Eastman School of Music

JAN DEGAETANI COLLECTION (MUSIC LIBRARY)

Series 5: Late 20th-century Songs, 1960s-1980s

Sub-series A: Works in English

Box 22 [cont.]

folder 10 Adler, Samuel. Ask Me. Four songs for medium voice and guitar or lute. Poems by William Stafford and Richard Eberhart.
Score. MS repro. 16 pp. Taped to inside front cover: texts of the poems used in the cycle.
folder 11 Adler, Samuel. Three Songs. Collection of songs for medium voice and piano.
Score. Chapel Hill, NC: Hinshaw Music, c1978. 15 pp.
folder 12 Alpher, David. [Collection of six songs for voice and piano.]
Score. MS repro. 18 pp. Includes: “She Wears her Face”; “Harbingers”; “Loves”; “Something Was Left Unsaid”; “Little Box House”; “Last Night a Foreign Thing.”
folder 13 Amlin, Martin. Evening Meditation in a Cathedral Town. Song for mezzo-soprano and piano. Text by Charles Pratt.
Score. MS repro, bound. 14 pp.
folder 14 Amlin, Martin. A Lasting Spring. Five songs for soprano and piano.
Score. MS repro. 19 pp.
folder 15 Armer, Elinor. A Season of Grief. Seven songs for baritone and piano.
Score. MS repro. 25 pp.
Accompanied by an audiocassette tape of the songs, typescript program notes (1 p.), and texts (7 pp.).
folder 16 Bacon, Ernst. Tributaries Songs. Limited edition of songs for voice and piano.
Score. Berkeley, CA: The Musical Offering, 1978. 108 pp.
Accompanied by duplicate photocopy of the first page of the Afterword and three songs from the collection (“The Unseen Soul”; “World, Take Notice”; “Lingering Last Drops”).
folder 17 Becker, John. Two Poems of Departure and Two Songs. Four songs for voice and piano.
Scores. MS repro. 10 pp., total.

Box 23

folder 1 Benson, Warren. Five Lyrics of Louise Bogan. Five songs for mezzo-soprano and flute.
Score. Bryn Mawr, PA: Theodore Presser, c1984. 23 pp. Title page inscribed to JDG by the composer. The work was commissioned for, dedicated to, and premiered by Bonita Boyd, flute, and JDG.
folder 2 Benson, Warren. The Putcha Putcha Variations. Song for solo voice with fingersnaps and handclaps. Text by John Gardner.
Photocopy of score produced by notation software, bound. 7 pp. Title page inscribed to JDG by the composer.
folder 3 Benson, Warren. “Shylum Song” and “Interdependence.” Two songs for voice and piano.
Scores. MS repro. 2 + 1 pp. Both inscribed to JDG by the composer.
folder 4 Benson, Warren. Solitary Songs. Three songs for medium voice and piano.
Score. MS repro, bound. 6 pp. Inscribed to JDG by the composer.
folder 5 Barry, Wallace. [Performance copies of six works for voice and piano.]
“The Moment: Summer’s Night.” Dramatic narrative for voice and piano. Score. MS repro. 22 pp.
“On the Idle Hill of Summer.” Score. MS repro. 4 pp.
“Lament for a Sailor.” No. 1 from Three Songs from “Paean from the Grave.” Score. MS repro. 5 pp.
“The Dug-Out.” No. 2 from Three Songs from “Paean from the Grave.” Score. MS repro. 4 pp.
“The Sea-Ritual.” Score. MS repro. 5 pp.
“A Forsaken Garden.” Score. MS repro. 5 pp.
folder 6 Bialosky, Marshall. Three Mysteries of Emily Dickinson. Three songs for soprano and English horn.
Score. MS repro. 10 pp.
folder 7 Bialosky, Marshall. Two Songs to Poems of Richard Wilbur. For soprano and English horn.
Score. MS repro. 11 pp.
folder 8 Biggs, Hayes. Northeast Reservation Lines. Song for soprano and piano.
Score. Published music produced from MS repro copy. Newton Centre, MA: Margun Music, c1987. 8 pp.
Accompanied by a bio of the composer on Margun Music stationery. 1 p.
folder 9 Black, Arnold. African Plain Songs. Song cycle for SATB soloists with piano and chorus.
Score. MS repro, bound. 40 pp.
folder 10 Bolcom, William. Six New Cabaret Songs. Collection of songs for voice and piano.
Score. MS repro (at bottom of title page: Edward B. Marks, NYC) [1979–1983]. 29 pp.
Also in folder: William Bolcom, “Waitin,” [from Cabaret Songs (1978)]. For voice and piano. Text by Arnold Weinstein. Score. MS repro. 2 pp.
folder 11 Bolcom, William. Three Donald Hall Songs. Collection of songs for voice and piano.
Score. MS repro. 20 pp.
folder 12 Bowles, Paul. Blue Mountain Ballads. Collection of songs for voice and piano. Words by Tennessee Williams.
Score. New York: G. Schirmer, c1979. 14 pp.
folder 13 Brehm, Alvin. A Cycle of Six Songs set to the Poems of Frederico Garcia Lorca. Song cycle originally for soprano and ten instruments
Piano vocal score. New York: Edward B. Marks Music, c1976. 32 pp.
folder 14 Cadman, Charles. Four American Indian Songs. Collection of songs for voice and piano.
Score. [Boston]: White-Smith Music, c1909. 29 pp.
Accompanied by a performance copy of the second song, “The White Dawn is Stealing.” 5 pp.
folder 15 Cage, John. Five Songs for Contralto. Collection of songs for voice and piano. Texts by e. e. cummings.
Score. New York: C. F. Peters, c1960. 22 pp.
folder 16 Convery, Robert. Night in Disguise. Cycle of ten songs for medium voice and piano. Poems by William Blake.
Score. MS repro, bound. 26 pp.
Also in folder: resumé for Robert Convery. Typescript. 1 p.
folder 17 Cowell, Henry. “Firelight and Lamp” and Three Anti-Modernist Songs. Songs for voice and piano.
“Firelight and Lamp.” Score. Words by Gene Baro. New York: C. F. Peters, c1964. 4 pp.
Three Anti-Modernist Songs. Score. MS repro. 17 pp.
folder 18 Cruft, Adrian. Songs of Good Counsel, Op. 73. Collection of songs for mezzo-soprano and piano.
Score. Published score produced from MS repro (facsimile of composer’s manuscript?). London: Joad Press/Chappell & Co., c1976. 40 pp. Interleaved in score: composer’s bio on Joad Press stationery. 1 p.
folder 19 Cruft, Adrian. Two Canadian Poems, Op. 56. Two songs for medium voice and piano.
Score. Published score produced from MS repro (facsimile of composer’s manuscript?). London: Joad Press/Chappell & Co., c1977. 15 pp.
folder 20 Crumb, George. Apparition. Elegiac songs and vocalises for soprano and amplified piano.
Score. New York: C. F. Peters, c1980. 16 pp. Dedicated to JDG and Gilbert Kalish.
folder 21 Crumb, George. Three Early Songs. Songs for voice and piano.
Includes: “Night”; “Let It Be Forgotten”; “Wind Elegy.
Score. Photocopy of score produced by music notation software. 12 pp.
Score. MS repro. 11 pp.
folder 22 Davies, Peter Maxwell. Dark Angels. Three songs for voice and guitar.
Score. MS repro. Rental score from Boosey & Hawkes Rental Department. 2 copies. 15 pp., each.
folder 23 Diamond, David. “Do I Love You?” and “I Have Longed to Move Away.” Two songs for voice and piano.
“Do I Love You?” Text by Jack Larson. New York: Southern Music Publishing Co., c1971. 15 pp.
“I Have Longed to Move Away.” Text by Dylan Thomas. New York: Southern Music Publishing Co., c1968. 5 pp.
folder 24 Diamond, David. “I Shall Imagine Life,” “My Papa’s Waltz,” and “Homage to Paul Klee.” Three songs for voice and piano.
“I Shall Imagine Life.” Text by e. e. cummings. New York: Southern Music Publishing Co., c1968. 3 pp.
“My Papa’s Waltz.” Text by Theodore Roethke. New York: Southern Music Publishing Co., c1968. 5 pp.
“Homage to Paul Klee.” Poem by Babette Deutsch. Bryn Mawr, PA: Elkan-Vogel, c1973. 6 pp.
folder 25 Duke, John. “Acquainted With The Night.” Song for voice and piano.
Score. New York: Southern Music Publishing Co., c1964. 5 pp.
folder 26 Duke, John. Six Poems by Emily Dickinson. Collection of songs for soprano and piano.
Score. New York: Southern Music Publishing Co., c1978. 25 pp.
folder 27 Duke, John. Three Poems by Mark Van Doren. Collection of songs for medium voice and piano.
Score. Published score produced from MS repro (composer’s manuscript?). Northampton, MA: Smith College, New Valley Music Press, c1982. 12 pp. Inscribed to JDG by the composer.
folder 28 Felding, Catherine. [Songs by Catherine Boettcher Felding for Mildred Petrie. Six songs for voice and piano.]
“Serenade.” Score. MS repro. 2 pp.
“Song.” Score. MS repro. 2 pp.
“Far in a Western Brookland.” Score. MS repro. 4 pp.
“Porto Bello Bridge.” Score. MS repro. 3 pp.
“Stranger.” Score. MS repro. 1 p.
“Duet.” Score. Ink MS. 3 pp.
Original envelope with addresses for Catherine Felding and Mildred Petrie.
folder 29 Fine, Irving. Mutability. Six songs based on poems by Irene Orgel. Collection of songs for mezzo-soprano and piano.
Score. Melville, NY: Belwin Mills, [s.d.]. 20 pp.
folder 30 Fine, Vivian. “The Human Mind.” Gertrude Stein’s aria from the chamber opera The Women in the Garden. Song for voice and piano.
Score. MS repro. 7 pp.
folder 31 Frazelle, Kenneth. Worldy Hopes. Collection of songs for mezzo-soprano and piano.
Score. MS repro, bound. 51 pp.
folder 32 Gach, Jay. Excerpts from Spoon River Anthology. Songs for medium, female voice and piano.
From folder labeled “Gach, Jay Anthony / Excerpts from Spoon River Anthology.”
Typescript note from Jay Anthony Gach (summary of contents). Typescript. 1 p.
“Edith Conant.” Photocopy of score produced by notation software. 8 pp.
“Amanda Barker.” Photocopy of score produced by notation software. 3 pp.
“William and Emily.” Photocopy of score produced by notation software. 5 pp.
“Knowlt Hoheimer.” Printout of score produced by notation software, with annotations in ink. 6 pp.
Accompanied by duplicate photocopy. 6 pp.
“Hod Putt.” Photocopy of score produced by notation software. 5 pp.
folder 33 Harbison, John. If there be nothing new. Shakespeare Series. Sonnets 59, (123), 102. Three songs for mezzo-soprano and piano.
Score. MS repro. 15 pp.

