SAMUEL ADLER PAPERS (1999-2018 Gifts): Series 1

Series 1: Sheet Music

Sub-series A: Original Compositions and Arrangements

Box 1

folder 1 Ah, Those Were The Days. Three nostalgic portraits for soprano and piano. Poems by Donald Justice. Dedicated to Renée Fleming.
Full score (1999). Fair copy, pencil. 1 p. of text, 14 pp. of music.
folder 2 American Arias and Dances. For orchestra.
Full score. Manuscript facsimile. 1 p. of text, 83 pp. of music.
Full score (transposed score). Typescript. 74 pp.
folder 3 And Will the God of Grace Perpetual Silence Keep. For woodwind quintet. Melody by James Hewitt (“Fadoral Street”).
Full score. Ozalid manuscript. 24 pp.
folder 4 Art Creates Artists. Celebration for orchestra. For the Florida Youth Orchestra, Jonathan May, conductor, to celebrate the 20th anniversary of the Atlantic Center for the Arts.
Full score (1996). Typescript, bound. 1 p. of text, 25 pp. of music.
folder 5 At the Young Composer’s Concert. For soprano and piano. Text by Donald Justice.
Full score. Manuscript facsimile. 5 pp.
folder 6 Begin, My Muse. A cycle of songs for male chorus and percussion ensemble. Commissioned by the Sinfonai Foundation of Phi Mu Alpha Sinfonia Fraternity for premiere at the Fraternity’s regional conventions, October-December 1969.
Full score (1969). Manuscript facsimile, bound. 29 pp. of music.
folder 7 Beyond the Pale. A portrait of a klezmer for clarinet and string orchestra. Dedicated to Alexander Fiterstein.
Full score (2002). Fair copy, pencil. 23 pp.
Full score (score in C). Typescript, bound. 29 pp.
folder 8 A Bonnie Tune. A scherzo for solo flute. Dedicated to Bonita Boyd in celebration of 35 years of teaching at the Eastman School of Music.
Full score. Fair copy, pencil. 1 p. of text, 2 pp. of music.
folder 9 Brahmsiana. A celebration for eight horns in F. For the Eastman Horn Choir and its conductor Peter Kurau.
Full score (transposed score). Typescript, bound. 19 pp. 2 copies.
folder 10 Bravura. A concert piece for bass trombone. For Jonathan Warburton.
Score. Fair copy, pencil. 2 pp.
folder 11 Bridges to Span Adversity. For harpsichord. In celebration of the life of my good friend and colleague Jan DeGaetani (1933-1989).
Published score (Bryn Mawr, PA: Theodore Presser, 1991). 7 pp.
folder 12 B’ruchim Habaim. For voices and piano. To cantor Sally Neff on the occasion of her wedding.
Full score. Fair copy, pencil. 1 p.
folder 13 Canto IV. For solo alto saxophone.
Published score (n.p.: Dorn Productions, 1973). 5 pp.
folder 14 Canto Via. A scherzo for double bass solo with apologies to many composers, especially Beethoven.
Score. Typescript. 3 pp.
folder 15 Canto VI A. A Scherzo for Double Bass Solo, with apologies to many composers especially Beethoven. Dedicated to J. O. Vandermark.
Score. Fair copy, pencil. 3 pp.
folder 16 Canto X. . For ‘cello solo. For David Cowley.
Published score (Cleveland: Ludwig, 1988). 10 pp.
folder 17 Canto XI. Horn solo. To Verne Reynolds.
Published score (Cleveland: Ludwig, 1986). 6 pp.
folder 18 Canto XIII. For solo piccolo. For Jan Gippo.
Published score (Cleveland: Ludwig, 1995). 6 pp.
folder 19 Canto XIV. A Klezmer fantasy for clarinet solo. To Franklin Cohen.
Published score (Cleveland: Ludwig, 1998), with annotations in pencil. 4 pp.
folder 20 Canto XX. For solo oboe. For Jacqueline Leclaire.
