HOWARD HANSON COLLECTION

Series 5: Concert programs

Sub-series A: American music initiatives at the Eastman School of Music

Sub-sub-series i: American Composers’ Concerts

Box 70

folder 1 Programs, 1926.
folder 2 Programs, 1927.
folder 3 Programs, 1928.
folder 4 Programs, 1929.
folder 5 Programs, 1930.
folder 6 Programs, 1931.
folder 7 Programs, 1932.
folder 8 Programs, 1933.
folder 9 Programs, 1934.
folder 10 Programs, 1935.
folder 11 Programs, 1936.
folder 12 Programs, 1937.
folder 13 Programs, 1938.
folder 14 Programs, 1939.
folder 15 Programs, 1940.
folder 16 Programs, 1941.
folder 17 Programs, 1942.
folder 18 Programs, 1943.
folder 19 Programs, 1944.
folder 20 Programs, 1945.
folder 21 Programs, 1946.
folder 22 Programs, 1947.
folder 23 Programs, 1952.

Sub-sub-series ii: Festivals of American Music

folder 24 Programs, 1933.
folder 25 Programs, 1934.
folder 26 Programs, 1935.
folder 27 Programs, 1936.
folder 28 Programs, 1937.
folder 29 Programs, 1938.
folder 30 Programs, 1939.

Box 71

folder 1 Programs, 1940.
folder 2 Programs, 1941.
folder 3 Programs, 1942.
folder 4 Programs, 1943.
folder 5 Programs, 1944.
folder 6 Programs, 1945.
folder 7 Programs, 1946.
folder 8 Programs, 1947.
folder 9 Bulletins, 1931.
folder 10 Bulletins, 1932.
folder 11 Bulletins, 1935.
folder 12 Bulletins, 1936.
folder 13 Bulletins, 1937.

Box 72

folder 1 Bulletins, 1938.
folder 2 Bulletins, 1939.
folder 3 Bulletins, 1940.
folder 4 Bulletins, 1941.
folder 5 Bulletins, 1942.
folder 6 Bulletins, 1943.
folder 7 Bulletins, 1944.
folder 8 Bulletins, 1945.
folder 9 Bulletins, 1946.
folder 10 Bulletins, 1947.

Sub-series B: Programs featuring specific Hanson compositions

Box 73

folder 1 Cherubic Hymn
folder 2 Chorale and Alleluia
folder 3 Clog Dance
folder 4 Concerto da camera
folder 5 Concerto for Organ, Strings, and Harp, opus 22, no. 3
folder 6 Concerto for Organ, opus 27
folder 7 Concerto for Piano and Orchestra
folder 8 Elegy in Memory of Serge Koussevitzky
folder 9 Four Psalms
folder 10 How Excellent Thy Name
folder 11 Merry Mount, various excerpts
folder 12 Merry Mount Suite
folder 13 Mosaics
folder 14 Pastorale

Box 74

folder 1 Song of Democracy
folder 2 Songs from Drum Taps
folder 3 Symphony no. 1 ( “Nordic” )
folder 4 Symphony no. 2 ( “Romantic” )
folder 5 Symphony no. 3
folder 6 Symphony no. 4
folder 7 Symphony no. 5 ( “Sinfonia Sacra” )
folder 8 Howard Hanson Week (Eastman School of Music, December, 1966)
folder 9 Other works; and, programs featuring performances of more than one Hanson work. The following are represented:
Centennial Ode
Chorale and Alleluia
Creator of Infinities
Dies Natalis
Fanfare
Fantasy Variations on a Theme of Youth
A Prayer of the Middle Ages
Song of Democracy
Symphony of Freedom
Symphony no. 2 ( “Romantic” )
Vermeland
Impromptu
Longing (orchestration by Max Hughes)
Lux Aeterna
March Carillon
Three Miniatures
Clog Dance
Pastoral for Oboe, Strings, and Harp
The Warriors’ Dance (arranged by Jane Hunt)
folder 10 Works by other composers

