{"id":7685,"date":"2021-04-19T15:35:40","date_gmt":"2021-04-19T19:35:40","guid":{"rendered":"https:\/\/www.esm.rochester.edu\/sibley\/?page_id=7685"},"modified":"2021-04-19T15:35:40","modified_gmt":"2021-04-19T19:35:40","slug":"ser3-4","status":"publish","type":"page","link":"https:\/\/www.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/jmontaine\/ser3-4\/","title":{"rendered":"JOHN LA MONTAINE COLLECTION"},"content":{"rendered":"

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<\/a>Series 3: Correspondence<\/h3>\n

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<\/a>Sub-series A: Correspondence to\/from John La Montaine <\/em><\/strong><\/span><\/p>\n

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folder 1<\/strong><\/td>\n\u201cA.\u201d 19 letters.
\nCorrespondents represented: Arthur Aaron (General Manager, American Symphony), Maurice Abravanel (Conductor, Utah Symphony Orchestra), Kurt H. Adler (per pro. Ann Farris, Administrative Assistant), Peter Herman Adler (Music Director, National Education Television Opera), Samuel H. Adler (Eastman School of Music), Constance M. Anderson (Rights Clearance Division, United States Information Agency), Garland Anderson, Gordon G. Andrews (President, Stand Co., Inc.), Gerald Arpino (The Joffrey Ballet), Arthur Austin (New York Office of Information, Department of the Air Force; Broadcasting and Film Commission, National Council of the Churches of Christ).<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nWilliam Allison. 16 letters. Includes:
\nJohn La Montaine to William Allison. 2 letters (1 typescript, 1 on personal letterhead). Dated November 18, 1976; August 8, 1979.
\nWilliam Allison to John La Montaine. 15 letters (15 typescript, 11 on letterhead for the Pennsylvania State University\/Institute for the Arts & Humanistic Studies). Dated March 16, 1977; May 25, 1977; September 26, 1977; December 1, 1977; April 17, 1978; April 24, 1978; June 16, 1978; September 25, 1978; November 22, 1978; January 30, 1979; February 20, 1979; February 26, 1979; April 13, 1979; April 5, 1982; 1 undated.
\nWilliam Allison to Dan Mallinger (bcc: John La Montaine). 1 letter (typescript, on letterhead for the Pennsylvania State University Institute for the Arts and Humanistic Studies). Dated December 2, 1977.
\nLetter from William Allison to John La Montaine (undated) accompanied by:
\nJohn C. Hall, Jr. (Assistant National Executive Secretary, AFTRA). 1 letter (typescript). Dated March 9, 1978.
\nLetter from William Allison to John La Montaine (dated June 16, 1978) accompanied by:
\nWilliam Allison to Donald Gramm. 1 letter (typescript, on letterhead for the Pennsylvania State University). Dated June 16, 1978.
\nLetter from William Allison to John La Montaine (dated November 22, 1978) accompanied by:
\nWilliam Allison to Sy Rosen (bcc: John La Montaine). 1 letter (typescript). Dated November 22, 1978.
\nWilliam Allison to Seymour Rosen (bcc: John La Montaine). 1 letter (typescript, on letterhead for the Pennsylvania State University). Dated November 21, 1978.
\nLetter from William Allison to John La Montaine (dated April 24, 1978) accompanied by:
\nWilliam Allison to Dan Mallinger (Executive Secretary, AFTRA). 1 letter (typescript, on letterhead for the Pennsylvania State University\/Institute for the Arts & Humanistic Studies). Dated December 2, 1977.
\nLetter from William Allison to John La Montaine (dated January 30, 1979) accompanied by draft budget for producing 2000 record albums of Be Glad Then America<\/em>.
\nLetter from William Allison to John La Montaine (dated February 26, 1979) accompanied by facsimile of press clipping (The New York Times<\/em>, February 25, 1979).<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nASCAP officials and committees. 9 documents. Includes:
\nJohn La Montaine to ASCAP. 1 letter (typescript, on personal letterhead). 1 undated.
\nStanley Adams (President, ASCAP) to John La Montaine. 1 telegram. Dated May 5, 1959.
\nJohn La Montaine to ASCAP Panel for Standard Awards. 2 letters (2 typescript). Dated February 24, 1968; February 28, 1968.
\nNicholas Arcomano (ASCAP) to John La Montaine and Paul Sifler. 1 letter (typescript, on letterhead for ASCAP). Dated January 8, 1970.
\nJohn La Montaine to Stanley Adams (President, ASCAP). 1 letter (typescript, on personal letterhead). Dated May 4, 1978.
\nASCAP Panel for Standard Awards to John La Montaine. 1 letter (typescript, on letterhead for ASCAP). Dated August 14, 1981.
\nJohn La Montaine to Nancy Rosenthal (ASCAP). 1 letter (typescript). Dated March 7, 1982.
\nDodie Lefebre (Concert Division, ASCAP) to John La Montaine. 1 letter (typescript, on letterhead for ASCAP). Dated April 2, 1984.
\nJohn La Montaine to Marilyn Bergman (President, ASCAP). 1 letter (typescript). Dated November 4, 1994.
\nJohn La Montaine to ASCAP Awards Committee. 1 letter (typescript, on personal letterhead). Dated May 1, 1997.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\n\u201cB (Badima\u2014Belisle).\u201d 27 letters.
\nCorrespondents represented: Wilfred C. Bain (Dean, Indiana University School of Music), Robert S. Baker (Director, Union Theological Seminary), Richard Bales (Conductor, National Gallery Orchestra), Mr. and Mrs. Stuart S. Ball (President, The Chicago Symphony Orchestral Association), Ian Ballantine (Ballantine Books, Inc.), Stanley Ballard (Editor, International Musician<\/em>), Barbara Ballinger (Head Librarian, Oak Park Public Library), Wayne Barlow (Associate Dean, Eastman School of Music), John Barnett, Richard F. Barry (President, Board of Directors, San Francisco Boys Chorus), William Bausano (Colloquium Committee, University of Southern California), Robert Baustian; John W. Becker (Conductor, Lutheran Chorale of Buffalo), Blanche H. Bedwell (President, Women\u2019s Committee for the National Symphony Orchestra), Jack Beeson (Advisory Committee of the Alice M. Ditson Fund, Columbia University), Dave Begnoche, Carl Beier, John M. Belisle (Southwest Texas State University).<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\n\u201cBerger\u2014Boxer.\u201d 25 letters.
\nCorrespondents represented: Melvin H. Berger, Leonard Bernstein (per pro. Helen Coates, Secretary to Leonard Bernstein; per pro. Robert B. Browne, Assistant to Leonard Bernstein); Michael Bielski (Buffalo Philharmonic), Paul Billeter, Larry G. Biser (Organist and Choirmaster, East Congregational Church), Jan Blankenship (Recording Department, Eastman School of Music), Theodore R. Bledsoe (President, Washington Cathedral Choral Society), Marc Blitzstein (Chairman of the Committee on Grants for Music, National Institute of Arts and Letters), Marion Bard Boand (President, Contemporary Concerts, Inc.), John Boerner (Coordinator of Publications, Carl Fischer, Inc.), Jorge Bolet, Mario di Bonaventura (G. Schirmer), Joan Bonime (New York Philharmonic), Arthur R. Borden (Chairman, Humanities Division, New College), J. R. Bott (Director, Classical Division, Mercury Record Productions, Inc.), Harold Boxer (Head, Music Division, Voice of America).<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\n\u201cB (Bragg\u2014Brunelle).\u201d 19 letters.
\nCorrespondents represented: George Bragg (Director, Texas Boys Choir of Fort Worth; per pro. Saranell Kimbrough, Executive Secretary), Saranell Kimbrough (Executive Secretary to George Bragg), Martha Braden, H. Myron Braun (Editor, Music Ministry<\/em>), Frank Brieff, Arnold Brostoff, Harry John Brown, Raymond Brown (Pennsylvania State University; Penn State Singers), Philip C. Brunelle (Music Director, Center Opera of Minnesota).
\nLetter from Martha Braden to John La Montaine accompanied by:
\nTypescript score to John La Montaine, \u201cThe Giant Has a Hobby Horse.\u201d 2 pp. of music.