Box 24

folder 1 Hoiby, Lee. Collected Songs, Book Three. For medium voice and piano.
Includes: “The Serpent”; “Night”; Three French Songs; O Florida (song cycle); “An Immorality”; “Love Love Today”; “She tells her love while half asleep”; “Lied der Liebe.”
Score. English, French, and German texts. MS repro, bound. Printed by Aquarius Music, Long Eddy, NY. 68 pp.
Accompanied by a note to JDG from the composer; dated May 12, 1986. 1 p.
folder 2 Hovhaness, Alan. “Black Pool of Cat,” Op. 84, No. 1. Song for voice and piano. Poem by Jean Harper.
Score. New York: C. F. Peters, c1960. 8 pp.
folder 3 Jeffers, Ron. thr e e cummings & goings [sic]. Set of three songs for solo voice.
“anyone lived in a pretty how town.” Score. Corvallis, OR: Earthsongs, c1987. 3 pp.
“wherelings whenlings.” Score. Corvallis, OR: Earthsongs, c1987. 3 pp.
“let’s touch the sky.” Score. Corvallis, OR: Earthsongs, c1987. 3 pp.
folder 4 Jeffreys, John. A Book of Songs. Collection of songs for voice and piano.
Score. Private facsimile edition, hardbound. Consists of MS repro scores (composer’s manuscripts) with typescript texts. [s.l.: s.n., s.d.]. 32 pp.
folder 5 Jordan, Alice. “Take Joy Home.” Song for medium voice and piano.
Score. Dayton, OH: Roger Dean Publishing Co./Heritage Music Press, c1983. 6 pp. Inscribed to JDG by the composer.
folder 6 Kagen, Sergius. “The Junk Man.” Song for voice and piano. Words by Carl Sandburg.
Score. MS repro. 2 pp.
Accompanied by duplicate photocopy (reduced to letter-sized paper). 2 pp.
folder 7 Kagen, Sergius. “A Lullaby.” Song for voice and piano. Text by James Agee.
Score. MS repro. 4 pp. Dedicated to JDG by the composer.
folder 8 Kernis, Aaron. “Mornings Innocent.” Song for voice and piano.
Score. Published score produced from MS repro (composer’s manuscript?). New York: Nortlight Music/Edition Wilhelm Hansen, c1987. 6 pp.
Accompanied by two duplicate photocopies. 6 pp., each.
folder 9 Kernis, Aaron. Stein Times Seven. Collection of songs for five solo singers and piano or five-part mixed chorus and piano.
Score. Published score produced from MS repro (composer’s manuscript?). [Copenhagen]: Wilhelm Hansen, [s.d.]. 25 pp.
folder 10 La Montaine, John. “Stopping by Woods on a Snowy Evening.” Song for medium voice and piano.
Score. New York: Galaxy Music Corp., c1963. 4 pp.
folder 11 Lauridsen, Morten. A Winter Come. Two songs for voice and piano. Poems by Howard Moss.
Score. MS repro. ©Southern Music Publishing Co., c1987. 7 pp.
folder 12 Lee, NoĂ«l. “Stand on the Highest Pavement.” Song for mezzo-soprano and piano. Text by T. S. Eliot.
Score. MS repro. 6 pp.
folder 13 Lee, Thomas Oboe. Apples. Six “dreams” by Richard Kenney for voice and piano.
Score. MS repro. 26 pp.
folder 14 Levines, Thomas. Images. Five Haiku for soprano and piano.
Score. MS repro. 13 pp.
Accompanied by composer’s bio and a list of his compositions. 2 pp.
folder 15 Liptak, David. Seven Songs. Collection of songs for voice and piano.
Score. MS repro, produced by American Composers Alliance, New York. 2 copies. 23 pp., each.
folder 16 Lister, Rodney. As You Know. Five songs for voice and piano.
Score. MS repro. 16 pp.
folder 17 Lister, Rodney. A Motion Not My Own. Six songs for voice and piano.
Score. MS repro. 25 pp.
folder 18 Lister, Rodney. Song Book. Seven songs for voice and piano.
Score. MS repro. 24 pp.
folder 19 Mackey, Steven. Two Dances from William Carlos Williams. Two songs for mezzo-soprano and piano.
Score. MS repro, produced by American Composers Alliance, New York. 17 pp.
folder 20 McDaniel, William J. From Aesop’s Fables. Song cycle for voice and piano.
Score. MS repro. 19 pp.
Accompanied by a letter to JDG from the composer.
folder 21 McLennan, John. Two Songs from James Joyce. Songs for voice and piano.
Score. Newton Centre, MA: Margun Music, c1978. 9 pp.
folder 22 Marks Music Corp. New Vistas in Song. Collection of songs for high voice and piano.
Contents: Milton Babbitt: “Sounds and words”; Edward Cone: “Silent Noon”; Henry Cowell: “The pasture”; Norman Dello Joio: “Un sonetto di Petrarca”; Alan Hovhaness: “O lady moon”; Earl Kim: “Letters found near a suicide”; Ernst Krenek: “The flea”; Jan Meyerwitz: “Bright star”; Gunther Schuller: “Meditation”; Roger Sessions: “On the beach at Fontana”; Ben Weber: “Mourn! Mourn!”
Score. New York: Marks Music Corp., 1964. 55 pp.
Accompanied by a photocopy of Earl Kim’s “Letters Found Near a Suicide” (pp. 27–34). 7 pp.
folder 23 Mumford, Jeffrey. Low anchored cloud. Song for voice and piano.
Score. MS repro. 6 pp. Inscribed to JDG by the composer.
folder 24 Perle, George. Thirteen Dickinson Songs, Volume II, Nos. 5–8. Collection of songs for soprano and piano.
Score. Newton Centre, MA: Gunmar Music, c1983. 21 pp.
Accompanied by performance photocopies of #8 (“The Heart asks Pleasure—first—”) and #5 (“Beauty—be not caused—It is.” 7 pp.
folder 25 Playman, Gordon. Eleven Dickinson Songs. Collection of songs for voice and piano.
Score. MS repro. 31 pp.
folder 26 Premru, Raymond. Songs from Seasons. Collection of songs for voice and piano.
Score. MS repro. 23 pp.
folder 27 Qualliotine, Armand. [Two songs for voice and piano.]
“Your Body Moves.” Text by Kenneth Rexroth. Score. MS repro. 2 pp.
“What potions have I drunk.” Text by Shakespeare. Score. MS repro. 4 pp.

Box 25

folder 1 Reynolds, Verne. “Letter to the World.” For voice and piano. Text by Emily Dickinson.
Score. MS repro. 24 pp.
Accompanied by typed pages of the texts used for the work. 3 pp.
folder 2 Rochberg, George. “Eleven Songs.” Collection of songs for mezzo-soprano and piano.
Score. Bryn Mawr, PA: Theodore Presser, c1973. 36 pp.
folder 3 Rochberg, George. Two Songs from “Tableaux” (“Ballad”; “Night Piece”). Songs transcribed for voice and piano.
Score. Bryn Mawr, PA: Theodore Presser, c1971. 7 pp. Inscribed to JDG by the composer.
folder 4 Roy, Klaus George. Winter Death Songs. Seven Haiku for low voice and piano.
Score. MS repro. 7 pp. Dedicated to JDG and inscribed to her by the composer.
folder 5 Ruszczynski, Michael. Three Poems of Paul Blackburn. Songs for voice and piano.
Score. MS repro. 10 pp. Inscribed to JDG by the composer. The last song is dedicated to JDG.
folder 6 Sanders, Greg. Songs of Experience. Five songs for soprano and oboe (with English horn on the 4th song).
Score. MS repro. 18 pp.
Accompanied by a photocopy of a review clipped from the New York Times; dated October 21, 1984.
Also in folder: Audiocassette tape of Songs of Experience.
folder 7 Schuller, Gunther. “Meditation.” Song for voice and piano. Text by Gertrude Stein.
Score. Photocopy from published source (pp. 46–49). [New York]: Edward B. Marks Music Corp., c1964. Pl. no. 14611-53. 4 pp.
folder 8 Schuman, William. “Orpheus with his Lute.” Song for medium voice and piano.
Score. New York: G. Schirmer, c1945. 3 pp.
folder 9 Schuman, William. Time to the old. Three song set for voice and piano. Words by Archibald MacLeish.
Score. Bryn Mawr, PA: Theodore Presser, c1980. 10 pp. Inscribed to JDG by the composer.
folder 10 Shatin [probably Judith Shatin, no first name listed]. Love song to M. S. A. Song for voice and English horn. Text by Shakespeare.
Score. MS repro. 5 pp.
folder 11 Smit, Leo. The Dwarf Heart. Cycle of six songs for mezzo-soprano and piano. Texts by Anne Sexton.
Score. MS repro. 40 pp. Dedicated to JDG.
Accompanied by note to JDG from the composer. Ink MS; dated April 4, 1988. 1 p.
Copy of the texts used in the cycle. Photocopies from published source, with annotations by the composer. 6 pp.
folder 12 Smit, Leo. “In Evening Air.” Song for voice and piano. Poem by Theodore Roethke.
Score. MS repro. 5 pp. Interleaved in score: text of the poem used for the song (photocopy from unidentified published source). 1 p.
folder 13 Smit, Leo. “The Girl-Widow’s Song” from Magic Water. Song for soprano and piano.
Score. MS repro. 4 pp.
folder 14 Smit, Leo. “Per Piano.” Song for voice and piano. Words by Charles Olsen. Piano part based on Zero Hour by Pete Johnson.
Score. MS repro. 16 pp. Interleaved in score: handwritten note to JDG from the composer; dated November 7, 1988. 2 pp.
folder 15 Smit, Leo. “Thinngs [sic] All Over.” Song for voice and piano. Poem by Carla Rodman.
Score. MS repro. 5 pp. Inscribed to JDG by the composer.
folder 16 Smit, Leo. Three Romances. Songs for voice and piano. Poems by Alexaner Pushkin.
Score. MS repro. 7 pp.
folder 17 Smit, Leo. Trumpeter Swan. Five songs for “a little girl” for voice and piano.
Score. MS repro. 13 pp.
folder 18 Starer, Robert. Transformations. Three songs for mezzo-soprano and piano.
Score. MS repro. 17 pp.
folder 19 Swenson, Warren. Battle Pieces. A Melville song cycle for voice and piano.
Score. MS repro. 59 pp.
Accompanied by a typed note from Marilyn Stephan on WQXR stationery and text of poems used in the cycle; dated October 21, 1988. 11 pp., total.
folder 20 Taggart, Mark Alan. Serenade for Mezzo-Soprano, Cello, and Piano. Collection of songs.
Score. MS repro. 64 pp. Inscribed to JDG by the composer.
folder 21 Taylor, Bernard, comp. and ed. Contemporary American Art Songs. Collection of songs for voice and piano.
Contents: V. Persichetti, “Thou child so wise”; N. Rorem, “Spring and fall”; E. Bacon, “Stars”; V. Persichetti, “Out of the morning”; D. Diamond, “Brigid’s song”; J. Duke, “When slim Sophia mounts her horse”; G. Rochberg, “Ballad”; V. Persichetti, “Unquiet heart”; G. Rochberg, “I am baffled by this wall”; H. Weisgall, “I looked back suddenly”; L. Calabro, “It is forbidden”; E. Bacon, “The lamb”; G. Rochberg, “Night piece”; C. Ives, “The light that is felt”; W. Watts, “The poet sings”; N. Rorem, “The lordly Hudson”; M. Howe, “Great land of mine”; S. Kagen, “How pleasant it is to have money.”
Score. Bryn Mawr, PA: Theodore Presser, c1977. 60 pp.
folder 22 Thomas, Andrew. Spring. Five songs for tenor voice and piano.
Score. Published score produced from MS repro. Newton Centre, MA: Margun Music, c1978. 25 pp. Interleaved in score: bio of the composer on Margun Music stationery. 1 p.
folder 23 Thorne, Francis. Nocturnes for Voice and Piano. Four songs on poems of Robert Fitzgerald.
Score. Hastings-on-Hudson, NY: General Music Publishing Co., c1972. 16 pp. Inscribed to JDG by the composer.
folder 24 Ulehla, Ludmilla. “Gargoyles.” Song for soprano, bassoon and piano.
Score. MS repro. 13 pp.
folder 25 Walden, Stanley. Ruth. Song for mezzo-soprano, oboe and piano.
Score. English text. MS repro. 5 pp.
folder 26 Walden, Stanley. Three Ladies. Three songs for mezzo-soprano and piano.
Score. MS repro. 2 copies. 36 pp., each. Written for JDG and Gilbert Kalish.
folder 27 Walden, Stanley. Two Songs for Antonia. Song for bass-baritone and piano. Texts by George Tabori.
Score. MS repro. 11 pp.
folder 28 Walker, George. “I went to heaven.” Song for voice and piano. Text by Emily Dickinson.
Score. Hastings-on-Hudson, NY: General Music Publishing Co., c1971. 3 pp.
folder 29 Wallach, Joelle. “Of Honey and Vinegar.” Four songs for mezzo-soprano and two pianos. Poems by Emily Dickinson.
Score. MS repro. 32 pp.

