Once a year or so I read something online that stops me in my tracks; not because it tells me something I didn’t know (which happens every 2 minutes or so), but because it forces me to think uncomfortable thoughts. This year’s winner was a post by Emily Hogstad, who has consistently provided, on her[…]
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The situation fails the smell test on an increasing number of fronts. Cited legal fees seem excessive in a year…
The great Israeli diplomat Abba Eban famously remarked, after the 1973 Geneva Peace Conference, that “the Arabs never miss an opportunity to miss an opportunity.” The same could be said of the Board of the Minnesota Orchestra. At their annual meeting yesterday, the Board passed on the perfect moment to let the current board chair[…]
Read MoreThe problem with settling with management/board on their terms is that it validates their approach to the problem and makes…
One of the more intriguing aspects to the psychology of our industry is a general propensity to conspiratorial thinking. It’s not hard to find amongst musicians; the widespread belief that the League of American Orchestras A National Service Organization is behind all our woes is the best-known example, but conspiracy theories fester within orchestras as[…]
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I. The Tornado and the Plow Horse I recently plugged the words “Salieri” and “Festival” into Google, which limped back with a meager Salieri Opera Festival of 2010, presented by Fondazione Fioroni in Verona, Italy. Curious, I added “2013” to the search, and Google came back with only three results, none of which led to[…]
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For this Editor’s Choice I decided to look back at some interviews we recorded in years past. There are some real gems here. The one I chose to feature this time around is a conversation between Paul Boulian and Greg Sandow discussing the economic reality of orchestras. Though it was recorded in February 2009, it[…]
Read MoreToday is what most observers are assuming is the deadline for a settlement in Minnesota that will keep Osmo Vänskä and the November Carnegie concerts in the picture. It doesn’t appear that negotiations are going well, though. One indication of that is the management offer of last week, made with great public fanfare and certainly[…]
Read MoreIt’s clear that crunch time is coming on the Northern Front (aka the Minnesota orchestra labor “negotiations”). The board has said that they’re willing to indefinitely delay the unveiling of their shiny new $50 million toy lobby, to see the prospect of ever going back to Carnegie Hall evaporate, and to watch Vänskä walk. The[…]
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It was recently announced that John Williams will compose the music for Star Wars: Episode VII. This is great news for fans of his music all over the world, and it could be great news for smart orchestras too. A new Star Wars movie is the sort of cultural event that has largely untapped possibilities[…]
Read MoreThe Minnesota Orchestra leadership released a “financial review” yesterday. Most of the coverage, though, focused on remarks made by MO board negotiating chair Richard Davis, who told the Star Tribune editorial board that he was prepared to say bye-bye to music director Osmo Vänskä, the upcoming Carnegie concerts, and the opening of the newly-renovated Orchestra[…]
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My Editor’s Choice for this time around is a look-back to a 2002 article in Harmony by Tina Ward and Robert Wagner. In it they write about their experiences with the Lahti Symphony Orchestra. It’s an inspiring story about a small town orchestra in Finland that, at that time, was making big waves in its[…]
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