Paul Austin, Vice President of ROPA (Regional Orchestra Players Association), was a member of the AFM Media Committee that negotiated the Integrated Media Agreement. The 2010 ROPA conference had quite a bit of discussion about the new agreement, so I asked Paul to address some of the issues and confusions that arose. He decided to “bust a few media myths” for us!
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I met Matthew Troy, assistant conductor in Winston-Salem, during the 2010 League of American Orchestras conference. He told me how the symphony had spear-headed a project with the school system that collected 50,000 books to create libraries in Botswana. I was intrigued and asked him to tell the story for Polyphonic.
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For musician couples, the following article by David Bebe is a must read.David, a cellist and conductor, talks about the complex obstacles that musician couples face when trying to both pursue careers in a highly competitive national arena. He and his wife Jamecyn, a violinist, have encountered these challenges together, living long distance at times, trying to balance their relationship and career aspirations.Ultimately, David offers several compelling points to consider as musicians plan for their future with a fellow musician at their side.
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This “article” is a series of 3 papers written by students in an Entrepreneurship in Music course. The topic of the paper is “Music in 2020.” In other words, where do you think music will be in 2020? What will be new? How will the musical landscape have changed and evolved, and how should we prepare for that now? The three authors all express unique ideas and perspectives on the future of music. I suppose none of us know with certainty what the future will hold, but with innovative thinking and careful planning, perhaps we can influence that future just a little bit!
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This “article” is a series of 3 papers written by students in an Entrepreneurship in Music course. The topic of the paper is “Music in 2020.” In other words, where do you think music will be in 2020? What will be new? How will the musical landscape have changed and evolved, and how should we prepare for that now? The three authors all express unique ideas and perspectives on the future of music. I suppose none of us know with certainty what the future will hold, but with innovative thinking and careful planning, perhaps we can influence that future just a little bit!
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This “article” is a series of 3 papers written by students in an Entrepreneurship in Music course. The topic of the paper is “Music in 2020.” In other words, where do you think music will be in 2020? What will be new? How will the musical landscape have changed and evolved, and how should we prepare for that now? The three authors all express unique ideas and perspectives on the future of music. I suppose none of us know with certainty what the future will hold, but with innovative thinking and careful planning, perhaps we can influence that future just a little bit!
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This article is the second in a two-part series and takes up where part one left off.
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As a former musician in the Rochester Philharmonic Orchestra and current Director of Education and Community Partnerships at The Philadelphia Orchestra, I’m keenly aware of the cultural and fiscal challenges facing symphony orchestras in the 21st century. As a musicologist, (Ph.D.’07 from ESM), I’ve always been interested in learning from the past in order to[…]
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Dr. William Mesa is a professor of management and accounting at Colorado Christian University and an amateur musician who plays percussion in two community orchestras in Denver. His interest in both music and business lead him to a doctoral dissertation that, in part, discussed, organized and categorized the articles found in Harmony. (A MAP TO READING AND FINDING TOPICS IN HARMONY: Eight Years of Research, Studies, and Articles)
This series of four articles, published in installments here, represent his research interests in strategic management and organizational behavior, and applying that knowledge to the two community orchestras in which he plays. In Dr. Mesa’s words, “Understanding the significance of how IC (intellectual capital) is a resource for organizations, particularly NPOs (non-profit organizations) (like community orchestras), means recognizing the significance of what is at root of what motivates volunteers in the NPO or community orchestra. Why do community orchestras exist? Why do they perform?”
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Dr. William Mesa is a professor of management and accounting at Colorado Christian University and an amateur musician who plays percussion in two community orchestras in Denver. His interest in both music and business lead him to a doctoral dissertation that, in part, discussed, organized and categorized the articles found in Harmony. (A MAP TO READING AND FINDING TOPICS IN HARMONY: Eight Years of Research, Studies, and Articles)
This series of four articles, published in installments here, represent his research interests in strategic management and organizational behavior, and applying that knowledge to the two community orchestras in which he plays. In Dr. Mesa’s words, “Understanding the significance of how IC (intellectual capital) is a resource for organizations, particularly NPOs (non-profit organizations) (like community orchestras), means recognizing the significance of what is at root of what motivates volunteers in the NPO or community orchestra. Why do community orchestras exist? Why do they perform?”
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