Score. Typescript. 3 pp.
folder 21 Canto XXI. For solo harp. For Bridgit Kibbey and June Han.
Score (2009). Typescript. 1 p. of text, 6 pp. of music.
folder 22 Canto XXII. For euphonium solo. For Christian Becher.
Score. Fair copy, pencil. 4 pp. Copy 2 (duplicate facsimile).
folder 23 Choral Trilogy. For SATB and organ. Commissioned by the choirs and friends of Eastminster Presbyterian Church, Stone Mountain, GA, in honor of Edward J. Weaver, III.
Typescript publisher’s proofs (Orleans, MA: Paraclete Press, 2015), with corrections and annotations in pencil. 32 pp.
folder 24 Concertino No. 3 for String Orchestra. Commissioned by the Missouri Unit of the American String Teachers Association.
Full score. Typescript, bound, with annotations in pencil and colored pencil. 1 p. of text, 26 pp. of music.
Published score (Cleveland: Ludwig, 1996). 30 pp.
folder 25 Concerto for Guitar and Orchestra. Commissioned by and dedicated to Nicholas Goluses, Adam Holzman, and Stephen Robinson.
Reduced score (piano reduction). Typescript, bound. 1 p. of text, 42 pp. of music.
Published score (solo part and piano reduction) (Bryn Mawr, PA: Theodore Presser, 1998). 12 pp. (solo part), 33 pp. (score).
folder 26 Concerto for Horn and Orchestra. Commissioned by the Houston Symphony Orchestra, Hans Graf, music director, for William Ver Meulen.
Full score. Manuscript facsimile, bound. 1 p. of text, 26 pp. of music. 2 copies.
folder 27 Concerto for Viola and Orchestra. Commissioned by the Pittsburgh Symphony Orchestra, Marris Jansons, music director, for Randolph Kelly.
Reduced score (piano reduction) (1998). Typescript, bound. 33 pp.
Viola solo part. Typescript, bound. 10 pp.
Published score (solo part and piano reduction) (King of Prussia, PA: Theodore Presser, 2002). 10 pp. (solo part), 33 pp. (score).
folder 28 Contrasting Inventions. For alto and tenor saxophone duet. For Lawrence Gwozdz.
Full score (transposed score). Typescript, bound. 9 pp. On back cover: stamp for Carl Fischer Music.
Alto saxophone part. Typescript. 3 pp.
Tenor saxophone part. Typescript. 3 pp.
folder 29 Dear Friend. For voice and piano. Text by Magalit Sofir. In memory of Samuel Rosenbaum.
Full score (1997). Ozalid manuscript. 1 p. of text, 3 pp. of music.
folder 30 Diary of a Journey. Four snapshots for flute, bassoon and cello. Commissioned by the Friends of the Phoenix (AZ) Public Library for the dedication of the Music Room. First performance by Arpeggio.
Full score. Typescript, bound. 1 p. of text, 39 pp. of music.
folder 31 Divertissement. For violin and marimba. For Jacques and Michael Israelievitch.
Full score. Typescript, bound. 17 pp.
folder 32 Double Portrait. For violin and piano. Commissioned by Cary Lewis and Ronald Nead to honor the memory of two great artists and two beautiful people, Carroll Glenn and Eugene List.
Published score (solo part and piano score) (San Antonia: Southern Music, 1989). 5 pp. (solo part), 19 pp. (score).
folder 33 Dream Sequence. For piano solo.
Score. Fair copy, pencil. 2 pp.
folder 34 Drifting on Wind and Currents. A poem for orchestra. Dedicated to Dr. Lewis Aronow in honor of his wife Gladys Aronow for the Las Vegas Philharmonic, David Itkin, music director.
Full score (transposed score). Typescript, bound. 1 p. of text, 51 pp. of music.

Box 2

folder 1 Esa Einai (Psalm 121). Music by Shlomo Carlebach. Arranged for mixed choir and keyboard by Samuel Adler.
