New York, NY. |
Box 4
| folder 1 | Spohr, Louis. Fantasie [in] c-moll, op. 35. Herausgegeben von Hans Joachim Zingel. Kassel: Bärenreiter-Verlag, c1954. 9 pages. |
|---|---|
| folder 2 | Spohr, Louis. Variations sur l’air “Je suis encore dans mon printemps” (I am still so young), op. 36. Reviewed and corrected by W. Posse. Frankfurt-am-Main: Musikverlag Wilhelm Zimmermann, c1968. 11 pages. Pl. no. Z. 5444. |
| folder 3 | Tailleferre, Germaine. Sonate. Paris: Éditions Méridian, c1957. 13 pages. Pl. no. N.M. 1771. Annotated in pencil. |
| folder 4 | Tailleferre, Germaine. Sonate. Paris: Éditions Méridian, c1957. 13 pages. Pl. no. N.M. 1771. Annotated in pencil. |
| folder 5 | Tal, Josef. Intrada. Tel Aviv: Israeli Music Publications Ltd., c1959. 7 pages. Pl. no. I.M.P. 158. Title, composer’s name, publisher’s information, and commissioning statement in both Hebrew and English. “Commissioned by the Israel Festival Committee for the First International Harp Contest, Israel, September 1959”—on title page. Inscription by the composer on title page. |
| folder 6 | Thomas, John. Autumn. Boston: Percy Ashdown, s.d.. 11 pages. Verse sourced from “Old Play” printed in caption on first page of music.28 |
| folder 7 | Toulmin, A.F. Annie Laurie. New York: Browne and Buckwell, s.d.. 7 pages. |
Works by Marcel Tournier in this sub-series have been arranged by their opus numbers; works without opus numbers have been placed at the end of the sequence.
| folder 8 | Tournier, Marcel. Quatre Préludes: pour harpe, op. 16. Paris: L. Rouhier; Gay & Tenton, Successeurs. Copyright 1920 by Louis Rouhier. 9 pages. Pl. no. G.T. 463. |
|---|---|
| folder 9 | Tournier, Marcel. Quatre Préludes: pour deux harpes, op. 16. Paris: L. Rouhier; Gay & Tenton, Successeurs. Copyright 1920 by Louis Rouhier. 13 pages. Pl. no. L.R. 422. This publication comprised of nos. III and IV. |
| folder 10 | Tournier, Marcel. Trois Images (1er suite) (Three Pictures (first set)), op. 29. Paris: Henry Lemoine & Cie, c1925. 12 pages. Pl. no. 21.775. HL. I. Clair de lune sur l’étaing du parc — II. Au seuil du temple — III. Lolita la danseuse. Annotated in pencil. |
| folder 11 | Tournier, Marcel. Trois Images (1er suite) (Three Pictures (first set)), op. 29. Paris: Henry Lemoine & Cie, c1925. 12 pages. Pl. no. 21.775. HL. I. Clair de lune sur l’étaing du parc — II. Au seuil du temple — III. Lolita la danseuse. Annotated in pencil. |
| folder 12 | Tournier, Marcel. Sonatine, op. 30. Paris: Henry Lemoine, c1924. 23 pages. Pl. no. 21,652. HL. Worn to the point of diminished viability. |
| folder 13 | Tournier, Marcel. Trois Images (2e suite) (Three Pictures (second set)), op. 31. Paris: Henry Lemoine, c1925. 23 pages. Pl. no. 21,652. HL. IV. Les enfants à la crèche de Noël — V. L’étrange cavalier — VI. La marchande de frivolitées. Front cover and pages 1-2 lacking. |
| folder 14 | Tournier, Marcel. Jazz-Band, op. 33. Paris: Henry Lemoine, c1926. 7 pages. Pl. no. 21,907. HL. |
| folder 15 | Tournier, Marcel. Jazz-Band, op. 33. Paris: Henry Lemoine, c1926. 7 pages. Pl. no. 21,907. HL. Annotated in pencil; markedly worn. |
| folder 16 | Tournier, Marcel. Images, op. 35: 3me Suite. Paris: Henry Lemoine, c1930. 24 pages. Pl. no. 22 354 HL. VII. Les Anesses grises sur la route d’El-Azib — VIII. Danseus à la fontaine d’Aïn-Draham — IX. Soir de fête à Sedjane. Annotated in pencil. |
| folder 17 | Tournier, Marcel. Images, op. 35: 3me Suite. Paris: Henry Lemoine, c1930. 24 pages. Pl. no. 22 354 HL. VII. Les Anesses grises sur la route d’El-Azib — VIII. Danseus à la fontaine d’Aïn-Draham — IX. Soir de fête à Sedjane. Annotated in pencil. |
| folder 18 | Tournier, Marcel. Images, op. 35: 4me Suite. Paris: Henry Lemoine, c1930. 24 pages. Pl. no. 22,528. HL. X. La volière magique — XI. Cloches sous la neige — XII. La danse dumoujik. |
| folder 19 | Tournier, Marcel. Scherzo Romantique, op. 38. Paris: Henry Lemoine, c1932. 13 pages. Pl. no. 22,486. HL. Front and back covers lacking. |
| folder 20 | Tournier, Marcel. Berceuse russe, op. 40. Paris: Henry Lemoine, c1932. 3 pages. Pl. no. 22,529. H Inscription by the composer on page 1. |
| folder 21 | Tournier, Marcel. Encore une boîte à Musique, op. 43. Paris: Henry Lemoine, c1935. 4 pages. Pl. no. 22,763. HL. |
| folder 22 | Tournier, Marcel. 2ème Sonatine, op. 45. Paris: Henry Lemoine, c1945. 24 pages. Pl. no. 23310 HL. Inscription by the composer on the first page of music. |
| folder 23 | Tournier, Marcel. Fresque Marine [opus 46]. Paris: Henry Lemoine, c1946. 12 pages. Pl. no. 23301 HL. Inscription by the composer on page 2. |
| folder 24 | Tournier, Marcel. Pastels du vieux japon, op. 47. Paris: Henry Lemoine, c1948, 1947. 8 pages. Pl. no. 23 401 HL. I. Berceuse du vent dans les cerisiers — II. Le Koto chante pour l’absent— III. Le danseur au sabre. |
| folder 25 | Tournier, Marcel. Ce que chante la pluie d’automne, op. 49. Paris: Henry Lemoine, c1947. 8 pages. Pl. no. 23 365 HL. Inscription by the composer on first page of music. |
| folder 26 | Tournier, Marcel. Air à Danser. Petite pièce brève & facile. Paris: Maurice Vieu & Jane Vieu, c1913. 5 pages. Pl. no. M. V. 341 J. V. |
| folder 27 | Tournier, Marcel. Au Matin. Paris: Louis Rouhier, c1917. 8 pages. Pl. no. M. S. & Cie 3657. First of the composer’s Études de concert. Markedly worn; accompanied by a preservation photocopy. |
| folder 28 | Tournier, Marcel. Féerie: prélude et danse. Paris: L. Rouhier; Gay & Cie, Successeurs, c1912. 16 pages. Pl. no. L.R. 461. |
| folder 29 | Tournier, Marcel. Thème et Variations. Paris: Louis Rouhier; Gay & Tenton, Successeurs. Copyright 1913 by L. Rouhier. 22 pages. Pl. no. 321. Front cover lacking. |
| folder 30 | Tournier, Marcel. Vers la source dans le bois. Paris: Alphonse Leduc; copyright 1922 Louis Rouhier. 8 pages. Pl. no. A.L. 20.002. |
| folder 31 | Tournier, Marcel. Vers la source dans le bois. Paris: L. Rouhier; Gay & Tenton, Successeurs, c1922. Pl. no. L. R. 433. 8 pages. Annotated in pencil. |
| folder 32 | Verdalle, Gabriel. Bébé dort!…, op. 15. Hamburg et Leipzig: D. Rahter, c1898. 5 pages. Pl. no. 1045. |
| folder 33 | Verdalle, Gabriel. Canzonetta, op. 16. Hamburg et Leipzig: D. Rahter, c1898. 11 pages. Pl. no. 1046. |
| folder 34 | Verdalle, Gabriel. Prière, op. 13. Hamburg: D. Rahter, c1898. 5 pages. Pl. no. 1043. |
| folder 35 | Wagenaar, Bernard. Four Vignettes. MS repro; 8 pages of music. I. Prelude — II. Dance — III. The angelus — IV. Toccatina. Printed at Circle Blue Print Co., Inc., New York, NY. |
| folder 36 | Warner, Scott. Dreams in Color: a book for harp. MS repro; 11 pages of music. At end: 4. IV. 86 / Deo gratias. i. The fall — ii. (secrets) — iii. Touchstone. |
| folder 37 | Westerhout. Ronde d’amour. Ink MS; 4 pages of music. |
| folder 38 | Wilder, Alec. Dream, Dance and Frolic. MS repro; 8 pages of music. Scribal manuscript. |
| folder 39 | Williams, David Russell. Sonata for Harp. MS repro; 10 pages of music. Printed at Circle Blue Print Co., Inc., New York, NY. |
| folder 40 | Wood, Mrs. De Main. Falling Leaves. Ink MS; 2 pages of music. “Compliments of Mr. and Mrs. De Main Wood.” |
| folder 41 | Yamanouchi, Tadashi. [Pour harpe]. [New York:] International Music Publishers, c1965. 9 pages of music, unnumbered. This copy incomplete: comprised of two of the three movements: II. Le musicien jouant la harpe; and, III. Bahram Gur chassant avec Azadé. |
| folder 42 | Zabel, Albert. Ballade: in drei Episoden, op. 20. Leipzig: D. Rahter, s.d.. 13 pages. Pl. no. 2540. |
| folder 43 | Zabel, Albert. Marguérite douleureuse au rouet (No.2), op. 26. Petrograd: W. Bessel & Cie, s.d.. 7 pages. Pl. no. 3592. |
| folder 44 | Zabel, Albert. La source (Am Springbrunnen), op. 23. Petrograd: W. Bessel & Cie, s.d.. 13 pages. Pl. no. 3236. Annotated in ink. |
| folder 45 | Zabel, Albert. La source (Am Springbrunnen), op. 23. Paris: W. Bessel & Cie, 1949. 13 pages. Pl. no. 3236. Annotated in pencil. |
| folder 46 | Zabel, Albert. La Source, op. 23. Paris: W. Bessel & Cie, c1949. 13 pages. Pl. no. 3236. German title printed in caption on first page of music: Am Springbrunnen. Unmarked copy |
| folder 47 | Anonymous. Andiam, mio tesoro. Italian, XVI Century. Facsimile. 1 page of music. |
| folder 48 | Unattributed. Joy: solo for harp. Ink MS; 2 pages of music. “To my teacher, Eileen Malone.” |
Box 5
| folder 1 | Bach, Carl Philipp Emanuel. Sonata in G Major (Solo für die Harfe). Scholarly-performance edition with critical commentary by Jane B. Weidensaul. Willow Hall Press; c1979 Jane B. Weidensaul. 16, 4 pages. Inscription by the editor on title page. |
|---|---|
| folder 2 | Bach, Carl Ph.E. Sonata (Berlin 1762). MS repro; 23 pages of music. Copyright 1963 by M. Grandjany. “Edited from the manuscript ‘Solo für die Harfe’ of the Brussels Conservatory of Music Library with the realization of the figured bass by Marcel Grandjany”—on front cover. |
| folder 3 | Bach, Karl Philipp Emanuel. Solfeggietto. Transcribed for harp by Marie Miller. New York: Composers’ Music Corporation, c1924. 5 pages. Pl. no. 859- 4. Annotated in pencil. |
| folder 4 | Bach, Karl Philipp Emanuel. Solfeggietto. Transcribed for harp by Marie Miller. New York: Composers’ Music Corporation, c1924. 5 pages. Pl. no. 859- 4. Annotated in pencil. |
| folder 5 | Bach, J. S. Dix pièces de J. S. Bach. Transcrites pour harpe par H. Renié. Paris: Louis Rouhier, c1914. 21 pages. Pl. no. L.R. 379. The respective titles of the ten works not printed in this publication. Annotated in pencil. |
| folder 6 | Bach, J. S. Dix pièces de J. S. Bach. Transcrites pour harpe par H. Renié. Paris: Alphonse Leduc, s.d.. 21 pages. Pl. no. A. L. 20,006. The respective titles of the ten works not printed in this publication. Unmarked. |
| folder 7 | Bach, J. S. Dix préludes de J. S. Bach (tirés du clavecin bien tempéré). i Transcrits pour harpe par H. Renié. Paris: L. Rouhier; Gay & Tenton, Successeurs. Copyright 1914 by L. Rouhier. 22 pages. Pl. no. L.R. 376. |
| folder 8 | Bach, J. S. Andante from Sonata No. 2 for Unaccompanied Violin. Transcribed for harp by Marcel Grandjany. MS repro; 2 pages of music. |
| folder 9 | Bach, J. S. Bourrée. Tirée de la Suite pour vcelle, en ut majeur. Transcrite pour harpe par H. Renié. Paris: Gay & Tenton, c1928. 3 pages. Pl. no. G.T. 479. “Signes d’abréviations employés” on a separate leaf. |
| folder 10 | Bach, J. S. Gavotte. Bearbeitung [von] L. M. Magistretti. Leipzig: Jul. Heinr. Zimmermann, c1914. 5 pages. Pl. no. Z. 10118. |
| folder 11 | Bach, J. S. Jesu, joy of man’s desiring: the chorale from Cantata No. 147. For harp by May Hogan Cambern, ASCAP. New York: Michael Cambern, 1964; Carl Fischer, sole selling agent for the world. 4 pages. |
| folder 12 | Bach, J. S. Jesu, joy of man’s desiring: the chorale from Cantata no. 147. For harp by May Hogan Cambern. Copyright 1964 by Michael Cambern. 4 pages. Annotated in pencil. |
| folder 13 | Bach, J. S.. Largo: de la 5ème Sonate de violon. Adapté à la harpe d’après la transcription pour piano de C. Saint-Saëns. Paris: Durand & Cie, c1931. 2 pages of music. Pl. no. D. & F. 12,099. |
| folder 14 | Bach, Jean-Sébastien. Pièce en sol: extraite des PARTITAS. Transcription pour harpe par H. Renié. Paris: Durand & Cie, c1910. 5 pages. Pl. no. D. & F. 7702. |
| folder 15 | Beethoven, Ludwig van. 6 Scozzesi. Trascrizione per arpa di Serena Argentin. Milano: Edizioni Musicali La Melodiana, c1983. 5 pages. Pl. no. L. 2055 M. Inscription by the arranger on inside front cover. |
| folder 16 | Bizet, G. Entr’acte [tiré de] L’Arlésienne: drame en 3 actes pour harpe. Transcription pour harpe par Gabriel Verdalle. Paris: Choudens Éditeur, s.d.. 3 pages. Pl. no. A. C. 12519. |
| folder 17 | Bond, Carrie Jacobs. I Love You Truly. MS repro; 1 page of music. On the same page: Turra-lurra-lurra. |
| folder 18 | Brahms, Johannes. Valses. Transcription par Alys Lautemann. Paris: Henry Lemoine & Cie, c1934. 8 pages. Pl. no. 22.709.H. |
| folder 19 | Chopin, Frédéric. Préludes. Transcrits poru harpe par H. Renié. Paris: Gay and Tenton, c1928. 3 pages. Pl. no. G. T. 470. This publication comprised solely of No. 2 in G major. |
| folder 20 | Chopin, Frédéric. Célèbre Valse de Chopin, op. 64, no. 1. Transcrite pour la harpe par A. Hasselmans. Paris: Ulysse T. du Wast & Lacombe, Éditeurs, s.d.. 5 pages. Pl. no. U. T. W. 207. |
| folder 21 | Corelli, Arcangelo. Giga: for harp. Transcribed for harp by Carlos Salzedo. New York: G. Schirmer, Inc., c1923. 5 pages. Pl. no. 31386. |
| folder 22 | Couperin, F. Tic-Toc-Choc, ou, Les maillotins. Transcrit pour harpe par H. Renié. Paris: Gay & Tenton, c1928. 3 pages. Pl. no. G.T. 480. |
| folder 23 | Daquin, C. La Mélodieuse. Transcrit pour harpe par H. Renié. Paris: Gay & Tenton, c1928. 2 pages of music. Pl. no. G. T. 476. |
| folder 24 | Debussy, Claude. Première Arabesque. Transcription pour harpe par H. Renié. Paris: A. Durand & Fils, c1906. 7 pages. Pl. no. D. & F. 6747. Annotated in pencil; covers lacking. |
| folder 25 | Debussy, Claude. Première Arabesque. Transcription pour harpe par H. Renié. Paris: A. Durand & Fils, c1906. 7 pages. Pl. no. D. & F. 6747. Annotated in pencil. |
| folder 26 | Debussy, Claude. Deuxième Arabesque. Transcription pour harpe par H. Renié. Paris: A. Durand & Fils, c1906. 7 pages. Pl. no. D. & F. 6748. Annotated in pencil. |
| folder 27 | Debussy, Claude. Deuxième Arabesque. Transcription pour harpe par H. Renié. Paris: A. Durand & Fils, c1906. 7 pages. Pl. no. D. & F. 6748. Annotated in pencil. |
| folder 28 | Debussy, Claude. Clair de lune. Extrait de la “Suite bergamasque”. Transcription pour harpe par Victor Coeur. Paris: Jean Jobert, c1929. 7 pages. Pl. no. J. J. 393. Copy wanting: significantly worn. |
| folder 29 | Debussy, Claude. En Bateau. Extrait de la Petite Suite. Transcription pour harpe par H. Renié. Paris: A. Durand & Fils, c1908. 7 pages. Pl. no. D. & F. 7110. Annotated in pencil. |
| folder 30 | Debussy, Claude. En Bateau. Extrait de la Petite Suite. Transcription pour harpe par H. Renié. Paris: A. Durand & Fils, c1908. 7 pages. Pl. no. D. & F. 7110. Unmarked copy. |
| folder 31 | Debussy, Claude. Jardins sous la pluie. Extrait des Estampes. Transcrit pour harpe par Alys Lautemann. Paris: A. Durand & Fils, c1928. 11 pages. Pl. no. D. & F. 11.497. |
| folder 32 | Debussy, Claude. La Fille aux cheveux de lin. Extrait du 1er livre des Préludes pour piano. Transcrit pour harpe par Marcel Grandjany. Paris: A. Durand & Fils, c1910. 3 pages. Pl. no. D. & F. 7687. Front cover lacking. |
