JAN DEGAETANI COLLECTION (MUSIC LIBRARY)
SUB-GROUP 1: LIBRARY
Box 1
| folder 1 | Alfonzo X, King of Castille and Leon. Cantigas de Santa Maria. Vocal line and texts (English translations) only. Performance photocopies from unidentified source(s). 36 pp. Accompanied by note: “Cantigas de Santa Maria / recording with Waverly Ensemble.” |
| folder 2 | Bach, C. P. E. Magnificat. For soli, chorus, and orchestra. Vocal score. Edited and the orchestral accompaniment adapted for piano or organ by Carl Deis. German and English text. New York: G. Schirmer, c1950. 124 pp. |
| folder 3 | Bach, J. S. Christmas Oratorio. For chorus, soli, and orchestra. Vocal score. Edited by Max Spicker. English text. Translated and adapted by J. Troutbeck from the original German text. New York: G. Schirmer, [s.d.]. 195 pp. |
| folder 4 | Bach, J. S. Christmas Oratorio, BWV 248. For four solo voices, chorus, and orchestra. Vocal score. Vocal score by Gustav Rösler. German text. Frankfurt: C. F. Peters, [s.d.]. 163 pp. |
| folder 5 | Bach, J. S. Mass in B Minor. For soli, chorus, and orchestra. Vocal score. Edited by Frank Damrosch. Latin text. New York: G. Schirmer, c1927. 199 pp. |
| folder 6 | Bach, J. S. Messe in H Moll, BWV 232. For soli, mixed chorus, and orchestra. Vocal score. Arranged by Gottfried Müller. Latin text. Kassel: Bärenreiter, c1955. 240 pp. |
| folder 7 | Bach, J. S. The Passion According to St. John. For soli, chorus, and orchestra. Vocal score. Edited and with an introduction by Arthur Mendel. German and English texts. Translations by Henry S. Drinker and Harvey Officer. New York: G. Schirmer, c1951. 241 pp. |
| folder 8 | Bach, J. S. Passionsmusik nach dem Evangelisten Johannes. For soli, chorus, and orchestra. Vocal score. Piano reduction by Gustav Rösler. German text. Frankfurt: C. F. Peters, c1940. 135 pp. |
| folder 9 | Bach, J. S. The Passion of Our Lord According to St. Matthew. For soli, chorus, and orchestra. Vocal score. English text. English translation by Robert Shaw. New York: G. Schirmer, c1959. 168 pp. |
Box 2
| folder 1 | Bach, J. S. Matthäus-Passion, BWV 244. Vocal score. Piano reduction by Alfred Dürr. English translation by Henry S. Drinker. Kassel: Bärenreiter, c1974. 304 pp. |
| folder 2 | Bach, J. S. The Passion of Our Lord According to St. Matthew. Vocal score. Edited by H. W. Nicholl. English text. English translation and adaptation by Rev. Dr. Troutbeck. New York: G. Schirmer, c1932. 219 pp. |
| folder 3 | Bach, J. S. Wär Gott nicht mit uns diese Zeit, BWV 14. Cantata for soli, chorus, and orchestra. Facsimile of holograph parts, edited by Bach-Archiv Leipzig. German text. Kassel: Bärenreiter, 1955. Presentation copy inscribed by Victor Rangel-Riberin. |
| folder 4 | Beethoven, Ludwig van. Messe C dur, Op. 86. For four solo voices, choir, and orchestra. Vocal score. Latin text. Frankfurt: C. F. Peters, [s.d.]. 64 pp. Inscribed to JDG by “Ryland” [Davies]. |
| folder 5 | Beethoven, Ludwig van. Missa solemnis, Op. 123. For soli, choir, orchestra, and organ. Vocal score. Piano reduction by Salomon Jadassohn. Latin text. Leipzig: Breitkopf & Härtel, 1980. 119 pp. |
| folder 6 | Berlioz, Hector. The Childhood of Christ, Op. 25. Sacred trilogy for soloists, chorus, and orchestra. Vocal score. English, French, and German texts. New York: Edwin F. Kalmus, [s.d.]. 156 pp. |
| folder 7 | Britten, Benjamin. Phaedra, Op. 93. Dramatic cantata for mezzo-soprano and small orchestra. Words from a verse translation of Racine’s Phèdre by Robert Lowell. Vocal score. English text. London: Faber, c1977. 22 pp. |
| folder 8 | Buxtehude, Dietrich. Aperite Mihi Portas Justitiae. Cantata for alto, tenor, bass, two violins, and basso continuo. Vocal score. Realization of the figured bass by Fritz Oberdoerffer. Latin and English texts. Edition and adaption of English text prepared by Walter E. Buszin. New York: C. F. Peters, c1953. 24 pp. |
| folder 9 | Copland, Aaron. In the Beginning. For mixed chorus a cappella with mezzo-soprano solo. Vocal score. English text. [New York]: Boosey & Hawkes, c1947. 56 pp. |
| folder 10 | Dvořák, Antonin. Stabat Mater, Op. 58. For soli, chorus, and orchestra. Vocal score. Latin text. New York: Kalmus, [s.d.]. 112 pp. Accompanied by photocopied pages from the Latin Proper of the Saints set in chant with English translation. Facsimile from unidentified published source (pp. 1422–1427). 3 leaves. |
| folder 11 | Handel, G. F. Ah! Crudel, nel pianto mio. Cantata for soprano, two oboes, strings, and continuo. Performance photocopies of score. Italian text. [s.l.: s.n., s.d.]. Pl. no. W.W.52A. 16 pp. Accompanied by English translation in JDG’s hand. Ink MS. 1 p. |
| folder 12 | Handel, G. F. Dettingen Te Deum. Vocal score. English text. Melville, NY: Belwin Mills, [s.d.]. 70 pp. |
Box 3
| folder 1 | Handel, G. F. Hercules. Oratorio for soli, chorus, and orchestra. Vocal score. English and German texts. Leipzig: Breitkopf & Härtel, 1965. 262 pp. |
| folder 2 | Handel, G. F. Israel in Egypt. Sacred oratorio for soli, chorus, and orchestra. Vocal score. Edited by H. W. Nicholl. English text. New York: G. Schirmer, c1900. 195 pp. |
| folder 3 | Handel, G. F. Italianische Kantaten: “Tra le fiamme.” Cantata for soprano, solo viola da gamba, two flutes, oboe, bassoon, two violins, and thoroughbass. Full score and 8 parts (bassoon part missing). German and Italian texts. Kassel: Bärenreiter, 1977. 50 pp., total. Viola da gamba part emended with insertions from a different edition. Full score. Facsimile from published source (pp. 66–78). [s.l.: s.n., s.d.]. Pl. no. H.W.52B. 12 pp. Violoncello/contrabasso part, recitative only. Performance photocopy, affixed to file folder. [s.l.: s.n., s.d.]. [In same key as facsimile score.] 1 p. |
| folder 4 | Handel, G. F. Jephtha. Oratorio. Vocal score. Edited and the pianoforte accompaniment arranged by Vincent Novello. London: Novello, [s.d.]. 195 pp. |
| folder 5 | Handel, G. F. The Messiah. Vocal score. New York: G. Schirmer, c1912. 252 pp. Hardbound, with foil stamp “Jan Ruetz” on cover. Also in folder: “Messiah Recording Schedule.” Typescript document, dated December 6, 1983. 1 p. |
| folder 6 | Handel, G. F. The Messiah. Vocal score. Edited by T. Tertius Noble. Revised according to Handel’s original score by Max Spicker. New York: G. Schirmer. c1912. 252 pp. |
| folder 7 | Handel, G. F. Semele. Opera [“after the manner of an oratorio”]. Libretto by William Congreve. Vocal score. Edited by Anthony Lewis and Charles Mackerras. Rental score. London: Oxford University Press, [1970]. 294 pp. |
Box 4
| folder 1 | Haydn, Joseph. Missa Solemnis in B-Flat. For four-part chorus of mixed voices with organ or piano accompaniment. Vocal score. Edited and with keyboard reduction by William Herrmann. New York: G. Schirmer, c1966. 140 pp. |
| folder 2 | Haydn, Joseph. Nelson Messe. For four-part choir, soli, orchestra, and organ. Vocal score. Piano reduction by Wilhelm Weismann. Frankfurt: C. F. Peters, c1959. 79 pp. |
| folder 3 | Haydn, Joseph. Die sieben Worte. For chorus and orchestra. Vocal score. Piano reduction by Wilhelm Weismann. Frankfurt: C. F. Peters, c1938. 79 pp. |
| folder 4 | Honegger, Arthur. King David. Symphonic psalm after a drama by René Morax. Vocal score. English text. English version by Edward Agate. Boston: E. C. Schirmer, c1952. 93 pp. |
| folder 5 | Marcello, Alessandro. Serenata ad Irene. Chamber cantata for soprano and continuo Vocal score. Italian text. Performance photocopy from unidentified source (pp. 49–76). [s.l.: s.n., s.d.]. No pl. no. 28 pp. |
| folder 6 | Mendelssohn, Felix. Elijah. Oratorio for soli, chorus, and piano. Vocal score. English text. New York: G. Schirmer, [s.d.]. 198 pp. |
| folder 7 | Mendelssohn, Felix. Elijah. Oratorio. Vocal score. English and German texts. Kalmus Vocal Scores. Melville, NY: Belwin Mills, [s.d.]. 200 pp. |
| folder 8 | Mozart, W. A. Coronation Mass, K. 317. For four-part chorus of mixed voices with soprano, alto, tenor, and bass soli. Vocal score. Piano reduction by Otto Taubmann. Latin text. New York: G. Schirmer, [s.d.]. 53 pp. |
| folder 9 | Mozart, W. A. Missa C Moll, KV 427 (417a). Vocal score. Edited by H. C. Robbins Landon. Piano score by Josef Nebois. Latin text. Zürich: Eulenburg GMBH, c1956. 133 pp. |
| folder 10 | Mozart, W. A. Requiem Mass. Vocal score. Edited and the pianoforte accompaniment arranged by W. T. Best. Latin text. New York: H. W. Gray Co., [s.d.]. 84 pp. |
| folder 11 | Mozart, W. A. Requiem. Vocal score. Piano reduction by F. Brissler. Latin text. New York: C. F. Peters, [s.d.]. 80 pp. |
| folder 12 | Mozart, W. A. Vesperae Solennes de Confessore, K. 339. For four voices, two violins, bassoon, two trumpets, three trombones, timpani, bass, and organ. Vocal score. Reduction by J. Fuller Maitland. New York: Kalmus, [s.d.]. 68 pp. Inscribed by Sergius Kagen. |
| folder 13 | Prokofieff, Serge. Alexander Nevsky, Op. 78. Cantata for chorus and orchestra. Vocal score. Russian and English texts. New York: Kalmus, [s.d.]. 88 pp. |
Box 5
| folder 1 | Ritter, Christian. O amantissime sponse Jesu. Cantata for voice, strings, and basso continuo. Vocal score. Edited by Richard Buchmayer. Latin text. Performance photocopy. [s.l.]: Breitkopf & Härtel, c1906. 2 copies. 15 pp., each. Full score. Latin text. Ink MS, bound. 77 pp. String parts (5 parts: violin I, violin II, viola, cello I, cello II). Ink MS, with emendations. 31 pp, total. |
| folder 2 | Scarlatti, Alessandro. [Two chamber cantatas.] From folder labeled “Chamber / A. Scarlatti / Cantatas.” “Mitilde, addio, poichè di nuovo amante.” Cantata for soprano and basso continuo. Vocal score. Italian text. MS repro (transcribed by unidentified hand). 10 pp. Accompanied by typed Italian text and English translation. 2 pp. “Celinda è la mia vita.” Cantata for voice and basso continuo. Italian text. MS repro (transcribed by unidentified hand). 12 pp. Accompanied by typed Italian text and English translation. 2 pp. |
| folder 3 | Scarlatti, Domenico. Salve Regina. For soprano, strings, and continuo. Full score. Latin text. Performance photocopy. Köln: Arno Volk, c1960. 2 copies. 22 pp., each. |
| folder 4 | Schubert, Franz. Mass in A-Flat. For four voices, orchestra, and organ. Vocal score. Latin text. New York: Kalmus, [s.d.]. 107 pp. |
| folder 5 | Schubert, Franz. Mass in A-Flat. Vocal score. Pianoforte accompaniment arranged from the full score by Berthold Tours. Latin text. London: Novello, [s.d.]. 99 pp. |
| folder 6 | Schubert, Franz. Mass in C, Op. 48. For four-part chorus of mixed voices with piano accompaniment. Vocal score. Edited by William Ramsey. Latin text. New York: G. Schirmer, c1967. 52 pp. |
| folder 7 | Sessions, Roger. When Lilacs Last in the Dooryard Bloom’d. Cantata for soprano, contralto, baritone, mixed chorus, and orchestra. Vocal score. Published music reproduced from the composer’s manuscript. English text. Bryn Mawr, PA: Merion Music, c1974. 150 pp. |
| folder 8 | Thompson, Randall. Mass of the Holy Spirit. Communion service for mixed voices, unaccompanied. Vocal score. Latin and English texts. Boston: E. C. Schirmer, c1957. 92 pp. |
| folder 9 | Tippett, Michael. A Child of Our Time. Oratorio for soli, chorus, and orchestra. Vocal score. English text. London: Schott, c1944. 109 pp. Inscribed to JDG by “Lengin” (spelling?). |
| folder 10 | Verdi, Giuseppe. Requiem. Vocal score. Latin and English texts. New English version by Geoffrey Dunn. London: G. Ricordi, c1956. Accompanied by a telegram from Tom Paul to JDG; dated February 23, 1983. 1 p. |
| folder 11 | Vivaldi, Antonio. Stabat Mater. For alto voice, strings, and thorough-bass. Vocal score. Edited by Gian Francesco Malipiero. Piano reduction by Vilmos Leskó. Latin and English texts. English version by Geoffrey Dunn. Milano: G. Ricordi, c1970. 26 pp. |
Box 5 [cont.]
