{"id":7787,"date":"2021-05-04T14:39:57","date_gmt":"2021-05-04T18:39:57","guid":{"rendered":"https:\/\/www.esm.rochester.edu\/sibley\/?page_id=7787"},"modified":"2023-06-13T12:15:44","modified_gmt":"2023-06-13T16:15:44","slug":"ser1-2","status":"publish","type":"page","link":"https:\/\/www.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/rwright\/ser1-2\/","title":{"rendered":"RAYBURN WRIGHT COLLECTION"},"content":{"rendered":"

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<\/a>Series 1: Scores<\/h3>\n

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<\/a>Sub-series A:\u00a0Original compositions<\/strong><\/span><\/em><\/p>\n

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folder 1<\/strong><\/td>\nAfrican Drum Fantasy. For percussion and concert band. Music by Michael Babatunde Olatunji and Rayburn Wright. Three copies of the conductor\u2019s score. –Copy 1: MS in pencil and ink; emendations in colored pencil. 30pp. of music; –Copy 2: Repro of Ozalid master copy; performance markings and emendations in pencil. 30pp. of music. Accompanied by a single page of typescript with the title, \u201cAfrican Drum Fantasy by Rayburn Wright: Sound Guide\u201d; –Copy 3: Repro of Ozalid master copy; emendations in pencil and colored pencil. 28pp. of music. Pages 5-6 are lacking. Accompanied by two leaves of sketch material. MS in pencil. 3pp. of music; 1 page of text bearing the heading, \u201cMenu\u201d.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nAfrican Fantasy. For percussion and concert band. Documents include:<\/p>\n
    \n
  • Incomplete full score: Combination of ink and pencil MS; pages in ink feature emendations in pencil. 64pp. total: 45 numbered pages, 35 of which contain musical content; 19 blank pages interleaved throughout;<\/li>\n
  • Sketch material that includes: –African Overture \u2013 C minor version. MS in pencil; emendations in colored pencil. 14pp. of music; –Finale Sequence \u2013 African Overture. MS in pencil; emendations in colored pencil. 2pp. of music; –O Dun De (Harvest Song). MS in pencil. 5pp. of music; –Unlisted pop tune\/My Lady Please Explain. MS in pencil. 3pp. of music; –Ovothun. MS in pencil. 2pp. of music; –Yeke, Omo, Mi (Do not cry my child). MS in pencil. 2pp. of music; –Serenade to the God of Thunder. MS in pencil. 3pp. of music; –Menu \u2013 Diyeh. MS in pencil. 3pp. of music; –Oluwa Sanu Versions. MS in pencil; emendations in colored pencil. 18pp. of music; –My Lady Please Explain. MS in pencil. 2pp. of music; –Yeke, Omo, Mi (Do not cry my child). MS repro; reverse side contains a rhythmic sketch in pencil. 2pp. of music; –16pp. of unidentified fragments interleaved throughout. MS in pencil and colored pencil;<\/li>\n
  • Extant parts include: 2nd<\/sup> bassoon, 4th<\/sup> tenor saxophone, baritone saxophone, 2nd<\/sup> tenor saxophone, 2nd<\/sup> alto saxophone and 1st<\/sup> MS repro. 40pp. of music;<\/li>\n
  • Documents pertaining to Michael B. Olatunji and the composition of African Fantasy. Combination of pencil MS, ink MS and typescript annotated in pencil and ink. 18pp. Accompanied by a program for a performance by Asadata Dafora and his Chologo Aloba African Dancers, featuring Michael B. Olatunji, that took place on May 31, 1958 at the United Mutual Auditorium in New York City. Annotations in pencil. 1p. Also accompanied by a copy of the liner notes for the \u201cFolk Music of the Western Congo\u201d LP. Ethnic Folkways Library P427. New York: Folkways Records and Service Corp., c1952. Annotations in pencil. 8pp.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nAutumn Allegory. Full score and cello part. No date. –Full score: MS repro; bears performance markings in pencil. Title in blue ink. 52pp. of music; –Cello part: MS repro; bears performance markings in pencil and ink. 5pp. of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nThe Bells of Saint Clements. For brass quintet. Copyright 1984. Full score and parts. –Full score: MS repro. 11pp. of music; –Trumpet I: MS repro; signed in pencil by Rayburn Wright. 4pp. of music. Accompanied by a note signed in ink to Ray Wright from Audrey [last name unknown]. 1 page; –Trumpet II: MS repro; signed in pencil by Rayburn Wright. 4pp. of music; –Horn: MS repro; signed in pencil by Rayburn Wright. 4pp. of music; –Trombone: MS repro; signed in pencil by Rayburn Wright. 4pp. of music; –Tuba: MS repro; signed in pencil by Rayburn Wright. 4pp. of music.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nA Ceremony of Sounds. For trombones and percussion. Date (on page 1):
\nOctober 5, 1969. Combination of MS repro and MS in pencil. 5pp. of music. Accompanied by documents that pertain to the form, instrumentation and rhythmic structure of the piece. Combination of ink and pencil MS. 7pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nCuban Concerto. For percussion trio and orchestra. Written for Ronald Gould, Arnold Goldberg and Simon Sadoff of the New York Percussion Trio. Full score. MS in pencil and ink; bears performance markings in colored pencil. 65pp. of music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nCuban Concerto. For percussion trio and orchestra. Written for Ronald Gould, Arnold Goldberg and Simon Sadoff of the New York Percussion Trio. Full score. Comb-bound MS repro. 65pp. of music.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nDaphne. Lead sheet. Two copies. Ink MS. 3pp. of music each. Accompanied by an \u201cApplication for registration of a claim to copyright in a musical composition\u201d form from the Register of Copyrights at the United States Library of Congress. Signed in ink, presumably by Rayburn Wright.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nAn Everyday Affair. For three trombones and tuba. Full score and parts. –Full score: Ozalid MS in ink. 5 pp. of music; –Four sets of parts (Set 1: Ozalid MS in ink; Sets 2 \u2013 4: repros generated from Ozalid masters). 