Published score (New York: Transcontinental Music Publications, 1995). 6 pp.
folder 2 A Euphonious Quartet. For euphonium, violin, viola, and cello. For Eva Kelsick.
Full score. Fair copy, pencil. 1 p. of text, 29 pp. of music.
folder 3 Fable of Fables. For two sopranos, two altos, and instruments. Words by Nazim Hikmet. Translated from the Turkish by Richard McKane. Commissioned and dedicated to the Young People’s Chorus of New York City, Francisco Nunez, music director and conductor.
Full score. Ozalid manuscript. 1 p. of text, 7 pp. of music.
folder 4 Family Portraits. For mixed chorus and band. Text by Jimmy Carter. Commissioned by Warner Robins (GA) High School.
Piano vocal score. Typescript, bound. 30 pp.
Full score. Typescript, bound. 1 p. of text, 52 pp. of music.
folder 5 Fantasy. For solo piano. To Michael Brown.
Score. Typescript. 1 p. of text, 6 pp. of music.
Oversized score separated (fair copy, pencil); see Box 17, Folder 1.
folder 6 Five Choral Scherzi. For mixed chorus, viola, and guitar. Texts by John Updike, anonymous, Thomas Wood, Dorothy Parker, and Hilaire Ballac. Dedicated to Duo Fresco (Brett Deubner, viola; Christopher Kenniff, guitar).
Full score. Typescript, bound. 1 p. of text, 38 pp. of music.
folder 7 Five Early American Tunes for String Orchestra.
Published score (Kent, OH: Black Squirrel Music, 1998). 14 pp.
folder 8 Five Sephardic Choruses. For mixed chorus, with soloists, and piano.
“I. Yom Gila.” Published score (New York: Transcontinental Music Publications, 2001). 7 pp.
“II. Ya Ribban Olam.” Published score (New York: Transcontinental Music Publications, 2001). 5 pp.
“III. Ein Keloheinu.” Published score (New York: Transcontinental Music Publications, 2001). 6 pp.
“IV. Adon Olam.” Published score (New York: Transcontinental Music Publications, 2001). 5 pp.
“V. Zamri Li.” Published score (New York: Transcontinental Music Publications, 2001). 5 pp.
folder 9 Four Composer Portraits. Birthday cards for piano solo.
Score (2001). Typescript, bound. 1 p. of text, 16 pp. of music. Computer-generated
manuscript. 16 pp. of music.
“1. Milton: A Birthday Card for Piano Solo.” To my dear friend Milton Babbitt on the occasion of his 85th birthday.
– Score (2001). Manuscript facsimile. 1 p. of text, 2 pp. of music.
“2. Ned.” To Ned Rorem, celebrating his 78th birthday.
– Score (2001). Fair copy, pencil. 3 pp. Copy 2 (duplicate facsimile).
“3. Gunther.” To Gunther Schuller celebrating his 76th birthday.
– Score (2001). Fair copy, pencil. 3 pp. Copy 2 (duplicate facsimile).
“4. David.” To David Diamond, celebrating his 86th birthday.
– Score (2001). Fair copy, pencil. 4 pp. Copy 2 (duplicate facsimile).
folder 10 From Generation to Generation. A celebration for organ solo. Dedicated to Dora Schönberg on the occasion of her Bat Mitzvah.
Score (2010). Manuscript facsimile. 8 pp.
Excerpt from unidentified book (pertaining to Arnold Schoenberg’s sketches for a “Jewish Symphony”), in German, pp. numbered 153-172. 17 pp.
folder 11 Heal Me, God and I Shall Be Healed. A motet for a cappella chorus. Dedicated to my dear niece Sofie Aaron on the occasion of her Bat Mitzvah.
Score. Typescript. 4 pp.
folder 12 High Flight. For SATB chorus and piano. Text by John Gillespie Magee, Jr.
Commissioned by Keynote Arts Associates, James Dash, president, for the Manhattan Choral Festival 1987, Alexander Dashnaw, music director.
