{"id":7687,"date":"2021-04-19T15:47:16","date_gmt":"2021-04-19T19:47:16","guid":{"rendered":"https:\/\/www.esm.rochester.edu\/sibley\/?page_id=7687"},"modified":"2021-04-19T15:47:16","modified_gmt":"2021-04-19T19:47:16","slug":"ser5-7","status":"publish","type":"page","link":"https:\/\/www.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/jmontaine\/ser5-7\/","title":{"rendered":"JOHN LA MONTAINE COLLECTION"},"content":{"rendered":"

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<\/a>Series 5: Library<\/h3>\n

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<\/a>Sub-series A: Published literature <\/em><\/strong><\/span><\/p>\n

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item 1<\/strong><\/td>\nThoreau, Henry David. In Wildness is the Preservation of the World<\/em>. Selections and photographs by Eliot Porter, with notes and texts for Wilderness Journal<\/em>, Op. 41, by John La Montaine. Introduction by Joseph Wood Krutch. San Francisco: Sierra Club\/Ballantine Books, 1971. Inscribed in ink to Frederick Fennell by John La Montaine, December 25, 1971.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nCollester, Jeanne Colette. Rudolph Ganz: A Musical Pioneer<\/em>. Metuchen, NJ: Scarecrow Press, 1995. Inscribed in ink John La Montaine, January 28, 1995.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nAntek, Samuel. This was Toscanini<\/em>. Photographs by Robert Hupka. Foreword by Marcia Davenport. New York: Vanguard Press, 1963.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nYeadon McGinnis, Pearl. The Solo Vocal Music of American Composer John La Montaine: Compositions for Voice on Piano<\/em>. Studies in the History and Interpretation of Music, Vol. 106. Lewiston, NY: Edwin Mellen Press, 2004.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nNicholas, Louis. Thor Johnson: American Conductor<\/em>. [Ephraim, WI]: Music Festival Committee of the Peninsula Arts Association, 1982.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nRCA Manufacturing Co., Inc. Complete Catalog of Victor Records for 1940-1941.<\/em> Camden, NJ: RCA Manufacturing Co., Inc., 1940.<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nVictor Talking Machine Company. 1922 Catalogue of Victor Records.<\/em> Camden, NJ: Victor Talking Machine Co., 1922.<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nWagner, Cosima. Cosima Wagner\u2019s Diaries 1869-1877. <\/em>Vol. I. Edited by Martin Gregor-Dellin and Dietrich Mack. Introduction by Geoffrey Skelton. New York: Harcourt Brace Jovnovich, 1978.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nWagner, Cosima. Cosima Wagner\u2019s Diaries 1878-1883. <\/em>Vol. II. Edited by Martin Gregor-Dellin and Dietrich Mack. Postscript by Geoffrey Skelton. New York: Harcourt Brace Jovnovich, 1980.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series B: Study scores<\/em><\/strong><\/span><\/p>\n

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folder 1<\/strong><\/td>\nBach, Johann Sebastian. First Concerto for Two Pianos in C Minor. No. 19 in Johann Sebastian Bach\u2019s Werke. <\/em>Leipzig: Breitkopf & H\u00e4rtel, [n.d.]. Includes:
\nFull score, with performing notes in pencil. Inscription in pencil to John La Montaine from Max Landow, March 7.
\nInstrumental parts: pianoforte I, with performing notes in pencil; violin I, (2 copies), violin II (2 copies), viola (2 copies), violoncello (2 copies), contrabass.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nBeethoven, Ludwig van. Piano Concerto No. 3, Op. 37. Arranged for strings by Vinzenz Lachner. [Stuttgart: J. G. Cotta, 1881].
\nInstrumental parts: violin I, violin II, viola, violoncello, contrabass.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nBeethoven, Ludwig van. Piano Concerto No. 5 in E flat Major, Op. 73. New York: Broude Brothers, [n.d.].
\nInstrumental parts: flute I, flute II, oboe I, oboe II, clarinet I, clarinet II, bassoon I, bassoon II, horn I, horn II, trumpet I, trumpet II, violin I (8 copies), violin II (7 copies), viola (6 copies), violoncello\/contrabass (9 copies), timpani.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series C: Presentation scores<\/em><\/strong><\/span><\/p>\n

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folder 4<\/strong><\/td>\nTaylor, Azell. \u201cAzell\u2019s Songbook,\u201d vol. I. For voice and piano. [s.l.]: Zeltone Music Press, 1982. 19 pp. Inscription in ink to John La Montaine from Azell Taylor. Biographical note written by John La Montaine in ink on cover.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nTaylor, Azell. Includes:
\n\u201cGroovy.\u201d For voice and piano. Manuscript facsimile. 4 pp.
\n\u201cCan We Get Along.\u201d For voice and piano. Typescript score. 3 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nThimmig, Leslie. Music for a Greek Play: Incidental Music to Euripides\u2019 <\/em>Helen. For ten instruments. Translation by Raymond Adolph Prier. Act II, full score. Manuscript facsimile, bound. 61 pp. Notes by John La Montaine in pencil on title page.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nThimmig, Leslie. Suite for Chamber Orchestra. Full score. Manuscript facsimile, bound. 77 pp. Dedicated to John La Montaine (with note by John La Montaine in pencil: I did not teach him anything.).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 6: Audio-visual material<\/h3>\n

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<\/a>Sub-series A: 5\u201d reels<\/em><\/strong><\/span><\/p>\n