16pp. of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nGeorge M. Cohan and Broadway. Copyright 1989. Extant parts include: Canadian Brass Quintet (trumpet I, trumpet II, horn, trombone, and tuba), Left Brass Quintet (trumpet I, trumpet II, horn, trombone, and tuba), Right Brass Quintet (trumpet I, trumpet II, horn, trombone, and tuba), percussion I, percussion II and string bass. 234pp. of music.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nGershwin Variations. Extant parts include: flutes I and II, piccolo (flute III), oboe I, oboe II \/ English horn, Bb clarinets I and II, bass clarinet, bassoons I and II, horns I and II, horns III and IV, percussion II, piano, harp, xylophone, violin I, violin II, viola, cello and bass. Flute I \u2013 xylophone: MS repro; strings: ink MS. 189pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nGershwin Variations. For brass quintet. Commissioned by Eastman Brass 1983. Full score and parts.<\/p>\n
    \n
  • Full score: two copies (Copy 1: Combination of ink MS, MS repro and Ozalid MS in ink. 46pp. of music; Copy 2: June 1985 revision. Comb- bound MS repro; revisions, annotations and performance markings in pencil and ink. 45pp. of music);<\/li>\n
  • Extant parts include: —Prelude: Fascinating Rhythm<\/em>: trumpets I and II, horn, trombone and tuba. Ink MS and MS repro; corrections and performance markings in pencil. 25pp. of music; —It Ain\u2019t Necessarily So<\/em>: trumpet I, trumpet II and trombone. MS repro. 9pp. of music; —Do It Again<\/em>: trumpets I and II, horn, trombone and tuba. MS repro. 15pp. of music; —Liza<\/em>: trumpet I (Copy 1: MS repro. 7pp. of music; Copy 2: MS repro. 6pp. of music); trumpet II (MS repro. 4pp. of music); horn (Combination of MS repro and ink MS. 9pp. of music), trombone (Combination of MS repro and ink MS. 7pp. of music), tuba (Combination of MS repro and ink MS; performance markings in pencil and colored pencil. 6pp. of music);<\/li>\n
  • Accompanied by pages extracted from various manifestations of the brass quintet parts. Combination of MS repro and ink MS; a number of pages bear emendations in pencil. 37pp. of music.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nGershwin Variations. For brass quintet. Full score and parts. –Full score: Combination of MS in pencil and ink [pp. 1 \u2013 32] and MS repro [pp. 33 \u2013 41]. 41pp. of music; –Extant parts include:\u00a0Bess You Is My Woman<\/em>. Trumpets I and II, horn, trombone and tuba. Ink MS. 18pp. of music.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nGershwin Variations. For brass quintet. Full score. Copyright New World Music, 1930. May 1985 revision. MS repro. 45pp. of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nGershwin Variations. For brass quintet and orchestra. Full score. Ink MS; corrections and annotations in pencil. 169pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nGrand Circus Fantasia. For brass quintet. Full score. MS in pencil. 222pp. of music.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nGrand Circus Fantasia. For brass quintet. Parts include: trumpets I and II, horn, trombone and tuba. MS repro. 109pp. of music.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\n\u201cGuitars\u201d Album. Music that appeared on \u201cThe History of Guitars\u201d LP on Golden Records, [197-?]. Scores include:<\/p>\n
    \n
  • My Friend The Guitar # 1. 5 copies. –Copy 1: Full score. MS repro. 12pp. of music. Accompanied by a list of titles. Ink MS. 1p; –Copy 2: Piano reduction. MS in pencil. 4pp. of music; –Copy 3: Full score. MS in pencil. 12pp. of music; –Copy 4: Lead Sheet. MS repro. 3pp. of music; –Copy 5: Lead Sheet. Ink MS; lyrics, tempo and metronome marking in typescript. 3pp. of music;<\/li>\n
  • My Friend the Guitar # 2. Two copies of full score. –Copy 1: MS in pencil. 11pp. of music; –Copy 2: MS repro. 11pp. of music;<\/li>\n
  • In Puerto Rico \/ The Spanish Guitar. 4 copies. –Copy 1: Full score. Repro of Ozalid master copy. \u201cIn Puerto Rico\u201d written in ink above \u201cThe Spanish Guitar\u201d on 1st<\/sup> 18pp. of music; –Copy 2: \u201cIn Puerto Rico\u201d lead sheet. MS repro. 1p. of music; –Copy 3: \u201cIn Puerto Rico\u201d lead sheet. Ink MS; lyrics, tempo and metronome marking in typescript. 1p. of music; –Copy 4: \u201cThe Spanish Guitar\u201d full score. Ozalid MS in pencil. 18pp. of music;<\/li>\n
  • Pickety Pockety. 4 copies. –Copy 1: Repro of Ozalid master copy; emendations in ink. 4pp. of music; –Copy 2: Lead sheet. Ink MS. 1p. of music; –Copy 3: Lead sheet. MS repro. 1p. of music; –Copy 4: Ozalid MS in pencil. 4pp. of music;<\/li>\n
  • Happy Hawaii. 3 copies. –Copy 1: Full score. Repro of Ozalid master copy. 2pp. of music; –Copy 2: Lead sheet. Ink MS. 1p. of music; –Copy 3: Lead sheet. MS repro. 1p. of music;<\/li>\n
  • O Sole Mio. Full score. Repro of Ozalid master copy; annotated in ink. 2pp. of music; pg. 2 is lacking;<\/li>\n
  • Dark Eyes. Full score. Repro of Ozalid master copy; annotated in ink. 3pp. of music;<\/li>\n
  • Blue-Tail Fly. Lead sheet. MS repro; annotated in ink. 1p. of music;<\/li>\n
  • Cowboy Guitar. Copyright 1970, Thomas English Music Publishing Company. Full score. 2 copies. –Copy 1: Ozalid MS in pencil. 7pp. of music; –Copy 2: Repro of Ozalid master copy; copyright information written in ink on page 1. 7pp. of music.<\/li>\n<\/ul>\n

    Scores are accompanied by an envelope labeled \u201c\u2018Guitars\u2019 Album. Golden Records \u2013 1970 (Scores)\u201d in ink.<\/td>\n<\/tr>\n

