WAYNE BARLOW COLLECTION
SUB-GROUP I: MANUSCRIPTS
Box 1
| folder 1 | The Dream. For voice and piano. Words by A. M. Scruggs. — May 1931 Ink MS; 3 pages of music. [Also see box 1/11.] |
| folder 2 | Lakeside Scenes: Descriptive Suite. For piano. — Completed August, 1931 [I.] Dawn. Pencil MS; 3 pages of music. 1.Surf. Ink MS; 3 pages of music. III. Clouds. Ink MS; 3 pages of music. |
| folder 3 | Novelette. For piano. — November, 1931 Ink MS; 3 pages of music. |
| folder 4 | Psalm of Praise. Anthem for mixed voices and organ. — January, 1932 Text: Psalm 106. Ink MS; 11 pages of music. Accompanied by an MS repro copy of the work in another rendering in WBB’s hand; incomplete. |
| folder 5 | Rhythmic Study. For piano. — February, 1932 Ink MS; 4 pages of music. |
| folder 6 | Soliloquy (Reverie). For piano and ‘cello. — March, 1932 Score (ink MS; 2 pages of music) and ‘cello part (ink MS; 1 page of music). |
| folder 7 | Waltz. For piano. — March 1932 Ink MS; 3 pages of music. |
| folder 8 | Scherzo. For piano. — March, 1932 Ink MS; 2 pages of music. |
| folder 9 | Prelude. For piano. — April, 1932 Ink MS; 2 pages of music. |
| folder 10 | Stars. For voice and piano. Words by Carl Sandburg — May, 1932 Ink MS; 2 pages of music. |
| folder 11 | The Dream. For voice and piano. Words by A. M. Scruggs. — May, 1932 Ink MS; 5 pages of music. [See also box 1/1; the 1932 version has a more elaborate accompaniment than that seen in the May, 1931 manuscript.] |
| folder 12 | Theme and Variations In B-flat major. For piano. — May, 1932 Ink MS; 13 pages of music. |
| folder 13 | Intermezzo. For piano. — July, 1932 Ink MS; 4 pages of music. |
| folder 14 | Mystic Poem. For organ. — September 7, 1932 Ink MS; 8 pages of music. Lines by William Sharp in ink on the title page. |
| folder 15 | Far Sunset. For violin and piano. For Pat Kinney. — December, 1932 Score (ink MS; 4 pages of music) and violin part (ink MS; 2 pages of music). Words of William Sharp added as an epigraph on the first page of music of the score. Accompanied by negative photostatic copies of both the score and the violin part. |
| folder 16 | Lands. For baritone with piano. Words by James E. Warren, Jr. — [1932] Ink MS; 5 pages of music. Year of composition lightly pencilled on title page in (discernibly) WBB’s hand. |
| folder 17 | Grotesque March. For piano. — January, 1933 Ink MS; 3 pages of music. |
| folder 18 | Nocturne. For piano. — February, 1933 Ink MS; 2 pages of music. |
| folder 19 | The Valley of Silence. Song. Words by William Sharp. — April 11, 1933 Ink MS; 4 pages of music. |
| folder 20 | Choral Meditation. For organ. — April, 1933 Ink MS; 2 pages of music. |
| folder 21 | The Hills. Song. Text unattributed. — August, 1933 Ink MS; 2 pages of music. Accompanied by a vocal part (ink MS; 1 page). |
Box 1
| folder 22 | False Faces. Choral ballet in a prologue and two scenes. Concert version. Story by Leone Coffer. — 1935 MS repro score; 56 pages of music. Bears pencilled performance markings. “Presented as a thesis for the Degree Master of Music, June, 1935.”—on title page. |
| folder 23 | Three Moods for Dancing. — [1940] For orchestra. Movements are: I. Neo Classic, II. Impressionist, III. Cubist. Ink MS of I, Neo-Classic (6 pages of music). Pencil sketch of the three movements (5, 4, 4 pages of music). Ozalid masters of the parts for strings. Cf. Box 12/1 (Oversized) for the MS full score (47 pp.), used for conducting. |
| folder 24 | Three Moods for Dancing. Orchestral parts (1/2). For orchestra. Movements are: I. Neo Classic, II. Impressionist, III. Cubist. MS repro parts for strings: vn I. 13, vn II. 10, va. 7, cello. 8, bass. 5 ; part for snare drum, bass drum, cymbals, suspended cymbals, & xylophone. 2, harp. 4. Most of the parts bear performance markings in pencil. Some of the vn, va and cello parts lack certain pages. |
| folder 25 | Three Moods for Dancing. Orchestral parts (2/2). For orchestra. Movements are: I. Neo Classic, II. Impressionist, III. Cubist. MS repro parts for woodwinds, brass, percussion, harp, and celeste: flute I, II, piccolo, oboe I, II, English horn, B flat clarinet I, II, bass clarinet , bassoon I, II, contra bassoon. mvt. III only, horn I, II, III, IV, C trumpet I, II, III, trombone I, trombone III. mvt. III only, trombone III. mvt. III only, tuba. mvt. III only, timpani, xylophone, harp, celesta. |