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[Recordings containing a single composition by John La Montaine]<\/em><\/td>\n<\/tr>\n
item 1<\/strong><\/td>\nColloquy for Strings, <\/em>Op. 21. Audio reel (n.d.).
\nThe Cleveland Chamber Orchestra; Michael Charry, conductor.
\nAnnotation on side of box: \u201cLa Montaine, Op. 21.\u201d<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nConversations<\/em>, Op. 42. Audio reel (n.d.).
\nKeith Bryan, flute; Karen Keys, piano.
\nAnnotation on box: \u201cFlute Conversations \/ Karen, Keith.\u201d<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nIncantation<\/em>, Op. 39. Audio reel (n.d.).
\nJohn La Montaine, piano.
\nAnnotation on box: \u201cIncantation by John La Montaine. Piano version. Played by composer.\u201d<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nJubilant Overture<\/em>, Op. 20. Audio reel (n.d.).
\nAnnotation on box: \u201cJohn La Montaine. Jubilant Overture \/ 7 \u00bd\u201d\/sec. full track.\u201d
\nAnnotation on side of box: \u201cLa Montaine \/ Jubilant Overture (Whallon).\u201d<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nJubilant Overture<\/em>, Op. 20. Audio reel (n.d.).
\nAnnotation on box: \u201cJohn La Montaine. Jubilant Overture \/ copy\u20147 \u00bd sec. [illeg.] \/ full track \/ 1.) Whallon\u20142.) Baustian.\u201d
\nAnnotation on side of box: \u201cLa Montaine \/ Jubilant Overture (Whallon) Baustian).\u201d<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\n\u201cO Lord Support Us.\u201d Audio reel (n.d.).
\nIn ink on reel: \u201cO Lord Support Us \/ Sutherland.\u201d<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nQuartet for Woodwinds, Op. 24a. Audio reel (n.d.).
\nJulius Baker, flute; Robert Bloom, oboe; Keith Wilson, clarinet; Sol Schoenbach, bassoon.
\nIn ink on reel: \u201cLa Montaine.\u201d<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nScherzo for Piano and Orchestra.<\/em> Audio reel (n.d.).<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nSonata for \u2018Cello and Piano, Op. 8. Audio reel (n.d.).
\nNina De Veritch, violoncello; Gladys Gladstone, piano.
\nAnnotation on box: \u201cSonata for \u2018cello and piano …. original.\u201d<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nString Quartet, Op. 16. Audio reel (n.d.).
\nUtah String Quartet: Oscar Chausow, violin; Norma Lee Madsen, violin; Sally Peck Lentz, viola; David Freed, violoncello.
\nAnnotation on box: \u201cString Quartet, Opus 16 … original.\u201d<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nString Quartet, Op. 16 (?). Audio reel (n.d.).
\nAnnotation on box: \u201cLa Montaine \/ Op. 16 String Quartet \/ Played by La Societa Cameristica Italiano \/ Lucille Knapp.\u201d
\nAnnotation on side of box: \u201cLa Montaine \/ Op. 9.\u201d<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\n\u201cA Summer\u2019s Day.\u201d Audio reel (n.d.).
\nPolly Jo Baker, soprano.<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nTe Deum, <\/em>Op. 35. Audio reel (n.d.).
\nAnnotation on box:<\/td>\n<\/tr>\n
item 14<\/strong><\/td>\nTe Deum Laudamus<\/em>. Audio reel (n.d.).
\nWashington Cathedral Choir of Men and Boys.<\/td>\n<\/tr>\n
item 15<\/strong><\/td>\n\u201c\u2018Tis to the Man.\u201d Audio reel (n.d.).
\nPolly Jo Baker, soprano.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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[Recordings containing multiple compositions by John La Montaine]<\/em><\/td>\n<\/tr>\n
item 1<\/strong><\/td>\nFour Songs<\/em>, Op. 2 \/ \u201cTwo Folk Songs.\u201d Audio reel (n.d.).
\nAnnotation on box: \u201cFour Songs, Opus 2 by John La Montaine \/ 1.) Evening, Margaret \/ 2.) Evening, Wedding Song, Islanded in Thought, Daffodils; Chloe Owen, sop.; Alfio Micci, violin; J. La Montaine, piano \/ 3.) Two Folk Songs: Birds\u2019 Courting Song, Black is the Color; MacMorgan, Bar.; La M., piano.\u201d<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nThe Nine Lessons of Christmas<\/em>, Op. 44 \/ \u201cA Summer\u2019s Day.\u201d Audio reel (n.d.).
\nIn ink on reel: \u201cFinal rehearsal 9 Lessons \/ 1st time Piano \/ Summer\u2019s Day.\u201d
\nAnnotation on box: \u201c9 Lessons final rehearsal \/ Summer\u2019s Day.\u201d<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nSonata for Piano Four Hands, Op. 25 \/ Abravanel interview. Audio reel (n.d.).
\nAnnotation on box: \u201cLa Montaine \/ Op. 9 Concerto for Piano and Orchestra<\/span> \/ La Montaine-Piano, Eastman Philharmonia under Dr. Howard Hanson<\/span> \/ 4-Hand Sonata, La Montaine, Gladys Gladstone \/ 2 performances and Abravanel interview \/ Gene Paek copy \/ Lucille Knapp.\u201d
\nAnnotation on side of box: \u201cLa Montaine \/ Op. 16.\u201d
\nAccompanied by 2 items:
\nConcert program (Chamber Music Concert, University of Utah, April 30, 1967)
\nPress clipping (\u201cComposer Slates U. Performance, The Daily Utah Chronicle<\/em>).
\nBox 21, Folder 1 (\u201cPrograms, articles and reviews\u201d: Sonata for Piano Four Hands, Op. 25) contains duplicates of both items.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\n\u201cA Summer\u2019s Day\u201d \/ \u201cSchweitzer\u2019s Prayer.\u201d Audio reel (n.d.).
\nPolly Jo Baker, soprano; John La Montaine, piano.<\/td>\n<\/tr>\n
[Additional recordings]<\/em><\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n\u201cFreedom Proclamation.\u201d Audio reel (n.d.).
\nIn ink on reel: \u201cFreedom Procl. \/ Hammerklavier.\u201d<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\n\u201cPulitzer Prizes 1959.\u201d Audio reel (n.d.).<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nJohn La Montaine lecture, \u201cThe Creative Process.\u201d Audio reel (1977).
\nAnnotation on box: \u201cJohn La Montaine \/ The Creative Process \/ Nov. 15, 1977 \/ Whittier College Learning Resources Center.\u201d<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\n\u201cNational Public Radio Interview.\u201d Audio reel (n.d.).<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\n\u201cToday Show.\u201d Audio reel (n.d.).
\nIn ink on reel: \u201cFreedom Procl. \/ Hammerklavier.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series B: 7\u201d reels\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n
[Recordings containing a single composition by John La Montaine]<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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item 1<\/strong><\/td>\nBe Glad Then America<\/em>, Op. 43. Audio reel (n.d.).
\nIn ink on reel: \u201cBe Glad TV t.o.\u201d
\nAnnotation on box: \u201cBe Glad TV show sound.\u201d<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nColloquy for String Orchestra<\/em>, Op. 21. Audio reel (n.d.).
\nChicago Chamber Orchestra; Dieter Kober, conductor.
\nIn ink on reel: \u201cColloquy \/ orig \/ track 1 only.\u201d<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nColloquy for String Orchestra<\/em>, Op. 21. Audio reel (n.d.).
\nAnnotation on box: \u201cColloquy \/ Tatton.\u201d<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nConcerto for Piano and Orchestra, Op. 9. Audio reel (n.d.).
\nJorge Bolet, piano; [National Symphony Orchestra]; Howard Mitchell, conductor.
\nAnnotation on box: \u201cPiano Concerto Boston<\/span> Op. 9.\u201d<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nConcerto for String Orchestra, Op. 16. Audio reel (1981).
\nCBC Vancouver Orchestra; Michael Charry, guest conductor. Produced by George Laverock, with James Reid, recording engineer. Recorded at CBC Studio 1, Vancouver, October 14, 1981.
\nIn ink on reel label: \u201cLa Montaine \/ tailout \/ Concerto for Strings \/ \u00bd track \/ stereo.\u201d
\nAnnotation on box: \u201cTail out \/ Original\u2014use for copies.\u201d
\nTrack list: –i) Risoluto 6:20; –ii) Scherzo to 9:44 (attacca); –3) Recitative: Adagio to 12:32 (attacca); iv) Aria (attacca) to 16:31; v) Finale to 21:00.
\nAccompanied by document listing recording credits and track list.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nGod of Grace and God of Glory<\/em>, Op. 22. Audio reel (1957).
\nChoirs from three Buffalo-area churches: Holy Trinity Lutheran, Westminster Presbyterian, and St. Paul\u2019s Episcopal Cathedral.
\nAnnotation on box: \u201cWBEN Broadcast of 1957 Hymn Festival.\u201d
\nTaped on reverse of box: press clipping about upcoming WBEN broadcast of the Festival of Hymns (featuring cantata premiere).<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nThe Nine Lessons of Christmas<\/em>, Op. 44. Audio reel (n.d.).
\nIn ink on reel: \u201c9 Lessons final rehearsal.\u201d<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nThe Nine Lessons of Christmas<\/em>, Op. 44. Audio reel (n.d.).
\nAnnotation on box: \u201c9 Lessons \/ Les Remsen \/ Polly Jo Baker \/ David Griffith \/ Priscilla Phillips \/ Robert Oliver \/ Carl Baum \/ Scott Shepherd.\u201d<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nThe Nine Lessons of Christmas<\/em>, Op. 44. Audio reel (n.d.).
\nAnnotation on box: \u201c9 Lessons complete using all soloists.\u201d<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nThe Nine Lessons of Christmas<\/em>, Op. 44. Audio reel (n.d.).
\nIn ink on reel: \u201c9 Lessons\u201d
\nIn pencil on reel label: \u201cre-mix 1.\u201d<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nOverture: From Sea to Shining Sea,<\/em>\u00a0Op. 30. Audio reel (n.d.).