Box 26

folder 1 Weber, Ben. Two Songs, Op. 63. Songs for medium voice and piano. Texts by Jane Mayhall.
Score. MS repro. 11 pp.
folder 2 Weisberg, Arthur. Dream Sequence. For voice and piano.
Score. MS repro, produced by American Composers Alliance, New York. 40 pp. Written for JDG and Gilbert Kalish.
folder 3 Welcher, Dan. Five Songs on poems of e. e. cummings. Songs for voice and piano.
Score. MS repro. 32 pp. Inscribed to JDG by the composer.
folder 4 Wernick, Richard. “Ball of sun.” Song for voice and piano.
Score. MS repro. 3 pp. Dedicated “for Jan and Gil.”
folder 5 Wernick, Richard. Contemplations of the Tenth Muse, Book II. Cycle of songs for soprano and piano. Text by Anne Bradstreet.
Score. MS repro. Label on title page for Theodore Presser Co., Bryn Mawr, PA. 22 pp.
folder 6 Wernick, Richard. “I, too (a song for Jan).” Song for voice and piano. Words by Charles Lee.
Score. MS repro. 4 pp. Dedicated to JDG.
folder 7 Wernick, Richard. Oracle II. For soprano, oboe and piano.
Score. English text. MS repro. 21 pp. Label on title page for Theodore Presser Co., Bryn Mawr, PA.
folder 8 Wilder, Alec. “Phyllis McGinley Song Cycle.” For voice, bassoon and harp.
Score. MS repro. 18 pp.
folder 9 Wilder, Alec. “Songs for Patricia.” For voice and piano.
Score. MS repro. 22 pp.
folder 10 Zupko, Ramon. Where the Mountain Crosses. For mezzo-soprano and piano. Based on lyrics of American Indian tribes.
Score. Published score produced from MS repro. New York: C. F. Peters, c1986. 45 pp.

Sub-series B: Works in Other Languages

Box 26 [cont.]

folder 11 Berger, Arthur. “Ode of Ronsard.” Song for voice and piano.
Score. French text. MS repro. 13 pp. English translation written in the margin in JDG’s hand.
folder 12 Creston, Paul. “Le Lettre.” Song for voice and piano.
Score. French text. San Diego, CA: Music Graphics Press, c1978. 4 pp. Inscibed to JDG by the composer.
folder 13 Gilbert, Pia. “Vociano.” Song for mezzo-soprano and piano.
Score. Text is nonsensical in the style of Viennese, Japanese, French and English languages. MS repro. 2 copies. 13 pp., each. Dedicated to JDG and Gilber Kalish.
folder 14 Halffter, Cristobal. Brecht-lieder. For voice and two pianos.
Score. German text. (London]: Universal Edition, c1969. 6 pp.
folder 15 Harbison, John. Mottetti di Montale. Collection of songs for voice and piano. Poetry by Eugenio Montale.
Score. Italian text. New York: Associated Music Publishers, c1981. 87 pp.
folder 16 Hawley, William. Sappho Songs. Five songs for mezzo-soprano and piano.
Score. Greek text. MS repro. 9 pp.
folder 17 Qualliotine, Armand. Giorno per giorno. Song for soprano and piano. Text by Giuseppe Ungaretti.
Score. Italian text. MS repro. 6 pp.
folder 18 Rihm, Wolfgang. Lenzfragmente. Five songs for voice and piano.
Score. German text. Published score produced from MS repro. Wien: Universal Edition, c1980. 10 pp. Accompanied by an inscribed business card from Klaus Lauer.
folder 19 Schuller, Gunther. Six Early Songs. For voice and piano.
Score. German text. Newton Centre, MA: Margun Music, c1976. 2 copies. 22 pp., each. Copy 1 inscribed to JDG by the composer.
folder 20 Schweinitz, Wolfgang von. Papiersterne, Op. 20. Cycle of fifteen lieder for mezzo-soprano and piano.
Score. Published score produced from composer’s autograph, and images of sketches interlayed before front matter and at end of imprint. Stuttgart: Deutsche Verlags-Anstalt, c1981. 71 pp.
Accompanied by Boosey & Hawkes folder containing (4 items): composer bio and works list, an introductory article, a photograph of the composer, and a packet containing English translations of the text and a review of the premiere of the work.
folder 21 Spinner, Leopold. Drei Lieder, Op. 16. Three songs for soprano and piano. Text by Rainer Maria Rilke.
Score. German text. London: Boosey & Hawkes, c1975. 12 pp.
folder 22 Spinner, Leopold. FĂŒnf Lieder, Op. 8. Five songs for soprano and piano. Texts by Friedrich Nietzsche.
Score. German text. London: Boosey & Hawkes, c1970. 11 pp.
folder 23 Vermeulen, Matthijs. “Le Balcon.” Song for mezzo-soprano or tenor voice and piano.
Score. French text. Published score produced from MS repro. Amsterdam: Donemus, c1952. 15 pp.
folder 24 Vermeulen, Matthijs. “La Veille.” Song for mezzo-soprano or alto voice and piano.
Score. French text. Published score produced from MS repro. Amsterdam: Donemus, c1951. 20 pp.
folder 25 Welcher, Dan. Abeja Blanca. For voice, English horn, and piano.
Score. Spanish text. MS repro. 26 pp. Dedicated to JDG and Philip West.
folder 26 Wolpe, Stefan. Hölderlein Lieder, Op. 1. Five songs for alto and piano.
Score. German text. MS repro. 36 pp. Accompanied by duplicate copy of fifth song. 13 pp.
Accompanied by a handwritten note from Cheryl Seltzer on Continuum stationery regarding the songs included. 2 pp.