| folder 26 | The Black Madonna. A ballet in three scenes, adapted from the play by William Sharp. — December, 1941 Description of the scene, settings, costumes, and dramatis personae (2 pages, typescript). Pencil draft (16 pages of music). Ozalid piano-vocal score with underlying text (14 pages of music). 8 choral scores derived from the Ozalid piano-vocal score (each 7 pages of music). Ozalid parts: vn I, vn II, vla, vc, bass, perc (snare drum, bass drum, cymbals, suspended cym., xylophone). |
Box 2
| folder 1 | De Profundis. Poem for orchestra. — 1934 Ink MS; 27 pages of music. Ink MS; 32 pages of music. Pencil sketches; 6 pages of music. Dated January, 1934. |
| folder 2 | De Profundis. Poem for orchestra. Ozalid masters of the strings parts (vn I, vn II, vla, vc, bass). MS repro orchestral parts: vn I (5), vn II (4), vla (3), vc (2), bass (2), fl I, fl II, ob II/Engl hn, cl I, cl II, bn I, bn II, F hn II, F hn III, F hn IV, tpt I, tpt II, tbn I, tbn II, tbn III, tuba, timp, tenor drum/cymbals, bass drum/tam-tam, |
| folder 3 | The Winter’s Passed. For oboe and strings. — [1938] MS repro parts (in a copyist’s hand): Oboe solo, vn I and solo vn (2), vn I (7), vn II (7), vla (5), vc (4), bass (3). Accompanied by a copy of the published version for oboe with piano accompaniment (copyright 1940 by the Eastman School of Music), itself accompanied by a copy of unsigned program notes (1 page, typescript). |
| folder 4 | Lyrical Piece. For B-flat clarinet and strings. — [1943] Master copy of the score (20 pages of music), together with a negative photostatic copy of same. A hybrid set of parts, comprised of Ozalid masters of the vn I, vn II, and vla parts, a MS copy of the vc part, and a published copy of the solo clarinet part. Accompanied by 5 copies of the Carl Fischer publication of the manifestation for clarinet and piano (CF cat. no. W1917), together with Music Lovers’ Shoppe (Rochester, NY) purchase order for same. |
| folder 5 | Lento and Allegro. For orchestra. — [1955] Ozalid masters of score; 64 pages of music. Ozalid masters of string parts: vn I, vn II, vla, vc, bass, cb. MS repro parts: fl 1, fl 2, ob 1, ob 2, cl 1, cl 2, bsn 1, bsn 2, hn 1, hn 2, hn 3, hn 4, tpt 1, tpt 2, tbn 1, tbn 2, tbn 3, tuba, timp, perc 1, perc 2 harp. |
| folder 6 | Night Song. — For orchestra. 1956 Ozalid masters of score; 27 pages of music. Negative photostatic copy of the score. |
| folder 7 | Intrada, Fugue and Postlude. For brass ensemble. — 1959 Ozalid master score; 31 pages of music. Bears dedicatee’s name in caption, and both the year of completion and year of copyright at foot of first page of music. Ozalid master score; 31 pages of music. A different manifestation than the above-cited. Ozalid masters of parts: tpt 1, tpt 2, tpt 3, hn 1, hn 2, hn 3, hn 4, tbn 1, tbn 2, tbn 3, bar 1, bar 2, tuba 1 (2), tuba 2 (2). |
| folder 8 | Rota. For chamber orchestra. — 1959 Ozalid masters of score; 20 pages of music. Ozalid masters of parts: fl, Engl hn, cl, bsn, hn 1, hn 2, tpt 1, tpt 2, vn 1, vn 2, vla, vc, bass. Ozalid masters of piano reduction; 2 pages of music. Negative photostatic copy of score, incomplete (19 pages). MS repro copies (2) of the piano reduction; one copy marked by WBB. |
Box 3
| folder 1 | Images. For harp and orchestra. — 1961 Negative photostatic copy of solo harp part; 18 pages of music. |
| folder 2 | Images. For harp and orchestra. — 1961 Negative photostatic copy of piano reduction score; 36 pages of music. |
| folder 3 | Images. For harp and orchestra. — 1961 Negative photostatic copy of piano reduction score; 31 pages of music. [Both the title keyword “orchestra” and the copyright year rubbed out on the first page of music, apparently indicating revisions in progress for the 1963 version.] |
| folder 4 | Images. For harp and orchestra. — 1961 Piano reduction score, first movement only; annotated by Robert Barlow [so identified by Joan Barlow Donat in 2001]; 14 pages of music. |
| folder 5 | Images. For harp and orchestra. — 1961 Piano reduction score; 36 pages of music. [Cover title “for harp and instruments” is at variance with the caption title “for harp and orchestra”.] Bears annotations by a pianist performer. |