| folder 12 | Berg, Alban. Lyrische Suite. For string quartet (alternate version of movement 6 includes vocal line). Miniature score. Wien: Universal, c1955. 83 pp. Accompanied by duplicate photocopy of movement 6 (pp. 77–83). 4 leaves. Transcription of vocal line from movement 6 (mm. 12–40). German text. MS repro. 3 pp. MS Repro of the vocal line from Movement VI (measures 12-40). |
Box 6
| folder 1 | Berlioz, Hector. La Damnation de Faust. For soli, chorus, and orchestra. Vocal score. New reduction by Charles Malherbe. French text. Paris: Costallat, [s.d.]. Handmade cover is inscribed [author unidentified]. |
| folder 2 | Berlioz, Hector. Romeo and Juliet, Op. 17. A dramatic symphony. Vocal score. French, German, and English texts. Words by Emile Deschamps. English translation by John Bernhoff. New York: Kalmus, [s.d.]. 189 pp. |
| folder 3 | Britten, Benjamin. Spring Symphony, Op. 44. For soprano, alto, and tenor soli; mixed chorus; boys’ choir; and orchestra. Vocal score. Reduction by Arthur Oldham. English text. London: Boosey & Hawkes, c1950. 124 pp. |
| folder 4 | Falla, Manuel de. El Sombrero de tres picos. Ballet by G. Martinez Sierra after the novel by P. A. de Alarcon. Piano reduction. London: J. & W. Chester, c1949. 78 pp. |
| folder 5 | Hindemith, Paul. When lilacs last in the door-yard bloom’d. A requiem “for those we love.” For mezzo-soprano and baritone soli, chorus, and orchestra. Piano score. On the poem by Walt Whitman. English and German texts. London: Schott, c1948. 153 pp. |
| folder 6 | Mahler, Gustav. Symphony No. 2. Full score. Wien: Universal, c1952. 209 pp. Title page inscribed with name and address of Esther Hinds. |
| folder 7 | Mahler, Gustav. Symphony No. 3. Score. New York: Kalmus, [s.d.]. 231 pp. Title page has inscription to JDG by Levyin (?); first page of score autographed by Seiji Ozawa. |
| folder 8 | Mahler, Gustav. Symphony No. 4. Miniature score. New York: International Music Co., [s.d.]. 188 pp. Inscribed by [illegible] “with happy memories of the performances on the Japan Tour of the BBC, 5.23.75.” |
| folder 9 | Picker, Tobias. Symphony II. Photocopy of full score (from Rental Library, European American Music Distributors Corporation). Valley Forge, PA: European American Music, [s.d.]. Letter from George Class (European American Music) to JDG; dated February 22, 1988. 1 p. Letter from Mary Plaine (Baltimore Symphony Orchestra) to JDG; dated February 25, 1988. 1 p. Original folder. |
Box 7
| folder 1 | Ravel, Maurice. Shéhérazade. Three poems for voice and orchestra (or piano). Miniature score. French and English texts. Poem by Tristan Klingsor. English version by Hermann Klein. Paris: Durand, c1914. 52 pp. |
| folder 2 | Shostakovich, Dmitri. Symphony No. 14. For soprano, bass, and chamber orchestra. Vocal score. Russian (transliteration) and English texts. MS repro. Rental score from MCA Music. 120 pp. Russian texts and English translations for each movement taped in the margins. |
| folder 3 | Stravinsky, Igor. Pulcinella. Ballet in one act with three solo voices. Piano reduction. Italian text. London: J. & W. Chester, c1920. 86 pp. |
Box 7 [cont.]
| folder 4 | Birtwistle, Harrison. Punch and Judy. Opera in one act. Libretto and vocal score by Stephen Pruslin. Vocal score. Reproduced from the autograph. English text. London: Universal, c1968. 240 pp. |
| folder 5 | Bizet, Georges. Carmen. Opera in four acts. Vocal score. Piano reduction by the composer. Paris: Choudens, [s.d.]. 363 pp. Hardbound. Fragile condition. |
| folder 6 | Cavalli, Francesco. Erismena. Score (vocal line with basso continuo). Italian and English texts. MS repro. [Transcription in unidentified hand.] 128 pp. Incomplete; missing pp. 1–10 of Act I. |
| folder 7 | Cimarosa, Dominico. Il Matrimonio Segreto. Dramma giocoso in two acts. Vocal score. Libretto by Giovanni Bertati. Italian text. Milano: Ricordi, [s.d.]. 312 pp. Hardbound. Fragile condition. |
Box 8
| folder 1 | Davies, Peter Maxwell. The Martyrdom of St. Magnus. Chamber opera in nine scenes. Libretto by the composer after the novel Magnus by George Mackay Brown. Full score with piano reduction by Richard Emsley. English text. Rental score from Boosey & Hawkes Rental Library (Oceanside, NY). London: Boosey & Hawkes, c1977. 303 pp. Accompanied by libretto (Boosey & Hawkes, 31 pp.) and handwritten note (1 p.). |
| folder 2 | Donizetti, Gaetano. L’Elisir d’Amore. Melodrama in two acts. Vocal score. Italian text. Milano: Ricordi, [s.d.]. 252 pp. Hardbound. Fragile condition. |
| folder 3 | Gluck, Christopher. Orpheus. Vocal score. English and Italian texts. New York: Kalmus, [s.d.]. 135 pp. “Euridice! Consorte! Ah più non vive” (recitative) and “Che farò senza Euridice?” (aria). Vocal score. Facsimile from unidentified published source (pp. 38-43). [s.l.: s.n., s.d.]. from a reduced score. 6 pp. |
| folder 4 | Gluck, Christoph. Orfeo ed Euridice. Vienna version of 1762. Vocal score. Arranged by Heinz Moehn. Italian and German texts. German words by Hans Swarowsky. Kassel: Bärenreiter, c1962. 156 pp. |
| folder 5 | Goehr, Alexander. Behold the Sun (Die Wiedertäufer). Opera in three acts. Libretto by John McGrath and the composer. Vocal score. English and German texts. German translation by Bernhard Laux. London: Schott, c1985. 541 pp. |
Box 9
| folder 1 | Handel, G. F. Acis and Galatea. Masque. Miniature score (full score). English and German texts. Melville, NY: Belwin Mills, [s.d.]. 132 pp. |
| folder 2 | Menotti, Gian Carlo. Amahl and the Night Visitors. Opera in one act. Vocal score. English text. New York: G. Schirmer, c1952. 65 pp. |
| folder 3 | Menotti, Gian Carlo. The Medium. Tragedy in two acts. Vocal score. Revised version. English and French texts. French version by Léon Kochnitzky. New York: G. Schirmer, c1967. 121 pp. Accompanied by the Ave Maria in Latin with English translation on a typed note from a friend taped into the front cover. |
| folder 4 | Menotti, Gian Carlo. The Old Maid and the Thief. A grotesque opera in 14 scenes. Vocal score. English text. New York: G. Ricordi, c1954. 180 pp. |
| folder 5 | Monteverdi, Claudio. L’Orfeo. For soloists, chorus, and orchestra. Vocal score. Edited by Denis Stevens. Italian text. London: Novello, c1967. 150 pp. |
| folder 6 | Mozart, W. A. Così fan Tutte. Opera in two acts. Libretto by Lorenzo da Ponte. Vocal score. Italian and English texts. English version by Ruth and Thomas Martin. New York: G. Schirmer, c1952. 366 pp. Hardbound, with foil stamp “Jan Ruetz” on cover. |
Box 10
| folder 1 | Mozart, W. A. Le Nozze di Figaro. Opera in four acts. Libretto by Lorenzo da Ponte. Vocal score. Italian and English texts. English version by Ruth and Thomas Martin. With an essay on the story of the opera by Nathan Broder. New York: G. Schirmer, c1951. 481 pp. |
| folder 2 | Mozart, W. A. Die Zauberflöte. Opera in two acts. Vocal score. Edited by Kurt Soldan. Leipzig: C. F. Peters, [s.d.]. 181 pp. Hardbound. |
| folder 3 | Puccini, Giacomo. Madame Butterfly. Opera in three acts. Vocal score. Arranged for voice and pianoforte by Carlo Carignani. English and Italian texts. English version by R. H. Elkin. New York: Ricordi, c1905. 266 pp. |
| folder 4 | Purcell, Henry. Dido and Aeneas. Opera. Vocal score with basso continuo. New York: Broude Brothers, [s.d.]. 89 pp. |
| folder 5 | Rameau, Jean-Philippe. Hippolyte and Aricie. Tragédie lyrique in five acts. Libretto by l’Abbé Pellegrin. Vocal score. Revised by Vincent d’Indy. French text. Paris: Durand, [s.d.]. 232 pp. |
| folder 6 | Rameau, Jean-Philippe. Pygmalion. Acte de ballet. Vocal score. Transcribed by Henri Büsser. French text. Paris: Durand, c1913. 55 pp. |
Box 11
| folder 1 | Ravel, Maurice. L’enfant et les Sortilèges. Opera in one act. Libretto by Colette. Vocal score. French and English texts. English translation by Katharine Wolff. Paris: Durand, c1925–1932. 101 pp. Accompanied by photocopied reproductions of fine line (pencil) drawings of children by A. Ségur. 12 pp. |
| folder 2 | Rossini, Gioachino. The Barber of Seville. Comic opera in two acts. Italian libretto by Cesare Sterbini. Vocal score in three stage versions. Italian and English texts. English adaptation by Virginia Card. Lynbrook, NY: Boosey & Hawkes, c1956. 365 pp. |
| folder 3 | Scarlatti, Alessandro. Il Trionfo dell’Onore. Operatic “commedia” in three acts. Vocal score. Stage reduction, elaboration, and adaptation by Virgilio Mortari. Italian text. Milano: Carisch S. A., 1954. 102 pp. |
| folder 4 | Stravinsky, Igor. Mavra. Opera buffa in one act after Pushkin by Boris Kochno. Vocal score. Piano reduction by the composer. English, French, and German texts. English version by Robert Craft. French version by Jacques Larmanjat. German version by A. Elukhen. London: Boosey & Hawkes, c1956. 89 pp. |
| folder 5 | Stravinsky, Igor. Oedipus Rex. From folder labeled “Oedipus Rex / Stravinsky / performance copies.” Full score. Excerpts (mainly Act II). Photocopies from published score. [New York: Boosey & Hawkes, s.d.]. Pl. no. B.&H. 16497. 3 copies: pp. 70–98; pp. 70–99 and 114–144; pp. 63–86. Vocal score. Excerpts (mainly Act II). Photocopy from published source (pp. 40–62). [s.l.: s.n., s.d.]. Pl. no. R.M.V. 431. 23 pp. |
| folder 6 | Sullivan, Arthur. Trial by Jury. Book by W. S. Gilbert. Vocal score. Authentic version edited by Bryceson Treharne. New York: G. Schirmer, c1941. 89 pp. |
| folder 7 | Wagner, Richard. Das Rheingold. Vocal score. Facilitated arrangement by Karl Klindworth. German and English texts. English translation by Frederick Jameson. New York: G. Schirmer, [s.d.]. 221 pp. |
Box 11 [cont.]
