Beethoven on a Toothpick

Last week, I posted a refutation to the idea that classical music–or more specifically, the symphony orchestra–is no longer a relevant art form in contemporary culture, and pointed to the growing entrepreneurial musicianship movement as a solution to many of its current problems, such as dwindling audiences and unstable financial situations. This week, I am continuing the discussion with the thoughts of Greg Sandow, who recently published a great blog post exploring the various ways in which one might go about recruiting new audiences in the current cultural climate. Establishing from the beginning of his post that “the new audience we want to find isn’t a classical music audience,” he offers some creative and practical ideas that underline the effectiveness of active self-promotion. Putting up posters, posting blogs, or offering a ticket discount to the fiftieth person who “likes” your Facebook page will do absolutely nothing, Sandow claims. Instead, we need to reach out to prospective audiences by performing where they already are–in coffee shops, clubs, or art galleries–all while slowly accumulating a list of names and contacts that we can rely on for support in future endeavors.

Reading the post upon returning from my weekly grocery shopping expedition (not a small feat when one is a grad student without reliable access to a car), I was reminded of the workers who give out free food samples at the supermarket. They don’t assume that we’re going to be enticed by the signs in aisle five advertising their special store-brand desserts–they will actually dangle the dessert in front of us on a toothpick as we hurriedly pass between the produce section and the dairy aisle. And who can say no to a dessert on a toothpick?

If we reach out to potential audience members in the ways that Sandow describes, we are essentially replacing the dessert at the end of the toothpick with a rich, creamy sampling of classical music–a Beethoven string quartet, perhaps. We are just offering a sampler–but if we do it well, our potential audience base might like it enough to join us in the concert hall for the main course.

Follow the link below to read the full text of Sandow’s post and consider how you might implement his suggestions in your own endeavors.

http://www.artsjournal.com/sandow/2012/09/actively-finding-an-audience.html

About the author

Zachary Preucil
Zachary Preucil

Zachary Preucil enjoys a varied career as cellist, educator, and writer. Currently, he serves on the faculties of the Music Institute of Chicago and the Music for Youth Suzuki program in Arlington Heights, IL, in addition to maintaining a private studio in the Chicago area and coaching chamber music for the Schaumburg Youth Orchestra. Previously, he served on the faculty of the Kanack School of Music in Rochester, NY, and as a teaching assistant at the Eastman School of Music.

Zachary received his M.M. in Cello Performance and Literature and an Arts Leadership Certificate from the Eastman School of Music, where he was inducted into the Beta Pi chapter of Pi Kappa Lambda. He received his B.M. in Cello Performance with Academic Honors from the New England Conservatory of Music in May 2012. Zachary's primary teachers have included David Ying, Yeesun Kim, and his father, Walter Preucil; additionally, he has studied chamber music with members of the Borromeo and Ying Quartets. He has also studied at several summer music festivals and institutes, including the Aspen Music Festival in Colorado, the Bowdoin International Music Festival in Maine, the Castleman Quartet Program in New York and the Interlochen Arts Academy in Michigan. In recent summers, he has performed with the Midsummer's Music Festival in Wisconsin and the Caroga Lake Music Festival in New York. In June 2014, Zachary made his solo debut with the Schaumburg Youth Orchestra in Chicago's Orchestra Hall.

As a writer, Zachary has served as a co-editor of "The Penguin", New England Conservatory's student-run newspaper, and has blogged for Polyphonic On Campus since 2012. Recently, his work has also been featured on the Chicago Cello Society blog, the Huffington Post Arts blog, and the blog of the CREDO Music Festival. Along with flutist Elizabeth Erenberg, he is a co-founder of Musicovation.com, a multifaceted website dedicated to promoting the latest positive and innovative trends in the music world.