| folder 6 | Images. For harp and orchestra. — 1961 Ozalid masters of parts: fl, ob, Engl hn, cl 1, cl 2, bsn, hn 1, hn 2, tpt 1, tpt 2, tbn, vn 1, vn 2, vla, vc, bass. |
| folder 7 | Sinfonia Da Camera. — [1962] Ozalid masters of the instrumental parts: vn 1, vn 2, va, vc, bass, fl 1, fl 2, ob 1, ob 2, cl 1, cl 2, bsn 1, bsn 2, hn 1, hn 2, tpt 1, tpt 2, tbn, timp, perc, piano. |
| folder 8 | Images. For harp and instruments. — 1963 Masters (transparent) of score, reduced in size; 83 pages of music. |
| folder 9 | Images. For harp and instruments. — 1963 Negative photostatic copy of score, generated from a spiral-bound copy; 83 pages of music. |
| folder 10 | Images. For harp and instruments. — 1963 Masters (transparent) of piano reduction score, at full size; 31 pages of music. |
| folder 11 | Images. For harp and instruments. — 1963 Masters (transparent) of solo harp part, at full size; 15 pages of music; accompanied by a negative photostatic copy of same. harp part; |
| folder 12 | Images. For harp and instruments. — 1963 Ozalid masters of parts: fl, ob, Engl hn, cl, bsn, hn, tpt, vn 1, vn 2, vla, vc, bass. |
| folder 13 | Vistas. For orchestra. — 1963 Pencil draft; 43 pages of music. Bears title “Quiet Piece” in caption. Negative photostatic copy of score; 28 pages of music. Ozalid masters of parts: vn 1, vn 2, vla, vc, bass, fl 1/2, cl 1, cl 2, ob/Engl hn, bsn 1/2, hn 1/2, tpt 1/2, tbn 1/2, timp/perc, harp. |
Box 4
| folder 1 | Overture, Hampton Beach. For orchestra. — 1971 Pencil sketches. Ozalid masters of parts: vn 1A, vn 1B, vn 2a, vn 2B, vla 1, vla 2, vc 1, vc 2, bass, fl 1, fl 2, ob 1, ob 2, cl 1, cl 2, bsn 1, bsn 2, hn 1, hn 2, hn 3, hn 4, tpt 1, tpt 2, tpt 3, tbn 1, tbn 2, tbn 3, tuba, timp, perc, harp/celeste. |
| folder 2 | Soundscapes. For orchestra and tape. — 1971 Ozalid masters of parts: vn 1, vn 2, vla, vc, bass, fl 1, fl 2, ob 1, ob 2, Engl hn, cl 1, cl 2, bass cl, bsn 1, bsn 2, hn in F 1, hn in F 2, hn in F 3, hn in F 4, tpt 1, tpt 2, tpt 3, tbn 1, tbn 2, tuba, timp, harp, perc, tape . |
| folder 3 | Divertissement. For flute and chamber orchestra. — 1980 Pencil sketches. Manuscript book with pencil sketches. |
| folder 4 | Divertissement. — 1980 Ozalid masters of score; 78 pages of music. Ozalid masters of flute/alto flute part; 6 pages of music. |
| folder 5 | Frontiers. For symphonic band. — 1982 In WBB’s hand. Ozalid masters of parts: ob 1/2, picc 1/2, fl 1/2, Engl hn, cl 1/2, cl 3, alto cl, bass cl, bsn 1/2, alto sax 1/2, tenor sax, bari sax, cor 1/2, cor 3, tpt 1/2, hn 1/2, hn 3/4, tbn 1/2, tbn 3, bari, tuba 1 in E-flat/2 in B-flat, timp, perc. |
| folder 6 | Frontiers. For symphonic band. — 1982 In a copyist’s hand. Ozalid masters of parts: picc 1, picc 2, fl 1, fl 2, ob 1, ob 2, Engl hn, cl 1, cl 2, cl 3, alto cl, bass cl, bsn 1, bsn 2, alto sax 1, alto sax 2, tenor sax, bari sax, bass sax, cor 1, cor 2, cor 3, tpt 1, tpt 2, hn 1, hn 2, hn 3, hn 4, tbn 1, tbn 2, tbn 3 (bass), bari hn, tuba 1, tuba 2, perc. |
| folder 7 | Requiem and Alleluia. For trombone choir. — 1991 To the memory of Emory Remington. Pencil sketches, in MS notebook (title “Winter’s Passed” on cover). Ink MS score; 28 pages of music. Loose-leaf. MS repro score, spiral-bound; 28 pages of music. Master parts (8), labelled “Trombone I” through “Trombone VIII”. |
| folder 8 | Fanfare for the University of Alabama. — [undated] Ink MS; 3 pages of music. Ink MS parts tpt 1, tpt 2. MS repro score; 3 pages of music. |
| folder 9 | Variation on a Theme by Hanson. For orchestra. — [undated] Pencil MS; 6 pages of music. |
| folder 10 | Variation on a Theme from “The Musicians of Bremen” by Bernard Rogers. For instruments. — [undated] Ink MS parts: piano, vn 1, vn 2, vc, bass, fl, ob, cl, bsn, hn in F, tpt in C, timp, perc. |
Box 4
| folder 11 | Zion in Exile. Cantata. — 1937 Ozalid masters of parts: vn 1, vn 2, vla, vc, bass. Ozalid masters of piano vocal score; 63 pages of music. |
Box 5
