The Faculty Artist Series Presents: Bill Dobbins, Piano
November 16, 2018
For Media Only: Jessica A. Kaufman (585-274-1057, email@example.com)
Bill Dobbins is professor of jazz studies at the Eastman School of Music in Rochester, New York, where he teaches the jazz composing and arranging courses and directs the award-winning Eastman Jazz Ensemble and Eastman Studio Orchestra. As a pianist, he has performed with orchestra and chamber ensembles under the direction of Louis Lane, Pierre Boulez, Lukas Foss, and Frederick Fennell, and he has performed and recorded with such jazz artists as Clark Terry, Al Cohn, Red Mitchell, Phil Woods, Bill Goodwin, Gary Foster, Dave Liebman, John Goldsby, and Peter Erskine. He joined the Eastman faculty in 1973 and was instrumental in designing the graduate and undergraduate curricula for Eastman’s Jazz Studies and Contemporary Media program. Many of his students have been heard in the big bands of Count Basie, Woody Herman, Buddy Rich, Maynard Ferguson, Thad Jones/Mel Lewis, Chuck Mangione, and Maria Schneider, and in Bob Brookmeyer’s New Art Orchestra.
Dobbins’ Eastman program is entitled “Classical Music and Jazz: a Common Language.” The idea for the program came out of Dobbins’ lifelong love of both classical music and jazz, and the realization that the unique musical language of chromatic tonality, from which most of the standard classical repertoire from the eighteenth through the early twentieth century was composed, is also the foundation of the harmonic language of jazz.
The first half of the program includes Dobbins’ own arrangements of Prelude XII in F minor from volume 2 of The Well-Tempered Clavier by Johann Sebastian Bach, the Adagio Cantabile from the Sonata, Opus 13 (Pathétique) by Ludwig van Beethoven, and the Rhapsody, Opus 79, No. 2 by Johannes Brahms. The Bach prelude is arranged in a jazz waltz style, the Beethoven adagio in a jazz ballad style, and the Brahms rhapsody in a Latin jazz style. In addition, two compositions of Frederic Chopin will be played in their original versions and paired with jazz standards that have similar melodic and harmonic features.
The second half of the program includes compositions by Alexander Scriabin, Claude Debussy, Erik Satie, and Federico Mompou. The original version of Scriabin’s Prelude, Opus 11, No. 2 will be performed, along with an improvisation on its harmonic progression. An early Satie composition, Gnossienne No. 3, is arranged in a somber bluesy setting at a slow funk tempo, while his witty miniature, Celle qui parle trop (The woman who talks too much), will be played in its original version, along with Dobbins’ own blues theme that is based on Satie’s thematic motifs. Debussy’s Golliwogg’s Cakewalk (from The Children’s Corner suite) is arranged to include some improvising in the stride piano style, developed in the 1920s and 1930s from the earlier ragtime idiom. The program will conclude with Dobbins’ arrangement of Federico Mompou’s Cançó i Dansa VI, inspired by the folk music and flamenco culture of the Catalonia region of Spain, where the composer spent much of his life.
The Faculty Artist Series is generously supported by Patricia Ward-Baker.
Tickets for Eastman’s Faculty Artist Series are $10 for the general public and free to current Season Subscribers and University of Rochester ID holders. Tickets can be purchased at the Eastman Theatre Box Office, 433 East Main St.; by phone (585) 274-3000; or online at http://eastmantheatre.org
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About Eastman School of Music:
The Eastman School of Music was founded in 1921 by industrialist and philanthropist George Eastman (1854-1932), founder of Eastman Kodak Company. It was the first professional school of the University of Rochester. Mr. Eastman’s dream was that his school would provide a broad education in the liberal arts as well as superb musical training. The current dean is Jamal Rossi, appointed in 2014.
About 900 students are enrolled in Eastman’s Collegiate Division—about 550 undergraduate and 350 graduate students. Students come from almost every state, and approximately 25 percent are from other countries. They are guided by more than 95 full-time faculty members. Six alumni and three faculty members have been awarded the Pulitzer Prize for Music, and numerous alumni and faculty have received Grammy Awards. Each year, Eastman’s students, faculty members, and guest artists present more than 800 concerts to the Rochester community.