Series 6: Performance Copies as Filed

Box 27

folder 1 “American Group: Carter, Seeger, Schuman, Benson, Crumb.” Performance photocopies of six songs for voice and piano (for recital program).
Carter, Elliott. “Dust of Snow.” Text by Robert Frost. [s.l.]: Associated Music Publishers, c1947. Pl. no. AMP-7454. 3 pp.
Carter, Elliott. “The Rose Family.” Text by Robert Frost. [s.l.]: Associated Music Publishers, c1947. Pl. no. AMP-7454. 3 pp.
Crawford-Seeger, Ruth. “White Moon.” Poem by Carl Sandberg. MS repro. 4 pp.
Schumann, William. “Dozing on the Lawn.” [No. 3 from Time to the Old.] Text by Archibald MacLeish. [s.l.: s.n., s.d.]. Pl. no. 441-41015. 2 pp.
Benson, Warren. “American Primitive.” Text by William Jay Smith. MS repro. 2 pp.
Crumb, George. “The Sleeper.” Text extracted from the poem by Edgar Allan Poe. MS repro. 2 pp.
folder 2 “Duet Group: Cornelius, [Mendelssohn,] Schumann, Shostakovitch, Brahms, Tchaikovsky and Dvoƙák—performance copies.” Performance photocopies of 17 duets in German or Russian for various voice combinations.
Cornelius, Peter. “Am Meer.” Photocopy from published source (pp. 62–64). [s.l.: s.n., s.d.]. Pl. no. V.A.2080. 3 pp.
Mendelssohn, Felix. “Gruss.” Photocopy from published source (pp. 14–18). [s.l.]: G. Schirmer, c1896. Pl. no. 12638. 5 pp.
Brahms, Johannes. “JĂ€gerlied.” Photocopy from published source (pp. 40–42). [s.l.]: Edition Peters, [s.d.]. Pl. no. 10469. 3 pp.
Brahms, Johannes. “HĂŒt du dich.” Photocopy from published source (pp. 43–46). [s.l.]: Edition Peters, [s.d.]. Pl. no. 10469. 4 pp.
Cornelius, Peter. “Ich und du.” Photocopy from published source (pp. 38–43). [s.l.]: Edition Peters, [s.d.]. Pl. no. 10191. 6 pp. Accompanied by incomplete copy 2 (missing p. 43). 5 pp.
Cornelius, Peter. “Liebesprobe.” Photocopy from published source (pp. 3–5). [s.l.]: Edition Peters, [s.d.]. Pl. no. 10191. 3 pp.
Cornelius, Peter. “Der beste Liebesbrief.” Photocopy from published source (pp. 6–9). [s.l.]: Edition Peters, [s.d.]. Pl. no. 10191. 4 pp.
Cornelius, Peter. “Brennende Liebe.” Photocopy from published source (pp. 16–19). [s.l.]: Edition Peters, [s.d.]. Pl. no. 10191. 4 pp.
Brahms, Johannes. “KlĂ€nge (No. I).” Photocopy from published source (pp. 33–34). [s.l.]: Edition Peters, [s.d.]. Pl. no. 10469. 2 pp.
Brahms, Johannes. “KlĂ€nge (No. II).” Photocopy from published source (pp. 35–36). [s.l.]: Edition Peters, [s.d.]. Pl. no. 10469. 2 pp.
Brahms, Johannes. “Am Strande.” Photocopy from published source (pp. 37–39). [s.l.]: Edition Peters, [s.d.]. Pl. no. 10469. 3 pp.
Shostakowitsch, Dimitri. “Klage ĂŒber den Tod eines kleinen Kindes.” Photocopy from published source (pp. 3–5). [s.l.]: Edition Peters, c1958. Pl. no. E.P.11857. 3 pp.
Shostakowitsch, Dimitri. “Die fĂŒrsorgliche Mutter zur Tante.” Photocopy from published source (pp. 6–10). [s.l.: Edition Peters, c1958]. Pl. no. E.P.11857. 5 pp.
Schumann, Robert. “Tanzlied.” Unpublished transposition with English translation written in JDG’s hand. MS repro. 7 pp.
Tchaikovsky, Peter. “Vecher.” Photocopy from published source (pp. 85–99). [s.l.: s.n., s.d.]. 15 pp. IPA written in JDG’s hand.
Tchaikovsky, Peter. “Rassvet.” Photocopy from published source (pp. 142–149). [s.l.: s.n., s.d.]. 8 pp. IPA written in JDG’s hand.
Tchaikovsky, Peter. “Shotlandskaia ballada.” Photocopy from published source (pp. 100–110). [s.l.: s.n., s.d.]. 11 pp. IPA written in JDG’s hand.
Dvoƙák, Anton. Vier Duette. Includes: “Möglichkeit”; “Der Apfel”; “KrĂ€nzlein”; “Schmerz.” German, Russian and English texts. London: N. Simrock, [s.d.]. Pl. no. 8136. 13 pp.
folder 3 “Dvoƙák duets: performance copies.” Performance photocopies of five duets for soprano and alto voices and piano in Czech (with German and English texts).
“VdobrĂœm sme se seĆĄli.” Photocopy from published source (pp. 35–37). [s.l.: s.n., s.d.]. Pl. no. H. 337 II. 3 pp.
“Holub Najavoƙe.” Photocopy from published source (pp. 43–47). [s.l.: s.n., s.d.]. Pl. no. H. 337 II. 5 pp.
“Skromná.” Photocopy from published source (pp. 50–52). [s.l.: s.n., s.d.]. Pl. no. H. 337 II. 3 pp.
“Prsten.” Photocopy from published source (pp. 53–59). [s.l.: s.n., s.d.]. Pl. no. H. 337 II. 7 pp.
“Zajatá.” Photocopy from published source (pp. 70–73). [s.l.: s.n., s.d.]. Pl. no. H. 337 II. 4 pp.
folder 4 [Early Music – M. Cara, C. Monteverdi, J. Mauduit, J. Dowland, G. Dufay, J. Dunstable, et al.] Works for various instrument combinations, including solo with basso continuo, discantus with tenor, and three or four part pieces.
From folder labeled “Miscellaneous / early music / not performance copies.”
Cara, Marco. “O mia ciecha e dura sorte.” Photocopy from published source (pp. 352–353). [s.l.: s.n., s.d.]. 2 pp.
Tromboncino, Bartolomeo. “Ho scoperto il tanto aperto.” Photocopy from published source (pp. 336–337). [s.l.: s.n., s.d.]. 2 pp.
Tromboncino, Bartolomeo. “S’il dissi mai ch’io venga.” Photocopy from published source (pp. 320–321). [s.l.: s.n., s.d.]. 2 pp.
Cara, Marco. “S’io sedo a l’ombra amor.” Photocopy from published source (pp. 568–569). [s.l.: s.n., s.d.]. 2 pp.
Cara, Marco. “Io non compro piĂč speranza.” Photocopy from published source (pp. 390–391). [s.l.: s.n., s.d.]. 2 pp.
Cara, Marco. “Hor venduto ho la speranza.” Photocopy from published source (pp. 388–389). [s.l.: s.n., s.d.]. 2 pp.
Tromboncino, Bartolomeo. “Scopri lingua el cieco ardore.” Photocopy from published source (pp. 380–381). [s.l.: s.n., s.d.]. 2 pp.
Monteverdi, Claudio “O Primavera” (2 copies).
Wolkenstein, Oswald. #100 “Kum liebster man!” and #101 “Mein herz das ist versert.” Photocopy from published source (p. 193). [s.l.: s.n., s.d.]. 4 copies. 1 p.
Wolkenstein, Oswald. #92 “Freuntlicher blick” and #93 “Fröleich geschrai so well wir Machen.” Photocopy from published source (pp. 187–188). [s.l.: s.n., s.d.]. 2 pp.
Cascia, Donato da. XXIX “Sovran uccello se’fra tutti gli altri (Madrigale)” and XXX “Un bel girfalco” (Madrigale).” Photocopy from published source (pp. 36–37). [s.l.: s.n., s.d.]. Pl. no, CMM 83. 2 pp.
Cascia, Donato da. XIX “Come ‘l potestu far (Madrigale).” Photocopy from published source (pp. 24–25). [s.l.: s.n., s.d.]. Pl. no. CMM 83. 2 copies. 2 pp., each.
Cascia, Donato da. XXXII “Faccia chi de’ se’l po (Caccia)” and XXXIII “Senti tu d’amor, donna? (Ballata).” Photocopy from published source (pp. 39–41). Pl. no. CMM 83. [s.l.: s.n., s.d.]. 3 pp.
Mauduit, Jacques. “Vous me tuez si doucement – I.” Photocopy from published source (pp. 2–5). [s.l.]: Broude Brothers, [s.d.]. 5 pp.
Mauduit, Jacques. “Vostre Tarin je voudrois ester.” Chant and rechant. Photocopy from published source (pp. 33–35). [s.l.: s.n., s.d.]. 3 pp.
Le Jeune, Claude. “Qu’est devenu ce bel oeil.” Photocopy from published source (pp. 66–67). [s.l.: s.n., s.d.]. 2 pp.
Le Jeune, Claude. “Un bien non debate.” Photocopy from published source (p. 19). [s.l.: s.n., s.d.]. 2 pp.
Mudarra, Alonso. “Triste estaba el rey David.” Photocopy from published source (pp. 149–150). [s.l.: s.n., s.d.]. 2 pp.
Le Jeune, Claude. “L’un apreste la glu.” Photocopy from published source (p. 18). [s.l.: s.n., s.d.]. 2 pp.
Luzzaschi, Luzzasco. “Aura soave.” Photocopy from published source (pp. 32–33). [s.l.: s.n., s.d.]. 2 pp.
Luzzaschi, Luzzasco. “O Primavera.” Photocopy from published source (pp. 34–35). [s.l.: s.n., s.d.]. 2 pp.
Ghizaghem, Hayne van. “De tous biens playne.” Photocopy from published source (pp. 141–142). [s.l.: s.n., s.d.]. Pl. no. CMM 18. 2 pp.
Dowland, John. “Go, crystal tears.” Photocopy from published source (pp. 15–16). [s.l.: s.n., s.d.]. Pl. no. S.&B.5306. 2 pp.
Dowland, John. “This merry pleasant Spring.” Photocopy from published source (pp. 96–97). [s.l.: s.n., s.d.]. Pl. no. S.&B.5542. 2 pp.
Dowland, John. “Eliza is the fairest Queen.” Photocopy from published source (p. 58). [s.l.: s.n., s.d.]. Pl. no. S.&B.5542. 1 p.
Dowland, John. “Come again (Part 2).” Photocopy from published source (p. 59). [s.l.: s.n., s.d.]. Pl. no. S.&B.5542. 1 p.
Dowland, John. “Like as the day.” Photocopy from published source (p. 24). [s.l.: s.n., s.d.]. Pl. no. S.&B.5542. 1 p.
Dowland, John. “Sorrow, come.” Photocopy from published source (p. 100–101). [s.l.: s.n., s.d.]. Pl. no. S.&B.5542. 2 pp.
Jones, Robert. “Ite caldi sospiri – A Musicall Dreame or the Fourth Booke of Ayres, 1609.” Photocopy from published source (pp. 195–198). [s.l.: s.n., s.d.]. 3 leaves.
Dufay, Guillaume. #11 “Resvellies vous et faites cheire lye.” Photocopy from published source (pp. 25–26). [s.l.: s.n., s.d.]. 2 pp.
Dufay, Guillaume. #12 “La belle se siet au piet de la tour.” Photocopy from published source (p. 59). [s.l.: s.n., s.d.]. 1 p.
Dufay, Guillaume. #39 “Ce moys de may soyons lies et joyeux.” Photocopy from published source (pp. 25–26). [s.l.: s.n., s.d.]. 2 pp.
Dufay, Guillaume. #48 “Pour l’amour de ma doulce amye.” Photocopy from published source (pp. 67–68). [s.l.: s.n., s.d.]. 2 pp.
Dufay, Guillaume. #82 “Du tout m’estoie abandonnĂ©â€ and #83 “Vostre bruit et vostre grant fame.” Photocopy from published source (pp. 96–97). [s.l.: s.n., s.d.]. 2 pp.
Dufay, Guillaume. #70 “Donnes l’assault a la fortresse.” Photocopy from published source (pp. 86–87). [s.l.: s.n., s.d.]. 2 pp.
Dufay, Guillaume. #1 “En triumphant.” Photocopy from published source (pp. 4–5). [s.l.]: Oxford University Press, c1975. 2 pp.
Dunstable, John. #54 “O Rosa Bella.” Photocopy from published source (pp. 133–134). [s.l.: s.n., s.d.]. Pl. no. S.&B.5308. 2 pp.
folder 5 “Elizabethan performance copies / Program with Paul O’Dette, Lute.” Performance photocopies of songs for voice and lute.
Campion, Thomas. #27 “Never love unless you can.” Photocopy from published source (pp. 50–51). London: Stainer & Bell, c1926. Pl. no. S.&B. 3475. 2 pp.
Campion, Thomas. #24 “Fain would I wed.” Photocopy from published source (pp. 44–47). London: Stainer & Bell, c1926. Pl. no. S.&B. 3476. 4 oo.
Campion, Thomas. “Though thou are young.” Photocopy from published source (pp. 6–7). London: Stainer & Bell, c1970. Pl. no. St. & B. 3204-2a. 2 pp.
Campion, Thomas. #16 “If thou long’st so much.” Photocopy from published source (pp. 30–31). London: Stainer & Bell, c1926. Pl. no. S.&B. 3475. 2 pp.
Campion, Thomas. “Oft have I sigh’d.” Photocopy from published source (pp. 17–18). [s.l.: s.n., s.d.]. 2 pp.
Campion, Thomas. #28 “So quick, so hot, so mad.” Photocopy from published source (pp. 52–53). London: Stainer & Bell, c1926. Pl. no. S.&B. 3475. 2 pp.
Corkine, William. #10 “Go, Heavy Thoughts.” Photocopy from published source (pp. 26–27). [London]: Stainer & Bell, c1927. Pl. no. S.&B. 3627. 2 pp.
Corkine, William. “Sweet, let me go.” Photocopy from published source (pp. 12–13). [s.l.: s.n., s.d.]. 2 pp.