\nTypescript list of publisher copyright information and credits for pieces included in A Pocketful of Music: Classics Composed for Children 1730-2002<\/em>. 5 pp. of text.
\nFlyer advertising release of A Pocketful of Music<\/em> anthology. 1 p. of text.
\nCover artwork. 2 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\n\u201cB (Bryan\u2014Byrd).\u201d 25 letters.
\nCorrespondents represented: Karen Bryan (Bryan and Keys Duo, University of Michigan), Keith Bryan (Bryan and Keys Duo, University of Michigan), Robert Bryan, Elizabeth Buccheri (Music Director, North Park Chamber Players), Frederick Beuchner [sic<\/em> Buechner] (School of Divinity, Yale University), Ethel M. Bullard (National Editor, Sigma Alpha Iota), James P. Buonemani (Organist and Music Director, Saint James\u2019 Church), John N. Burk (Boston Symphony Orchestra), Claudia Burns (WGMS Program Director), Neil Butterworth, William Byrd (Conductor, Lima Symphony Orchestra).
\nLetter from Keith Bryan to John La Montaine (dated December 17, 1978) accompanied by:
\nMelinda C. Ostrander to Editor, Music at Michigan<\/em>, Office of Development and School Relations. 1 letter (typescript). Dated December 5, 1978.
\nKeith Bryan to Melinda C. Ostrander (cc: John La Montaine). 1 letter (typescript). Dated December 12, 1978.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nWilliam Ballard. 7 letters. Includes:
\nWilliam Ballard to John La Montaine. 7 letters (7 typescript, 1 on letterhead for Northwestern University, 4 on letterhead for San Francisco Boys Chorus, 2 on letterhead for Singing Boys of San Francisco Bay). Dated November 13, 1965; September 11, 1978; November 9, 1982; May 24, 1983; November 8, 1983; September 17, 1986; January 6, 1987.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nNadia Boulanger. 11 letters. Includes:
\nNadia Boulanger to John La Montaine. 8 letters (7 ink manuscript, 1 typescript, 2 on personal letterhead, 4 on letterhead for \u00c9coles d\u2019Art Am\u00e9ricaines, 1 on letterhead for Southern Illinois University), 1 telegram. Dated March 10, 1955; May 26, 1955; September 30, 1955; October 15, 1955; August 19, 1956; May 24, 1958; May 10, 1959; January 13, 1963; January 27, 1967.
\nJohn La Montaine to Nadia Boulanger. 2 letters (2 typescript, 2 on personal letterhead). Dated June 14, 1955; 1 undated.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nLeon Breeden. 8 letters. Includes:
\nLeon Breeden to John La Montaine. 6 letters (6 typescript, 6 on letterhead for North Texas State University). Dated September 30, 1968; October 28, 1968; November 6, 1968; April 15, 1969; December 6, 1971; January 11, 1973. Accompanied by press clipping (The New York Times<\/em>, October 28, 1968).
\nJohn La Montaine to Leon Breeden. 2 letters (2 typescript, 2 on personal letterhead). Dated November 14, 1968; December 8, 1971.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nBroude Brothers Ltd. (Irving Broude, Ronald Broude, Sidney Fox, and Jerome B. Rainey). 22 letters. Includes:
\nRonald Broude to John La Montaine. 14 letters (14 typescript, 14 on letterhead for Broude Brothers Music). Dated March 19, 1974; April 1, 1974; April 11, 1974; July 25, 1974; July 30, 1974; February 19, 1975; February 25, 1975; March 18, 1975; March 31, 1975; June 19, 1975; December 12, 1975; April 30, 1976; September 11, 1980; October 22, 2003.
\nJohn La Montaine to Irving Broude. 2 letters (2 typescript, 1 on personal letterhead). Dated May 17, 1972; 1 undated.
\nJohn La Montaine to Ronald Broude. 4 letters (4 typescript, 1 on letterhead for Fredonia Press, 1 on personal letterhead). Dated January 20, 1975; March 5, 1975; September 2, 1976; November 3, 2003.
\nJohn La Montaine to Jerome B. Rainey (Broude Brothers). 1 letter (typescript). Dated January 20, 1975.
\nSidney Fox (Rental Department) to John La Montaine. 1 letter (typescript, on letterhead for Broude Brothers). Dated February 21, 1975.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\n\u201cC (Caldwell\u2014Charles).\u201d 18 letters.
\nCorrespondents represented: Sarah Caldwell (Opera Company of Boston), Paul Callaway (Music Director, Washington Cathedral), Beekman C. Cannon (President, New Haven Symphony Orchestra), Richard Capp (Director, Recording-Publication Program, The Ford Foundation), Michael J. Carubba (Loyola University), John C. Chapin (Communications Warden, Washington Cathedral), Walter Charles (Music Director and Conductor, Colorado Philharmonic).<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\n\u201cC (Chasins\u2014Currie).\u201d 23 letters.
\nCorrespondents represented: Abram Chasins (Music Director, WQXR), Joachim Chassman, Frances Clark (The New School for Music Study), Martyn Colborn (Drama Director, Coventry Cathedral), Frank H. Connor (Carl Fischer, Inc.), Hayden Connor (General Manager, Carl Fischer, Inc.), Mary Ann Stabile Cooper, Aaron Copland, John Corigliano (per pro. Caroline Girgis, Assistant), George W. Corwin (Eastman School of Music), Peter Coster, Ronn Cox, Charles L. Currie (Director of the Bicentennial, Washington D.C.).<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nMichael Charry. 16 letters. Includes:
\nJohn La Montaine to Michael Charry. 6 letters (6 typescript, 3 on personal letterhead, 3 on letterhead for Fredonia Press\/Discs). Dated January 20, 1981; June 1, 1981; June 30, 1981; August 4, 1981; August 17, 1981; January 2, 1982;
\nMichael Charry to John La Montaine. 10 letters (10 typescript, 5 on personal letterhead, 2 on letterhead for Nashville Symphony Association, 2 on letterhead for the Peninsula Music Festival). Dated January 24, 1981; February 17, 1981; May 26, 1981; June 19, 1981; July 20, 1981; September 28, 1981; December 26, 1981; January 13, 1982; July 19, 1996; August 8, 1996.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\n\u201cD.\u201d 25 letters.
\nCorrespondents represented: Norma Dalby (University of Utah Repertory Dance Theatre), Joseph R. Dalton (Managing Director, CRI), Oliver Daniel (Vice President Concert Music Administration, BMI), Harold A. Daugherty (Conductor, The Concert Choir), Mary Wallace Davidson (Librarian, Sibley Music Library), Ed Davis (Los Angeles Police Chief), James DePreist (Music Director and Conductor, Oregon Symphony), Deutsch Bibliothek, Thallis Hoyt Drake (Milwaukee Symphony Women\u2019s League), Robert C. Dudley (Assistant Director of Broadcasting, Pennsylvania State University), Bruce Duffie (WNIB\/WNIZ), James Duncan, Durand & Co. Chief Editor, Edward Durrell Stone & Associates (per pro. R. Paige Donhauser), Lowell M. Durham (University of Utah).
\nLetter from Norma Dalby to John La Montaine (dated June 9, 1968) accompanied by:
\nEdward D. Maryon (Dean, College of Fine Arts, University of Utah) to Norma Dalby. 1 letter (typescript, on letterhead for the University of Utah). Dated May 23, 1968.
\nGordon Paxman (Chairman, Department of Ballet, University of Utah) to Norma Dalby. 1 letter (typescript, on letterhead for the University of Utah). Dated May 24, 1968.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nWilliam L. Denton. 6 letters. Includes:
\nDee Priest (Secretary to Mr. Denton) to John La Montaine. 1 letter (typescript, on letterhead for National Symphony). Dated August 18, 1971.
\nWilliam L. Denton to John La Montaine. 3 letters (3 typescript, 3 on letterhead for National Symphony). Dated November 17, 1971; August 28, 1972; September 25, 1972.