| folder 33 | Debussy, Claude. Valse Romantique. Adaptation pour harpe de Lily Laskine. Paris: J. Jobert, c1924. 7 pages. Pl. no. J. J. 249. |
| folder 34 | De Rose, Peter. Deep Purple. Harp transcription by E. Vito. MS repro; 6 pages of music. |
| folder 35 | Dubois, Th.. Stella Matutina. Transcription pour harpe par H. Renié. Paris: Alphonse Leduc. 5 pages. Pl. no. A. L. 9545. No. 18 from 20 pièces nouvelles. |
| folder 36 | Ellington/Fell. Mozart Intro to Satin Doll; and, Satin Doll. MS repro; 5 pages of music. Arranger: Fell. N.B. The first four measures are borrowed from Mozart’s Piano Sonata no. 16 in C major, K. 545. |
| folder 37 | Fauré, Gabriel. Sicilienne, op. 78. Transcription pour harpe par Micheline Kahn. Paris: J. Hamelle, s.d. Pl. no. J. 6605. H. 5 pages. |
| folder 38 | Fell. Memory from “Cats”; and, Autum [sic] Leaves. MS repro; 2 pages of music (each respective title one page). Arranger: E. Fell. |
| folder 39 | Froberger, Johann Jakob. Dances and Toccata. Arranged (from the original keyboard pieces) for harp solo by Ze’ev W. Steinberg. MS repro; 9 pages. Copyright 1980 by Z. W. Steinberg. Two copies: one unmarked; the other copy bears vendor’s stamp on title page indicating printed for retail sale. |
| folder 40 | Godard, Benjamin. Jocelyn: célèbre Berceuse. Transcription pour harpe par Gabriel Verdalle. Paris: Choudens, s.d. 4 pages. Pl. no. A. C. 12525. |
| folder 41 | Gould, Morton. Pavanne [sic]: second movement. Trans. Edw. Vito. MS repro; 4 pages of music. “Turning to music of our own country, Edward Vito offers us next his own transcription of a familiar favorite by Morton Gould . . . the Pavane from the American Symphonette No. 2.”—on first page of music. |
| folder 42 | Gretchaninoff, A. Souvenir du Bal (Remembrance of the Ball), op. 168, no. 5. Edited and fingered by Marcel Grandjany. MS repro; 2 pages of music. |
| folder 43 | Grüber, Franz. Silent Night, Holy Night. Arranged for harp by Maudetta Martin Joseph. Boston: Boston Music Co., c1925. 3 pages. Pl. no. B.M. Co. 7055-2. |
| folder 44 | Händel, G.-F. Chaconne: en ut majeur. Transcrite pour la harpe par Henrik Boye. Paris: Henry Lemoine & Cie, c1950. 8 pages. Pl. no. 23 433 HL. |
| folder 45 | Händel, G.-F. Chaconne: en ut majeur. Transcrite pour la harpe par Henrik Boye. Paris: Henry Lemoine & Cie, c1950. 8 pages. Pl. no. 23 433 HL. |
| folder 46 | Handel, G.-F. Concerto en si bémol. Transcription pour harpe seule et cadence originale de Marcel Grandjany. Paris: Durand & Cie, c1933. 16 pages. D. & F. 12329. Annotated in pencil; markedly worn. Front and back covers lacking. |
| folder 47 | Handel, G.-F. Concerto en si bémol. Transcription pour harpe seule et cadence originale de Marcel Grandjany. Paris: Durand & Cie, c1933. 16 pages. D. & F. 12329. Annotated in pencil; copy less worn than that housed in folder 46. |
| folder 48 | Händel, G.-F. Passacaglia. Bearbeitung [von] L. M. Magistreei. Leipzig: Jul. Heinr. Zimmermann, c1914. 4 pages of music. Pl. no. Z. 10120. |
| folder 49 | Handel, G.-F. Passacaille. Transcription pour la harpe par Tiny Béon. Paris: Louis Rouhier, s.d.. 3 pages. Pl. no. L. R. 275. Markedly worn. |
| folder 50 | Hass, Adolf. Russian Folk Melody (Song of the Boatmen of Volga). Transcription for harp solo by Adolf Hass. New York: International Music Publishing Co., c1922. 6 pages of music. Pl. no. H. S. 41. |
| folder 51 | Haydn. Romance [in D major]. [? Transcribed by M. Grandjany.] MS repro; 2 pages of music. Stamped “M. GRANDJANY” in caption of first page of music. |
| folder 52 | Haydn, Josef. Theme and Variations. Transcribed for harp by Carlos Salzedo. New York: Composers’ Music Corporation, c1923. 7 pages. Pl. no. 784-5. |
| folder 53 | [Herbert, Victor.] I’m falling with love with someone. From the operetta Naughty Marietta. Ink MS; 2 pages of music. |
| folder 54 | Jabor, Najla. Estudo Para 3.o ,4.o e 5.o dedos, contendo um Samba. Transcrição para harpa de Lea Bach. São Paolo: Ricordi Brasileira, c1974. 4 pages. Pl. no. RB 0310. |
| folder 55 | Loeillet, J. B. Toccata. [Transcription] par Marcel Grandjany. Paris: Éditions Maurice Senart, s.d.. 4 pages. Pl. no. E. M. S. 7378. No. 1 in the publisher’s series Transcriptions classiques pour harpe by Marcel Grandjany. |
| folder 56 | Miller, Marie, trans.. Chanson de Guillot-Martin. Transcribed for harp by Marie Miller (1924); harmonized by A. Périlhou. New York: Composers’ Music Corporation, c1925. 5 pages. Pl. no. 891-4. |
| folder 57 | Milligan, Sam, trans.. Three Traditional Welsh Melodies. Arranged for harp by Sam Milligan. MS repro; 4 pages of music. I. Breuddwyd y Frenhines — II. Craig y Tyle — III. Llwyn Cnn. |
| folder 58 | Mozart, W.A.. Menuet: from “Don Giovanni” (Don Juan). Edited and fingered for harp by Nina S. Miller. New York: Belwin, Inc. Incomplete; only pages 3-4 prsent. |
| folder 59 | Nevin, Ethelbert. Mighty Lak’a Rose. Transcribed by Davis-Mather. Ink MS; 2 pages of music. |
| folder 60 | Paret, Betty, arr.. Londonderry Air. Early Irish air; arranged for harp or Irish harp by Betty Paret. New York: Sprague-Coleman, c1939. 1 page of music. Pl. no. 107. |
| folder 61 | Pillois, Jacques. Deux Pièces. Transcription pour harpe à pédales par Marcel Grandjany. Paris: Éditions Maurice Senart, c1928. 7 pages. Pl. no. E. M. S. 7758. I. Lully — II. Fauré. |
| folder 62 | Pinto, A. Francis. Six Popular Hymns. Transcribed for the small and large harp by A. Francis Pinto. New York: International Music Publishing Co., c1902. 4 pages of music. Lead, kindly light — Jesus, love of my soul — Rock of ages — Holy, holy, holy — Abide with me — Onward, Christian soldiers. Tipped in within the above-cited publication: Freeman, James J. Nearer my God to Thee: fantasia de concert. Copyright 1902 by Richard A. Saalfield. 3 pages of music. “Musical Supplement to the New York Sunday Press, Sunday, February 2d, 1902”—on title page. |
| folder 63 | Rameau, J. Ph.. Musette (Indes Galantes.) Transcrit pour harpe par H. Renié. Paris: Gay & Tenton, c1928. 3 pages. Pl. no. G. T. 471. One in the publisher’s series of Transcriptions classiques pour harpe by Henriette Renié. |
| folder 64 | Samazeuilh, Gustave. Sérénade. Version pour harpe à pédales par l’auteur. Paris: A. Durand & Fils, c1927. 5 pages. Pl. no. D. & F. 11,093. Originally for guitar. |
Box 6
| folder 1 | Sammartini, G. B.. Allegro. Free transcription by Marcel Grandjany. MS repro; 2 pages of music. At end: Taliesin / August 1948. |
|---|---|
| folder 2 | Scarlatti. Pastorale. Transcrite pour harpe par H. Renié. Paris: Gay & Tenton, c1928. 3 pages. Pl. no. G. T. 483. One in the publisher’s series of Transcriptions classiques pour harpe by Henriette Renié. |
| folder 3 | Scarlatti, Domenico. Sonata in Re maggiore. Trascrizione per arpa di Serena Argentin. Milano: Edizioni Musicali La Melodiana, s.d.. 4 pages. Pl. no. L. 2056 M. Inscription by the arranger on inside front cover. |
| folder 4 | Schobert, Jean. Andante. Transcription pour harpe par Marcel Grandjany. Paris: Éditions Maurice Senart, c1930. 3 pages. Pl. no. E. M. S. 8204. One in the publisher’s series of Transcriptions Classiques pour harpe by Marcel Grandjany. |
| folder 5 | Schumann, R.. Träumerei, op. 15, no. 7. Harp solo arranged by Lewis G. Hunter. New York: Belwin, Inc., s.d.. 3 pages. Pl. no. Conc. Harp No. 10-2. |
| folder 6 | Suriani, Alberta. Partita. Bologna: Edizioni Bongiovanni, c1953. 8 pages. Pl. no. F. 2353 B. “Partita da antiche danze ed arie per liuto di autori anonimi del sec. XVIIo. Elaborate e trascritte per arpa.”—in caption on first page of music. |
| folder 7 | Wagner, Richard. Die Walküre. Arr. Marcel Grandjany for one harp. MS repro; 3 pages of music. |
| folder 8 | Anonymous. Loch Lomond. MS repro; 1 page of music. |
| folder 9 | Poenitz, Franz. Spunkhafte Gavotte, op. 75. Zu einem Gedichte von Heinrich Heine. Leipzig: Jul. Heinr. Zimmermann, c1907. Pl. no. Z. 4555. Two parts present (I. Harpe, II. Harfe). |
|---|---|
| folder 10 | Rogers, Van Veachton. Barcarole, op. 17. New York: Carl Fischer, c1916. Pl. no. 19647-2. Two parts present (Solo Harp; Second Harp (or Piano)). |
| folder 11 | Rogers, Van Veachton. Serenade, op. 26. New York: Carl Fischer, c1916. Only the Second Harp (or Piano) part present; Solo Harp part lacking. |
| folder 12 | Tournier, Marcel. Quatre Préludes, op. 16. Pour deux harpes. Paris: Gay & Tenton, s.d.. 13 pages of music. Pl. no L. R. 421. The parts for both 1ère Harpe and 2de Harpe present in one publication. Prélude No. 1. — Prélude No. 2. |
| folder 13 | Tournier, Marcel. Quatre Préludes. Pour deux harpes. Paris: Gay & Tenton, s.d.. 13 pages. Pl. no. L. R. 422. The parts for both 1ère Harpe and 2de Harpe present in one publication. Prélude No. 3. — Prélude No. 4. |
| folder 14 | Bach, J. S. Gavottes I et II: de La suite pour orchestre en ré majeur. Transcription par Pierre Bertheaume. Paris: Rue M. Senart, B. Roudanez & Cie, s.d.. Pl. no. S.R. et Cie. 2834. Two parts present. One in the publisher’s series of Transcriptions classiques pour 2 harpes chromatiques ou 2 pianos by Pierre Bertheaume. |
|---|---|
| folder 15 | Call, M. Harp Ensemble. Arranged M. Call, March, 1968. MS repro; 4 pages of music. Two parts present (for Hp I and Hp II). |
| folder 16 | Gluck, J. Chr.. Gavotte. Transcription par Pierre Bertheaume. Paris: M. Senart, B. Roudanez & Cie, s.d.. Pl. no. S. R. et Cie. 2840. Incomplete; only the 1e. Harpe part present. One in the publisher’s series of Transcriptions classiques pour 2 harpes chromatiques ou 2 pianos by Pierre Bertheaume. |
| folder 17 | Granados, Enrique. Spanish Dance No. 5. Transcribed for two or multiple harps by Carlos Salzedo. 12 pages. New York: Southern Music, c1966. Pl. no. 973-10. The parts for Harp I and Harp II printed together in one publication. |
| folder 18 | Haydn, Jos.. Menuet en Ré: de la 14e symphonie. [Transcription pour Pierre Bertheaume.] Paris: M. Senart, B. Roudanez & Cie. 3 pages. Pl. no. S. R. et Cie. 2833. Incomplete; only the 2de Harpe part present. One in the publisher’s series of Transcriptions classiques pour 2 harpes chromatiques ou 2 pianos by Pierre Bertheaume. Accompanied by a copy of the 1st Harpe part for this Menuetto from a different publication (bearing plate no. 5163) |
| folder 19 | Haydn, Jos.. Menuet en Sol: de la 6e symphonie. Transcription par Pierre Bertheaume. Paris: M. Senart, B. Roudanez & Cie, s.d.. Pl. no. S. R. et Cie. 2832. Incomplete; only the 1e. Harpe part present. One in the publisher’s series of Transcriptions classiques pour 2 harpes chromatiques ou 2 pianos by Pierre Bertheaume. Accompanied by scribal MS copies of both the 1e. Harpe part and the 2de Harpe part (presumably corresponding to the Bertheaume transcription). |
| folder 20 | Rameau, Jean-Philippe. La Joyeuse. MS repro; two parts present (Harp I and Harp II). |
| folder 21 | Unknown. Pavane. Transcribed for two parts by Carlos Salzedo. MS repro; 1 page of music. |
| folder 22 | Mourant, Walter. Cupid. MS repro; 4 pages of music. Two copies. For harp and soprano; text by William Blake. Music copyright 1977 by Walter Mourant. Accompanied by a cover note (August 24, 1981) from the composer. |
|---|---|
| folder 23 | Mourant, Walter. I Love Him. MS repro; 3 pages of music. Two copies. Copyright 1976 by Walter Mourant. Text by Barry Cornwall. |
| folder 24 | Mourant, Walter. Is my Lover on the Sea? MS repro; 3 pages of music. Two copies. Copyright 1976 by Walter Mourant. Text by Barry Cornwall. |
| folder 25 | Mourant, Walter. Japanese Fan. MS repro; 3 pages of music. Text by Margaret Veyel. Music copyright 1979 by Walter Mourant. “For Ann Preston”—in caption on first page of music. |
| folder 26 | Mourant, Walter. Love me if I Live. MS repro; 2 pages of music. Two copies. Copyright 1976 by Walter Mourant. Text by Barry Cornwall. Accompanied by cover letter (Oct. 13th, 1977) from the composer. |
| folder 27 | Mourant, Walter. Love’s Secret. MS repro; 3 pages of music. Copyright 1977 by Walter Mourant. Text by William Blake. |
| folder 28 | Rickard, Jeffrey H. Afternoon on a Hill. MS repro; 5 pages of music. Text by Edna St. Vincent Millay. |
| folder 29 | Rickard, Jeffrey H. The Penitent. MS repro; 7 pages of music. Text by Edna St. Vincent Millay. |
| folder 30 | Rickard, Jeffrey H. Thursday. MS repro; 5 pages of music. Text by Edna St. Vincent Millay. |
| folder 31 | [Speaks, Oley] On the Road to Mandalay. Copyist’s MS in ink; 3 pages of music. |
| folder 32 | Yeh, H.D. Ariel’s Song. MS repro; 4 pages of music. For soprano with piano or harp. Text from William Shakespeare’s The Tempest. |
| folder 33 | Andrès, Bernard. Narthex. Paris: Éditions Musicales Hortensia, c1978. Two parts present. |
|---|---|
| folder 34 | Busser, Henri. Les Cygnes. Paris: Alphonse Leduc, c1927. 4 pages of music. Pl. no. A. L. 17,225. Two parts present. No. 1 from Deux morceaux pour flûte et harp ou piano. |
| folder 35 | Cras, Jean. Suite en duo: pour flûte et harp, ou violon et piano. Paris: Éditions Maurice Senart, c1927. Pl. no. E. M. S. 7389-7390. Score (harpe ou piano, et flûte) and flute part present. |
| folder 36 | Damase, Jean-Michel. Sonate pour flûte et harpe. Paris: Henry Lemoine & Cie, c1964. Pl. no. 24 120 HL. Two parts present. |
| folder 37 | Debussy, Claude. En Bateau. Copyist’s MS in pencil; two parts present. From the Petite suite. Accompanied by a published copy of the violoncelles part from the orchestration by H. Mouton (pl. no. D & F. 7348). |
| folder 38 | Inghelbrecht, D. E. Sonatine: en trois parties. Pour flûte et harp ou piano. Paris: Alphonse Leduc & Cie, c1920. Pl. no. A. L. 16.052. Two parts present. I. Préambule — II. Sicilienne — III. Rondes. |
| folder 39 | Inghelbrecht, D. E. Sonatine. Paris: Alphonse Leduc, c1920. Pl. no. A. L. 16.052. Score (harp ou piano, et flûte) and part (flûte) present. |
| folder 40 | Kechley, David. Sonata for flute and harp. — March, 1970; revised 1974 Score. MS repro; 39 pages. “Written for Jerilee Taverniti and Motter Forman”—on front cover. Accompanied by cover letter (December 31, 1974) from the composer. |
| folder 41 | Mozart, W. A.. Konzert für Flöte und Harfe, C dur. Leipzig: Breitkopf and Härtel, s.d. Pl. no. Orch.B. 555. Solo harp part only. |
