Entrepreneurs in Music — and Don’t Forget about Mozart!

Yvonne: I think there’s a key sentence in there, Kate: “having a good head for business and being extremely well organized”…can you give us some details about those? (singing in the car is a good example of using every second of your time…) Do you have to file complicated tax forms? Any suggestions for juggling work and family when you don’t have a “regular” schedule?

Kate: Keeping organized: I write everything down,keep files and lists of what I have to do and bring – music to learn, arrangements to write, personnel to hire, notes and dates of phone conversations, requested songs, equipment, food to bring, will I need stand light(s)?, directions to venues, names and contact info of all parties.

I have well-organized gig books for all ensembles and groups so I never have to make sure the music is in the book – part of the job is putting everything back AFTER the gig. I practice for gigs and write arrangements well in advance. Having kids taught me that – you never know when you’ll have to drop everything you have concentrated on and take care of some urgent matter.

All this keeps me from stressing out about something I might forget when I am running out the door and can’t collect my brains.

Business, money and taxes: I got some initial advice from an attorney many years ago and have filed a Schedule C ever since. I keep ALL receipts and invoices for all expenses. It was complicated at first but I realized one of the few benefits of being a self-employed musician is that almost everything I do and a lot of what I purchase is tax deductible as a business expense.

Juggling career and family: One of the drawbacks of being self-employed is that I am at work whenever I answer the phone. When my kids were little I did not work as much as I do now. But taking gigs and playing has always been a priority for me; kids and husband accepted that. During the early family years, I maintained what we called part-time child-care personnel, people who had some flexibility to help out.

I think it makes for a longer marriage when you have a chance to miss your spouse – I am constantly getting home late and leaving for the evening. There was a period when I had two teenagers and I knew something had to give, that they needed more direct supervision from parents. I gave up teaching lessons for a couple years but never gave up playing gigs.

I think the key to all this was my attitude that I would be a better parent and role model if I continued doing something professional that I was passionate about. My family enjoys a wide variety of musical tastes. I enjoy playing current rock tunes as well as Brahms, and my kids love it all.

About the author

Kate OBrien
Kate OBrien

Kate O'Brien is Personnel Manager and violinist with the Greater Bridgeport Symphony (CT). She is leader, violinist and musical arranger for OBRIEN STRINGS, plays solo or with her ensembles at all types of weddings, receptions, private events, concerts, educational programs, outdoor festivals and religious services.

A veteran of swing, dance and country/western bands, Kate plays and sings with, and arranges for, Moxie, a trio that performs in the jazzy style of the famous female vocal trios of the 40s. She also plays and sings with the group Themselves in their original shows for school audiences. She studied jazz with the legendary Linc Chamberland.

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