{"id":8261,"date":"2021-09-01T14:05:38","date_gmt":"2021-09-01T18:05:38","guid":{"rendered":"https:\/\/www.esm.rochester.edu\/sibley\/?p=8261"},"modified":"2025-09-08T09:40:52","modified_gmt":"2025-09-08T13:40:52","slug":"eastman-theatre-grand-opening","status":"publish","type":"post","link":"https:\/\/www.esm.rochester.edu\/sibley\/2021\/09\/eastman-theatre-grand-opening\/","title":{"rendered":"Eastman Theatre Grand Opening"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;]<em>Published on Sep 1, 2021<\/em><\/p>\n<p style=\"text-align: right;\"><a href=\"https:\/\/www.esm.rochester.edu\/sibley\/this-week-at-eastman\/\">Back to This Week At Eastman<\/a><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; css=&#8221;.vc_custom_1722432977281{background-color: #f4f4f4 !important;}&#8221;][vc_column][vc_custom_heading text=&#8221;1922: &#8220;For the enrichment of community life&#8220;&#8221; font_container=&#8221;tag:h3|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1722433053830{padding-top: 20px !important;}&#8221;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; gap=&#8221;10&#8243; equal_height=&#8221;yes&#8221; css=&#8221;.vc_custom_1722445287807{background-color: #f4f4f4 !important;}&#8221;][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1722433067341{background-color: #ffffff !important;}&#8221;][vc_single_image image=&#8221;8827&#8243; img_size=&#8221;full&#8221;][vc_column_text]<\/p>\n<p><span data-contrast=\"auto\">Rochester citizens of all ages approaching and lining up outside the new Eastman Theatre on Opening Day.\u00a0 The large EASTMAN sign on the Main Street side of the building was removed in 1971 owing to safety concerns. Photographer unknown.\u00a0\u00a0ESPA 11&#215;14 2-53; ESPA 11&#215;14 2-53.<\/span><\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1722433118808{padding-top: 10px !important;background-color: #ffffff !important;}&#8221;][vc_single_image image=&#8221;8828&#8243; img_size=&#8221;full&#8221;][vc_column_text]<\/p>\n<p><span data-contrast=\"auto\">The Eastman Theatre stage is set for the orchestra members and the screen is in place ready for a motion picture to be shown.\u00a0 Photographer unknown.\u00a0\u00a0ESPA Album 7-23. <\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559685&quot;:1440,&quot;335559991&quot;:1440}\">\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559685&quot;:1440,&quot;335559991&quot;:1440}\">\u00a0<\/span><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; css=&#8221;.vc_custom_1722433016959{background-color: #f4f4f4 !important;}&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1722433332902{padding-bottom: 20px !important;}&#8221;]<span data-contrast=\"auto\">On Monday September 4th, 1922, which happened also to be Labor Day, the Eastman Theater was opened to the public for the first time. Not only was the day one of the most significant in Eastman School history, but it also represented a milestone date in the civic history of Rochester, New York. The Eastman Theater was George Eastman\u2019s gift to the University of Rochester \u201cfor the enrichment of community life\u201d (as read the words that grace the theater\u2019s fa\u00e7ade). From the outset, the theater\u2019s purposes were twofold: to screen the best motion pictures that were available, and to serve as a venue for live musical performance. Significantly, the accompaniment of the silent motion pictures was to be provided by the newly founded Eastman Theater Orchestra; historically, it was out of the theater orchestra that the Rochester Philharmonic Orchestra was born.\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559685&quot;:1440,&quot;335559991&quot;:1440}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">The history of the Eastman Theater\u2019s origin and early years of operation has been thoroughly described by Professor Vincent Lenti in his articles \u201cFor the\u00a0Enrichment of\u00a0Community\u00a0Life: The Opening\u00a0of the Eastman Theater in 1922\u201d (1982) and \u201cFrom\u00a0Eagle Tavern to Eastman Theater:\u00a0A Sesquicentennial\u00a0History of\u00a0Music in Rochester\u201d (1984), and in his book\u00a0<\/span><i><span data-contrast=\"auto\">For the\u00a0Enrichment of\u00a0Community\u00a0Life: George Eastman and the\u00a0Founding of the Eastman School of Music\u00a0<\/span><\/i><span data-contrast=\"auto\">(University of Rochester Press, 2004). Separately, the book\u00a0<\/span><i><span data-contrast=\"auto\">The Eastman Theater: Fulfilling George Eastman\u2019s Dream\u00a0<\/span><\/i><span data-contrast=\"auto\">with text by the late Elizabeth Brayer (published by the Rochester Philharmonic Orchestra, 2010) constitutes a commemorative pictorial volume.