Dowland, John. #2 “Who ever thinks or hopes of love.” Photocopy from published source (pp. 4–5). [s.l.: s.n., s.d.]. 2 pp.
Dowland, John. #10 “Think’st thou then by thy feigning?” Photocopy from published source (pp. 20–21). [s.l.: s.n., s.d.]. 2 pp.
Dowland, John. #3 “Sorrow, stay.” Photocopy from published source (pp. 7–10). [London]: Stainer & Bell, c1922. Pl. no. St. & B. 3205-3a. 4 pp.
Dowland, John. #17 “A shepherd in a shade.” Photocopy from published source (pp. 36–37). [London]: Stainer & Bell, c1969. Pl. no. St. & B. 3206-17a. 2 pp.|
Anonymous. “My true love hath my heart.” Transcribed and edited by Peter Warlock. London: J. Curwen & Sons, [s.d.]. 4 pp.
Morley, Thomas. “April is in my mistress’ face.” Photocopy from published source (pp. 24–26). [s.l.: s.n., s.d.]. 3 pp.
Anonymous. “Willow willow.” Photocopy from published source (pp. 19–20). [s.l.: s.n., s.d.]. 2 pp.
Hume, Tobias. “Fain would I change that note.” Photocopy from published source (p. 5). [s.l.: s.n., s.d.]. 1 p.
Jones, Robert. #18 “What if I seek for love of thee?” Photocopy from published source (pp. 36–37). London: Stainer & Bell, c1959. Pl. no. S.&B. 3292. 2 pp.
Dowland, John. #4 “If my compliants could passions move.” Photocopy from published source (pp. 8–9). [London: Stainer & Bell, s.d.] Pl. no. St. & B, 3201-4a. 2 pp.
Caccini, Giulio, or Anonymous. “Miserere my maker.” MS repro. 1 p.
Anonymous. “O death, rock me asleep.” Transcribed and edited by Peter Warlock. London: J. Curwen & Sons, [s.d.]. 4 pp.
Morley, Thomas. #27 “Now is the month of Maying.” Photocopy from published source (pp. 190–191). [s.l.: s.n., s.d.]. 2 pp.
[No composer listed.] “The Devil is an Ass.” Text by Ben Johnson. Photocopy from published source (pp. 54–55). [s.l.: s.n., s.d.]. 2 copies. 2 pp., each.
Caccini, Giulio. #8 “Amarilli mia bella.” Photocopy from published source (pp. 85–88). [s.l.: s.n., s.d.]. 4 pp.
Caccini, Giulio. #9 “Sfogava con le stele.”
Five pages of notes on the pieces and their locations. Photocopy from published source (pp. 115–119). [s.l.: s.n., s..d]. 3 copies. 5 pp., each.
folder 6 “French Duets / Berlioz, FaurĂ©, Saint-SaĂ«ns, Chausson / Performance copies.” Performance photocopies of ten duets in various combinations of voices, all with French texts.
Berlioz, Hector. “Le TrĂ©buchet.” No. 3 from Fleurs des lands. Photocopy from published source (pp. 190–197). [s.l.: s.n., s.d.]. Pl. no. 13682 R. 8 pp.
Berlioz, Hector. “HĂ©lĂšne.” No. 2 from 9 mĂ©lodies. Photocopy from published source (pp. 45–50). [s.l.: s.n., s.d.]. 6 pp.
Saint-SaĂ«ns, Camille. “Viens!” New York: G. Schirmer, c1889. 7 pp.
Berlioz, Hector. “Sara la Baigneuse.” Photocopy from published source (pp. 141–161). [s.l.: s.n., s.d.]. Pl. no. 13682.R. 21 pp.
Chausson, Ernest. “La Nuit.” Paris: J. Hamelle, [s.d.]. 5 pp.
FaurĂ©, Gabriel. “Pleurs d’Or.” [s.l.: s.n., s.d.]. 5 pp.
FaurĂ©, Gabriel. “Ave verum.” [s.l.: s.n., s.d.]. 5 pp.
Chausson, Ernest. “RĂ©veil.” [s.l.: s.n., s.d.]. 8 pp.
Saint-SaĂ«ns, Camille. “Pastoral.” [New York]: G. Schirmer, c1889. 6 pp.
Saint-SaĂ«ns, Camille. “El Desdichado.” [New York]: G. Schirmer, c1887. 20 pp.
folder 7 “Italian Duets / Clari, Colonna, Lotti, Durante / performance copies.” Performance photocopies of four duets for various combinations of voices, all with Italian texts.
Clari, Giovanni. “Il giocator sfortunato.” Photocopy from published source (pp. 9–22). [s.l.: s.n., s.d.]. Pl. no. 46014. 14 pp.
Colonna, Giovanni. “O splendida dies.” Photocopy from published source (pp. 84–88). [s.l.: s.n., s.d.]. Pl. no. 46014. 5 pp.
Lotti, Antonio. “Capriccio.” Photocopy from published source (pp. 31–41). [s.l.: s.n., s.d.]. Pl. no. 46014. 11 pp.
Durante, Francesco. “Andante, o miei spospiri.” Photocopy from published source (pp. 53–58). [s.l.: s.n., s.d.]. Pl. no. 46014. 6 pp.
folder 8 “Miscellaneous Duets / Albert, Purcell, Schubert / performance copies.” Performance photocopies of three duets (two in German, one in English) for various voice combinations.
Albert, Heinrich. “Phyllis und Myrtillus.” [s.l.]: Edition Peters, [s.d.]. Pl. no. 10535. 3 pp.
Purcell, Henry. “No, Resistance is but vain.” Photocopy from published source (pp. 23–31). [s.l.: s.n., s.d.]. 9 pp.
Schubert, Franz. “Nur wer die Sehnsucht kennt.” Unpublished transposition. MS repro. 6 pp.
folder 9 “Recording Project Maybe.” Group of 22 songs for voice and piano.
Accompanied by note: “(Recording) Songs – keep together / many composers.”
Davidovsky, Mario. “Song.” Poem by Carl Sandburg. MS repro. 5 pp. Dedicated to JDG and Gil Kalish.
Kernis, Aaron Jay. No. 6 [from Six Fragments of Gertrude Stein.] MS repro. 3 pp.
Babbitt, Milton. “The Widow’s Lament in Springtime.” Hillsdale, NY: Boelke-Bomart, c1959. 6 pp.
Rorem, Ned. [“Interlude” from Poems of Love and the Rain.] Photocopy of published score. [s.l.]: Boosey & Hawkes, c1965. 1 p.
[Fine, Irving.] “My Father” [from Mutability.] Photocopy from published score (pp. 6–7). [s.l.: s.n., s.d.]. 2 pp.
Walden, S. “Grandma (Millie).” No. 2 from unidentified collection. MS repro. 8 pp.
Adler, Samuel. “Time You Old Gypsy Man.” Photocopy of published score. Chapel Hill, NC: Hinshaw Music, c1978. 6 pp.
Ives, Charles. “The All-Enduring.” MS repro. 6 pp.
Ives, Charles. “Song.” Text by Hartley Coleridge. MS repro. 2 pp.
Cage, John. “Little Four Paws.” No. 1 from Five Songs for Contralto. Photocopy of published score. New York: C. F. Peters, c1960. 3 pp.
Jacobs-Bond, Carrie. “Her Greatest Charm.” Photocopy of published score. [s.l.]: Carrie Jacobs-Bond, c1901. 1 p.
Jacobs-Bond, Carrie. “I Love You Truly.” Photocopy of published score. [s.l.]: Carrie Jacobs-Bond, c1906. 2 pp.
Jacobs-Bond, Carrie. “Nothin’ but love!” Photocopy of published score. [s.l.]: Carrie Jacobs-Bond, c1912. 2 pp.
Clarke, Rebecca. “Lethe.” Score. MS repro. 4 pp.
Crawford-Seeger, Ruth. “Joy.” Score. MS repro. 4 pp.
Crawford-Seeger, Ruth. “Home Thoughts.” Score. MS repro. 4 pp.
Crawford-Seeger, Ruth. “White Moon!” Score. MS repro. 4 pp.
Copland, Aaron. “There came a wind like a bugle.” Photocopy of published score. New York: Boosey & Hawkes, c1951. 4 pp.
Wakefield, Charles Cadman. “The Moon Drops Low.” Photocopy of published score (pp. 24–29). [s.l.]: White Smith Music Publishing Co., c1909. 6 pp.
[Foster, Stephen.] “Beautiful Child of Song.” Photocopy of score from published source (pp. 63–64). [s.l.: s.n., s.d.]. 2 pp.
Bolcolm, William. “Waitin.” Photocopy of score from published source (p. 22). [s.l.: s.n., s.d.]. 1 p.
Bolcolm, William. “Waitin.” Score. MS repro. 2 pp.
folder 10 Renaissance program with Calliope (A Renaissance Band). Performance photocopies of songs for voice and Middle Age or Renaissance instruments.
Also in folder: 2 concert programs for performances by JDG with Calliope. (1) program from Kilbourn Concert Series (JDG with Calliope); dated October 3, 1979; (2) program from Mohawk Trail Concerts, New York Benefit program; dated May 15, 1980.
Morley, Thomas. “It was a lover and his lasse” from The First Booke of Ayres 1600. Photocopy of score from published source (pp. 204–207). [s.l.: s.n., s.d.]. 2 leaves.
Byrd, William. “Ye sacred Muses.” Photocopy from published source (pp. 114–118). [s.l.]: Stainer & Bell, c1970. Pl. no. S.&B. 5732. 5 pp.
Dowland, John. “The lowest trees have tops.” Photocopy from published source (pp. 76–77). [s.l.: s.n., s.d.]. 2 pp.
Henry VIII. #64 “Without discord.” Printed with: Anonymous. #65 “I am a jolly foster.” Photocopy from published source (pp. 50–51). [s.l.: s.n., s.d.]. 2 pp.
Cornish, [William]. #35 “Blow thy horn, hunter.” Photocopy from published source. [s.l.: s.n., s.d.]. 1 p.
Cornish, [William]. #8 “Adieu mes amours.” Printed with: Henry VIII, #9 “Adieu madame et ma maistresse.” Photocopy from published source (pp. 12–13). [s.l.: s.n., s.d.]. 2 pp.
Anonymous. #103 “What remedy, what remedy?” Printed with: Anonymous. #104 “Where be ye, my love?” Photocopy from published source (pp. 80–81). [s.l.: s.n., s.d.]. 2 pp.
Dufay, Guillaume. “Vergene bella, che di sol vestita.” Photocopy from published source (pp. 7–9). [s.l.: s.n., s.d.]. Pl. no. CMM 1 C. 3 pp.
Extract of tenor line from Dufay’s “Lamentatio sanctae matris ecclesiae constantinopolitanae.” Ink MS. 1 p.
Dufay, Guillaume. “Lamentatio sanctae matris ecclesiae constantinopolitanae.” Photocopy from published source (pp. 19–21). [s.l.: s.n., s.d.]. 3 pp.
Dufay, Guillaume. #39 “Ce moys de may soyons lies et joyeux.” Photocopy from published source. [s.l.: s.n., s.d.]. 1 p.
Campion, Thomas. “So quicke, so hot, so mad.” Photocopy from published source (pp. 58–59). [s.l.: s.n., s.d.]. 1 leaf.
Campion, Thomas. “Faire, if you expect admiring.” Photocopy from published source (pp. 26–27). [s.l.: s.n., s.d.]. 1 leaf.
folder 11 “Schumann duets and soli / program/recording with L. Guinn / performance copies.” Performance photocopies of 12 works for one or two voices and piano.
“Wiegenlied,” Op. 78, No. 4. Transposed duet. MS repro. 4 pp.
“Ich denke dein,” Op. 78, No. 3. Transposed duet. MS repro. 5 pp.
“In der Nacht,” Op. 74, No. 4. Transposed duet. MS repro. 7 pp.
“Liebhabers StĂ€ndchen,” Op. 34, No. 2. Transposed duet. MS repro. 7 pp.
“Wiegenlied,” Op. 98, No. 2. Solo. Photocopy from published source (pp. 194–195). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9309. 2 pp. English translation written above staves in JDG’s hand.
“Familien-GemĂ€lde,” Op. 34, No. 4. Transposed duet. MS repro, with English translation in JDG’s hand. 6 pp.
“Mignon,” Op. 79, No. 29. Solo. Photocopy from published source (pp. 212–215). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 4 pp.
“Nur wer die Sehnsucht kennt,” Op. 98a, No. 3. Solo. Photocopy from published source (pp. 84–85). [s.l.]: Edition Peters, [s.d.]. Pl. no. 7097. 2 pp.
“Heiss’ mich nicht reden, heiss’ mich schweigen,” Op. 98a, No. 5. Solo. Photocopy from published source (pp. 89–91). [s.l.]: Edition Peters, [s.d.]. Pl. no. 7097. 3 pp. English translation written above staves in JDG’s hand.
“Schon ist das Fest des Lenzes,” Op. 37, No. 7. Transposed duet. MS repro, with English translation in JDG’s hand. 2 pp.
“Singet nicht in Trauertönen,” Op. 98a, No. 7. Solo. Photocopy from published source (pp. 94–97). [s.l.]: Edition Peters, [s.d.]. Pl. no. 7097. 4 pp.
“So lasst mich scheinen, bis ich werde,” Op. 98a, No. 9. Solo. Photocopy from published source (pp. 99–101). [s.l.]: Edition Peters, [s.d.]. Pl. no. 7097. 3 pp. English translation written above staves in JDG’s hand.
folder 12 “Sephardic / Ars Nova / Trecento / performance copies.” Performance photocopies and MS repros of early music for a variety of voice and early instrument combinations. Many songs have no composer listed.
Josquin des Prez. “Una Musque de Buscqaya.” MS repro. 2 pp.
