The Teaching Assistant Prize is awarded to graduate students who distinguish themselves for excellence in teaching.
Prizes and Awards
Learn more about all Prizes and Awards for Graduate studies.
Teaching Assistant Prize for Excellence in Teaching
- 2020-2021 David Falterman, Written Theory; Pallas Riedler, Music History; Eron Smith, Theory Aural Skills; Keane Southard, Computer Engraving/Calligraphy; Cesar Haas Costa, Applied Jazz Guitar; Alex Lo, Applied Piano
- 2019-2020Â Lauren Irschick, Written Theory; Dan Kuehler, Applied Piano; Sarah Luebke, Applied Voice; Derek Myler, Theory Aural Skills; Stephania Romaniuk, Music Teaching and Learning Voice Class; Yidi Song, Applied Flute
- 2018-2019Â Michael Aiello, Applied Voice; David Keep, Written Theory; Joanna Hyun Ji Kim, Music Teaching and Learning Voice Class; William Talley, Basic Conducting Class; Stephanie Venturino, Intensive Written Theory
- 2017-2018 Gabrielle Cornish, Music & Technology in the 20th Century; Hannah Harrow, Applied Voice; Samuel Reenan, Intensive Written Theory; Nicki Roman, Saxophone Chamber Ensemble; Garrett Wellenstein, Basic Conducting Lab
- 2016-2017Â Emily Dobmeier, Music Teaching and Learning Clarinet Class; Amy Fleming, Graduate Theory Review; Molly Murdock, Intensive Written Theory; Trevor Nelson, Music History Discussion Sessions; Sarah VandenBrink, Applied Voice; Jonathan Wintringham, Saxophone Chamber Ensemble
- 2015-2016Â Daniel Baer, Applied Piano; Benjamin Baker, Theory Aural Skills; Myles Boothroyd, Written Theory; Peter Folliard, Basic Conducting Class; Aaron Grant, Written Theory; Megan Steigerwald, Music History; Meng Zhou, Piano Class
- 2014-2015Â Sarah Fuchs Sampson, Music History Review; Joseph Chi-Sing Siu, Written Theory; Jungeyun Grace Choi, Piano Class; Joseph Maxwell Grube, Music Teaching and Learning Bassoon Class; Nils Klykken, Basic Conducting Class; Yoshiko Arahata, Applied Piano
- 2013-2014Â David Geary, Theory Aural Skills; Aristea Mellos, Composition for Non-Majors; Philip Pierick, Saxophone Chamber Coaching; Devin Sloos, Music Teaching and Learning Euphonium and Tuba Class; Shichao Zhang, Piano Class
- 2012-2013Â Lauren Becker, Applied Horn; Min Hwan Kim, Piano Class; Emlyn Johnson, Applied Flute; Gilad Rabinovitch, Composition for Non-Majors; Matthew Valverde, Applied Voice; James Sullivan, Theory Aural Skills
Edward Peck Curtis Award for Excellence in Teaching by a Graduate Student
Established to encourage excellence in the work of graduate students who assist undergraduate instruction, the E.P Curtis Award for Graduate Students is awarded to up to five nominees per year from across the University.
- 2019Â Benjamin Baker, Elaina McKie, Nicholas Morandi, Trevor R. Nelson
- 2018Â Myles Boothroyd, Gabrielle Cornish
- 2017Â Samuel Bivens
- 2016Â James Sullivan
- 2015Â C. Aaron James
- 2014Â Sarah Fuchs Sampson
Lecture Recital Prize
The Lecture Recital Prize recognizes and celebrates DMA students at Eastman who present exemplary lecture recitals within a given calendar year.
Click here to see videos of all the award-winning lecture recitals (must be on-campus or connected through the U of R VPN to access videos).