folder 4<\/strong><\/td>\n\u201cHolidays for Percussion\u201d Album: Scores (1 of 2). For three percussionists and bass. MS in pencil; emendations in ink and colored pencil. Includes full scores for: –Hallowe\u2019en [sic] Witch Hunt. 15pp. of music; –Parade of the Wooden Soldiers. Arranged by Rayburn Wright. 15pp. of music; –Barn Dance (Turkey in the Straw). 13pp. of music; –Mexican Honeymoon. 9pp. of music; –Easter Parade. 11pp. of music; –Lazy Holiday. 8pp. of music; –Yankee Doodling. Adapted by Rayburn Wright. 12pp. of music; –Jingle Bells Samba (Revised). 14pp. of music. Accompanied by a document with the title, \u201cRough idea for notes for New York Percussion Trio Album\u201d. Typescript; emendations in ink. 3pp. Also accompanied by an envelope labeled, \u201cHolidays for Perc. (Scores)\u201d. Inscribed in pencil to Ray Wright from R. Gould; titles written in ink on reverse side.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\n\u201cHolidays for Percussion\u201d Album: Scores (2 of 2). For three percussionists and bass. MS in pencil; emendations in colored pencil. –Happy Holidays. 8pp. of music. A musical sketch in pencil and the title written in ink, pencil and colored pencil appear on the reverse side of pg. 7; –Festa Brasileira. 8pp. of music. Title is written in pencil on the reverse side of pg. 8. Accompanied by an envelope labeled, \u201c\u2018Holidays for Percussion\u2019 Scores\u201d. Ray Wright\u2019s name and the message, \u201cDick Lieb will pick up\u201d, written in colored pencil on side one.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nInterfaces I. For trombone and percussion choirs. Date (on page 1 of full score): October 5, 1969. Full score and percussion parts. –Full score: MS in pencil; emendations in colored pencil and ink. 30pp. of music. –Percussion parts: MS repro. 34pp. of music. Accompanied by a document titled \u201cInterfaces I \u2013 percussion assignments\u201d. MS in ink and pencil. 1 page. Also accompanied by a document titled \u201cBar Count \u2013 revised Interfaces I\u201d. MS in pencil. 2 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nInterfaces I. For trombone choir and percussion ensemble. Full score. Copyright: Rayburn Wright, 1969, Croton-on-Hudson, NY. MS repro with emendations in pencil and ink. 60pp. of music. Performance instructions immediately following title page.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nInterfaces I. For trombone choir and percussion ensemble. Repro of Ozalid master copy; emendations in pencil and colored pencil. 60pp. of music. Inscription to Mr. Leuning from Rayburn Wright appears on first page. The label, \u201cNot Final Score\u201d, also appears on the first page.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nInterfaces 1. For trombone and percussion choirs. Copyright: Rayburn Wright, 1969, Croton-on-Hudson, NY. Full score. Comb-bound MS repro; \u201cInterfaces 1 \u2013 Wright\u201d –in ink on spine. 62pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 4<\/strong><\/td>\nJapanese Folk-Song Fantasy. For wind ensemble. Full score. MS in pencil and ink. 103pp. of music.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nJapanese Folk-Song Fantasy. For wind ensemble. Parts. Ozalid MS in ink. Extant parts include: flutes I & II, piccolo\/flute, oboe, English horn, Eb clarinet, clarinets I \u2013 IV, bass clarinet, bassoon, contrabass clarinet, alto saxophones I & II, tenor saxophone, Moog synthesizer, piano, horns I – IV, trumpets I – IV, euphonium, trombones I – IV, tubas I & II, harp, timpani, and percussion I \u2013 III. 221pp. of music. Accompanied by a note written in ink on Rayburn Wright letterhead; signed in ink by Rayburn Wright, October, 1978. 1 page. Also accompanied by the Eastman School of Music Ensembles Library\u2019s copy of the euphonium part and page 5 of the part for percussion I. MS repro; generated from the Ozalid master copies. Euphonium part is annotated in pencil and colored pencil and signed in ink by R. Wright. 6pp. of music.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nLady Kennedy. Written by Michael Babatunde Olatunji and Rayburn Wright. Copyright 1962, Amin Publishing Co., New York. Extant parts include: Tunji Singers, piccolo (left), baritone sax (right), trombone I (left) and trombone II (left). Ink MS; Tunji Singers\u2019 and trombone parts feature emendations in pencil. 17pp. of music.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nLonesome Horn. Lead sheet and string parts. Ozalid MS in ink. –Lead sheet: 1 page of music; –Violin A: 2pp. of music; –Violin B: 3pp. of music; –Viola: 2pp. of music. Accompanied by a folder labeled \u201cLonesome Horn [Deshons]\u201d in ink.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nPatterns. For augmented symphony orchestra. Full score and parts. Full score: MS repro; emendations in pencil and ink. 77pp. of music. Accompanied by 18 loose pages labeled \u201cPatterns \u2013 Old Pages\u201d. MS repro; emendations in pencil and ink. Extant parts include: percussion I and electric piano.\u00a0 Ink MS; emendations in pencil. 9pp. of music. Both parts contain sketch material on the reverse side of a number of leaves. 3pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 26″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620160512149{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 2<\/strong><\/td>\nSackbut City: Recorded by the Eastman Jazz Ensemble on their album \u201cMontreux\u201d (Mark Records MJS-57605). Copyright 1981 by Rayburn Wright. Published under license by the Thomas English Music Publishing Co. Full score and parts. Full score: 16pp. of music. Parts: 64pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 6″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620322794697{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 1<\/strong><\/td>\nSalute to John Philip Sousa. For three brass quintets and three percussionists. Commissioned by the Canadian Brass. Copyright 1989. Full score. Two copies. –Copy 1: Comb-bound MS repro; emendations and annotations in pencil and ink. 161pp. of music; –Copy 2: MS in pencil and ink. 169pp. of music.