“Regina pretiosa.” Chant. Photocopy from unidentified source (p. 144). 1 p.
“Como poden per sas culpas.” No. 166 from Cantigas de Santa Maria. Photocopy from unidentified source. MS repro. 1 p.
“Gran dereit’é de seier.” No. 56 from Cantigas de Santa Maria. Photocopy from unidentified source. MS repro. 1 p.
Bernard de Ventadour. “Can par la flor jostal vert fohl.” MS repro. 2 pp.
Moniot d’Arras. “Ce fu en mai.” Printed with: Moniot de Paris. “Lonc tens ai mon tens usĂ©.” Nos. 11–12 from unidentified source. [s.l.: s.n., s.d.]. 1 p.
Guillaume d’Amiens. “PrendĂ©s I garde” and “C’est la fins.” Nos. 23a–23b from unidentified source (p. 38). [s.l.: s.n., s.d.]. 1 p.
Machaut, Guillaume. “Douce dame jolie.” Vocal melody. MS repro. 1 p.
Machaut, Guillaume. “Comment qu’a moy.” Vocal melody. MS repro. 1 p.
“Una hija tiene el rey.” MS repro. 2 copies. 1 p., each.
“Una matica de ruda.” MS repro. 2 copies. 1 p., each.
“Como la rosa.” MS repro. 2 copies. 1 p., each.
“Ah, el novio le quiere dinero.” MS repro. 2 copies. 1 p., each.
Gaucelm Faidit. “Fort chos’oiatz.” Photocopy of vocal line and text from unidentified source (pp. 18–19). [s.l.: s.n., s.d.]. 2 pp. Accompanied by 2 pencil MS pages with settings of verses 2, 3, 5, and 6.
Translation page with English texts for: Vaillant: “Par maintes foys”; Jacopo da Bologna: “Oselleto salvazo”; Landini: “Ecco la primavera.” 1 p.
Machaut, Guillaume. “Quant je sui mis.” Two versions (transpositions). 1 p.
Translation page with English texts for Machaut’s “Rose, liz, printemps,” “Se j’aim mon loyal ami,” “Je sui aussi,” and “Quant je sui mis.” 1 p.
Landini. “Ecco la primavera.” MS repro. 1 p.
Cooper, Robert. “Gloria in excelsis.” MS repro. 2 pp.
Jaffee, Michael, arr. “O Death Rock Me Asleep.” MS repro. 2 pp.
Purcell, Henry. “Of all the instruments.” Photocopy from published source (p. 34). [s.l.]: Galliard, c1972. 1 p.
Anonymous. #62 “This merry pleasant Spring.” Photocopy from published source (pp. 96–97). [s.l.: s.n., s.d.]. Pl. no. S.&B. 5542. 2 pp.
Anonymous. #23 “When May is in his prime.” Photocopy from published source (pp. 40–42). [s.l.: s.n., s.d.]. 3 pp.
Bennet, John. #48 “Venus’ birds.” Photocopy from published source (p. 77). [s.l.: s.n., s.d.]. Pl. no. S.&B. 5542. 1 p.
Dowland, John. #65 “Sorrow, come.” Arranged by William Wigthorpe. Photocopy from published source (pp. 100–101). [s.l.: s.n., s.d.]. Pl. no. S.&B. 5542. 2 pp.
Guillaume D’Amiens. “PrendĂ©s I garde.” Printed with Adam de la Halle. “Robins m’aime.” Vocal lines. Photocopied from two different sources. 1 p.
Anonymous. “Adieu mes amours.” MS repro. 1 p.
Raïmbaut de Vaqueiras. #8 “Kalenda maya Ni fuelas de faya.” Photocopy from published source (p. 17). [s.l.: s.n., s.d.]. 1 p.
Bernard de Ventadour. “Quan l’erba fresq’.” Photocopy from published source (pp. 8–9). Nice: Georges Delrieu & Cie, c1967. 1 leaf.
Anonymous. “A l’entrada del tens clar.” Photocopy from published source (pp. 42–43). Nice: Georges Delrieu & Cie, c1967. 1 leaf. Accompanied by transcription with different rhythmic values. MS repro. 1 p.
Photocopied pages from book on medieval song (pp. 236–243) (section on music of the troubadours and trouvùres). Includes melodies and text by and about Bernard de Ventadour, Gautier d’Épinal, and Colin Muset. 4 leaves.
“O que pola Virgen leixa.” [No. 124] from Cantigas de Santa Maria. MS repro. 1 p.
Photocopied pages from book on medieval song (pp. 254–257) (section on music of the Minnesinger). Includes melodies and text by and about Vogelweide, Wizlav von RĂŒgen, Neidhart von Reuental. 2 leaves.
“Diu sĂŒezen wort hant mir getan.” MS repro. 1 p.
“Christ ist erstanden von der Marter alle.” MS repro. 1 p.
Von Reuental. “Ihn ghesach die hayde nie batz ghestalt.” MS repro. 1 p.
Rudel, Jaufre. “Quan lo rossinhols el folhos.” MS repro. 1 p. Accompanied by typescript text and translation. 2 pp.
#3A “I have loved.” Printed with: #4A “Nowell, nowell: Tidings true.” Photocopy from published source. [s.l.: s.n., s.d.]. Pl. no. S.&B. 5304. 1 p.
folder 13 “Two Recital Programs with Gil [Gilbert Kalish] (mixed groups) / German / performance copies.” Performance photocopies of songs for voice and piano in German.
Draft of concert program titled “Songs of Love and Death” to be perfomed at the University of Pennsylvania on October 11, 1987. Typescript. 1 p.
List of song sets apparently put together for a program of all German music. Typescript. 1 p.
Mozart, W. A. “An Chloe.” Photocopy from published source (pp. 24–28). [s.l.: s.n., s.d.]. Pl. no. 9461. 5 pp.
Schumann, Robert. “Intermezzo.” Photocopy from published source (pp. 60–61). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8714. 2 pp.
Schubert, Franz. “Du liebst mich nicht.” Photocopy from published source (pp. 120–121). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9309. 2 pp.
Schubert, Franz. “StĂ€ndchen.” Photocopy from published source (pp. 135–137). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8846. 3 pp.
Schubert, Franz. “Geheimes.” Photocopy from published source (pp. 232–233). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8846. 2 pp.
Mozart, W. A. “Das Veilchen.” Photocopy from published source (pp. 4–7). [s.l.: s.n., s.d.] Pl. no. 9461. 4 pp.
Schubert, Franz. “Rastlose Liebe.” Photocopy from published source (pp. 222–224). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8846. 3 pp.
Schumann, Robert. “Schöne Wiege meiner Leiden.” Photocopy from published source (pp. 9–13). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 5 pp.
Schumann, Robert. “FrĂŒhlingsnacht.” Photocopy from published source (pp. 82–83). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9307. 2 pp.
Brahms, Johannes. “Meine Liebe ist grĂŒn.” Photocopy from published source (pp. 48–81). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9313. 4 pp.
Wolf, Hugo. “Nimmersatte Liebe.” Photocopy from published source (pp. 32–34). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8962. 3 pp.
Berg, Alban. “Schilflied.” [s.l.: Universal Edition, s.d.]. Pl. no. U.E. 8853. 4 pp.
Wolf, Hugo. “Alle gingen, Herz zur Ruh.” Photocopy from published source (pp. 40–41). [s.l.: s.n., s.d.]. Pl. no. 480. 2 pp.
Strauss, Richard. “All mein Gedanken.” Photocopy from published source (pp. 12–13). [s.l.: s.n., s.d.]. 2 pp.
Webern, Anton von. “Sommerabend.” Edited by Rudolph Ganz. New York: Carl Fischer, c1965. 3 pp.
Schönberg, Arnold. “Saget mir, auf welchem Pfade.” [s.l.: Universal Edition, s.d.]. Pl. no. U.E. 5338. 2 pp.
Schönberg, Arnold. “Jedem Werke bin ich fĂŒrder tot.” [s.l.: Universal Edition, s.d.]. Pl. no. U.E. 5338. 2 pp.
Zemlinsky, Alexander. “Und kehrt er einst heim.” Photocopy from published source (pp. 12–13). [s.l.: Universal Edition, s.d.]. Pl. no. U.E. 5540. 2 pp.
Strauss, Richard. “Ich, trage meine Minne.” Photocopy from published source (pp. 34–36), [s.l.: s.n., s.d.]. 3 pp.
Brahms, Johannes. “Verzagen.” Photocopy from published source (pp. 10[72]–14[76]). [s.l.: s.n., s.d.]. 5 pp.
Schönberg, Arnold. “Du lehnest wider eine Silberweide am Ufer.” [s.l.: Universal Edition, s.d.]. Pl. no. U.E. 5338. 2 pp.
Webern, Anton von. “Der Tod.” Edited by Rudolph Ganz. New York: Carl Fischer, c1965. 1 p.
Zemlinsky, Alexander. “Als ihr Geliebter schied.” Photocopy from published source (pp. 10–11). [s.l.: Universal Edition, s.d.]. Pl. no. U.E. 5540. 2 pp.
Berg, Alban. “Im Zimmer.” Photocopy from published source (pp. 22–23). [s.l.: Universal Edition, s.d.]. Pl. no. U.E. 8853. 2 pp.
Wolf, Hugo. “Bedeckt mich mit Blumen.” Photocopy from published source (pp. 11–13). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9273. 3 pp.
Wolf, Hugo. “Du denkst mit einem FĂ€dchen.” Photocopy from published source (pp. 22–23). [s.l.: s.n., s.d.]. 2 pp.
Berg, Alban. “Sommertage.” [s.l.: Universal Edition, s.d.]. Pl. no. U.E. 8853. 5 pp.
Mahler, Gustav. Selections from RĂŒckert Lieder. Includes: “Ich atmet’ einen linden Duft”; “Liebst du um Schönheit”; “Blicke mir nicht in die Lieder”; “Ich bin der Welt abhanden gekommen.” [s.l.]: C. F. Kahnt, [s.d.]. Pl. no. C.F.K. 7614. 13 pp.
Strauss, Richard. “Zueignung.” Photocopy from published source (pp. 78–79). [s.l.: s.n., s.d.]. 2 pp.
Strauss, Richard. “Ich trage meine Minne.” Photocopy from published source (pp. 34–36). [s.l.: s.n., s.d.]. 3 pp.
Strauss, Richard. “Ruhe, meine Seele.” Photocopy from published source (pp. 52–53). [s.l.: s.n., s.d.]. 2 pp.
Strauss, Richard. “All mein Gedanken.” Photocopy from published source (pp. 12–13). [s.l.: s.n., s.d.]. 2 pp.
Strauss, Richard. “Morgen!” Photocopy from published source (pp. 49–47). [s.l.: s.n., s.d.]. 2 pp.
folder 14 [Unlabeled binder of songs.] Performance photocopies of 15 songs for voice(s) and piano, originally housed in blue three-ring binder.
Mendelssohn, Felix. “Gruß,” Op. 63, No. 3. Photocopy from published source (pp. 10–12). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9237. 3 pp.
Mendelssohn, Felix. “Abschiedslied der Zugvögel,” Op. 63, No. 2. Photocopy from published source (pp. 7–9). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9237. 3 pp.
Mendelssohn, Felix. “Herbstlied,” Op. 63, No. 2. Photocopy from published source (pp. 13–16). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9237. 4 pp.
English translations of “La Nuit” and “RĂ«veil,” set by Chausson. MS repro. 1 p.
Shostakovich, Dmitri. “Wiegenlied,” Op. 79, No. 3. Photocopy from published source (pp. 11–13). [s.l.: Edition Peters, s.d.]. Pl. no. E.P.11857. 3 pp.
Mozart, W. A. CosĂŹ fan tutte, Act II, Scene 2 (“PrenderĂČ quell brunettino”). Photocopy from piano vocal score (pp. 211–219). [s.l.: s.n., s.d.]. 9 pp.
[Black, Arnold?] “Russian Larks.” MS repro. 2 copies. 9 + 5 pp.
Brahms, Johannes. “Les bohĂ©miennes.” Arranged by P. Viardot. [New York]: G. Schirmer, c1883. Pl. no. 3014. 10 pp.
Porter, Cole. “You Don’t Remind Me.” Photocopy from published source (pp. 230–234). [New York]: Chappell & Co., c1950. 5 pp.
Porter, Cole. “It’s Bad for Me.” Photocopy from published source (pp. 30–33). New Yrk: Harms Inc., c1933. 4 pp.
Porter, Cole. “Just One of Those Things.” Photocopy from published source (pp. 38–41). [s.l.]: Harms Inc., c1935. 4 pp.
Porter, Cole. “Red, Hot and Blue.” [s.l.]: Chappell & Co., c1936. 5 pp.
Porter, Cole. “Use Your Imagination.” Photocopy from published source (pp. 207–211). [New York]: Chappell & Co., c1950. 5 pp.
Porter, Cole. “Find Me a Primitive Man.” Photocopy from published source (pp. 72–75). [New York]: Harms Inc., c1929. 4 pp.
Schubert, Franz. “Liebe ist ein sĂŒĂŸes Licht.” Excerpt (last page only). [s.l.]: Edition Peters, [s.d.]. Pl. no. 6886. 1 p.
[Unidentified cycle of five songs for mezzo-soprano, horn, and piano.] Texts by Algernon Swinburne (from The Garden of Prosperine). Score. MS repro. 25 pp.