| folder 42 | Mozart. Konzert für Flöte und Harfe mit Orchester. Bearbeitung [für Klavier] von Karl Burchard. Leipzig: Edition Breitkopf, s.d.. 35 pages. Pl. no. 16065. Markedly worn. Accompanied by the following: Kadenz zum ersten Satze des Konzertes für Flöte und Harfe von W. A. Mozart (K.V. No. 299), componiert von Carl Reinecke. Edition Breitkopf Nr. 3095a. ! Incomplete. Pl. no. 17081. Harp part for the same Concerto. [Leipzig:] Breitkopf u. Härtel, s.d. 16 pages. Pl. no. Orch. B. 5555. |
| folder 43 | Persichetti, Vincent. Serenade No. 10. For flute and harp. Philadephia: Elkan-Vogel Co., Inc., c1961. Two parts present. |
| folder 44 | Wen-Chung, Chou. Three Folksongs for harp and flute. Edited by Carlos Salzedo. Composers Facsimile Edition, copyright 1955. Two parts present. |
| folder 45 | Willey, James. Duo for flute and harp. — 1976 Score. MS repro; 25 pages of music. “Commissioned by the New York State Music Teachers Association”—on title page. At end: Completed Aug. 76 / Johnson, Vt. |
| folder 46 | Bizet, Georges. Carmen. Arrangé pour flûte et harpe avec 2e flûte (ad libitum) par Ch. Delsaux. Paris: Choudens, c1922. Pl. no. A.C. 15,723. Three parts present (1ère flûte, 2e flûte, harpe). |
|---|---|
| folder 47 | Jamet, Marie-Claire. Trois Cadences pour le Concerto pour flûte et harpe de Mozart, KV 299. Paris: Alphonse Leduc & Cie, c1981. Pl. no. A. L. 25.916. Two parts present. |
| folder 48 | Nielsen, Carl. Taagen letter (The Fog is Lifting), op. 41. From Heige Rode’s play “The Mother”. Arr. for flute and piano or harp by Edwin Nielsen. Copenhagen: Wilhelm Hansen, c1952. 2 pages. Pl. no. 27023. |
| folder 49 | Damase, Jean-Michel. Double Concerto: pour flûte et harpe (ou clavecin) et orchestre à cordes. Paris: Editions Musicales Transatlantiques, c1978. Pl. no. E. M. T. 1286. Score (37 pages) and solo part (12 pages) present. “Réduction flûte et harpe ou clavecin”—on front cover. |
|---|---|
| folder 50 | Debussy, Claude. Danses. Pour harpe chromatique ou piano; avec accompt. d’orchestre d’instrument à cordes. Paris: A. Durand & Fils, c1904. Pl. no. D. & F. 6429. Score for 1er piano (principal) and 2d piano (réduction de l’orchestre). I. Danse sacrée — II. Danse profane. Two copies present. |
| folder 51 | Debussy, Claude. Danses. Pour harpe chromatique ou piano; avec accompt. d’orchestre d’instrument à cordes. Paris: A. Durand & Fils, c1904. Pl. no. D. & F. 6429. Score for 1er piano (principal) and 2d piano (réduction de l’orchestre). I. Danse sacrée — II. Danse profane. One copy present, markedly more worn than those in folder 50. |
Box 7
| folder 1 | Deltour, Emile. Concertino in Jazz. For harp and piano. Score and arrangement for the harp by David Bee. Bruxelles: Editions Bizet, c1965. 39 pages. |
|---|---|
| folder 2 | Dubois, Théodore. Fantaisie pour harpe et orchestre. Réduction pour harpe et piano par l’auteur. Paris: Heugel et Cie, c1903. 33 pages. Pl. no. H. et Cie. 21,478. |
| folder 3 | Inghelbrecht, D. E. Ballade dans le goût irlandais. Pour harpe et orchestre; version harpe et piano. Paris: Éditions Salabert, c1950. 16 pages. Pl. no. E. & S. 15.220. Comprised of two copies. |
| folder 4 | Jolivet, André. Concerto pour harpe et orchestre de chambre. Réduction pour harpe et piano. Paris: Pierre Noël, c1952. 37 pages. Pl. no. P. N. 6.152. “Morceau de concours du Conservatoire National, Paris 1952”—on front cover. |
| folder 5 | Jolivet, André. Concerto pour Harpe et Orchestre de Chambre. Paris: Gérard Billaudot, c1952. 37 pages. Pl. no. P.N. 6.152. “Réduction pour harp et piano”—on front cover. “Morceau de concours du Conservatoire National Paris 1952”—on front cover. |
| folder 6 | McDonald, Harl. Suite “From Childhood.” For harp and orchestra; reduction for harp and piano. Philadelphia: Elkan-Vogel, c1942, 1941. Score (58 pages) and harp part (19 pages). |
| folder 7 | Ravel, Maurice. Introduction and Allegro. Pour harpe avec acct. de quatuor à cordes, flûte et clarinette. Transcription à 2 pianos par l’auteur. Paris: A. Durand and Fils, c1906. 25 pages. Pl. no. D. & F. 6811. Markedly worn. |
| folder 8 | Renié, Henriette. Les Pins de Charlannes. Petite pièce trés facile pour la harpe, sans pédales, avec piano ou seconde harpe. Paris: Alphonse Leduc, c1940. 5 pages. Pl. no. A. L. 19,923. |
| folder 9 | Widor, Ch. M. Choral et Variations. Pour harpe et orchestre; réduction pour harpe et piano. Paris: Heugel & Cie, c1927. Pl. no. H. et Cie. 20063. Score (27 pages) and harp part (19 pages). |
| folder 10 | Widor, Ch. M. Choral et Variations. Pour harpe et orchestre; réduction pour harpe et piano. Paris: Heugel & Cie, c1927. Pl. no. H. et Cie. 20063. Harp part (19 pages). Markedly worn. N.B. Miss Malone was the featured soloist in a performance of this work by the Eastman School Orchestra (Samuel Belov, conductor) on April 15th, 1929. |
| folder 11 | Willey, James. Commentary IV. For harp and piano, on William Billings’ “Mendon”. MS repro; 18 pages of music. “To the memory of Dr. Eugene Selhorst”—on front cover. “Written for Joseph and Barbara Dechario”—on front cover |
| folder 12 | Zabel, Albert. Concerto en Do-mineur pour harpe, op 35: avec accopagnement d’orchestre ou piano. Leipzig: Jul. Heinr. Zimmermann, c1904. Pl. no. Z. 3994. Piano score (31 pages) and solo harp part (incomplete; only pages 13-20 present). |
| folder 13 | Chabrier, Emmanuel. Habanera. Transcription pour piano (ou harpe) et harpe par H. Renié. Paris: Enoch & Cie, s.d.. Pl. no. E. F. & C. 2419. H. Two parts present; harp part incomplete. |
|---|---|
| folder 14 | Schaefer, Albert. Harfen-Vorspiel über Mozart’s Ave verum corpus. Berlin: Carl Simon Musikverlag, s.d.. Pl. no. C. S. 1831. Two parts present (Harfe (Klavier) and Harmonium (Klavier II)). |
| folder 15 | Grandjany, Marcel. Aria (in classic style,), op. 19. MS repro; 8 pages of music. Copyright 1944 by Edward B. Marks Music Corp. |
|---|---|
| folder 16 | Wiegand, Auguste. The harp of St. Cecilia (La Harpe de Ste. Cécile). Mélodie réligieuse. Arrangement for organ and harp (or piano). Birmingham, England: J. Fischer and Bro., c1904. Pl. no. J. F. & B. 2552⁄3- 4. Score (9 pages) and Piano or Harp part (5 pages). |
| folder 17 | Nelson, Peter. Shadowdance. MS repro; 10 pages of music. At end: Boston 10th-17th July / 1982. Accompanied by copy of memorandum (April 14, 1983) from Professor Allan Schindler. SEPARATED TO OVERSIZED. |
|---|---|
| folder 18 | Tal, Josef. Concerto for Harp and Electronics. Tel Aviv: Israel Music Institute, c1971. 35 pages. Pl. no. I.M.I. 192. Harp part, including the graphic notation of the electronics. Title, composer’s name, and publisher’s information printed in both Hebrew and English. |
| folder 19 | Tal, Josef. Concerto for Harp and Electronics: New Version (1980). Israel: Israel Music Institute, c1980. 23 pages. Pl. no. IMI 192 rev.48Harp part, including the graphic notation of the tape/electronics. Title, composer’s name, and publisher’s information printed in both Hebrew and English. Accompanied by cover letter (June 20th, 1982) from William Y. Elias, Director General of the Israel Music Institute, Tel Aviv. |
| folder 20 | Tal, Josef. Concerto for Harp and Electronics: New Version (1980). Israel: Israel Music Institute, c1980. 23 pages. Pl. no. IMI 192 rev. Harp part, including the graphic notation of the tape/electronics. Title, composer’s name, and publisher’s information printed in both Hebrew and English. |
| folder 21 | Charpentier, A. Mélodie. Pour violon avec accompagnement de harpe ou piano. Paris: Alphonse Leduc, c1905. A. L. 11,353. Two parts present (Harpe ou Piano, and Violon). |
|---|---|
| folder 22 | Périlhou, A. Andante. Paris: Heugel & Cie, c1899. Pl. no. H. & Cie. 19863. Two parts present (Harpe, and Violon). |
| folder 23 | Saint-Saëns, C. Fantaisie pour violon et harpe, op. 124. Paris: Durand & Cie, c1907. Pl. no. D. & F. 6910. Two parts present (Harpe, and Violon). |
| folder 24 | Wilm, Nicolai von. Duo, op. 156. Leipzig: Jul. Heinr. Zimmermann, c1898. Copyright by Carl Giessel junior, Bayreuth. Pl. no. Z. 5835. Two parts present (Harfe, and Violine). |
| folder 25 | Bantock, Granville. Hamabdil: Hebrew melody. London: J. & W. Chester, Ltd., c1919. Pl. no. J. & W. C. 909. Piano or harp part (5 pages) present; violoncello part lacking. |
|---|---|
| folder 26 | Tournier, Marcel. Nocturne, op. 21. Violoncelle et harpe ou piano ou orgue (ad libitum). Copyist’s MS in ink. Score (3 pages) and part (3 pages). |
| folder 27 | Händel, Georg Friedr. Sarabande (g moll). Bearbeitung (für Violoncello und Harfe( von Heinrich Katona Grünecke. Leipzig: Wilhelm Zimmermann, c1911. Pl. no. Z. 5029. Two parts present. |
|---|
| folder 28 | Barlow, Wayne. Intermezzo. — 1980 MS repro; 11 pages of music. “For the New York State Music Teachers Association 1980”—on first page of music. At end: Rochester, NY. 1980. Published by the composer. Rochester, c1980. Accompanied by a cover note (October 21, 1980) from the composer. |
|---|
| folder 29 | Jolivet, André. Controversia. Pour hautbois et harpe. Paris: Editions M.R. Braun, c1969. Pl. no. M. R. 1199 B. Two parts present. One in the publisher’s Collection Pierre Pierlot: oeuvres classiques & modernes pour hautbois. |
|---|---|
| folder 30 | Soulage, Marcelle. Pastorale, op. 15. Paris: Buffet Crampon and Cie; copyright 1925 by Evette et Schaeffer, Successeurs. Pl. no. E. S. 1908-1. Two parts present. “Primée au Salon des Musiciens Français / Mention, 1920”—on first page of music. |
| folder 31 | Williams, David R. Sonatina for Bassoon and Harp. MS repro; 12 pages of music. “Dedicated to Jane Taylor & Elisabeth Gibson”—on title page. |
|---|
| folder 32 | Bochsa, Charles fils. Thème et Variations (andante amabile). Extrait de la Grande Sonate en mi bémol pour clarinette si bémol (ou violon) et harpe (ou piano). Révision de Frédéric Robert. Paris: Les éditions Ouvrières, c1971. Pl. no. E. O. 806. Two parts present. In the publisher’s series: L’Astrée: collection de musique instrumentale classique publiée sous la direction de Max Pinchard. |
|---|---|
| folder 33 | Nux, P. V. de la. Morceau de Concours. Pour clarinette avec accompagnement de harpe (ou piano). Paris: Enoch and Cie, s.d.. Pl. no. E. & C. 6335. Score (8 pages). . Provenance: R. M. Arey. |
| folder 34 | Charpentier, A. Mélodie. Pour violon avec accompagnement de harpe (ou piano). Paris: Alphonse Leduc, c1905. Pl. no. A. L. 11,353. bis. Two parts present.. |
|---|
| folder 35 | Renié, Henriette. Fêtes Enfantines: trois pièces pour harpe et diction. Poésies de F. des Varennes. Paris: Alphonse Leduc, c1959. 11 pages. Pl. no. A. L. 22.726. I. La Vierge à la crêche — II. Mascarade — III. Cloches de Pâques. |
|---|
| folder 36 | Berlioz, H.. Trio des jeunes Ismaëlites. From L’Enfance du Christ: Suite Symphonique. Transcription pour J. Clémandh. Paris: Costallat & Cie, s.d.. Pl. no. R. 11374. Score (7 pages) and flutes part (4 pages). |
|---|---|
| folder 37 | Gaubert, Ph. Divertissement Grec. Pour flûte et harpe (ou piano). Paris: Alphonse Leduc, c1908. Pl. no. A. L. 14.120. Score (5 pages) and two flute parts present. |
Box 8
| folder 1 | Chertok, Pearl. Ten Past Two. From Around the Clock: Suite. MS repro. Score (3 pages) and three harp parts. Copyright Pearl Chertok. |
|---|---|
| folder 2 | Grandjany, Marcel. Deep River Interlude. No. 27 from The Harp Album, opus 27. New York: M. Baron Co., c1947. Score and two parts present. |
| folder 3 | Yeh, Huai-Deh. Fugue in D: for four harps. MS repro score (10 pages) and four parts. “To Eileen Malone”—on first page of score. |
|---|---|
| folder 4 | Yeh, Huai-Deh. Sarabande: for four harps. Pencil MS score (9 pages) and four MS repro parts. “To Eileen Malone”—on first page of score. |
| folder 5 | Feliciano, Richard. Four Poems from the Japanese. For women’s voices, five harps, celesta, glockenspiel and tam-tam. MS repro score (15 pages), choral score (6 pages), and harp/red part (4 pages). Accompanied by cover letter (October 5, 1965) from the composer, and by photocopy of press article “Ives Second String Quartet Sparkles” by Robert Finn, Cleveland Plain Dealer, February 9, 1967, which cites the work in question. |
|---|
| folder 6 | Bach, J. S. Jesu, Joy of Man’s Desiring: from Cantata 147. Transcribed C. Ratcliff for harp quartet and trombone quartet. Desktop-published score (9 pages) and parts. “For Eileen Malone and the Eastman Harp and Trombone Choirs”—on first page of score. |
|---|
| folder 7 | Adair, James. Concerto da Camera. For flute, harp and strings. Edited by Eileen Malone. MS repro harp part (11 pages). |
|---|---|
| folder 8 | Bax, Arnold. Elegiac Trio. For flute, viola and harp. London: J. & W. Chester, Ltd., c1920. Pl. no. J. & W. C. 218. Harpist’s score (18 pages) and two parts. |
| folder 9 | Bax, Arnold. Quintet. For harp and strings. London: Murdoch, Murdoch & Co., c1922. Pl. no. M. M. & Co. 311. Harpist’s score (22 pages) and four strings parts. |
| folder 10 | Berio, Luciano. Circles. For female voice, harp and 2 percussion players. New York: Universal Edition, c1960. 39 pages. Text from e. e. cummings: Poems 1923-1954 (published by Harcourt, Brace) “Commissioned by the Fromm Foundation.”—on title page. |
| folder 11 | Berres, George. Harp Quintet. For harp and string quartet. MS repro score; 53 pages of music. |
| folder 12 | Boisdeffre, René de. Élégie, op. 15, no. 2. Pour piano ou orgue, violon, violoncelle et harpe. Paris: J. Hamelle, s.d.. Pl. no. J. 3710. H. Score and parts. |
| folder 13 | Busser, Henri. Ballade en la bémol, op. 65. Pour harpe à pédales avec accompagnement de quintette à cordes. Paris: Evette et Schaeffer, c1920. Pl. no. E. S. 9120.0. Score and parts. “Concours du Conservatoire national de musique de Paris / année 1918)— on cover of score. |
| folder 14 | Büsser, Henri. Le Sommeil de L’Enfant Jésus, op. 3. Berceuse pour la Nuit de Noël. Édition originale: violon ou violoncelle, harpe ou piano et orgue. Paris: Choudens, s.d.. Pl. no. A.C. 10.185.—10.259. — 11,256. Score (13 pages) and parts for: violon solo, violoncelle solo, harpe ou piano, and harmonium. |
| folder 15 | Caplet, André. Conte fantastique: d’après une des Histoires extraordinaires d’Ellen [sic] Edgar Poë: “Le masque de la mort rouge”. Pour harpe ou piano et quatuor à cordes. Paris: Durand & Cie, c1924. Pl. no. D. & F. 10,535. Harp part and four strings parts present. |
| folder 16 | Charpentier, Jacques. Mouvement: pour flûte, violoncelle et harpe. Paris: Alphonse Leduc, c1968. Pl. no. A. L. 23675. Three parts present. |
| folder 17 | Cras, Jean. Quintette. Pour harpe, flûte, violon, alto et violoncelle ou piano et quatuor à cordes. Paris: Éditions Maurice Senart, c1930. Pl. no. E. M. S. 7989. Score (48 pages) and parts: flûte, violon, alto (2), violoncelle (2). |