\nNational Symphony Orchestra; Howard Mitchell, conductor. Recorded January 19, 1961.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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item 1<\/strong><\/td>\nRevolution<\/em>. Audio reel (n.d.).<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nThe Rose of Sharon<\/em>, Op. 6. Audio reel (n.d.).
\nAnnotation on box: \u201cRose of Sharon J. Norman.\u201d<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n\u201cShall I Compare Thee to a Summer\u2019s Day.\u201d Audio reel (1970).
\nPolly Jo Baker, soprano; John La Montaine, piano.
\nTrack list on box (side 1): –#1 October 23, 1970, at Class-Florence Russell; –#2 October 16, 1970, at Class-Patricia Baker; –#3 October 25, 1970, during recital Polly Jo Baker at Russell Studios; –#4 same, -higher volume.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\n\u201cShall I Compare Thee to a Summer\u2019s Day.\u201d Audio reel (n.d.).
\nPolly Jo Baker, soprano; John La Montaine, piano.
\nRehoused; annotation on original box: \u201cPolly Jo Baker \/ Summers Day.\u201d<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nSonata for \u2018Cello and Piano, Op. 8. Audio reel (n.d.).
\nGeorge Sopkin, violoncello; John La Montaine, piano.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nSongs of the Nativity<\/em>, Op. 13. Audio reel (n.d.).
\nSearle Wright, organ; [Washington National Cathedral Choir]; Paul Callaway, conductor.
\nAnnotation on box: \u201cSongs of the Nativity \/ 1st performances \/ Paul Callaway \/ Searle Wright.\u201d<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nString Quartet, Op. 16. Audio reel (n.d.).
\nMid-America Quartet.
\nIn ink on reel: \u201cFine Arts & Eastman.\u201d
\nAnnotation on box: \u201cPremiere \/ Kansas City \/ Mid-America Quartet.\u201d<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nString Quartet, Op. 16. Audio reel (1962).
\nFine Arts Quartet, April 9, 1962.
\nAnnotation on box: \u201c(La Mont String Quartet Fine Arts Quartet (Original).\u201d
\nMovement (track) listing on box cover.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nString Quartet, Op. 16. Audio reel (n.d.).
\nFine Arts Quartet.<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nString Quartet, Op. 16. Audio reel (n.d.).
\nAnnotation on box: \u201cLa Montaine \/ String Quartet \/ Fine Arts, Also Eastman.\u201d
\nTrack listing: –performance by the Fine Arts Quartet; –performance by Eastman students.<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nString Quartet, Op. 16. Audio reel (n.d.).
\nAnnotation on box: \u201cLa Montaine \/ String Quartet \/ (Fine Arts, also Italian Quartet) \/ copy, track 1.\u201d
\nIn ink on reel label: \u201cJohn La Montaine \/ Symphony No. 1 Op. 28 \/ Forthright \/ Upright-Outright.\u201d
\nAnnotation on box: \u201cLa Mont Symphony No. 1 (Thor Johnson).\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 29″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619124624160{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nSymphony No. 1, Op. 28. Audio reel (n.d.).
\nRecorded at Peninsula Music Festival, Fish Creek, WI, August 10, 1958.
\nIn ink on reel label: \u201cJohn La Montaine \/ Symphony No. 1 Op. 28 \/ Forthright \/ Upright-Outright \/\/ Recorded at Rehersal [sic].\u201d
\nAnnotation on box: \u201cSymph. I \/ rehearsal.\u201d<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nSymphony No. 1, Op. 28. Audio reel (n.d.).
\nRecorded at Peninsula Music Festival, Fish Creek, WI, August 10, 1958.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nSymphony No. 1, Op. 28. Audio reel (n.d.).
\nEphraim Festival Orchestra; Thor Johnson, conductor.
\nAnnotation on box: \u201cLa Montaine Symphony No. 1 \/ copy.\u201d<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nTe Deum<\/em>, Op. 35. Audio reel (n.d.).
\nAnnotation on box: \u201cLa Montaine Te Deum Laudamus.\u201d<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nWoodwind Quintet, Op. 24a. Audio reel (n.d.).
\nAnnotation on original box: \u201cWoodwind Quintet Op. 24a.\u201d<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\n[Recordings containing multiple compositions by John La Montaine]<\/em><\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nBirds of Paradise<\/em>, Op. 34 \/ Te Deum<\/em>, Op. 35. Audio reel (n.d.).
\nAnnotation on box: \u201cLa Montaine \/ Birds of Paradise \/ La Montaine \u2013 Hanson \/ Te Deum \/ Paul Callaway.\u201d<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nCanons for Orchestra<\/em>, Op. 10 \/ Ode for Oboe and Orchestra, Op. 11. Audio reel (n.d.).
\nAnnotation on box: \u201cLa Mont: Canons for Orchestra (Whallon), Ode for Oboe and Orchestra, McArthur \/ Op. 10, Op. 11.\u201d<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nCapriccio for Piano and Orchestra<\/em> \/ Adagio for Orchestra<\/em>. Audio reel (n.d.).
\nAnnotation on box: \u201cCapriccio for Piano & Orch., Irene Gedny, Roch. Civic, Howard Hanson \/ Adagio for Orchestra (2 perf.) Roch. Civic, Howard Hanson.\u201d<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\n\u201cChristmas Gift.\u201d Audio reel (1962).
\nIn ink on reel: \u201cChristmas Gift.\u201d
\nAnnotation on box: \u201c62 \u2013 Sutherland singing \u2013 Xmas Carls (La Mont).\u201d
\nLabel on side of box: \u201cOp. 13.\u201d [Songs of the Nativity<\/em>]
\nAudio reel rehoused; accompanied by back of original box.<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\n\u201cChristmas Gift.\u201d Audio reel (n.d.).
\nIn ink on reel: \u201cJohn La Montaine \/ Christmas Music.\u201d
\nAnnotation on box: \u201cJohn La Montaine \/ Christmas Music \/ Master Copy.\u201d
\nAnnotation on side of box: \u201cLa Mont Christmas Gift \/ 15 cycles p.s.\u201d<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nDanse Preludes\u00a0<\/em>\/\u00a0Burlesque<\/em>\u00a0\/\u00a0Fuguing Set<\/em>, Op. 14. Audio reel (n.d.).
\nIn ink on reel: \u201cW–h [illegible] \/ rejects \/ Dance Pre. \/ good \/ Burlesque \/ Fuguing Set \/ t.o.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 30″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619124702418{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\n[First orchestral pieces]. Audio reel (1938).
\nAnnotation on box: \u201cLa Montaine: 1st orchestra pieces 1938 Hanson, cond.\u201d<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nFive Sonnets of Shakespeare<\/em>, Op. 12 \/ Four Songs<\/em>, Op. 2 \/ Twenty-third Psalm \/ \u201cStopping by Woods on a Snowy Evening\u201d \/ \u201cBirds\u201d \/ Invocation<\/em>, Op. 4.\u201d Audio reel (n.d.).
\nIn ink on reel: \u201cI \/ Sonnets \/ 4 Songs op. 2 \/ II \/ 23rd Psalm \/ Stopping \/ Birds \/ Invocation \/ Evening Song \/ Wedding Song \/ Islanded.\u201d
\nAnnotation on box: \u201cLa Montaine: I, Five Sonnets of Shakespeare, Opus 12, Four Songs, Opus 2 \/ II, 23rd Psalm, Stopping by Woods, Birds, Invocation (opus 4).\u201d<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n\u201cNativity [Nativity Morn?]\u201d \/ \u201cBirds\u2019 Courting [Song]\u201d \/ \u201cBlack [is the Color of My True Love\u2019s Hair]\u201d \/ \u201cSour Wood Mountain\u201d \/ \u201cLullaby\u201d \/ The Puppets<\/em>, Op. 5. Audio reel (n.d.).
\nAnnotation on box: \u201cCompositions by John La Montaine \/ Tape No. 2<\/span> \/ Elegy from Concerto for Piano and Orchestra<\/span>.\u201d
\nAnnotation on side of box: \u201cTemple Quartet in Nativity, Kroki in Birds\u2019 Courting, Black, Sour Wood Mountain, Lullaby, The Puppets.\u201d<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\n\u201cNow Begin on Christmas Day I.\u201d Audio reel (1965).
\nAnnotation on box: \u201cTitle: Now Begin on Christmas Day Part 2 of 2 \/ Date: 12\/25\/65.\u201d
\nAnnotation on side of box: \u201cNow Begin on Christmas Day II, Op. 13, Op. 23.\u201d<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n\u201cNow Begin on Christmas Day II.\u201d Audio reel (1965).
\nAnnotation on box: \u201cTitle: Now Begin on Christmas Day \/ Open: Saturday, December 25, 1965, 10:06:10-1:58:50 PM EST \/ Program of works by John La Montaine \/ Interview by Ben Grauer.\u201d
\nAnnotation on side of box: \u201cNow Begin on Christmas Day I, Op. 13, Op. 23.\u201d<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\n\u201cPrayer for Evening\u201d \/ \u201cNow Comes the Gentile\u2019s Saviour.\u201d Audio reel (n.d.).
\nAnnotation on box: in ink: \u201cLa Montaine: I. Prayer for Evening \/ II. Daffodils<\/span>\u201d; in pencil: \u201cNow Comes the Gentile\u2019s Saviour.\u201d<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nScherzo <\/em>\/ Colloquy for Strings<\/em>, Op. 21. Audio reel (n.d.).
\nIn ink on reel: \u201cScherzo \/ Colloquy.\u201d<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nSonata for \u2018Cello and Piano, Op. 8 \/ Sonata for Piano Four Hands, Op. 25 \/ Fuguing Set<\/em>, Op. 14. Audio reel (n.d.).
\nIn ink on reel: \u201cI. Cello Sonata \/ II. 4 hand Sonata, Fuguing Set.\u201d<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nSonata for Flute Solo, Op. 24 \/ \u201cCome Into My Garden.\u201d Audio reel (n.d.).
\nIn ink on reel: \u201cCopy Doriot tails.\u201d
\nAnnotation on box: \u201cDoriot \/ Solo Sonata \/ Come into my Garden.\u201d
\nAnnotation on side of box: \u201cSolo Flute Sonata +.\u201d<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nSongs of the Nativity<\/em>, Op. 13 \/ Processional \/ Colloquy for Strings<\/em>, Op. 21. Audio reel (n.d.).