\nJohn La Montaine to William Denton. 2 letters (2 typescript, 1 on personal letterhead). Dated May 17, 1972; November 17, 1972.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nRichard Wayne Dirksen. 30 letters. Includes:
\nWayne Dirksen to John La Montaine. 22 letters (22 typescript, 21 on letterhead for the Washington Cathedral). Dated November 21, 1962; August 2, 1963; August 13, 1963; September 12, 1963; November 1, 1963; March 31, 1966; August 24, 1966; January 12, 1967; January 30, 1967; September 5, 1967; October 6, 1967; October 19, 1967; January 4, 1968; April 4, 1968; May 2, 1968; October 24, 1968; March 29, 1969; April 14, 1969; May 23, 1969; June 11, 1969; February 4, 1975; September 19, 1975;
\nJohn La Montaine to Wayne Dirksen. 7 letters (7 typescript, 4 on personal letterhead). Dated October 15, 1967; April 5, [1969]; August 31, 1970; June 26, 1995; September 6, 1995; 2 undated.
\nWayne Dirksen to Harold Daugherty (cc: John La Montaine). 1 letter (typescript, with note in ink). Dated February 5, 1974.
\nLetter from Wayne Dirksen to John La Montaine (dated February 5, 1974) accompanied by:
\nRichard W. Dirksen to Harold Daugherty, Jr. 1 letter (typescript). Dated February 5, 1974.
\nHarold Daugherty, Jr., to Advance Program, Washington Cathedral. 1 letter (typescript, on letterhead for the St. John\u2019s Episcopal Church). Dated January 30, 1974.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nAntal Dorati. 14 letters. Includes:
\nAntal Dorati to John La Montaine. 7 letters (6 ink manuscript, 1 typescript, 2 on letterhead for Minneapolis Symphony Orchestra, 4 on personal letterhead, 1 on letterhead for Hotel Okura [Amsterdam]), 1 typescript transcription of letter. Dated December 2, 1958; January 2, 1959; March 24, 1959; August 16, 1971; August 19, 1971; May 7, 1972; June 28, 1981.
\nJohn La Montaine to Antal Dorati. 5 letters (5 typescript, 3 on personal letterhead, 1 on letterhead for Fredonia Discs), 1 duplicate copy of letter. Dated July 6, 1971; July 28, 1971; May 16, 1972; March 19, 1981; July 6, 1981.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nDoriot Dwyer. 12 letters. Includes:
\nDoriot Dwyer to John La Montaine. 9 letters (4 typescript, 5 ink manuscript, 6 on personal letterhead, 1 on letterhead for Sagebrush Inn [Taos, NM]). Dated [before March 6, 1973]; September 15, 1989; March 25, 1994; February 7, 1997; 5 undated.
\nJohn La Montaine to Doriot Dwyer. 3 letters (3 typescript, 1 on letterhead for Fredonia Discs). Dated April 4, 1977; May 4, 1977; June 14, 19xx;<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\n\u201cE.\u201d 21 letters.
\nCorrespondents represented: Edward H. Easley (Director of Eastman Concerts, Eastman School of Music), John S. Edwards (General Manager, Chicago Symphony Orchestra), Peter Edwards (Assistant, Continuing Education, Chicago Symphony Orchestra), Robert R. Edwards (Director, Institute for the Arts and Humanistic Studies, Penn State), Robert W. Emery (Minister of Music, New London Presbyterian Church), Lucy Engelhard (Laboratory of Ornithology, Cornell University), Martha England, Harry Eskew (Editor, The Hymn<\/em>), Jerry A. Evenrud (Director for Parish Music and the Arts, The American Lutheran Church), Alexander Ewing (General Director, Joffrey Ballet).<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\n\u201cF.\u201d 29 letters.
\nCorrespondents represented: George Faxon (Organist and Choirmaster, Trinity Church), Robert Feist, Frederick Fennell (University of Miami), Ware Ferebee (Norfolk Society of Arts), William Ferris (Executive Director, William Ferris Chorale), David Felter (Conductor, Rochester Chamber Orchestra), Joanna Fiedler (Publicity Director, National Symphony), Peter Filerman (Librarian, Houston Symphony Orchestra), Joseph Firszt (Music Director and Conductor, Lima Symphony Orchestra), Margaret Flower (Music Administrator, National Symphony), [illegible] Flagstad, Henry Fogel (Manager, National Symphony), Marion Folsom (Eastman Kodak Co.), Lukas Foss (Conductor, Buffalo Philharmonic Orchestra), Carol Fox (General Manager, Lyric Opera of Chicago), Clarence Foy (President, G. Schirmer, Inc.), Dolores Fredrickson (American Conservatory of Music), Ellis J. Freedman (Secretary, The Koussevitzky Music Foundation Inc.), Carl Freeman (Organist and Director of Music, University Baptist Church), Peter Fyfe (Christ Church Parish).<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nRobert Freeman. 10 letters. Includes:
\nRobert Freeman to John La Montaine. 8 letters (8 typescript, 7 on letterhead for Eastman School of Music, 1 on letterhead for New England Conservatory of Music). Dated August 31, 1981; April 18, 1991; March 18, 1992; November 30, 1992; November 15, 1994; November 25, 1994; January 14, 1997.
\nJohn La Montaine to Robert Freeman. 3 letters (3 typescript, 2 on personal letterhead). Dated December 8, 1992; November 17, 1994; December 17, 1994<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\n\u201cG (G.\u2014Glover).\u201d 19 letters.
\nCorrespondents represented: Hazel G., Kenneth Gaburo (Lingua Press), Lloyd Geisler (Lloyd Geisler Music, Inc.), Thom Ritter George (Music Director and Conductor, Quincy Symphony Orchestra), Carl Gerbrandt (Southern Baptist Seminary), Thomas Gerdom (Executive Director, New Haven Symphony Orchestra), Vittorio Giannini, Mrs. Gilman, Martha Gilmer (Artistic Administrator, Chicago Symphony Orchestra), James Ginsburg (Cedille Records), Al Glaser (Coordinator, Committee on Education, Lyric Opera of Chicago), Dave Glick, Raymond Glover (General Editor, The Church Hymnal Corporation).<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\n\u201cG (Goeb\u2014Gutman).\u201d 19 letters.
\nCorrespondents represented: Roger Goeb (Secretary-Treasurer, Composers Recordings, Inc.), Eric von der Goltz (Vice President, Carl Fischer, Inc.), Robert Goodberg (University of Wisconsin\u2014Milwaukee), Steve Gothold (Director, Whittier College Chorus), Morton Gould, Ruth C. Gould (National President, Sigma Alpha Iota), Rhoda Grady (Supervisor, Religious Radio Programs and Educational Features, NBC), Donald Gramm, Mr. Gray, H. Willard Gray (H. W. Gray Co.), Ray Green (Executive Secretary, American Music Center, Inc.), James L. Gulledge (Director of the Library of Natural Sounds, Cornell University), John Gutman (Assistant Manager, Metropolitan Opera).<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nEsther and Rudolph Ganz. 9 letters.
\nRudolph Ganz to John La Montaine. 2 letters (2 typescript, 2 on letterhead for Chicago Musical College of Roosevelt University). Dated November 15, 1960; June 13, 1962.
\nEsther and Rudolph Ganz to John La Montaine. 1 letter (1 ink manuscript). Dated August 21, 1962.
\nEsther Ganz to John La Montaine. 5 letters (1 typescript, 4 ink manuscript, 5 on personal letterhead). Dated July 24, 1968; August 31, 1970; July 13, 1977; August 8, 1977; August 27, 1977;
\nJohn La Montaine to Esther and Rudolph Ganz. 1 letter (1 typescript, 1 on personal letterhead). Dated September 9, [1970].<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nCorrespondence pertaining to the Guggenheim Memorial Foundation Fellowships. 8 letters. Includes:
\nJames F. Mathias (Associate Secretary) to John La Montaine. 6 letters (6 typescript, 6 on letterhead for the Guggenheim Memorial Foundation). Dated April 9, 1959; June 15, 1959; March 15, 1960; May 11, 1960; May 18, 1960; June 16, 1960.
\nHenry Allen Moe (Secretary General) to John La Montaine. 1 letter (typescript, on letterhead for the Guggenheim Memorial Foundation). Dated April 12, 1960.
\nJohn La Montaine to the Guggenheim Foundation. 1 letter (typescript). Undated.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\n\u201cH (Hall\u2014Hendl).\u201d 27 letters.