Published score (New York: G. Schirmer, 1987). 16 pp.
folder 13 Hymnset. Based on old American hymns. For woodwind quintet. To my colleagues, the New York Woodwind Quintet.
Full score (transposed score). Typescript publisher’s proofs, with corrections and
annotations in ink. 18 pp.
folder 14 In Praise of Bach. A fantasy for organ on BACH. Commissioned by the Cleveland chapter of the American Guild of Organists.
Score (2001). Fair copy, pencil. 9 pp.
folder 15 It Is to God I Shall Sing. For SATB chorus and organ. For the Salt Lake City Mormon Tabernacle Choir, Jerold D. Ottley, conductor.
Published score (Orleans, MA: Paraclete Press, 1999). 18 pp.
folder 16 Jona, Der Mann ohne Toleranz (The man without tolerance). A cantata for soprano, tenor, and baritone solos with choir and orchestra. Commissioned and dedicated to the Bach Choir of Christ Church, Mannheim, Johannes Michel, director.
Full score. Manuscript facsimile. 1 p. of text, 44 pp. of music.
folder 17 Kol Nidre. For orchestra.
Full score (score in C). Typescript, bound. 1 p. of text, 22 pp. of music.
folder 18 L’cha Dodi. For cantor (solo or as a duet) with congregation and organ. Dedicated to my beloved son-in-law Brian Beal on the occasion of his rabbinic installation.
Full score (1998). Fair copy, pencil and ink. 4 pp.
folder 19 Let the Trumpet Sound. A prelude for an auspicious occasion for trumpet and organ. Dedicated to Nathan Arnold Schoenberg on the occasion of his Bar Mitzvah.
Full score (2012). Ozalid manuscript. 9 pp.
folder 20 Liebes–Lied. For soprano or tenor and organ or piano. Text by Rainer Maria Rilke. For the wedding of Sabina Rahn and Burkhardt Krause.
Full score (2002). Fair copy, pencil. 1 p. of text, 3 pp. of music.
folder 21 Listen To My Words, Lord. For two-part or SATB choir and organ or piano.
Published score (Orleans, MA: Paraclete Press, 1999). 4 pp.
folder 22 A Little Night and Day Music. A commissioned contemporary work for school bands.
Published score (New York: Carl Fischer, 1977). 24 pp.
folder 23 Love of Country: German Life before Nazism. For solo cello and string orchestra. For Michael Isaacson and the Israel Pops Orchestra.
Full score. Typescript, bound. 14 pp.
folder 24 Lovesong. For medium voice and oboe. Text by Rainer Maria Rilke. Translated by M.D. Herter Norton. For Jan and Phil with love.
Score (1989). Manuscript facsimile. 4 pp.
folder 25 Mah Tovu. For cantor, mixed chorus, and organ. For Cantor Azi Schwartz and the choir of Park Avenue Synagogue.
Full score. Typescript. 5 pp.
folder 26 Ma’oz Tsur (Rock of ages). Arranged for treble voices and keyboard.
Published score (New York: Transcontinental Music Publications, 1985). 4 pp. Arranged for SATB chorus and keyboard. For Paul Salamunovich.
Full score. Typescript. 9 pp. Title on score: Rock of Ages.
folder 27 May Is Be for a Blessing. A prayer for violin and piano. To my beloved grandson Joshua Adler Baal on the occasion of his Bar Mitzvah.
Full score (2012). Manuscript facsimile. 1 p. of text, 3 pp. of music.
Violin part. Manuscript facsimile. 2 pp. 3 copies.
folder 28 Meadowmountetudes. Four studies of 20th-century techniques for solo violin. For Anna Malkin.
Published score (Bryn Mawr: Theodore Presser, 1996). 9 pp.
folder 29 Mi Chamocha. For congregation (choir) and cantor with organ. In celebration of the installation of Daniel Pincus as cantor at The Temple in Toledo, OH.