| folder 1 | Songs from “The Silence of Amor”. For soprano voice and orchestra. — 1938 Poems by William Sharp. Texts of the three songs (2 pages; typescript). Invoice from City Blue Print Company (May 21, 1952) for generation of prints. Ozalid masters of score; 40 pages of music. Ozalid masters of piano vocal score; 15 pages of music (in a copyist’s hand). Ozalid masters of parts: vn 1, vn 2, vla, vc, bass. Ink MS parts (in a copyist’s hand): vn 1, vn 2, vla, vc, fl 1, fl 2/alto fl, cl 1, cl 2 ob 1, ob 2, bsn 1, bsn 2, hn 1, hn 2, tpt 1 in C, tpt 2 in C, perc, harp (2). Ink MS piano vocal score; 14 pages of music, unnumbered. MS repro parts: vn 1 (5), vn 2 (4), vla (3), vc (3), bass (2). Pencil sketches. |
| folder 2 | Lament from Zion in Exile. For string quartet, piano, and soprano solo. — 1941 MS score; 5 pages of music. “Arranged April 27, 1941”—on title page of score. Ink MS parts: piano, vn I, vn II, vla I, vla II, vc, bass. Ozalid master of piano-vocal score; 4 pages of music. |
| folder 3 | Madrigal for a Bright Morning. For SAATB a capella. — 1941 Text by John R. Slater. MS repro score; 3 pages of music. “March 17, 1941”—at end of score. |
| folder 4 | The Twenty-Third Psalm. For mixed chorus, organ and orchestra. — [1944] Ozalid masters of the instrumental parts: vn 1, vn 2, va, vc, bass, fl 1, fl 2, ob 1, ob 2, cl 1, cl 2, bsn 1, bsn 2, hn 1, hn 2, tpt 1, tpt 2. |
| folder 5 | Three Songs after Shakespeare. For soprano with piano. — 1948 Texts: From You Have I been absent in the spring (Sonnet XCVIII); Street Vendor’s Song (from The Winter’s Tale); Shall I compare thee to a summer’s day? (Sonnet XVIII). Ozalid masters of score; 11 pages of music. “April, 1948”—at end of score. MS repro score; 11 pages of music. 2 copies of same. Three additional MS repro copies of the “Street Vendor’s Song”; and one MS repro copy of the “Street Vendor’s Song” and “Shall I compare thee” together. |
| folder 6 | Mass in G. For chorus and orchestra. — 1951 Movements: Kyrie eleison; Gloria in excelsis; Credo; Sanctus; Cantio pro elevatione (for Strings); Agnus Dei. Ozalid masters of score; 88 pages of music. Ozalid masters of strings parts: vn I, vn II, vla, vc, bass. |
| folder 7 | Mass in G. — 1951 Negative masters of piano-vocal score; 58 pages of music. In Kodak Sheet Film box. |
| folder 8 | Mass in G. — 1951 Sundry additional MS repro pages and pencil sketches. |
| folder 9 | Poems for Music. Four songs for soprano after poems by Robert Hillyer. — 1956, 1958 Texts: Serenade; Madrigal; The Gull; The Starry Music. Ozalid masters of score; 16 pages of music. MS repro score (pages 3-13) and two MS repro copies of “Madrigal”. Two MS repro scores, each reduced in dimensions; one looseleaf and the other spiral-bound. |
| folder 10 | Poems for Music. Four songs for soprano after poems by Robert Hillyer. — 1956, 1958 Ozalid masters of the instrumental parts: fl 1, fl 2, ob 1, ob 2, cl 1, cl 2, bsn 1, bsn 2, hn 1, hn 2, tpt 1, tpt 2, tbn, perc, timp, harp, vn 1, vn 2, va, vc, bass. |
| folder 11 | We All Believe in One True God. For choir, organ, and brass quartet ad libitum. — 1965 Words by Tobias Clausnitzer, 1668; translated by Catherine Winkworth. For Hans Vigeland. Copyright 1968 by Wayne Barlow, Rochester, N.Y. U.S.A. Printed score; 16 pages of music. Two copies of same. Printed under the agency of Allied Print, Inc. (Rochester, NY). Ozalid masters of brass parts: tpt I, tpt II, tbn I, tbn II. MS repro copies of brass parts: tpt I, tpt II, tbn I (marked “Horn” in pencil), tbn (numeric designation marked out); accompanied by a MS part in WBB’s hand for horn in F. Pencil draft; 13 pages of music. |
| folder 12 | The Woodpecker with Long Ears. For voices, piano, and tape. — [1966] Poem by Tom Robinson. Texts of poems “The Woodpecker” by Elizabeth Madox Roberts, and, “The Woodpecker with Long Ears” by Tom Robinson (1 page, typescript). Pencil sketch; 4 pages of music. Ozalid masters of score; 4 pages of music. MS repro score; 4 pages of music. Three copies of same |
Box 6
| folder 1 | Wait for the Promise of the Father. For soloists, chorus, organ, and orchestra. — 1968 Movements: I. Wait for the Promise MS repro score; 115 pages of music. The vocal lines pasted onto the leaves of MS paper. “Oct. 1968”—at end of score. |
