Category - Performances

1
Why Does London Need a New Concert Hall?
2
Brains and Bottoms
3
Orchestras on Tour
4
The Struggle of Harmony and Invention
5
Polly Kahn Describes Community Outreach
6
The Third Estate
7
Looking for Perfection in an Imperfect Process
8
Be An Entrepreneur! Get Outside Your Comfort Zone!
9
Donald Rosenberg’s Take on “Spring for Music”
10
League Announces 2013-2014 ASCAP Awards

Why Does London Need a New Concert Hall?

Feb 18 2015
Browse archives for February 18, 2015
Tony Woodcock
Tony Woodcock

New England Conservatory President [b]Tony Woodcock[/b] grew up in the Middle East, England, and Wales, where he studied music at University College, Cardiff. After leaving the university, Woodcock took positions with regional music promoters, and later ran the newly opened St. David's Hall, the National Concert Hall and Conference Centre of Wales.

Before coming to the United States, Woodcock held top positions with the City of London Sinfonia/Richard Hickox Singers, the Royal Liverpool Philharmonic, and the Bournemouth Symphony Orchestra. In Liverpool, he played a significant role in planning the 150th anniversary and commissioned Paul McCartney to write his first-ever classical piece, The Liverpool Oratorio.

Woodcock came to the US in 1998, when he was invited to take over the Oregon Symphony. He remained in that position until 2003, when he became President of the Minnesota Orchestra.

Deeply committed to education, Woodcock led the Minnesota Orchestra to win back-to-back ASCAP Leonard Bernstein Awards for Excellence in Educational Programming and secured underwriting to make the orchestra’s popular family
series admission-free.

A self-styled "recovering Brit," Woodcock took steps to permanently cure his condition. In summer 2009, he and his wife Virginia were sworn in as American citizens.

Read Tony Woodcock's blog [l=http://web.esm.rochester.edu/poly/blog/author/tony-woodcock/]here[/l].

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Classical Music, Live Music, Performances

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The press and media are all over this one and obviously excited at the prospect of luring back Rattle to his homeland. They also argue for something that London really needs. And this feeding frenzy, I fear, could obscure some rational and strategic thinking that needs to be put in place before anyone signs up for a project.

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Brains and Bottoms

Feb 10 2015
Browse archives for February 10, 2015
Tony Woodcock
Tony Woodcock

New England Conservatory President [b]Tony Woodcock[/b] grew up in the Middle East, England, and Wales, where he studied music at University College, Cardiff. After leaving the university, Woodcock took positions with regional music promoters, and later ran the newly opened St. David's Hall, the National Concert Hall and Conference Centre of Wales.

Before coming to the United States, Woodcock held top positions with the City of London Sinfonia/Richard Hickox Singers, the Royal Liverpool Philharmonic, and the Bournemouth Symphony Orchestra. In Liverpool, he played a significant role in planning the 150th anniversary and commissioned Paul McCartney to write his first-ever classical piece, The Liverpool Oratorio.

Woodcock came to the US in 1998, when he was invited to take over the Oregon Symphony. He remained in that position until 2003, when he became President of the Minnesota Orchestra.

Deeply committed to education, Woodcock led the Minnesota Orchestra to win back-to-back ASCAP Leonard Bernstein Awards for Excellence in Educational Programming and secured underwriting to make the orchestra’s popular family
series admission-free.

A self-styled "recovering Brit," Woodcock took steps to permanently cure his condition. In summer 2009, he and his wife Virginia were sworn in as American citizens.

Read Tony Woodcock's blog [l=http://web.esm.rochester.edu/poly/blog/author/tony-woodcock/]here[/l].

All posts from Tony Woodcock
1
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Quodlibet

This thoughtful essay rings true! It's hard to be on the edge of one's seat if the seat is a…

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Classical Music, History, Performances

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Paris has a new, state-of-the-art concert hall, something the French have been waiting for since they dispatched Louis XVI in 1793, thus making possible government- funded arts venues for the people.

