Eastman Wind Ensemble Explores Artistic Collaboration in Works of Milhaud, Etezady, and Corigliano

January 30, 2017

More Information:
For Media Only: Helene Snihur (585-274-1057, hsnihur@esm.rochester.edu)

Music inspired by visual and literary arts will be performed by the Eastman Wind Ensemble on Friday, Feb. 3. Dancers from the University of Rochester are collaborating with the ensemble to present a multi-sensory experience exploring themes of creation and degeneration. With a program ranging from chamber to symphonic works, the concert underscores the talent, flexibility, and virtuosity of the Eastman Wind Ensemble to perform a wide spectrum of original works.

The concert, at 8 p.m. in Kodak Hall at Eastman Theatre, opens with Darius Milhaud’s La creation du monde, written in 1923 as a ballet score for Les Ballets Suedois in Paris and based on an African creation myth. The 18-minute work will be performed by 18 musicians, who will be joined by four students from the University’s Program of Dance and Movement, directed by Missy Pfohl Smith, and eight members of Smith’s professional ensemble, BIODANCE.

Milhaud was one of the earliest composers to combine jazz and classical elements in his music, and La creation du monde incorporates the jazz sounds, harmonies, and rhythms he heard when visiting Harlem. While the music has taken its place in concert repertoire, performance of the work has only occasionally included ballet in the ensuing 90 years.  Professor and Chair of Conducting and Ensembles Mark Scatterday and Eric Laprade, a Doctor of Musical Arts student and conductor for the Feb. 3 performance, approached Smith last spring and asked her to reimagine the ballet in a modern context.

For this performance, Smith fused vernacular jazz dance elements from the 20s and 30s with a more classical modern dance style.  She approached the work conceptually, “not to tell a literal narrative of Creation, but to generate movement and structure that uses organic images of simple cells and cell division, of natural and evolving landscapes, and nod to the Big Bang theory,” she explained, while thinking about the birth of jazz music in America and how it evolved alongside jazz dance.

“This concert creates an opportunity for musicians to interact with other artists, and creates connections between the University’s River Campus and the Eastman School of Music,” said Laprade.

La creation du monde will be presented again at 2 p.m. on Wednesday, Feb. 8, in Room 415 of the Eastman East Wing, incorporating projected images by digital media artist W. Michelle Harris.

The second work on the program, Anahita by Roshanne Etezady, was inspired by tales and works about the Zoroastrian goddess who rules the moon and night and travels in a chariot pulled by three horses. In 1878, New England painter William Morris used a sixth century Persian poem as the basis for a mural on the upper walls of the State Capitol Building in Albany. Damaged by moisture, the mural today is almost completely hidden from view by a false ceiling.  “I found something particularly resonant in the fact that the huge work, one of the largest of the artist’s career, is slowly deteriorating over time, and there’s nothing anyone can do about it,” Etezady told a reporter when her work was premiered in 2005. “I was also drawn to the image of the goddess, to the idea of a figure being beautiful and terrifying at the same time.”

For the third work on the program, Circus Maximus by John Corigliano, audience members will be surrounded by musicians, who will be performing on the stage and in the hall. Written in 2004, Circus Maximus is approximately 35 minutes and requires 76 musicians who will play the work’s eight sections without pause. The work draws on parallels between the high decadence of ancient Rome, where citizens were entertained by chariot races, hunts, and battles in the arena, and present times, where entertainment dominates reality and “reality shows” flood television screens.

“The work is really a commentary on the status of modern society and is fascinating when juxtaposed against the creation thread in the Milhaud,” said Laprade. “While La creation du monde was considered cutting edge for its blending of jazz and classical elements, the Corigliano is unique in its use of physical space as a means to recreate the chaos of ancient Rome and the present day.”

The Eastman Wind Ensemble is America’s leading wind ensemble. Founded by Frederick Fennell in 1952, the ensemble became the pioneering force in the symphonic wind band movement in the United States and abroad. The ensemble has released more than 40 recordings; done major tours of the United States, Japan and the Far East, most recently a six-city, 12-day tour in Europe; and has been invited to perform at many festivals and music conferences. The ensemble’s latest CD, Sierra Live: Music by Roberto Sierra, earned praise from Fanfare magazine for performing the works “at the highest possible artistic level,” noting that the “skill with which these pieces are presented is all the more remarkable given that these are all live performances.”

 

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