Musicology

Musicology Events

The Musicology Department sponsors two series of presentations:

  • The Colloquium series offers talks by current faculty and graduate students.
  • The Symposium series presents prominent guest speakers from other institutions.

Both series are open to the Eastman community. All events take place on Thursdays at 4:30 p.m. in NSL 404 (Sibley Library seminar room) unless otherwise noted.

 


MUY Symposium Speakers Fall 2017

18 September 2017, 3:00 pm, Hatch Recital Hall

Jeremy Denk
The Glenn Watkins Lecture: “The Ten Worst Things About Being A Musician, and What To Do About Them.”

 

 


21 September 2017

Dan Blim, University of Rochester Humanities Center
“Some Issues with Reissues: The Case of Harry Smith’s Anthology of American Folk Music”

Reissues of older recordings are a mainstay of the music industry, sometimes elaborately produced for fans, sometimes available at a budget price for new listeners. While much scholarship has examined the process of recording music, relatively little attention has been given to the act of reissuing recordings. To shed light on this process, I consider a single album: the Anthology of American Folk Music, released by Folkways Records in 1952. The Anthology was itself a reissuing of older recordings—one of the first—assembled by avant-garde artist Harry Smith from his enormous record collection. Forty-five years later, the Smithsonian reissued the landmark Anthology on CD. Drawing on Smith’s comments about the album and on archival records at the Smithsonian that detail their process of reissuing it, I consider how these twin reissues demonstrate how the act of reissuing does not merely mechanically reproduce, but instead actively edits, revises, and constructs new meanings within the music


5 October 2017

Joan Rubin, Director, University of Rochester Humanities Center
“The Popularization of Classical Music and the Universe of Print in Mid-Twentieth-Century America”

This paper, based on my keynote at the “Music and the Middlebrow” conference last June in London, explores the ways in which the technologies of the phonograph record and the radio intersected with institutions and practices of print culture to shape the terms on which middlebrow mediators popularized classical music in mid-twentieth-century America.  Examples include the efforts of the National Committee for Music Appreciation to support the distribution of recordings by public libraries; the creation of Music Appreciation records by the Book-of-the-Month Club; and the activities of Sigmund Spaeth, David Randolph, and other radio commentators who brought out books on how to listen to classical music.  The paper addresses the inadequacy of the “sacralization of culture” model as a description of these phenomena and suggests that musicologists and cultural historians need to take the universe of print into account in constructing a complete picture of the dissemination of classical music in modern America.


19 October 2017

Danielle Fosler-Lussier, Ohio State University
“Transnationalism Comes Home: UNESCO, USIA, and Women’s Advocacy for Music”

When we think about the musical cold war, we tend to think about powerful institutions. The 1950s and 60s saw the development of conspicuous music programs sponsored by government programs, like the United States Information Agency—and non-governmental organizations, like UNESCO, the United Nations Educational, Scientific and Cultural Organization. Yet these institutions had limited means. The USIA had a tiny music budget, and its operations were hemmed in by regulations and Congressional investigations. UNESCO made lots of recommendations, but had no regulatory force. Most importantly, these institutions were composed of individual actors and constituent groups, who held different (and often competing) agendas. To a striking extent, the ability of UNESCO and the USIA to enact musical transnationalism depended on people working outside those institutions. The scholarly literature on the “state-private network” has focused on ways in which the US government gained legitimacy by using citizen groups as front organizations. This presentation demonstrates that several non-governmental organizations, operated principally by a network of volunteer women, not only amplified the power of cold war institutions but also shaped the agendas of those institutions.


MUY Symposium Speakers Spring 2018

1 March 2018

Olivia Bloechl, University of Pittsburgh
Title TBA


29 March 2018

Ryan Dohoney, Northwestern University
Title TBA


5 April 2018

Anna Zayaruznaya, Yale University
Title TBA

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