Stay tuned for upcoming events as the new semester begins! And don’t forget to come out to Tuesday Pipes, held 52 weeks a year!
Community Concert Recital Series
Held monthly at churches in the Rochester area. Click the link for the full listing.
Free with a retiring collection benefitting the Eastman Organ Department Student Travel Fund
- Thursday, January 19, 7:30pm
Third Thursdays at the Memorial Art Gallery
O Anima Mea: Music of Isabella Leonarda (1620-1704)
Memorial Art Gallery
500 University Ave.
Free with gallery admission
- Sunday, January 22, 3pm
Organ and Viola
Carol and Cathy Rodland
Third Presbyterian Church
4 Meigs St.
- Saturday, January 28, 11:30am
Master’s Recital: Early Music
Alexis VanZalen, harpsichord
Eastman School of Music
The Department of Organ, Sacred Music, and Historical Keyboards
The tradition of organ study at Eastman has been extraordinary since the founding of the school. Many of our organ alumni are leaders of the organ world, holding a large number of the country’s important church and university positions. Today, organ students are prepared rigorously for multifaceted careers as church musicians, teachers, and concert performers through a wide array of offerings such as classes and lessons in healthy keyboard technique, organ maintenance, organ literature, organ pedagogy, conducting, keyboard skills, jazz improvisation, organ improvisation, harpsichord, continuo, sacred music skills, and a weekly colloquium featuring guest lecturers, workshops, and discussions pertaining to the diverse requirements of our profession. BM, MM, and DMA degrees are offered, along with a Sacred Music Diploma. The DMA may include a wide variety of minor fields, such as sacred music, theory, music history, or conducting.
Eastman organ majors have regular daytime access to a broad range of exceptional instruments by such builders as Aeolian, Andover, Austin, Aeolian-Skinner, Boehler, Brombaugh, Casavant, Fisk, Flentrop, Fritts, Holtkamp, Hook and Hastings, Hope-Jones, Moller, Schlicker, E.M. Skinner, Steere, Taylor and Boody, Wangerin-Weichardt, and Wurlitzer, in addition to harpsichords by Dowd, Ross, Hertz, Kingston and Dupree; an original Parisian art-harmonium by Mustel; a pedal clavichord built by Joel Speerstra after Gerstenberg (1766); a 19th-century Derdeyn/Erard pedal-piano from France; Eastman’s renowned Italian baroque organ; and the re-creation of a magnificent late baroque organ by Casparini.