{"id":9258,"date":"2021-09-27T05:10:58","date_gmt":"2021-09-27T09:10:58","guid":{"rendered":"https:\/\/www.esm.rochester.edu\/sibley\/?p=9258"},"modified":"2025-02-14T11:02:08","modified_gmt":"2025-02-14T16:02:08","slug":"sept27-oct3","status":"publish","type":"post","link":"https:\/\/www.esm.rochester.edu\/sibley\/2021\/09\/sept27-oct3\/","title":{"rendered":"September 27th-October 3rd: The Note Book and more"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=”.vc_custom_1727186706716{background-color: #ffffff !important;}”]Published on Sep 27, 2021\u00a0<\/em><\/p>\n

Back to This Week at Eastman<\/a><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1632153252687{background-color: #f4f4f4 !important;}”][vc_column css=”.vc_custom_1727186722156{padding-top: 20px !important;}”][vc_custom_heading text=”1921: The Eastman School\u2019s earliest student newspaper” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1632489698287{border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;border-radius: 1px !important;}”][vc_row_inner content_placement=”top”][vc_column_inner width=”1\/2″][vc_column_text css=””]One hundred years ago this week, on September 27th, 1921, eight days after the Eastman School opened for instruction, an occasional issue of The Note Book <\/em>was published and was circulated to students; today this issue constitutes the Eastman School\u2019s oldest extant student newspaper. In the first two months of the 1921-22 school year, The Note Book <\/em>was intended to be published occasionally (or, as the masthead indicated, \u201cevery once in a while\u201d), but soon, with the issue of November 28th, 1921 (which was formally numbered volume I, number 1), the newspaper began a regular run that would last for four academic years (1921-25). Beginning with that issue, issues of The Note Book <\/em>were generally a minimum of eight pages in length, frequently with a photograph appearing on the first page.\u00a0 The complete run of The Note Book <\/em>has been digitized and may be accessed online.<\/a> Owing to its relevance as a primary source with commentary on individuals and topical issues, The Note Book <\/em>will be frequently cited in future entries of \u201cThis Week at Eastman\u201d.<\/p>\n

In this occasional issue of September 27th, 1921, the vignettes printed on the third and fourth pages beneath the heading \u201cFirst Week\u2019s Chronicle\u201d are well worth reading. Readers should bear in mind that the school\u2019s opening on September 19th, 1921 had been restricted to use of the third and fourth floors, all else still being under construction.\u00a0 For background and for context, here follows a list of names cited on those pages, together with role and years of service at the Eastman School:<\/p>\n

Alexander, Mr. Arthur: teacher of voice; served 1921-22<\/p>\n

Augieras, Mr. Pierre: teacher of piano; served 1921-25<\/p>\n

Cooper, Mrs. Mabel Lewis: teacher of piano; served 1921-41<\/p>\n

Klingenberg, Mr. Alf:\u00a0 Director, Eastman School of Music; served 1921-23<\/p>\n

Penny, Mr. George Barlow: teacher of theory and composition; served 1921-34<\/p>\n

See, Mr. Arthur: teacher of piano and also an administrator; served 1921-53<\/p>\n

Sinding, Mr. Christian: teacher of composition; served 1921-22<\/p>\n

Trotter, Dr. T. H. York: teacher of theory; served 1921-23<\/p>\n

Truelove, Marjorie (later Mrs. MacKown): teacher of piano; served 1921-57[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_images_carousel images=”9267,9263,9265,9261″ img_size=”450×950″ css=”.vc_custom_1727187533165{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column_text css=””]\u25ba <\/em>Images of the newspaper\u2019s four pages[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1631195320355{margin-top: 40px !important;}”][vc_column][vc_custom_heading text=”1980: John Perry master class” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1632489969943{border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;border-radius: 1px !important;}”][vc_row_inner][vc_column_inner][vc_column_text]<\/p>\n

\"1956<\/a>\u25baImage: 1956 SCORE yearbook photo of\u00a0 John C. Perry<\/p>\n

In the time-honored tradition of Eastman School alumni returning to their alma mater, pianist John Perry, \u201956,\u201958 returned to Rochester in the fall of 1980 to give a recital in the Kilbourn Concert Series. In advance of his recital, on September 28th, Mr. Perry gave a master class in Howard Hanson Hall, coaching several Eastman piano majors before an audience that included his own Eastman School mentor, Mrs. C\u00e9cile Genhart.<\/p>\n