\nAnnotation on box: \u201cLa Montaine: I. Songs of the Nativity, Opus 13 \/ II. Processional, Colloquy for Strings, Opus 21 (part).\u201d<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nSongs of the Nativity<\/em>, Op. 13 \/ Wonder Tidings<\/em>, Op. 23. Audio reel (n.d.).
\nIn ink on reel: \u201ct.o. NBC broadcast \/ Songs of Nativity.\u201d
\nAnnotation on box: \u201cLa Montaine NBC Broadcast \/ Songs of the Nativity, Op. 13, Wm. Sutherland, Paul Sifler \/ Wonder Tidings, Op. 23, Church of the Resurrection, David Hewlett.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 31″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619124867419{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nSpreading the News<\/em>, Op. 27 \/ \u201cThis is the Month\u201d \/ \u201cStopping by Woods on a Snowy Evening\u201d \/ \u201cTwenty-third Psalm.\u201d Audio reel (n.d.).
\nIn ink on reel: \u201cSchuler \/ Southerland \/ La Berge \/ Flagstad \/ Mcarthy\u2014Del Jollo.\u201d
\nAnnotation on box: \u201cSpreading News \/ Sutherland\u2014This is the Month \/ La Berge\u2014Stopping by Woods, 23rd Psalm \/ Almost all of Spreading News \/ Flagstad \u00bd min.\u201d<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nWhittier Service, <\/em>Op. 45 \/ Colloquy for Strings, <\/em>Op. 21. Audio reel (n.d.).
\nAnnotation on box: \u201cBest copies \/ Whittier Service, Ed Low, Neighborhood Chorus \/ Colloquy for Strings, Michael Charry, CBC Vancouver.\u201d<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nWilderness Journal <\/em>\/ \u201cPiano & Birds.\u201d Audio reel (n.d.).
\nIn ink on reel: \u201cWilderness Journal \/ Piano & Birds.\u201d
\nAnnotation on box: in ink: \u201cWilderness Journal\u201d; in pencil: \u201cPiano.\u201d<\/td>\n<\/tr>\n
[Recordings containing compositions by other composers, with or without compositions by John La Montaine]<\/em><\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nJohn La Montaine, Canons for Orchestra<\/em>, Op. 10 \/ Bohuslav Martin\u016f, Violin Concerto. Audio reel (n.d.).
\nAnnotation on box: \u201cCanons–(LaM) Conducting (twice.) \/ Violin Concerto (Martinu) 2 side also \/ Second side–backwards later–single track.\u201d<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nJohn La Montaine, Festival<\/em> \/ Leslie Thimmig, Three Pieces for E-flat Baritone Sax. Audio reel (n.d.).
\nAnnotation on box: \u201cLa Mont. Festival from Music for a Greek Play (Hanson) \/ Thimmig, Three Pieces for E Baritone Sax.\u201d<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nJohn La Montaine, Processional<\/em> \/ Morton Gould, Jekyll and Hyde Variations<\/em>. Audio reel (n.d.).
\nIn ink on reel: \u201cJekyl Hyde.\u201d
\nAnnotation on box, in pencil: \u201cPuppet Show \/ erger \/ La Mont Canons\u2014NG.\u201d
\nAnnotation on side of box: \u201cLa Mont Processional \/ Gould Jekyll Hyde Variations.\u201d<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nJohannes Brahms, [Piano] Concerto in D Minor \/ Fr\u00e9d\u00e9ric Chopin, C-sharp Minor Etude, Op. 25 \/ Johannes Brahms, C Major Intermezzo \/ Alexander Scriabin, D-flat Major Etude. Audio reel (n.d.).
\nIn ink on reel: \u201cConcert (?) II.\u201d
\nAnnotation on box: \u201cBrahms Concerto in D Minor (La Mont. Rochester Civic, Howard Hanson) \/ Chopin C-sharp Min Etude (op. 25) \/ Brahms C Maj. Intermezzo \/ Scriabine D-flat Maj. Etude.\u201d
\nAnnotation on side of box: \u201cLa Montaine Early Works: Festival, Dirge, Symphony, Be Patient, Intermezzo, Capriccio.\u201d<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nRichard Wagner, Die Walk\u00fcre<\/em>, Act II. Audio reel (n.d.).
\nAnnotation on box: \u201cDie Walk\u00fcre Act II (beginning) \/ Full score p.73 \/ Vocal score p. \/ Sigmunde\u2014Treptow, Siglinde\u2014Varnay, Br\u00fcnnhilde\u2014Flagstad, Wotan\u2014Franz.\u201d<\/td>\n<\/tr>\n
[Additional recordings]<\/em>
\n<\/strong><\/td>\n<\/tr>\n
item 9<\/strong><\/td>\n\u201cAngkloeng.\u201d Audio reel (n.d.).
\nIn ink on reel: \u201cAngk g \u201d
\nAnnotation on box: \u201cSave! Angkeloeng \/ Frednia [sic] Singers \/ Polly Jo Baker, Keith Molsted.\u201d<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\n\u201cChristmas Poems.\u201d Audio reel (n.d.).
\nIn ink on reel: \u201cPractice.\u201d
\nInscription on box: \u201cFor John \/ For better or for worse \/ from L. G. K.\u201d
\nAnnotation on box: \u201cMedieval Christmas Poems \/ Lucille Knapp.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 32″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619443241921{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\n\u201cColumbia question per.\u201d Audio reel (n.d.).<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\n\u201cEastman Radio Students.\u201d Audio reel (n.d.).
\nIn ink on reel: \u201cFor Mr. Peter Haug \/ II LaMontaine.\u201d<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n\u201cEinstein Notes.\u201d Audio reel (n.d.).<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\n\u201cGott. I.\u201d Audio reel (n.d.).<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n\u201cReadings from the\u00a0Kebra Nagast.<\/u>\u201d Audio reel (n.d.).<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\n\u201cPontalba.\u201d Audio reel (n.d.).<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nJohn La Montaine interview with Abravanel. Audio reel (1967).
\nIn ink on reel label: \u201cKSL Abravanel Announce with John La Montaine, 4\/16\/67.\u201d<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nJohn La Montaine interview with Bill Denton. Audio reel (1972).
\nAnnotation on box: \u201cNational Symphony Notes \/ Bill Denton w\/ John La Montaine \/ aired 10\/8\/72 \/ 10:24.\u201d
\nOriginally accompanied by letter:
\nClaudia Burns (WGMS Program Director) to John La Montaine, typescript, on letterhead for WGMS, dated October 12, 1972.
\nLetter rehoused in Box 17, folder 7 (Correspondence to\/from John La Montaine, \u201cB [Bryan\u2014Byrd].\u201d).<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nJohn La Montaine interview with Durham. Audio reel (n.d.).
\nIn ink on reel: \u201cDurham Interview.\u201d<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nJohn La Montaine interview with Ron Frederickson and Gene Park. Audio reel (n.d.).
\nAnnotation on box: \u201cInterview\u2014John La Montaine \/ Ron Frederickson \/ Gene Park.\u201d<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nJohn La Montaine interview on the\u00a0Today Show<\/em>. Audio reel (n.d.).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1618861598783{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series C: 10 \u00bd\u201d reels<\/em><\/strong><\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 33″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619443301570{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
\n\n\n\n\n\n\n\n\n\n\n
[Recordings containing a single composition by John La Montaine.]<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
item 1<\/strong><\/td>\nBe Glad Then America,<\/em>\u00a0Op. 43. Audio reel (1976).
\nComposite tape made by Pennsylvania State University.
\nNo track listing.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nBe Glad Then America,<\/em> Op. 43. Audio reel (1976).
\nAct II. Recorded Sunday, February 8, 1976. (Third performance.)
\nAnnotation on box: \u201c2-8-76 (Sunday) Performance (3p) (Act II) Original \/ 2 TR Stereo \u00bd \/ Scully #2.\u201d
\nNo track listing.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nBe Glad Then America,<\/em> Op. 43. Audio reel (1976).
\nAct II, part 2.
\nAnnotation on box: \u201cRoll #2 \/ Be Glad Master Act II part 2 \/ 15 i.p.s. 2 trk. stereo \u00bd trk.\u201d
\nNo track listing.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nConversations<\/em>, Op. 42. For violin. Audio reel (1976).
\nArnold Brustoff, violin; Sheldon Shkolnik, piano. Audio recorded and edited by Norman Pellegrini. Recorded in Ganz Hall, Chicago Musical College, Roosevelt University, Chicago, September 12, 1976.
\nAnnotation on box: \u201cConversations Vn. FD-5 Master.\u201d
\nNo track listing.
\nAccompanied by a document bearing notes on the recorded tracks by Location Recording Service. 1 p. of text.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nConversations<\/em>, Op. 42. For flute. Audio reel (n.d.).
\nDoriot Dwyer, flute; Susan Mendel, piano. Processed master.
\nIn ink on reel label: \u201cJohn La Montaign [sic] 15 in\/s NAB \/ Doriot Dwyer, Susan Mandel \/ Dolby 4 Tares at Ste. 4.\u201d
\nAnnotation on box: \u201cDoriot Dwyer \/ La Montaine: Conversations 4 movements \/ Final Master \/ FD-9 \/ side 1.\u201d
\nBears note: \u201cDolby\u2014A [Note: side 2 begins with 4 bands with no Dolby].\u201d
\nNo track listing.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nSix Sonnets [of Shakespeare]<\/em>, Op. 12. Audio reel (n.d.).
\nIn ink on reel label: \u201cStereo 24:57 \/ Master Baker: 6 Sonnets.\u201d
\nAnnotation on box: \u201cMaster \/ Polly Jo \/ JLM \/ 6 Sonnets \/ FD-8.\u201d
\nTrack listing: –I; –II; –III; –IV; –V; –VI.<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nWilderness Journal<\/em>, Op. 41. Audio reel (n.d.).
\nIn ink on reel label: \u201cWilderness Journal Part I\u201d; on reverse: Sifler 7 Last part II.\u201d
\nAnnotation on box: \u201cFlute \/ Flute.\u201d
\nNo track listing.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series D: 12\u201d LPs<\/em><\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