| folder 8 | Bemberg, Henri. “Du Christ avec ardeur” from La Mort de Jeanne d’Arc. For voice and piano. Score. Medium key. English and French texts. English version by Dr. Th. Baker. New York: G. Schirmer, c1922. 7 pp. |
| folder 9 | Berlioz, Hector. Les Nuits d’Eté, Op. 7. Cycle of six songs for voice and piano. Poems by Théophile Gautier. Score. High key. French and English texts. English version by Humphrey Procter-Gregg. New York: International Music Co., c1968. 42 pp. |
| folder 10 | Berlioz, Hector. Les Nuits d’Eté, Op. 7. Cycle of six songs for voice and piano. Poems by Théophile Gautier. Score. Low key. French and English texts. English version by Humphrey Procter-Gregg. New York: International Music Co., c1968. 42 pp. |
| folder 11 | Berlioz, Hector. [Performance photocopies of four songs for voice and piano.] “Petit Oiseau.” French, German, and English texts. Facsimile from published source (pp. [235]1–6[240]). [s.l.: s.n., s.d.]. 6 pp. “Chant de Bonheur.” French, German, and English texts. Facsimile from published source (pp. 2[66]–[69]5). [s.l.: s.n., s.d.]. 4 pp. “La Captive.” French, German, and English texts. Facsimile from published source (pp. [93]1–8[100]). [s.l.: s.n., s.d.]. 8 pp. “Zaïde.” French, German, and English texts. Facsimile from published source (pp. [191]1–[196]6). 6 pp. French texts and English translations. Translations by Raymond Ostrovsky. Typescript. 3 pp. |
| folder 12 | Bizet, Georges. “Chanson Bohême” from Carmen. Aria arranged for voice and piano. Score. French, Italian and English texts. English version by F. W. Rosier. New York: G. Schirmer, [s.d.]. 9 pp. |
| folder 13 | Bizet, Georges. “Habañera” from Carmen. Aria arranged for voice and piano. Score. French, Italian and English texts. English text by George Rochberg. Bryn Mawr, PA: Oliver Ditson, c1952. 7 pp. German translation written in the margin in JDG’s hand. |
Box 12
| folder 1 | Chabrier, Emmanuel. Recueil de Mélodies. Collection of songs for solo voice and piano (first work for SSAA quartet and piano). Score. French text. Paris: Enoch, [s.d.]. 119 pp. Very fragile condition. |
| folder 2 | Chausson, Ernest. 20 Songs. Collection of songs for voice and piano. (Folder 1 of 2). Score. Low keys. Edited by Sergius Kagen. French texts. Incomplete (pp. 1–6, 15–18, 23–28, 35–42, 47–68, 75–89). New York: International Music Co., c1952 |
| folder 3 | Chausson, Ernest. Pages removed from 20 Songs. Collection of songs for voice and piano. (Folder 2 of 2). Score. Low keys. [Edited by Sergius Kagen.] French texts. Incomplete (pp. 7–14, 19–22, 29–34, 43–46, 69–74). [New York: International Music Co., c1952.] |
| folder 4 | Chausson, Ernest. “Chanson Perpétuelle.” For voice and piano. Poem by Charles Cros. Performance photocopy of score. French text. English translation written in ink above staves. Photocopy from published imprint (pp. 86–93). [New York: International, s.d.]. Pl. no. 1130. 8 pp. Performance photocopy scored for voice with string quartet and piano. French text. Paris: Durand, [s.d.]. 11 pp. |
| folder 5 | Debussy, Claude. 37 Songs. Collection of songs for voice and piano. Score. High keys. Edited by Sergius Kagen. French texts. New York: International Music Co., c1955. 180 pp. |
| folder 6 | Debussy, Claude. 37 Songs. Collection of songs for voice and piano. Score. Low and medium keys. Edited by Sergius Kagen. French texts. New York: International Music Co., c1955. 177 pp. Fragile condition. |
| folder 7 | Debussy, Claude. Ariettes Oubliées. Song cycle for voice and piano. Poems by Paul Verlaine. Performance photocopies of score. French texts. English translations written in the margins. Facsimile from unidentified published source (pp. 63–90). [s.l.: s.n., s.d.]. Pl. no. 1136. 28 pp. |
| folder 8 | Debussy, Claude. Chansons de Bilitis. Song cycle for voice and piano. From folder labeled “Debussy / Chansons de Bilitis / performance copies.” Performance photocopies of score. French texts. Facsimile from unidentified published source (pp. 157–168). [s.l.: s.n., s.d.]. 12 pp. |
| folder 9 | Debussy, Claude. [Performance group of seven songs from Fêtes Galantes, Books One and Two, and Chansons de Bilitis.] For voice and piano. “En Sourdine” from Chansons de Bilitis. French text. Facsimile from unidentified published source (pp. 116–119). [s.l.: s.n., s.d.]. Pl. no. 1136. 4 pp. “Clair de lune” from Chansons de Bilitis. French text. Facsimile from unidentified published source (pp. 120–123). [s.l.: s.n., s.d.]. Pl. no. 1136. 4 pp. “Fantoches” from Fêtes Galantes. French text. Facsimile from unidentified published source (pp. 124–127). [s.l.: s.n., s.d.]. Pl. no. 1136. 4 pp. “La Chevelure” from Chansons de Bilitis. French text. Facsimile from unidentified published source (pp. 161–164). [s.l.: s.n., s.d.]. Pl. no. 1136. 4 pp. Fêtes Galantes, Book Two. (“Les Ingénus,” “Le Faune,” and “Colloque sentimental.”) French text. Facsimile of published score. New York: International Music Co., c1961. 14 pp. |
| folder 10 | Duparc, Henri. 12 Songs. Collection of songs for voice and piano. Score. Low keys. Edited by Sergius Kagen. New York: International Music Co., c1952. 71 pp. |
| folder 10 | Duparc, Henri. [Performance group of four songs. For voice and piano.] “Phydilé.” Photocopy of score. French text. New York: International Music Co., c1952. Pl. no. 1113. 9 pp. “Chanson triste.” Photocopy of score. French text. [s.l.: s.n., s.d.]. Pl. no. 1117. 7 pp. “Le Manoir de Rosamonde.” Photocopy of score. French text. [s.l.: s.n., s.d.]. Pl. no. 1117. 5 pp. “La Vie antérieure.” Photocopy of score. French text. [s.l.: s.n., s.d.]. Pl. no. 1117. 8 pp. French texts with English translations. [Appears to be photocopy from concert program.] 2 pp. |
| folder 12 | Fauré, Gabriel. La bonne Chanson. Song cycle for voice and piano. Poetry by Paul Verlaine. Score. French text. English translation written above staves. Paris: J. Hamelle, [s.d.]. 45 pp. No cover, three-hole punched. Fragile condition. |
| folder 13 | Fauré, Gabriel. Album of Twenty Songs. Volume II. Collection of songs for voice (mezzo-soprano or baritone).and piano. Score. French text. New York: Edward B. Marks, 1946. 84 pp. |
| folder 14 | Fauré, Gabriel, and Francis Poulenc. [Binder’s collection, hardbound with foil stamp “Jan Ruetz” on cover.] Gabriel Fauré. Twenty-Five Selected Songs. Collection of songs for voice and piano. Score. English and French texts. New York: G. Schirmer, c1946. 115 pp. Francis Poulenc. Poèmes de Ronsard pour Mezzo-soprano. Cycle of songs for voice and piano. Score. French text. Paris: Huegel, c1925. 23 pp. |
| folder 15 | Martin, Frank. Trois Chants de Noël. Collection of songs for voice, piano, and flute. Text by Albert Rudhardt. Score and flute part. French, German, and English texts. Zürich: Universal, c1962. 12 + 5 pp. |
| folder 16 | Massenet, Jules. “Tears” from Werther. Aria for mezzo-soprano and piano. Score. French and English texts. New York: International Music Co., c1949. 3 pp. |
| folder 17 | Messiaen, Olivier. Poèmes pour Mi. 1er Livre. Collection of songs for voice and orchestra arranged for voice and piano. Score. French text. Paris: Durand, c1937. 15 pp. Fragile condition. |
| folder 18 | Messiaen, Olivier. Poèmes pour Mi. 2ème Livre. Collection of songs for voice and orchestra arranged for voice and piano. Score. French text. Paris: Durand, c1939. 16 pp. Fragile condition. |
Box 13
| folder 1 | Poulenc, Francis. “Reine des mouettes” from Métamorphoses. For voice and piano. Poem by Louise de Vilmorin. Score. French text. Paris: Rouart Lerolle & Cie, c1944. 9 pp. Extremely fragile condition. |
| folder 2 | Poulenc, Francis. Tel Jour Telle Nuit. Cycle of songs for voice and piano. Poems by Paul Eluard. Score. French text. Paris: Durand, c1937. 23 pp. |
| folder 3 | Poulenc, Francis. [Performance group of four songs for voice and piano.] “Les gars qui vont à la fête” [from Chansons villageoises]. Photocopy of score. French text. [s.l.: s.n., s.d.]. Pl. no. M.E.6384. 4 pp. “A sa guitar.” Photocopy of score. French text. Paris: Durand & Cie, c1935. 2 pp. “C’est ainsi que tu es” [from Métamorphoses]. Photocopy of score. French text. Paris: [Rouart], Lerolle & Cie., c1944. 2 pp. “Amoureuses ” [from Cinq Poèmes de Paul Éluard]. Photocopy of score. French text. [Paris: Durand & Cie.], 1948. Pl. no. D.&F. 13,359. 4 pp. Accompanied by note: “Poulenc performance group.” |
| folder 4 | Poulenc, Francis. [Performance group of seven songs for voice and piano.] From folder labeled “Poulenc recital performance copies.” “Avant le Cinéma” from Quatre Poèmes de Guillaume Apollinaire. Photocopy of score. French text. Paris: Rouart-Lerolle & Cie, c1931. 3 pp. “Attributs” from [Cinq] Poèmes de Ronsard. Photocopy of score. French text. Paris: Heugel, [s.d.]. 4 pp. “Le Tombeau” [from Cinq poèmes de Ronsard]. Photocopy of score. French text. Paris: Heugel, [s.d.]. 4 pp. “Ballet” [from Cinq poèmes de Ronsard]. Photocopy of score. French text. Paris: Heugel, [s.d.]. 6 pp. “Je n’ai plus que les os” [from Cinq poèmes de Ronsard]. Photocopy of score. French text. Paris: Heugel, [s.d.]. 4 pp. “A son page” [from Cinq poèmes de Ronsard]. Photocopy of score. French text. Paris: Heugel, [s.d.]. 5 pp. “Main dominée par le Coeur.” Photocopy of score. French text. Paris: Rouart, Lerolle & Cie, c1947. 4 pp. |
| folder 5 | Ravel, Maurice. Histoires Naturelles. Cycle of songs for voice and piano. Score. French text. English translation written in ink above staves. Paris: Durand, c1907. 23 pp. Accompanied by performance photocopy. 23 pp. |
| folder 6 | Ravel, Maurice. Shéhérazade. Three poems for voice and piano. Score. French text. New York: International Music Co., c1958. 26 pp. |
| folder 7 | Weckerlin, J. B., collected and harmonized. Bergerettes (Pastoral Ditties). Twenty romances and songs of the eighteenth century for voice and piano. Score. French and English texts. English translations by Sigmund Spaeth. New York: G. Schirmer, c1941. 53 pp. |
Box 13 [cont.]
| folder 8 | Bellini, Vincenzo. Composizioni da camera. Collection of songs for voice and piano. Score. Italian text. Milan: Ricordi, 1970. 69 pp. |
| folder 9 | Handel, G. F. “Mi palpita il cor.” Secular solo cantata arranged for voice and basso continuo with oboe obbligato. Score. Edited by Doris Ornstein. Italian text. Performance photocopy from unidentified source (pp. 11–28). [s.l.: s.n., s.d.]. 18 pp. Cello part. Photocopy of part produced by notation software. 4 pp. |
| folder 10 | Handel, G. F. [Performance photocopies of three arias for voice with strings and basso continuo.] From folder labeled “Handel / 3 arias / performance copies.” “Frondi tenere…Ombra mai fu” (Serse, Act I, Scene 1). Photocopy from vocal score. German and Italian texts. [s.l.: s.n., s.d.]. 3 pp. “Tradir di reggia sposa…Saprà delle mie offese” (Serse, Act I, Scene 13). Photocopy from vocal score. Italian and German texts. [s.l.: s.n., s.d.]. 5 pp. “Awake, Saturnia, from thy lethargy!…Hence, hence, Iris, hence away” (Semele, Act II, Scene 21). Photocopy from vocal score. English text. [s.l.: s.n., s.d.]. 11 pp. |
| folder 11 | Haydn, Joseph. Scena di Berenice. Song for soprano and orchestra arranged for voice and piano. Score. Edited by H. C. Robbins Landon. Piano reduction by Karl Trötzmüller. Wien: Verlag Doblinger, c1965. 15 pp. Affixed to inside front cover: Italian text and English translation. Typescript. 1 p. |
| folder 12 | Jeppesen, Knud, ed. La Flora: Arie &c. Antiche Italiane. Vol. I. Collection of songs for voice and basso continuo. [Includes compositions by Monteverdi, Caccini, Gagliano, Calestani, and others ] Score. Italian text. Copenhagen: Wilhelm Hansen, c1949. 149 pp. |
| folder 13 | Mozart, W. A. Twenty-One Concert Arias for Soprano in Two Volumes. Volume I. Collection of songs written for voice and orchestra arranged for voice and piano. Score. Piano reductions by John Verrall. Italian and English texts. English versions by Lorraine Noel Finley. New York: G. Schirmer, c1952. 120 pp. |
| folder 14 | Mozart, W. A. “Bella mia fiamma…Resta, oh cara.” Concert aria for voice and piano. Text by Lorenzo da Ponte (?). Score. Italian and English text. English version by Lorraine Noel Finley. Performance photocopy, housed in black folder. New York: G. Schirmer, c1952. 14 pp. |
| folder 15 | Mozart, W. A. “Non so più cosa son” from Le Nozze di Figaro. Aria for voice and piano. Score. Edited by Max Spicker. Italian and English texts. English version by Henry G. Chapman. New York: G. Schirmer, c1911. 7 pp. Fragile condition. |
| folder 16 | Mozart, W. A. “Voi che sapete” from Le Nozze di Figaro. Aria for voice and piano. Score. Italian and English texts. English version by M. Louise Baum. New York: G. Schirmer, c1936. 7 pp. Fragile condition. |
| folder 17 | Parisotti, Alessandro, ed. Anthology of Italian Song of the Seventeenth and Eighteenth Centuries. Book I. [Includes compositions by Vivaldi, Handel, Gluck, Carissimi, and others.] Score. Italian and English texts. English translations by Dr. Theodore Baker. New York: G. Schirmer, c1926. 144 pp |
| folder 18 | Stefani, Agostino. [Scenes from Niobe and Servio Tullio.] Opera scenes for voice with continuo and strings. From folder labeled “Stefani, A. / scenes: Niobe, Servio Tullio.” “Dell’alma stanca” (Niobe, Act I, Scene 13). Vocal score. Italian text. MS repro. 22 pp. “Dell’alma stanca” (Niobe, Act I, Scene 13). Full score. Performance photocopy. [s.l.: s.n., s.d.]. Pl. no. D.d.T.i.B.XXII. 2 copies (copy 2 is enlargement). 23 pp., each. “Dite, dite” (Servio Tullio, Prologue). Full score. Performance photocopy (enlargement). [s.l.: s.n., s.d.]. Pl. no. D.d.T.i.B.XXII. 7 pp. |
| folder 19 | Verdi, Giuseppe. Ausgewählte Opern-Arien für Mezzosopran (Alt). Collection of opera arias arranged for voice and piano. Score. Edited by Kurt Soldan. German and Italian texts. New York: C. F. Peters, [s.d.]. 43 pp. Fragile condition. |
| folder 20 | Vivaldi, Antonio. Four Arias. Collection of arias for voice and piano in high keys. Score. Transcribed by Guido Turchi. Italian text. New York: International Music Co., c1950. 15 pp. |
Box 13 [cont.]
