Biography

In a career spanning more than a half century Harold Danko has established himself as a distinguished pianist, composer and band leader, fortified by an impressive resume of collaborations with legendary jazz artists, at prestigious jazz venues throughout the world as well as in recordings, television and video. His work is well documented and readily available on multiple CDs and youtube clips  These include Chet Baker’s classic 1987 Tokyo concert with more than five million hits, as well as featured performances with Thad Jones/Mel Lewis, Gerry Mulligan, Lee Konitz, and on James Moody’s version of “Giant Steps”.

As a leader Harold has been featured at the Rochester International Jazz Festival, Lincoln Center’s “Meet the Artist” series, Washington DC Performing Arts Society series at J.F.K. Center, and numerous jazz festivals both in the USA and abroad.  In the 1990’s he performed with and composed for his quartet with Rich Perry (tenor saxophone), Scott Colley (bass) and Jeff Hirshfield (drums), and in 1995 received an NEA Fellowship to perform his own works in a series of concerts in New York City.  In recent years he has led a trio with Hirshfield and Michael Formanek or Jay Anderson (bass) in addition to adapting his compositions for solo piano performances, and can be heard in various formats on more than thirty CDs on the SteepleChase and SunnySide labels. Since 1980 he has earned ASCAP awards yearly for the value of his catalog of original compositions.

Danko holds Professor Emeritus status at the Eastman School of Music in Rochester, NY, where he chaired the jazz studies program for eleven years and established the Jazz Performance Workshop curriculum.  In 2007 he received a Bridging Fellowship for research in the Linguistics Department of the University of Rochester on the relationship of speech and music.  Prior to his appointment at Eastman he served on the faculties of the Manhattan School of Music, the New School/Mannes, Hartt College, and other institutions.  Harold’s featured column, “Solo Piano”, appeared in Keyboard Magazine for more than five years, and his keyboard improvisation method, “The Illustrated Keyboard Series”, is a highly regarded reference work. Beginning his piano studies at the age of five, he became serious about pursuing a career in jazz at the age of fifteen when he commenced studies with Gene Rush in Youngstown, Ohio. After graduation from Youngstown State University and a stint in the U.S. Army band Harold landed the piano chair in Woody Herman’s Thundering Herd, which launched his career as a much sought after jazz musician, composer, and educator.  His newest CD, set for March 2019 release on the SteepleChase label, is a duo with cornetist Kirk Knuffke entitled “Play Date”.

Works / Publications

Selected Discography

Under his own name, as leader

Triple Play SteepleChase
Lost in the Breeze SteepleChase
Fantasy Exit SteepleChase
Hinesight SteepleChase
Trilix SteepleChase
Next Age SteepleChase
New Autumn SteepleChase
After the Rain SteepleChase
The Feeling of Jazz SteepleChase
Tidal Breeze SteepleChase
Oatts & Perry l, ll, and III
Three of Four SteepleChase
Nightscapes SteepleChase
This isn’t Maybe SteepleChase
Prestigious SteepleChase
Fantasy Exit SteepleChase
Mirth Song Sunnyside
Alone But Not Forgotten Sunnyside
Shorter By Two Sunnyside


CDs with other artists include:

with Chet Baker:
Once Upon a Summertime
Chet Baker in Tokyo

with Lee Konitz:
Ideal Scene
Dearly Beloved
New York Album
Wild as Springtime

with Woody Herman:
The Raven Speaks

with Thad Jones and Mel Lewis:
The Thad Jones/Mel Lewis Quartet
Live in Munich

with Jeff Campbell, Rich Thompson, and Clay Jenkins:
Eastman Faculty Jazz Quartet plus Rich Perry, Rich Perry at Eastman, 2002

with Kim Richmond/Clay Jenkins Ensemble:
CrossWeave, 2004


Videos

Jazz Keyboard Techniques (available only in Brazil)
Gerry Mulligan: Jazz in America
Chet Baker: My Funny Valentine — Chet Baker in Tokyo
Lee Konitz: Konitz, Portrait of an Artist as Saxophonist

Media

Ffreshh

Tidal Breeze