\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559685&quot;:1440,&quot;335559991&quot;:1440}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Rochester\u2019s daily newspapers issued special sections to commemorate the theater\u2019s opening. These were an 8-page section issued by the\u00a0<\/span><i><span data-contrast=\"auto\">Democrat and Chronicle,\u00a0<\/span><\/i><span data-contrast=\"auto\">September 10th, 1922, with George Eastman\u2019s photo printed over the entire span of the first page; and, a 16-page section issued by\u00a0<\/span><i><span data-contrast=\"auto\">The Post Express,\u00a0<\/span><\/i><span data-contrast=\"auto\">August 26th, 1922, with a drawing of the Eastman Theater\u2019s exterior covering the entire span of the first page. This special section was especially elaborate in its presentation of the Eastman Theater\u2019s splendid architectural details and its lavish amenities.\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559685&quot;:1440,&quot;335559991&quot;:1440}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">A private opening ceremony\u2014with attendance exclusively by invitation\u2014had taken place on Saturday, September 2nd. A souvenir program had been provided to the invited patrons that amounted to more than two dozen pages in length, filled with descriptive text, photographs, and a reduced-size representation of the architectural drawing of the floor plan. The following words appeared on the souvenir program and also on the printed program that would be distributed to the public:\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559685&quot;:1440,&quot;335559991&quot;:1440}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">By the terms of the gift of George Eastman, this theater is the property of The University of Rochester, to be operated and maintained for the promotion of musical interests generally in the City of Rochester through a separate Board of Trustees. Any surplus from the operation of the theater will be used in developing the musical interests of the city.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559685&quot;:720,&quot;335559737&quot;:720,&quot;335559991&quot;:1440}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">In that by-gone era, moving picture cinemas were generally in the business of providing live entertainment preceding the screening of the featured motion pictures. That is, on any given day or evening, the cinema-goer could enjoy, for the price of his or her ticket, some selections of live music (whether vocal or instrumental), a newsreel or news feature of some kind, and possibly\u00a0some other features besides\u2014all this in advance of the start of the film. The Eastman Theater\u2019s program of entertainment for its first week of operation, beginning with the private opening on September 2nd, and continuing throughout the week beginning September 4th, was comprised of the following features:\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559685&quot;:1440,&quot;335559991&quot;:1440}\">\u00a0<\/span><\/p>\n<ul>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"1\" data-aria-posinset=\"1\" data-aria-level=\"1\"><span data-contrast=\"auto\">a performance of Tchaikovsky\u2019s\u00a0<\/span><i><span data-contrast=\"auto\">\u201c1812\u201d Overture<\/span><\/i><span data-contrast=\"auto\">\u00a0by the Eastman Theater Orchestra;\u00a0<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/li>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"1\" data-aria-posinset=\"2\" data-aria-level=\"1\"><span data-contrast=\"auto\">a short film feature promoting the Eastman Theater\u2019s current events;\u00a0<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/li>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"1\" data-aria-posinset=\"3\" data-aria-level=\"1\"><span data-contrast=\"auto\">a short program \u201cMusic interpreted through the Dance\u201d featuring soloist Ester Gustafson;\u00a0<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/li>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"1\" data-aria-posinset=\"4\" data-aria-level=\"1\"><span data-contrast=\"auto\">a short picture feature called \u201cEastman Theater Magazine\u201d (which would become a regular weekly feature both on screen and in printed form);\u00a0<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/li>\n<\/ul>\n<ul>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"1\" data-aria-posinset=\"1\" data-aria-level=\"1\"><span data-contrast=\"auto\">the vocal selection \u201cThe World is Waiting for the Sunrise\u201d by Seitz, performed by Scottish-Canadian soprano Marion Armstrong;\u00a0<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/li>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"1\" data-aria-posinset=\"2\" data-aria-level=\"1\"><span data-contrast=\"auto\">and finally, the featured film,\u00a0<\/span><i><span data-contrast=\"auto\">The Prisoner of Zenda.