| folder 21 | Beach, Mrs. H. H. A. “Forgotten.” For voice and piano. Words by Cora Fabbri. Score. Performance photocopy. [Boston]: Arthur P. Schmidt, c1898. 3 pp |
| folder 22 | Britten, Benjamin. Canticle II (Abraham and Isaac), Op. 51. Sacred duet for alto, tenor, and piano. Score. English text. London: Boosey & Hawkes, c1953. 27 pp. Poor condition. Interleaved in score: New York Times obituary of Sir Peter Pears (April 1986). |
| folder 23 | Cavanaugh, James, Vincent Rose, and Larry Stock. “The Umbrella Man.” For voice and piano. Score. Performance photocopy. English text. New York: Harms, c1938. 4 pp. |
| folder 24 | Chadwick, George. [Performance photocopies of four songs for voice and piano.] “O Love and Joy.” English text. Photocopy from unidentified source (pp. 30–31). [Boston]: Arthur P. Schmidt, c1920. 2 pp. “Green Grows the Willow.” English text. [Boston]: Arthur P. Schmidt & Co., c1888. 5 pp. “A Ballad of Trees and the Master.” English text. [Boston]: Oliver Ditson Co., c1898. 4 pp. “Allah.” English text. [Boston]: Arthur P. Schmidt & Co., c1887. 2 pp. Also in folder: Steven Ledbetter, “Introduction,” in Songs to Poems by Arlo Bates by George W. Chadwick (New York: Da Capo Press, 1980), pp. vii–ix. 4 pp. Biography of John Becker. Photocopy from unidentified source (New Grove Dictionary of Music and Musicians?). 2 pp. |
Box 14
| folder 1 | Copland, Aaron. Old American Songs (Newly Arranged). First Set. Collection of songs arranged for voice and piano. Score. English text. [New York]: Boosey & Hawkes, c1950. 2 copies. 24 pp., each. Copy 1 has interleaved in score Jacopo Peri, “Nel puro ardor” from Euridice, performance photocopy ([s.l.: s.n., s.d.]), 2 pp. Copy 2 has inscription from the composer to JDG on title page. |
| folder 2 | Copland, Aaron. Old American Songs. Second Set. Collection of songs arranged for voice and piano. Score. English text. [New York]: Boosey & Hawkes, c1950. 2 copies. 32 pp., each. Copy 2 has inscription from the composer to JDG on title page. |
| folder 3 | Copland, Aaron. Song Album. Collection of songs for high voice and piano. Score. [New York]: Boosey & Hawkes, 1980. 23 pp. |
| folder 4 | Dowland, John. The English Lute-Songs. Series I, 1 & 2. Collection of songs arranged for voice, piano and lute. Score. Edited by Edmund H. Fellowes. Revised by Thurston Dart. London: Stainer & Bell, c1965. 44 pp. |
| folder 5 | Dowland, John. The English Lute-Songs. Series I, 5 & 6. Collection of songs arranged for voice, piano and lute. Score. Edited by Edmund H. Fellowes. Revised by Thurston Dart. London: Stainer & Bell, c1969. 49 pp. |
| folder 6 | Dowland, John. [Performance copies of 11 songs for voice, lute, and piano.] “Burst forth my Tears” et al. Performance photocopies of songs arranged for voice, lute and piano. London: Stainer & Bell. “8. Burst forth my tears.” Photocopy from unidentified source (pp. 16–17). [s.l.: s.n., s.d.]. 2 copies. 2 pp., each. “17. Come again: Sweet love doth now invite.” Photocopy from unidentified source (pp. 34–35). [s.l.: s.n., s.d.]. 2 copies. 2 pp., each. “9. Praise blindness eyes.” Photocopy from collection (pp. 20–21). [s.l.]: Stainer & Bell, c1969. Pl. no. St.&B. 3205-9a. 2 copies. 2 pp., each. “4. If my complaints could passions move.” Photocopy from unidentified source (pp. 8–9). [s.l.: s.n., s.d.]. 2 copies. 2 pp., each. “2. Flow my tears.” Photocopy from collection (pp. 4–5). [s.l.]: Stainer & Bell, c1969. Pl. no. St. & B. 3205-2a. 2 copies. 3 pp., each. “11. Come away, come sweet love.” Photocopy from unidentified source (pp. 22–23). [s.l.: s.n., s.d.]. 2 copies. 2 pp., each. “17. A shepherd in a shade.” Photocopy from collection (pp. 36–37). [s.l.]: Stainer & Bell, c1969. Pl. no. St. & B. 3206-17a. 2 copies. 2 pp., each. “14. All ye, whom love or fortune.” Photocopy from unidentified source (pp. 28–29). [s.l.: s.n., s.d.]. 2 pp. “5. Can she excuse my wrongs?” Photocopy from unidentified source (pp. 10–11). [s.l.: s.n., s.d.]. 2 pp. “Tread Juno’s steps who list.” Photocopy from unidentified source (p. 31). [s.l.: s.n., s.d.]. SML accession no. 876924. 1 p. “7. Dear, if you change.” Photocopy from unidentified source (pp. 14–15). [s.l.: s.n., s.d.]. 2 pp. |
| folder 7 | Davis, Katherine. “Nancy Hanks.” Song for high voice and piano. Score. Performance photocopy. New York: Galaxy Music Corp., c1941. 3 pp. |
| folder 8 | Foster, Stephen. [Performance photocopies of 36 songs (separate imprints) and excerpts from a song collection.] From folder labeled “Foster (library) / keep together (clean copies).” “Come Where My Love Lies Dreaming.” Score. New York: Wm. A. Pond & Co., c1855. 6 pp. “Comrades, Fill No Glass for Me.” Score. Baltimore: Miller & Beacham, c1855. 3 pp. “Ellen Bayne.” Score. New York: Firth, Pond & Co., c1854. 4 pp. “Happy Hours at Home.” Score. New York: John J. Daly, c1862. 3 pp. “The Hour for Thee and Me.” Score. New York: Firth, Pond & Co., c1852. 3 copies. 3 pp., each. “I Cannot Sing To-Night.” Score. New York: Firth, Pond & Co., c1852. 3 pp. “Katy Bell.” Score. New York: S. T. Gordon, c1863. 3 pp. “Kissing in the Dark.” Score. New York: John J. Daly, c1863. 3 pp. “My Boy is Coming from the War.” Score. New York: S. T. Gordon, c1863. 3 pp. “My Loved One and My Own, or Eva.” Score. New York: Firth, Pond & Co., c1858. 4 pp. “My Wife is a Most Knowing Woman.” Score. New York: E. A. Daggett, c1863. 3 pp. “Nell and I.” New York: John J. Daly, c1861. 3 pp. “None Shall Weep a Tear for Me.” Score. New York: Firth, Pond & Co., c1860. 3 pp. “Oh! Meet me Dear Mother.” Score. New York: Horace Waters, c1865. 3 pp. “Oh! Tell Me of My Mother.” Score. New York: John J. Daly, c1861. 3 pp. “Old Memories.” Score. New York: Firth, Pond & Co., c1853. 2 copies (different imprints). 4 + 3 pp. “Sadly to Mine Heart Appealing.” Score. New York: Firth, Pond & Co., c1858. 4 pp. “Santa Anna’s Retreat from Buena Vista.” For solo piano. Score. Louisville: W. C. Peters & Co., c1848. 3 pp. “She Was All the World to Me.” Score. New York: Horace Waters, c1864. 3 pp. “The Soiree Polka.” For solo piano. [Baltimore]: W. C. Peters, [s.d.]. 2 pp. “The Soiree Polka.” For piano four hands. Baltimore: W. C. Peters, c1850. 4 pp. “Somebodies Coming to See Me To-Night.” Score. New York: D. S. Holmes, c1864. 3 pp. “Sweet Emerald Isle That I Love So Well.” Score. New York: John J. Daly, c1866. 3 pp. “Tell Me Love of Thy Early Dreams.” Score. New York: John J. Daly, c1864. 3 pp. “There are Plenty of Fish in the Sea.” Score. New York: E. A. Daggett, c1863. 3 pp. “There’s a Land of Bliss Where the Weary are at Rest.” Score. Cincinnati: W. C. Peters & Sons, [s.d.]. 3 pp. “There’s No Such Girl as Mine.” Score. New York: Horace Waters, c1862. 3 pp. “Thou Art the Queen of My Song.” Score. New York: Firth, Pond & Co., c1853. 3 pp. “The Tioga Waltz.” For solo piano. Score. Pittsburgh, Percy F. Smith, 1896. 2 pp. “Village Maiden.” Score. New York: Firth, Pond & Co., c1855. 3 pp. “The Voice of By Gone Days.” Score. New York: Firth, Pond & Co., c1850. 3 pp. “When the Bowl goes round.” Score. New York: John J. Daly, c1870. 2 copies. 3 pp., each. “Where is Thy Spirit Mary.” Score. Pittsburg: Geo. Mercer Jr., c1895. 2 pp. “Why Have My Loved Ones Gone.” Score. New York: Horace Waters, c1861. 4 pp. “Why No One to Love?” Score. New York: S. T. Gordon, c1862. 2 copies. 3 pp., each. “Willie Has Gone to the War.” Score. New York: Wm. A. Pond & Co., c1863. 4 pp. Songs of Stephen Foster. Excerpts (photocopies), including front matter and select songs (primarily first page only). Pittsburgh: University of Pittsburgh, 1940. 42 pp. |
| folder 9 | Foster, Stephen. [Performance photocopies of 37 songs (separate imprints).] “Ah! May the Red Rose Live Always.” Score. Baltimore: F. D. Benteen, c1850. 3 pp. “Beautiful Child of Song.” Score. From Clark’s School Visitor. [s.l.: s.n., s.d.]. 1 p. “Beautiful Dreamer.” Score. New York: Wm. Pond & Co., c1862. 4 pp. “Better Days are Coming.” Score. New York: Horace Waters, c1862. 3 pp. “Come With Thy Sweet Voice Again.” New York: Firth, Pond & Co., c1854. 3 copies (different imprints). 3 pp., each. “Eulalie.” Score. [s.l.: s.n., s.d.]. Pl. no. 1453. 3 pp. “Hard Times Come Again No More.” Score. New York: Firth, Pond & Co., c1854. 4 pp. “The Hour for Thee and Me.” Score. New York: Firth, Pond & Co., c1852. 2 copies. 3 pp., each. “If You’ve Only Got a Moustache.” Score. New York: Horace Waters, c1862. 3 pp. Accompanied by duplicate copy of last page of score. “Jeanie With the Light Brown Hair.” Score (incomplete; consists of pp. 6–7 only). [s.l.: s.n., s.d.]. Pl. no. 2796. 2 pp. “Larry’s Good Bye.” Score. New York: S. T. Gordon, c1863. 2 copies. 3 pp., each. “Linger in the Blissful Respose.” Score (incomplete; consist of p. 5 only). [s.l.: s.n., s.d.]. Pl. no. 4116. 1 p. “Little Jenny Dow.” Score. New York: Horace Waters, c1862. 2 copies. 4 pp., each. “Mr. & Mrs. Brown.” Score. New York: Horace Waters, c1862. 2 copies. 3 pp., each. “My Old Kentucky Home, Good Night!” Score. New York: Firth, Pond & Co., c1853. 4 pp. “None Shall Weep a Tear for Me.” Score. New York: Firth, Pond & Co., c1860. 3 pp. “Open Thy Lattice Love.” Score. Philadelphia: George Willig, c1844. 2 pp. “Slumber My Darling.” Score. New York: Horace Waters, c1862. 3 pp. “Some Folks.” Score. New York: Firth, Pond & Co., c1855. 2 pp. “The Spirit of my Song.” Score. Baltimore: F. D. Benteen, [s.d.]. 3 pp. “Stay Summer Breath.” Score. Louisville: W. C. Peters & Co., c1848. 3 pp. “Summer Longings.” Score. Baltimore: W. C. Peters, [s.d.]. 2 copies. 3 pp., each. “That’s What’s the Matter.” Score. [s.l.: s.n., s.d.] Pl. no. 5282. 3 pp. “There Was a Time.” Score. New York: S. T. Gordon, c1853. 3 pp. “Turn Not Away.” Score. Baltimore: F. D. Benteen, c1850. 3 pp. “The Village Bells Polka.” For solo piano. Score. Baltimore: F. D. Benteen, c1850. 3 pp. “The Voices That Are Gone.” Score. New York: Wm. A. Pond & Co., c1865. 4 pp. “Was My Brother in the Battle?” Score. New York: Horace Waters, c1862. 3 pp. “We Are Coming Father Abraham.” Score. New York: S. T. Gordon, c1862. 3 pp. “Willie My Brave.” Score. New York: Firth, Pond & Co., c1851. 3 pp. “Wilt Thou Be Gone Love.” Score. New York: Firth, Pond & Co., [s.d.]. 2 copies. 5 pp., each. Also in folder: original file folder, with note from Karen to Lucy. |
| folder 10 | Gershwin, George. [Performance photocopies of two songs.] “They Can’t Take That Away From Me.” Score. Photocopy from unidentified collection (pp. 134–136). New York: Chappell & Co., c1937. 4 pp. “Our Love is Here to Stay.” Score. Photocopy from unidentified collection (pp. 118–121). New York: Chappell & Co., c1938. 4 pp. |
| folder 11 | Gottschalk, Louis Moreau. “Pastorella e Cavalliere (The Shepherdess and the Knight).” For voice and piano. Score. Performance photocopy. New York: William Hall & Son, c1865. 13 pp. |
| folder 12 | Haydn, Joseph. Volksliedbearbeitungen, Nr. 1-100, Schottische Lieder. Reihe 32, Band 1 from complete works. Collection of Scottish songs for voice and piano. Score. Edited by Karl Geiringer. München: G. Henle, 1961. 105 pp. |
| folder 13 | Haydn, Joseph. [Performance photocopies of 7 English songs and canzonettas.] From folder labeled “Haydn / performance copies.” “The Mermaids Song.” Score. [s.l.]: C. F. Peters, c1931. Pl. no. 10921. 4 pp. “The Mermaids Song.” Score. Photocopy from unidentified collection (pp. 34–36). 3 pp. “The Wanderer.” Score. Photocopy from unidentified collection (pp. 56–58). 2 copies. 3 pp., each. “She Never Told Her Love.” Score. Photocopy from unidentified collection (pp. 62–63). 2 copies. 2 pp., each. “A Pastoral Song.” Score. Photocopy from unidentified collection (pp. 62–63). 2 copies. 2 pp., each. “Piercing Eyes.” Score. Photocopy from unidentified collection (pp. 64–65). 2 copies. 2 pp., each. “Sympathy.” Score. Photocopy from unidentified collection (pp. 59–61). 2 copies. 3 pp., each. “The Spirit’s Song.” Score. Photocopy from unidentified collection. 3 pp. |
| folder 14 | Ives, Charles. Eleven Songs and Two Harmonizations. Collection of songs for voice and piano. Score. Edited by John Kirkpatrick. New York: Associated Music Publishers, c1968. 51 pp. Accompanied by a performance photocopy of “At the River” from the 4th Violin Sonata (pp. 26–27). U.S.A.: Merion. c1933. 2 pp. |
| folder 15 | Ives, Charles. “Evening.” Song for voice and piano. Score. New York: Arrow Music Press, c1939. 3 pp. |
| folder 16 | Ives, Charles. Fourteen Songs. Collection of songs for voice and piano. Score. New York: Peer International Corp., c1955. |
| folder 17 | Ives, Charles. Nineteen Songs. Collection of songs for voice and piano. Score. Bryn Mawr, PA: Theodore Presser, c1935. 51 pp. |
| folder 18 | Ives, Charles. Seven Songs. Collection of songs for voice and piano. Score. New York: Associated Music Publishers, c1957. 18 pp. |
Box 15
| folder 1 | Ives, Charles. Ten Songs. Collection of songs for voice and piano. Score. New York: Peer International Corp., c1953. 28 pp. |
| folder 2 | Ives, Charles. Thirteen Songs. Collection of songs for voice and piano. Score. New York: Peer International Corp., c1958. 32 pp. |
| folder 3 | Ives, Charles. Twelve Songs. Collection of songs for voice and piano. Score. New York: Peer International Corp., c1954. 26 pp. |