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nSalute to John Philip Sousa. For three brass quintets and three percussionists. Commissioned by the Canadian Brass. Copyright 1989. MS repro. All parts present. 271pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 7″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620322847826{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nShaker Suite. For [the] Canadian Brass and Symphonic Strings. Date (at end of full score): July 29, 1989. Copyright 1989. Full score (two copies) and parts. Full score (Copy 1): Comb-bound MS repro; bears performance markings in pencil. 64pp. of music. Full score (Copy 2): MS in pencil and ink. 66pp. of music. Extant parts include: trumpets I and II, French horn, trombone, tuba, violins I and II, viola and cello. MS repro. 50pp. of music.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nSmall Town Blues. Words by Al Stillman; music by R. Wright. Piano \/ vocal score and parts. Piano \/ vocal score: Ozalid MS in ink. 2pp. of music. Extant parts include: A_B violins and viola. Ozalid MS in ink. 4pp. of music. Accompanied by a folder labeled \u201cSmall Town Blues [Deshons]\u201d in ink<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nToulouse L\u2019Autrec. For orchestra. Full score. Comb-bound MS repro. 46pp. of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nTwo Generations of Brubeck Concert. Conductor\u2019s scores and documents pertaining to the production of the Rochester Philharmonic Orchestra concert \u201cTwo Generations of Brubeck\u201d which took place on June 2, 1972 in the Eastman Theatre.<\/p>\n
    \n
  • Conductor\u2019s scores include: –Out of the Way of the People. Written by Dave Brubeck. Repro of score published by St. Francis Music Co. and Malcolm Music, Ltd, c1970; stage lighting cues in ink. 21pp. of music; –Two Contemporary Sketches. MS repro; performance markings in ink. 7pp. of music; –Ursa Major. Combination of MS repro and repro of music from a published version of the piece [publisher unspecified]; performance markings in ink. 19pp. of music; –Two Contemporary Sketches, Part II. MS repro; performance markings in ink. 16pp. of music; –Intro \u2013 New Heavenly Blue. MS repro. 6pp. of music; –Excerpts from Truth is Fallen: A cantata for rock group and symphony orchestra. Music by Dave Brubeck. Text selected and adapted by Iola Brubeck with original texts by Iola and Christopher Brubeck. Repro of score published by St. Francis Music Co. and Malcolm Music, Ltd, c1971; performance markings in ink. 62pp. of music.<\/li>\n
  • Documents include: –printed concert program; –card stock dividers, interleaved throughout, indicating names of programmed works and other directions, e.g. \u201cLights: Full Concert\u201d; –carbon copy of a typescript letter to Music Art from Ray Wright, February 20, 1973 [original was signed by RW]. 1p; –typescript draft of the concert program with lighting and stage instructions in ink. 1p; –one page of Dave Brubeck\u2019s rider, signed in ink to Ray Wright, Donald Hunsberger and Merritt Torrey from Nick Jones; –draft of the stage and lighting instructions. Ink MS. 3pp.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nUndercurrents. For flute, seven tubas and two percussionists. Full score. Repro of Ozalid MS. 41pp. of music. New York: Seesaw Music Corporation, 1980.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nUrsa Major. Parts. Combination of Ozalid master copies and repros of Ozalid master copies. At the foot of each part appears a numerical sequence that reads \u201cS-6726\/802\/1973\u201d. Extant Ozalid master copies include: bass, viola, cello, violin II, oboe, bassoon, violin I, clarinet and bass clarinet. 25pp. of music. Extant repros of Ozalid master copies include: oboe (4), clarinet (2), bass clarinet (2), bassoon (4), violin I (10), violin II (8), viola (7), cello (7) and bass (5). 141pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 8″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620322273230{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nUrsa Major. Full score and parts. –Full score: MS in pencil; emendations in ink and colored pencil. 22pp. of music. –Parts include: piano, trombones I-III, tuba, flute I, flute II and piccolo, horns I and II, alto saxophones I and II, tenor saxophones I and II, baritone saxophone, trumpets I-IV, bass trombone, guitar, electric bass, drums and the conductor\u2019s score (bears the title \u201cFree Fall\u201d which was emended to read \u201cUrsa Major\u201d). MS in pencil; emendations in ink. 51pp. of music. Accompanied by a Speed Letter \u00ae from Frank Music Co. (New York , NY) to Rayburn Wright dated October 29, 1971 addressing explicit matters of instrumentation. Document is a carbon copy that contains R. Wrights reply. No date. 1 page.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nVerberations. For solo wind instrument and symphonic wind ensemble. 1976. \u00a0Score and parts. –Score: MS repro; emendations in pencil. 79pp. of music. –Extant parts include: Soprano saxophone solo. MS repro; performance markings in pencil. 4pp. of music; Piano accompaniment. MS repro. 27pp. of music. Accompanied by two pages of sketch material. First page: MS in pencil. 1p of music. Second page: MS in ink and pencil. 1p of music. Also accompanied by an orange three-ring binder. \u201cVerberations \u2013 76\u201d –in ink on spine.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nVerberations. For solo wind instrument and symphonic wind ensemble. Copyright 1977. Score and parts. –Score: MS repro; signed in ink on page 1 by Rayburn Wright. 