\nCorrespondents represented: William Hall (The Hall Chorale), William O. Hall (Ambassador, Embassy of the United States of America in Ethiopia), Wiley Hance (Manager of Public Affairs, ABC), Katharine Hansel (Catholic University of America), Rodney Hansen (St. Mark\u2019s Parish), Carol V. Harford (Deputy Director, Wolf Trap Farm Park for the Performing Arts), Guy Fraser Harrison (Music Director and Conductor, Oklahoma City Symphony), Huntington Harford Foundation Trustee [illegible], Richard B. Harvey (Dean of Academic Affairs, Whittier College), Philip A. Haskell (Executive Vice President of Development, American Symphony), Nelson Hauenstein (University of Michigan), Timothy S. Healy (President, Georgetown University), Elizabeth Heimert (Secretary, Humanities Division, New College), Mr. Henahan, Walter Hendl (Director, Eastman School of Music).
\nLetter from Wiley Hance (dated July 25, 1969) accompanied by:
\nAward letter from Jayne Ross (American Broadcasting Company). Dated July 15, 1969.
\nJayne Ross to John C. Chapin (Communications Warden, Washington Cathedral) (cc: Wiley Hance). 1 letter (typescript). Dated July 15, 1969.
\nPress release from ABS News about Sigma Alpha Iota award (The Shephardes\u2019 Playe<\/em>). Dated July 17, 1969.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\n\u201cH (Hillyer\u2014Hynson).\u201d 26 letters.
\nCorrespondents represented: Stephen C. Hillyer, Maurice Hinson (Southern Baptist Theological Seminary), Karl Hinterbichler (University of New Mexico), Max Hobart (Conductor, Civic Symphony Orchestra of Boston; Wellesley Symphony Orchestra), Norman Hollander, Theodore Hollenbach (Organist and Choirmaster, Third Presbyterian Church), Glenda Holm (Secretary, Civic Music Association), Odetta [Holmes], Ada Honderick (Chairman, Arist Foreign Goodwill Concert Tour), Louis Hood (Director of Publicity, National Symphony Orchestra), Vladimir Horowitz (per pro. Kenneth Leedom, Secretary), Kathleen Hughes (Coordinator of Liturgies, University of Notre Dame), Eusebia Hunkins (Chairman, National Federation of Music Clubs), Paula Hutchinson, Edna Rait Hutton (National Editor, Sigma Alpha Iota), Rick Hynson (Music Director, Cincinnati Choral Society).<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nHoward Hanson. 12 documents. Includes:
\nHoward Hanson to John La Montaine. 10 letters (10 typescript, 10 on letterhead for the Eastman School of Music). Dated January 23, 1957; April 15, 1958; October 6, 1958; March 30, 1959; March 21, 1961; June 6, 1963; March 12, 1964; April 6, 1964; March 25, 1965; October 1, 1965.
\nHoward Hanson to John La Montaine. 1 telegram. Dated October 8, 1962.
\nHoward Hanson, without named recipient. 1 letter (typescript, on letterhead for the University of Rochester Institute of American Music). Dated May 7, 1973.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nH. W. Heinsheimer (G. Schirmer Publication Department). 10 letters. Includes:
\nMarion Willi (Secretary to Mr. Heinsheimer) to John La Montaine. 1 letter (typescript, on letterhead for G. Schirmer, Inc.). Dated September 14, 1959.
\nH. W. Heinsheimer to John La Montaine. 5 letters (5 typescript, 5 on letterhead for G. Schirmer, Inc.). Dated January 12, 1960; February 1, 1960; February 25, 1960; March 15, 1960; May 9, 1960.
\nJohn La Montaine to H. W. Heinsheimer. 4 letters (4 typescript). 4 undated.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nFrank Hudson. 6 letters. Includes:
\nFrank Hudson to John La Montaine. 4 letters (4 typescript, 1 on letterhead for the University of Illinois at Urbana-Champaign). Dated December 10, 1971; February 3, 1974; June 17, 1979; August 12, 1979.
\nJohn La Montaine to Frank Hudson. 2 letters (2 typescript). Dated March 28, 1975; January 4, 1976.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nPaul Hume. 20 letters. Includes:
\nPaul Hume to John La Montaine. 19 letters (19 typescript, 18 on letterhead for The Washington Post<\/em>). Dated July 9, 1959; November 2, 1963; February 5, 1964; February 26, 1968; May 26, 1969; October 14, 1969; April 12, 1971; July 29, 1971; October 26, 1971; February 2, 1972; March 10, 1972; December 18, 1972; February 16, 1973; August 2, 1974; March 21, 1975; April 21, 1976; September 9, 1977; December 21, 1977; July 17, 1979.
\nJohn La Montaine to Paul Hume. 1 letter (typescript, on personal letterhead). Dated August 3, 1988.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\n\u201cI.\u201d 2 letters.
\nCorrespondents represented: Barbara M. Irish; Betty Izant.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\n\u201cJ.\u201d 9 letters.
\nCorrespondents represented: Jerald H. Jackson (Senior Minister, Hennepin Avenue United Methodist Church), Paul J. Jackson (Dean, College of Fine Arts, Drake University), Walter James (Director, The University Singers, Florida State University), Henry Janiec (Artistic Director, Brevard Music Center), Robert Joffrey (Director, The Joffrey Ballet), Mrs. Marjorie King Johnson (Program Manager, National Cathedral Association Center), William E. Jones (Cultural Affairs Officer, US Embassy, Ethiopia), Bruce Joseph (Director, Arcosanti Festival).<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nThor Johnson. 9 letters. Includes:
\nThor Johnson to John La Montaine. 9 letters (9 typescript, 3 on letterhead for the Cincinnati Symphony Orchestra, 1 on letterhead for the Early American Moravian Music Festival and Seminar, 3 on personal letterhead, 2 on letterhead for the Nashville Symphony Association). Dated December 13, 1957; January 8, 1958; April 5, 1958; September 9, 1958; May 24, 1959; October 9, 1959; August 27, 1970; November 8, 1971; January 15, 1972.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\n\u201cK.\u201d 28 letters.
\nCorrespondents represented: Geary Kaczorowski (Senior Contributing Editor, Swann Publications), Helene Kamioner, Richard P. Kapp (Program Officer, The Ford Foundation), Ken Kaufman (General Counsel, Kennedy Center Foundation), George Kendall (Executive Director, The Macdowell Colony), Harold Kendrick (Manager, New Haven Symphony Orchestra), President John F. Kennedy and Mrs. Jackie Kennedy (per pro. Letitia Baldrige, Social Secretary), John Kernochan (Galaxy Music Corporation), Dorothy P. Keziah (Head, Music Section, Copyright Office, Library of Congress; per pro. Shirley B. Wendell, Copyright Examiner), Richard A. Kimball (Director, American Academy in Rome), Grayson Kirk (President, Columbia University), E. M. Kliment (Assistant Administrator, The Pulitzer Prizes), Richard Korn (Musical Director, The Orchestra of America), Gregory Kosteck (Composer-in-Residence, East Carolina College), Jan Koulman (State University College, Potsdam), Josef Krips, Richard Kunin.
\nLetter from John La Montaine to Ken Kaufman accompanied by:
\nContract between Fredonia Discs and Henry Fogel. Dated June 5, 1982.
\nCancelled checks from John La Montaine to American Federation of Musicians. 3 items. Dated November 8, 1983.
\nRobert Crothers (Assistant to the President, American Federation of Musicians) to John La Montaine. 1 letter (typescript, on letterhead for the American Federation of Musicians). Dated October 20, 1976.
\nMstislav Rostropovich to Kay Jouett Shouse. 1 letter (typescript, on personal letterhead). Dated September 11, 1981.
\nAntal Dorati to John La Montaine. 1 item (typescript transcription of letter). Dated June 28, 1981.
\nPaul [Hume] to John La Montaine. 1 letter (manuscript, on personal letterhead). Dated July 12, 1981.
\nDonald Gramm to John La Montaine. 1 letter (manuscript, on personal letterhead). Dated March 28, [1981].<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\n\u201cL (Labounsky\u2014Lawrence).\u201d 20 letters.