| folder 4 | Ives, Charles. [Performance photocopies of 46 songs for voice and piano.] From folder labeled “Ives / performance copies.” “Charles Ives groups for Germany, March, 1988.” Facsimile of ink MS note in JDG’s hand on Eastman stationery. 1 p. “Tom Sails Away.” Score. Performance photocopy from unidentified source (pp. 20–22). [s.l.]: Merion Music, c1935. 3 pp. “The Cage.” Score. [s.l.]: Peer International Corp., c1955. 1 p. “The Side Show.” Score. Performance photocopy from unidentified source (p. 20). [s.l.]: Peer International Corp., c1954. 3 copies. 1 p., each. “The Indians.” Score. Performance photocopy from unidentified source (pp. 9–10). New York: Associated Music Publishers, c1957. 3 copies. 2 pp., each. “Songs my Mother taught me.” Score. [s.l.]: Peer International Corp., c1955. 2 copies. 2 pp., each. “The One Way.” Score. Performance photocopy from unidentified source (pp. 30–35). New York: Associated Music Publishers, c1968. 6 pp. “Like a sick eagle.” Score. [s.l.]: Merion Music, c1933. 4 copies. 1 p., each. “from ‘Paracelsus.’” Score. Performance photocopy from unidentified source (pp. 34–36). [s.l.]: Merion Music, c1935. 3 copies. 3 pp., each. “The Circus Band.” Score. [s.l.]: Peer International Corp., c1953. 2 copies. 3 pp., each. “Ann Street.” Score. [s.l.]: Merion Music, c1933. 3 copies. 2 pp., each. “Afterglow.” Score. [s.l.]: Merion Music, c1933. 1 p. “Serenity.” Score. Photocopy from unidentified source (p. 14). New York: Associated Music Publishers, c1957. 3 copies. 1 p., each. “Memories.” Score. Photocopy from unidentified source (pp. 11–14). [s.l.]: Peer International Corp., c1953. 2 copies. 4 pp., each. “The Housatonic at Stockbridge.” Score. Photocopy from unidentified source (pp. 21–25). [s.l.]: Peer International Corp, c1954. 3 copies. 4 pp., each. “At the River.” Score. Photocopy from unidentified source (pp. 26–27). [s.l.]: Merion Music, c1933. 2 copies. 2 pp., each. “Thoreau.” Score. [s.l.]: Merion Music, c1933. 1 p. “Yellow Leaves.” Score. Photocopy from unidentified source (pp. 42–43). New York: Associated Music Publishers, c1968. 2 pp. “The White Gulls.” Photocopy from unidentified source (pp. 10–11). [s.l.]: Merion Music, c1933. 2 pp. “A Night Song.” Score. [s.l.]: Peer International Corp, c1952. 2 pp. “from ‘Night of Frost in May.’” Score. Photocopy from unidentified source (pp. 32–33). [s.l.]: Merion Music, c1935. 2 pp. “Soliloquy.” Score. Photocopy from unidentified source (p. 16). [s.l.: s.n., s.d.]. 2 copies. 1 p., each. “Romanzo di Central Park.” Score. Photocopy from unidentified source (pp. 14–15). [s.l.: s.n., s.d.]. 2 pp. “The Innate.” Score. Photocopy from unidentified source (pp. 16–17). [s.l.]: Merion Music, c1935. 2 pp. “A Sea Dirge.” Score. Photocopy from unidentified source (pp. 46–47). New York: Associated Music Publishers, c1968. 2 pp. “Rough Wind.” Score. Photocopy from unidentified source (pp. 54–56). [s.l.]: Merion Music, c1933. 3 pp. “Berceuse.” Score. Photocopy from unidentified source (p. 17). [s.l.]L Peer International Corp., c1958. 1 p. “There is a certain garden.” Score. Photocopy from unidentified source (pp. 14–15). New York: Associated Music Publishers, c1968. 2 pp. “A Christmas Carol.” Score. Photocopy from unidentified source (p. 37). [s.l.]: Merion Music, c1935. 1 p. “Majority.” Score. Photocopy from unidentified source (pp. 38–42). [s.l.]: Merion Music, c1935. 2 copies. 5 pp., each. “In the morning.’” Score. Photocopy from unidentified source (pp. 50–51). New York: Associated Music Publishers, c1968. 2 pp. “Down East.” Score. Photocopy from unidentified source (pp. 26–27). [s.l.]: Peer International Corp., c1958. 2 pp. “The See’r.” Score. Photocopy from unidentified source (pp. 12–13). New York: Associated Music Publishers, c1957. 2 pp. “The Things Our Fathers Loved.” Score. Photocopy from unidentified source (pp. 25–26). [s.l.]: Peer International Corp., c1955. 2 pp. “Two Little Flowers.” Score. Photocopy from unidentified source (pp. 24–25). [s.l.]: Merion Music, c1935. 2 pp. “West London.” Score. Photocopy from unidentified source (pp. 39–41). [s.l.: s.n., s.d.]. 3 pp. “Sunrise.” Score. New York: C. F. Peters Corp., c1977. 6 pp. “They Are There.” Score. Photocopy from unidentified source (pp. 19–24). [s.l.]: Peer International Corp., c1956. 6 pp. “General William Booth Enters Into Heaven.” Score. [s.l.]: Merion Music, c1935. 6 pp. “The Collection.” Score. [s.l.: s.n., s.d.]. 1 p. On reverse: “Serenity.” “He is there!” Score. Photocopy from unidentified source (p. 107–111). [s.l.]: Peer International Corp., c1956. 5 pp. “Her Eyes.” Score. Edited by John Kirkpatrick. MS repro. 1 p. Accompanied by notes and list of revisions based on a view of Ives manuscripts. Typescript. 1 p. “In April-tide.” Score. MS repro. 2 copies. 2 pp., each. Copy 2 labeled “[revised copy].” Accompanied by notes and list of revisions based on a study of Ives’s manuscripts. Typescript. 1 p. “The Sea of Sleep.” Score. MS repro. 2 pp. Accompanied by notes and list of revisions based on a view of Ives manuscripts. Typescript. 1 p. “Far in the Wood.” Score. MS repro. 2 pp. Accompanied by notes and list of revisions based on a view of Ives manuscripts. Typescript. 1 p. “Because Thou Art.” Score. MS repro. 2 pp. “On Judge’s Walk.” Score MS repro. 4 pp. |
| folder 5 | Kagen, Sergius. [Folder of 16 songs for voice and piano, including MS and MS repro scores and published imprints.] From folder labeled “From: J. DeGaetani-West / To: Annalee Kagen …” (see note). “A Lullaby.” Score. MS repro. 4 pp. “I’m Nobody.” Score. New York: Weintraub Music Co., c1950. 2 pp. Accompanied by duplicate photocopy. 2 pp. “Let It Be Forgotten.” Score. New York: Weintraub Music Co., c1950. 2 pp. Accompanied by duplicate photocopy. 2 pp. “Miss It.” Score. New York: Weintraub Music Co., c1948. 2 pp. Accompanied by duplicate photocopy. 2 pp. “Sleep Now, O Sleep Now.” Score. New York: Leeds Music Corp., c1951. 2 pp. Accompanied by duplicate photocopy. 2 pp. “All Day I Hear.” Score. New York: Weintraub Music Co., c1950. 3 pp. Accompanied by duplicate photocopy. 3 pp. “Memory, Hither Come.” Score. New York: Mercury Music Corp., c1952. 2 pp. Accompanied by duplicate photocopy. 2 pp. “Because I Could Not Stop for Death.” Score. New York: Leeds Music Corp., c1951. 3 pp. Accompanied by duplicate photocopy. 3 pp. “Mill Doors.” Score. MS repro, with annotations in ink. 3 pp. Accompanied by duplicate photocopy. 3 pp. “Shadows.” Score. MS repro. 5 pp. Accompanied by duplicate photocopy. 5 pp. “Hope.” Score. MS repro. 3 pp. Accompanied by duplicate photocopy. 3 pp. “The End of the World.” Score. MS repro. 4 pp. Accompanied by duplicate photocopy. 4 pp. “Never More Will the Wind.” Score. MS repro. 2 pp. Accompanied by duplicate photocopy. 2 pp. [Three songs: I. Saw a grave upon a hill; II. Body my house my horse my hound; III. I will lie down in autumn.] Vocal line. Pencil MS. 3 pp. Accompanied by duplicate photocopy. 3 pp. “I Felt a Funeral in My Brain.” Score. Pencil MS. 4 pp. Accompanied by duplicate photocopy. 4 pp. Eight Poems by Emily Dickinson. Score. MS repro. 12 pp. Accompanied by duplicate photocopy. 12 pp. |
| folder 6 | Loeffler, Charles Martin. Selections from Four Poems Set to Music for Voice and Piano, Op. 15. “A Dream Within a Dream.” Score. Performance photocopy. New York: G. Schirmer, c1906. 6 pp. “To Helen.” Score. Performance photocopy. New York: G. Schirmer, c1906. 4 pp. Accompanied by a note on Eastman stationery in JDG’s hand that reads: “Recording Project Yes.” |
| folder 7 | Mac Dowell, Edward. “The Sea,” from Eight Songs with Pianoforte Accompaniment, Op. 47. Score. Performance photocopy. English and German texts. Leipzig: Breitkopf & Härtel, c1906. 2 pp. |
| folder 8 | Moore, Thomas. [Performance photocopies of 7 songs for Irish Melodies Recording Project.] Correspondence and notes regarding Nonesuch Records recording Irish Songs. 2 letters, including historical/performance notes. 7 pp., total. “Silent, Oh Moyle, Be the Roar of Thy Water.” Score. Photocopy from unidentified source (pp. 50–51). [s.l.: s.n., s.d.]. 2 pp. “The Harp That Once.” Score (quartet version). MS repro. 2 pp. “The Last Rose of Summer.” Score (quartet version). Photocopy from unidentified source (pp. 124–125). [s.l.: s.n., s.d.]. 2 pp. “At the mid hour of Night.” Score (quartet version). MS repro. 3 pp. “The Dirge-How Oft Has the Banshee Cried.” Score (quartet version). Photocopy from unidentified source (pp. 35–37). [s.l.: s.n., s.d.]. 3 pp. Accompanied by transcription of verses 2 and 3 for four voices. MS repro. 1 p. “Believe Me, If All Those Endearing Young Charms.” Score (duet). Photocopy from unidentified source (pp. 56–57). [s.l.: s.n., s.d.]. 2 pp. “How Dear to Me the Hour When Daylight Dies.” Score. Photocopy from unidentified source (pp. 38–39). [s.l.: s.n., s.d.]. 2 pp. Also in folder: original envelope with annotation: “Moore’s Irish Melodies (recording project). |
| folder 9 | Niles, John Jacob. The Songs of John Jacob Niles. Collection of songs for voice and piano. Score. New York: G. Schirmer, c1975. 62 pp. |
| folder 10 | Persichetti, Vincent. Harmonium. Song cycle for soprano and piano. Poems by Wallace Stevens. Score. Bryn Mawr, PA: Theodore Presser, c1959. 105 pp. Accompanied by photocopies of “The Wind Shifts” and “Tea.” 8 pp., total. |
| folder 11 | Porter, Cole. A Treasury of Cole Porter. Collection of songs for voice and piano. Score. New York: Chappell & Co., [s.d.]. 287 pp. Inscribed by Leo Smit to JDG. |
| folder 12 | Porter, Cole. [Performance photocopies of XX songs for concert “Red, Hot, and Cole: An Evening of Cole Porter Songs.”] From folder labeled: “Cole Porter / performance copies.” Leo Smit to JDG. 1 letter; dated February 17, 1983. 2 pp. Draft of program (concert order and list of performers) for “Red, Hot, and Cole: An evening of Cole Porter Songs” (with JDG and Leo Smit, piano); dated January 6, 1988. MS repro. 5 pp. “Red, Hot and Blue.” Score. [s.l.]: Chappell & Co., c1936. 5 pp. “Use Your Imagination.” Score. [s.l.]: Chappell & Co., c1950. 5 pp. “Love for Sale.” Score. [s.l.]: Harms Inc., c1930. 2 copies. 4 pp., each. “Dream Dancing.” Score. Photocopy from unidentified source (pp. 160–163). [s.l.]: Chappell & Co., c1941. 4 pp. “The Leader of a Big Time Band.” Score. Photocopy from unidentified source (pp. 194–198). [s.l.]: Chappell & Co., c1943. 5 pp. “It’s Bad for Me.” Score. Photocopy from unidentified source (pp. 30–33). [s.l.]: Harms Inc., c1942. 4 pp. “Just One of Those Things.” Score. [s.l.]: Harms Inc., c1935. 4 pp. “Art.” Score. MS repro. 10 pp. “Blow, Gabriel, Blow.” Score. Photocopy from unidentified source (pp. 27–31). [s.l.]: Harms Inc., c1934. 5 pp. On reverse of p. 31: “Don’t Fence Me In” (first page only). “Trust Your Destiny to a Star.” Score. [s.l.]: [s.n.], c1958. 3 pp. “Night and Day.” Score. [s.l.]: Harms Inc, c1932. 4 pp. [Selections from Kiss Me Kate.] Photocopies from piano vocal score. [s.l.: s.n., s.d.]. Pl. no. 974. 46 pp., total. Includes: “Another Op’nin’, Another Show”; “Why Can’t You Behave?”; “So In Love”; “I Hate Men”; “Encore-I Hate Men”; “Too Darn Hot”; “Always True to You in My Fashion”; “1st Encore-Always True to You in My Fashion”; “2nd Encore-Always True to You in My Fashion.” “Begin the Beguine.” Score. [s.l.]: Harms Inc., c1935. 6 pp. “I Am In Love.” Score. Photocopy from unidentified source (pp. 266–270). [s.l.]: Chappell & Co., c1953. 5 pp. “Most Gentlemen Don’t Like Love.” Score. [s.l.]: Chappell & Co., c1938. 4 pp. “I Concentrate on You.” Score. Photocopy from unidentified source (pp. 121–125). [s.l.]: Chappell & Co., c1939. 5 pp. “Ev’ry Time We Say Goodbye.” Score. Photocopy from unidentified source (pp. 202–205). [s.l.]: Chappell & Co., c1944. 5 pp. “From This Moment On.” Score. Photocopy from unidentified source (pp. 10–15). New York: Chappell & Co., c1950. 6 pp. “I Happen to Be In Love.” Score. [s.l.]: Chappell & Co., c1939. 4 pp. “In the Still of the Night.” Score. Photocopy from unidentified source (pp. 83–87). [s.l.]: Chappell & Co., c1937. 5 pp. “No Lover.” Score. Photocopy from unidentified source (pp. 242–245). [s.l.]: Chappell & Co., c1950. 2 copies. 4 pp., each. “I’ll Be Around.” Score. New York: Edwin H. Morris & Co., c1943. 2 pp. “Just One of Those Things.” Score. Photocopy from unidentified source (pp. 38–41). [s.l.]: Harms Inc., c1935. 4 pp. |
Box 16
| folder 1 | Purcell, Henry. Ten Selected Songs. Collection of songs for voice and piano. Score. London: Walsh Holmes, c1927. 71 pp. |
| folder 2 | Purcell, Henry. Popular Edition of Selected Works, No. 1. Fifteen Songs and Airs. Soprano or Tenor keys. Collection of songs for voice and piano. Score. [London]: Novello, [s.d.]. 67 pp. |
| folder 3 | Purcell, Henry. Popular Edition of Selected Works, No. 1. Fifteen Songs and Airs. Contralto or Baritone keys. Collection of songs for voice and piano. Score. [London]: Novello, [s.d.]. 67 pp. |
| folder 4 | Purcell, Henry. Popular Edition of Selected Works, No. 12. Fifteen Songs and Airs, Set 2. Tenor or Soprano keys. Collection of songs for voice and piano. Score. [London]: Novello, [s.d.]. 51 pp. |
| folder 5 | Purcell, Henry. Popular Edition of Selected Works, No. 12. Fifteen Songs and Airs, Set 2. Baritone or Contralto keys. Collection of songs for voice and piano. Score. [London]: Novello, [s.d.]. 51 pp. |
| folder 6 | Purcell, Henry. 40 Songs. Volume 1, high keys. Collection of songs for voice and piano. Score. Realization of the figured bass and editing by Sergius Kagen. New York: International Music Co., c1958. 28 pp. Accompanied by photocopies of parts of the Queen’s music from Handel’s Solomon. [s.l.: s.n., s.d.]. Pl. no. H.W.26. 9 pp. |
| folder 7 | Purcell, Henry. “Bess of Bedlam.” Song for voice, piano and basso continuo. Score. Performance photocopy from unidentified source (pp. 45–48). [s.l.: s.n., s.d.]. Pl. no. 15281. 4 pp. |
| folder 8 | Riegger, Wallingford. “The Dying of the Light.” Song for voice and piano. Score. Performance photocopy. [s.l.]: Associated Music Publishers, c1956. 5 pp. |
| folder 9 | Ruggles, Carl. “Toys.” Song for voice and piano. Score. Bryn Mawr, PA: Theodore Presser, c1983. 2 pp. |
| folder 10 | Sondheim, Stephen. [Two songs for voice and piano.] “The Miller’s Son.” (Original key.) Photocopy of published score. [s.l.]: Rilting Music, c1973. 6 pp. “The Miller’s Son.” [Transposed] for Jan DeGaetani. Ink MS. 6 pp. Accompanied by 2 photocopies of transposed score. 6 pp., each. “Send in the Clowns.” Photocopy of published score. [s.l.]: Rilting Music, c1973. 3 pp. |
| folder 11 | Taylor, Bernard, comp. Songs by 22 Americans. High keys. Collection of songs for voice and piano. Score. New York: G. Schirmer, c1940. 152 pp. |
| folder 12 | Weber, Ben. Four Songs, Op. 40. Collection of songs for soprano or tenor with solo cello. Score. New York: New Music, 1954. 10 pp. Inscribed by Ben Weber for JDG. |
| folder 13 | Wilder, Alec. [Performance group, photocopies of six songs for voice and piano.] “The Wrong Blues.” Score. MS repro (property of Regent Music Corp.). 2 copies. 2 pp., each. “Is You A Fool, You?” Score. MS repro. 3 pp. “Simple as A-B-C.” Score (incomplete; pp. 1–3 only). MS repro. 2 copies. 3 pp., each. “Here Beside Me.” Score. MS repro. 2 copies. 4 pp., each. “It’s So Peaceful in the Country.” Score. New York: Regent Music, c1941. 4 pp. “Did You Ever Cross Over to Sneden’s.” Score. New York: Edwin Morris & Co., c1947. 4 pp. |
| folder 14 | Work, Henry. “Grandfather’s Clock.” Song for voice and piano. Score. Photocopy from unidentified published source (pp. 178–180). [s.l.: s.n., s.d.]. 3 pp. |
| folder 15 | Unidentified (Peter Slav?). Arabesque. Cycle of three songs for voice and piano. Three movements: “They Walk on Cat’s Paws”; “Amen”; “Evening Harmony.” Score. MS repro. 21 pp. Accompanied by typescript texts. 2 pp. |
Box 16 [cont.]