Box 75

folder 1 Cherubic Hymn
folder 2 Chorale and Alleluia
folder 3 Clog Dance
folder 4 Concerto da Camera
folder 5 Concerto for Organ, Strings, and Harp, opus 22, no. 3
folder 6 Concerto for Organ, opus 27
folder 7 Concerto for Piano and Orchestra
folder 8 Fantasy Variations on a Theme of Youth
folder 9 Four Psalms
folder 10 Heroic Elegy
folder 11 How Excellent Thy Name

Box 76

folder 1 Hymn for the Pioneers
folder 2 Lament for Beowulf
folder 3 Lux Aeterna
folder 4 March Carillon (from Yuletide Pieces)
folder 5 Merry Mount
folder 6 Merry Mount Suite
folder 7 Missa Papae Marcelli (Palestrina)
folder 8 North and West

Box 77

folder 1 Pan and the Priest
folder 2 Pastorale for Oboe, Strings, and Harp
folder 3 Quartet in one movement
folder 4 Serenade for Flute, Harp, and Strings
folder 5 Song of Democracy

Box 78

folder 1 Songs from Drum Taps
folder 2 Symphony no. 1 ( “Nordic” ), 1920s
folder 3 Symphony no. 1 ( “Nordic” ), 1930s
folder 4 Symphony no. 1 ( “Nordic” ), 1940s
folder 5 Symphony no. 1 ( “Nordic” ), 1950s
folder 6 Symphony no. 1 ( “Nordic” ), dates ambiguous

Box 79

folder 1 Symphony no. 2 ( “Romantic” ), 1930s
folder 2 Symphony no. 2 ( “Romantic” ), 1940s
folder 3 Symphony no. 2 ( “Romantic” ), 1950s
folder 4 Symphony no. 2 ( “Romantic” ), 1960s
folder 5 Symphony no. 2 ( “Romantic” ), 1970s
folder 6 Symphony no. 2 ( “Romantic” ), dates ambiguous

Box 80

folder 1 Symphony no. 3
folder 2 Symphony no. 4
folder 3 Symphony no. 5 (Sinfonia Sacra)
folder 4 Symphony no. 6
folder 5 Vermeland
folder 6 All-Hanson festivals (various)
folder 7 Other works; and, programs featuring performances of more than one Hanson work. The following are represented:
Elegy in Memory of Serge Koussevitsky
Symphony no. 2 ( “Romantic” )
Suite, “For the First Time”
Fanfare, For the Signal Corps
Mosaics
Song of Human Rights
Song of Democracy
Summer Seascape no. 2
National Anthem of Syria, orchestrated by Hanson.