| folder 18 | Damase, Jean-Michel. Quintette. Pour flûte, harpe, violon, alto et violoncelle. Paris: Henry Lemoine & Cie, c1948. Pl. no. 23 430 HL. Score and three parts present. |
| folder 19 | Damase, Jean-Michel. Trio. Pour flûte, harpe et violoncelle. Paris: Henry Lemoine & Cie, c1947. Pl. no. 23 370 HL. Score and two parts present. |
| folder 20 | Debussy, Claude. Danses [i.e., Danse sacrée et Danse profane]. Pour harpe chromatique ou piano avec acct. d’orchestre d’instruments à cordes. Paris: A. Durand & Fils, c1904. Pl. no. D. & F. 6419. Partition d’orchestre (28 pages) and parts: 1ers violons; 2ds violons; altos; violoncelles; contrebasses. |
| folder 21 | Debussy, Claude. Sonate. Pour flüte, alto et harpe. Édition originale. Paris: Éditions Durand & Cie, c1916. Pl no. D. & F. 9427. Score and two parts; additional flute and alto parts also present. |
| folder 22 | Debussy, Claude. Sonate. i Pour flûte, alto et harpe. Paris: Editions Durand & Cie, c1916. Pl. no. D. & F. 9427. Score; copy markedly more worn than that in folder 21. |
Box 9
| folder 1 | Debussy, Claude. Sonate. Pour flüte, alto et harpe. Édition originale. Paris: Éditions Durand & Cie, c1916. Pl no. D. & F. 9427. Score and two parts; additional flute and alto parts also present. |
|---|---|
| folder 2 | Gallon, Noël. Quintette. Pour harpe, 2 violons, alto et violoncelle. Paris: Henry Lemoine & Cie, c1953. Pl. no. 23611 HL. Score only (47 pages). |
| folder 3 | Goossens, Eugène. Suite, op. 6. [London:] J & W Chester, s.d. Pl. J. W. C. 206. (a) Impromptu — (b) Serenade — (c) Divertissement. Incomplete: violin part only. |
| folder 4 | Hanson, Howard. Pastorale, op. 38. For solo oboe, strings, and harp. New York: Carl Fischer, Inc., c1952. Score and harp part; additional copies of the latter also present. Accompanied by printed program, Eastman School of Music, November 30th, 1981. |
| folder 5 | Hodkinson, Sydney. Papillons: a serenade of songs without words. For flute (alto flute, piccono), viola and harp. MS repro score; 48 pages. Accompanied by letter (May 21, 1984) to Eileen Malone from the composer. 1. Preamble — 2. Aubade — 3. Arietta — 4. Burlesca — 5. Lament — 6. Pastorale — 7. Shivaree. |
| folder 6 | Ibert, Jacques. Deux Interludes. Pour flûte, violon et clavecin (ou harpe). Paris: Alphonse Leduc, c1949. Pl. no. A. L. 20,630. Score and two parts. |
| folder 7 | Ibert, Jacques. Trio. Pour violon, violoncelle et harpe. Paris: Alphonse Leduc, c1945. Pl. no. A. L. 20, 341. Score; parts lacking. |
| folder 8 | Ibert, Jacques. Trio. Pour violon, violoncelle et harpe. Paris: Alphonse Leduc, c1945. Pl. no. A. L. 20, 341. Score and two parts. Score bound into library binding. Set shows more wear than the score housed in folder 7. |
| folder 9 | Indy, Vincent d’. Suite, op. 91. Pour harpe, flüte, violon et violoncelle. Paris: Heugel Editeur, c1930. Pl. no. H. 30,078. I. Entrée en Sonate — II. Air désuet — III. Sarabande. All parts present. |
| folder 10 | Indy, Vincent d’. Suite en parties. Pour flûte obligée, violon, alto, violoncelle et harpe. Paris: Au Ménestrel. Copyright by Heugel c1930. Pl. no. H. 30,078. Five parts present. |
| folder 11 | Jolivet, André. Pastorales de Noël. Pour flûte (ou violon), basson (ou alto, ou violoncelle) et harpe. Paris: Heugel & Cie, c1949. Pl. no. H. 31254. Score and two parts. I. L’étoile — II. Les mages — III. La vierge et l’enfant — IV. Entrée et danse des bergers. |
| folder 12 | Jolivet, André. Suite Liturgique. Pour voix ténor ou soprano, cor anglais (prenant le hautbois), violoncelle et harpe. Paris: Durand & Cie, c1947. Pl. no. D. & F. 13,303. Cor anglais (ou hautbois), violoncelle, and harpe parts present. |
| folder 13 | Jongen, Jos. Concert à cinq, op. 71. Pour harpe chromatique ou diatonique, flûte, violon, alto, violoncelle. 2me édition. Bruxelles: Maison Vriamont, s.d.. Score and four parts (flûte, violon, alto, violoncelle) present. |
| folder 14 | Lajtha, László. Trio, op. 22. Pour harpe, flûte et violoncelle. Budapest: Rózsavölgyi and Co., c1937. Pl. no. R. & Co. 6095. Score and two parts present. |
| folder 15 | Lajtha, László. Deuxième Trio, op. 47. Pour flûte, violoncelle et harpe. Paris: Alphonse Leduc & Cie, c1950. Pl. no. A. L. 20620. Score and two parts present. |
| folder 16 | Lesur, Daniel. Suite Médiévale. Pour flûte, harpe, violon, alto, violoncelle. Paris: Durand & Cie., c1945. Pl. no. D. & F. 13.689bis. Five parts present. |
| *** | Luedeke, Raymond. The Moon in the Labyrinth. Published by the composer, c1985. (score.) Accompanied by a letter from the composer. SEPARATED TO OVERSIZED. |
| folder 17 | Luigini, A. Aubade. Pour flûte, hautbois, clarinette, quintette à cordes et harpe ou piano. Paris: L. Grus & Cie, s.d.. Pl. no. L. G. & Cie. 5951. Parts present: Harpe ou piano (obligé), flûte, hautbois, clarinette en si- bemol, 1er violon, 2d violon, alto, violoncelle, contrebasse. |
| folder 18 | Malipiero, G. Francesco. Sonata à cinque. Milano: G. Ricordi and C., s.d.. Pl. no. 123628. Score and five parts: flauto (o violino I); violino (o violino II); viola; violoncello; arpa (o pianoforte). Provenance: G. Ricordi. |
| folder 19 | Maryani, Ami. 2 Madrigals. MS repro parts. Harpe, flûte, hautbois, clarinette (si bémol), basson. 1. Modéré — 2. Vite. |
Box 10
| folder 1 | Meulemans, Arthur. Sonate. Pour flûte, alto et harpe. Bruxelles: CeBeDeM, 1959. Pl. no. 1. Harpist’s score (32 pages and two parts. |
|---|---|
| folder 2 | Pierné, Gabriel. Variations libres et Finale, op. 51. Pour flûte, violon, alto, violoncelle et harpe. Paris: Éditions Salabert, c1933. Pl. no. E.A.S. 8182. Five parts present; each in negative-polarity photographic format. |
| folder 3 | Pierné, Gabriel. Variations libres et Finale, op. 51. Pour flûte, violon, alto, violoncelle et harpe. Paris: Éditions Salabert, c1933. Pl. no. E. A. S. 8162. Five parts present. |
| folder 4 | Pierne, Gabriel. Voyage au “Pays du Tendre” (d’après la Carte du Tendre). Pour flûte, violon, alto, violoncelle et harpe. Paris: Alphonse Leduc, c1951. Pl. no. A. L. 20.853. Harpist’s score (21 pages) and four parts present. Title page of harpists score bears a facsimile of the Carte du Tendre with a quotation from the Histoire de la Littérature française by Ch.-M. des Granges. |
| folder 5 | Pierné, Paul. Variations au Clair de Lune. Pour violon, alto, violoncelle, flûte, harpe ou piano. Paris: Henry Lemoine & Cie, c1935. Pl. no. 22.789. H. Five parts present. |
| folder 6 | Pillois, Jacques. cinq Haï-Kaï: Epigrammes lyriques du Japon. Pour flûte, violon, alto, violoncelle et harpe. Paris: Durand & Cie., c1926. Pl. no. D. & F. 10,939. Five parts present. Title page bears a quotation from Sages et Poètes d’Asie by Paul-Louis Chouchoud. |
| folder 7 | Ravel, Maurice. Introduction and Allegro. Pour harpe avec acct. de quatuor à cordes, flûte et clarinette. Paris: A. Durand & Fils, c1906. Pl. no. D. & F. 6738. Seven parts present. |
| folder 8 | Ravel, Maurice. Introduction and Allegro. Pour harpe avec acct. de quatuor à cordes, flûte et clarinette. Paris: A. Durand & Fils, c1906. Pl. no. D. & F. 6738. Exclusively the harp part present: markedly worn and annotated in pencil. |
| folder 9 | Ravel, Maurice. Introduction and Allegro. Pour harpe avec acct. de quatuor à cordes, flûte et clarinette. Paris: A. Durand & Cie, c1906. Without plate number. Miniature score (37 pages). |
| folder 10 | Rota, Nino. Quintetto. Per flauto, oboe, viola, violoncello et arpa. Milano: G. Ricordi & C., c1937. Pl. no. 123818. Score (29 pages) and five parts present. |
| folder 11 | Roussel, Albert. Sérénade, op. 30. Pour flûte, violon, alto, violoncelle et harpe. Paris: Durand & Cie, c1925. Pl. no. D. & F. 10,838. Five parts present; an additional harp part also present, markedly more worn. |
| folder 12 | Saint-Saëns, C. Quatuor sur un fragment de L’Oratorio de Noël, op. 12. Pour piano ou harpe, violon, violoncelle et orgue-harmonium. Paris: A. Durand & Fils, s.d.. Pl. no. D. et F. 3048. Score and parts for orgue-harmonium, violon, violoncelle present; harp part lacking. Markedly worn. |
| folder 13 | Saint-Saëns, C. Quatuor: sur un fragment de L’Oratorio de Noël. Pour piano ou harpe, violon, violoncelle et orgue-harmonium. Paris: A. Durand & Fils, s.d.. Pl. no. D. et F. 3048. Harpist’s or pianist’s score (incomplete: pages 3-10 lacking) and three parts. |
| folder 14 | Saint-Saëns, C. Romance, op. 27. Pour violon, piano ou harpe et orgue; partie de harpe transcrite par A. Hasselmans. Paris: A. Durand & Fils, s.d.. Pl. no. D. et F. 2040. Two parts present: for violon and harmonium, and for violon and harpe (incomplete; pages lacking). Markedly worn. |
| folder 15 | Saint-Saëns, C. Romance, op. 27. Pour violon, piano ou harpe et orgue; partie de harpe transcrite par A. Hasselmans. Paris: A. Durand & Fils, s.d.. Pl. no. D. et F. 2040. Three parts present: for violon and harmonium, for violon and harpe; and for violin. |
| folder 16 | Sheriff, Noam. Ma’I ko’ ma’sh’ma Ian . . . [Essay for harp and string quartet]. MS repro score; 17 pages of music. Title in Hebrew and in English in caption on first page of music. “This work can be played by a small orchestra. Double-basses should then double the ‘cello part at the conductor’s discretion.”—on first page of music. Copyright 1976 by Noam Sheriff. |
| *** | Sheriff, Noam. Essay for Harp and String Quartet. Score: the pages mounted for performance on cardboard. SEPARATED TO OVERSIZED. |
| folder 17 | Soulage, Marcelle. Légende, op. 13. Pour flûte, hautbois et harpe. Paris: Evette & Schaeffer, s.d.. Pl. no. E. S. 1785-I. Score and two parts present. |
Works by Marcel Tournier in this sub-series are arranged by their opus numbers; works without opus numbers have been placed at the end of the sequence.
| folder 18 | Tournier, Marcel. Nocturne, op. 21. Pour violoncelle et harpe ou piano, [et] orgue (ad lib.). Paris: Gay & Tenton, s.d.. Pl. no. L. R. 212. Score only (11 pages). Markedly worn. |
|---|---|
| folder 19 | Tournier, Marcel. Nocturne, op. 21. Pour violoncelle et harpe ou piano, [et] orgue (ad lib.). Paris: Gay & Tenton, s.d.. Pl. no. L. R. 212. Score (11 pages) and organ part. |
| folder 20 | Tournier, Marcel. Suite, op. 34. Pour flûte, violon, alto, violoncelle et harpe (ou piano). Paris: Henry Lemoine & Cie, c1929. Pl. no. 22,163. H. 1. soir — 2. danse — 3. lied — fête. Score only (31 pages). Annotated in pencil; markedly worn. |
| folder 21 | Tournier, Marcel. Suite, op. 34. Pour flûte, violon, alto, violoncelle et harpe (ou piano). Paris: Henry Lemoine & Cie, c1929. Pl. no. 22,163. H. 1. soir — 2. danse — 3. lied — fête. Score (31 pages) and parts for flûte, violon, and violoncelle (alto lacking). |
| folder 22 | Tournier, Marcel. Suite, op. 34. Pour flûte, violon, alto, violoncelle et harpe (ou piano). Paris: Henry Lemoine & Cie, c1929. Pl. no. 22,163. H. 1. soir — 2. danse — 3. lied — fête. Score (31 pages) and parts for flûte (2 copies), violon (2 copies), alto (2 copies), and violoncelle (2 copies). |
| folder 23 | Tournier, Marcel. Les Anesses grises sur la Route d’El-Azib. Pour la harpe et quatuor à cordes. No. VII from Images, 3me Suite, opus 35. Paris: Henry Lemoine, c1938. Pl. no. 23 102 HL. Score (13 pages) and five strings parts (1er violon, 2e violon, alto, violoncelle, contrebasse). |
| folder 24 | Tournier, Marcel. Danseuse à la Fontaine d’Aïn-Draham. No. VIII from Images, 3me Suite, opus 35. Paris: Henry Lemoine, c1938. Pl. no. 23 103 HL. Score (13 pages) and five strings parts (1er violon, 2e violon, alto, violoncelle, contrebasse). |
| folder 25 | Tournier, Marcel. Images: Soir de Fête à Sedjenane. Pour la harpe et quatuor à cordes. No. IX from Images, 3me Suite, opus 35. Paris: Henry Lemoine, c1938. Score (14 pages) and five strings parts (1er violon, 2e violon, alto, violoncelle, contrebasse). |
| folder 26 | Tournier, Marcel. Féerie: Prélude et danse. Pour harpe et quatuor à cordes. Paris: Louis Rouhier, c1912. Pl. no. L. R. 462. Four parts for string quartet present; harp part lacking. |
| folder 27 | Tournier, Marcel. Féerie: prélude et danse. Pour harpe et quatuor à cordes. Paris: Louis Rouhier, s.d.. Pl. no. L. R. 462 bis. Studio score. |
Box 11
| folder 1 | White, Paul. Sea Chanty. For harp and strings. Cadenzas by Edna Phillips. Philadelphia: Elkan-Vogel Co., Inc., c1944. Pl. no. Alternate title appears on parts: Sea Chanty Quintet. “Composed for and dedicated to Edna Phillips”—on first page of music. 1. Blow the man down — 2. Tom’s gone to Hilo — 3. O wake her, O shake her. Published score (harp with piano/reduction of strings) (34 pages). MS repro parts: harp with piano (strings reduction); violin 1; violin 2; viola; violoncello; bass. |
|---|---|
| folder 2 | Wilder, Alec. Suite for Harp, Oboe and French Horn. MS repro parts (harp, oboe, horn). Accompanied by several pages of pencil MS in the composer’s hand. |
| folder 3 | Bach, J. C.. Sinfonia Concerto. For harp and strings (string trio). Edited & realized by David Watkins. MS repro harp part (14 pages; page 3 lacking). Copyright Salvi 1983. |
|---|---|
| folder 4 | Bach, J. S.. Jesu, Joy of Man’s Desiring. Arr. by Bruce Houseknecht ESM ’43 for Eileen Malone. Pencil MS parts. 1st harp / 2nd vl. & va extraction for 3rd harp / 1st trombone / 2nd trombone / 3rd trombone / 4th trombone. |
| folder 5 | Bach, K. Ph. E.. Deux menuets et une polonaise. Pour flûte, alto et harpe. Adaptation de Francis Pierre. Paris: Éditions Musicales Transatlantiques, c1975. Pl. no. E. M. T. 1357. Three parts present. |
| folder 6 | [ ? Clark] A Strange Tune. Arr. W. Boyes for two flutes, two clarinets, and harp. Pencil MS score; 2 pages of music. Source: [? Frances Clark] [method of piano technique], book I. |
| folder 7 | Franck, César. Prière: extraite de “L’Organiste”. Transcription pour violon (& violoncelle ad lib.) avec acct. d’orgue ou piano et de harpe (ad lib.) par Henri Busser. Paris: Enoch & Cie, s.d.. Pl. no. E. & C. 4603. Score and three parts present (violon, violoncelle, harpe). |