\nCorrespondents represented: Ann A. Labounsky (Director, AGO National Competition on Organ Improvisation), Abrayem Lahoueine, Richard H. Laing (Dean, School of Art, East Carolina University), Philip Lambro (Symphonic-Operatic Repertory, G. Schirmer, Inc.), Max Landow, Louis Lane (Associate Conductor, The Cleveland Orchestra; Co-Conductor, Atlanta Symphony Orchestra),William P. Latham (Coordinator, Composers Workshop, North Texas State University), Isabella Laude (Editor, Music Clubs Magazine<\/em>, National Federation of Music Clubs), George Laverock (Executive Producer, Radio Music, Canadian Broadcasting Company), Arthur Lawrence (Editor, The Diapason<\/em>), Harold Lawrence (Mercury Records, Inc.).<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\n\u201cL (Leach\u2014Lewis).\u201d 16 letters.
\nCorrespondents represented: Marion D. Leach (Manager, Washington Cathedral Choral Society), Joseph Leavitt (Executive Director, Wolf Trap Foundation), Daphne Leeds (Assistant Commissioner, US Department of Commerce), Vincent A. Lenti (Director, Preparatory Department, Eastman School of Music), Jerald Lepinski (Conductor, Classic Chorale), Omar K. Lerman (General Administrator, Foundation for American Dance, Inc.), [James] Levine (Music Director, Metropolitan Opera), David Lewis (Virgin Records Megastore), Richard Lewis.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\n\u201cL (Lieberman\u2014Lunde).\u201d 20 letters.
\nCorrespondents represented: Fred Lieberman (Concert Management, Eastman School of Music), Helen Lightner (New York University), Nelson Linaburg (American Guild of Organists, Norfolk Chapter), David Lloyd (Lake George Opera Festival), Robert Lodine (Fourth Presbyterian Church), Ralph W. Loew (Pastor, Holy Trinity Lutheran Church), Odean Long (University of Victoria), Los Angeles Times<\/em> Editor of \u201cThe Calendar,\u201d W. McNeil Lowry (Director, The Ford Foundation), Otto Luening, Alvin Lunde (Director, Washington Chamber Orchestra).<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\n\u201cM (Macdonald\u2014McElheran).\u201d 20 letters.
\nCorrespondents represented: Donald Macdonald (Crane School of Music, SUNY Potsdam), Beth Mackenzie (Producer, \u201cOdyssey,\u201d NBC), Warren MacKenzie (Vice President, Carl Fischer, Inc.), Francis Madeira (Musical Director, Rhode Island Philharmonic Orchestra), Norma Lee Madsen (Former National Second Vice-President, Mu Phi Epsilon), Mrs. Magnusen, Fritz Mahler (Musical Director, Hartford Symphony Orchestra), Elizabeth L. Mahaffey (Secretary, Pulitzer Music Jury), Martin Mailman (North Texas State University), Ken Malucelli, Edward D. Maryon (Dean, College of Fine Arts, University of Utah), Helen [May], John Richards McCrae (Converse College), Robert J. McCracken (Minister, The Riverside Church), John McCreary, Brock McElheran (Conductor, Crane Chorus, SUNY Potsdam).<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\n\u201cM (Melniker\u2014Myers).\u201d 21 letters.
\nCorrespondents represented: Mrs. J. H. Melniker, George Mendelssohn, Dorothy Mesney, Carl Michaelson (Manager, Copyright and Royalty Department, Carl Fischer, Inc.), John Michel (American Composers Forum), Mac Morgan, James R. Morris (Director, Division of Performing Arts, Smithsonian Institution), Thomas E. Morrison (Assistant to the Precentor, Washington Cathedral; Manager, Cathedral Choral Society, Washington Cathedral), Lawrence Morton (Music Editor, Masterworks, Columbia Records), Dana Muller and Gary Steigerwalt, Philip J. Mullen (Kennedy Center), Bob Myers.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nEdwin McArthur. 7 letters. Includes:
\nEdwin McArthur to John La Montaine. 7 letters (7 typescript, 7 on personal letterhead). Dated October 27, 1971; November 25, 1971; January 12, 1972; December 28, 1972; January 28, 1973; February 11, 1973; June 2, 1973.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nDonald E. McGinnis. 6 letters. Includes:
\nDonald E. McGinnis to John La Montaine. 6 letters (6 typescript, 6 on letterhead for The Ohio State University). Dated April 13, 1972; December 18, 1972; April 11, 1973; June 19, 1974; August 26, 1974; February 17, 1976.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nHoward Mitchell. 9 letters. Includes:
\nHoward Mitchell to John La Montaine. 9 letters (9 typescript, 8 on letterhead for The National Symphony Orchestra, 1 on personal letterhead). Dated February 8, 1957; September 10, 1957; November 4, 1957; November 19, 1957; December 30, 1957; June 2, 1959; January 6, 1960; November 16, 1966; April 10, 1973.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nDimitri Mitropoulos. 6 items. Includes:
\nDimitri Mitropoulos to John La Montaine. 5 letters, 1 duplicate facsimile (5 typescript, 3 on personal letterhead). Dated January 28, 1952; April 22, 1952; March 27, 1954; November 6, 1954; March 5, 1959.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nMerle Montgomery. 13 letters. Includes:
\nMerle Montgomery to John La Montaine. 11 letters (5 typescript, 6 ink manuscript, 1 on letterhead for Carl Fischer, Inc.; 4 on letterhead for the National Federation of Music Clubs, 2 on letterhead for the Mu Phi Epsilon Memorial Foundation, 1 on letterhead for the National Music Council; . Dated November 2, 1967; February 20, 1968; November 6, 1972; November 20, 1972; February 19, 1973; April 17, 1984; April 19, 1984; May 9, 1984; April 8, 19xx; May 9, 19xx; 1 undated.
\nJohn La Montaine to Merle Montgomery. 2 letters (2 typescript, 1 on personal letterhead). Dated November 7, 1967; January 15, 1985.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\n\u201cN, O.\u201d 14 letters.
\nCorrespondents represented: Wendell Nelson (University of California, Santa Barbara), The New York Times<\/em> Editors, W. Roy Newsom (President, Whittier College), Robert J. Noerr (Manager, National Symphony Orchestra), Jessye Norman, Grover J. Oberle (Organist and Choirmaster, Christ and St. Luke\u2019s Church), Orpha Ochse (Quaker Festival chairman, Whittier College), Robert Oliver, Oregonian <\/em>Editor, Carole Ouziel (Ballantine Books, Inc.), Seiji Ozawa (Music Director, Boston Symphony Orchestra).
\nCorrespondence with New York Times <\/em>Editor(s) accompanied by:
\nJanuary 20, 1961: Article \u201cDo We Need a New National Anthem?\u201d 2 pp. of text.
\nSeptember 15, 1995: Analysis of excerpt from Chopin A Minor Prelude. 1 p. of music.
\nLetter to from John La Montaine to Jessye Norman (dated March 30, 1981) accompanied by:
\nJohn La Montaine to Beverly Sills (Director, New York City Opera). 1 letter (typescript, on personal letterhead). Dated March 30, 1981.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\n\u201cP.\u201d 18 letters.
\nCorrespondents represented: Willis Page (Conductor, Jacksonville Symphony), Catherine Parsons (New York City Opera Co.), William Partridge (Minister, University Baptist Church), Donald Peck (Principal Flute Emeritus, Chicago Symphony Orchestra), Norman Pellegrini (WFMT), David L. Phillips (Director of Broadcasting, WPSX-TV, Pennsylvania State University), Robert Plimpton (Director of Music and Fine Arts, Bryn Mawr Presbyterian Church), Jan Popper (UCLA), Harold Powell (Klavier Records), Robert Pratt, Robert P. Prichard (Director of Music, Pasadena Presbyterian Church), John Proffitt (WXXI).<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nEliot Porter. 6 letters. Includes:
\nJohn La Montaine to Eliot Porter. 2 letters (2 typescript, 1 on personal letterhead). Dated April 27, 1971; 1 undated.
\nEliot Porter to John La Montaine. 4 letters (4 typescript, 4 on personal letterhead). Dated March 8, 1971; April 22, 1971; May 22, 1971; September 20, 1971.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 19″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619116470854{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=”.vc_custom_1619456531420{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\n\u201cR.\u201d 27 letters.