Series 6: Books

Box 81

folder 1 Abbott, Lawrence. Approach to Music. New York: Farrar & Rinehart, 1940. 358 pp.
folder 2 Adler, Lawrence. New Values in Music Appreciation. New York: Roerich Museum Press, 1935. 80 pp.
folder 3 Ancis, S. Scheme Modulations. New York: Carl Fischer, 1929. 95 pp.
folder 4 University of Iowa Studies, 33. Iowa City, Iowa: Iowa State University, 1931. 176 pp.
folder 5 Bacon, Ernst. Notes on the Piano. Syracuse: Syracuse University Press, 1963. 167 pp. Inscribed by the author.
folder 6 Barbour, J. Murray. Tuning and Temperament: A Historical Survey. East Lansing: Michigan State College Press, 1951. 228 pp.
folder 7 Barlow, Wayne. Foundations of Music. New York: Appleton-Century-Crofts, 1953. 274 pp.
folder 8 Barne, Kitty. Listening to the Orchestra. Indianapolis and New York: Bobbs Merrill Co., 1946. 299 pp.
folder 9 Bower, Marion, & Ethel R. Peyser. Music Through the Ages: A Narrative for Student and Laymen. New York: G. pages. Putnam’s Sons, 1964. 632 pp.
folder 10 Bower, Marion. Twentieth Century Music: How it Developed, How To Listen To It. New York and London: G. P. Putnam’s Songs, 1947. 463 pp.
folder 11 Bekker, Paul. The Story of Music. New York: Norton, 1927. 277 pp.
folder 12 Bender, George C. Business Manual for Music Teachers. Philadelphia: Theodore Presser Co., 1910. 116 pp.
folder 13 Bernstein, Martin. An Introduction to Music. New York: Prentice Hall, 1937. 396 pp. Inscribed by Bernstein.
folder 14 Blackman, Charles. Behind the Baton. New York: Charos, 1964. 223 pp. Inscription by Blackman.
folder 15 Bodky, Erwin. Der Vortrag alter Klaviermusik. Berlin: Max Hesses Verlag, 1932. 112 pp.
folder 16 Broekman, David. The Shoestring Symphony. New York: Simon & Schuster, 1948. 247 pp.
folder 17 Brown, Calvin S. Music and Literature: A Comparison of the Arts. Athens, GA: University of Georgia Press, 1948. 287 pp.
folder 18 Brownlie, Rev. John. Hymns of the Early Church. New York: Oxford University Press, 1913. 202 pp.
folder 19 Cady, Calvin Brainerd. Music Education: An Outline. Chicago: Clayton F. Summy Co., 1902. 79 pp.
folder 20 Cady, Calvin Brainerd. Music-Education, An Outline. Chicago: Clayton F. Summy Co., 1923. 145 pp.
folder 21 Chiesa, Mary Tibaldi. Ernest Bloch. Torino: G. B. Poravia, 1933. 107 pp.
folder 22 Christensen, Inga Hoegsbro. Inga – Play! The Memoirs of Inga Hoegsbro Christensen. New York: Exposition Press, 1952. 202 pp. Inscribed by the author.
folder 23 Clark, Kenneth S. Municipal Aid to Music in America. New York: National Bureau for the Advancement of Music, 1925. 297 pp.
folder 24 Cooke, James Francis. Great Men and Famous Musicians on the Art of Music. Philadelphia: Theodore Presser, 1925. 446 pp.
folder 25 Cooke, James Francis. Great Pianists on Piano Playing. Philadelphia: Theodore Presser, 1917. 418 pp.

Box 82

folder 26 Cooke, James Francis. Great Singers on the Art of Singing. Philadelphia: Theodore Presser, 1921. 304 pp.
folder 27 Cooke, James Francis. How to Memorize Music. Philadelphia: Theodore Presser, 1948. 138 pp. Inscription by Cooke
folder 28 Copland, Aaron. What to Listen for In Music. New York: Whittlesey House, 1939. 281 pp.
folder 29 Cowell, Henry, ed.. American Composers on American Music. Stanford: Stanford University Press, 1933. 226 pp.
folder 30 Cowell, Henry. New Musical Resources. New York: Alfred A. Knopf, 1930. 143 pp.
folder 31 Creston, Paul. Principles of Rhythm. New York: Franco Columbo, 1961. 216 pp.
Inscribed by the author.
folder 32 Damon, S. Foster, ed. Series of Old American Songs Reproduced in Facsimile. Providence: Brown University Library, 1936. Loose-leaf sheet music.
folder 33 Davis, Carol Beery, ed. Songs of the Totem. Juno: Empire Printing Co., 1939. 43 pp.
folder 34 Davis, Ennis. More than a Pitch-Pipe. Boston: C.C. Birchard, 1941. 177 pp.
Inscribed by the author.
folder 35 Densmore, Frances. Seminole Music. Washington: United States Printing Office, 1956. 223 pp.
folder 36 Dett, R. Nathaniel, ed. Religious Folk-Songs of the Negro. Hampton: Hampton University Press, 1930. 236 pp.
folder 37 Dickinson, George Sherwin. The Pattern of Music. Poughkeepsie: Vassar College, 1939. 57 pp.
folder 38 D’Indy, Vincent. Cesar Franck: A Study. New York: John Lane, 1910. 286 pp.
folder 39 D’Indy, Vincent. Cours de Composition Musicale, Vol. 2/1. Paris: Durand, 1912. 500 pp.
folder 40 D’Indy, Vincent. Cours de Composition Musicale, Vol. 1. Paris: Durand, 1912. 228 pp.
folder 41 Diserens, Charles M., & Harry Fine. A Psychology of Music: The Influence of Music on Behavior. Cincinnati: Cincinnati College of Music, 1939. 405 pp.
folder 42 Dodge, Raymond, ed. Psychological Monographs. Vol. 40, No. 1. Princeton: Psychological Review Co., 1930. 214 pp.
folder 43 Dorian, Frederick. The Musical Workshop. New York: Harper & Bros, 1947. 368 pp.
folder 44 Downs, Olin. Symphonic Broadcasts. New York: Dial Press, 1931. 330 pp.
folder 45 Drinker, Sophie. Music and Women. New York: Coward McCann, 1948. 323 pp.
folder 46 Dykema, Peter W. Music for Public School Administrators. New York: Teachers College, Columbia University, 1931. 171 pp.
folder 47 Earhart, Will. The Meaning and Teaching of Music. New York: M. Witmark & Sons, 1935. 250 pp.
folder 48 Earhart, Will. Music to the Listening Ear. New York: M. Witmark & Sons, 1932. 173 pp.
folder 49 Edwards, Arthur C. The Art of Melody. New York: Philosophical Library Inc., 1956. 266 pp.
folder 50 Ellinwood, Leonard. The History of American Church Music. New York: More-Gorham Co., 1953. 274 pp.