\u00a0<\/span><\/i><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/li>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"1\" data-aria-posinset=\"3\" data-aria-level=\"1\"><span data-contrast=\"auto\">Following the film, organists Dezso\u00a0d\u2019Antalffy\u00a0and John Hammond performed an \u201corgan exist\u201d as patrons left the theater.\u00a0\u00a0<\/span><span data-ccp-props=\"{&quot;134233279&quot;:true,&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/li>\n<\/ul>\n<p><span data-contrast=\"auto\">Prices for the afternoon screening were 30 cents (orchestra); 50 cents (mezzanine), 40 cents (loge); 20 cents (grand balcony). For the evening screening, higher prices applied, ranging from 50 cents (orchestra) to 35 cents (grand balcony).\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559685&quot;:1440,&quot;335559991&quot;:1440}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">The featured film,\u00a0<\/span><i><span data-contrast=\"auto\">The Prisoner of Zenda,\u00a0<\/span><\/i><span data-contrast=\"auto\">was a newly produced motion picture directed by Rex Ingram and starring\u00a0Lewis Stone, Alice Terry, Robert Edeson, and Stuart Holmes.\u00a0 (Does any one of these names ring a bell?\u00a0 If not, remember that they were all stars of the silent screen; many stars of the silent film era actually saw their careers end overnight when the \u201ctalkies\u201d came in in the late 1920s.) The film was one of now several adaptations of the popular novel\u00a0<\/span><i><span data-contrast=\"auto\">The Prisoner of Zenda\u00a0<\/span><\/i><span data-contrast=\"auto\">(1894) by Anthony Hope and the subsequent play (1896) by Anthony Hope and Edward Rose.\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559685&quot;:1440,&quot;335559991&quot;:1440}\">\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559685&quot;:1440,&quot;335559991&quot;:1440}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Perhaps the most fitting thing to take away from the Eastman Theater\u2019s opening were the sentiments captured on the last page of the special section of\u00a0<\/span><i><span data-contrast=\"auto\">The Post Express.\u00a0<\/span><\/i><span data-contrast=\"auto\">\u00a0On that page, an advertisement for department store B. Forman Co. carried the heading \u201cThe influence of the Eastman Theater will be felt throughout the world\u201d and continued with these lines (upper case here presented as in the source publication):\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559685&quot;:1440,&quot;335559991&quot;:1440}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">It Stands Unique Among the Edifices of All Ages and All Civilizations, for its Lofty Ideals and the Perfection of its Architecture\u2014as a Monument to the Achievements of the Past, as a Tribute to the Genius of a Man of the Present, and as an Earnest of the Cultural Progress Not Only of This Community Which is Fortunate Alike in Being the Residence of its Donor and the Center of its Influence, but also of the Whole World.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559685&quot;:720,&quot;335559737&quot;:720,&quot;335559991&quot;:1440}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">At the Eastman Theater\u2019s opening, the sentiments were deeply felt: gratitude to Mr. Eastman; pride in the Theater and in its amenities; huge satisfaction in what the Theater boded for the community; and optimism about the Theater\u2019s influence moving forward into the future.\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559685&quot;:1440,&quot;335559991&quot;:1440}\">\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span data-contrast=\"auto\">*Copies of\u00a0all publications and documents cited in this entry\u2014the\u00a0Vincent Lenti original writings, the RPO\u2019s pictorial volume, the Eastman Theater printed programs, and the special newspaper sections\u2014are preserved in the Eastman School of Music Archive\u00a0in the Sibley Music Library, Eastman School of Music.