\nCorrespondents represented: Phillip Ramey, Simon Rattle, Bill Reynolds (Voice of America), Maria F. Rich (Editor, Central Opera Service Bulletin<\/em>), Wayne Richards (University of Utah), Florence R. Richman (Supervisor, Radio Programs and Educational Features, NBC), S. Dillon Ripley (Secretary, Smithsonian Institution), Susan Robertson (Public Affairs Manager, Eastman School of Music), Kane E. Robison (Minister, First Friends Church), Richard Rodzinski (Artistic Assistant to the General Director, San Francisco Opera), Bernard Rogers, Ned Rorem, Adam Ross (Assistant to the President, Musicians Union Local 47), Jay Rubanoff (Manager, Los Angeles Philharmonic Orchestra), Max Rudolf (Music Director, Cincinnati Symphony Orchestra), Robert G. Ruetz (University of Nebraska at Omaha), Dean Rusk (Secretary of State).<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nJulius Rudel. 6 items. Includes:
\nJohn La Montaine to Julius Rudel. 3 letters, 1 duplicate facsimile (3 typescript, 1 on personal letterhead). Dated September 23, 1969; September 10, 1970; December 15, 1975.
\nJulius Rudel to John La Montaine. 2 letters (2 typescript, 2 on letterhead for the New York City Opera). Dated September 25, 1970; April 5, 1976.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\n\u201cS (Saltiel\u2014Skrowaczewski).\u201d 29 letters.
\nCorrespondents represented: David M. Saltiel (Nutter, McClennen & Fish), Ramon Salvatore, Roberta Savler (Publication Director, Editor, Summy-Birchard Co.), Alex Saron (Classical Program Department, Philip\u2019s Phonographic Industries), John Schaefer (Grace and Holy Trinity Cathedral), Paul Schiavo (Editor, American Concert Note Service), Thomas Schippers (Music Director, Cincinnati Symphony Orchestra; per pro. Barbara Morgan, Secretary to Thomas Schippers), Raymond A. Schirmer (Business Manager, Eastman School of Music), Hans Schwieger (Music Director, Kansas City Philharmonic), Robert E. Seaver (Director, Program in Religious Drama, Union Theological Seminary), Robert Shaw (Music Director, Atlanta Symphony Orchestra; per pro. Nola Frink, Administrative Assistant), Robert Sherman (WQXR), Beverly Sills (Director, New York City Opera), Stanislaw Skrowaczewski (Music Director, Minneapolis Symphony Orchestra).<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\n\u201cS (Slatkin\u2014Stein).\u201d 30 letters.
\nCorrespondents represented: Leonard Slatkin (Music Director, National Symphony Orchestra), Howard Slenk (Calvin College), Nicolas Slonimsky, Andr\u00e9 M. Smith, Catherine S. Smith, Barry Snyder, Georg Solti (Music Director, Royal Opera House, Covent Garden; Music Director, Chicago Symphony Orchestra; per pro. Lucille K. Griffin, Secretary), George Spokin (Fine Arts Quartet), Louis Sosland, Marie Sparks (San Francisco Boys Chorus President), Patricia Spencer, Melinda K. Spratlan (Chairman, Department of Music, Mount Holyoke College), Robert Sproull (President, University of Rochester), Howard E. Sprout, Russell Stanger (Music Director, Norfolk Symphony Orchestra), Philip Steen (Choir Director, Hamline University), Gary Steigerwalt, William Stein (Conductor, Battle Creek Symphony Orchestra).<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\n\u201cS (Steinberg\u2014Szell).\u201d 28 letters.
\nCorrespondents represented: William Steinberg (Music Director, Pittsburgh Symphony Society), Paul Steiner (Chanticleer Press, Inc.), Philip M. Stern (President, Philip M. Stern Family Fund), Charles E. Stevens (Acting Dean, School of Music, East Carolina University), Halsey Stevens, Leopold Stokowski, Michael C. Stone (Texas Tech University), Peter K. Storkerson, Leon J. Stout (Archivist, Pennsylvania State University), J. Gary Stuart (Director of Music, The Church of the Holy Spirit), Robert K. Stull (Operations Manager, National Symphony Orchestra), Marie Strasburger (Chairman, Celebrity Luncheon, New York Federation of Music Clubs), Louis Sudler (Chairman, Chicago Symphony Orchestral Association), Erin Sundquist, Mrs. Benjamin F. Swalin (North Carolina Symphony Society, Inc.), Frederick Swann (Director of Music, Riverside Church), George Szell (Music Director, Cleveland Orchestra).<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nFrancis B. Sayre, Jr. 8 letters. Includes:
\nFrancis B. Sayre, Jr., to John La Montaine. 6 letters (5 typescript, 1 ink manuscript, 6 on letterhead for Washington Cathedral). Dated November 6, 1962; March 20, 1964; February 24, 1966; February 20, 1969; October 28, 1969; February 18, 1977.
\nJohn La Montaine to Francis B. Sayre. 2 letters (2 typescript, 1 on personal letterhead). Dated January 27, 1977; January 28, 1977.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nCatherine Jouett Shouse. 23 letters. Includes:
\nCatherine (Kay) Shouse to John La Montaine. 16 letters (13 typescript, 3 ink manuscript, 6 on personal letterhead, 9 on letterhead for Filene Center, Wolf Trap Farm Park for the Performing Arts). Dated January 31, 1969; February 24, 1969; March 12, 1969; October 21, 1970; March 22, 1971; September 7, 1972; September 14, 1972; October 27, 1972; March 12, 1973; August 14, 1973; February 15, 1974; June 6, 1974; March 21, 1975; July 6, 1982; October 12, 1983; August 14, 1987.
\nJohn La Montaine to Catherine (Kay) Shouse. 6 letters (5 typescript, 1 ink manuscript, 5 on personal letterhead). Dated February 5, 1969; March 8, 1969; February 11, 1971; July 6, 1981; July 10, 1982; August 1987.
\nCatherine Jouett Shouse to William L. Denton (cc: John La Montaine). 1 letter (typescript, on letterhead for Filene Center, Wolf Trap Farm Park for the Performing Arts). Dated September 6, 1972.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nMorgan Simmons (Vice President, Hymn Society of America). 10 letters. Includes:
\nMorgan Simmons to John La Montaine. 7 letters (7 typescript, 7 on letterhead for Fourth Presbyterian Church). Dated November 12, 1976; November 28, 1976; January 2, 1977; January 26, 1977; May 25, 1977; June 14, 1977; June 26, 1977.
\nJohn La Montaine to Morgan Simmons. 3 letters (3 typescript, 1 on personal letterhead). Dated December 10, 1976; \u201cThe longest day 1077\u201d [after June 26, 1977]; July 18, 1980.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nBruce R. Smedley. 7 letters. Includes:
\nBruce R. Smedley to John La Montaine. 6 letters (6 typescript, 6 on letterhead for Volunteer State Community College). Dated July 23, 1976; August 17, 1976; October 26, 1976; February 2, 1977; February 16, 1977; February 21, 1977.
\nJohn La Montaine to Bruce Smedley. 1 letter (typescript, on letterhead for Be Glad Then America<\/em>). Dated July 26, 1976.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nClaudette Sorel. 6 letters. Includes:
\nClaudette Sorel to John La Montaine. 4 letters (4 typescript, 4 on letterhead for Mu Phi Epsilon Memorial Foundation). Dated December 15, 1965; September 4, 1973; February 1, 1974; June 27, 1974.
\nJohn La Montaine to Claudette Sorel. 2 letters (2 typescript, 2 on personal letterhead). Dated July 18, 1973; January 18, 1974.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nW. Thomas Smith. 6 letters. Includes:
\nW.Thomas Smith to John La Montaine. 5 letters (5 typescript, 4 on letterhead for the Hymn Society of America). Dated May 26, 1977; July 14, 1977; September 6, 1977; March 2, 1978; April 9, 1979.
\nJohn La Montaine to W. Thomas Smith. 1 letter (typescript, on personal letterhead). Dated July 18, 1980.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nLeo Sowerby. 14 letters. Includes:
\nLeo Sowerby to John La Montaine. 13 letters (13 ink manuscript, 6 on letterhead for the Cathedral of St. James, 7 on letterhead for the American Conservatory of Music). Dated January 15, 1957; January 21, 1957; March 9, 1957; July 14, 1957; November 27, 1957; October 5, 1958; December 11, 1958; January 21, 1959; February 2, 1959; April 5, 1959; May 13, 1959; May 23, [1959]; January 5, 1962.
