Entrepreneurs in Music — and Don’t Forget about Mozart!

Publishing is something I decided to do myself for a few reasons. I wanted to have control over my arrangements but I soon discovered there is a price a person pays for that. Making the music presentable for purchase, using Finale in my case, was a big job and learning curve as all my music was in manuscript. Then the process of purchasing high quality paper from a distributor, then to the printer to be reproduced at the best resolution possible. Printing can be done at Kinkos but not on the do-it-yourself printers you see when you walk in the door. The machines the technicians operate, which can mass produce at high quality, are the ones necessary for a professional-looking product. Then it’s advertising and the challenge making the music available to the public.

However, the biggest reason for publishing my own arrangements was for direct contact with people. I really wanted to have contact with the musicians that were purchasing and performing my arrangements. I have enjoyed meeting and talking with many talented musicians through this process. I have directly reached more people personally and feel that could be an advantage in the pursuit of a future teaching position. So, it is what you put into it, but I feel I get back much more by publishing myself.

If self-publishing would not have been my desire, I would have been challenged with finding a publisher interested in my arrangements. It’s then the publisher’s job to produce, advertise and ultimately pay 10% of the list price to the arranger of the year’s sales for those arrangements. I also felt there was risk of my music not being made available or promoted, which is totally dependent on the publisher. This is one reason why I chose to have control over my own arrangements and publish them myself. It is quite a job which requires an investment of time and money for my music to have opportunity to make it available to the public.

Publishing my own music was a challenging adventure that happened with a great deal of help and encouragement from many colleagues, especially my good friend and panel member Douglas Richard.

About the author

Chuck Seipp
Chuck Seipp

Chuck Seipp has performed extensively throughout the United States and abroad as a member of The United States Army Band, “Pershing’s Own.” Currently Assistant Brass Group Leader of the Concert Band, Sergeant Major Seipp has performed with the Army Band since 1980, and has participated in global events and many official Washington area functions. He most recently toured and recorded solo trumpet and organ repertoire throughout Europe with world-renowned organist Diane Bish - appearing also on her Joy of Music television series with The U.S. Army Quintet.

Through CJ Seipp Music Publications, he markets his own brass arrangements, some of which have been played and recorded by the Canadian Brass Quintet and The U.S. Army Brass Quintet. Chuck’s recording of his published Wedding Book has been a valuable resource for organists and trumpet players.

Chuck Seipp is an active teacher and performer in the Washington DC area, where he has appeared with the National Symphony Orchestra, the Washington Opera House Orchestra, Washington Bach Consort, and as leader of the Commonwealth Brass Quintet. He holds both Masters and Doctoral degrees from The Catholic University of America.

Contact Chuck Seipp at: chuckseipp@aol.com

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