[Recordings containing a single composition by John La Montaine]<\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 45″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619443439043{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
items 1-2<\/strong><\/td>\nThe Nine Lessons of Christmas,<\/em>\u00a0Op. 44. Polly Jo Baker, soprano; David Griffith, tenor; The Fredonia Singers; Carl Baum, harp; Keith Molstad, reader; Scott Shepherd, percussion; conducted by John La Montaine. Fredonia Discs, FD-6, 1976. LP. 2 copies. Copy 2 in shrink-wrap.
\nAccompanied by libretto insert. 4 pp. of text.<\/td>\n<\/tr>\n
[Recordings containing multiple compositions by John La Montaine]<\/em><\/td>\n<\/tr>\n
items 3- 4<\/strong><\/td>\nJohn La Montaine: Music for the Dance.<\/em> Eastman Jazz Ensemble, conducted by Rayburn Wright. Fredonia Discs, FD-3, 1976. LP. 2 copies. Copies 1-2 in shrink-wrap.
\nCompositions included: Incantation for Jazz Band,<\/em> Op. 39; Birds<\/em> [original piece for solo piano, later basis for Birds of Paradise,<\/em> Op. 34]; Venice West Blues<\/em>; Six Dance Preludes<\/em>.<\/td>\n<\/tr>\n
items 5-6<\/strong><\/td>\nThe Whittier Concerts.<\/em>\u00a0Volume 1. Polly Jo Baker, soprano; Thomas Tatton, viola; with John La Montaine, piano. Fredonia Discs, FD-8, 1977. LP. 2 copies. Copy 2 in shrink-wrap.
\nCompositions included:\u00a0Six Sonnets of Shakespeare,<\/em>\u00a0Op. 12;\u00a0Conversations for Viola and Piano,<\/em>\u00a0Op. 42.
\nAccompanied by typescript insert of song text. 1 p. of text.<\/td>\n<\/tr>\n
[Recordings containing compositions by other composers, with or without compositions by John La Montaine]<\/em><\/td>\n<\/tr>\n
items 7-8<\/strong><\/td>\nJohn La Montaine, Concerto for Piano and Orchestra, Op. 9 \/ Halsey Stevens,\u00a0Symphonic Dances.<\/em>\u00a0First work: Karen Keys, piano; with the Oklahoma City Symphony Orchestra, conducted by Guy Fraser Harrison. Second work: London Philharmonic Orchestra, conducted by George Barati. Composers Recordings, Inc., CRI SD 166, [n.d.]. LP. 2 copies. Copy 2 in shrink-wrap.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nSamuel Barber,\u00a0Knoxville: Summer of 1915<\/em>\u00a0\/ John La Montaine,\u00a0Songs of the Rose of Sharon,<\/em>\u00a0Op. 6. Eleanor Steber, soprano; with the Greater Trenton Symphony, conducted by Nicholas Harsanyi. ST\/AND Co., Inc., SLP 420, 1962. LP.<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nHoward Hanson, Piano Concerto, Op. 36 \/ John La Montaine,\u00a0Birds of Paradise,<\/em>\u00a0Op. 34. Alfred Mouledous, piano (first work); John La Montaine, piano (second work); with the Eastman-Rochester Orchestra, conducted by Howard Hanson. Mercury ERA 1006, [n.d.]. Item in shrink-wrap.<\/td>\n<\/tr>\n
items 12-13<\/strong><\/td>\nFr\u00e9d\u00e9ric Chopin, Sonata in B-flat minor \/ John La Montaine, Sonata for Piano, Op. 3 \/ John La Montaine,\u00a0A Child\u2019s Picture Book,\u00a0<\/em>Op. 7 \/ John La Montaine,\u00a0Toccata,<\/em>\u00a0Op. 1. John La Montaine, piano. Dorian Records, DR-332, [n.d.]. LP. 2 copies.<\/td>\n<\/tr>\n
item 14<\/strong><\/td>\nSongs by Horace Middleton.<\/em>\u00a0Janet Wheeler, soprano, with John La Montaine, piano. CM 7144, [n.d.]. LP.
\nAccompanied by typescript track list. 1 p. of text.<\/td>\n<\/tr>\n
item 15<\/strong><\/td>\nTreasury of French Song<\/em>. Martial Singher, baritone; with Paul Ulanowsky and John La Montaine, pianos; Marcel Hubert, cello; and Ross Norwood, flute. Columbia Masterworks, ML 4258, 1950. LP<\/td>\n<\/tr>\n
items 16-17<\/strong><\/td>\nTeaching Pieces for Budding Pianists.<\/em> John La Montaine and Paul Sifler, pianos. Fredonia Discs, FD-4, [n.d.]. LP. 2 copies. Copies 1-2 in shrink-wrap.
\nCompositions included: John La Montaine, Copycats,<\/em> Op. 26; Questioning<\/em>; Sparklers<\/em>; A Child\u2019s Picture Book,<\/em> Op. 7; and Paul J. Sifler, The Young Pianist\u2019s Almanac.<\/em><\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\n[Additional recordings]<\/em><\/td>\n<\/tr>\n
item 18<\/strong><\/td>\nGertrude Stein Read by Gertrude Stein.<\/em> Dorian Records, DR-331, [n.d.]. LP.
\nPoems included: \u201cThe Making of Americans\u201d; \u201cA Valentine to Sherwood Anderson\u201d; \u201cIf I Told Him: A Completed Portrait of Picasso\u201d; \u201cMatisse\u201d; \u201cMadame Recamier: An Opera.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series E: Cassette tapes<\/em><\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

