Charles Ross

Charles Ross

Assistant Professor of Timpani, part time

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Biography

Photo by Sara Knapp

Charles Ross has been the Principal Timpanist of the Rochester Philharmonic since 2003. A graduate of the Curtis Institute of Music, he has performed, toured, and recorded as timpanist with many orchestras in the U.S. and abroad; among them include the Philadelphia Orchestra,La Scala Opera, Baltimore Symphony, Santa Fe Opera, RAI (Radio Orchestra) of Torino, (Italy), Chatauqua Festival Orchestra, and the Moscow and Philadelphia Chamber Orchestras.

Charles is on the faculty of the Eastman School of Music and the Brevard Music Center. He has also taught at the Curtis Institute of Music, Drexel University, and has given clinics and master classes for the Percussive Arts Society. His primary teachers have been Ken Belding, David Fein, Gerald Carlyss, Michael Bookspan, and Fred Hinger, as well as additional studies with Cloyd Duff, Saul Goodman, and Alan Abel.

In January, 2010, Charles gave his debut as timpani soloist with the Rochester Philharmonic, premiering a concerto written for him by Grammy award winning composer, producer, and conductor, Jeff Tyzik. Since then, he has given numerous performances of the piece, including one for public radio.

An accomplished jazz vibraphonist, Charles has performed a number of times as vibe soloist with the Rochester Philharmonic. As well, he actively performs in collaboration with fellow Eastman Faculty member, vibraphonist Howard Potter, as the “Mallet Time Duo”; additionally with his percussion colleagues of the Philharmonic, making up the “RPO Marimba Band”.

Charles is also the creator and manufacturer of RossTimp Kettledrum Mallets, currently used by professionals and students throughout the world. He is an affiliate artist and clinician with the Pearl/Adams Corporation, Evans/Daddario, JG Percussion, and Mike Balter Mallets.

 
“Charles Ross…A Stunning Timpanist.”  
 …Gil French; American Record Guide/Classical Producer WXXI-FM
 
“Ross’ performance of (Jeff) Tyzik’s concerto spanned from the delicate to the powerful; all played with a wizard’s precision.”
…Democrat and Chronicle; Rochester, NY