Series 7: Chamber and Symphonic Scores

Box 28

folder 1 Adler, Samuel. Nuptial Scene. Scene for mezzo-soprano and eight instrumentalists.
Full score. Hebrew text. MS repro. Rental score from Carl Fischer Rental Library. 39 pp.
folder 2 Adler, Samuel. Sixth String Quartet (A Whitman Serenade). For medium voice and string quartet. Poems by Walt Whitman.
Full score. English text. New York: Carl Fischer, c1977. 54 pp. Inscribed by the composer to JDG. Dedicated to JDG and the Fine Arts Quartet.
Full score. English text. MS repro. 53 pp.
folder 3 Adler, Samuel. Symphony No. 5: We Are The Echoes. For mezzo-soprano and orchestra.
Full score. English text. New York: Boosey & Hawkes, c1986. 77 pp. Inscribed to JDG by the composer.
folder 4 Amlin, Martin. Passions of Singleness: Five Poems by Charles Pratt. For mezzo-soprano, viola, vibraphone, and harp.
Full score. English text. MS repro. 31 pp. Written for JDG.
folder 5 Armer, Elinor. Lockerbones/Airbones. Song cycle for mezzo soprano, flute, violin, piano, and percussion. Text by Ursula K. Le Guin.
Full score. Berkeley, CA: Fallen Leaf Press, c1985. 24 pp. Interleaved in score: the composer’s business card, program notes, and a photocopy of song II (“The Child on the Shore”).
folder 6 Barraqué, Jean. Sequence. For voice with percussion, piano, harp, violin and cello.
Full score. French text. Firenze: Aldo Bruzzichelli, c1962. 89 pp.
folder 7 Benson, Warren. Nara. For soprano, flute, piano and two percussion.
Full score. English text. MS repro. Rental score from Carl Fischer, Inc. 10 pp.
folder 8 Benson, Warren. Songs for the End of the World. For mezzo-soprano, English horn, horn in F, cello, and marimba. Texts by John Gardner.
Full score. English text. MS repro. 2 copies. 44 pp., each.
folder 9 Birtwistle, Harrison. Nenia: The Death of Orpheus. For soprano, crotales, two pianos (one prepared), and three bass clarinets (one doubling B-flat clarinet).
Full score. English text. London: Universal Edition, c1974. 36 pp.
folder 10 Boulez, Pierre. Le marteau sans maitre. For alto voice and six instruments.
Full score. French text. London: Universal Edition, c1957. 98 pp. Inscribed to JDG by the composer.
folder 11 Carter, Elliott. Syringa. For mezzo-soprano and bass (voice), guitar, and ten instrumentalists.
Full score. Classical Greek and English texts. New York: Associated Music Publishers, c1980. 141 pp. Inscribed to JDG by the composer.
folder 12 Carter, Elliott. Syringa. For mezzo-soprano, bass (voice), guitar, and ten instrumentalists.
Full score. Classical Greek and English texts. MS repro. 116 pp.
folder 13 Carter, Elliott. Syringa. For mezzo-soprano, bass (voice), guitar, and ten instrumentalists.
Full score. Classical Greek and English texts. MS repro. 116 pp. Written on the title page in Red pencil: “Composer’s copy – Please return.”
folder 14 Copland, Aaron. Eight Poems of Emily Dickinson. For voice and chamber orchestra.
Full score. English text. New York: Boosey & Hawkes, c1978. 101 pp. Inscribed: “For Jan, with many special memories. –Lee”
folder 15 Crumb, George. Three Madrigals. Book I. For soprano, vibraphone, and contrabass.
Full score. Spanish text. MS repro. Rental score from Mills Music, Inc. 6 pp.
folder 16 Crumb, George. Night Music I. For soprano, keyboard, and percussion. Texts by Federico GarcĂ­a Lorca.
Full score. Spanish text. Published score from MS repro. Melville, NY: Belwin Mills, c1967. 16 pp.

Box 29

folder 1 Davidovsky, Mario. Romancero. For soprano, flute, clarinet, violin, and cello.
Full score. Spanish text. MS repro. 24 pp.
folder 2 Davidovsky, Mario. Scenes from Shir Ha-Shirim. For soprano, two tenors, bass (voice), flute, oboe, clarinet/bass clarinet, string quartet, and percussion.
Full score. Hebrew text. MS repro. Rental score from Belwin-Mills Publ. Corp. 89 pp.
folder 3 Davies, Peter Maxwell. Black Pentecost. For mezzo-soprano and baritone (voice) with orchestra.
Full score. English text. London: J. &W. Chester, c1981. Rental score. 165 pp.
folder 4 Davies, Peter Maxwell. Fiddlers at the Wedding. For voice, alto flute, mandolin, guitar, and percussion.
Full score. English text. MS repro (at bottom of first page of score: © 1976 by Boosey & Hawkes Music Publishers Ltd.). 23 pp.
folder 5 Davies, Peter Maxwell. Stone Litany. For mezzo-soprano and orchestra. Runic text from a “house of the dead.”
Miniature score. London: Boosey & Hawkes, c1983. 75 pp. Inscribed to JDG by the composer.
folder 6 Davies, Peter Maxwell. Stone Litany. For mezzo-soprano and orchestra. Runic text from a “house of the dead.”
Full score. Published score produced from MS repro. London: Boosey & Hawkes, c1975. 64 pp. Inscribed to JDG by the composer.
folder 7 Druckman, Jacob. Dark Upon the Harp. Psalms for mezzo-soprano, brass, and percussion.
Full score. English text. MS repro. 68 pp.
folder 8 Druckman, Jacob. Lamia. For soprano and orchestra.
Miniature score. Various languages. London: Boosey & Hawkes, 1981. 2 copies. 65 pp. Copy 1 inscribed to JDG by the composer.
folder 9 Fauré, Gabriel. La Bonne Chanson. For voice with string quartet.
Score. French text. MS repro (stamp at bottom of first page for Hamelle & Co.). 48 pp.
folder 10 Fetler, Paul. The Garden of Love. Six songs for mezzo-soprano and orchestra.
Full score. English text. MS repro. 100 pp. Dedicated to JDG. Inscribed to JDG by the composer.
folder 11 Fetler, Paul. The Garden of Love. Six songs for mezzo-soprano and orchestra.
Piano reduction. English text. MS repro. 33 pp. Dedicated to JDG.
folder 12 Flippo, David. Four Songs of Man. For mezzo-soprano, English horn, cello, and two percussionists.
Full score. English text. MS repro. 34 pp. Dedicated to JDG.
Four instrumental parts. MS repro. 26 pp., total.
folder 13 Gaburo, Kenneth. “Two.” Song for mezzo-soprano, alto flute, and double bass. Poem by Virginia Hommel.
Score. English text. Bryn Mawr, PA: Theodore Presser, c1971. 8 pp.
folder 14 Harbison, John. Elegiac Songs. For mezzo-soprano and chamber orchestra.
Full score. English text. MS repro. 105 pp. Commissioned for JDG and dedicated to her and Paul Fromm.