\nJohn La Montaine to Leo Sowerby. 1 letter (ink manuscript). Undated.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\n\u201cT, [U], V.\u201d 23 letters.
\nCorrespondents represented: Augusta Read Thomas (Eastman School of Music), J. Mark Thompson (Northwestern State University), Time Magazine<\/em> Editor, Jocelyn Timothy, Robert Tobin, Richard Trythall, Nancy Poone Tufts (President-Elect, American Guild of English Handbell Ringers, Inc.), William Vickery (Assistant Dean, Aspen Music School), Hans Vigeland (First Congregational Church), John Vincent (Director, Huntington Hartford Foundation), Adolph Vogel (President, Elkan-Vogel Music Publishers), Arnold S. Vorster (Senior Minister, Central United Methodist Church).
\nLetter from John La Montaine to Robert L. B. Tobin (dated January 8, 1992) accompanied by:
\nJohn La Montaine to Jessye Norman. 1 letter (typescript). Dated January 6, 1992.
\nJohn La Montaine to Kay [Shouse]. 1 letter (typescript, on personal letterhead). Dated January 8, 1992.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\n\u201cW (Wagner\u2014Weintraub).\u201d 22 letters.
\nCorrespondents represented: Sister Mary Jane Wagner (Dean, American Guild of Organists), Arnold Walker (Music Director, KUOM, University of Minnesota), Edgar Z. Wallower (President, Harrisburg Symphony Association), Walt Walters (Dean, College of Arts and Architecture, Pennsylvania State University), John Owen Ward (Manager, Music Department, Oxford University Press), Robert Ward (Managing Editor, Galaxy Music Corp.), Robert Washburn (Crane School of Music, SUNY Potsdam), William Watkins (Director of Music, Georgetown Presbyterian Church), Brett Watson (East Carolina University), Donald Waxman (Managing Editor, Galaxy Music Corp.), Harold Weller (Music Director, Flagstaff Symphony Orchestra), LaVon West (Secretary, Repertory Dance Theatre, University of Utah), Stanley Weintraub (Pennsylvania State University Institute for the Arts and Humanistic Studies).<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\n\u201cW (Wilkinson\u2014Wyner).\u201d 27 letters.
\nCorrespondents represented: Kenneth Wilkinson (Decca Studios), David Russell Williams (Eastman School of Music), Reverend H. C. N. Williams (Coventry Cathedral), Mary T. Williams (Executive Secretary, American Academy in Rome), Richard C. Williams (Manager, Fresno Philharmonic Orchestra), Roy T. Will (Chairman, Division of Music, Boston University), Katherine S. Wilson (Chairman, Peninsula Music Festival), Keith Wilson (Director, Music Division, Yale University Summer School of Music and Art), Ransom Wilson, Raymond Wilson (Director of Summer Session, Eastman School of Music), Rayburn Wright (Eastman School of Music), Paul Wolfe (Director, New College Summer Music Festival), Gwendolyn C. Wood (Copyright Administrator, PBS), Joan Woodbury (University of Utah; Co-Director, Ririe-Woodbury Dance Co.), Yehudi Wyner.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nRichard D. Waggoner. 11 letters. Includes:
\nJohn La Montaine to Richard D. Waggoner. 5 letters (5 typescript, 3 on personal letterhead). Dated January 31, 1974; March 9, 1975; April 7, 1975; April 14, 1975; September 9, 1975.
\nRichard D. Waggoner to John La Montaine. 6 letters (6 typescript, 6 on letterhead for Hennepin Avenue United Methodist Church). Dated March 4, 1974; March 21, 1975; September 15, 1975; October 10, 1975; October 6, 1977; August 4, 1983.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nLucile (Mrs. Jack C.) Ward. 12 letters. Includes:
\nLucile Ward to John La Montaine. 9 letters (9 typescript, 8 on letterhead for the National Federation of Music Clubs). Dated July 18, 1983; April 11, 1984; January 5, 1986; March 14, 1986; October 14, 1986; February 11, 1991; November 20, 1992; January 4, 1994.
\nJohn La Montaine to Lucile Ward. 3 letters (3 typescript, 2 on personal letterhead). Dated April 3, 1984; April 14, 1984; February 27, 1992.
\nLetter from Lucile Ward to John La Montaine (undated) accompanied by:
\nInk manuscript postscript. Undated.
\nLucile Ward to Louis Sudler. 1 letter (typescript, on letterhead for the National Federation of Music Clubs). Dated April 17, 1987.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nEvan Whallon (and family). 7 letters. Includes:
\nEvan Whallon to John La Montaine. 6 letters (6 typescript, 1 on letterhead for the Springfield Symphony Orchestra, 2 on letterhead for the Columbus Symphony Orchestra). Dated November 10, 1952; November 9, 1958; April 23, 1959; May 8, 1962; January 8, 1963; 1 undated (ca. 1959).
\nEric Whallon, Paul Whallon, Harriet Whallon, and Jeanne Burrous, without named recipient. 1 letter (typescript). Dated June 16, 1998.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\n\u201c[X], [Y], Z.\u201d 3 letters.
\nCorrespondents represented: Daniel Zager, Michael J. Zissu.
\nLetter from Daniel Zager to John La Montaine accompanied by:
\nSandy Lemmon (Head of Acquisitions and Serials), without named recipient. 1 letter (typescript, on letterhead for Sibley Music Library). Dated November 2000. Annotations in ink and pencil on letter.
\nPurchase order for Sibley Library. Typescript, dated November 8, 2000. 1 p. of music.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nPearl Yeadon. 7 items. Includes:
\nPearl Yeadon to John La Montaine. 6 letters (4 typescript, 2 ink manuscript), 1 printout of email. Dated December 24, 1993; June 12, 1994; August 6, 1998; May 1, 2003; November 10, 2004; 1 undated.
\nJohn La Montaine to Pearl Yeadon. 1 letter (typescript, on personal letterhead). Dated July 7, 2003.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nUnknown correspondents. 13 letters. Includes:
\nJohn La Montaine to \u201cCatherine.\u201d 1 letter (typescript, on personal letterhead). Dated May 1, 1979.
\nJohn La Montaine to \u201cFaith.\u201d 2 letters (2 typescript, 2 on personal letterhead), 1 duplicate facsimile. Dated October 3, 1967; 1 undated.
\n\u201cFred\u201d to John La Montaine. 1 letter (typescript). Undated.
\nJohn La Montaine to \u201cGeorge.\u201d 1 letter (typescript, on personal letterhead). Dated September 1968.
\n\u201cJo\u201d to John La Montaine. 2 letters (2 typescript, 2 on letterhead for the Washington Cathedral). Dated February 4, 1974; November 18, 1969.
\n\u201cJohn\u201d to John La Montaine. 1 letter (ink manuscript, on letterhead for the Eastman School of Music). Dated September 12, 1962.
\nUnknown [Karen?] to John La Montaine. 1 letter (typescript, on letterhead for the Eastman School of Music), incomplete. Annotations in ink on letter. Dated December 22, 1999.
\n\u201cLilith\u201d to John La Montaine. 2 letters (2 typescript, 2 on letterhead for the Eastman School of Music). Dated October 3, 1969; March 6, 1969.
\nJohn La Montaine to \u201cMartha.\u201d 1 letter (typescript). Undated.
\n\u201cTom\u201d to John La Montaine. 1 letter (typescript, on letterhead for Whittier College). Dated July 20, 1977.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series B: Correspondence to\/from Paul Sifler<\/em><\/strong><\/span><\/p>\n

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folder 23<\/strong><\/td>\n\u201cA\u2014M.\u201d 29 letters.