| folder 2 | Wait for the Promise of the Father. — 1968 Ozalid masters of orchestral parts: fl, ob, cl, bsn, hn, org, vn I, vn II, vla, vc, bass. Negative-polarity repro of the vocal score, incomplete; pages 3-35. Ozalid masters of score; 82 pages of music. Image now severely faded. Sundry additional pages, including a master copy of the assembled texts. “Copyright 1969 by Wayne Barlow”—on first page of music of the vocal score. |
| folder 3 | Voices of Faith. For soprano solo, narrator, mixed chorus, and orchestra. — 1974 “Commissioned by the Augusta Symphony Orchestra for the observance of the nation’s Bicentennial 1976”—on title page of vocal score. Ozalid masters of orchestral parts: vn 1, vn 2, vla, vc, bass, fl 1, fl 2, ob 1-2, bsn 1-2, cl 1-2, hn 1-3, hn 2-4, tbn 1-2, tbn 3/tuba, tpt 1-2, timp/perc, harp. Ink MS vocal score; 42 pages of music. “Copyright 1975 by Wayne Barlow”—on first page of vocal score. Copies of the composer’s program notes (1 page, typescript) and by copies of the texts set within the work (4 pages, typescript). Two manuscript books, each spiral-bound, containing pencil sketches for this composition. |
| folder 4 | Voices of Darkness. For reader, piano, percussion, and magnetic tape. — 1974 “For Sidney Hodkinson and the Musica Nova of the Eastman School of Music”—on first page of music in the score. “November, 1974. Rochester, N.Y.”—at end of score. Movements: Antigone (Jean Cocteau); The Sphinx (Jean Cocteau); Medea (Robinson Jeffers). Copies of the composer’s program notes (1 page, typescript). Composer’s performance notes (1 page, typescript). Ozalid masters of the score; 54 pages of music. MS repro score; 2 copies, each spiral-bound. |
Box 7
| folder 1 | What Wondrous Love. For mixed voices, piano or organ, and guitar. — 1976 Early American hymn, arranged by WBB. “To the Choir of St. Thomas’ Episcopal Churchk, Rochester, N.Y.”—on first page of music. Ozalid masters of score; 4 pages of music. MS repro score, annotated with guitar chords. Numerous MS repro scores in octavo dimensions for choral use. |
| folder 2 | A Bicentennial Celebration Service. — [1976] Movements: (1) Processional, “How Firm a Foundation” (Early American); (2) Gloria in excelsis, “Mass on Shaker Hymns” (Barlow); (3) Gradual, “Let Us Break Bread Together” (Spiritual); (4) Sermon hymn, “In Christ There is no East or West”; Offertory Anthem, “What Wondrous Love” (arr. Barlow); Doxology; (6) Sanctus, “Mass on Shaker Hymns” (Barlow); (7), (8), (9), Communion hymns; (10), Recessional, “Glorious Things of Thee are Spoken” (Early American). WBB’s notes (1 page, typescript). Order of service, citing the individual selections (1 page, typescript). One compilation of the various musical selections in sequence, stapled. Photocopies of two of the hymn settings. Accompanied by a copy of a parish service bulletin (Sunday, February 15, 1976) documenting use of this music in a celebration of the Eucharist. |
| folder 3 | Out of the Cradle Endlessly Rocking. For chamber chorus, tenor solo, clarinet, viola, piano, and tape. — 1978 Text by Walt Whitman. MS repro score; 62 pages of music. The piano and vocal lines pasted onto the leaves of MS paper. Ozalid masters of piano-vocal score; 29 pages of music. MS repro piano-vocal score. |
| folder 4 | Out of the Cradle Endlessly Rocking. — 1978 Ozalid masters of instrumental parts: B-flat cl, vla. MS repro copies of instrumental parts. Manuscript book marked “Cradle” containing pencil sketches. |
| folder 5 | The Seven Seals of Revelation. — 1989 “Commissioned by and dedicated to Brevard Music Center, Brevard, North Carolina 1989”—on cover of vocal score. Copy of the text (3 pages, typescript). Ink MS vocal score; 45 pages of music. |
| folder 6 | The Seven Seals of Revelation. — 1989 Ink MS instrumental parts: vn I, vn II (pages 1-2 lacking), vla, bass (pages 1-2 lacking), fl II, cl I, cl II, ob I (pages 3-4 lacking), ob II, bsn I, bsn II, hn I, hn II, hn III, hn IV, tpt I, tpt II, tbn I, tbn II, tbn III, tuba, timp, perc. |
| folder 7 | The Seven Seals of Revelation. — 1989 Manuscript book containing pencil sketches. |
| folder 8 | St. Thomas Amen. For mixed voices a capella. — [undated] Numerous copies of MS repro score; apparently generated for ensemble use. (WBB’s own use is indicated by marking on one copy, which on its verso bears the words in WBB’s hand: “All together now — on the upbeat.”) |
