Orchestras should raise their voices to be heard amid the din of noisy modern culture and promote themselves as socially conscious public institutions. They need to embrace a more inclusive posture in society, and demonstrate an identity more nuanced than silent anonymous conservative tuxedo-clad white male. While the price of participating in American culture[…]
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Here are some of my comments on the original NY Times letter and Bruce Ridge's response: [1] "The Metropolitan Opera…
About ten days ago, Les Dreyer, a retired violinist with the Metropolitan Opera Orchestra, had his letter to the editor published in the New York Times. Evidently his writing generated some interest—in fact, enough interest to be featured, along with 12 or so others in “Reader’s Reactions.” Mr. Dreyer’s letter is the focus of this[…]
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This is a pretty amazing story: For four years, the Minnesota Orchestra board has walked a tightrope between managing public perceptions about its financial health and making its case to cut musicians’ salaries. As early as 2009, board officers were discussing how much money to draw from investments, and the advantage of reporting balanced budgets[…]
Read MoreIt’s been a bad week for the management of the Minnesota Orchestra, and this very public letter from their Music Director was was likely the cherry on the cake: Dear Members of the Minnesota Orchestra Board and the Musicians of the Orchestra: In the last few years, the Minnesota Orchestra has truly established itself as[…]
Read MoreWilliam Goldman, a remarkably prolific screen writer who wrote the screenplays for, among other movies, Butch Cassidy and the Sundance Kid, All the President’s Men, and The Princess Bride (which was based on a novel he wrote), began his memoir Adventures in the Screen Trade with a three-word opening sentence. He wrote: “Nobody knows anything”[…]
Read More“US composer’s secretary suffers near-fatal beating October 25, 2012 by Norman Lebrecht.” That’s how it showed up in my email. I don’t think that came out quite the way Norman meant it too, though.
Read MoreExcept that, of course, it’s the same conspiracy theory, only this time in the hallowed web pages of the Huffington Post: It’s the voodoo. That horrible, Kuru-inducing zombie voodoo. These are heady times for the League of American Orchestras (LAO) and their ilk. True, their suits have grown a tad more maggot-ridden since their early[…]
Read MoreICSOM Chair Bruce Ridge has joined the ranks of those writing about the underlying causes of the current situation in our industry, although of course he is hardly new to the party, having written extensively about the problems in the orchestra business for Senza Sordino over the years. It’s an interesting piece in many respects;[…]
Read MoreThis letter appeared in Saturday’s Minneapolis StarTribune: As former music directors of the Minnesota Orchestra, we came to the state because we believe that it wants and deserves to have a world-class orchestra. We are proud of the cultural gem we have built, with the musicians, for more than half a century. It required long[…]
Read MoreThis article by Peter Dobrin of the Philadelphia Inquirer is the best reporting on the current crisis yet to appear. Go read the whole thing: …What someone is willing to pay for orchestral musicians in this country has changed radically in recent weeks. Yes, a brief strike last month by the Chicago Symphony Orchestra resulted[…]
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