79pp. of music. –Extant parts include: soprano saxophone solo, piccolo, flute I, flute II and III (2), oboe I, oboe II (English horn), bassoon I and II (2), Eb clarinet, clarinet I (2), clarinet II (2), clarinet III, clarinet IV, bass clarinet (2), alto saxophone I, alto saxophone II, tenor saxophone and baritone saxophone. MS repro; performance markings in pencil and ink. 159pp. of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nVerberations [parts]. MS repro; performance markings in pencil and ink. Parts include: French horns I and II (2), French horns III and IV (2), trumpet I (2), trumpet II, trumpet IV, trombone I, trombone II, trombone III, trombone IV (bass), euphonium, tuba (2), piano, electric bass, drum set, timpani, [percussion I], [percussion II], [percussion III], soprano saxophone solo and piano accompaniment. 170pp. of music. Accompanied by a chart outlining the metric structure of the piece. Ink MS. 1p.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 26″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620322332669{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 3<\/strong><\/td>\nVerberations. Piano accompaniment part. MS repro; performance markings in pencil. 27pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 8″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620322273230{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 5<\/strong><\/td>\nWestward Ho. Parts. Copyright 1989. MS repro. Extant parts include: trumpet I, trumpet II, horn, trombone, tuba, piano, violins I, violins II, violas, celli and basses. 129pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1620153561604{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series B: Arrangements<\/strong><\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 9″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620160656551{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nAlexander\u2019s Ragtime Band – II. By Irving Berlin; arr. for brass quintet by R. Wright. Copyright 1989. Two copies of the full score. –Copy 1: MS in pencil; title, composer \/ arranger, instrumentation and page number in ink on page 1. 12pp. of music; –Copy 2: MS repro; performance markings in pencil. 12pp. of music.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nBach Festival. (5802). Arrangement by R. Wright and Raymond Paige for organ and unspecified instrumental ensemble. Conductor\u2019s score. MS repro; emendations and performance markings in pencil. 12pp. of music.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nBachi. By Clare Fischer; arr. by R. Wright. Full score. MS in pencil; title and composer \/ arranger information in ink on page 1. 5pp. of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nThe Bad and the Beautiful. By David Raksin; arr. by R. Wright. Extant parts include: violin A, violin B and viola. Ozalid MS in ink; annotated in colored pencil. 9pp. of music. Accompanied by a folder labeled \u201cThe Bad + The Beautiful [Deshons]\u201d in ink<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nBernstein on Broadway. (6297A). Conductor\u2019s score. Repro of Ozalid master copy; bears performance markings in pencil, colored pencil and ink. 24pp. of music.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nBizet \u201cOverture\u201d. Conductor\u2019s score. Repro of Ozalid master copy; emendations and performance markings in pencil. 13pp. of music. \u201c5703\u201d –in colored pencil on pg. 1. \u201cMaster\u201d –in ink on pg. 1. \u201c9:40\u201d –in pencil on reverse side of pg. 13.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 26″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620324405846{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 4<\/strong><\/td>\nA Child Is Born. By Thad Jones; arr. for strings, winds and rhythm by R. Wright. Published by D\u2019Accord Music, Inc., Copyright 1974. Full score and parts. Full score: Two copies (Copy 1: emendations and performance markings in pencil. 22pp. of music; Copy 2: Comb-bound copy of the published score. Performance markings in yellow ink. 19pp. of music). Parts: Combination of published copies and ink MS; performance markings in pencil, numbered 1-48 in colored pencil. 60pp. of music. Accompanied by an envelope labeled \u201cA Child Is Born \u2013 RPO Set 185: Score-Parts\u201d in ink. Publisher\u2019s cover is accompanied by a 33 1\/3 RPM Eva-Tone \u00ae soundsheet titled \u201cKendor Studio Orchestra Stylings\u201d, a recording by the Crane School of Music Studio Orchestra conducted by Richard C. Stephan. Track listing: –A Child Is Born; –Where or When; –Old Devil Moon; –Blueberry Hill; –A Foggy Day.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nA Child Is Born. By Thad Jones; arr. for strings, winds and rhythm by R. Wright. Published by D\u2019Accord Music, Inc, Copyright 1974. Full score and parts. Full score: performance markings in pencil and colored pencil. 22pp. of music. Parts: combination of the published parts with performance markings in pencil and colored pencil, some of which bear pasted-in emendations in ink, and repros of the published parts with emendations in ink and pencil. Reverse sides of the 2nd<\/sup> and 4th<\/sup> Bb trumpet parts are annotated in pencil. 101pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 9″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620160656551{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 7<\/strong><\/td>\nCoronation Overture. (5727). Composer unknown; arr. by R. Wright and Raymond Paige. Conductor\u2019s score. Repro of Ozalid master copy; emendations and performance markings in pencil and colored pencil. 11pp. of music.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nDon\u2019t Go in the Lion\u2019s Cage Tonight. Words by John Gilroy; music by E. Ray Goetz. Arr. for voice, percussion, mandolin, banjo and electric bass by R. Wright. Full score. Repro of Ozalid master copy; performance markings in colored pencil, ink and pencil. 7pp. of music. \u201cMax Morath\u201d –on pg.1.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nElementals. By Dave Brubeck; stage band score by R. Wright. Full score. MS repro. 134pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 10″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620324668768{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nElementals. By Dave Brubeck; edited by R. Wright. Full score. Comb-bound MS repro; performance markings in pencil. 140pp. of music; pages numbered 73 \u2013 80 are lacking.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nEllington Suite. By Gene Bertoncini; arr. by R. Wright. Full score; \u201cRay\u2019s copy\u201d –on cover. Comb-bound MS repro; performance markings and emendations in pencil and colored pencil. 89pp. of music. Accompanied by notes generated during the recording of the piece by the \u201cStudio Orchestra\u201d. No date(s). 2pp. of MS in pencil and 2pp. of MS repro; one of which is annotated in pencil.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nEspana Rapsodie: 1967 Version. (5809). By Emmanuel Chabrier; arranged by R. Wright. Conductor\u2019s score. Repro of Ozalid master copy; emendations and performance markings in pencil. 35pp. of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nFaust Overture. (5657A). By Charles Gounod; arr. by R. Wright and R. Paige. Conductor\u2019s score. Repro of Ozalid master copy; emendations and performance markings in pencil and colored pencil. 11pp. of music.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nFigaro. (6179). By Gioacchino Rossini \/ Mario Castelnuovo-Tedesco; arr. by R. Wright. Conductor\u2019s score. Repro of Ozalid master copy; performance markings in pencil. \u201c6179 Stage\u201d –in pencil on pg. 1. 16pp. of music.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nDie Fledermaus Overture. (5519 \u2013 A). By Johann Strauss; arr. by R. Wright. Conductor\u2019s score. Repro of Ozalid master copy; performance markings and emendations in pencil. 15pp. of music.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nFrench Overture (on popular themes). Repro of Ozalid master copy; performance markings and emendations in pencil and colored pencil. 15pp. of music. Accompanied by a document titled \u201cSound Guide: French Overture (on popular themes) by Rayburn Wright\u201d. Carbon copy typescript. 1p.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nGhost Of A Chance. By Victor Young, Bing Crosby, Ned Washington and Philip J. Lang. Conductor\u2019s score and parts.<\/p>\n
    \n
  • Conductor\u2019s score: Repro of Ozalid master copy; emendations and performance markings in pencil, colored pencil and ink. 3pp. of music.<\/li>\n
  • Extant parts include: –Violin A. Six copies (Copy 1: Ozalid MS in ink; Copies 2 \u2013 6: Repros of Ozalid master copy; emendations in pencil); –Violin B. Four copies (Copy 1: Ozalid MS in ink; Copies 2 – 4: repros of Ozalid master copy; copy 4 bears emendations in pencil); –Viola. Three copies (Copy 1: Ozalid MS in ink; copies 2 & 3: repros of Ozalid master copy; copy 3 bears performance markings in pencil); –bass clarinet, cello, bass, guitar, celeste, harp and solo trombone. Repros of Ozalid master copies; emendations and performance markings in ink and pencil. 40pp. of music. Accompanied by a folder labeled \u201cGhost Of A Chance [Deshons] in ink.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nGloriana, op. 53a. By Benjamin Britten; adapted by R. Wright. Full score. Repro of Ozalid master copy; emendations in pencil and colored pencil. 86pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 11″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620325298167{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nGloriana Suite, op. 53a: I. The Tournament. By Benjamin Britten; adapted by R. Wright. Conductor\u2019s score. Three copies. –Copy 1: MS in pencil. 22pp. of music. Pages 20 – 21 are lacking; –Copy 2: MS repro; emendations in ink, pencil and colored pencil. 24pp. of music; –Copy 3: MS repro; emendations in ink, pencil and colored pencil. 1p. of MS in pencil inserted between pages 2 and 3. 25pp. of music.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nGloriana, op. 53a (Revised \u2013 January 1969). By Benjamin Britten; adapted by R. Wright. Full score. 101pp. of music. Combination of:<\/p>\n
    \n
  • Disbound pages from the Boosey & Hawkes published score (London; New York: 1954. Pl. no. B. & H. 17546); emendations in pencil, colored pencil and ink and pasted-in emendations throughout in ink, pencil and colored pencil. 53pp. of music;<\/li>\n
  • MS in pencil, ink and colored pencil. 48pp. of music;<\/li>\n<\/ul>\n

    Accompanied by an envelope labeled \u201cGlorianna [sic] of Britten \u2013 New Version 1969 Jan\u201d. Inscribed in pencil to R. Wright, presumably from Tom Stewart whose name and address appear in ink above the inscription. Reverse side bears markings in ink and pencil<\/td>\n<\/tr>\n

folder 3<\/strong><\/td>\nHerbert. (3999). Conductor\u2019s score. Repro of Ozalid master copy; emendations in pencil. 10pp. of music. Accompanied by fragments from the parts for trumpets I \u2013 IV, trombones I \u2013 IV and 2nd<\/sup> drum in ink and colored pencil. MS in ink and colored pencil. 2pp. of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nHoliday for Strings \u2013 Part III. By David Rose; arr. by R. Wright. Conductor\u2019s score. Repro of Ozalid master copy; emendations in pencil. 9pp. of music.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nI Got Rhythm \/ Prelude No. 2. By George Gershwin; arr. for brass quintet by R. Wright. –I Got Rhythm: Full score. Ink MS; emendations in pencil and colored pencil. 13pp. of music. Pagination uses letters A \u2013 M. –Prelude No. 2: Full score and parts. Full score: Ink MS; emendations in colored pencil. 4pp. of music. Parts: MS repro. 11pp. of music. Accompanied by miscellaneous pages from the Gershwin Variations for Brass Quintet<\/em>. MS repro. 