| folder 9 | The Lord is in His Holy Temple. For mixed voices and keyboard. — [undated] MS repro score; 2 pages of music. |
| folder 10 | All Things Come of Thee. For mixed voices and keyboard. — [undated] MS repro score; 2 pages of music. |
| folder 11 | The Truth from Above. For mixed voices, piano or organ, and guitar. — [undated] Early English; arranged by WBB. “To the Choir of St. Thomas’ Episcopal Church, Rochester, N.Y.”—At head of score. MS repro score; 4 pages of music. Accompanied by one copy bearing WBB’s handwritten additions. |
Box 8
| folder 1 | String Quartette. — [presumably between 1934 and 1937] “Post-graduate”—on score. Ink MS score; 15 pages of music. Ink MS parts: vn I, vn II, va, vc. |
| folder 2 | Prelude, Air and Variation. For bassoon, string quartet and piano. — 1947 Ozalid masters of parts: vn I, vn II, va, vc, bsn, piano. MS repro parts: vn I, vn II, va, vc, bsn, piano. |
| folder 3 | Prelude, Air and Variation. For bassoon, string quartet and piano. — 1947 MS repro score; 33 pages of music. 2 copies, each looseleaf. |
| folder 4 | Prelude, Air and Variation. For bassoon, string quartet and piano. — 1947 One complete performance set: MS repro score, hardbound plus five parts. Additional copy of the MS repro score, hardbound. |
| folder 5 | Quintet for Piano and Strings. — 1951 Ozalid masters of score (61 pages of music) and parts (vn 1, vn 2, va, vc). |
| folder 6 | Quintet for Piano and Strings. — 1951 MS repro parts (vn 1, vn 2, va, vc): two sets of the same impression. |
| folder 7 | Quintet for Piano and Strings. — 1951MS repro score; 61 pages of music. One spiral-bound; the other looseleaf within a hardboard cover. |
| folder 8 | Triptych. For string quartet. — 1953 Ozalid masters of score (pages 2-22, incomplete; page 1 lacking) and parts (vn 1, vn 2, va, vc). Accompanied by ozalid masters of a bass part. |
| folder 9 | Triptych. For string quartet. — 1953 MS repro parts: vn 1, vn 2, va, vc. |
| folder 10 | Triptych. For string quartet. — 1953 MS repro score; 22 pages of music. Three copies, one of which is spiral-bound. |
Box 9
| folder 1 | Images for Harp, Clarinet, and String Quartet. — 1963 Ozalid masters of score (53 pages of music) and parts (cl, vn 1, vn 2, va, vc). |
| folder 2 | Images for Harp, Clarinet, and String Quartet. — 1963 MS repro score (53 pages of music). Two copies, each bound with tape. |
| folder 3 | Images for Harp, Clarinet, and String Quartet. — 1963 MS repro score, spiral-bound and parts at reduced dimensions. |
| folder 4 | Trio for Oboe, Viola and Piano. — 1964 “For Robert Sprenkle, Francis Tursi, and Armand Basile”—on first page of score. Ozalid masters of score (40 pages of music) and parts (ob, va). |
| folder 5 | Trio for Oboe, Viola and Piano. — 1964 MS repro parts. Two sets, one of which bears performance markings. |
| folder 6 | Trio for Oboe, Viola and Piano. — 1964 Three copies of the MS repro score. Two copies at 40 pages of music, each spiral-bound, one of which is in the dimensions of a perusal copy. The third copy at 39 pages of music. |
| folder 7 | Elegy for Viola and Orchestra. — 1968 Ozalid masters of the score; 34 pages of music. Ozalid masters of instrumental parts: vn 1, vn 2, va, vc, bass, fl 1-2, ob 1-2 (Engl hn), cl 1-2 (bass cl), bsn 1-2, hn 1-2, tpt 1-2, tbn 1-2, tbn 3/tuba, timp, perc, harp. Ozalid masters of the piano reduction score; 11 pages of music. |
| folder 8 | Elegy for Viola and Orchestra. — 1968 MS repro piano reduction score; 11 pages of music. Two copies, of which bears pencilled markings apparently in WBB’s hand. Pencil sketches. |
| folder 9 | Duo for Harp and Tape. — 1971 “For Robert Barlow”—at head of score. “Rochester, N.Y. Feb. 4, 1971”—at end of score. Ozalid masters of score; 19 pages of music. The composer’s performance notes precede page 1. Accompanied by a second set of Ozalid masters, also in WBB’s hand and also comprised of 19 pages of music, but representing an altogether different rendering of the musical text. MS repro score; two copies. |
Box 10
| folder 1 | Vocalise and Canon. For tuba and piano. — 1976 MS repro score (4 pages of music) and tuba part for the Vocalise. Two copies of the score present. MS repro score (6 pages of music) of the Canon. Two copies present. |