Score (2000). Manuscript facsimile. 2 pp. 2 copies.
folder 30 Min Hameitsar (Psalm 118). Music by Jacques Frommenthal Halevy. Arranged and edited by Samuel Adler. For soli, chorus, and keyboard.
Published score (New York: Transcontinental Music Publications, 1993). 19 pp.
folder 31 The Missionary. An opera in one act. Based on the short story The Conversion of the Jews by Philip Roth. Libretto by Judah Stampfer.
Piano vocal score. Manuscript facsimile, bound. 2 pp. of text, 79 pp. of music.
folder 32 Modim Anachnu Lach. For cantor, three-part choir, and organ. In celebration of the installation of my beloved son-in-law Rabbi Brian Beal at Temple Beth Torah, Nyack, NY.
Score. Manuscript facsimile. 4 pp.
folder 33 The Music of the Heart Proclaims. For SATB and organ.
Published score (Orleans, MA: Paraclete Press, 2001). 4 pp.
folder 34 Nel spirito di Bach. For string orchestra.
Full score. Manuscript facsimile, with annotations in pencil. 5 pp.
Oversized score separated (fair copy, pencil); see Box 17, Folder 1.
folder 35 Netsakh Lied: Song of Eternity. Melody by J. Weiser. Text by Eliezer Schindler.
Arranged by Samuel Adler for soprano solo, SAB chorus, and keyboard.
Published score (New York: Transcontinental Music Publications, 1995). 7 pp.
folder 36 Of Love and Dreams. A song cycle on Irish poetry for baritone and piano. For Mark Delavan.
Score. Ozalid manuscript. 1 p. of text, 14 pp. of music.
folder 37 On Musique, Poetrie, Art and Love. A serenade on texts by Robert Herrick. For medium or high voice, flute (alto flute and piccolo), and piano.
Score. Typescript, bound. 2 pp. of text, 31 pp. of music.
folder 38 The Organ is King. For solo organ.
Score (2001). Manuscript facsimile. 4 pp. of music.
folder 39 Piano Concerto No. 3. For piano and string orchestra.
Full score. Fair copy, pencil. 40 pp.
folder 40 Porgy and Bess’ Rondo. A concert rondo for solo marimba based on Gershwin’s Porgy and Bess. Commissioned by and dedicated to Leigh Howard Stevens.
Published score (Elberon, NJ: Keyboard Percussion Publications, 1999). 24 pp.
folder 41 Ports of Call. A “Mediterranean” suite for two violins and guitar.
Published score (full score and 3 parts) (Bryn Mawr: Theodore Presser, 1994). 24 pp. (score), 13 pp. (violin I part), 13 pp. (violin II part), 12 pp. (guitar part).
Oversized item separated (“A Composer’s Primer to the Guitar” by Ross M. Mann); see Box 17, Folder 1.
folder 42 Possibilities. A cycle of four songs for tenor and guitar. Texts by Henry Wadsworth Longfellow, Melani Rahak, Stephen Dunn, and Robert Service. Dedicated to Brian Staufenbiel and Eladio Scharron.
Score. Fair copy, pencil and ink. 1 p. of text, 12 pp. of music. Accompanied by facsimile of select poems from Songs for the Open Road [(Mineola, NY: Dover Publications, 1999)]. Includes pp. 8-9 and 12-13. 2 pp.
Score. Typescript, bound. 1 p. of text, 15 pp. of music.
folder 43 Praise Thy Saving Power. Four Chanukah songs for male chorus and piano.
Published score (Cleveland: Ludwig, 1984). 25 pp.
folder 44 A Prayer for Healing. For voice and piano or organ. Dedicated to my sister and brother-in-law Marianne and Ronald Aaron.
Score. Fair copy, ink. 1 p. of music.
folder 45 A Prayer of Thanksgiving. For soprano solo, alto solo, congregation, and keyboard accompaniment. Dedicated to my dear son-in-law, on the occasion of his 10th anniversary at Congregation Beth Torah.