Box 83

item 51 Elson, Louis C. Syllabus of Musical History. Boston: New England Conservatory of Music, 1896. 100 pp.
item 52 Evetts, Edgar T., & Robert A. Worthington. The Mechanics of Singing. London: J. M. Dent & Sons, Ltd., 1928. 133 pp.
item 53 Finn, William J. The Art of the Choral Conductor. Vol. I. Boston: C.C. Birchard, 1939. 292 pp.
item 54 Flanders, Helen Hartness, & George Brown, eds. Vermont Folksongs and Ballads. Brattleboro: Stephen Daye Press, 1932. 256 pp.
Inscribed by George Brown.
item 55 Foote, Arthur. Modulation and Related Harmonic Questions. Boston: Arthur pages. Schmidt, 1919. 97 pp.
item 56 Fowky, Edith Fulton, & Richard Johnston, eds. Folksongs of Canada. Waterloo: Waterloo Music Co., Ltd, 1954. 197 pp.
item 57 Fowles, Ernest. Ear, Eye, and Hand in Harmony-Study. New York: Oxford University Press, 1928. 57 pp.
item 58 Fowles, Helen M. Ernest Fowles: A Memoir. Self-published, 1933. 225 pp.
item 59 Franko, Sam. Chords and Discords: Memoirs and Musings of an American Musician. New York: Viking Press, 1938. 186 pp.
item 60 Gannett, Kent. Bach’s Harmonic Progressions: 1000 Examples. Philadelphia: Oliver Ditson, 1942. 51 pp.
Inscribed by the author.
item 61 Gehrkens, Karl Wilson. The Fundamentals of Music. Boston: Oliver Ditson Co., 1924. 212 pp.
item 62 Gehrkens, Karl Wilson. Music in the Grade Schools. Boston: C.C. Birchard & Co., 1934. 236 pp.
Inscribed by the author.
item 63 Giard, Charles F. Fundamental Harmonic Material. Oklahoma City: Harlow Publishing Co., 1933. 200 pp.
item 64 Gingrich, Irving. Contrapuntal Ear-Training. Chicago: H. T. Fitzsimons Co., 1932. 127 pp.
item 65 Gordon, Philip. The Availability of Contemporary American Music for Performing Groups in High Schools and Colleges. New York: Bureau of Publications, Teachers College, Columbia University, 1950. 144 pp.
Inscribed by the author.
item 66 Goss, Madeleine. Bolero: The Life of Maurice Ravel. New York: Henry Holt & Co., 1940. 303 pp.
item 67 Hahn, Frederick. Practical Violin Study. Philadelphia: Theodore Presser, 1929. 276 pp.
item 68 Hamilton, Clarence G. Epochs in Musical Progress. Boston: Oliver Ditson, 1926. 278 pp.
item 69 Hannas, Ruth. Thorns are a Style. New York: Henry Harrison, 1930. 78 pp.
item 70 Haydon, Glen. The Evolution of the Six-Four Chord. Berkeley: University of California Press, 1933. 141 pp.
item 71 Henschel, George. Articulation in Singing: A Manual for Student and Teacher. Cincinnati: The John Church Co., 1926. 53 pp.
item 72 Hinman, Florence Lamont. Slogans for Singers. New York: G. Schirmer, 1934. 76 pp.
item 73 Howard, John Tasker. This Modern Music: A Guide for the Bewildered Listener. New York: Thomas Y. Crowell Co., 1942. 234 pp.
item 74 Hughes, Charles W. The Human Side of Music. New York: Philosophical Library, 1948. 341 pp.
item 75 The Juilliard Report. New York: Norton, 1953. 223 pp.
item 76 The Juilliard Report. New York: Norton, 1953. 223 pp.
item 77 Kagen, Sergius. On Studying Singing. New York: Rinehart & Co., Inc., 1950. 119 pp.
item 78 Kennan, Kent. Counterpoint. Ellinwood Cliffs, N.J.: Prentice Hall, 1959. 211 pp.
item 79 Kennan, Kent. The Technique of Orchestration. New York: Prentice Hall, 1952. 321 pp.
item 80 Kneisel, Jessie Hoskam. Mörike and Music. Ph.D. Diss., Columbia University, 1949. 236 pp.
Inscribed by the author.