As a candidate for the Performer\u2019s Certificate at Eastman, Mr. Perry had appeared as soloist with the Eastman-Rochester Symphony Orchestra, performing the Symphonic Variations by C\u00e9sar Franck under Howard Hanson\u2019s direction on March 22nd, 1957. After completing his graduate work he continued his studies in Europe, and went on to win numerous awards, including the highest prizes in both the Busoni and the Viotti international piano competitions in Italy; he also won special honors at the Marguerite Long International Competition in Paris. Besides enjoying a reputation as a performer, Mr. Perry has been much in demand as a teacher. He is a longtime faculty member of the University of Southern California, where today he is Professor Emeritus.<\/p>\n

It may truly be said that three generations of Eastman pianists were gathered that day in Howard Hanson Hall. Mr. Perry\u2019s Eastman teacher, Swiss-born C\u00e9cile Genhart (n\u00e9e Staub), served on the Eastman faculty from 1928 until her retirement in 1971; she returned to Eastman in 1973 at Director Freeman\u2019s invitation, serving until her second retirement in 1982. She died in 1983.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” css=”.vc_custom_1727204557108{padding-top: 20px !important;}”][vc_column_inner width=”1\/3″][vc_single_image image=”9286″ img_size=”medium” add_caption=”yes” css=””][vc_single_image image=”9281″ img_size=”medium” add_caption=”yes” css=””][vc_single_image image=”9283″ img_size=”medium” add_caption=”yes” css=””][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”9290″ img_size=”medium” add_caption=”yes” css=”.vc_custom_1727204273776{margin-bottom: 40px !important;}”][vc_single_image image=”9279″ img_size=”medium” add_caption=”yes” css=””][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”9288″ img_size=”medium” add_caption=”yes” css=”.vc_custom_1727204315679{margin-bottom: 40px !important;}”][vc_single_image image=”9277″ img_size=”medium” add_caption=”yes” css=””][vc_column_text css=”.vc_custom_1727204494458{margin-top: 40px !important;}”]\u25baPhotos by Louis Ouzer. Master negative nos. R2889-13, 16, 18, 20, 21, 33, 36.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1632156425725{margin-top: 40px !important;background-color: #f4f4f4 !important;}”][vc_column css=”.vc_custom_1727281342359{padding-top: 20px !important;padding-bottom: 20px !important;}”][vc_custom_heading text=”1976: Eastman New Jazz Ensemble in rehearsal” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1632493249934{border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;border-radius: 1px !important;}”][vc_row_inner equal_height=”yes”][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n

Forty-five years ago this week, in these photographs taken on September 29th, 1976, the members of the Eastman New Jazz Ensemble are seen rehearsing in Room 120 (today known as the Rayburn Wright Room). The ENJE would perform a joint concert with the EJE on October 8th, 1976 in the Eastman Theater (concert program displayed herewith). At this time the Eastman New Jazz Ensemble was still a new venture, having made its public debut in a joint concert with the Eastman Jazz Ensemble on October 17th, 1975.<\/p>\n

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\u25baImages: Concert program, pages captured individually<\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_images_carousel images=”9297,9291,9294,9300,9295,9390″ img_size=”medium” css=”.vc_custom_1727188260578{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_single_image image=”9310″ img_size=”medium” css=””][vc_column_text]<\/p>\n

\u25baPhotos by Louis Ouzer. Master negative nos. R2233-5, 6, 14, 18, 19, 26; R2234-14, 22, 26, 32.<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1631195291275{margin-top: 40px !important;}”][vc_column css=”.vc_custom_1727188279839{padding-top: 20px !important;}”][vc_custom_heading text=”1980: Ron Carter master class” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1632495170012{border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;border-radius: 1px !important;}”][vc_column_text]<\/p>\n

\"1959<\/a>\u25ba<\/em>Image: 1959 SCORE yearbook photo of Ronald L. Carter<\/p>\n

Another celebrated alumnus who returned to Eastman in the fall of 1980 was Ron Carter, \u201959, internationally renowned jazz double bassist, who gave a master class on September 30th, 1980 in Room 120 (today known as the Rayburn Wright Room).\u00a0 By 1980 Mr. Carter had gained an international reputation, having initially risen to prominence as a member of the second Miles Davis Quintet (1963-68) and then as a regular recording artist with CTI Records throughout the 1970s and 1980s, for which he not only recorded solo under his own name, but also recorded in collaboration with a diverse range of artists. All the while he was performing solo and was collaborating with every jazz artist of significance.<\/p>\n

While enrolled at the Eastman School, Mr. Carter performed with the Rochester Philharmonic Orchestra in his senior year (1958-59). In that same year he was also a member of the newly-founded Eastman Philharmonia, and was a participant performer on the orchestra\u2019s earliest out-of-town engagements in the winter of 1959. After completing his Eastman degree, Mr. Carter went on to earn a masters degree at the Manhattan School of Music.<\/p>\n