Score. Fair copy, pencil. 2 pp.
folder 46 A Prolific Source of Sorrow. Five Chinese love songs for flute and chorus.Commissioned by the Paul Hill Chorale.
Flute part. Typescript, bound. 6 pp. Stamp on front cover: “Return to the Ensemble
Library, Eastman School of Music.”
folder 47 A Psalm of Praise. For mixed chorus and organ or piano. Commissioned by Keynote Arts Associates, James Dash, president, for the Keynote Sacred Music Festival, Washington, DC, 1989.
Published score (Decatur, IL: Kimmel Publications, 1989). 14 pp.
folder 48 A Psalm Trilogy. For SATB chorus, a cappella. Commissioned by the Endowment Fund of the American Choral Directors Association, in memory of Raymond W. Brock.
Published score (Bryn Mawr: Theodore Presser, 1997). 22 pp.
folder 49 Quintet for Piano and String Quartet. Dedicated to the American String Quartet.
Full score (2000). Fair copy, pencil. 1 p. of text, 35 pp. of music.

Box 3

folder 1 Romp. A celebration for string quartet. Commissioned by Wolf Trap for the Ying Quartet.
Full score. Fair copy, pencil. 21 pp.
Full score. Typescript. 21 pp.
folder 2 Rushing Waters. A toccata for piano solo. Dedicated to Alan Feinberg.
Score. Fair copy, pencil. 4 pp.
folder 3 Scherzo Schmerzo. A fun piece for four trumpets, horn, four trombones, tuba, and percussion. Dedicated to Ensemble Beaufort.
Full score. Fair copy, pencil. 1 p. of text, 28 pp. of music.
Full score. Typescript, bound. 1 p. of text, 34 pp. of music.
folder 4 Scherzo Variation for the Second Movement of the Trio Op. 1, No. 2, by Ludwig van Beethoven. For violin, cello, and piano.
Full score. Fair copy, pencil. 6 pp.
folder 5 Seek Your Servant, O God. For SATB chorus and organ or piano.
Published score (Orleans, MA: Paraclete Press, 1999). 8 pp.
folder 6 Serenata Concertante. A concerto grosso for flute, oboe, clarinet, bassoon, saxophone, and wind ensemble.
Full score (1996-1997). Manuscript facsimile, bound. 1 p. of text, 107 pp. of music.
folder 7 Shir Hama’alot: A Song of Ascents (Psalm 126). For three-part treble choir and piano.
Published score (New York: Transcontinental Music Publications, 1994). 11 pp.
folder 8 Show an Affirming Flame. A poem for orchestra. Dedicated to the victims of the terror attack on September 11, 2001, for the New York Chamber Symphony, Gerard Schwarz, music director.
Full score. Fair copy, ink and pencil. 1 p. of text, 16 pp. of music.
folder 9 Sleep Now. For treble voice and piano. Dedicated to my beloved grandson Joshua Adler Beal.
Score (2001). Manuscript facsimile. 1 p. of text, 3 pp. of music.
folder 10 Solemn Soliloquy. For violin solo. For Atis Bankas.
Score (incomplete; consists of title page and p. 1 of score only). Typescript. 1 p. of text, 1 p. of music.
folder 11 Some Minimal Fun. For piano solo.
Score. Fair copy, pencil and ink. 2 pp. Bound with: Dream Sequence. For piano solo. Score. Fair copy, pencil and ink. 2 pp.
Masters of Our Day: 22 New Works Written Specially for Young Pianists by Some of Today’s Most Important American Composers. Vol. 2. New York: Carl Fischer, 2001. 72 pp. Some Minimal Fun included on pp. 4-6.
folder 12 Sonata for Solo Guitar.
Published score (Bryn Mawr, PA: Theodore Presser, 1990). 15 pp.
folder 13 Sonata No. 4 for Violin and Piano. For William Steck.
Score (1989). Manuscript facsimile, bound. 1 p. of text, 32 pp. of music.