Box 30

folder 1 Hodkinson, Sydney. Alte Liebeslieder. Book IV: “Fingertip Words.” Six songs for medium voice, oboe, cello, and piano with optional percussion. Poems by Saint Geraud.
Full score. English text. MS repro. 70 pp. Commissioned by JDG and Philip West.
folder 2 Hodkinson, Sydney. Roethke Lieder. Book 2. For voice (soprano/tenor), flute doubling piccolo, and harpsichord (piano).
Full score. English text. MS repro. 43 pp.
Flute/piccolo part. MS repro. 12 pp.
folder 3 Hodkinson, Sydney. Roethke Lieder. Book 3. For high voice (soprano/tenor), flute (alto flute/piccolo), and harpsichord (piano).
Full score. English text. MS repro. 31 pp.
folder 4 Kernis, Aaron. American (Day) Dreams. Full score of five scenes and an epilogue for mezzo-soprano and chamber ensemble. Texts by May Swenson.
Score. Published score produced from MS repro. [Copenhagen]: Wilhelm Hansen, c1987. Accompanied by two photocopied pages of texts used in the work.
folder 5 Martin, Frank. Quatre Sonnets (Ă  Cassandre). Collection of songs for mezzo-soprano, flute, viola, and cello.
Full score and parts (3 parts). French text. ZĂŒrich: Hug & Co., [s.d.]. 15 + 6 pp.
Piano vocal score. French text. ZĂŒrich: Hug & Co., [s.d.]. 11 pp.
folder 6 Penderecki, Krzysztof. Strophen. For soprano, speaker (baritone), flute, percussion, piano, violin, viola, and contrabass.
Full score. Polish text. MS repro. Rental score from Theodore Presser Co. 38 pp. Interleaved in score: rental perusal note from Theodore Presser Co., Bryn Mawr, PA. 1 p.
folder 7 Picker, Tobias. Symphony. For soprano and orchestra.
Full score. German text. Photocopy of published score. [s.l.: s.n., s.d.]. 29 pp.
folder 8 Schuman, William. In Sweet Music. For flute, viola, voice, and harp.
Part for voice and harp. English text. MS repro. Rental part from Theodore Presser Co. 49 pp.
folder 9 Thorne, Nicholas. Songs from the Mountain, Op. 23. For high voice, flute, clarinet, percussion, piano, violin, and cello.
Full score. English text. Published score produced from MS repro. New York: Nortlight Music/Edition Wilhelm Hansen, c1986. 91 pp.
Accompanied by a promotional pamphlet for the composer including bio and descriptions of several works.
folder 10 VarĂšse, Edgard. Offrandes. For soprano and chamber orchestra.
Full score. French text. New York: Franco Colombo, c1960. 31 pp.
folder 11 Walden, Stanley. Coronach; a Kaddish. For mezzo-soprano, English horn, and chant.
Full score. The syllabic notation in the mezzo-soprano part is left to the discretion of the singer. The chanted part is the Kaddish (which is in Aramaic). MS repro. 3 copies. 13 pp., each. Written for JDG and Philip West. Copies 1–2 inscribed by the composer.
folder 12 Walden, Stanley. Fandangle. A tomfoolery for actors, dancers, voices, and chamber orchestra.
Libretto. Typescript. 21 pp.
folder 13 Walden, Stanley. Some Changes. “Song theatres for mezzo (or soprano) and electric clarinet” (also includes percussion instruments). Texts by June Jordan.
Full score. English text. MS repro. 29 pp. Written for JDG.
Performance score. English text. MS repro, with insertions in pencil and photocopies of pages to facilitate page turns. 28 pp., total.
folder 14 Webern, Anton. Vier Lieder fĂŒr Gesang und Orchester, Op. 13.
Full score. German text. [Wien]: Universal Edition, c1954. 23 pp.
folder 15 Wernick, Richard. A Prayer for Jerusalem. (Verses from Psalm cxxii). For mezzo-soprano and percussion.
Full score. Hebrew text (phonetic realization.) MS repro. Rental score from Theodore Presser. 13 pp. Written for JDG.
folder 16 Wernick, Richard. Songs of Remembrance. For mezzo-soprano and shawm/English horn/oboe (one player for the winds).
Full score. Greek, Latin, and English texts. MS repro. 13 pp. Written for Philip West.
folder 17 Wilkinson, Marc. Voices. For contralto voice, flute, E-flat clarinet, bass clarinet, and cello. Text from the play Waiting for Godot by Samuel Beckett.
Full score. English and German texts. London: Universal Edition, c1960. 24 pp.

Series 8: Instrumental Works

Box 30 [cont.]

folder 18 Davies, Peter Maxwell. Farewell to Stromness and Yesnaby Ground. For solo piano.
Score. New York: Boosey & Hawkes, c1980. 5 pp. Inscribed to Phil [West] and JDG by the composer.
folder 19 Shackelford, Rudy. Epitaffio. For solo guitar.
Score. Milano: Edizioni Suvini Zerboni, c1979. 3 pp. Inscribed to JDG by the composer.

Series 9: Oversized Scores

Box 33

item 1 Argento, Dominick. Casa Guidi. Five songs for mezzo-soprano and orchestra.
Full score. English text. MS repro. Rental score, from Boosey and Hawkes Rental Library. 66 pp.
items 2-3 Benson, Warren. Five Lyrics of Louise Bogan. For mezzo-soprano and flute.
Score. English text. MS repro. 2 copies. 19 pp., each. Dedicated to Bonita Boyd and JDG by the composer. Copy 1 inscribed to JDG by the composer.
folder 4 Clarke, Rebecca. “God Made a Tree” and “The Donkey.” Two songs for voice and piano.
Scores. MS repro. 8 pp., total.
folder 5 Crumb, George. Apparition. Elegiac songs and vocalizes for soprano and amplified piano. Texts from Walt Whitman’s When Lilacs Last in the Dooryard Bloom’d.
Score. MS repro. 16 pp.
folder 6 Crumb, George. Lux Aeterna. For five masked musicians (soprano, bass flute doubling soprano recorder, sitar, and two percussionists).
Full score. Latin text. MS repro. 7 pp.
folder 7 Crumb, George. Three Madrigals (Book II). For soprano, alto flute (doubling flute in C and piccolo), and percussion.
Full score. Spanish texts. MS repro. 7 pp.
folder 8 Crumb, George. Madrigals (Book III). For soprano, harp, and percussion.
Full score. Spanish texts. MS repro. 6 pp.
folder 9 Crumb, George. Madrigals (Book IV). For soprano, flute (doubling piccolo and alto flute), harp, contrabass, and percussion.
Full score. Spanish texts. MS repro. 6 pp.
folder 10 Dallapiccola, Luigi. Divertimento in Quatro Esercizi. For flute, oboe, clarinet, soprano, viola, and cello.
Instrumental and vocal parts. Six performance parts, created from strips extracted from the full score (photocopies) pasted on file folders. 20 leaves.
folder 11 Davies, Peter Maxwell. Stone Litany. For mezzo-soprano and orchestra. Runic text from a “house of the dead.”
Full score. Published score produced from MS repro. London: Boosey & Hawkes, c1973. 68 pp.
folder 12 Fine, Vivian. Canticles for Jerusalem. For voice and piano.
Score. English and Hebrew texts. MS repro. 23 pp.
item 13 Fine, Vivian. The Confession from Phaedra. For voice, alto flute (doubling C flute), violin, viola, cello, and piano.
Score. French text. MS repro. 25 pp. Housed in file folder with text affixed to inside front cover.
item 14 Harbison, John. Elegiac Songs. For mezzo-soprano and chamber orchestra.
Full score. English text. MS repro. 105 pp. Commissioned for JDG. Typescript text affixed to inside front cover. 4 pp.
item 15 Harvey, Jonathan. Nachtlied. For soprano, piano, and tape.
Full score. German text. MS repro. Rental score, from Faber Music Ltd. Hire Library. 23 pp.
item 16 Harvey, Jonathan. Song Offerings. For soprano and eight instrumentalists.
Full score. English text. MS repro. Perusal score from Faber Music Ltd. Hire Library. 62 pp.
item 17 Levinson, Gerald. Black Magic/White Magic. Song cycle for soprano and seven players.
Full score. English text. MS repro. 49 pp. Inscribed to JDG by the composer.

Box 34

item 1 Lewin, Frank. Variations of Greek Themes. Song cycle for contralto (or mezzo-soprano), flute, viola, harp, and piano.
Notes. Typescript packet containing program notes, performance notes, and texts. 17 pp.
Instrumental parts (3 parts: flute, viola, harp). MS repro.
items 2-3 Lewin, Frank. Variations of Greek Themes. Song cycle for contralto (or mezzo-soprano), flute, viola, harp, and piano.
Full score. English text. MS repro, bound. Produced by American Composers Alliance, New York. 2 copies. 71 pp., each.
item 4 Matthews, Colin. Night’s Mask. For voice and seven instrumentalists.
Full score. English text. MS repro. Rental score from Faber Music Hire Library. 41 pp.
items 5- 7 Osborne, William. Rockaby. A setting of Samuel Beckett’s play for woman’s voice, four trombones, and piano.
Full score. English text. MS repro. 3 copies. 15 pp., each. Copy 1 accompanied by letter to JDG from the composer (dated November 17, 1986), reviews, a program of the work, and a publicity booklet for the Wasteland Company Music Theater.
folder 8 Peaslee, Richard. Three Songs. Songs for voice and piano.
Score. MS repro. 8 pp. Accompanied by a handwritten letter to JDG from the composer; dated February 21, 1980.
item 9 Penderecki, Krzysztof. Passio et mors domini nostri Iesu Christi secundum Lucam. For soprano, baritone, bass and spoken soli, three SATB choruses, SA children’s chorus, and orchestra.
Full score. Latin text. KrakĂłw: Moeck, c1967. 114 pp. Inscribed by the composer.
items 10-11 Powell, Mel. Strand Settings: Darker. Song cycle for mezzo-soprano with electronic-music accompaniment.
Score. English text. MS repro, bound (copyright MKS Music Co., 1983). 2 copies. 15 pp., each. Commissioned for and dedicated to JDG.
folder 12 Rouse, Christopher. Mitternachtlieder. For baritone voice and eleven instrumentalists.
Full score. In English. MS repro. No imprint.
item 13 Stalvey, Dorrance. Pound Songs. For soprano, flute, clarinet, percussion, piano, violin, and cello.
Full score. English text. MS repro. 47 pp.
folder 14 Wernick, Richard. Kaddish –Requiem. A secular service for the victims of Indo-china. For seven instrumentalists, mezzo-soprano, and tape.
Full score. German and Latin texts. (The tape is of the Hebrew Kaddish.) MS repro. 19 pp.
folder 15 Wernick, Richard. A Prayer for Jerusalem. For mezzo-soprano and percussion.
Full score. English text. MS repro. 13 pp. Inscribed to JDG by the composer.
folder 16 [Two songs for solo voice, composer unidentified.]
“Oh Rosa Bella.” Vocal part. Ink MS. 2 pp.
“Song of the Basket Dancers.” Vocal part. Ink MS. 2 pp.
Texts for “Oh Rosa Bella” and “Song of the Basket Dancers.” Typescript. 1 p.

Box 35

folder 1 Adler, Samuel. We Are the Echoes: Symphony No. 5. For mezzo-soprano and orchestra.
Full score. English text. MS repro. 78 pp
item 2 Birtwistle, Harrison. Nenia: The Death of Orpheus. For soprano, three bass clarinets, and crotales.
Full score. English text. MS repro. 26 pp.
folder 3 Crumb, George. Ancient Voices of Children. Song cycle for soprano, boy soprano, oboe, mandolin, harp, electric piano, and percussion.
Full score (incomplete). Spanish text. MS repro. 6 pp. Missing pp. 7–8.
Excerpts from full score (duplicates/photocopies). Spanish text. MS repro. Includs pp. 3–4, p. 1, and p. 4. 4 pp., total.
Full score. Spanish text. New York: Peters, c1970. 2 copies. 8 pp. Copy 2 incomplete; missing pp. 7–8. Dedicated to JDG.
item 4 Crumb, George. Night of the Four Moons. For alto, alto flute (doubling piccolo), banjo, electric cello, and percussion.
Full score. Spanish text. Published score produced from MS repro copy. New York: Peters, c1971. 10 pp.
item 5 Davies, Peter Maxwell. Black Pentecost. For mezzo-soprano and baritone with orchestra.
Full score. English text. MS repro. Rental score from J. & W. Chester Orchestral Hire Library. 189 pp.
item 6 Druckman, Jacob. Lamia. Version for soprano and chamber orchestra.
Full score (chamber orchestra). In various languages. Published music produced from MS repro copy. New York: Boosey & Hawkes, [s.d.]. Rental score. 64 pp.
folder 7 Druckman, Jacob. Lamia. For soprano and orchestra.
Full score (full orchestra). In various languages. Published music produced from MS repro copy. New York: Boosey & Hawkes, [s.d.]. 63 pp.
Excerpts from full score (photocopies): pp. 23–26 and pp. 29–51. MS repro. 27 pp., total.
item 8 Marshall, James. Five Songs. For soprano, flute, violin, cello, percussion, and piano.
Full score. English text. MS repro, produced by American Composers Alliance, New York. 61 pp.
item 9 Wernick, Richard. Visions of Terror and Wonder. For mezzo-soprano and orchestra.
Full score. Hebrew text. MS repro. Rental score from Theodore Presser Co. 104 pp.

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