Box 84

folder 81 Koechlin, Charles. A Summary of the Rules of Counterpoint. Paris: Heugel. 137 pp.
folder 82 Koechlin, Charles. Etudes sur la chorale d’école. Paris: Heugel. 79 pp.
folder 83 Kwartin, Bernard. Fundamentals of Vocal Art. New York: Criterion Publishing Co., 1941. 178 pp.
folder 84 Lang, Paul Henry. 100 Years of Music in America. New York: G. Schirmer, 1961. 322 pp.
folder 85 Lehmann, Friedrich Johan. Harmonic Analysis. Oberlin: J. J. Comings & Son, 1910. 156 pp.
folder 86 Locke, Alain. The Negro and His Music. Washington: The Associates in Negro Folk Education, 1936. 142 pp.
Inscribed by the author.
folder 87 Loggins, Vernon. Where the World Ends: The Life of Louis Moreau Gottschalk. Baton Rouge: Louisiana State University Press, 1958. 273 pp.
folder 88 Lomax, John A., & Alan Lomax, eds. Our Singing Country. New York: MacMillan, 1941. 416 pp.
folder 89 Longy-Miquelle, Renée. Principles of Music Theory. Boston: E. C. Schirmer, 1925. 101 pp.
folder 90 Vaughn Lytle, Victor. The Theory and Practice of Strict Counterpoint. Philadelphia: Oliver Ditson, 1940. 222 pp.
folder 91 MacKinnon, Lilias. Music by Heart. New York: Oxford University Press, 1926. 141 pp.
folder 92 Maddy, J. E. & T. pages. Giddings. Instrumental Class Teaching. Cincinnati: Willis Music Co., 1928. 99 pp.
Inscribed by Maddy, Shedean, Vashaw, Burns, Grainger, and Crosby.
folder 93 Maddy, J. E. & T. pages. Giddings. Instrumental Technique for Orchestra and Band. Cincinnati: Willis Music Co., 1926. 255 pp.
Inscribed by Maddy.
folder 94 Mason, Daniel Gregory. Artistic Ideals. New York: Norton, 1927. 201 pp.
folder 95 Mason, Daniel Gregory. The Chamber Music of Brahms. New York: MacMillan, 1933. 276 pp.
folder 96 Mason, Daniel Gregory. From Song to Symphony. Boston: Oliver Ditson, 1924. 243 pp.
folder 97 McCoy, William J. Cumulative Harmony. Boston: Jinn & Co., 1916. 300 pp.
Inscribed by the author.
folder 98 McGiffert, Gertrude Huntington. Radio Concert from Palestrina to Gershwin. New York: G. P. Putnam Sons, 1942. 191 pp.
Inscribed by the author.
folder 99 McHose, Alan Irvine. The Contrapuntal Harmonic Technique of the Eighteenth Century. New York: F. S. Crofts, 1947. 433 pp.
Inscribed by the author.
item 100 McHose, Alan Irvine, & Ruth Northup Tibbs. Sight Singing Manual. New York: Appleton-Century-Crofts, 1957. 186 pp.
item 101 Mead, Janet Cutler. Through the Year with American Music. Oxford, Ohio: Oxford Printing Co., 1941. 119 pp.
item 102 Merril, Barzille Winfred. Practical Introduction to Orchestration and Instrumentation. Ann Arbor: Edward Bros, 1937. 52 pp.
item 103 Miles, Charles Chester. Fundamentals of Musical Expression. Chicago: Charles C. Miles, 1928. 96 pp.
item 104 Miller, Frank E. Vocal Art-Science. New York: G. Schirmer, 1922. 311 pp.
item 105 Malloy, Maurice S., & Marie A. Snyder. My Musical Rating. New York: National Digest Co., 1927. 143 pp.
Inscribed by the authors.