[Recordings containing a single composition by John La Montaine]<\/em><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n
item 19<\/strong><\/td>\nOverture: An Early American Sampler,<\/em> Op. 43. Cassette tape (n.d.).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series F: Compact discs<\/em><\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

[Recordings containing multiple compositions by John La Montaine]<\/em><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n
items 20-22<\/strong><\/td>\nWilderness Journal,<\/em> Op. 41 \/ Incantation for Jazz Band,<\/em> Op. 39. First work: Donald Gramm, bass-baritone; Paul Callaway, organ; National Symphony Orchestra, conducted by Antal Dorati. Second work: Eastman Jazz Ensemble, conducted by Rayburn Wright. Fredonia Discs, FDCD-12, 1992. CD. 3 copies. Copies 2-3 in shrink-wrap.<\/td>\n<\/tr>\n
[Additional recordings]<\/em><\/td>\n<\/tr>\n
item 23<\/strong><\/td>\n\u201cWilderness Journal\u201d by John La Montaine. Bird calls recorded at Cobb Island on the Potomac River. Midwest Production Services, Inc., [n.d.].<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series G: Audio-visual cassettes<\/em><\/strong><\/span><\/p>\n

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item 1<\/strong><\/td>\nBe Glad Then America . . . A Documentary<\/em>. U-matic videocassette (n.d.).
\nPBS documentary about the development of the opera, aired July 4, 1977.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nNovellis, Novellis,<\/em> Op. 31. U-matic videocassette (1981).
\nAnnotation on videocassette: \u201cNovellis, Novellis \/ October 20, 1981 \/ School of Church Music \/ Floor Camera\u2014copy.\u201d<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nLessons of Advent<\/em>, Op. 53 \/ \u201cMary\u2019s Blessing and Farewell.\u201d VHS cassette. (1986).
\nIn ink on cassette label: \u201cLessons of Advent\u2014Chancel Choir\/Eash Church 12\/7\/86 \/ Marys Blessing & Farewell\u2014Chamber Choir of G. R. 11\/30\/86.\u201d<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nSongs of the Rose of Sharon, <\/em>Op. 6 \/ Fragments from the Song of Songs<\/em>, Op. 29. VHS cassette (1992).
\nSongs of the Rose of Sharon<\/em>: Eva Pearl Yeadon, soprano; Thomas H. Schleis, piano; Fragments from the Song of Songs<\/em>: Jo Ellen Mizener-Kienzler, soprano; Jessica Paul, piano.
\nRecorded at the Recital Hall, Smith Memorial Hall, University of Illinois at Urbana-Champaign School of Music, March 19, 1992.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nRichard Strauss, Vier Letzte Lieder \/ G. F. Handel, Cantata Lucretia <\/em>\/ John La Montaine, Six Sonnets of Shakespeare<\/em>, Op. 12. VHS cassette (1992).
\nEva Pearl Yeadon, soprano; Thomas H. Schleis, piano.
\nDMA recital recorded at the Recital Hall, Smith Memorial Hall, University of Illinois at Urbana-Champaign School of Music, March 31, 1992.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 7: Oversized materials<\/h3>\n