| folder 2 | Intermezzo for Viola and Harp. — 1980 “For the New York State Music Teachers Association 1980”—at head of score. Ozalid masters of the score (11 pages of music) and viola part. MS repro score; two copies. |
| folder 3 | Sonatina for Four. For flute, clarinet, violoncello, and harp. — 1984 Ozalid masters of the score; 32 pages of music. Two MS repro copies of the score, each spiral-bound within boards. |
| folder 4 | Meditation on the Agnus Dei. [Based on the final movement of the Mass in G.] For string quintet. — [undated] Ink MS score; 15 pages of music. Ozalid masters of parts: vn I, vn II, va, vc, bass. |
Box 10
| folder 5 | Sonata for Piano. (20-page variant.) — 1947 N.B. This variant of the score is an autograph MS. Ozalid masters of the score; 20 pages of music. MS repro score. Three copies, two of which are bound within boards. |
| folder 6 | Sonata for Piano. (24-page variant.) — 1947 N.B. This variant of the score is a copyist’s MS. Two MS repro copies of the score, each looseleaf. Two MS repro copies of the score, each spiral-bound. One MS repro copy of the score, enlarged to 11 x 14”. |
| folder 7 | Dynamisms for Two Pianos. — 1966 “To Yarbrough and Cowan, Duo-Pianists”—following title page of the score. “December, 1966. Rochester, N.Y.”—at end of the score. Ozalid masters of the score; 25 pages of music. |
| folder 8 | Dynamisms for Two Pianos. — 1966 Four MS repro copies of the score: one perusal copy (8 x 9 in.), spiral-bound; one looseleaf copy (8.5 x 11 in.); two stapled copies (each 11 x 14 in.). |
| folder 9 | Prelude in E. For piano. — [presumably 1968] “For James Zaccaria”—at head of score. Ozalid masters of the score; 2 pages of music. MS repro copy of the score. |
| folder 10 | Invention in A. For piano. — 1968 “For James Zaccaria”—at head of score. “Wayne Barlow. June, 1968”—at end of score. Ozalid masters of the score; 2 pages of music. MS repro copy of the score. |
Box 11
| folder 1 | Wedding Processional. For organ. — [undated] Ozalid masters; 3 pages of music. MS repro copy of the score. Additional copy mounted on cardstock, presumably used by WBB at the organ console. |
Box 11
| folder 2 | Three Christmas Tunes. Arranged for organ by Wayne Barlow. St. Louis: Concordia, c1960. Contents: Joseph, Dearest (14th-century German folk song); Voici Le Noël (Old French folk song); Veni, Immanuel (Latin Advent hymn). |
| folder 3 | Four Chorale Voluntaries. Settings by Wayne Barlow. St. Louis: Concordia, c1981. Contents: Come, Follow Me, the Savior Spake (Machs mit mir, Gott); Sing Praise to God, the Highest Good (Lobt Gott den Herren, ihr); My Soul, Now Praise Your Maker (Nun lob, mein Seel); Creator Spirit, by Whose Aid (All Ehr und Lob). Four copies, accompanied by a looseleaf repro copy. |
| folder 4 | Voluntaries on the Hymn of the Week, Part 1: Advent to Transfiguration. St. Louis: Concordia, c1963. Three copies, two of which bear WBB’s pencilled markings. |
| folder 5 | Voluntaries on the Hymn of the Week, Part 2: Septuagesima to Good Friday. St. Louis: Concordia, c1964. Two copies, each of which bears WBB’s pencilled markings. |
| folder 6 | Voluntaries on the Hymn of the Week, Part 3: Easter to Trinity Sunday. St. Louis: Concordia, c1966. Two bound copies, each of which bears WBB’s markings, and an unbound, looseleaf copy. |
| folder 7 | Ozalid masters of the settings that were published in: Voluntaries on the Hymn of the Week, Part 3. |
| folder 8 | MS repro copies of the settings that were published in: Voluntaries on the Hymn of the Week, Part 4. Two sets, one at 8.5 x 11” and the other at 9.5 and 12.5”. |
Box 14
| Missa Sancti Thomae. For voices in unison. — 1963 “To the memory of Lyndol Mitchell.” Copyright 1963 by The H. W. Gray Co., Inc. 29 copies. |
Box 11
| folder 9 | Pencil sketches for various of the settings that were published as Voluntaries on the Hymn of the Week. |
| folder 10 | Portuguese Christmas Carol. Arranged by Wayne Barlow. Ink MS; 2 pages of music. With MS repro copies. |
| folder 11 | Two hymn settings: Come, Risen Lord; and, For All Your Saints. (Each is also identified by its number in The Hymnal 1940.) Pencil MS; 3 pages of music. |
| folder 12 | Sarabande. In four voices. Pencil MS; 4 pages of music. |