Published score (Cleveland: Ludwig Music Publishing, 1993). 37 pp.
folder 14 Song of the Seasons. For two-part children’s chorus. Text by Janet Freeman.
Score. Fair copy, pencil and ink. 1 p. of text, 10 pp. of music.
Score. Typescript, bound, with annotations in pencil and ink. 1 p. of text, 10 pp. of
music.
folder 15 String Quartet No. 9. Commissioned by and dedicated to the Esterhazy Quartet (Eva Szkely, Susan Jensen, Leslie Perna, and Darry Dolezal).
Full score. Typescript, bound. 1 p. of text, 47 pp. of music.
folder 16 String Quartet No. 10. For the Cassatt String Quartet in honor of the 50th anniversary of the Bowdoin International Summer Festival.
Full score (2013). Fair copy, pencil. 50 pp.
folder 17 Thirteen Wonderful Years. For cello and double bass. To my beloved grandson Benjamin and Ari on the occasion of their Bar Mitzvah.
Score. Fair copy, ink. 1 p.
folder 18 Three Pieces. For cello and piano.
Score. Typescript, bound. 1 p. of text, 20 pp. of music.
folder 19 To Remember: To Be Remembered. For mixed chorus and piano. Commissioned by the Choir of Western Kentucky University, Kenneth Davis, conductor.
Published score (Bryn Mawr, PA: Theodore Presser, 1996). 20 pp.
folder 20 Transfiguration. An Ecumenical Mass for mixed chorus, brass quintet, and organ. Dedicated to Gloria Dei Cantores, Elizabeth C. Patterson, conductor.
Full score. Typescript, bound. 1 p. of text, 78 pp. of music.
Published choral score (Orleans, MA: Paraclete Press, 2001). 37 pp. 2 copies.
folder 21 Verses from Isaiah. Anthem for mixed choir accompanied by organ or organ, brass, and optional handbells. Commissioned by Westminster Choir College.
Published score (New York: Oxford University Press, 1990). 22 pp.
folder 22 Wedding Responses. For voice and keyboard. To Mark and Kathryn Winer on the occasion of their wedding.
Score (1996). Manuscript facsimile, with annotations in pencil. 1 p. of text, 3 pp. of music.
folder 23  Yih’yu L’ratson, and Ose Shalom. For voice and keyboard. To my dear niece Adina Lilly Aaron on the occasion of her Bat Mitzvah.
Score. Fair copy, pencil. 2 pp.

Sub-series B: Transcriptions and Edited Music

folder 24 Alkan, Valentin. Psalm 150 (Hallelujah). For mixed choir and keyboard. Edited and translated by Samuel Adler.
Published score (New York: Transcontinental Music Publications, 1996). 9 pp.
folder 25  Bach, J. S. Capriccio. Transcribed for brass quintet by Samuel Adler. To the Eastman Brass Quintet.
Published score (full score and 5 parts) (San Antonio, TX: Southern Music Co.,1974). 11 pp. (score), 2 pp. (trumpet I), 2 pp. (trumpet II), 2 pp. (horn in F), 2 pp. (trombone), 2 pp. (tuba).
folder 26 Lewandowski, Louis. Psalm 100 (Hariu L’Adonai/Shout Joyfully). For mixed chorus with accompaniment. Translated and edited by Samuel Adler.
Published score (New York: transcontinental Music Publications, 1994). 15 pp.
folder 27 Rossi, Salomone. Psalm 92. For double chorus of mixed voices, a cappella. Edited by Samuel Adler. English paraphrase by Samuel Rosenbaum.
Published score (New York: G. Schirmer, 1977). 28 pp.
folder 28 Two Marches (National Emblem by E. E. Bagley; The Stars and Stripes Forever by John Philip Sousa). Transcribed for string sextet by Samuel Adler. Commissioned by Chamber Music Northwest for the Cleveland String Quartet.
Full score. Typescript, bound. 1 p. of text, 24 pp. of music.

 

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