| folder 16 | Bach, J. S. Alt Arien aus Kantaten. Collection of arias from cantatas for voice and keyboard. Score. Selected by Karl Straube. Edited by Max Schneider. German text. Frankfurt: C. F. Peters, [s.d.]. 79 pp. |
| folder 17 | Bach, J. S. [Performance photocopies of five arias for voice and piano (basso continuo).] From folder labeled: “Bach arias / performance copies …” “Es ist vollbracht.” German text. Photocopy from unidentified source (pp. 108–111). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8909. 2 copies. 4 pp., each. “Mein gläubiges Herze.” German and English texts. Photocopy from unidentified source (pp. 13–18). [s.l.: s.n., s.d.]. Pl. no. J.S.B.I.68. 7 pp. “Flosst, mein Heiland.” German text. Photocopy from unidentified source (pp. 174–179). [s.l.: s.n., s.d.]. Pl. no. 43. 3 pp. “Stirb in mir.” German and English texts. Photocopy from unidentified source (pp. 18–21). [s.l.: s.n., s.d.]. Pl. no. J.S.B.I,169. 4 pp. “Erfreute Zeit im neuen Bunde.” German text. Score. Wiesbaden: Breitkopf & Härtel, [s.d.]. Pl. no. J.S.B.I.83. 7 pp. |
| folder 18 | Beethoven, Ludwig van. Sämtliche Lieder. Collection of songs for voice and piano. Score. German texts. Leipzig: C. F. Peters, [s.d.]. 191 pp. Very fragile condition. |
| folder 19 | Beethoven, Ludwig van. 30 Lieder. Mezzosopran oder Bariton. Collection of songs for voice and piano. Score. German texts. New York: C. F. Peters, [s.d.]. 95 pp. Affixed to p. 3: two blue sticky notes with performance times and possible concert order. |
| folder 20 | Berg, Alban. Vier Lieder, Op. 2. Collection of songs for voice and piano. Score. German text. Berlin: Robert Lienau, c1956. 7 pp. |
Box 17
| folder 1 | Berg, Alban. 5 Orchesterlieder, Op. 4. Collection of songs for voice with orchestra arranged for voice and piano. Texts by Peter Altenberg. Score. Piano reduction by H. E. Apostel. German text. Wien: Universal Edition, c1953. 13 pp. |
| folder 2 | Berg, Alban. Sieben Frühe Lieder. Collection of songs for voice and piano. Score. German and English texts. London: Universal, c1956. 2 copies (different covers). 31 pp., each. |
| folder 3 | Brahms, Johannes. Acht Zigeunerlieder. Collection of songs for low voice and piano. Score. German and English texts. English text by Mrs. John P. Morgan. London: N. Simrock, [s.d.]. 19 pp. |
| folder 4 | Brahms, Johannes. Brahms Album, Band I. Collection of songs for medium voice and piano. Score. Revised by Max Friedlaender. German text. New York: C. F. Peters, [s.d.]. Pl. no. 9313. 151 pp. |
| folder 5 | Brahms, Johannes. Brahms Album, Band I. Collection of songs for middle voice and piano. Score. Revised by Max Friedlaender. German text. New York: C. F. Peters, [s.d.]. Pl. no. 9313. 151 pp. |
| folder 6 | Brahms, Johannes. Sämtliche Werke, Band 25, Lieder und Gesänge. Collection of songs for voice and piano. Score. German text. Wiesbaden: Breitkopf & Härtel, [s.d.]. Interleaved in score: performance photocopies of “Sapphische Ode” and “Steig auf, geliebter Schatten” (from same collection) and a text and translation page for “Mi palpita il cor” by G. F. Handel. |
| folder 7 | Brahms, Johannes. [Performance photocopies of Nos. 1–4 from Fünf Gesänge.] From folder labeled: “Brahms songs / performance copies.” “Alte Liebe.” Score. German text. [s.l.: s.n., s.d.]. Pl. no. J.B.156. 5 pp. “Sommerfäden.” Score. German text. [s.l.: s.n., s.d.]. Pl. no. J.B.156. 2 pp. “O kühler Wald.” Score. German text. [s.l.: s.n., s.d.]. Pl. no. J.B.156. 2 pp. “Verzagen.” Score. German text. [s.l.: s.n., s.d.]. Pl. no. J.B.156. 5 pp. |
| folder 8 | Brahms, Johannes. Zwei Gesänge, Op. 91. Two songs for contralto with viola and piano. Score and parts (2 parts: voice, viola). German text. London: N. Simrock, [s.d.]. 2 copies of voice part taped into binding of score (3 voice parts total). Very fragile condition. English horn part for “Geistliches Wiegenlied” (number 2 in the set). [Transcription of viola part.] Ink MS. 2 pp. |
| folder 9 | Cornelius, Peter. Weihnachtslieder, Op. 8. Collection of songs for middle voice and piano. Score. German text. Kassel: Bärenreiter, 1970. 23 pp. |
| folder 10 | Haydn, Joseph. Canzonettas and Songs. Collection of twelve English canzonettas and two English songs (also with German words) and twenty-one German songs. Score. New edition for practical use revised by Ludwig Landshoff. German words for English canzonettas by Karl Wolfskehl and Franz Hessel. New York: C. F. Peters, c1931. 77 pp. |
| folder 11 | Haydn, Joseph. Lieder. Collection of songs for voice and piano. Score. Edited by Alfred Dörffel. German text. Leipzig: C. F. Peters, [s.d.]. 75 pp. |
| folder 12 | Haydn, Joseph. Lieder. Reihe XXIX, Band 1. Collection of songs for voice and piano. Score. Edited by Paul Mies. German or English texts. München: G. Henle, 1960. 99 pp. |
| folder 13 | Mahler, Gustav. Kinder-Totenlieder. Cycle of songs for voice and piano in the original key. Score. German and English texts. New York: International Music Co., c1952. 31 pp. Cover damaged. |
| folder 14 | Mahler, Gustav. Lieder eines fahrenden Gesellen. Cycle of songs for voice and piano in medium keys. Score. German text. New York: International Music Co., c1950. 23 pp. Fragile condition. |
Box 18
| folder 1 | Mahler, Gustav. Sieben Lieder aus Letzter Zeit. Collection of songs for middle voice and piano. Score. German and English texts. [Leipzig]: C. F. Kahnt, [s.d.]. Pl. no. C.F.K.7614. 43 pp. |
| folder 2 | Mahler, Gustav. Wunderhorn Songs. Fourteen songs for high voice and piano. Score. German and English texts. English translations by Maria Pelikan. New York: G. Schirmer, c1968. Pl. no. 46489. 94 pp. Affixed to p. ii: typescript document (program order) titled “Des Knabenwunderhorn / BSO order at Tanglewood/Norman and Shirley-Quirk.” 1 p. Also in folder: duplicate photocopies of three songs (“Das irdische Leben”; “Wer hat dies Liedlein erdacht?”; “Rheinlegendchen”) (from same imprint). 17 pp. |
| folder 3 | Mahler, Gustav. Performance photocopies of twelve songs for voice and piano. From folder labeled “Mahler / performance copies / 12 songs (incl. Rückert).” “Verlone Müh.” German and English texts. Photocopy from G. Schirmer edition, Pl. no. 46489 (pp. 8–11). New York: G. Schirmer, c1968. 4 pp. “Rheinlegendchen.” German and English texts. German and English texts. Photocopy from G. Schirmer edition, Pl. no. 46489 (pp. 39–43). [s.l.]: G. Schirmer, c1968. 5 pp. “Lob des hohen Verstands.” German and English texts. Photocopy from G. Schirmer edition, Pl. no. 46489 (pp. 59–63). [s.l.]: G. Schirmer, c1968. 5 pp. “Ich atmet’ einen linden Duft.” German and English texts. Photocopy from C. F. Kahnt edition, Pl. no. C.F.K.7614 (pp. 3–5). [Leipzig]: C. F. Kahnt, [s.d.]. 3 pp. “Wer hat dies Liedlein erdacht?” German and English texts. Photocopy from unidentified [G. Schirmer?] source (pp. 18–22). [s.l.: s.n., s.d.]. Pl. no. 46488. 5 pp. “Wo die schönen Trompeten blasen.” German and English texts. Photocopy from G. Schirmer edition, Pl. no. 46489 (pp. 53–58). [s.l.]: G. Schirmer, c1968. 2 copies. 6 pp., each. “Liebst du um Schönheit…” German and English texts. Photocopy from C. F. Kahnt edition, Pl. no. C.F.K.7614). [Leipzig]: C. F. Kahnt, [s.d.]. 2 pp. “Blikke mir nicht in die Lieder.” German and English texts. Photocopy from C. F. Kahnt edition, Pl. no. C.F.K.7614. [Leipzig]: C. F. Kahnt, [s.d.]. 4 pp. “Ich bin der Welt abhanden gekommen.” German and English texts. Photocopy from C. F. Kahnt edition, Pl. no. C.F.K.7614. [Leipzig]: C. F. Kahnt, [s.d.]. 4 pp. “Lob des hohen Verstands.” German and English texts. Photocopy from G. Schirmer edition, Pl. no. 46489. [s.l.]: G. Schirmer, c1968. 5 pp. “Das irdische Leben.” German and English texts. Photocopy from G. Schirmer edition, Pl. no. 46489. [s.l.]: G. Schirmer, c1968. 7 pp. |
| folder 4 | Mozart, W. A. Lieder und Gesänge. Collection of songs for voice and piano. Score. Revised and edited by Kamillo Horn. German text. Wien: Universal Edition, [s.d.]. 86 pp. Hardbound and trimmed. Very fragile condition. |
| folder 5 | Mozart, W. A. Lieder (missing title page). Collection of songs for medium voice and piano. Score. English and German texts. London: Novello, [s.d.]. Pl. no. 9461. 91 pp. Hardbound, with foil stamp “Jan Ruetz” on cover. Fragile condition. |
| folder 6 | Mozart, W. A. Neue Ausgabe sämtlicher Werke. Serie III: Lieder, mehrstimmige Gesänge, Kanons. Collection of songs for voice and piano. Score. German text. Kassel: Bärenreiter, 1963. 82 pp. |
| folder 7 | Mozart, W. A. [Performance photocopies of four Mozart Lieder for voice and piano.] From folder labeled: “Mozart recital / performance copies.” “Das Veilchen.” German text. Photocopy from unidentified source (pp. 26–27). [s.l.: s.n., s.d.]. 2 pp. “The Violet/Das Veilchen.” English and German texts. Photocopy from unidentified source (pp. 4–7). [s.l.: s.n., s.d.]. Pl. no. 9461. 4 pp. “Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte.” German text. Photocopy from unidentified source (pp. 40–41). [s.l.: s.n., s.d.]. 2 pp. “Abendempfindung an Laura.” German text. Photocopy from unidentified source (pp. 42–45). [s.l.: s.n., s.d.]. 4 pp. “Die betrogene Welt.” German text. Photocopy from unidentified source. [s.l.: s.n., s.d.]. 2 pp. |
| folder 8 | Schoenberg, Arnold. Das Buch der Hängenden Gärten. Cycle of songs for voice and piano. Score. German text. Wien: Universal Edition, c1952. 37 pp. English translations written in above the staff in JDG’s hand. |
| folder 9 | Schoenberg, Arnold. Lied der Waldtaube aus Gurrelieder. Collection of songs for voice and piano. Score. German text. [Wien]: Universal Edition, c1940. 2 copies. 15 pp., each. |
| folder 10 | Schoenberg, Arnold. Vier Orchesterlieder, Op. 22. Collection of songs for voice and orchestra arranged for voice and piano. Score. German text. [Wien]: Universal Edition, c1968. 25 pp. English translations in JDG’s hand. Accompanied by performance photocopies of all four songs. 25 pp. |
| folder 11 | Schostakowitsch, Dimitri. Gesänge nach Hebräischen Volksdichtungen. Op. 79. Collection of five solos, four duets, and two trios for voice(s) and piano. Score. German text. Leipzig: Peters, c1958. 47 pp. |
| folder 12 | Schubert, Franz. Gesänge. Band I. Collection of songs for medium voice and piano. Score. German text. New York: C. F. Peters, [s.d.]. 260 pp. |
Box 19
| folder 1 | Schubert, Franz. Gesänge. Band V. Collection of songs for voice and piano in original keys. Score. Revised by Max Friedlaender. German text. Leipzig: C. F. Peters, [s.d.]. 207 pp. |
| folder 2 | Schubert, Franz. Goethe-Lieder. Collection of songs for voice and piano in original pitch (high). Score. Edited by Walther Dürr. German text. Kassel: Bärenreiter, c1970. 69 pp. |
| folder 3 | Schubert, Franz. Schubert Album. Band I. Mezzo-Sopran oder Bariton. Collection of songs for voice and piano. Score. German text. New York: C. F. Peters, [s.d.]. 260 pp. |
| folder 4 | Schubert, Franz. Schubert Album. Band II, Mittel. Collection of songs for middle voice and piano. Score. German text. Revised by Max Friedlaender. Leipzig: C. F. Peters, [s.d.]. 239 pp. Inscribed by Sergius Kagen and Genevieve Greer. |
| folder 5 | Schubert, Franz. Schubert Album. Band III. Mezzo-Sopran oder Bariton. Collection of songs for voice and piano. Score. Revised by Max Friedlaender. German text. Frankfurt: C. F. Peters, [s.d.]. 216 pp. |
| folder 6 | Schubert, Franz. Schubert Album. Band IV. Collection of songs for voice and piano. Score. Revised by Max Friedlaender. German text. Leipzig: C. F. Peters, [s.d.]. 223 pp. Fragile condition. |
| folder 7 | Schubert, Franz. Schubert Album. Band VI. Collection of songs for voice and piano. Score. Revised by Max Friedlaender. German text. Leipzig: C. F. Peters, [s.d.]. 181 pp. Fragile condition. |
| folder 8 | Schubert, Franz. Winterreise, Op. 89. Mittlere Stimme (Transposition). Song cycle for voice and piano. Bound photocopy of published score. Edited by Walther Dürr. German text. Kassel: Bärenreiter, c1979. 87 pp. |
Box 20