- 2020 Daniel Kuehler (DMA in Performance and Literature [Piano]), âMessiaenâs PrĂ©ludes: A Birdâs-Eye View from Three âRegardsââ
- 2019 Chan Mi Na (DMA in Performance and Literature [Viola]), âLillian Fuchs: the pedagogical aspects of her compositions for viola (An examination of Sonata Pastorale for Unaccompanied Viola and related technical studies)â
- 2018Â Blaire Koerner (DMA in Performance and Literature [Bassoon]), âThe Collision of 1950âs Classical, Jazz and Pop: Uncovering and Transcribing Alec Wilderâs Hidden Gemsâ; Caroline Sonett (DMA in Performance and Literature [Flute]), âA Project-Based Learning Recital Model for Post-Secondary Music Educationâ
- 2017 Wei-Han Wu (DMA in Performance and Literature [Piano] and Piano Accompanying and Chamber Music), âWorks for Chamber Duo and Solo Piano by Eric Wubbelsâ
- 2016 Abigail Rockwood (DMA in Performance and Literature [Organ]), âReorderings: Motivic Uses of Permutation in Bach, Sweelinck, and Messiaenâ
- 2015 James Sullivan (DMA in Performance and Literature [Double Bass] and PhD in Music Theory), âA Post-Tonal Method Book for the Double Bassâ
- 2014 Lee Wright (DMA in Conducting [Choral]), âSpirituals on Stage: The Concert Spiritual as a Reflection of Racial Progress in Americaâ
- 2013 Albert Kim (DMA in Performance and Literature [Piano]) , âA New Concert Transcription of Ravelâs La Valseâ
- 2012 John Allegar (DMA in Performance and Literature [Organ]), âThe Chicago Years of Florence Price: Context and Hybridityâ; Timothy Burns (DMA in Piano Accompanying and Chamber Music), âInvestigating Schumannâs Gedichte Der Königin Marie Stuart, Op. 135âł
- 2011 Man Yui Kitty Cheung (DMA in Performance and Literature [Violin]), âOn Performing the Cadenzas of Beethovenâs Violin Concerto, a Performerâs Approachâ
- 2010 Daniel Aune (DMA in Performance and Literature [Organ]), âJohann Sebastian Bachâs Leipzig Chorales: New Thoughts On Their Development and Functionâ
Presser Music Award
Funded by a grant from the Presser Foundation; presented to a graduate student demonstrating excellence and outstanding promise for a career in the field of music.
- 2024 Chenxin Han (MA in Music Education)
- 2023 Ruixue Hu (PhD in Music Theory)
- 2022 Reginald Bowens (DMA in Jazz Studies and Contemporary Media)
- 2021 Kyrsten Chambers Jones (DMA in Performance and Literature [Voice])
- 2020 Austin Richey (PhD in Musicology)
- 2019Â Jane Sylvester (PhD in Musicology)
- 2018Â Alexis VanZalen (PhD in Musicology)
- 2017Â Derek RemeĆĄ (DMA in Performance and Literature [Organ])
- 2016Â Samuel Bivens (PhD in Music Theory)
- 2015Â Aristea Mellos (DMA in Music Composition)
- 2014Â Aaron Grant (PhD in Music Theory)
- 2013Â Sarah Fuchs Sampson (PhD in Musicology)
- 2012Â John Liberatore (PhD in Music Composition)
Jerald C. Graue Fellowship
Established in memory of a respected scholar, beloved teacher, and former chair of the Musicology Department; awarded to graduate students in any field for their outstanding work in musicological research.
- 2020 Bronwen McVeigh (PhD in Musicology)
- 2019 Anthony LaLena (PhD in Musicology and DMA in Performance and Literature [Guitar])
- 2018Â Jane Sylvester (PhD in Musicology)
- 2017Â Gabrielle Cornish (PhD in Musicology)
- 2016Â Christopher Kayler (DMA in Piano Accompanying and Chamber Music) and Gabrielle Cornish (PhD in Musicology)
- 2015Â Alexis VanZalen (PhD in Musicology)
- 2014Â C. Aaron James (PhD in Musicology and DMA in Performance and Literature [Organ])
- 2013Â Tabitha Boxerman (DMA in Performance and Literature [Piano])
- 2012Â Emma McConnell (PhD in Music Theory)
Artistâs Certificate
Reserved for graduate students who already hold the Performerâs Certificate and who demonstrate the highest level of performing ability. Candidates for the Artistâs Certificate are recommended unanimously by their home departments. In addition, these young artists perform two public recitals and a concerto with orchestra; all three events are adjudicated by a special interdepartmental committee appointed by the Dean and the Senior Associate Dean of Graduate Studies.
- 2020Â Malcolm Matthews, organ
- 2017Â Thomas Gaynor, organ
- 2014Â Markiyan Melnychenko, violin
- 2013Â Daria Sergeyevna Rabotkina, piano
- 2011Â Hye Sung Choe, flute
- 2000Â Marina Lomazov, piano