| folder 8 | Gounod, Ch.. O Divine Redeemer! Folder contains two manifestations, each being an item of published sheet music; one (2) was found within the other (1): (1) Gounod, Ch. O divine Redeemer! (“Repentir”) Scena. Arranged from the original orchestral score by Leigh Kingsmill. Words by Alfred Phillips. London: Phillips & Page, s.d.. Pl. no. P. & P. 423. For voice and piano. 7 pages. Annotated in pencil with respect to vocal performance; markedly worn. (2) Gounod, Ch. O, divine Redeemer! (Repentir. = Parce domine.): prayer. Arranged for voice, violin solo (or ‘cello), harper (or piano) and organ, by J. Delsart. New York: G. Schirmer, Inc., n.d.. Pl. no. 13105 r. Score (4 pages) and two parts (violin, ‘cello). |
| folder 9 | Mahler, Gustav. Adagietto from Symphony No. 5. Transcribed for trombone choir by Wesley Hanson. MS repro conductor’s score; 13 pages of music. MS repro harp part; 4 pages of music. Accompanied by post-it note bearing message to “Eileen” from “John M.” regarding an ensemble performance. 10 copies of the above-cited harp part, most annotated in pencil. |
| folder 10 | Mozart, Leopold. Bourlesq [sic]. Arr. W. Boyes. For harp, trumpet (muted) and trombone. Pencil MS score; 1 page of music. |
| folder 11 | Poenitz, Franz. Meditation über das 6. Praeludium (I. Teil des wohltempe- rierten Klaviers) von Joh. Seb. Bach. Für Violine und Harpe (oder Klavier) mit Harmonium (oder Orgel) ad libitum. Berlin: Carl Simon, Musikverlag. Pl. no. C. S. 1807. Score (7 pages) with parts for Violine and Harmonium. |
| folder 12 | Saint-Saëns, C.. Adagio de la Symphonie en ut mineur. Transcription par Pierre Kunc pour violon, violoncelle, harpe & orgue. Paris: A. Durand & Fils, c1923. Pl. no. D. & F. 10313. Score (16 pages) and four parts (violon; violoncelle; contrebasse (ad lib.); harpe). |
| folder 13 | Samuel-Rousseau, Marcel. Variations pastorales: sur un vieux Noël. Pour la harpe. Accompt. de quatuor à cordes par Marcel Tournier. Paris: Gay & Tenton, s.d.. Pl. no. G. T. 489. Parts for four strings (1er violon, 2de violon, alto, violoncelle). |
| folder 14 | Tenderly, by Walter Gross. Arr. by Rayburn Wright for harp, vibraphone and bass. MS repro double bass part; 4 pages of music. Annotated in pencil. |
| folder 15 | Barlow, Wayne. Images: for harp and orchestra.—1961 MS repro harp part; 18 pages of music. MS repro piano reduction score; 36 pages of music. “To Robert Barlow”—on first page of music in both score and harp part. “Copyright 1961 by Wayne Barlow”—on first page of music in both score and harp part. Harp part copiously annotated in pencil ( ? fingerings possibly in Robert Barlow’s hand). Harp part bears an explanatory note in hand of Professor Kathleen Bride. |
|---|---|
| folder 16 | Barlow, Wayne. Images: for harp and instruments.—1963 MS repro harp part; 15 pages of music. MS repro piano reduction score; 31 pages of music. “To Robert Barlow”—on first page of music in both score and harp part. “Copyright 1963 by Wayne Barlow”—on first page of music in both score and part. Harp part copiously annotated in pencil ( ? fingerings possibly in Robert Barlow’s hand). |
| folder 17 | Ben-Haim, P. The sweet Psalmist of Israel: three symphonic fragments for orchestra and soloists. Tel Aviv: Israeli Music Publications, c1953. 84 pages. Pl. no. I. M. P. 524. “Israeli Prize 1957”—on title page. No. 24 in the publisher’s series Study Scores of Orchestral Works and Chamber Music. I. David before Saul — II. Invocation — III. A song of degrees. Copyright assigned 1958 to Impero-Verlag G.m.b.H., Wiesbaden, for all countries of the world except Israel. Inscription by the composer inside front cover. |
| folder 18 | Blacher, Boris. Konzert. Für Klarinette, Fagott, Horn, Trompete, Harfe und Streicher. Berlin: Bote and Bock, c1950. Harp part; 7 pages of music. |
| folder 19 | Boïeldieu, Adrien François. Concerto per arpa e orchestra. Elaborazione di Carlo Stueber. Milano: G. Ricordi. Pl. no. 124482. Harp solo part; incomplete, lacking all pages past page 19. |
| folder 20 | Boïeldieu, Fr. Adriano. Concerto in 3 Tempi. Parte per arpa solista. Elaborazione di Carlo Stueber. Milano: G. Ricordi & C., c1939. Pl. no. 124482-IX. |
| folder 21 | Castelnuovo-Tedesco, Mario. Concertino for Harp and Chamber Orchestra. Edited by Ann Mason Stockton. New York: General Music Publishing Co., c1971. Solo harp part; 29 pages. |
| folder 22 | Damase, Jean Michel. Concertino. Pour harpe et instruments à cordes. Paris: Henry Lemoine & Cie., c1951. Pl. no. 23 546 HL. Score (40 pages). Accompanied by one page of notes in E. Malone’s hand. |
| folder 23 | Dittersdorf, Karl Ditters von. Konzert für Harfe und Orchester. Bearb. von Karl Herm. Pillney. New York: C. F. Peters Corporation, c1958. Solo harp part; 23 pages. |
| folder 24 | Dittersdorf, Karl Ditters von. Konzert für Harfe und Orchester. Bearb. von Karl Herm. Pillney. New York: C. F. Peters, c1958. Score (52 pages). |
| folder 25 | Fuerstner, Carl. Concerto Conservativo, op. 23. MS repro; 21 pages of music. Solo harp part. |
| folder 26 | Ginastera, Alberto. Harp Concerto. [London]: Boosey and Hawkes, c1974. Harp solo part; 28 pages. Annotated in pencil. |
| folder 27 | Ginastera, Alberto. Harp Concerto. [London]: Boosey and Hawkes, c1974. Harp solo part; 28 pages. Annotated in pencil. |
Box 12
| folder 1 | Grandjany, Marcel. Aria in Classic Style for harp and string orchestra. New York: Associated Music Publishers, Inc., c1951. Score (15 pages) and 5 parts for strings (violin 1, violin 2, viola, violoncello, bass). Accompanied by one MS repro copy of the solo harp part for the harp/organ version of this composition; 6 pages of music; copyright1944 by Edward B. Marks Music Corporation. |
|---|---|
| folder 2 | Händel, Georg Fr. Konzert für Harfe oder Orgel (Cembalo oder Klavier) und Orchester. Herausgegeben von Gustav Lenzewstisen. Berlin: Chr. Friedrich Vieweg, s.d.. Pl. no. V. 1707. Score; 14 pages. Accompanied by cover letter (March 3, 1966) from colleague Marilyn. |
| folder 3 | Hanson, Howard. Concerto for Organ, Strings and Harp, op. 22, no. 3. MS repro solo harp part; 6 pages of music. Provenance: Eastman School of Music Orchestra Library. |
| folder 4 | Heilner, Irwin. Suite for Harp and Orchestra. New York: Composers Facsimile Edition, c1952. Score (96 pages), harp solo part, and Orchestral part arranged for Harp II or Piano or Harp Ensemble. Prelude — Blues — Impromptu — Bagatelle. |
| folder 5 | Heilner, Irwin. Suite for Harp and Orchestra. New York: Composers Facsmile Edition, c1952. Score (96 pages). “Unrevised / See new version”—in pencil on title page. |
| folder 6 | Jolivet, André. Concerto pour harpe et orchestre de chambre. Paris: Pierre Noël, c1957. Pl. no. P. N. 6153. Cancellans slip bearing name of Gérard Billaudot pasted over Pierre Noël’s name on front cover. Study score; 100 pages. |
| folder 7 | Legg, James. Concertino for Harp. With accompaniment of flute, clarinet in A and string quartet. MS repro score; 60 pages of music. Accompanied by cover letter (February 25, 1986) from the composer. |
| folder 8 | Legley, Vic.. Concerto voor Harp en Orkest. Bruxelles: CeBeDeM [Centre Belge de Documentation Musicale], c1967. MS repro score; 75 pages. MS repro solo harp part; 19 pages. Score and solo part both bear the stamp of the CdBeDeM. |
| folder 9 | Loboda, Samuel. The Prince and the Mermaid: harp fantasie. For harp and band. MS repro conductor’s condensed score; 15 pages. Prefatory notes affixed to inside front cover. |
| folder 10 | Lutoslawski, Witold. Double Concerto for oboe, harp and chamber orchestra. London: J. and W. Chester, c1978. Solo harp part; 19 pages. |
| folder 11 | Ma’ayani, Ami. Concerto for Harp and Orchestra. Tel Aviv: Israel Music Institute, c1964. Pl. no. I.M.I. 046b. Score for solo harp with piano reduction; 84 pages. Two copies. Title, composer’s name, and publisher’s name and information printed both in Hebrew and in English. Biographical sketch of the composer and prefatory notes on the Concerto immediately precede the first page of music. “The Concerto was included in the repertoire of the forthcoming Third International Harp Contest to be held in Israel in the autumn of 1965.”—from the notes on title page verso. |
| folder 12 | Parish-Alvars, Elias. Concertino, op. 34. Pour harpe avec acct. d’orchestre. Paris: Henry Lemoine & Cie, s.d.. Pl. nos. 14995. HL. and S. 1377. Solo harp part; 23 pages. |
| folder 13 | Pierné, Gabriel. Concertstück pour harpe et orchestre, op. 39. Paris: J. Hamelle, s.d.. Pl. no. J. 4788 H. Solo harp part with piano reduction; 35 pages. |
| folder 14 | Pierné, Gabriel. Concertstück pour harpe et orchestre, op. 39. Paris: J. Hamelle, s.d.. Pl. no. J. 4788 H. Solo harp part with piano reduction; 35 pages. Markedly more worn than the copy housed in folder 13. |
| folder 15 | Pierné, Gabriel. Concertstück pour harpe et orchestre, op. 39. Paris: J. Hamelle, s.d.. Pl. no. J. 4788 H. Solo harp part with piano reduction; 35 pages. Unmarked, apart from pencilled instrumentation notes on the front cover. |
| folder 16 | Rodrigo, Joaquin. Sones en la Giralda. Pour harpe & orchestre. Paris: Éditions Max Eschig, c1969. Pl. no. M.E. 7857. Solo harp with piano reduction; 30 pages. |
| folder 17 | Roger-Ducasse. Variations Plaisantes sur un thême grave. Pour harpe obligée et orchestre. Paris: A. Durand & Fils, c1909-1910. Pl. no. D. & F. 7295. Solo harp with piano reduction; 25 pages. |
| folder 18 | Saint-Saëns, C. Morceau de Concert, op. 154. Pour harpe avec accompagnement d’orchestre. Paris: Durand & Cie, c1919. Pl. no. D. & F. 9625. Solo harp with piano reduction; 30 pages. |
Box 13
| folder 1 | Saverino, Louis. Concerto for Harp and Orchestra. MS repro solo harp part; 7 pages of music. MS repro solo harp with piano reduction; 13 pages of music. “To Miss Malone with my best wishes and compliments Louis Saverino”—inscription on first page of solo harp part. At end of piano reduction: Louis Saverino / 4/2/44. Accompanied by a printed program from a concert by the U. S. Marine Band Symphony Orchestra, January 3rd, 1945 which featured a performance of this work. |
|---|---|
| folder 2 | Somers, Harry. Suite for Harp and Chamber Orchestra. MS repro solo harp part; 21 pages.67 Accompanied by an errata list (2 pages), printed on letterhead of the American Harp Society and citing the 1990 Competition. |
| folder 3 | Widor, C. Choral et Variations. Pour harpe et orchestre. Paris: Heugel & Cie, c1900. Pl. no. H. & Cie. 20063. Piano reduction score; 25 pages. Solo harp part; 19 pages. Both score and solo part markedly worn; together bound in cardstock boards. The solo harp part previously repaired with copious applications of cellotape. |
| folder 4 | Anon. Deep River. Arranged for harp with strings. Ink MS score; 2 pages of music. Ink MS score for harp cadenza; 3 pages of music. Ink MS parts for violin I (3), violin II (2), viola (2), violoncello, and bass. |
| folder 5 | Handel, G. F. Sarabanda (Theme and Variations). For strings and harp. Transcribed by Mortimer Wilson. New York: M. Witmark & Sons, c1932. Pl. no. M. W. & Sons 19258-10. Score; 4 pages. MS parts (copied from the published score) for 1st violin, 2nd violin, viola, ‘cello. Accompanied by (found within the above): Chopin, F. Two Preludes [in] C minor, op. 28, no. 20. For harp and strings. Transcribed by Mortimer Wilson. Pl. no. 19259-9. Score; 3 pages. |
|---|---|
| folder 6 | Mozart, W. A. Tre Valzer. Transcritti da Gian Luca Tocchi per arpa e orchestra d’archi. Roma: Edizioni de Santis, c1940. Pl. no. E. D. S. 571. Score; 18 pages. |
| folder 7 | Grandjany, Marcel. Harp Album. New York: M. Baron Co., c1947. 18 pages. Inscription by the composer on front cover. In series: Baron Manuscript Series. 1. Greetings, op. 27 — Zephyr, op. 27 — 3. In dancing mood, op. 27 — 4. A butterfly, op. 27 — 5. Deep River interlude, op. 27 — 6. The pageant begins, op. 27 — 7. On a Western ranch, op. 27 — Through the meadows, op. 27. |
|---|---|
| folder 8 | Jaeger, Patricia, arranger. Folk Harp with a Friend. Twelve Irish folk songs, arranged for harp accompaniment to: voice, violin, flute, piccolo, oboe, recorder, Irish pipes, melody bells, handbells, celeste, marimba, and other treble instruments. Includes harp score with melody line and text; separarte treble part for “a friend”. Volume 1 of “With a Friend” Series. |
| folder 9 | Milligan, Samuel, editor. Medieval to Modern Repertoire for the Lyon-Healy Troubadour Harp, vol. I. Chicago: Lyon-Healy, c1962. 24 pages. Pl. no. 7716-B. “Selected compositions from the 12th century to the present, arranged for harp . . . easy to moderately difficult.”— on front cover. |
| folder 10 | Paret, Betty. The Harpist’s Book of Christmas Music. New York: Lyra Music Company, c1965. 25 pages. |
| folder 11 | Qiu, Yue Ping, editor. Twelve Chinese Harp Pieces. Shenyang: Shenyang Conservatory of Music, c1989. Selected and edited by Yue Ping Qiu. 57 pages. Editor’s Preface printed inside front cover. Inscription by the editor on front cover. |
| folder 12 | Renié, Henriette. Les Classiques de la Harpe, 2e Recueil. Paris: Alphonse Leduc, c1940. 15 pages. Pl. no. A. L. 20.168. L’Hirondelle / Daquin — Sarabande et Gigue / Zipoli — Pièce en Ré / Scarlatti — Célèbre Gavotte en rondeau (Ballets du Roy) / Lully — Barcarolle (Romance sans parole No. 6) / Mendelssohn — Préludes Nos. 20 et 23 / Chopin. |
| folder 13 | Renié, Henriette. Les Classiques de la Harpe, 4e Recueil. Paris: Alphonse Leduc, c1940. 15 pages. Pl. nos. A. L. 20.130.; A. L. 20. 131.; A. L. 20.132. Toccata (4e Sonate pour clavecin) / Paradisi — Sonate facile en Ut / Mozart. |
| folder 14 | Robinson, Gertrude Ina. Original Compositions and Adaptations for the Harp. New York: Carl Fischer, c1916. 33 pages. Pl. no. 19697-32. “Ten agreeable, melodious numbers designed for entertainment, as well as progressive technical study for players of first year grade.” — on title page. |
| folder 15 | Salzedo, Carlos. Tiny Tales for Harpist Beginners (Petits Contes pour la Harpe à l’usage des commençants). For harp or Irish harp. Philadelphia: Elkan-Vogal, c1936. 7 pages. “There are no pedal changes in the course of these pieces.”—on front cover. |
| folder 16 | Séverac, D. de. En Vacances (Holiday Time = Ferien): petites pièces romantiques de moyenne difficulté pour piano. Transcrit pour harpe par H. Renié. Paris: Rouart, Lerolle & Cie, c1911 and 1929. 23 pages. Pl. no. R. L. 11.682 & Cie. |
|---|
| folder 17 | Bochsa-Oberthür. Universal Method for the Harp. New York: Carl Fischer, c1912. 150 pages. Pl. no. 5872-133. |
|---|---|
| folder 18 | Clark, Melville. Instructions for Playing the Harp. With exercises and melodies arranged by VanVeachton Rogers. Fourth Edition. Syracuse, N.Y.: Clark Harp Mfg. Co., c1919. 78 pages. Markedly worn. |
