Philip Chang and Panayotis Mavromatis, editors
Forum: Music Theory at the Turn of the Millennium
Introduction
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Allen Forte | Music Theory: Today and Tomorrow
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Michael Cherlin | Three Challenges for Music Theory in Our Time
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Thomas Christensen | Music Theory and the Mainstream
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Nicholas Cook | Revisiting the Future
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Ian Cross | Music(s), Science(s), and Post-Positivist Pluralities
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Judy Lochhead | Music Theory as Knowledge Building
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Daniel Harrison | A Story, An Apologia, and A Survey
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Robert Morris | Autocommentary: Thoughts on Music Theory at the Millennium
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Andrew Mead | The “Sweet Spot”: What Composing Has Taught Me about Teaching Theory
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Cristle Collins Judd | The Dialogue of Past and Present: Approaches to Historical Music Theory
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Kofi Agawu | Embracing the Non-West
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Benjamin Boretz | Thinking About Theory, Theories, and “the Musical” in Music
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Robert S. Hatten | A New Frontier for Music Theorists
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Matthew Brown | Music Theory, Music Cognition, and “The Case of Iguanodon’s Thumb”
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Articles
David Lewin | All Possible GZ-Related 4-Element Pairs of Sets, in All Possible Commutative Groups, Found and Categorized
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Mark Anson-Cartwright | Haydn’s Hidden Homage to Mozart: Echoes of “Voi che sapete” in Opus 64, No. 3
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Margaret Thomas | Nancarrow’s “Temporal Dissonance”: Issues of Tempo Proportions, Metric Synchrony, and Rhythmic Strategies
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Marianne Wheeldon | Interpreting “strong moments” in Debussy’s “La terrasse des audiences du clair de lune”
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Jack Boss | The “Musical Idea” and Global Coherence in Schoenberg’s Atonal and Serial Music
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Gretchen Horlacher | Multiple Meters and Metrical Processes in the Music of Steve Reich
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Review
Joel Galand | Review of Analysis Through Composition: Principles of the Classical Style, by Nicholas Cook, 1996
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