Box 85

item 106 Moor, Arthur Pritchard. The Library-Museum of Music and Dance. New York: Bureau of Publications, Columbia University, 1938. 186 pp.
item 107 Moore, Douglas. Listening to Music. New York: Norton, 1932. 288 pp.
item 108 Mursell, James L. “Psychology of Music,” Psychological Bulletin, Vol. 29 No. 3, March 1932. 23 pp.
item 109 Nicks, Friedrich. Frederic Chopin. Leipzig: F. E. C. Leuckert, 1890. 414 pp.
item 110 Norton, Alma A. Teaching School Music. Los Angeles: C.C. Crawford, 1932. 248 pp.
item 111 Orem, Preston Ware. The Art of Interweaving Melodies. Philadelphia: Theodore Presser, 1937. 162 pp.
item 112 Osburn, Mary Hubbell. Ohio Composers and Musical Authors. Columbus: F. J. Heer Co., 1942. 238 pp.
Inscribed by the author.
item 113 Obermeyer, Grace. Famous American Composers. New York: Thomas Y. Crowell Co., 1944. 210 pp.
item 114 Panassié, Hugues. Hot Jazz: The Guide to Swing Music. New York: M. Witmark & Sons, 1936. 363 pp.
item 115 Patterson, Frank. How to Write a Good Tune. New York: G. Schirmer, 1925. 122 pp.
item 116 Pierce, Anne E. Class Lessons in Singing. New York: Silver Burdett, 1937. 212 pp.
item 117 Pike, Alfred. A Theology of Music. Toledo: Gregorian Institute of America, 1953. 124 pp.
item 118 Podolsky, Edward. The Doctor Prescribes Music. New York: Frederick A. Stokes, 1939. 134 pp.
item 119 Podolsky, Edward. Music Therapy. New York: Philosophical Library, 1954. 333 pp.
item 120 Posell, Elsa Z. American Composers. Boston: Houghton Mifflin, 1963. 183 pp.
item 121 Traut, Ebenezer. Harmony: Its Theory and Practice. Boston: Boston Music Company, 1903. 342 pp.
item 122 Hanson, Howard. A Public Service in Music. New York: National Bureau for the Advancement of Music, 1935. 192 pp.
item 123 Radio and the Composer: The Economics of Modern Music. London: Ivor Nicholson & Watson, Ltd., 1935. 29 pp.
item 124 Refield, John. Music: A Science and an Art. New York: Alfred A. Knopf, 1928. 307 pp.
item 125 Reed, Clare Osborne. Constructive Harmony and Improvisation. Chicago: Clayton F. Summy, 1927. 159 pp.
item 126 Reti, Rudolph. The Thematic Process in Music. New York: MacMillan, 1951. 362 pp.
item 127 Rimsky-Korsakov, Nicolai. Practical Manual of Harmony. New York: Carl Fischer, 1930. 142 pp.
item 128 Robinson, Franklin W. Aural Harmony. New York: Hill Coleman, 1936. 147 pp.
Inscribed by the author.
item 129 Rogers, Bernard. The Art of Orchestration. New York: Appleton-Century-Crofts, 1951. 198 pp.
item 130 Rosenwald, Hans. Handbook of Music History. Chicago: Lee Stern Press, 1940. 127 pp.

