by Dr. Sylvie Beaudette, Summer@Eastman Director and French Lyric Diction instructor
With internet resources and new editions that include IPA translations of mΓ©lodies, one would think that singers, choral conductors, and vocal coaches have all the tools necessary to dive into the rich French repertoire. Yet, most people I coach admitβperhaps preemptivelyβthat French is their worst language. Granted, French speakers are very protective of their mother tongue (France has an entire AcadΓ©mie of 40 members called βimmortelsβ constantly working on the dictionary) and nurture it as their most precious cultural attribute. This alone can make French seem inaccessible to non-native speakers. Nenni! Like anything musical, French diction needs practice.
There is more to diction than IPA, and thatβs where I come in. French poetry follows strict versification rules, which in turn create a naturally flowing and musical language. Romantic poets, especially, used a variety of βmetersβ to diversify stress patterns from one line to another, or to tie two seemingly separate verses with a similar or complementary meter, shedding new meaning on the poem. Composers like FaurΓ©, Debussy, Ravel, and Poulenc understood very well the inner poetic rhythm of their native tongue and were directly inspired by the poetic style(s) of their time. MΓ©lodie, therefore, followed poetryβs lead in terms of form, phrasing, and word setting.
What does this long preamble have to do with diction, you ask? While singers can pronounce most sounds neatly caged between [brakIts], declaiming a verse without a sense of meter (with stressed syllables as your guide) will make the reading unintelligible even for a native speaker (stressed sylLAbles, anyone?). Furthermore, a lack of vowel legato will negate its innate musicality. Singers can rely on the composerβs setting for clues about stressed syllables…and breath management (most of the time) but a knowledge of the languageβs rhythm, meaning, and precise diction is a must.
Eastmanβs new online French Lyric Diction course offers a step-by-step and holistic method, through oral and written assignments, guided listening, group discussions, and synchronous in-class practice with instructorβs instant feedback. The online delivery allows students to take the class from anywhere. The noncredit option makes the tuition affordable. Pas dβexcuses! This course is designed for singers, vocal coaches, and choral conductors who need a self-confidence boost in French (i.e. the most beautiful language in the world, in this authorβs opinion).
This Summer, Free yourself from the Fear of French!
For more information about the French Lyric Diction course, click here.