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Orchestras on Tour

Dec 15 2014
Browse archives for December 15, 2014
Ann Drinan
Ann Drinan

Ann Drinan, Senior Editor, has been a member of the Hartford Symphony viola section for over 30 years. She is a former Chair of the Orchestra Committee, former member of the HSO Board, and has served on many HSO committees. She is also the Executive Director of CONCORA (CT Choral Artists), a professional chorus based in Hartford and New Britain, founded by Artistic Director Richard Coffey. Ann was a member of the Advisory Board of the Symphony Orchestra Institute (SOI), and was the HSO ROPA delegate for 14 years, serving as both Vice President and President of ROPA. In addition to playing the viola and running CONCORA, Ann is a professional writer and editor, and has worked as a consultant and technical writer for software companies in a wide variety of industries for over 3 decades. (She worked for the Yale Computer Science Department in the late 70s, and thus has been on the Internet, then called the DARPAnet, since 1977!) She is married to Algis Kaupas, a sound recordist, and lives a block from Long Island Sound in Branford CT. Together they create websites for musicians: shortbeachwebdesign.com.

Ann holds a BA in Music from the University of Wisconsin, Madison, and an MA in International Relations from Yale University.

Read Ann Drinan's blog here. web.esm.rochester.edu/poly/author/ann-drinan

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Editor's Choice, Orchestra Life, Performances, Travel

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Polyphonic has published several “travelogues” by touring orchestra members. Two writers that are particularly eloquent are Charles Rex, violinist with the New York Philharmonic, and Yvonne Caruthers, recently-retired ‘cellist with the National Symphony. Charles wrote about the NY Philharmonic’s tours to Vietnam and North Korea. While he was in North Korea in 2007, he sent[…]

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The Struggle of Harmony and Invention

Nov 06 2014
Browse archives for November 06, 2014
Tony Woodcock
Tony Woodcock

New England Conservatory President [b]Tony Woodcock[/b] grew up in the Middle East, England, and Wales, where he studied music at University College, Cardiff. After leaving the university, Woodcock took positions with regional music promoters, and later ran the newly opened St. David's Hall, the National Concert Hall and Conference Centre of Wales.

Before coming to the United States, Woodcock held top positions with the City of London Sinfonia/Richard Hickox Singers, the Royal Liverpool Philharmonic, and the Bournemouth Symphony Orchestra. In Liverpool, he played a significant role in planning the 150th anniversary and commissioned Paul McCartney to write his first-ever classical piece, The Liverpool Oratorio.

Woodcock came to the US in 1998, when he was invited to take over the Oregon Symphony. He remained in that position until 2003, when he became President of the Minnesota Orchestra.

Deeply committed to education, Woodcock led the Minnesota Orchestra to win back-to-back ASCAP Leonard Bernstein Awards for Excellence in Educational Programming and secured underwriting to make the orchestra’s popular family
series admission-free.

A self-styled "recovering Brit," Woodcock took steps to permanently cure his condition. In summer 2009, he and his wife Virginia were sworn in as American citizens.

Read Tony Woodcock's blog [l=http://web.esm.rochester.edu/poly/blog/author/tony-woodcock/]here[/l].

All posts from Tony Woodcock
0

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Classical Music, Performance Practice, Performances

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The concert was a joy from start to finish. Aisslinn is not just a gifted Baroque violinist playing with true style and power, but a great performer and communicator whose energy and passion for the music set the audience alight

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Polly Kahn Describes Community Outreach

Nov 05 2014
Browse archives for November 05, 2014
Ann Drinan
Ann Drinan

Ann Drinan, Senior Editor, has been a member of the Hartford Symphony viola section for over 30 years. She is a former Chair of the Orchestra Committee, former member of the HSO Board, and has served on many HSO committees. She is also the Executive Director of CONCORA (CT Choral Artists), a professional chorus based in Hartford and New Britain, founded by Artistic Director Richard Coffey. Ann was a member of the Advisory Board of the Symphony Orchestra Institute (SOI), and was the HSO ROPA delegate for 14 years, serving as both Vice President and President of ROPA. In addition to playing the viola and running CONCORA, Ann is a professional writer and editor, and has worked as a consultant and technical writer for software companies in a wide variety of industries for over 3 decades. (She worked for the Yale Computer Science Department in the late 70s, and thus has been on the Internet, then called the DARPAnet, since 1977!) She is married to Algis Kaupas, a sound recordist, and lives a block from Long Island Sound in Branford CT. Together they create websites for musicians: shortbeachwebdesign.com.