\u00a0\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559685&quot;:1440,&quot;335559991&quot;:1440}\">\u00a0<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=&#8221;1975: Convocation with James Galway&#8221; font_container=&#8221;tag:h3|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1722433162942{padding-top: 10px !important;}&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;8848&#8243; img_size=&#8221;full&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;8847&#8243; img_size=&#8221;full&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text css=&#8221;.vc_custom_1722433343417{padding-bottom: 20px !important;}&#8221;]<span data-contrast=\"auto\">At Convocation on September 4th, 1975,\u00a0the featured\u00a0faculty\u00a0performers were\u00a0flutist\u00a0James Galway\u00a0(served 1975-76)\u00a0and pianist Robert Spillman\u00a0(served 1973-86).\u00a0James Galway\u00a0was newly\u00a0appointed to the Eastman School faculty; he\u00a0would later return\u00a0in December, 1985 as soloist with the Eastman\u00a0Philharmonia\u00a0in a performance of\u00a0John Corigliano\u2019s\u00a0<\/span><i><span data-contrast=\"auto\">Pied Piper Fantasy,\u00a0<\/span><\/i><span data-contrast=\"auto\">which had been composed for him. On that occasion Mr. Galway and the Eastman Philharmonia recorded the Corigliano work for the RCA label. Mr. Galway would return yet again in 2014, at which time he received an honorary Doctor of Music degree from the University of Rochester.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559685&quot;:1440,&quot;335559991&quot;:1440}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">\u25ba<\/span><span data-contrast=\"auto\">Photo\u00a0by Louis\u00a0Ouzer, master negative\u00a0nos. R2078-4, 9, 11, 13, 16.\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559685&quot;:1440,&quot;335559991&quot;:1440}\">\u00a0<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; css=&#8221;.vc_custom_1722433192841{background-color: #f4f4f4 !important;}&#8221;][vc_column][vc_custom_heading text=&#8221;1980: The Philharmonia returns from Heidelberg&#8221; font_container=&#8221;tag:h3|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1722433247567{padding-top: 20px !important;}&#8221;][vc_row_inner equal_height=&#8221;yes&#8221; gap=&#8221;10&#8243;][vc_column_inner width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1722433262494{background-color: #ffffff !important;}&#8221;][vc_single_image image=&#8221;8849&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1722433458964{padding-top: 10px !important;padding-bottom: 10px !important;}&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1722433277935{background-color: #ffffff !important;}&#8221;][vc_single_image image=&#8221;8850&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1722433472185{padding-top: 10px !important;padding-bottom: 10px !important;}&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text css=&#8221;.vc_custom_1722433354354{padding-bottom: 20px !important;}&#8221;]<span data-contrast=\"auto\">On September 1st, 1980, the members of the Eastman\u00a0Philharmonia\u00a0touched down at Rochester\u2019s airport,\u00a0returning from their summer engagement at\u00a0that year\u2019s\u00a0Heidelberg Music Festival.\u00a0\u00a0They were welcomed back by the Eastman School\u2019s top administrators;\u00a0Director Robert Freeman and\u00a0Associate\u00a0Director Jon Engberg were at the\u00a0airport\u00a0gate to greet the\u00a0orchestra\u00a0members as they de-planed.\u00a0(Many readers will recall those pre-9\/11 days, when friends and family members could accompany\u00a0travellers\u00a0to the gate.)\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559685&quot;:1440,&quot;335559991&quot;:1440}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Founded in 1974, the Heidelberg Music Festival featured open-air performances in proximity to the famed medieval castle in Heidelberg, Germany. German orchestras traditionally take their vacations\u00a0in the late summer when the\u00a0Festival\u00a0programming took place, and so there turned out to be an opening. The\u00a0Festival\u2019s\u00a0director, Dr. Peter\u00a0Stoltzenberg,\u00a0looked overseas for a resident orchestra, and in the winter of 1980,\u00a0Stoltzenberg\u00a0made a visit to the U.S. and visited five institutions (Eastman, Julliard, Michigan, Curtis, and the University of Illinois). After auditioning those institutions\u2019 student orchestras, he offered the Eastman\u00a0Philharmonia\u00a0a contractual residence at the 1980 Festival, a contract which the Eastman School promptly accepted. Under the contract, 43 members of the\u00a0Philharmonia\u00a0would perform as the collaborative orchestral forces in productions of\u00a0<\/span><i><span data-contrast=\"auto\">Die\u00a0Lustige\u00a0Weiber\u00a0von Windsor,\u00a0<\/span><\/i><span data-contrast=\"auto\">Gazzaniga\u2019s opera\u00a0<\/span><i><span data-contrast=\"auto\">Don Giovanni\u00a0<\/span><\/i><span data-contrast=\"auto\">(pre-dating Mozart\u2019s opera of the same title)<\/span><i><span data-contrast=\"auto\">,\u00a0<\/span><\/i><span data-contrast=\"auto\">and\u00a0<\/span><i><span data-contrast=\"auto\">The Student Prince,\u00a0<\/span><\/i><span data-contrast=\"auto\">and would also give one concert performance. The\u00a0Philharmonia\u2019s\u00a0success at that initial Heidelberg engagement led to a full decade\u2019s residency at Heidelberg, annually through the 1990 Festival.