| folder 19 | Dilling, Mildred, arranger. Old Tunes for New Harpists. Compiled and arranged by Mildred Dilling. [Boston]: Oliver Ditson Company, c1934. 48 pages. Pl. no. 77526-48. |
| folder 20 | Milligan, Samuel. Fun from the First!: with the Lyon-Healy Troubadour Harp, vol. I. Chicago: Lyon-Healy, c1962. 24 pages. Markedly worn. |
| folder 21 | Milligan, Samuel. Fun from the First!: with the Lyon-Healy Troubadour Harp, vol. I. Chicago: Lyon-Healy, c1962. 24 pages. |
| folder 22 | Milligan, Samuel. Fun from the First!: with the Lyon-Healy Troubadour Harp, vol. I. Chicago: Lyon-Healy, c1962. 24 pages. |
| folder 23 | Milligan, Samuel. Fun from the First!: with the Lyon-Healy Troubadour Harp, vol. II. Chicago: Lyon-Healy, c1962. 24 pages. |
| folder 24 | Milligan, Samuel. Fun from the First!: with the Lyon-Healy Troubadour Harp, vol. II. Chicago: Lyon-Healy, c1962. 24 pages. |
| folder 25 | Milligan, Samuel. Fun from the First!: with the Lyon-Healy Troubadour Harp, vol. II. Chicago: Lyon-Healy, c1962. 24 pages. |
| folder 26 | Paret, Betty. First Harp Book. New York: G. Schirmer, Inc., c1942. 37 pages. Pl. no. 39641C. “This book is NOT a ‘Method’. / It is a book of carefully graded material which ANY teacher may use in giving a pedagogically sound and fundamentally thorough approach to playing the harp.” —Preface |
| folder 27 | Paret, Betty. First Harp Book. New York: G. Schirmer, Inc., c1942. 37 pages. Pl. no. 39641C. “This book is NOT a ‘Method’. / It is a book of carefully graded material which ANY teacher may use in giving a pedagogically sound and fundamentally thorough approach to playing the harp.” —Preface |
Box 14
| folder 1 | Binder’s collection: comprised of the four books of Bochsa’s 40 Progressive Studies, its pages sequentially numbered (77 pages in all). The constituent parts are the following: Bochsa, N.C. 40 Progressive Studies. In four books forming with the “First Six Weeks” a complete general course of instruction for the harp. New York: Browne & Buckwell, c1859. No. 1, 11 pages * No. 2, No. 3, No. 4, 35 pages * in sequence between Nos. 1 and 2 is the following: The Harpist’s Every-day Book: a collection of exercises . . . intended as an auxiliary to the author’s General Course of Instruction and Various Studies of the Harp. New York: J. F. Browne, s.d.. 7 pages. |
|---|---|
| folder 2 | Bochsa, N. Ch. 40 Études faciles, op. 318. [1er cahier.] Paris: Rouhier; Gay & Cie, Successeurs, c1906. 21 pages. Pl. no. L. R. 285. This cahier contains études nos. I – XX; this copy not explicitly marked or labelled as being the first of two. In series: Célèbres Études composées pour la harpe à double mouvement par N. Ch. Bochsa. Markedly worn. |
| folder 3 | [Bochsa, N. Ch. 40 Études faciles, op. 318. 2de cahier. Paris: Rouhier; Gay & Cie, Successeurs, c1906.] 29 pages. Pl. no. L. R. 286. Incomplete copy: cover (if such there had been), title page, and pages 1-2 of text lacking; the musical notation begins in étude XXI. This is cahier II, accounting for études Nos. XXI – XXXX. In series: Célèbres Études composées pour la harpe à double mouvement par N. Ch. Bochsa. Markedly worn. |
| folder 4 | Bochsa, N. Ch. Quarante études faciles, op. 318. 1er cahier. Paris: Alphonse Leduc, c1949. Pl. nos. A.L. 20.029 (on page 1) and L. R. 285. (on pages 3-20). Incomplete copy; ends on page 20 with étude No. XIX. In series: BOCHSA Célèbres Études pour la harpe. |
| folder 5 | Bochsa, N. Ch. Quarante études faciles, op. 318. IIe cahier. Paris: Alphonse Leduc, c1946. 29 pages. Pl. nos. A. L. 20.030 (on page 2) and L. R. 286. (on pages 3-29). |
| folder 6 | Bochsa, N. Ch. 50 Études, op. 34. 1er livre. Paris: Louis Rouhier, c1906. 75 pages. Pl. no. L. R. 206. In series: Célèbres Études composées pour la harpe à double mouvement par N. Ch. Bochsa. Markedly worn. |
| folder 7 | Bochsa, N. Ch. 50 Études, op. 34. 1er livre. Paris: Louis Rouhier, c1906. Incomplete copy. Pl. no. L. R. 206. Incomplete copy; text ends with page 74. In series: Célèbres Études composées pour la harpe à double mouvement par N. Ch. Bochsa. Markedly worn. |
| folder 8 | [Bochsa, N. Ch. Vingt-cinq Exercises-études, op. 62] [Paris: Alphonse Leduc, s.d.] Pl. no. L. R. 226. Incomplete copy; publication should contain 63 pages, as per OCLC cataloguing; pages present are 7-60; title page, pages 1-6, and pages 61-63 lacking. Markedly worn. N.B. This incomplete text was found under (disbound) cover for N. Ch. Bochsa’s 50 Études, op. 34, 1er livre (Louis Rouhier, c1906)—an erroneous juxtaposition. |
| folder 9 | Bochsa, N. Cha’s. New and Improved Method of Instruction for the Harp. Boston: Oliver Ditson Company, s.d.. 68 pages. Pl. no. 1068. |
| folder 10 | Diebel, Wendel. [Three Etudes] Pre-publication copy, 1966. Etude No. 1 (3 pages) — Etude No. 2 (3 pages) — Etude No. 3 (Toccata) (5 pages). Accompanied by cover letter (August 13, 1966) from the composer. |
| folder 11 | Dizi, F. J. 48 études pour la harpe. Nouvelle Edition en 2 livres. Livre I. Doigtées et corrigées par Alph. Hasselmans. Paris: Mackar & Noël; A. Noël, Succr., s.d.. 61 pages. Pl. no. A. O. K. 1283 (1). |
| folder 12 | Dizi, F. J. 48 études pour la harpe. Nouvelle Edition en 2 livres. Livre II. Doigtée et corrigée par A. Hasselmans. Paris: A. O’Kelly, s.d.. Pl. no. A. O. K. 1283 (2). 74 pages. |
| folder 13 | Gallon, Noël. Deux Etudes. Paris: Éditions L. Philippo et M. Combre, c1961. 14 pages. Pl. no. P. 3024a. I. Chromatisme — II. Moto perpetuo. “Concours du Conservatoire National Supérieur de Musique de Paris année 1961”—on front cover. |
| folder 14 | Grandjany, M. Harp Technique: “How to Practice” #43. Published by the composer. |
| folder 15 | Grossi, Maria. Metodo per Arpa. Milano: G. Ricordi and C., c1943. 154 pages. Pl. no. E.R. 2200. |
| folder 16 | Larivière, Ed. Exercices et études, op. 9. Révues et doigtées . . . par Ralphaël Martenot. Paris: Alphonse Leduc, s.d.. 30 pages. Pl. no. L.R. 320. |
| folder 17 | Pozzoli, Ettore. Studi di media difficoltà per arpa (Studies of moderate difficulty for harp). Milano: G. Ricordi & C., c1957. 70 pages. Pl. E.R. 2250. |
| folder 18 | Renié, Henriette. Complete Method for Harp. First Book: Technique. Translated into English by Geraldine Ruegg. Paris: Alphonse Leduc, c1966. 125 pages. |
Box 15
| folder 1 | Renié, Henriette. Complete Method for Harp. Second Book: I. Syntax-Appendix. Paris: Alphonse Leduc, c1966. Page range 132-224. |
|---|---|
| folder 2 | Rothstein, Deborah. Two Etudes for Harp. — 1973 MS repro; 3 pages of music. Copyright 1973 Deborah Rothstein. Inscription by the composer on title page. |
| folder 3 | Salzedo, Carlos. L’Etude Moderne de la Harpe (Modern Study of the Harp). New York: G. Schirmer, c1921. 53 pages. Pl. no. 28766. In series: Schirmer’s Scholastic Series; volume 55. |
| folder 4 | Schmidt, Eric. Six Etudes pour harpe. Révues et doigtées par Pierre Jamet. Paris: Alphonse Leduc, c1954. 16 pages. Pl. no. A.L. 21326. |
| folder 5 | Vizthum, Heinrich / Berens, H[ermann]. 12 Studien im brillanten Style zur höheren Ausbilding = 12 Studies in the Brilliant Style for attaining the higher perfection. Für die Harfe bearbeitet und mit Fingersatz versehen von Heinrich Vizthum. Leipzig: Aug, Cranz, s.d.. 21 pages. Pl. no. 36328. Markedly worn. |
| folder 6 | Vizthum, Heinrich / Czerny, Carl. 20 Etüden aus Czerny’s Schule der Geläufigkeit. Für die Harfe bearbeitet von Heinrich Vitzthum. Leipzig: Aug. Cranz, s.d.. 31 pages. Pl. no. 35447. Markedly worn.74 |
| folder 7 | Harp Exercises. Folder contains copies of various etudes and exercises, both printed and MS repro. One of the items ( “Placing (crossing of the hands)” is in the hand of Marcel Grandjany. |
| folder 8 | Harp etudes, various. |
N.B. Such designations as “Arpa I” or “Arpa II” or “First harp” or “Second harp” are cited below only when such designations appear on the part in question.
| folder 9 | Argento, Dominick. In Praise of Music. Boosey & Hawkes. 11 pages of music. |
|---|---|
| folder 10 | Arnold, Malcolm. Four Scottish Dances, op. 59. Transcribed for symphonic band by John Paynter. Paterson’s Publications. 5 pages of music. |
| folder 11 | Bach, J. S. Passio Secundum Joannem. Breitkopf & Härtel. 2 pages of music. Nos. 30 (Recit.) and 31 (Arioso) only. |
| folder 12 | Barber, Samuel. Overture to “The School for Scandal”. Arranged for concert band by Frank M. Hudson. G. Schirmer. 3 pages of music. Two copies. |
| folder 13 | Bartok. Concerto for Orchestra. Several cues indicated. Pencil MS; 2 pages of music. Accompanied by: Thomas, Ambroise. Minon. Pencil MS; 2 pages of music. Rehearsal letter “A” indicated. |
| folder 14 | Bartók, Béla. Der Wunderbare Mandarin, op. 19. Universal-Edition. 13 pages of music. |
| folder 15 | Bartók, Béla. Der Wunderbare Mandarin, op. 19. Universal-Edition. 15 pages of music. |
| folder 16 | Bartók, Béla. Musik für Saiteninstrumente, Schlagzeung und Celesta. Universal-Edition. 8 pages of music. |
| folder 17 | Bartók, Béla. Second Suite, op. 4. Revised edition, 1943. Universal-Edition. 26 pages of music.75 |
| folder 18 | Bartók, Béla. Violin Concerto no. 2. Hawkes & Son, Ltd. 11 pages of music. |
| folder 19 | Bartók, Béla. Violin Concerto no. 2 Hawkes & Son, Ltd. 20 pages of music. |
| folder 20 | Berg, Alban. Lulu. Universal-Edition. 59 pages of music. |
| folder 21 | Berg, Alban. Sieben frühe Lieder. Universal-Edition. 13 pages of music. |
| folder 22 | Berlioz, Hector. Harold in Italien (Harold en Italie) (Harold in Italy), op. 16. Edwin F. Kalmus. 2 pages of music. |
| folder 23 | Berlioz, Hector. Romeo und Julie (Roméeo et Juliette) (Romeo and Juliet),op. 17. Edwin F. Kalmus. 12 pages of music. Arpa I. |
| folder 24 | Berlioz, Hector. Romeo und Julie (Roméeo et Juliette) (Romeo and Juliet),op. 17. Edwin F. Kalmus. 12 pages of music. Arpa I.. |
| folder 25 | Berlioz, Hector. Romeo and Juliet, op. 17. Edwin F. Kalmus. 7 pages of music. Arpa II. |
| folder 26 | Berlioz, Hector. Symphonie Fantastique: Episode in the Life of an Artist.(Movements No. II and No. IV.) Arranged by J. H. Foulds. Hawkes & Son. 6 pages of music. |
| folder 27 | Bizet. Carmen Suite I. II. Entr’acte and III. Entr’acte. [Choudens] 3 pages of music. |
| folder 28 | Bloch, Ernest. [Schelomo] G. Schirmer. 14 pages of music. Arpa I. |
| folder 29 | Bloch, Ernest. Suite pour alto solo et Orchestre. G. Schirmer. 35 pages of music. Harp I. |
| folder 30 | Britten, Benjamin. The Burning Fiery Furnace, op. 77. Faber Music. 53 pages of music. |
| folder 31 | Britten, Benjamin. The Rape of Lucretia, op. 37. Boosey & Hawkes. 50 pages of music. |
| folder 32 | Britten, Benjamin. War Requiem. Boosey and Hawkes, c1962. 23 pages of music. |
| folder 33 | Britten, Benjamin. War Requiem. Boosey and Hawkes, c1962. 23 pages of music. |
| folder 34 | Britten, Benjamin. The Young Person’s Guide to the Orchestra. London: Hawkes and Son, c1947. Complete part. 11 pages of music. Provenance: Eastman School Orchestra Library. |
| folder 35 | Britten, Benjamin. The Young Person’s Guide to the Orchestra. London: Hawkes and Son, c1947. Variations I through M. 6 pages of music. |
| folder 36 | Britten, Benjamin. The Young Person’s Guide to the Orchestra. Variations I through M. Pencil MS; 8 pages of music. |
| folder 37 | Britten, Benjamin. The Young Person’s Guide to the Orchestra. London: Hawkes and Son, c1947. Variations I through M (incomplete). 4 pages of music. |
| folder 38 | Britten, Benjamin. The Young Person’s Guide to the Orchestra. London: Hawkes and Son, c1947. Variations I through M (incomplete). 4 pages of music. |
| folder 39 | Britten, Benjamin. The Young Person’s Guide to the Orchestra. London: Hawkes and Son, c1947. Variations I through M (incomplete). 4 pages of music. |
| folder 40 | Britten, Benjamin. The Young Person’s Guide to the Orchestra. London: Hawkes and Son, c1947. Variations I through M (incomplete). 4 pages of music. |
Box 16
| folder 1 | Bruch, Max. Fantasie, op. 16. [ publisher ] 10 pages of music. Provenance: facsimile of Janet Remington’s copy |
|---|---|
| folder 2 | Canning, Thomas. Music for Eastertide. MS repro; 7 pages of music. |
| folder 3 | Cassler, Winston. The Turtle Dove. Schmitt Publications. 2 pages of music.77 |
| folder 4 | Couperin, Francois. Overture and Allegro: from La Sultane Suite. Orchestrated by Darius Milhaud. Elkan-Vogel. Incomplete; first page only. Provenance: facsimile of Everett Gates’ copy. |
| folder 5 | Couperin, François. Overture and Allegro: from La Sultane Suite. Orchestrated by Darius Milhaud. Elkan-Vogel. |
| folder 6 | Debussy, Claude. Jeux. Durand & Cie. 16 pages of music. |
| folder 7 | Debussy, Claude. La Mer. Durand & Fils. 17 pages of music. |
| folder 8 | Debussy, Claude. Pelléas et Mélisande. Edwin F. Kalmus. 22 pages of music. |
| folder 9 | Debussy, Claude. Petite Suite. Orchestrée par Henri Büsser. [? Edwin F. Kalmus] 10 pages of music. |
| folder 10 | Debussy, Claude. Prélude à l’après-midi d’un faune. Edwin F. Kalmus. 4 pages of music. 1re harpe. |
| folder 11 | Debussy, Claude. Prélude à l’après-midi d’un faune. Pencil MS; 4 pages of music. |
| folder 12 | Debussy, Claude. Rondes de Printemps. Durand & Fils. 14 pages of music. |
| folder 13 | Dukas, Paul. L’Apprenti Sorcier. Durand & Fils. 8 pages of music. |
| folder 14 | Dutilleux, Henri. Cinq Metaboles. Heugel & Cie. 12 pages of music. |
| folder 15 | Enesco, Georges. 1re Rhapsodie Roumaine, op. 11, no. 1. [Enoch & Cie] 8 pages of music. 2e harpe. Accompanied by (tipped in between pages 6 and 7): Delius, Frederick. The Walk to the Paradise Garden: Intermezzo from the opera A Village Romeo and Juliet. Arranged by Sir Thomas Beecham. Hawkes & Son. 2 pages of music.78 |
| folder 16 | Enesco, Georges. 1re Rhapsodie Roumaine, Op. 11, No. 1. Ink MS. 1 page of music. |
| folder 17 | Falla, Manuel de. El Sombrero de Tres Picos. Facsim. of rental copy; agency not cited. 34 pages of music. |
| folder 18 | Falla, Manuel de. El Sombrero de Tres Picos. J. & W. Chester Ltd. 13 pages of music (numbered 1-12, 14; page 13 lacking). |
| folder 19 | Fauré, Gabriel. Fantasie for Flute and Orchestra, op. 79. Orch. James Galway. MS repro. 7 pages of music. |
| folder 20 | Foss, Lukas. Time-Cycle. Carl Fischer. 13 pages of music. |
| folder 21 | Ginastera, Alberto. Variaciones Concertantes para orquesta de cámara. Barry & Cia. 9 pages of music. |
| folder 22 | Ginastera, Alberto. Variaciones Concertantes. Boosey & Hawkes. 9 pages of music. |
