12 September 2013
Stephan Prock, New Zealand School of Music
"Music and the Modern Subject in Hitchcock’s Psycho"
19 September 2013
Joy H. Calico, Vanderbilt University
"Arnold Schoenberg's A Survivor from Warsaw in Postwar Europe"
26 September 2013, 3:30 p.m.
Conference dry run: C. Aaron James
"The Many Faces of the Salve: Marian Symbolism in an Alamire Choirbook," paper presentation for Sources of Identity: Makers, Owners and Users of Music Sources Before 1600 (Sheffield, UK)
EROI Festival 2013:
Friday, 27 September 2013, 9:00 a.m. - 12:30 p.m., Downtown United Presbyterian Church, 121 Fitzhugh Street North
Amy Bauer, University of California Irvine
"Let the Disease Become the Cure: Ligeti’s Utopian Organ Works"
3 October 2013, ESM 404
J. Daniel Jenkins, University of South Carolina
"Schoenberg’s Advice for Beginners in Composition with Twelve Tones”
Co-sponsored with the Music Theory Department
17 October 2013
Robert Gauldin, Eastman School of Music (Emeritus)
“A Sword from the Gods: The Vikings’ +ULFBERH+T and Siegfried’s Nothung”
31 October 2013
Regina Compton, Eastman School of Music
"The Tyrant’s Wife and the Continuo Player: Using Recitative to Read Handel’s Operatic Characters"
14 November 2013
5 December 2013
Ellen Harris, Massachusetts Institute of Technology (emerita)
“How Did Handel’s Audiences Hear His Operas?: Mary Delany and Floridante”
13 February 2014
Sarah Fuchs Sampson, Presser Lecture
27 February 2014
Elliott Powell, postdoctoral fellow, Frederick Douglass Institute
27 March 2014
Tomie Hahn, Rensselaer Polytechnic Institute
10 April 2014
Stephanie Jensen-Moulton, Brooklyn College
Sponsored by EDDI
1 May 2014
Gundula Kreuzer, Yale University
Full Events Listing