Today Mr. Carter enjoys a reputation as the most recorded jazz bassist in history. He has won two Grammy Awards. He is Distinguished Professor Emeritus of the music department of City College of New York, where he has taught for more than twenty years. In 2008 he was appointed to the faculty of the Juilliard School, teaching bass in Juilliard\u2019s Jazz Studies program. He has received an honorary doctorate from the Berklee College of Music. Mr. Carter\u2019s philanthropic interests include his serving as a member of the Advisory Committee of the Board of Directors of the Jazz Foundation of America. One of the Jazz Foundation\u2019s primary missions is to assist musicians in need through its Musicians\u2019 Emergency Fund, providing housing assistance, pro bono medical care, disaster relief and direct financial support in times of crisis.<\/p>\n

In recognition of his service to music, Mr. Carter was honored in 2010 with France\u2019s highest cultural award: the medallion and title of Commander of the Ordre des Arts et des Lettres. He is now formally styled as Sir Ron Carter.<\/p>\n

In recent years Mr. Carter has made a generous gift to the Sibley Music Library of an extensive collection of jazz recordings. The recordings are all individually catalogued and are accessible at Recordings\/Reserves on the SML\u2019s 3rd floor.<\/p>\n

[\/vc_column_text][vc_row_inner equal_height=”yes”][vc_column_inner width=”1\/2″][vc_images_carousel images=”9398,9399,9400″ img_size=”medium” css=””][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_images_carousel images=”9323,9325,9321,9318,9319,9315,9313″ img_size=”medium” css=””][vc_column_text css=”.vc_custom_1727281505082{margin-top: 20px !important;border-top-width: 0px !important;padding-top: 0px !important;}”]\u25baMaster class photos by Louis Ouzer. Master negative nos. R2890-3, 4, 10, 14, 15; R2891-2A, 3A, 6A, 8A, 13A.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1632156425725{margin-top: 40px !important;background-color: #f4f4f4 !important;}”][vc_column css=”.vc_custom_1727189759743{padding-top: 20px !important;}”][vc_custom_heading text=”1971: Eastman Philharmonia season opener at Strong Auditorium” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1632496807792{border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;border-radius: 1px !important;}”][vc_row_inner equal_height=”yes”][vc_column_inner width=”1\/2″][vc_single_image image=”9336″ img_size=”medium” add_caption=”yes” css=””][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”9348″ img_size=”medium” add_caption=”yes” css=””][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”9340″ img_size=”medium” add_caption=”yes” css=””][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_images_carousel images=”9318,9347,9343,9338,9335″ img_size=”medium” css=”.vc_custom_1727190061908{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column_text]<\/p>\n

\u25baPhotos by Louis Ouzer. Master negative nos. R2233-5, 6, 14, 18, 19, 26; R2234-14, 22, 26, 32.<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes”][vc_column_inner width=”2\/3″][vc_column_text css=”.vc_custom_1727450880117{padding-top: 40px !important;}”]Fifty years ago this week, on October 1st, 1971, the Eastman Philharmonia performed the first concert of the 1971-72 academic year, a concert which bore a special significance in that it opened the school\u2019s Fiftieth Anniversary Season, as 1971-72 was formally promoted. Because the Eastman Theater was undergoing extensive renovations just then, the concert took place in Strong Auditorium on the River Campus. (The ET would eventually re-open with a gala concert on January 7th, 1972, featuring the Eastman Philharmonia with faculty pianist Eugene List as soloist.) Pianist Katherine Collier, BM \u201970 and a candidate for the MM degree, appeared as soloist in the Piano Concerto no. 2 in G minor, opus 16 by Sergei Prokofiev; Eastman School Director Walter Hendl was the conductor. Ms. Collier had studied with C\u00e9cile Genhart until the latter\u2019s 1971 retirement, and had recently begun to study with Barry Snyder.<\/p>\n

Today Ms. Collier is Professor of Piano at the University of Michigan. Her performance credits include concert engagements around the world as soloist, chamber musician, and collaborative pianist.<\/p>\n