| folder 23 | Glazounow, Alexandre. Valse de Concert. Pencil MS. 2 pages of music. |
| folder 24 | Gossec, F. Symphonie Concertante. Edited by B. Brook & M. Alterman. MS repro. Harp I, 15 pages of music; Harp II, 14 pages of music. |
| folder 25 | Gounod, Ch. Faust: Ballet. Choudens. 5 pages of music. |
| folder 26 | Grieg, Edvard. Drei Orchesterstücke aus der Musik zu: “Sigurd Jorsalfar”,op. 56. [C. F. Peters] 1 page of music. |
| folder 27 | Handel, G. F. Esther. No. 9: [Air, “Praise the Lord”] MS repro. 5 pages of music |
| folder 28 | Hanson, Howard. Love Duet: from the Opera Merry Mount (act II, scene 3). Harms, Inc. 1 page of music. Provenance: facsimile of Everett Gates’ copy. |
| folder 29 | [Hanson, Howard] Merry Mount. Pencil MS. 11 pages of music; appended by one page of pencil MS bearing title “Love Duet”. The 11 pages in an unknown hand; the “Love Duet” in E. Malone’s hand. |
| folder 30 | Hindemith, Paul. Concerto for Woodwinds, Harp, and Orchestra. Schott and Co., Ltd. 14 pages of music. Harp Solo. |
| folder 31 | Humperdinck, E. [Hansel und Gretel] Rehearsal numbers 68 through 127. [B. Schott’s Söhne] 13 pages of music. |
| folder 32 | Ives, Charles. Symphony No. 4. Associated Music Publishers. 7 pages of music, numbered 2-8 (several pages comprised of 2 letter-sized segments to achieve large format). |
| folder 33 | La Montaine, John. The Marshes of Glynn, opus 53. Ink MS; 2 pages of music. |
| folder 34 | Liszt, F. Les Préludes. Breitkopf & Härtel. 4 pages of music. |
| folder 35 | Luigini, A. Ballet Egyptien. Arr. by Theo Moses-Tobani. Carl Fischer. 5 pages of music. |
| folder 36 | Lutoslawski, Witold. Jeux Venitiens. [Moeck Verlag] 5 pages of music. |
| folder 37 | Mahler, Gustav. Lieder eines fahrenden Gesellen. Josef Weinberger. 6 pages of music. |
| folder 38 | Mahler, Gustav. Lieder eines fahrenden Gesellen. Josef Weinberger. 6 pages of music. |
| folder 39 | Mahler, Gustav. Symphonie No. 1. [publisher’s name lacking] 7 pages of music. |
| folder 40 | Mahler, Gustav. Symphonie No. 2. Edwin F. Kalmus. Two parts present: 1. Harfe, 12 pages of music; 2. Harfe, 12 pages of music. |
| folder 41 | Mahler, Gustav. Symphonie No. 5. Edwin F. Kalmus. 4 pages of music. |
| folder 42 | Mahler, Gustav. [Symphonie No. 5 ] 4. Adagietto. C. F. Peters. 2 pages of music. |
| folder 43 | Mahler, Gustav. Achte Symphonie. Universal-Edition. Two parts present: 1. Harfe, 14 pages of music; 2. Harfe, 10 pages of music. |
| folder 44 | Mahler, Gustav. Neunte Symphonie. Universal Edition. Two parts present: 1. Harfe, 8 pages of music; 2. Harfe, 5 pages of music. |
| folder 45 | Mascagni, Pietro. Cavalleria Rusticana. Milano: E. Sonzogno. ! two separate parts present: apparently from different works. |
| folder 46 | Menotti, Gian-Carlo. Amahl and the Night Visitors. G. Schirmer. 23 pages of music. |
| folder 47 | Menotti, Gian-Carlo. Amahl and the Night Visitors. G. Schirmer. 23 pages of music. |
| folder 48 | Monteverdi. L’Orfeo. [Publisher’s name lacking] 2 pages of music. Arpa dopia. |
| folder 49 | Moussorgsky, Modest. [Pictures at an Exhibition] Orchestration de Maurice Ravel. [Publisher’s name lacking] 6 pages of music. Provenance: Boosey & Hawkes. |
| folder 50 | Nelson, Ron. Jubilee. Tr. Wesley Hanson. MS repro; 4 pages of music. |
| folder 51 | Petrassi, Goffredo. Concerto per flauto e orchestra. Edizioni Suvini Zerboni. 11 pages of music. |
| folder 52 | Piston, Walter. [6th Symphony ] [Publisher’s name lacking] Selected pages: [2], 3, 4, 6, 7, 10, 12. Harp I. |
| folder 53 | Ponchielli, A. [La Gioconda ] No. 18, Recitativo e Danze. [Publisher’s name lacking] 2 pages of music. |
| folder 54 | Poulenc, Francis. The Story of Babar the Little Elephant. Orchestration de Jean Françaix. J and W Chester Ltd. 10 pages of music. |
| folder 55 | Prokofieff, S. Lieutenant Kije: Suite Symphonique, Op. 60. [Publisher’s name lacking] 6 pages of music. |
| folder 56 | Prokofiev, Sergei. РОМЕО И ДЖУЛЬЕТТА: первая сюита (Romeo and Juliet: First Suite). [Publisher’s name lacking] 10 pages of music. |
| folder 57 | Prokofiev, Serge. РОМЕО И ДЖУЛЬЕТТА: 2я сюита (Roméo et Juliette: 2me Suite). [Publisher’s name lacking] 12 pages of music. |
| folder 58 | [Prokofiev, Serge. Symphony No. 6. ] [Publisher’s name lacking] Pages 5 and 6 only. |
| folder 59 | Puccini, Giacomo. Gianni Schicchi: Solo di Lauretta (S.) “O mio babbino caro…” G. Ricordi and C. 2 pages of music. |
| folder 60 | Puccini, Giacomo. La Bohème. Edwin F. Kalmus. 63 pages of music. |
| folder 61 | [Puccini, Giacomo] Intermezzo [from Manon Lescaut ] MS repro; 3 pages of music (numbered 34-36). |
Box 17
| folder 1 | Puccini, Giacomo. [selected passages from Tosca: act II, rehearsal numbers 52-54; and, act III, rehearsal numbers 1-8] [Publisher’s name lacking] 4 pages of music. |
|---|---|
| folder 2 | Ravel, Maurice. Alborada del Gracioso. Max Eschig and Cie. Two parts present: 1ère Harpe, 6 pages of music; 2ème Harpe, 4 pages of music. |
| folder 3 | Ravel, Maurice. Daphnis and Chloë: Suite No. 2. Pencil MS. Rehearsal numbers 155 through 221; 16 pages of music. Harps 1 and 2. |
| folder 4 | Ravel, Maurice. La Valse: poème choréographique pour orchestre. Durand & Cie. Two parts present: 1re Harpe, 11 pages; 2de Harpe, 7 pages. |
| folder 5 | Ravel, Maurice. La Valse. Pencil MS. 11 pages of music. |
| folder 6 | Ravel, Maurice. Ma Mère l’Oye: 5 pièces enfantines. Durand & Cie. 10 pages. |
| folder 7 | Ravel, Maurice. Ma Mère l’Oye: 5 pièces enfantines. Durand & Cie. 10 pages. Appended by one page from the harp part for the complete ballet, published by Durand & Cie (pl. no. D. & F. 8444), page 11, showing the harpist’s cadenza. |
| folder 8 | Ravel, Maurice. Piano Concerto [in G major]. Pencil MS. Rehearsal no. 22; 1 page of music. |
| folder 9 | Ravel, Maurice. Tzigane. Durand and Cie. 8 pages. |
| folder 10 | Ravel, Maurice. Tzigane. Durand and Cie. 8 pages. Provenance: Jacques Gordon. |
| folder 11 | Ravel, Maurice. Valses Nobles et Sentimentales. Durand and Cie. 16 pages. Harpes 1 et 2. |
| folder 12 | Respighi, O. Antiche Danze ed Arie (IIa Suite). G. Ricordi and C. Various pages from, as per handwritten annotations, both the harp part and the cembalo part. |
| folder 13 | Respighi, O. Fontane di Roma. G. Ricordi & C.. Arpa 1a, 7 pages; Arpa 2a, 7 pages. |
| folder 14 | Respighi, O. Pini di Roma. G. Ricordi & C.. 7 pages of music. |
| folder 15 | Respighi, O. Trittico Botticelliano. G. Ricordi & C.. 8 pages of music. |
| folder 16 | Reznicek, E. N. von. Donna Diana: Ouverture. Edwin F. Kalmus. 1 page. |
| folder 17 | Rimsky-Korsakov, N. A. Capriccio Espagnol, op. 34. M. P. Belaieff. 6 pages. |
| folder 18 | Rimsky-Korsakov, N. A. Caprice Espagnol. Cadenza, transcribed by Carlos Salzedo (1931). Ink MS; 1 page of music. |
| folder 19 | Rimsky-Korsakov, N. Fandango Asturiano [from Capriccio Espagnole]. Pencil MS; 4 pages of music. |
| folder 20 | Rimsky-Korsakov, N. Ouverture “La grande Pâque Russe” op. 36. M. P. Belaieff. 6 pages of music. |
| folder 21 | Rimsky-Korsakov, N. Ouverture “La grande Pâque Russe” op. 36. M. P. Belaieff. 6 pages of music; accompanied by 2 pages of pencil MS. |
| folder 22 | Rimsky-Korsakov, N. Scheherazade: Suite Symphonique, op. 35. M. P. Belaieff. 8 pages of music. |
| folder 23 | Rimsky-Korsakov, N. Scheherazade: Suite Symphonique, op. 35. Edwin F. Kalmus. 3 pages of music. |
| folder 24 | Rossini, G. “Assisa a pie’ d’un salice”: canzone di Desdemona from Otello, atto III. G. Ricordi & C.. 3 pages of music. |
| folder 25 | [Roussel, Albert. Bacchus and Ariane: second suite, act II] Durand & Fils.. 7 pages of music. |
| folder 26 | [Saint-Saëns, C.] Danse Bacchanale [from Samson and Dalila] [Publisher’s name lacking; plate no. illegible] 2 pages of music. |
| folder 27 | [Schmidt, Harvey] The Fantasticks. Repro of copyist’s part; agency not cited. ___ pages of music. Title “Fantasticks” added in caption of page in E. Malone’s hand. |
| folder 28 | [Schuller, Gunther. Seven Studies on Themes of Paul Klee] MS repro; 3 pages of music. |
| folder 29 | [Schuller, Gunther] Violin Concerto. MS repro; 4 pages of music. |
| folder 30 | Sibelius, Jean. Symphonie No. 1. Breitkopf und Härtel. 13 pages. |
| folder 31 | Smetana, Bedřich. [Vysehrad (High Castle) from Ma Vlast ]. Editio Supraphon. Arpe I/II. 4 pages. |
| folder 32 | Strauss, Richard. “Also sprach Zarathustra!”: Tondichtung (frei nach Friedr. Niezsche), op. 30. [Publisher’s name lacking] Harfe I, 12 pages; Harfe II, 11 pages. |
| folder 33 | Strauss, Richard. Ariadne auf Naxos. Neue Bearbeitung. Adolph Fürstner. c1916. Arpa I, 42 pages. Accompanied by selected pages from Arpa II (rehearsal numbers 274 through 334). |
| folder 34 | Strauss, Richard. Suite from the Opera Der Rosenkavalier, op. 59. Boosey & Hawkes. 1st Harp, 5 pages of music; 2nd Harp, 5 pages of music. |
| folder 35 | Strauss, Richard. Ein Heldenleben, op. 40. F. K. C. Leuckart. Erste Harfe, 11 pages; Zweite Harfe, 2 copies, each 12 pages. |
| folder 36 | Strauss, Richard. Ein Heldenleben. Pencil MS; 12 pages of music. 1st Harp. |
| folder 37 | Orchesterstudien aus Richard Strauss’ Bühnenwerken. [Für] Harfe. Ausgewählt und bezeichnet von Franz Poenitz. Berlin: Adolph Fürstner, c1912. Pl. no. A. 6434 F (II) Harfe II [aus] Guntram, op. 25 — Harfe I [aus] Guntram, op. 25 — Elektra, op. 58 — 0 |
| folder 38 | Strauss, Richard. Salomes Tanz aus dem Musikdrama Salome. Adolph Fürstner. 8 pages. |
| folder 39 | Strauss, Richard. Salome’s Dance. Boosey & Hawkes. 8 pages. |
| folder 40 | Strauss, Richard. Symphonia Domestica, op. 53. Edwin F. Kalmus. 11 pages. Harfe II. |
| folder 41 | Strauss, Richard. Tod und Verklärung, op. 24. Edwin F. Kalmus. 5 pages. 2. Harfe. |
| folder 42 | Stravinsky, Igor. Agon: ballet for twelve dancers. Boosey & Hawkes. 8 pages. |
| folder 43 | Stravinsky, Igor. Berceuse (from “Firebird Suite”). arr. by Dick O. Wilson. Theodore Presser. 1 pages. |
| folder 44 | Stravinsky, Igor. Chant du Rossignol. Boosey & Hawkes. Arpa I, 12 pages; Arpa II, 12 pages. |
| folder 45 | Stravinsky, Igor. Berceuse [from Firebird Suite]. Edwin F. Kalmus. 2 pages. |
| folder 46 | Stravinsky, Igor. Symphony in Three Movements. [Publisher’s name lacking] 10 pages of music. |
| folder 47 | Thomas, Ambroise. Ouverture [from] Mignon: opéra en 3 actes. [Publisher’s name lacking; plate no. illegible] 2 pages of music. |
| folder 48 | Thompson, Randall. A Feast of Praise. E. C. Schirmer. 8 pages of music. |
| folder 49 | Tschaikowsky, P. Le Lac Des Cygnes: No. 4 Scène. Pencil MS; 2 pages of music. |
| folder 50 | Tschaikowsky, P. Nutcracker (I, II, III only). Edwin F. Kalmus. 1 page of music. |
| folder 51 | Tschaikowsky, P. Romeo et Juliette: Overture-Fantaisie. International Music Service. 3 pages of music. |
| folder 52 | Tschaikowsky, P. [Various pages from the harp parts of Tchaikovsky’s ballets] No single harp part within this folder is complete. |
| folder 53 | Vaughan Williams, R. Variation III from Variants of Dives and Lazarus. Pencil MS; 2 pages of music. |
| folder 54 | Verdi, G. Gran scena e duetto, atto II; and, Morte di Rodrigo e Sommossa, atto III from Don Carlo. G. Ricordi & C. 5 pages of music. |
| folder 55 | Verdi, G. Scena, romanza e terzetto, atto primo from Il Travatore. G. Ricordi & C. 3 pages of music. |
| folder 56 | Verdi, G. Melodia Eleonora from La Forza del Destino. 2 pages of music. Arpa Ia. |
| folder 57 | Verdi, G. Overture to the Opera: “La Forza del Destino.” Arr. by Ross Jungnickel. Published by the composer. 1 page of music. |
| folder 58 | Verdi, G. [Various pages from Otello] [Publisher’s name lacking] 7 pages of music. |
| folder 59 | Verdi, G. Un Ballo in Maschera [rehearsal numbers 16 through 76]. G. Ricordi & C. 8 pages of music. |
Box 18
| folder 1 | Wagner, R. Feuerzauber (Fire music) from Die Walküre. Pencil MS; 2 pages of music. |
|---|---|
| folder 2 | Wagner, R. The Flying Dutchman Overture. Ink MS; 2 pages of music. |
| folder 3 | Wagner, Richard. Ouvertüre zu der Oper Der Fleigende Holländer (Overture to the opera The Flying Dutchman). Breitkopf und Härtel. 2 pages of music. |
| folder 4 | Wagner, R. Gotterdamerung: Closing Scene. [Publisher’s name lacking] 9 pages. |
| folder 5 | Wagner, R. Gotterdamarung: Closing Scene. MS repro; 6 pages of music. |
| folder 6 | Wagner, R. Lohengrin. [Publisher’s name lacking] 2 pages of music. |
| folder 7 | Wagner, R. II. Scene from Die Meistersinger von Nürnberg. [Publisher’s name lacking] 8 pages of music. |
| folder 8 | Wagner, R. Siegfried: Act III. MS repro; 5 pages of music. Harps 1-6. Three copies. Provenance: Eugene Goossens. |
| folder 9 | Wagner, Richard. Einleitung: Tannhäusers Pilgerfahrt [aus der Oper Tannhäuser], act III. [Publisher’s name lacking ] 3 pages of music. |
| folder 10 | Wagner, R. [Excerpts from various works] 36 pages of music. Works represented: Siegfrieds Tod under Trauer-Marsch aus Gütterdämmerung — Der Venusberg [aus] Tannhäuser — Liebeslied aus “Die Walküre” — Vorspiel und Isoldes Liebestod — Einzug der Götter in Wallhall aus Das Rheingold — Walthers Preislied aus Die Meistersinger von Nürnberg — Tonbild aus “Das Rheingold” — Elsas Traum aus Lohengrin. Siegfrieds Rheinfahrt. |
| folder 11 | Walton, William. Violin Concerto. MS repro; 17 pages of music. |
| folder 12 | Webern, Anton. Passacaglia für Orchester, op. 1. Universal Edition. 2 pages of music. |
| folder 13 | [Harp parts, various] MS facsimile. Works represented: Capriccio Espagnole; Nutcracker Suite; Mignon; Swan Lake. |
| folder 14 | [Harp parts, various] Pencil MS in spiral-bound MS book. Works represented: London Symphony — Piston’s 3rd Symphony — Fauré’s Requiem — Roussel’s Bacchus and Ariane — Bartok’s Concerto for Orchestra — Strauss’ Der Burger als Edelmann — Fauré’s Shylock — Strauss’ Der Rosenkavalier — Prokofiev’s 5th Symphony — Mahler’s 2nd Symphony— Bruch’s Schelomo — Bloch’s Sinfonia Breve — Bizet’s Carmen —Strauss’ Ein Heldenleben — Shostakovich’s 5th Symphony — Falla’s The Three-cornered Hat 1 Tchaikovsky’s Nutcracker Suite — Strauss’ Salome’s Song — Janacek’s Sinfonietta — Pinto’s Kathleen Mavourmeen. |
| folder 15 | [Harp parts, various: from large ensemble works] Pencil MS in Miss Malone’s hand. |
| folder 16 | Brahms, Johannes. “I Hear a Harp” op. 17, no. 1. For three-part women’s voices, horn and harp. Poem by Ruperti; English version by Natalia Macfarren. [New York]: G. Schirmer, s.d. |
|---|---|