| folder 13 | Holy Manna. For flute, clarinet, and string quartet. Pencil MS; 5 pages of music (incomplete). |
| folder 14 | Untitled. For organ. Ink MS; 1 page of music. |
| folder 15 | Music from The Sacred Harp. Pencil MS; 1 page of music. |
| folder 16 | Various pencil sketches, MS repro copies, and Ozalid masters, most of which are entirely unidentified as to title, date, and occasion of writing. |
| folder 17 | Two spiral-bound manuscript notebooks containing pencil sketches; one marked “Variations” on its cover; the other marked “Sonatina for Four”. |
| folder 18 | One bound manuscript book containing pencilled counterpoint exercises, and also pencilled sketches for compositions bearing the following titles: Choral Fantasia for Organ; Fugue; Fugue for Organ; Divertimento II; Intermezzo; Divertimento [for] Piano. |
Box 12
| folder 1 | Three Moods for Dancing. — 1940 “To Thelma Biracree”—at head of score. Ink MS score; 47 pages of music, unnumbered. Bears conductor’s performance markings. |
| folder 2 | Poems for Music. — 1958 Ozalid masters of score; 55 pages of music. |
| folder 3 | Frontiers. For symphonic band. — rev. 1985 “For Jamie Hafner and the Transylvania Symphonic Band, Brevard Music Center”—at head of score. Ozalid masters of score; 36 pages of music. |
| folder 4 | Mass in G. — 1951 Ozalid masters of score; 85 pages of music. Accompanied by WBB’s notes on writing this work (1 page, typescript). |
| folder 5 | Zion in Exile. Cantata for soprano, tenor, baritone and bass soli, mixed chorus and orchestra. — 1937 The text from the Old Testament. “Presented as thesis requirement for the degree Doctor of Philosophy in Music, the Eastman School of Music of the University of Rochester, Rochester, New York. June, 1937”—on title page of score. “THE END — completed March 23, 1937 Wayne B. Barlow”—at end of score. Ozalid masters of score; 120 pages of music. |
| folder 6 | Sinfonia da Camera. — [1962] Ozalid masters of score; 72 pages of music (incomplete). MS repro score; 87 pages of music. |
| folder 7 | Voices of Faith. For soprano solo, narrator, mixed chorus, and orchestra. — 1976 “Commissioned by the Augusta Symphony Orchestra for the observance of the nation’s Bicentennial 1976”—on title page of score. Movements: to [sic] the hills; The Mayflower Compact; Verses Descriptive of New England; Contemplations; Make Yee a Joyfull Noise. Ozalid masters of score; 47 pages of music. |
| folder 8 | The Twenty-third Psalm. For tenor soloist, mixed chorus, and orchestra. — [1944] Ozalid masters of score; 17 pages of music. Ozalid masters of instrumental parts: vn 1, vn 2, va, vc, bass, fl 1, fl 2, ob 1, ob 2, cl 1, cl 2, bn 1, bn 2, hn 1, hn 2, tpt 1, tpt 2. |
| folder 9 | Overture, Hampton Beach. For orchestra. — 1971 “Commissioned by Alfred University for the opening of McLean Physical Education Center and performed by the Rochester Philharmonic Orchestra, Samuel Jones conducting, September 19, 1971.”—on cover of score. Verses by John Greenleaf Whittier on cover of score (first line: The sunlight glitters keen and bright). Ozalid masters of the score; 27 pages of music. |
Box 13
| folder 1 | Vistas. For orchestra. — 1963 “Commissioned by and dedicated to Edward Benjamin”—at head of score. Ozalid masters of the score; 28 pages of music. |
| folder 2 | Sonata for Piano. — 1947 Camera-ready masters of the 24-page variant. |
| folder 3 | Soundscapes for Orchestra and Tape. — 1971 “Written for the commemoration of the Fiftieth Anniversary of the Eastman School of Music and dedicated to Walter Hendl”—preceding the first page of music. Movements: Mists; Clouds; Constellations; Sunbursts. Ozalid masters of the score; 49 pages of music. |
| folder 4 | The Seven Seals of Revelation. For mixed chorus and orchestra. — 1989 “For Henry Janiec / Commissioned by and dedicated to Brevard Music Center, Brevard, North Carolina”—on cover of score. Ink MS score; 126 pages of music. The vocal lines pasted onto the leaves of MS paper. MS repro score; pages 5-126 (incomplete). |
| folder 5 | Images for Harp and Instruments. — 1963 “To Robert Barlow”—at head of score. Ozalid masters of the score; 83 pages of music. MS repro piano reduction score, spiral-bound; 31 pages of music. Two copies. |