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<\/a>Sub-series A: Oversized manuscripts and sketches<\/em><\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n
Separated from Series 1 (Manuscripts and sketches), Sub-series B (Mature works).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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item 1<\/strong><\/td>\nConcerto for Piano and Orchestra, Op. 9. Two piano reduction. Manuscript facsimile, bound, with annotations in pencil, colored pencil, and ink. 57 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nSpreading the News,<\/em> Op. 27 (1957). A gossipy opera in one act. Full score. Manuscript facsimile, bound. 111 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nA Summer\u2019s Day,<\/em> Op. 32 (1963). After a sonnet of Shakespeare. For voice and orchestra. Full score. Ozalid manuscript. 1 p. of text and 12 pp. of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nErode the Greate,<\/em> Op. 40 (1969). Pageant opera in two acts. Composer\u2019s notes. Ozalid manuscript, typescript. 4 pp. of text. Full score. Ozalid manuscript. 227 pp. of music.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nWilderness Journal<\/em>, Op. 41. Symphony for bass-baritone, organ, and orchestra. Full score (incomplete). Ozalid manuscript. 18 pp. of music.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nWilderness Journal<\/em>, Op. 41 (1971). Symphony for bass-baritone, organ, and orchestra. Full score. Ozalid manuscript. 173 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nWilderness Journal,\u00a0<\/em>Op. 41 (1971). Symphony for bass-baritone, organ, and orchestra. Cover for score (Fredonia Press). 6 copies. Piano vocal score. Manuscript facsimile, unbound, not folded. 86 pp. of music.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nWilderness Journal,\u00a0<\/em>Op. 41 (1971). Symphony for bass-baritone, organ, and orchestra. Full score. Volume I. Manuscript facsimile, bound, with performance markings in pencil. 96 pp.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nWilderness Journal, <\/em>Op. 41 (1971). Symphony for bass-baritone, organ, and orchestra. Full score. Volume II. Manuscript facsimile, bound, with corrections in ink and performance markings in pencil. 76 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nBe Glad Then America,<\/em>\u00a0Op. 43. Opera. Full score. Ozalid manuscript. 262 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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item 1<\/strong><\/td>\nBe Glad Then America,<\/em>\u00a0Op. 43. Opera. Full score, Act I. Manuscript facsimile, bound, labeled \u201cComposer\u2019s Copy.\u201d Errata list in colored pencil on verso of last page. 179 pp. of music.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nBe Glad Then America,<\/em>\u00a0Op. 43. Opera. Full score, Act I. Manuscript facsimile, bound, labeled \u201cRental Material Property of Fredonia Press.\u201d 179 pp. of music.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nBe Glad Then America,<\/em>\u00a0Op. 43. Opera. Full score, Act II. Manuscript facsimile, bound. 83 pp. of music.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nRevolution,<\/em>\u00a0Op. 43a. Suite from the opera\u00a0Be Glad Then America.<\/em>\u00a0For chorus, soloists, guitar, orchestra, bells, guns, fireworks, and optional band. Full score. Manuscript facsimile, bound, with annotations in pencil and colored pencils, labeled \u201cComposer\u2019s Copy.\u201d 262 pp. Bound with \u201cPrologue: Freedom Has a Thousand Charms.\u201d For voice and guitar. Score. Manuscript facsimile. 6 pp. Accompanied by manuscript list of edits in ink. 1 p. of text.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nLexington Green<\/em>, Op. 43b. For band or orchestra. Conductor\u2019s score. Manuscript facsimile, bound, with annotations in pencil. Hollywood, CA: Fredonia Press, 1976. 18 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 6<\/strong><\/td>\nLexington Green<\/em>, Op. 43b. For band or orchestra. Conductor\u2019s score. Ozalid manuscript, with annotations in colored pencil. 22 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 6<\/strong><\/td>\nThe Nine Lessons of Christmas<\/em>, Op. 44 (1975). For narrator, soloists, SATB chorus, harp, and percussion. Full score. Manuscript and manuscript facsimile (masters), with annotations in pencil, colored pencil, and ink. 66 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 7<\/strong><\/td>\nConcerto for Flute, Op. 48. Full score (incomplete; p. 91, alternative ending). Manuscript facsimile. 1 p. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nConcerto for Flute, Op. 48. Full score. Ozalid manuscript. 91 pp. of music.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nConcerto for Flute, Op. 48. Full score. Manuscript facsimile, large, unbound. 91 pp. of music.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nConcerto for Flute, Op. 48. 4 documents. Items include:
\nFull score. Typescript (masters). Hollywood, CA: Fredonia Press, 1980. 91 pp. of music.
\nFull score (copy 2). Typescript (masters). Hollywood, CA: Fredonia Press, 1980. 91 pp. of music.
\nScore for flute and piano. Manuscript facsimile (masters). Hollywood, CA: Fredonia Press, 1980. 41 pp. of music.
\nSolo flute part. Typescript (masters), with annotations in ink. Hollywood, CA: Fredonia Press, 1980. 13 pp. of music.
\nSolo flute part (copy 2). Typescript (masters). Hollywood, CA: Fredonia Press, 1980. 13 pp. of music.
\nSolo flute part (copy 3). Enlarged facsimile of typescript score. 13 pp. of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nConcerto for Flute, Op. 48. Full score (incomplete): movement I. Manuscript facsimile, bound. 40 pp. of music. Full score (complete). Manuscript facsimile, bound. 91 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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item 1<\/strong><\/td>\nConcerto for Flute, Op. 48. Full score. Manuscript facsimile, bound, with annotations in pencil, colored pencil, and ink. Includes sketch in ink and pencil of possible cadenza on verso of last page. 90 pp. of music.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nConcerto for Flute, Op. 48. Full score. Manuscript facsimile, bound, with performance markings in pencil, colored pencil, and ink. Note on title page: \u201cThis score used at premiere by Richard Bates, 4\/12\/81.\u201d Includes manuscript errata list on recto and verso of last page. 90 pp. of music.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nConcerto for Flute, Op. 48. Full score. Manuscript facsimile, bound, with performance markings in pencil, colored pencil, and ink. 91 pp. of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nTwo Scenes from the Songs of Solomon,<\/em> Op. 49 (1980). Adapted from Fragments from the Song of Songs,<\/em> Op. 29. For flute solo, strings, piano, and percussion. Full score. Ozalid manuscript. 15 pp. of music.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\n\u201cCome Into My Garden,\u201d [Op. 49a] (1980). From Two Scenes from the Songs of Solomon,<\/em> Op. 49. Adapted from Fragments from the Song of Songs,<\/em> Op. 29. For flute solo, strings, piano, and percussion. Full score. Manuscript facsimile, labeled \u201cOriginal Transparent Mss., JL.\u201d 6 pp. of music.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nConcerto II for Piano and Orchestra, Op. 55 [recte<\/em> Op. 54] (n.d.). Full score (incomplete, pp. 1-11), labeled \u201cFirst Sketch.\u201d Ozalid manuscript. 11 pp. of music.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nConcerto II for Piano and Orchestra, Op. 55 [recte<\/em> Op. 54] (n.d.). 4 documents. Items include:
\nFull score (incomplete): mvmt. III. Manuscript facsimile. 22 pp. of music.
\nFull score (incomplete): mvmt. IV. Manuscript and manuscript facsimile. 40 pp. of music.
\nFull score (incomplete): miscellaneous pages. Manuscript and manuscript facsimile. 39 pp. of music.
\nAccompanied by envelope labeled \u201cConcerto II, first copy of original mss., 3rd & 4th movts.\u201d<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nChildren\u2019s Games.<\/em> Variations on Tunes of Childhood. For piano and orchestra. Full score. Ozalid manuscript. 78 pp. of music. Accompanied by front of envelope with typescript title page.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nChildren\u2019s Games.<\/em> Variations on Tunes of Childhood. For piano and orchestra. Facsimiles of source material (\u201ctunes of childhood\u201d) from unknown source. 9 pp. of music. Full score (incomplete). Manuscript facsimile. 4 pp. of music.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nFive Sonnets for Orchestra after Shakespeare.<\/em> For symphony orchestra. Full score. Ozalid manuscript. 41 pp. of music,<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\n\u00a0 Five Sonnets for Orchestra after Shakespeare.<\/em> For symphony orchestra. Full score. Manuscript facsimile. 41 pp. of music.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nUntitled manuscript sketches for voice and accompaniment. First line of lyrics: \u201cJe suis un petit poupon.\u201d 6 pp. of music. Manuscript sketches for Piano Concerto V. 1 p. of music.
\nSeparated from Series 1 (Manuscripts and Sketches), Sub-series C (Sketches).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series B: Other oversized documents<\/em><\/strong><\/span><\/p>\n