| folder 17 | Brahms, Johannes. I Hear a Harp, op. 17, no. 1. For 3-part chorus of women’s voices, with accompaniment of horn (in low C) and harp (or piano). Text by Ruperti; English version by Natalia Macfarren. Edited by H. Clough-Leighter. Boston: E. C. Schirmer, c1928. Pl. no. E. C. S. No. 353. Vocal score (14 pages). In series: Commonwealth Series; no. 494. |
| folder 18 | Britten, Benjamin. A Ceremony of Carols, op. 28. [London]: Boosey & Co. Ltd., c1943. Part for Harp (or piano).88 |
| folder 19 | Holst, Gustav. Choral Hymns from the Rig Veda. Third group. Surrey: Stainer and Bell Ltd., c1912. 23 pages. |
| folder 20 | La Montaine, John. Wonder Tidings: a cycle of Christmas carols for mixed voices. With soprano, alto, tenor and baritone soli. New York: H. W. Gray, c1964. |
| folder 21 | Richardson, Edna. In the Time of Roses. Ink MS; 4 pages of music. For SSA with piano accompaniment. |
| folder 22 | White, Louie L. Prayer of St. Francis of Assisi. For treble voices SSAA, ‘cello and harp (or keyboard). New York: Belwin-Mills, c1971. |
| folder 23 | Albeniz, I. Tango: in D. Original version. Edited by Hugo Ries. Boston: G. Schirmer, c1911. 2 pages of music. |
|---|---|
| folder 24 | Bach, Karl Philipp Emanuel. Solfeggietto. Revised and fingered, with exact pedal signs, and arranged for left hand solo ad libit. by A. R. Parsons. [New York]: G. Schirmer, c1885. 4 pages of music. Two copies. |
| folder 25 | Bach, J. S. Inventionen. Neu revidirte Ausgabe. Herausgegeben von Czerny, Griepenkerl und Adolf Ruthardt. Leipzig: C. F. Peters, s.d. 63 pages. |
| folder 26 | Bach, J. S. Fifteen Three-Part Inventions. Edited and fingered by Dr. Wm. Mason. New York: G. Schirmer, c1894. 33 pages. |
| folder 27 | Beethoven, Ludwig van. Sonatas, vol. I. Edited by J. Jiránek, H. Trneček and Hans Semper. Boston: B. F. Wood, c1923. |
| folder 28 | Beethoven, Ludwig van. Sonatas, vol. I. [New York: G. Schirmer c1894) |
Box 19
| folder 1 | Beethoven, Ludwig van. Sonata, op. 31, no. 3. New York: G. Schirmer, c1894. |
|---|---|
| folder 2 | Beethoven, Ludwig van. Sonata quasi una Fantasia, op. 27, no. 2. Revised and fingered by Dr. Hans von Bülow and Dr. Sigmund Lebert. New York: G. Schirmer, c1894. |
| folder 3 | Brahms, Johannes. Waltz in A-flat, opus 39, no. 15. Boston: B. F. Wood Music, s.d.. Pl. no. B.F.W. 6707-2. |
| folder 4 | Brown, A.L. Anita: Spanish Dance, op. 21, no. 6. From Souvenirs du voyage: ten sketches for piano. Boston: B. F. Wood, c1902. |
| folder 5 | Chopin, Fr. Etude, op. 10, no. 12. Edited and fingered by Paolo Gallico. New York: Jos. W. Stern and Co., c1910. |
| folder 6 | Coit, Lottie and Ruth Bampton. Doll’s Lullaby. New York: J. Fischer and Bro., c1944. Presentation copy: bears inscription by Lottie E. Coit. |
| folder 7 | Debussy, Claude. La Cathédrale engloutie: extrait du Ier Livre de Préludes. Paris: A. Durand & Fils, c1910 Provenance: Zillah Halstead |
| folder 8 | Garnett, Bonnie. [Untitled] Pencil MS; 6 pages of music. |
| folder 9 | Hartmann, Arthur. Hungarian Melodies for the pianoforte. Harmonized by Arthur Hartmann. Philadelphia: Theodore Presser Co., c1918. Inscription by the composer to Zillah Halstead on title page, with correction in his hand to read “Freely and idiomatically transcribed” in place of “harmonized”. Accompanied by press clipping (concert review, “Hartmann proves his art in concert at Wesleyan”). |
| folder 10 | Leschetizky, Th. Intermezzo in Octaves, op. 44, no. 4. New York: G. Schirmer, c1914. |
| folder 11 | MacDowell, Edward. Woodland Sketches. Boston: Arthur P. Schmidt Co., c1924. |
| folder 12 | Pinto, A. Francis. Festival of the Pickannies. New York: International Music Publishing Co., c1911. |
| folder 13 | Poldini, Ed. Oiseaux de passage (Birds of passage). Edited and fingered by Louis Oesterle. New York: G. Schirmer, c1907. |
| folder 14 | Wagner, Richard. Wedding March from “Lohengrin”. Arranged by E. Pauer. New York: G. Schirmer, s.d.. Two copies. |
| folder 15 | Zeller, Ada. Reflections on the Water. New York: Brancado Publishing Co., c1933. Inscribed by the composer. |
| folder 16 | Cramer, J. B. Fifty Studies for the Piano. Selected and fingered by Hans von Bülow. New York: G. Schirmer, Inc., c1904. |
|---|---|
| folder 17 | Heller, Stephen. Twenty-Four Piano Studies, op. 125. New York: G. Schirmer, Inc., c1893. |
| folder 18 | Mason, Dr. William. Touch and Technic: for artistic piano playing, op. 44. Philadelphia: Theodore Presser, c1897. |
| folder 19 | Robyn, Louis. Technic Tales, book two. Boston: Oliver Ditson, c1930. |
| folder 20 | The School Credit Piano Course. First Year, Book Four. Boston: Oliver Ditson Co., c1918. |
| folder 21 | The School Credit Piano Course. Second Year, Book One. Boston: Oliver Ditson Co., c1918. Accompanied by: The School Credit Piano Course: Supplementary Pieces, book one. Boston: Oliver Ditson, c1919. |
| folder 22 | Wagner, Bernard. Piano Course, book one. Boston: Oliver Ditson, c1938. Inscribed by the composer. Provenance: Zillah Halstead |
| folder 23 | Debussy, Claude. Danses: pour HARPE chromatique ou PIANO avecaccompt. d’orchestre d’instruments à cordes. Paris: A. Durand & Fils., c1904. 22 pages. Pl. no. D. & F. 6429. Score for 1er piano (principal) and 2d piano (réduction de l’orchestre). Two copies. I. Danse sacrée — II. Danse profane. |
|---|---|
| folder 24 | Debussy, Claude. Danses: pour HARPE chromatique ou PIANO avecaccompt. d’orchestre d’instruments à cordes. Paris: A. Durand & Fils., c1904. 22 pages. Pl. no. D. & F. 6429. Score for 1er piano (principal) and 2d piano (réduction de l’orchestre). I. Danse sacrée — II. Danse profane. |
| folder 25 | Debussy, Claude. Danses: pour HARPE chromatique ou PIANO avecaccompt. d’orchestre d’instruments à cordes. Paris: A. Durand & Fils., c1904. 22 pages. Pl. no. D. & F. 6429. Score for 1er piano (principal) and 2d piano (réduction de l’orchestre). Markedly more worn than the copies in folders 23 and 24. I. Danse sacrée — II. Danse profane. |
| folder 26 | Lecuona, Ernesto. Andalucia: from the Spanish suite “Andalucia”. Arranged for two pianos by Grace Helen Nash. [New York]: Edward B. Marks, c1932. |
| folder 27 | Yeh, H. D. Menuet: from Concerto Grosso in F major. For two pianos. MS repro; 3 pages of music. |
| folder 28 | Unnamed. Turkey in the Straw. Ink MS; 4 pages of music. Piano I. |
| folder 29 | Yeh, Huai-Deh. Ariel’s Song: a vocal duet with string quartet (in Chinese style.) MS repro; score (5 pages) and 5 parts. |
|---|
| folder 30 | Yeh, H. D. “Glory to God in the Highest and on Earth Peace, Good Will toward Men.” Published by the composer. MS repro; 12 pages of music. Inscribed by the composer. |
|---|
| folder 31 | Rebikoff, V. Cradle Song. Transcribed for string orchestra by Quinto Maganini. New York: Edition Musicus, c1942. Score (3 pages) and harp part. |
|---|
| folder 32 | Moffat, A. Old Masters for Young Players. 12 easy Classical pieces arranged after the originals for viola and piano. London: Schott and Co., Ltd., c1930. |
|---|
| folder 33 | Applebaum, Samuel. Classical Pieces. Arranged for two violins and piano (in the first and third positions.) New York: G. Schirmer, c1955. |
|---|---|
| folder 34 | Cowles, Eugene; arr. Karl Rissland. Forgotten. Arranged for violin, cello and piano by Karl Rissland. Boston: Oliver Ditson Co., c1922. Score and two parts. |
| folder 35 | Schubert, Franz. Theme: from Impromptu in B-flat. 4 pages of music. |
| folder 36 | Yeh, Huai-deh. Echoes from the Great Wall. Three two-part Ricercars in Chinese style using the Pentatonic scale. For one, two or more instruments. Copyright 1974 by Walter Huai-deh Yeh. Inscribed by Walter Yeh. |
| folder 37 | Bach, J. S. 6 Sonatas and Partitas. For solo violin. With facsimile of the autograph manuscript. Edited by Ivan Galamian. New York: International Music Company, c1971. |
|---|
| folder 38 | Debussy, Claude. La fille aux cheveux de lin. Transcription pour violon et piano par Arthur Hartmann. Paris: A. Durand & Fils, c1910. Score and violin part. |
|---|---|
| folder 39 |
Two publications in folder:
|
| folder 40 | Roberts, Chas. J. Carl Fischer Favorite Concert Album. Volume I. Compiled and arranged by Chas. J. Roberts. New York: Carl Fischer, c1909. |
Box 20
| folder 1 | Schubert, Fr.. Ave Maria. Transcribed by August Wilhelmj. New York: Carl Fischer, Inc., c1909. Piano score only; violin part lacking. |
|---|---|
| folder 2 | Wier, Albert E. Violin Pieces the Whole World Plays. Selected and edited by Albert E. Wier. New York: D. Appleton and Company, c1928. |
| folder 3 | Beethoven, L. Romance. [Boston: Boston Music Co., s.d.] 2 pages of music. |
|---|---|
| folder 4 | Bizet, G. Minuet. [Boston: Boston Music Co., s.d.] 3 pages of music. |
| folder 5 | Garnett, Bonnie. Morning Glory Dance. — 1970 For solo flute and dancer, accompanied by four flutes. Ink MS. 5 parts. Accompanied by one hardbound copy of the same composition as published by the composer, c1970. |
| folder 6 | Halphen, Fernand. Sicilienne. Pour flûte (ou violon) et piano. Paris: Enoch & Cie, c1898. Score and solo part. |
| folder 7 | Herbert, V. Gypsy Love Song. For flute and piano. [Boston: Boston Music Co., s.d.] 3 pages of music. |
| folder 8 | Ravel, Maurice. Pièce en forme de Habanera. Transcription pour flûte ou hautbois ou violon avec accompagnement de piano par Th Doney. Paris: Alphonse Leduc & Cie., 1921. Score and solo part. |
| folder 9 | Ravel, Maurice. Pièce en forme de Habanera. Transcrit pour flûte par Louis Fleury. Paris: Alphonse Leduc & Cie., 1926. Score and solo part. Markedly worn. |
| folder 10 | Castelnuovo-Tedesco, Mario. Three Sephardic Songs (Trois mélodies Sephardiques). For medium voice and piano (or harp). Tel Aviv: Israeli Music Publications, c1959. Pl. no. I. M. P. 205. Title, composer’s name, and publisher’s name in both English and Hebrew. |
|---|---|
| folder 11 | Dvorák, Anton [sic]. Goin’ Home. From the Largo of the symphony From the New World, op. 95. Words and adaptation by William Arms Fisher. Boston: Oliver Ditson, c1922. |
| folder 12 | Franck, César. O Lord Most Holy (Panis Angelicus.) Edited by Arthur H. Ryder. Boston: Boston Music Company, c1908. |
| folder 13 | Glinka, M.I. To Molly. St. Petersburg: Edition du Magasin de Musique “Au Monde Musical” s.d.. Markedly worn.95 |
| folder 14 | Leoncavallo, R. Ave Maria. Chicago: Chas K. Harris, c1906. 11 pages. Scored for voice, harmonium, and harp. Dedicated to His Holiness Pope Pius X. Facsimile of letter from Pope Pius to R. Leoncavallo on back cover (together with translation into English). |
| folder 15 | Mascagni, Pietro. Ave Maria: adaption from the celebrated “Intermezzo”from Cavalleria Rusticana. Italian words by P. Mazzoni/ English words by Fred. E. Weatherly. New York: G. Schirmer, s.d.. 5 pages. |
| folder 16 | Sieber, F. Thirty-Six Eight-Measure Vocalises for Soprano, op. 92. Volume III. New York: G. Schirmer, 1899. 19 pages. |
| folder 17 | Strauss, Richard. Lieder für hohe Stimme (Songs for High Voice). The English words by John Bernhoff. Leipzig: Jos. Aibl Verlag, c1906. Morgen! op. 27, no. 4 — “Du meines Herzens Krönelein” op. 21, no. 2 — Meinem Kinde, op. 37, no. 3 — Wozu noch, Mädchen, soll es frommen, op. 19, no. 1 — Zueignung, op. 10, no. 1 — Die Nacht, op.10, no. 3 — Frühlingsdegränge, op. 26, no. 1 — Für funfzehn Pfennige, op. 36, no. 2. |
| folder 18 | Tate, Arthur F. [“Somewhere a] voice is calling”. [Words by Eileen Newton] Copyright 1911 by J. H. Larway. 4 pages. Copy wanting; segment torn out with partial loss of text and musical notation. |
| folder 19 | Verdi, Giuseppe. Di Provenza il mar, il suol (Is the memory erased): from the opera La Traviata. English version of text by R. Lorfin. New York: G. Schirmer, Inc., c1944. 7 pages.. |
| folder 20 | Weaver, Fred R. Dawn. With violin and cello obbligato. Lyric by Roscow Gilmore Stoff. Chicago: Pallma Music Publishers, c1925. Score (4 pages) and two parts. |
| folder 21 | White, C. A. Marguerite. Duet for soprano and alto. Boston: White-Smith Music Pub. Co., c1916. 7 pages. |
| folder 22 |
Ahlert–Berlin
|
|---|---|
| folder 23 |
Bestor–Brown
|
| folder 24 |
Bryan–di Capua
|
| folder 25 |
Coots–Gershwin
|
| folder 26 |
Gordon–Handy
|
| folder 27 |
Herbert–Hill
|
| folder 28 |
Hudson–Kern
|
| folder 29 |
Lang–Lieurance
|
| folder 30 |
Löhr–McGill
|
| folder 31 |
Meyer–Homis-Doda
|
| folder 32 |
O’Hara–Penn
|
| folder 33 |
Perkins–Rodgers
|
| folder 34 |
Rodgers–Schneider
|
| folder 35 |
Scotto–Smith
|
| folder 36 |
Sousa–Stothart
|
| folder 37 |
Strachey–Styne
|
| folder 38 |
Tilzer–White; Anonymous
|
| folder 39 | Bently, Alys E. Twenty Song Classics. Arranged for children. Boston: C.C. Birchard and Company, c1910. |
|---|
Box 21
| folder 1 | Early Italian Songs and Airs, volume I: Caccini to Bononcini; for high voice. Boston: Oliver Ditson, c1923. 167 pages. In series: The Musician’s Library. |
|---|---|
| folder 2 | Ireland in Song New York: Remick Music Corp., c1955. 128 pages. In series: “Music for Everyone”, no. 9. |
| folder 3 | Parker, Horatio, editor. German, French and Italian Song Classics. Volume II, mezzo-soprano and alto. Cincinnati: John Church, c1912. 221 pages. |
| folder 4 | Parker, Horatio, editor. German, French and Italian Song Classics. Volume III, tenor. Cincinnati: John Church, c1912. 219 pages. |
| folder 5 | Peterson, Walter. Sensational Collection of Mountain Ballads and Old Time Songs. Contains 50 big hits. Chicago: M. M. Cole, [s.d.] 66 pages. Title page lacking. |
| folder 6 | Schubert, Franz. Songs with pianoforte accompaniment. First volume (82songs). English translations by Dr. Theo. Baker. New York: G. Schirmer, c1895. 307 pages. |
| folder 7 | Spicker, Max, editor. Operatic Anthology. Celebrated arias from opera by old and modern composers. New York: G. Schirmer, c1902. 285 pages. Markedly worn; title page and back cover both missing. |
| folder 8 | Thomas, John Charles. My Favorite Songs. [s.l.]: Westinghouse Electric and Manufacturing Company, c1945. 14 pages of music. Contents: Abide with me / (music) William Monk and (words) H. F. Lyte — Battle-Hymn of the Republic / (music) W. Steffe and (words) Julia Ward Howe — Believe me, if all those endearing young charms / (music) Irish air; (words) Thomas Moore — Bendemeer’s Stream / (music) Irish air; (words) Thomas Moore — Beautiful Dreamer / (words and music) Stephen Foster / Come, Thou Almighty King / (music) Felice Giardini. |
| item 9 |
Binder’s collection. Surname on front cover: MIERCKEN; same appears as signature on many |
|---|