Ann holds a BA in Music from the University of Wisconsin, Madison, and an MA in International Relations from Yale University.

Read Ann Drinan's blog here. web.esm.rochester.edu/poly/author/ann-drinan

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Community Engagement, Concerts, Health & Wellness, Musicians Today, Performances

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Polly Kahn recently stepped down from her position as Vice President and Leadership Development  at the League of American Orchestras after 14 years of devoted service. (She hasn’t left the orchestra field, however; I’m certain we will all benefit from her vision and wisdom in the future.) Polly was immersed in training individuals to make[…]

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The Third Estate

Oct 27 2014
Browse archives for October 27, 2014
Peter Sachon
Peter Sachon

Peter Sachon has performed all over the United States, Europe and Asia. Mr. Sachon played in the Hollywood Bowl Orchestra and has toured Europe and the U.S. with Pink Martini. He has played for the Broadway shows Fiddler on the Roof, The Light in the Piazza, High Fidelity, Legally Blonde, South Pacific, and Pippin. Mr. Sachon has performed with Audra McDonald, Victoria Clark, Deborah Voight, Rufus Wainright, Dee Snider, Billy Joel, Anthony Rapp, Judy Kuhn, and Josh Groban.
www.petersachon.com

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1
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Michael Geller

I'd point out that American Composers Orchestra commissioned and premiered Mr. Elfman's first concert piece Serenda Schizophrana at Carnegie Hall…

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Classical Music, Composition, Income Streams, Learning From Mistakes, Orchestra Economics, Orchestra Management, Orchestral Models, Performances, Resctructuring, Sustainability, The Future, Uncategorized

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If one wishes to contribute to the conversation about how to expand the audience base for American orchestras, then one must talk about what those orchestras are presenting — and right now that’s a taboo subject. The fact is that the discussion about WHAT exactly orchestras are presenting has never taken place. The arbitrary distinction[…]

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Looking for Perfection in an Imperfect Process

Oct 20 2014
Browse archives for October 20, 2014
Kayleigh Miller
Kayleigh Miller

Kayleigh Miller, a recent addition to the San Antonio Symphony, enjoys a varied career of teaching, performing, and yoga instruction. She previously played in the National Arts Centre Orchestra as an apprentice, and was a member in the Nightingale String Quartet in residence in Reno, Nevada. She completed her studies with Roger Tapping and Carol Rodland at the New England Conservatory and Eastman School of Music and received a dual bachelor's degree in performance and music history. She has participated in numerous festivals and masterclasses, including the Banff, Prussia Cove, and Orford masterclasses, Spoleto Festival USA, Domaine Forget, Lucerne Festival Academy, and the International Ensemble Moderne Academy workshop. She has soloed with the Eastman Philharmonia, Reno Chamber Orchestra, UNR symphony, and as a part of the Foodlink concert series in Rochester, NY. Additionally, she is a dedicated ensemble member, and has been a member of the New World Symphony, Discovery Ensemble, Reno Philharmonic, and Reno Chamber Orchestra. Kayleigh is passionate about contemporary music, and has performed in contemporary ensembles at Eastman, the New England Conservatory, and in Boston.
Kayleigh is additionally a committed educator and arts advocate, and has performed and written educational programming both nationally and beyond. She is additionally a yoga instructor and Yoga Tune Up® instructor, combining elements of physical therapy, restorative movement, and yoga into her teaching. She has completed additionally trainings in teaching yoga for children and working with cancer, and is the founder of the Musician's Health Collective, a health resource blog for musicians.

All posts from Kayleigh Miller
1
Latest Comment

Jayme Nelson

In my entire life as a musician, I never realized that the use of beta blockers was this wide spread. …

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Health & Wellness, Music Medicine, Orchestra Life, Performance Anxiety, Performances

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We recognize that the use of beta-blockers by musicians is a serious and controversial topic.  Nonetheless, we feel it is better to discuss it than to pretend that it doesn’t exist.  We neither condone or condemn the use of beta-blockers, but wish to have an objective discussion about its use.  Feel free to join the[…]

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Be An Entrepreneur! Get Outside Your Comfort Zone!