| folder 1 | Schubert, Franz. [Performance photocopies of 46 songs for voice and piano.] From Concordia College folder labeled “Schubert / performance copies.” “Die Sternennächte.” Photocopy of score from unidentified source (pp. 88–89). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8774. 2 pp. “Im Frühling.” Photocopy of score from unidentified source (pp. 227–230). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9309. 4 pp. Accompanied by text and English translations for “Wehmut” and “Im Frühling” (excerpt from concert program). 1 p. “Wehmut.” Photocopy of score from unidentified source (p. 15). [s.l.: s.n., s.d.]. 1 p. “Wehmut” (transposed). Photocopy of score from unidentified source (p. 81). [s.l.: s.n., s.d.]. Pl. no. 2013. 2 copies. 1 p., each. “Willkommen und Abschied.” Photocopy of score from unidentified source (pp. 25–29). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8602. 5 pp. “Lachen und Weinen.” Photocopy of score from unidentified source (pp. 122–123). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9309. 2 pp. “Blondel zu Marien.” Photocopy of score from unidentified source (pp. 200–201). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8796. 4 copies. 2 pp., each. “Im Abendrot.” Photocopy of score from unidentified source (pp. 219–220). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9309. 2 pp. Texts and translations for six Schubert songs: “An den Mond”; “Der Blumen Schmerz”; “Der Wachtelschlag”; “Dass sie hier gewesen”; “Der Musensohn”; “An die Musik.” Typescript (excerpt from concert program). 3 pp. “An den Mond.” Photocopy of score from unidentified source (pp. 116–117). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9309. 2 copies. 2 pp., each. “Der Blumen Schmerz.” Photocopy of score from unidentified source (pp. 116–119). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8774. 4 pp. “Der Wachtelschlag.” Photocopy of score from unidentified source (pp. 134–135). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9309. 4 copies. 2 pp., each. “Dass sie hier gewesen!” Photocopy of score from unidentified source (pp. 30–31). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8602. 2 pp. “Der Musensohn” (transposed). Photocopy of score from unidentified source (pp. 253–256). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8846. 4 pp. “An die Musik” (transposed). Photocopy of score from unidentified source (pp. 236–237). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8846. 2 pp. “Heidenröslein” (transposed). Photocopy of score from unidentified source (pp. 182–183). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8846. 3copies. 2 pp., each. “Die Forelle” (transposed). Photocopy of score from unidentified source (pp. 197–200). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8846. 2 copies. Copy 2 missing first page of score. 4 + 3 pp. “Ermunterung.” Photocopy of score from unidentified source (pp. 46–48). [s.l.]: Edition Peters, [s.d.]. Pl. no. 7732. 3 pp. “Sprache der Liebe.” Photocopy of score from unidentified source (pp. 142–143). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8725. 2 pp. “Schäfers Klagelied.” Photocopy of score from unidentified source (pp. 225–227). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8846. 3 pp. “An mein Herz.” Photocopy of score from unidentified source (pp. 73–77). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8796. 5 pp. “Abschied von einem Freunde.” Photocopy of score from unidentified source (p. 169). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8796. 2 copies. 1 p., each. “Lied der Mignon.” Photocopy of score from unidentified source (pp. 214–215). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8846. 2 copies. 2 pp., each. “Seligkeit.” Photocopy of score from unidentified source (p. 111). [s.l.]: Edition Peters, [s.d.]. Pl. no. 6896. 1 p. “Lebenslied.” Photocopy of score from unidentified source (pp. 16–17). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8774. 2 pp. “Schlummerlied.” Photocopy of score from unidentified source (pp. 66–67). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9309. 2 pp. “Ständchen.” Photocopy of score from unidentified source (pp. 135–137). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8846. 3 pp. “Der Schmetterling.” Photocopy of score from unidentified source (pp. 49–50). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8725. 2 pp. “Bei Dir!” Photocopy of score from unidentified source (pp. 66–69). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8602. 2 copies. 4 pp., each. “Am See.” Photocopy of score from unidentified source (pp. 2[74]–[75]3). [s.l.: s.n., s.d.]. Pl. no. F.S.779. 2 pp. “Die Männer sind mechant!” Photocopy of score from unidentified source (pp. 88–90). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8725. 2 copies. 3 pp., each. (3 copies) “Die junge Nonne.” Photocopy of score from unidentified source (pp. 201–205). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8846. 2 copies. 5 pp., each. “Rastlose Liebe.” Photocopy of score from unidentified source (pp. 222–224). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8846. 3 pp. “Wonne der Wehmuth.” Photocopy of score from unidentified source (p. 141). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8725. 1 p. “Sehnsucht.” Photocopy of score from unidentified source (pp. 100–103). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8725. 4 pp. “Das Rosenband.” Photocopy of score from unidentified source (pp. 160–161). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8796. 2 pp. “Grenzen der Menschheit.” Photocopy of score from unidentified source (pp. 144–147). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8602. 4 pp. “Auf der Donau.” Photocopy of score from unidentified source (pp. 14–16). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8725. 3 pp. “Der Sieg.” Photocopy of score from unidentified source (pp. 122–123). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8796. 2 pp. “Der Geistertanz.” Photocopy of score from unidentified source (pp. 237–239). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9309. 3 pp. Fünf Duette (1. Mailied; 2. Mailied; 3. Der Morgenstern; 4. Jägerlied; 5. Lützow’s wilde Jagd). Photocopy of vocal score. Leipzig: Breitkopf & Härtel, [s.d.]. Pl. no. F.S. 297–301. 3 pp. “Heimliches Lieben.” Photocopy of score from unidentified source (pp. 104–108). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8725. 2 copies. 5 pp., each. “Ganymed.” Photocopy of score from unidentified source (pp. 11–14). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8602. 4 pp. “Das Geheimniss.” Photocopy of score from unidentified source (pp. 109–113). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8774. 5 pp. “Die Sterne.” Photocopy of score from unidentified source (pp. 58–59). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8774. 2 pp. “Augenlied.” Photocopy of score from unidentified source (pp. 80–81). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8774. 2 pp. [“Erlafsee.”] Incomplete score (last page only). Photocopy from unidentified source (p. 21). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9309. 1 p. |
| folder 2 | Schumann, Robert. Sämtliche Lieder. Band II. Mezzo-Sopran oder Bariton. Collection of songs for voice and piano. Score. Revised by Alfred Dörffel. German text. Frankfurt: C. F. Peters, [s.d.]. 215 pp. |
| folder 3 | Schumann, Robert. Sämtliche Lieder. Band III. Mezzo-Sopran oder Bariton. Collection of songs for voice and piano. Score. Revised by Alfred Dörffel. German text. Frankfurt: C. F. Peters, [s.d.]. 215 pp. |
| folder 4 | Schumann, Robert. Frauenlieben und Leben. Performance photocopies of a cycle of songs for voice and piano. From folder labeled “Schuman / Frauenlieben u. Leben / performance copies.” Score. German text. Photocopy from unidentified source (pp. 84–105). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8714. 22 pp. Score. German text. Photocopy from unidentified source (pp. 28–49). [s.l.: s.n., s.d.]. 22 pp. |
| folder 5 | Schumann, Robert. [Performance photocopies of 27 songs for voice and piano.] From folder labeled “Schumann / performance copies.” “Lieb’ Liebchen, leg’s Händchen” (incomplete; first page only). Photocopy of score from unidentified source (p. 8). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 1 p. “Ich wandelte unter den Bäumen.” Photocopy of score from unidentified source (pp. 6–7). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 2 pp. “Es treibt mich hin.” Photocopy of score from unidentified source (pp. 4–5). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 2 pp. “Morgens steh’ ich auf und frage.” Photocopy of score from unidentified source. [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 1 p. “Warte, warte, wilder Schiffmann.” Photocopy of score from unidentified source (pp. 14–17). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 4 pp. “Berg’ und Burgen schau’n herunter.” Photocopy of score from unidentified source (pp. 18–19). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 2 pp. “Anfangs wollt’ ich fast verzagen” and “Sag’an, o lieber Vogel mein.” Photocopy of score from unidentified source (p. 20). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 1 p. No. 9 [“Mit Myrthen und Rosen”]. Photocopy of score from unidentified source (pp. 18–21). [s.l.: s.n., s.d.]. 4 pp. “Flügel! Flügel! um zu fliegen.” Photocopy of score from unidentified source (pp. 99–102). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 4 pp. “Er ist’s.” Photocopy of score from unidentified source (pp. 204–205). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9559. 2 pp. “Aus den hebräischen Gesängen.” Photocopy of score from unidentified source (pp. 34–37). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9307. 4 pp. “Singet, nicht in Trauertönen.” Photocopy of score from unidentified source (pp. 94–97). [s.l.]: Edition Peters, [s.d.]. Pl. no. 10020. 4 pp. “Zwielicht.” Photocopy of score from unidentified source (pp. 78–79). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9307. 2 pp. “In a Fair and Foreign Land (Schöne Fremde).” Photocopy of score from unidentified source (pp. 70–72). [s.l., s.n., s.d.]. 3 pp. “Memories (In der Fremde).” Photocopy of score from unidentified source (pp. 73–75). [s.l., s.n., s.d.]. 3 pp. “Mondnacht.” Photocopy of score from unidentified source (pp. 46–48). [s.l., s.n., s.d.]. 3 pp. “In the Forest (Waldesgespräch).” Photocopy of score from unidentified source (pp. 63–66). [s.l.], Oliver Ditson Co., c1902. Pl. no. ML-417-4. 4 pp. Texts and translations for three Schumann songs: “Rose, Meer und Sonne”; “Schneeglöckchen”; “Flügel! Flügel! um zu fliegen.” Typescript (excerpt from concert program). 1 p. “Rose, Meer und Sonne.” Photocopy of score from unidentified source (pp. 103–107). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 5 pp. “Schneeglöckchen.” Photocopy of score from unidentified source (pp. 208–209). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 2 pp. “Jasminenstrauch.” Photocopy of score from unidentified source (pp. 26–27). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 2 pp. “O Freund, mein Schirm, mein Schutz!” Photocopy of score from unidentified source (pp. 110–111). [s.l.]: Edition Peters, [s.d.]. Pl. no. 7097. 2 pp. “Volksliedchen.” Photocopy of score from unidentified source (pp. 164–165). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8714. 2 pp. “Mein schöner Stern!” Photocopy of score from unidentified source (pp. 108–109). [s.l.]: Edition Peters, [s.d.]. Pl. no. 7097. 2 pp. “Spring Night (Frühlingsnacht).” Photocopy of score from unidentified source (pp. 76–78). [s.l.]: Oliver Ditson Co., c1903. Pl. no. ML-421-3. 3 pp. “Wehmut.” Photocopy of score from unidentified source (pp. 44–45). [s.l.: s.n., s.d.]. 2 pp. “Dein Bildniss wunderselig.” Photocopy of score from unidentified source. [s.l.]: Oliver Ditson Co., c1903. Pl. no. ML-416-2. 2 pp. |
| folder 6 | Schumann, Robert. Liederkreis, Op. 39. Performance photocopies of a cycle of songs for voice and piano. From folder labeled “Schuman / Liederkreis Op. 39 / performance copies.” Score. German text. Photocopy from unidentified source (pp. 58–83). [Frankfurt]: C. F. Peters, [s.d.]. 28 pp. |