11pp. of music. Also accompanied by an envelope addressed to Jeff Arnold from J. Miller of the Music Department at the State University of New York at Plattsburgh. Reverse side inscribed in ink to R. Wright, presumably from Jeff Arnold. No date.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 26″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620324405846{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 6<\/strong><\/td>\nI Loves You Porgy. By George and Ira Gershwin; arr. for strings winds and rhythm by Rayburn Wright. Published under license by: Chappell & Co., Inc., New York, Copyright 1976 by Gershwin Publishing Corp. Full score and parts. Full score: emendations in pencil. 28pp. of music. Parts: 125pp. of music. Accompanied by a repro of the full score. Performance markings in pencil. 28pp. of music. Publisher\u2019s cover is accompanied by a 33 1\/3 RPM Eva-Tone \u00ae soundsheet titled \u201cKendor Studio Orchestra Stylings\u201d, a recording by the Duquesne University Studio Orchestra conducted by Dr. John Wilson. Track listing: –Slow Hot Wind (Lujon); –I Loves You Porgy; –Village Place; –Harbor Lights.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 11″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620325298167{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n
folder 6<\/strong><\/td>\nIrving Berlin = Overture [sic]. May 1968. (3194E). Conductor\u2019s score. Repro of Ozalid master copy; emendations in pencil. 15pp. of music.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nJerome Kern Fantasy. (3132C). Conductor\u2019s score. Repro of Ozalid master copy; emendations and performance markings in pencil. 13pp. of music.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nKol Nidrei (Oh! Day of God), op. 47. By Max Bruch; arr. by R. Wright. Conductor\u2019s score. Repro of Ozalid master copy; emendations and performance markings in pencil and colored pencil. 5pp. of music.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nLa Fille aux Cheveux de Lin. By Claude Debussy; arr. for woodwind quintet by R. Wright. Full score and parts.<\/p>\n
    \n
  • Full score. Three copies. –Copy 1: Ozalid MS in ink. 5pp. of music; –Copies 2 & 3: 2 repros of Ozalid master copy; emendations in colored pencil. 10pp. of music;<\/li>\n
  • Parts: Four copies of each part. –Copy 1: Ozalid MS in ink. 5pp. of music; –Copies 2, 3 & 4: 3 sets of repros of Ozalid master copies. 15pp. of music.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nLecuona Fantasy (Drums). By Ernesto Lecuona; arr. by R. Wright. Full score. MS repro. \u201cIncludes: Siboney, Say \u201cSi \u2013 Si\u201d, Sitanerias and Maria \u2013 La \u2013 O\u201d –on title page. 106pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 26″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620324405846{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 7<\/strong><\/td>\nMademoiselle De Paree. Words by Mitchell Parish, French lyric by Henri Contet, music by Paul Durand; arr. for orchestra by R. Wright. Published by Mills Music, Inc., New York, copyright 1960 and 1961 by Editions Continental, Paris. Piano-conductor\u2019s score and parts. Piano-conductor\u2019s score: 12pp. of music. Parts: performance markings in pencil. 57pp. of music. Accompanied by publisher\u2019s cover.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 11″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620325298167{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 11<\/strong><\/td>\nThe Mancini Generation. By Henry Mancini; arr. for marching band by R. Wright. Repros of parts published by Larry Shayne Music, Inc., 1973; emendations in pencil and ink. Extant parts include: piccolos (2), bassoons (2), oboes (2), Eb clarinet, 1st<\/sup> Bb clarinet (2), 2nd<\/sup> Bb clarinet, 3rd<\/sup> Bb clarinet (2), bass clarinet, 1st<\/sup> and 2nd<\/sup> alto saxophones, tenor saxophone, baritone saxophone, F horns (3), trumpets 1 \u2013 4, trombones 1 \u2013 4, euphonium, basses (2), bells and drums. 63pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 12″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620327857878{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nThe Mancini Generation. By Henry Mancini; arr. for marching band by R. Wright. Full score. MS in pencil. 24pp. of music. Accompanied by: –45 rpm disc of \u201cTheme from the Mancini Generation \/ A Bluish Bag\u201d by Henry Mancini and His Orchestra. RCA Records, c1972; –The published score of Henry Mancini\u2019s \u201cTheme from the Mancini Generation\u201d for piano solo. New York: Larry Shayne Music, Inc., 1972. Bears emendations in pencil and colored pencil. 5pp. of music; –A letter to Rayburn Wright from Herb Reis at Larry Shayne Music Inc, dated December 14, 1972. Typescript; signed in ink by Herb Reis. 1p; –3 letters to Herb Reis from Rayburn Wright. Carbon-copy typescript. Dates are: December 28, 1972 and March 6, 1973 (2). 3pp; –An envelope addressed to R. Wright from Larry Shayne Music Inc. postmarked December 13, 19xx. Bears annotations in ink and pencil.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nMoonlight Mood. By Peter De Rose and Harold Adamson; arr. by R. Wright. 1959. Extant parts include: –A violins, B violins and viola. Ozalid MS in ink. 7pp. of music; –Horns, A violins (4), B violins (3), flute, viola (2), cello, bass, drums, guitar, piano and harp. Repros of Ozalid master copies; performance markings and emendations in pencil, colored pencil and ink. 38pp. of music. Accompanied by a folder labeled \u201cMoonlight Mood [Deshons]\u201d in ink.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nMy One and Only Love. By Guy Wood and Robert Mellin; arr. by R. Wright. Extant parts include: –Violin A, violin B and viola. Ozalid MS in ink. 6pp. of music. –Bass clarinet, violin A (4), violin B (3), viola (2), cello, bass, drums, guitar, celeste and harp. Repros of Ozalid master copies; performance markings and emendations in pencil, colored pencil and ink. 33pp. of music. Accompanied by a folder labeled \u201cMy One and Only You [Deshons]\u201d in ink.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nOur Waltz \/ Our Waltz \u2013 Part II. By David Rose; arr. by R. Wright. Conductor\u2019s scores and parts.<\/p>\n