Sep 29 2014
Browse archives for September 29, 2014
Yvonne Caruthers All posts from Yvonne Caruthers
1
Latest Comment

Stephen P Brown

You know, I totally agree! As many years during my youth were spent onstage as they were in the concert…

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Alternative Ensembles, Entrepreneurship, Getting Ahead, Gigs, Live Music, Orchestra Life, Paul R. Judy Center for Applied Research, Performances

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How many times have we musicians heard those phrases? Do they mean that we should try to be like Janice Martin, the violinist who plays while hanging upside down?  My most recent experience is not quite that dramatic….. “What time is the lunch break?”  I asked the stage manager, knowing that he was the one[…]

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Donald Rosenberg’s Take on “Spring for Music”

Jul 28 2014
Browse archives for July 28, 2014
Ann Drinan
Ann Drinan

Ann Drinan, Senior Editor, has been a member of the Hartford Symphony viola section for over 30 years. She is a former Chair of the Orchestra Committee, former member of the HSO Board, and has served on many HSO committees. She is also the Executive Director of CONCORA (CT Choral Artists), a professional chorus based in Hartford and New Britain, founded by Artistic Director Richard Coffey. Ann was a member of the Advisory Board of the Symphony Orchestra Institute (SOI), and was the HSO ROPA delegate for 14 years, serving as both Vice President and President of ROPA. In addition to playing the viola and running CONCORA, Ann is a professional writer and editor, and has worked as a consultant and technical writer for software companies in a wide variety of industries for over 3 decades. (She worked for the Yale Computer Science Department in the late 70s, and thus has been on the Internet, then called the DARPAnet, since 1977!) She is married to Algis Kaupas, a sound recordist, and lives a block from Long Island Sound in Branford CT. Together they create websites for musicians: shortbeachwebdesign.com.

Ann holds a BA in Music from the University of Wisconsin, Madison, and an MA in International Relations from Yale University.

Read Ann Drinan's blog here. web.esm.rochester.edu/poly/author/ann-drinan

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Classical Music, Orchestra Life, Performances

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In the spring issue of Symphony magazine, Don Rosenberg, former music critic of the The Cleveland Plain Dealer and the newly-appointed editor of The Magazine of Early Music America wrote a very interesting overview of the “Spring for Music” (S4M) Festival, that presented its final week of concerts this past May at Carnegie Hall, contrasting[…]

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League Announces 2013-2014 ASCAP Awards

Jun 06 2014
Browse archives for June 06, 2014
Ann Drinan
Ann Drinan

Ann Drinan, Senior Editor, has been a member of the Hartford Symphony viola section for over 30 years. She is a former Chair of the Orchestra Committee, former member of the HSO Board, and has served on many HSO committees. She is also the Executive Director of CONCORA (CT Choral Artists), a professional chorus based in Hartford and New Britain, founded by Artistic Director Richard Coffey. Ann was a member of the Advisory Board of the Symphony Orchestra Institute (SOI), and was the HSO ROPA delegate for 14 years, serving as both Vice President and President of ROPA. In addition to playing the viola and running CONCORA, Ann is a professional writer and editor, and has worked as a consultant and technical writer for software companies in a wide variety of industries for over 3 decades. (She worked for the Yale Computer Science Department in the late 70s, and thus has been on the Internet, then called the DARPAnet, since 1977!) She is married to Algis Kaupas, a sound recordist, and lives a block from Long Island Sound in Branford CT. Together they create websites for musicians: shortbeachwebdesign.com.

Ann holds a BA in Music from the University of Wisconsin, Madison, and an MA in International Relations from Yale University.

Read Ann Drinan's blog here. web.esm.rochester.edu/poly/author/ann-drinan

All posts from Ann Drinan
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Composition, Performances

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League of American Orchestras Announces 2013-14 ASCAP Awards For Adventurous Programming The League of American Orchestras’ annual conference is taking place in Seattle this week. The League has announced the winners of this year’s ASCAP awards for adventurous programming. Their press release also includes some interesting statistics about past winners. 27 Orchestras Honored 27 American[…]

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