| folder 7 | Schütz, Heinrich. [Performance photocopies of two solo cantatas for voice and basso continuo.] From folder labeled “Schütz / performance copies.” “Was hast du verwirket.” Score. German text. Photocopy from unidentified source (pp. 16–18). [s.l.: s.n., s.d.]. 3 pp. “Bringt her dem Herren.” Score. German text. Photocopy from unidentified source (pp. 8–10). [s.l.: s.n., s.d.]. 3 pp. |
| folder 8 | Telemann, Georg Philipp. Lieder und Arien. Collection of songs and arias for voice and basso continuo. Score and parts (2 parts: violin, basso continuo). Edited by Dietz Degen. German text. Kassel: Bärenreiterm 1967. 24 (score) + 8 (parts) pp. |
| folder 9 | Thym, Jurgen, ed. 100 Years of Eichendorff Songs. Collection of songs for voice and piano. All songs are Eichendorff poetry; many composers included. Score. Madison: A-R Editions, Inc., 1983. 70 pp. Dedicated to JDG and Thomas Paul. Also inscribed to JDG by Jurgen Thym. Interleaved in score: duplicate photocopy of “Ich wander durch die stille Nacht” by Theodor Kirchner (pp. 28–29) and photocopy of a handwritten recital set list. |
| folder 10 | Wagner, Richard. Wesendonk-Lieder. Collection of songs for high voice (a woman’s voice) and piano. Score. German and English text. English text by Fr. Hueffer. Mainz: B. Schott’s Söhne, [s.d.]. 17 pp. Interleaved in score: performance photocopy of “Träume,” the last song in the set, from G. Schirmer imprint (pp. 21–25; pl. no. 25566). 5 pp. |
| folder 11 | Webern, Anton. Eight Early Songs. Collection of songs for voice and piano. Score. Edited by Rudolph Ganz. German text. New York: Carl Fischer, c1945. 24 pp. |
| folder 12 | Wolf, Hugo. Hugo Wolf Album. Ausgewählte Lieder. Collection of songs for low voice and piano. Score. Edited by Elena Gerhardt. German text. Leipzig: C. F. Peters, 1932. 168 pp. Interleaved in score: Eastman School of Music recital program for Michael McKeever, tenor; dated January 31, 1985. |
| folder 13 | Wolf, Hugo. Songs on Poems by Moericke. High keys. Volume II. Collection of songs for voice and piano. Score. German and English texts. New York: International Music Co., 1948. 47 pp. |
Box 21
| folder 1 | Wolf, Hugo. Mörike-Lieder. Band II. Collection of songs for low voice and piano. Score. German and English texts. Leipzig: C. F. Peters, [s.l.]. 47 pp. Fragile condition. |
| folder 2 | Wolf, Hugo. Mörike-Lieder. Band V. Collection of songs for low voice and piano. Score. German and English texts. Frankfurt: C. F. Peters, [s.d.]. 39 pp. |
| folder 3 | Wolf, Hugo. Songs on Italian Lyrics. Original key. Volume I. Collection of songs for voice and piano. Score. German and English texts. English translations by Lily Henkel. New York: International Music Co., [s.d.]. 35 pp. Interleaved in score: two typed pages of titles that divide the Italienisches Liederbuch songs into those for “he” and those for “she.” |
| folder 4 | Wolf, Hugo. Songs on Italian Lyrics. Original key. Volume III. Collection of songs for voice and piano. Score. German and English texts. English translations by Lily Henkel. New York: International Music Co., [s.d.]. 39 pp. |
| folder 5 | Wolf, Hugo. Spanisches Liederbuch-Spanish Lyrics. Selection for low voice. Vol. I (Sacred songs). Collection of songs for voice and piano. Score. German and English texts. [s.l.]: Edition Peters, [s.d.]. 19 pp. |
| folder 6 | Wolf, Hugo. Spanisches Liederbuch-Spanish Lyrics. Selection for low voice. Vol. II (Secular songs). Collection of songs for voice and piano. Score. German and English texts. [s.l.]: Edition Peters, [s.d.]. 33 pp. |
| folder 7 | Wolf, Hugo. Songs on Spanish Lyrics. Original key. Volume I. Collection of songs for voice and piano. Score. German and English texts. English texts by John Bernhoff. New York: International Music Co., 1948. 43 pp. |
| folder 8 | Wolf, Hugo. Spanisches Liederbuch. Band II. Original key. Collection of songs for voice and piano. Score. German and English texts. English texts by John Bernhoff. Frankfurt: C. F. Peters, c1938. 43 pp. |
| folder 9 | Wolf, Hugo. Songs on Spanish Lyrics. Original key. Volume III. Collection of songs for voice and piano. Score. German and English texts. English texts by John Bernhoff. New York: International Music Co., 1948. 43 pp. |
| folder 10 | Wolf, Hugo. Spanisches Liederbuch. Original key. Band IV. Collection of songs for voice and piano. Score. German and English texts. English texts by John Bernhoff. Frankfurt: C. F. Peters, c1944. 43 pp. |
| folder 11 | Zemlinsky, Alexander. Sechs Gesänge. Op. 13. Performance photocopies of a collection of songs for middle voice and piano. Score. Wien: Universal Edition, c1914. 13 pp. |
Box 21 [cont.]
| folder 12 | Bartók, Béla. Öt dal (Five Songs), Op. 15. Collection of songs for voice and piano. Score. Hungarian, German, and English texts. London: Universal Edition, c1961. 29 pp. Taped to inside front cover: handwritten page containing the Hungarian alphabet and notes on pronunciation. |
| folder 13 | Grieg, Edvard. 45 Songs of Edvard Grieg. Collection of songs for voice and piano. Score. Edited by Bradley Ellingboe. Self-produced volume consisting of photocopies from various imprints, edited, and spiral bound. Norwegian (with IPA) and English texts. 216 pp. Editor’s introduction expresses thanks JDG for her enthusiasm for the project. |
| folder 14 | Mussorgsky, Modeste. Nursery. Original key. Cycle of songs for voice and piano. Score. Russian and English texts. New York: International Music Co., c1951. 35 pp. IPA written in the margin in JDG’s hand. Accompanied by performance photocopy of the cycle. 35 pp. |
| folder 15 | Rachmaninoff, Serge. [Performance photocopies of three songs for voice and piano.] From folder labeled: “Recital / Russian performance copies / Rachmaninoff.” “Davno v liubvi.” Russian and English texts. Photocopy from unidentified source (pp. 46–48). England: Boosey & Hawkes, c1947. Pl. no. B.&H.20174. 3 pp. IPA written in the margin in JDG’s hand. “Veter pereletny.” Russian and English texts. Photocopy from unidentified source (pp. 67–70). England: Boosey & Hawkes, c1947. Pl. no. B.&H.20175. 4 pp. IPA written in the margin in JDG’s hand. “Uzh ty, niva moia!” Russian and English texts. Photocopy from unidentified source (pp. 17–20). England: Boosey & Hawkes, c1947. Pl. no. B.&H.20174. 4 pp. IPA written in the margin in JDG’s hand. |
| folder 16 | Stravinsky, Igor. Faun und Schaferin. Op. 2. Cycle of songs for voice and piano. Score. Russian, English, and German texts. Frankfurt: M.P. Belaieff, [s.d.]. 19 pp.IPA written in the margin and translations written in the inside front cover in JDG’s hand. |
| folder 17 | Tchaikovsky, Peter. Six Songs, Op. 28; Six Songs, Op. 38; Seven Songs, Op. 47. Collection of songs for voice and piano. Score. Russian text. Melville, NY: Belwin Mills, [s.d.]. 295 pp. |
| folder 18 | Tchaikovsky, Peter. Various Songs. Collection of songs for voice and piano. Score. Russian text. Melville, NY: Belwin Mills, [s.d.]. ** pp. |
| folder 19 | Tchaikovsky, Peter. [Performance photocopies of nine songs for voice and piano.] “Usni, pechal’ny drug.” Photocopy of score from unidentified source (pp. 267–273). [s.l.: s.n., s.d.]. 7 pp. “Nyet, tol’ko tot, kto znal…” Photocopy of score from unidentified source (pp. 39–42). [s.l.: s.n., s.d.]. 4 pp. “Unosi moio serdtse.” Photocopy of score from unidentified source (pp. 89–94). [s.l.: s.n., s.d.]. 6 pp. “Ni slova.” Incomplete (first page missing). Photocopy of score from unidentified source (pp. 21–23). [s.l.: s.n., s.d.]. 3 pp. “Ia li b pole da ne travushka byla…” Photocopy of score from unidentified source (pp. 288–295). [s.l.: s.n., s.d.]. 8 pp. “Na son grjadushchij.” Photocopy of score from unidentified source (pp. 145–148). [s.l.: s.n., s.d.]. 4 pp. “Kanareika.” Photocopy of score from unidentified source (pp. 120–124). [s.l.: s.n., s.d.]. 5 pp. “Glazki vesny golubye.” Photocopy of score from unidentified source (pp. 95–99). [s.l.: s.n., s.d.]. 5 pp. “Ali mat’ menia rozhala.” Photocopy of score from unidentified source (pp. 161–165). [s.l.: s.n., s.d.]. 5 pp. “To bylo ranneiv vesnoi.” Photocopy of score from unidentified source (pp. 219–223). [s.l.: s.n., s.d.]. 5 pp. English translations of texts. Typescript. 9 pp. |
| folder 20 | Wallach, Joelle. Soñando Sueños de Tango. Song for voice and piano. Score. Spanish text. Unpublished [MS repro], composers’s copyright (c1985). 7 pp. |
| folder 21 | Wallach, Joelle. Two Spanish Songs. Songs for voice and piano. Score. Spanish text. Unpublished [MS repro], composer’s copyright (c1985). 7 pp. |
Box 22
| folder 1 | Beethoven, Ludwig van. Duets from the Irische Lieder, WoO 152: Nos. 2, 19, 20, 9, and 18. For voice, piano, violin and cello. From folder labeled “Beethoven / 5 Folk Songs / performance copies /from Irische Lieder, WoO 152.” No. 2: “Gesangesmacht.” English and German texts. Photocopy of score from unidentified source (pp. 6–9). [s.l.: s.n., s.d.]. Pl. no. B.261. 4 pp. No. 19: “Freund, Gattin und Kind.” English and German texts. Photocopy of score from unidentified source (pp. 51–53). [s.l.: s.n., s.d.]. Pl. no. B.261. 3 pp. No. 20: “Lieb’und Glück fahrt hin auf immer.” English and German texts. Photocopy of score from unidentified source (pp. 54–55). [s.l.: s.n., s.d.]. Pl. no. B.261. 2 pp. No. 9: “Schau her, mein Lieb, der Wälder Grün.” English and German texts. Photocopy of score from unidentified source (pp. 25–27). [s.l.: s.n., s.d.]. Pl. no. B.257. 3 pp. No. 18: “Von Dermot heisst man lassen mich.” English and German texts. Photocopy of score from unidentified source (pp. 48–50). [s.l.: s.n., s.d.]. Pl. no. B.261. 3 pp. |
| folder 2 | Brahms, Johannes. Duette, Opus 28. Four duets for voice and piano in German. Score. German text. Frankfurt: C. F. Peters, [s.d.]. 24 pp. |
| folder 3 | Brahms, Johannes. Duette, Opus 20, 61, 66, 75. Duets for voice and piano. Score. German texts. Frankfurt: C. F. Peters, [s.d.]. 56 pp. Interleaved in score: ESM recital program for Sharon Sasse, soprano, and Mary Ann McCormick, mezzo-soprano; dated 1986. |
| folder 4 | Brahms, Johannes. Liebeslieder und Neue Liebeslieder. Waltzes for four voices and piano, four hands. Score. German text. Frankfurt: C. F. Peters, c1956. 89 pp. One song (pp. 44–45) has the English translation written in the margin. |
| folder 5 | Dvořák, Antonin. Klänge aus Mähren. Volume I, Nos. 1-7. Thirteen duets for soprano and alto voices with piano. Score. German, Hungarian, and English texts. Hamburg: N. Simrock, c1928. 31 pp. |
| folder 6 | Dvořák, Antonin. Klänge aus Mähren. Volume II, Nos. 8-13. Thirteen duets for soprano and alto voices with piano. Score. German, Hungarian, and English texts. Hamburg: N. Simrock, c1928. 35 pp. |
| folder 7 | Handel, G. F. Sechs Duette. Collection of duets in Italian and German for soprano and alto. Piano setting by Johannes Brahms. Score. New York: C. F. Peters, [s.d.]. 81 pp. |
| folder 8 | Schumann, Robert. Duette. Collection of duets in German for various combinations of voices with piano. Score. Revised by Max Friedlaender. Frankfurt: C. F. Peters, [s.d.]. 119 pp |
Box 22 [cont.]
| folder 9 | Hettich, A.L., ed. Vocalises from series Répertoire Moderne des Vocalises-Etudes. Consists of 20 single imprints of vocalises by various composers collected by Hettich. Scores. Paris: Alphonse Leduc, c1907–1930. Somewhat fragile condition. Filed alphabetically by composer’s surname. Composers included: Georges Auric, No. 41. Joseph Canteloube, No. 42. Aaron Copland, No. 71. Vincent D’Indy, No. 18. Paul Dukas, No. 14. Gabriel Fauré, No. 1. (accompanied by duplicate photocopy) Arthur Honegger, No. 73. Jacques Ibert, No. 123. Joseph Jongen (1ére), No. 75. Charles Koechlin, No. 4. Raoul LaParra, No. 19. Bohuslav Martinů, No. 112. Olivier Messiaen, No. 151. Darius Milhaud, No. 88. Gabriel Pierné, No. 39. Francis Poulenc, No. 89. Albert Roussel, No. 99. Florent Schmitt, No. 8. Alexandre Tansman, No. 120. Alexandre Tchérépnine, No. 60. |