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Separated from Series 2 (Personal papers), Series 3 (Correspondence), and Series 4 (Publicity and press materials).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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item 1<\/strong><\/td>\nFramed medal from ASCAP celebrating John La Montaine\u2019s award of the Pulitzer Prize in Music, 1959.
\nSeparated from Series 2 (Personal papers), Sub-series D (Ephemera).<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nWood plaque listing cast of Novellis, Novellis<\/em> for December 4, 1966, performance
\nSeparated from Series 2 (Personal papers), Sub-series D (Ephemera).<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nPlaque for the American Symphony Orchestra American Composer\u2019s Award, April 21, 1982.
\nSeparated from Series 2 (Personal papers), Sub-series D (Ephemera).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nPhotograph of Kilbourne Hall, unattributed. Mounted with note from James Undercofler, director, with ink annotations by John La Montaine listing compositions he performed and performances of his compositions occurring in Kilbourne Hall.
\nSeparated from Series 2 (Personal papers), Sub-series D (Ephemera).<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nTitle page for Compositions of John La Montaine, Volume 2<\/em>. Ozalid manuscript. 1 p. of text.
\nSeparated from Series 2 (Personal papers), Sub-series D (Ephemera).<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nCorrespondence. 3 documents. Items include:
\nAntal Dorati to John La Montaine; ink manuscript, on personal letterhead; dated June 28, 1971.
\nJohn La Montaine to Kay [Shouse] and Carol; typescript, with annotations in ink; undated.
\nUnknown correspondent to John La Montaine; typescript, on letterhead for Springbok Radio Productions, South African Broadcasting Corporation; dated August (?) 5 (?), 1972.
\nSeparated from Series 3 (Correspondence), Sub-series A (Correspondence with John La Montaine.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nOversized personal papers (original writings). 2 documents. Items include:
\nJohn La Montaine, \u201cMusic and the Sounds of Nature,\u201d reprinted from Music Journal<\/em>. 1 p. of text.
\nJohn La Montaine, \u201cBe Glad Then America: A Decent Entertainment from the Thirteen Colonies,\u201d unknown source. 2 pp. of text.
\nSeparated from Series 2 (Personal papers), Sub-series A (Original writings).<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nOversized press clippings (1), 1961-86, 1 undated. 5 items.
\nSeparated from Series 4 (Publicity and Press Materials), Sub-series C.<\/td>\n<\/tr>\n
[Folders 6-7<\/u>\u00a0\u00a0\u00a0 See Sub-series A: Oversized manuscripts and sketches, p. 123]<\/em><\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nOversized personal papers (ephemera). Layout of track list for LP cover: John La Montaine: Music for the Dance.<\/em> Eastman Jazz Ensemble, conducted by Rayburn Wright. Fredonia Discs, FD-3, 1976. LP. 1 p.
\nSeparated from Series 2 (Personal papers), Sub-series D (Ephemera).<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nOversized press clippings (2), 1950-95. 13 items.
\nSeparated from Series 4 (Publicity and press materials), Sub-series C (Programs, articles, and reviews).<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nOversized concert posters, 1974-83, 1 undated. 8 items (with 1 duplicate).
\nSeparated from Series 4 (Publicity and press materials), Sub-series C (Programs, articles, and reviews).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

\u2190 JOHN LA MONTAINE COLLECTION: Series 3 to 4<\/a><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

JOHN LA MONTAINE COLLECTION \u2192<\/a><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text css=”.vc_custom_1618861076539{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] Series 5: Library [\/vc_column_text][vc_column_text css=”.vc_custom_1618861098330{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] Sub-series A: Published literature [\/vc_column_text][vc_custom_heading text=”Box 23″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1618863345644{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: […]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":7674,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template_Finding_Aids.php","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-7687","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7687","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=7687"}],"version-history":[{"count":0,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7687\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7674"}],"wp:attachment":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=7687"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=7687"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=7687"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}