\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559685&quot;:1440,&quot;335559991&quot;:1440}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">\u25ba<\/span><span data-contrast=\"auto\">Photos\u00a0by Louis\u00a0Ouzer, master negative nos.\u00a0R2875-4A, 14A, 22A, 24A, 27A.\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559685&quot;:1440,&quot;335559991&quot;:1440}\">\u00a0<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=&#8221;1997: Return of the Gateways Music Festival&#8221; font_container=&#8221;tag:h3|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1722433377416{padding-top: 20px !important;}&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;8855&#8243; img_size=&#8221;full&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;8854&#8243; img_size=&#8221;full&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;8853&#8243; img_size=&#8221;full&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text css=&#8221;.vc_custom_1722433364778{padding-bottom: 20px !important;}&#8221;]<span data-contrast=\"auto\">On September\u00a04th-6th, 1997,\u00a0the Gateways Music Festival was held in Rochester for the second time\u2014and, significantly, for the first time\u00a0with the Eastman School of Music as an active partner. Founded by concert pianist Armenta Adams\u00a0Hummings\u00a0in 1993, the\u00a0Festival\u00a0had as its central aim to celebrate the universal appeal of classical music and its power to cross racial lines and to bring divers communities together.\u00a0 These photos show a youth ensemble rehearsing in Room 120 (today the Ray Wright Room) during the\u00a0Youthfest\u00a0which was part of the 1997 Festival program.\u00a0The\u00a0Festival\u00a0concluded on September\u00a06th\u00a0with a pair of chamber music recitals in Kilbourn Hall.\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559685&quot;:1440,&quot;335559991&quot;:1440}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Further content from the Gateways Music Festival will appear in future\u00a0issues\u00a0of \u201cThis Week at Eastman\u201d.\u00a0\u00a0\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559685&quot;:1440,&quot;335559991&quot;:1440}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">\u25ba<\/span><span data-contrast=\"auto\">Photos\u00a0by Louis\u00a0Ouzer,\u00a0taken on September 6<\/span><span data-contrast=\"auto\">th<\/span><span data-contrast=\"auto\">, 1997;\u00a0master negative nos.\u00a0R4260-21, 25, 27.\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559685&quot;:1440,&quot;335559991&quot;:1440}\">\u00a0<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1722433443605{margin-top: 20px !important;}&#8221;][vc_column][vc_basic_grid post_type=&#8221;post&#8221; max_items=&#8221;4&#8243; element_width=&#8221;3&#8243; css=&#8221;&#8221; grid_id=&#8221;vc_gid:1722445231062-404f3f82-b873-9&#8243; taxonomies=&#8221;18&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>On Monday September 4th, 1922, which happened also to be Labor Day, the Eastman Theater was opened to the public for the first time.<\/p>\n","protected":false},"author":276,"featured_media":8827,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[18],"tags":[19,17],"coauthors":[13],"class_list":["post-8261","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-this-week-at-eastman","tag-august","tag-september"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/posts\/8261","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/276"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=8261"}],"version-history":[{"count":1,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/posts\/8261\/revisions"}],"predecessor-version":[{"id":22020,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/posts\/8261\/revisions\/22020"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media\/8827"}],"wp:attachment":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=8261"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=8261"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/tags?post=8261"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=8261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}