Box 86

item 131 Rudolf, Max. The Grammar of Conducting. New York: G. Schirmer, 1950. 350 pp.
item 132 Saitveit, Joseph G., Don Lewis, & Carl E. Seashore. “Revision of the Seashore Measures of Musical Talent,” University of Iowa Studies, No. 65, October, 1940. 62 pp.
item 133 Savage, Paul. Creative Singing. New York: Patros Press, 1931. 181 pp.
item 134 Schauffler, Lawrence. Piano Technic: Myth or Science. Chicago: Gable Hinged Music Co., 1937. 123 pp.
Inscribed by the author.
item 135 Schillinger, Joseph. Kaleidophone: Pitch Scales in Relation to Chord Structures. New York: M. Witmark & Sons, 1940. 85 pp.
Inscribed by the author.
item 136 Schmid, Adolph. The Language of the Baton, Book 1. New York: G. Schirmer, 1937. 123 pp.
item 137 Seashore, Carl E. In Search of Beauty in Music. New York: Ronald Press, 1947. 389 pp.
item 138 Seashore, Carl E. “The Measurement of Pitch Intonation with the Tonoscope in Singing and Playing,” University of Iowa Studies, February, 1930. 30 pp.
item 139 Seashore, Carl E., ed. “Objective Analysis of Musical Performance”, Studies in the Psychology of Music, Vol. 4, 1936. 379 pp.
item 140 Seashore, Carl E. Pioneering in Psychology. Iowa City: University of Iowa Press, 1942. 232 pp.
Inscribed by the author.
item 141 Seashore, Carl E. Psychology of Music. New York: McGraw Hill, 1938. 408 pp.
item 142 Shafer, Chet. The Pipe Organ Pumper. New York: Greenburg Publisher, 1926. 70 pp.
item 143 Clarke, Harry F., Russell V. Morgan, & William J. Skeet. The Fundamentals of Band Arranging. Cleveland: Sam Fox Publishing Co., 1938. 88 pp.
item 144 Slonimsky, Nicolas. Music of Latin America. New York: Thomas W. Crowell Co., 1945. 374 pp.
item 145 Slonimsky, Nicolas. The Road to Music. New York: Dodd, Mead & Co., 1947. 178 pp.
item 146 Slonimsky, Nicolas. Thesaurus of Scales and Melodic Patterns. New York: Coleman Ross Co., 1947. 234 pp.
Inscribed by the author.
item 147 Smith, Julia. Aaron Copland: His Work and Contribution to American Music. New York: E. P. Dutton, 1955. 336 pp.
item 148 Smith, Julia. Master Pianist: The Career and Teaching of Carl Friedberg. New York: Philosophical Library, 1963. 183 pp.
Inscribed by the author.
item 149 Krone, Max T., Myron Schaffer, & Melvin Smith. Fundamentals of Musicianship, Book 1. New York: M. Witmark & Sons, 1937. 144 pp.
item 150 Snider, Denton J. Music: The Orchestra. St. Louis: Sigma Publishing. 138 pp.
item 151 Soderlund, Gustav Friedric. Direct Approach to Counterpoint in 16th Century Style. New York: S.F. Crofts, 1947. 133.
Inscribed by the author.
item 152 Stanton, Hazel M. “Measurement of Musical Talent: The Eastman Experiment,” Studies in the Psychology of Music, Vol. 2, 1935. 140 pp.
item 153 Stanton, Hazel M. “Measuring Musical Talent: Seashore Tests as Administrative Aids,” The Personnel Journal, Vol. 7 No. 4, December, 1928, 286.
Inscribed by the author.
item 154 Stanton, Hazel M. “Measuring Musical Talent: Seashore Tests as Administrative Aids,” The Personnel Journal, Vol. 7 No. 4, December, 1928, 286.
item 155 Kourth, Wilhelmine and Hazel M. Stanton. “Musical Capacity Measures of Adults Repeated after Musical Training,” University of Iowa Studies, No. 31, October 15, 1930. 18 pp.
item 156 Kourth, Wilhelmine and Hazel M. Stanton. “Musical Capacity Measures of Children Repeated after Musical Training,” University of Iowa Studies No. 42, September 15, 1933. 48 pp.
item 157 Kourth, Wilhelmine and Hazel M. Stanton. “Musical Capacity Measures of Children Repeated after Musical Training,” University of Iowa Studies No. 42, September 15, 1933. 48 pp.
item 158 Stanton, Hazel M. “Prognosis of Musical Achievement,” Studies in Psychology, Vol. 1, No. 4, 1929.
item 159 Stanton, Hazel M. “Prognosis of Musical Achievement,” Studies in Psychology, Vol. 1, No. 4, 1929.
item 160 Stanton, Hazel M. “Seashore Measures of Musical Talent,” Psychological Monographs, Vol. 39 No. 2, 1928, 135.
item 161 Stanton, Hazel M. “Seashore Measures of Musical Talent,” Psychological Monographs, Vol. 39 no. 2, 1928, 135.
item 162 Stinson, Ethelyn Lenore. How to Teach Children Music. New York: Harper & Bros, 1941. 140.

