It’s not surprising that a recent article by Philip Kennicott in the New Republic by the title of “America’s Orchestras are in Crisis” got some favorable play in the musician community. The writer, who is Art and Architecture critic for the Washington Post, focused very heavily on what he believed was the League of American[…]
Read MoreIt is possible to say with assurance that something is happening in the Minnesota Orchestra labor war. Just what that something is, on the other hand… Yesterday there was a flurry of activity. First there was what appeared to be a new proposal by management, with a new deadline. Then there was a statement by[…]
Read MoreI promise that some day I will post on something other than the Minnesota Orchestra labor dispute. But, at the moment, it’s the most important thing happening in our field. The news yesterday from the Northern Front was not encouraging. The first item was that Minnesota Orchestra management has apparently set a kind of deadline[…]
Read MoreThere have been several developments in the trench warfare that goes by the name of “Minnesota Orchestra negotiations” recently. The first, and (to my mind) least consequential, was DomainNameGate. Emily Hogstad, who has done remarkable commentary and reporting throughout this dispute, discovered more or less by chance that the Minnesota Orchestra Association had been buying[…]
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In light of the recent settlement of the SPCO’s long lockout, it’s worth revisiting the events of 2003, when the SPCO embarked on a radical departure from past practice regarding institutional governance. Five perspectives are provided; those of the mediators/facilitators, Fred Zenone and Paul Boulian, that of the President and CEO, Bruce Coppock, that of[…]
Read MoreThere was a flurry of press reports last week on the state of the Minnesota Orchestra lock-out; most about the apparent involvement of George Mitchell as mediator. Norman Lebrecht also reported on some back-and-forth between musicians and management, although other reports disputed the accuracy, or at least completeness, of what he’d written. Since then, there’s[…]
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Moderated by Norman Ryan, Vice President of Composers and Repertoire at Schott Music Corporation, the panel for this session included Amy Garapic, Co-Executive Director of Contemporaneous; Beth Perdue Outland, Vice President of Community Engagement and Strategic Innovation, Indianapolis Symphony; Jen Richards, Managing Director, eighth blackbird; and Julia Rubio, Executive Director of the Black Pearl Chamber[…]
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In her introduction, Judith Kurnick, Vice President for Strategic Communications at the League, described Greg Sandow as a cultural critic, someone who could bring thinking across disciplines and share ideas that you would never have thought of before. He’s been a member of the graduate faculty at Juilliard for 17 years, and was involved in[…]
Read MoreThe Minnesota Orchestra lock-out – the longest second-longest formal lock-out in our industry’s history – may have entered a new phase, according to Graydon Royce of the Minneapolis Star Tribune: The Minnesota Orchestra’s management and musicians — now in the 11th month of a bitter labor lockout — are quietly talking again behind the scenes.[…]
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The final musician session was a conversation with Peter Pastreich, a well-respected manager in the orchestra world, having served as Executive Director of the San Francisco Symphony for 21 years. Prior to that he served as Executive Director at the Saint Louis Symphony, the Kansas City Philharmonic and the Nashville Symphony. More recently he came[…]
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