    \n
  • Our Waltz: –Conductor\u2019s score: Repro of Ozalid master copy. 5pp. of music; –Extant parts include: A violins (6), B violins (6), viola (4), celli (3), bass (3) and percussion (3). 78pp. of music;<\/li>\n
  • Our Waltz \u2013 Part II (Radio City Music Hall 6085B): –Conductor\u2019s score: Repro of Ozalid master copy; emendations and performance markings in pencil. 5pp. of music; –Extant parts include: flute II, oboe I, oboe II \/ English horn, clarinets I & II, bassoons I & II, horns I & II, trumpets I \u2013 IV, trombones I \u2013 IV, tuba, harp and piano. MS repro; oboe II part bears emendations in ink. 53pp. of music.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nPaso De Tres: \u201cFanfarita\u201d. Music of Ruperto Chapi; adapted and arranged by R. Wright. Full score. Comb-bound MS repro; emendations in ink. 106pp. of music. A carbon copy typescript memo to Seymour Lipkin from R. Wright, dated September 25, 1968, titled \u201cRE: Errata in \u2018Fanfarita\u2019 (Chapi)\u201d, is taped to reverse side of the cover.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nPaso De Tres. Music of Ruperto Chapi; adapted and arranged by R. Wright. Full score. Comb-bound MS in pencil, ink and colored pencil. 106pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 13″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620327934260{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nPiano Duet. By Max Morath; arr. by R. Wright. (W2563). Full score. Repro of Ozalid master copy; emendations in ink. 36pp. of music.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nSatide. Composer unknown; presumably arr. by R. Wright. Extant parts include: Tunji, trombones I & II (right), tenor saxophone (right), flute (left), piccolo (left), baritone saxophone (right) and drums. Repros of Ozalid master copies with pasted-in emendations; performance markings in pencil and ink, most bear a stamp on the last page that reads \u201cAmerican Federation of Musicians: Michael Danzi, D 1618, Local 802, Registered 1962 No. ___\u201d. 31pp. of music.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nSeptember Song. By Kurt Weill; arr. by R. Wright. 1959. Conductor\u2019s score and parts.<\/p>\n
    \n
  • Conductor\u2019s score: Repro of Ozalid master copy; emendations and performance markings in pencil, colored pencil and ink. 3pp. of music;<\/li>\n
  • Extant parts include: –A\u2013B violin. Three copies (Copy 1: Ozalid MS in ink; Copies 2 & 3: repros of Ozalid master copy; emendations and performance markings in pencil, colored pencil and ink). 7pp. of music; –Viola. Two Copies (Copy 1: Ozalid MS in ink; Copy 2: repro of Ozalid master copy; performance markings in pencil). 4pp. of music; –Guitar. Repro of Ozalid master copy; performance markings in ink and colored pencil. 2pp. of music.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nStompin\u2019 Rockettes. Date (on pg. 1): September, 1966. Conductor\u2019s score. Repro of Ozalid master copy; annotated in pencil. 10pp. of music.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nStormy Weather. By Harold Arlen and Ted Koehler; arr. by R. Wright. Extant parts include: –Violin A. Five copies (Copy 1: Ozalid MS in ink; Copies 2 \u2013 5: Repros of Ozalid master copy; copies 3 \u2013 5 bear performance markings in pencil). 15pp. of music; –Violin B. Four copies (Copy 1: Ozalid MS in ink; Copies 2 \u2013 4: repros of Ozalid master copies; copies 3 & 4 bear performance markings in pencil); –Viola. Three copies (Copy 1: Ozalid MS in ink; Copies 2 & 3: repros of Ozalid master copy; emendations in pencil); –guitar; flute \u2013 bass clarinet; drums; tuba; solo horn; cello; bass; piano \u2013 celeste; harp. Repros of Ozalid master copies; emendations and performance markings in ink, pencil and colored pencil. 50pp. of music. Accompanied by a folder labeled \u201cStormy Weather [Deshon]\u201d in ink.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nEl Tambor de Granaderos: Zarzuela en un Acto. By Ruperto Chapi; arr. by R. Wright. Piano \/ conductor\u2019s score. MS repro with pasted-in excerpts from the score published by Union Musical Espanola, Madrid, 1931; emendations and performance markings in pencil and ink. 19pp. of music.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nTime. By Eric Woolfson and Alan Parsons; arr. by R. Wright. Full score. MS in pencil. 26pp. of music.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nVoluntary on Old Hundreth. By Louis Bourgeois \/ Henry Purcell; arr. for two brass quintets by R. Wright. Copyright 1989, Rayburn Wright. Full score. MS in pencil and ink. 21pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 26″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620324405846{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 8<\/strong><\/td>\nWhen the Saints– [sic]. Traditional; arr. for string quartet by R. Wright. Full score and parts. Full score: two copies (Copy 1: MS in pencil and ink. 5pp. of music; Copy 2: MS repro. 5pp. of music). Parts: MS repro. 6pp. of music. Accompanied by an intramural correspondence to R. Wright from Abram Loft, July 10, 1986. Word-processed document; signed in ink by Abram Loft.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 13″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620327934260{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 9<\/strong><\/td>\nWhy Was I Born? By Oscar Hammerstein and Jerome Kern; arr. by R. Wright. Conductor\u2019s score and parts.<\/p>\n