Box 87

item 163 Northwestern University. The Syllabus [yearbook], 1917.
item 164 Toch, Ernst. The Shaping Forces in Music. New York: Criterion Music Corp, 1948. 245 pp.
item 165 Tomlins, William L. Song and Life. Boston: C.C. Birchard, 1945. 105 pp.
item 166 Tremaine, C. M. History of National Music Week. New York: National Bureau for the Advancement of Music, 1925. 232 pp.
item 167 Tremaine, C. M. New York’s First Music Week. New York: National Bureau for the Advancement of Music, 1920. 184 pp.
item 168 Trotin, Christine. Key to Musicianship. self-published, 1927. 130 pp.
item 169 Tweedy, Donald. Manual of Harmonic Tecnic. Boston: Oliver Ditson, 1928. 307 pp.
Inscribed by the author.
item 170 Ulanov, Barry. A History of Jazz in America. New York: Viking Press, 1952. 382 pp.
item 171 Watson, Jack McLaurin. The Education of School Music Teachers for Community Leadership. New York: Bureau of Publications, Teachers College, Columbia University, 1948. 91 pp.
item 172 Wedge, George A. Applied Harmony, Book I. New York: G. Schirmer, 1930. 163 pp.
item 173 Wedge, George A. Applied Harmony, Book II. New York: G. Schirmer, 1931. 117 pp.
item 174 Welch, Roy Dickinson. The Appreciation of Music. New York: Harper and Bros, 1927. 192 pp.
item 175 Werner, Eric. The Sacred Bridge. New York: Columbia University Press, 1960. 618 pp.
Inscribed by Rabbi Herbert Bronstein.
item 176 Wodell, Frederick W. Choir and Chorus Conducting. Philadelphia: Theodore Presser, 1931. 266 pp.
item 177 Wolff, Pierre. La Route d’un Musicien: Georges Migot. Paris: Alfonse Leduc, 1933. 103 pp.

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