Saving money by pissing off the patrons

Concerts get cancelled all the time, but usually not high-profile concerts conducted by the music director two weeks in advance of the concert:

The Honolulu Symphony board has done something unprecedented that will shock some patrons while possibly giving encouragement to people who have written big checks for the orchestra.

It has canceled a concert on the grounds that the cost of it would return the Symphony to serious financial trouble. The concert, which had been scheduled in two weeks, was to have been a performance of Haydn’s “Creation,” a large choral work.

The Symphony board made the announcement Tuesday and said Maestro Andreas Delfs had been briefed on the decision and provided input into it. The decision may alarm some people but the current board said over the summer it was determined to get the Symphony onto more of a secure business footing.

It’s not fair to criticize a decision like this without knowing more than this report provides. But it does provide a window into the depth of problems faced by the Honolulu Symphony for them to feel forced to make decisions like this without regard to the damage that such cancellations could do to patron relations. Orchestras depend very heavily on advance ticket sales. Sending the message that buying tickets in advance is not only not necessary but actually counter-productive can hardly be a good long-term move.

But sometimes organizations don’t feel they have the luxury of worrying about the long term. This seems to be one of those occasions.


About the author

Robert Levine
Robert Levine

Robert Levine has been the Principal Violist of the Milwaukee Symphony since September 1987. Before coming to Milwaukee Mr. Levine had been a member of the Orford String Quartet, Quartet-in-Residence at the University of Toronto, with whom he toured extensively throughout Canada, the United States, and South America. Prior to joining the Orford Quartet, Mr. Levine had served as Principal Violist of The Saint Paul Chamber Orchestra for six years. He has also performed with the San Francisco Symphony, the London Symphony of Canada, and the Oklahoma City Symphony, as well as serving as guest principal with the orchestras of Indianapolis and Hong Kong.

He has performed as soloist with the Milwaukee Symphony Orchestra, The Saint Paul Chamber Orchestra, the Oklahoma City Symphony, the London Symphony of Canada, the Midsummer Mozart Festival (San Francisco), and numerous community orchestras in Northern California and Minnesota. He has also been featured on American Public Radio's nationally broadcast show "St. Paul Sunday Morning" on several occasions.

Mr. Levine has been an active chamber musician, having performed at the Festival Rolandseck in Germany, the Grand Teton Music Festival, the Palm Beach Festival, the "Strings in the Mountains" Festival in Colorado, and numerous concerts in the Twin Cities and Milwaukee. He has also been active in the field of new music, having commissioned and premiered works for viola and orchestra from Minnesota composers Janika Vandervelde and Libby Larsen.

Mr. Levine was chairman of the International Conference of Symphony and Opera Musicians from 1996 to 2002 and currently serves as President of the Milwaukee Musicians Association, Local 8 of the American Federation of Musicians, and as a member of the Board of Directors of the League of American Orchestras. He has written extensively about issues concerning orchestra musicians for publications of ICSOM, the AFM, the Symphony Orchestra Institute, and the League of American Orchestras.

Mr. Levine attended Stanford University and the Institute for Advanced Musical Studies in Switzerland. His primary teachers were Aaron Sten and Pamela Goldsmith. He also studied with Paul Doctor, Walter Trampler, Bruno Giuranna, and David Abel.

He lives with his wife Emily and his son Sam in Glendale.

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