It should be noted that Ms. Collier\u2019s teacher, Mr. Snyder, had also performed the Prokofiev opus 16 while a graduate student at Eastman, appearing with the Eastman-Rochester Symphony Orchestra under Mr. Hendl\u2019s direction on March 16th, 1967.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″ css=”.vc_custom_1727450738267{padding-top: 20px !important;}”][vc_images_carousel images=”9327,9330,9331,9333″ img_size=”350×550″ css=””][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes”][vc_column_inner][vc_column_text css=””]In earlier decades (before our own time, that is), it was the custom for staff writers at both of Rochester\u2019s daily newspapers to review Eastman School ensemble performances. Following the Philharmonia\u2019s concert at Strong Auditorium, Theodore Price, writing for the Democrat & Chronicle,<\/em> and George H. Kimball, writing for the Times-Union, <\/em>both took note of the concert\u2019s significance in that it opened the Eastman School\u2019s 50th Anniversary Season. (Copies of both reviews are preserved in the Rochester Scrapbooks in the Sibley Music Library\u2019s vault.) Mr. Kimball went so far as to find fault with the orchestra in both the Beethoven and the Franck, specifically \u201c. . .the first violins particularly finding the top of the range elusive of pitch in the rapid passages.\u201d Did Mr. Kimball mean intonation problems? Never mind, for he closed his review with an expression of confidence that the orchestra would have time to recover before its next performance. As well he might have, for Mr. Kimball must surely have been aware that by 1971 the Eastman Philharmonia had performed in Washington, D.C. (1961) and at Carnegie Hall (1962) and at the New York World\u2019s Fair (1964), and had undertaken a State Department-sponsored tour of Europe and the Middle East (1961-62), whence the orchestra members had been hailed as Musical Ambassadors. No ordinary student orchestra, this Eastman Philharmonia.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1632500141354{margin-top: 40px !important;}”][vc_column][vc_custom_heading text=”The Weekly Dozen” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_row_inner equal_height=”yes” content_placement=”top” gap=”5″][vc_column_inner width=”1\/2″ css=”.vc_custom_1632157190103{background-color: #dddddd !important;}”][vc_column_text]<\/p>\n

\u25baOctober 3, 1949\u00a0 \u00a0<\/strong>Sister Mary Matile, B.V.M. masters recital was the Eastman School premiere of the Scriabin Sonata no. 4, opus 30.<\/p>\n

[\/vc_column_text][vc_single_image image=”9350″ img_size=”medium” style=”vc_box_border” onclick=”link_image” css=”.vc_custom_1727190200179{margin-top: -10px !important;border-top-width: 0px !important;padding-top: 0px !important;}”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1632157210494{background-color: #dddddd !important;}”][vc_column_text]<\/p>\n

\u25baOctober 2, 1973 <\/strong>\u00a0 Malcolm Bilson, fortepiano<\/p>\n

[\/vc_column_text][vc_images_carousel images=”9354,9356,9352,9358″ img_size=”medium” css=””][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”top” gap=”5″][vc_column_inner width=”1\/2″ css=”.vc_custom_1632500202344{background-color: #f4f4f4 !important;}”][vc_column_text]<\/p>\n

\u25baSeptember 28, 1978<\/strong>\u00a0\u00a0\u00a0 Sibley Music: 18th-Century Italy<\/p>\n

[\/vc_column_text][vc_images_carousel images=”9364,9361,9362,9366″ img_size=”medium” css=””][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1632500212895{background-color: #f4f4f4 !important;}”][vc_column_text]<\/p>\n

\u25baSeptember 30, 1980 <\/strong>\u00a0 \u00a0 Good Neighbors: Eastman Salutes the Y<\/p>\n

[\/vc_column_text][vc_images_carousel images=”9370,9369,9368″ img_size=”medium” css=””][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”top” gap=”5″][vc_column_inner width=”1\/2″ css=”.vc_custom_1632157401544{background-color: #dddddd !important;}”][vc_column_text]<\/p>\n

\u25baSeptember 27, 1986\u00a0 <\/strong>\u00a0\u00a0 Evelyn Glennie, percussion<\/p>\n

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\u25baSeptember 28, 1986\u00a0\u00a0<\/strong> \u00a0 The Cleveland Quartet<\/p>\n

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\u25baOctober 1, 1990\u00a0 \u00a0 <\/strong>Arleen Auger, soprano with Richard Syracuse, pianist<\/p>\n

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\u25baOctober 3, 1990\u00a0<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart Hauskonzerte Series<\/p>\n

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\u25baSeptember 27, 1991<\/strong>\u00a0\u00a0\u00a0 Musica Nova: West Coast Waves<\/p>\n

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\u25baSeptember 28, 1993\u00a0<\/strong>\u00a0\u00a0 Nicole Philibosian, soprano with Gerald Lee, piano<\/p>\n

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\u25baSeptember 30, 1995\u00a0<\/strong>\u00a0\u00a0 United Nations 50th anniversary concert<\/p>\n

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\u25baSeptember 27, 1997\u00a0<\/strong>\u00a0\u00a0 A Celebration of Arthur Farwell and American Music<\/p>\n

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On September 27th, 1921, an occasional issue of The Note Book was published and was circulated to students.<\/p>\n","protected":false},"author":276,"featured_media":9259,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"single-no-separators","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[18],"tags":[20,17],"coauthors":[3],"class_list":["post-9258","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-this-week-at-eastman","tag-october","tag-september"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/posts\/9258","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/276"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=9258"}],"version-history":[{"count":0,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/posts\/9258\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media\/9259"}],"wp:attachment":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=9258"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=9258"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/tags?post=9258"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=9258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}