\nCorrespondents represented: William H. Allison (Associate Director, Institute for the Arts and Humanistic Studies, Pennsylvania State University), ASCAP committees and officials (ASCAP Awards Panel, Rudolf Nissim, Paul Marks), John Bodinger (Director of Music, Downtown United Presbyterian Church), Phillip Brunelle (Plymouth Congregational Church, Mildred Buttrey (Choir Director, St. Stephen\u2019s Episcopal Church), Paul Callaway (Washington Cathedral), Judith Carman (Chairman, Committee on American Song, National Association of Teachers of Singing, Inc.), Mary Wallace Davidson (Librarian, Sibley Music Library), William L. Denton (Manager, National Symphony Orchestra), Angelo Eagon (US Information Agency), Henry Fusner (Church of the Covenant), Pamela Harris (Ensemble Librarian, School of Music, University of Miami), Wiley F. Hance (Manager of Public Affairs, ABC), Hans Walter Jug (Bundesakademie f\u00fcr musikalische Jugendbildung), Richard P. Kapp (Program Officer, Ford Foundation), Mary H. Krouse (Secretary to Eugene Ormandy, Philadelphia Orchestra Association), Warren G. MacKenzie (Vice President, Carl Fischer, Inc.), M. Scott Mampe (Director, Classical Division, Mercury Record Productions, Inc.).<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\n\u201cN\u2014Z.\u201d 24 letters.
\nCorrespondents represented: National Endowment for the Arts Music Program members, David L. Phillips (Director of Broadcasting, WPSX-TV, Pennsylvania State University), Mrs. William R. Phillips (Director of Music, Home Moravian Church), Seymour Rosen and Sid Kaplan, Robert D. Schaaf (Director of Catholic Music, Fort Myer Memorial Chapel), William Shookhoff (Assistant Conductor, Portland Opera Association), Catherine Jouett Shouse, Sierra Club Bulletin<\/em> Editor (William Bronson), Stanislaw Skrowaczewski (Music Director, Minnesota Orchestra; per pro. Nada M. Oslund, Secretary), Bruce R. Smedley (Volunteer State Community College), Lester Troob (Book of the Month Club), Philip A. Welter (Chairman, Music Department, Cathedral High School), Hans Wolf (Seattle Opera Co.), Michael Zissu.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series C: Other correspondents <\/em><\/strong><\/span><\/p>\n

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folder 25<\/strong><\/td>\nCorrespondents other than John La Montaine and Paul Sifler. 18 letters. Includes:
\nWilliam H. Allison to Seymour L. Rosen. 1 letter (typescript, on letterhead for the Institute for the Arts and Humanistic Studies, Pennsylvania State University). Dated December 1, 1977.
\nWilliam H. Allison to Tracey Woodward. 1 letter (typescript, on letterhead for the Institute for the Arts and Humanistic Studies, Pennsylvania State University). Dated September 22, 1977.
\nOliver Daniel to Grawemeyer Music Award Committee (University of Louisville). 1 letter (typescript, on personal letterhead). Dated December 26, 1984. Accompanied by typescript biographical sketch. 1 p. of text.
\nHenry Fogel to Catherine Jouett Shouse. 1 letter (typescript, on letterhead for the National Symphony). Dated May 12, 1982.
\nRobert Freeman to David Effrom (cc: John La Montaine). 1 letter (typescript, on letterhead for the Eastman School of Music). Dated May 26, 1992.
\nRuth Ginzberg to Broude Bros. Ltd. 1 letter (typescript). Dated July 22, 1974.
\nPhilip Lambro to Jaye Rubanoff (Los Angeles Philharmonic). 1 letter (typescript). Dated December 28, 1965.
\nJohn M. Proffitt to Fredonia Press. 1 letter (typescript, on letterhead for WXXI). Dated December 10, 1984.
\nMstislav Rostropovich to Catherine Jouett Shouse. 1 letter (typescript, on letterhead for the National Symphony Orchestra). Dated September 11, 1981.
\nMax Rudolf to Julie M. North. 1 letter (typescript, on letterhead for the Cincinnati Symphony Orchestra). Dated March 23, 1959.
\nCatherine Jouett Shouse to Nina C. Brown. 1 letter (typescript, on letterhead for the Filene Center, Wolf Trap Farm Park for the Performing Arts). Dated April 11, 1975.
\nLeopold Stokowski (per pro. Jean K. Leslie, Executive Secretary) to John C. Chapin. 1 letter (typescript, on letterhead for the American Symphony Orchestra). Dated January 12, 1967.
\nRudolph Tauhert to the President of the United States [President John F. Kennedy]. 1 letter (typescript, on letterhead for G. Schirmer, Inc.). Dated January 20, 1961.
\nStanley Weintraub to Herbert Barrett. 1 letter (typescript, typescript, on letterhead for the Institute for the Arts and Humanistic Studies, Pennsylvania State University). Dated September 6, 1978.
\nStanley Weintraub to Marlow Froke. 1 letter (typescript, on letterhead for Pennsylvania State University Inter-Office Correspondence). Dated February 13, 1979.
\nStanley Weintraub to UCLA Librarian. 1 letter (typescript, on letterhead for Pennsylvania State University). Dated September 20, 1973.
\nTracey Woodward to Robert Baisley and R. Shank. 1 letter (typescript, on letterhead for the Los Angeles Grand Opera Association, Inc.). Dated September 12, 1977.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nLucile Ward Correspondence (cc: John La Montaine). 15 letters. Includes:
\nLucile Ward to Daniel Barenboim. 1 letter (typescript, on letterhead for the National Federation of Music Clubs). Dated February 20, 1991.
\nDaniel Barenboim (per pro. Martha Gilmer, Artistic Administrator) to Lucile Ward. 1 letter (typescript, on letterhead for the Chicago Symphony Orchestra). Dated March 4, 1990.
\nLucile Ward to John S. Edwards (General Manager, Chicago Symphony Orchestra). 2 letters (typescript, on letterhead for the National Federation of Music Clubs). Dated May 3, 1983; October 4, 1983.
\nLucile Ward to Henry Fogel (General Manager, Chicago Symphony Orchestra). 4 letters (4 typescript, 4 on letterhead for the National Federation of Music Clubs). Dated October 12, 1987; February 21, 1990; February 24, 1990; March 12, 1992.
\nHenry Fogel (per pro. Martha Gilmer, Artistic Administrator) to Lucile Ward. 1 letter (typescript, on letterhead for the Chicago Symphony Orchestra). Dated October 27, 1987.
\nLucile Ward to Robert Freeman. 5 letters (5 typescript, 5 on letterhead for the National Federation of Music Clubs). Dated March 10, 1992; April 19, 1992; November 15, 1992; October 30, 1993; December 30, 1993.
\nRobert Freeman to Lucile Ward. 1 letter (typescript, on letterhead for the Eastman School of Music). Dated January 6, 1995.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 4: Publicity and press materials<\/h3>\n

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<\/a>Sub-series A: Biographical information<\/em><\/strong><\/span><\/p>\n

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folder 1<\/strong><\/td>\nBiographical information. 9 documents. Includes:
\nFacsimile of biographical sketch in [Christopher Pavlakis], The American Music Handbook<\/em> (New York: Free Press, 1974), pp. 316, 341. 2 pp. of text.
\nFacsimile of biographical sketch from unidentified source. 2 pp. of text.
\nFacsimile of \u201cJohn La Montaine\u201d by James P. Cassaro, from Stanley Sadie, ed., The New Grove Dictionary of Music and Musicians<\/em>, vol. 14, p. 194. 1 p. of text.
\n\u201cBiographical Data for John La Montaine, Visiting Professor of Composition, University of Rochester\u2019s Eastman School of Music.\u201d Typescript. 2 pp. of text.
\n\u201cBiographical Information Concerning John La Montaine.\u201d Typescript. 1 p. of text.
\nPrintout of \u201cJohn La Montaine,\u201d by James P. Cassaro, from L. Macy, ed., The New Grove Dictionary of Music Online<\/em>, www.grovemusic.org (Accessed January 31, 2003). 1 p. of text.
\n\u201cJohn La Montaine: Biographical Information.\u201d Typescript. 1 p. of text.
\n\u201cLa Montaine\u201d biographical sketch. Typescript. 1 p. of text.
\n\u201cJohn La Montaine 1920–.\u201d Biographical sketch by unidentified author. Incomplete (pp. 1-14, 18). Typescript. 15 pp. of text. Accompanied by facsimile of John La Montaine, \u201cNew and Old Precepts for Composers.\u201d 2<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series B: Resume and works lists<\/em><\/strong><\/span><\/p>\n

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folder 2<\/strong><\/td>\nResume and works lists. 7 documents. Includes:
\nRepertoire list, in pencil. 4 pp. of text.
\n\u201cJohn La Montaine: Account of Career.\u201d Typescript. 1 p. of text.
\nPrintout of \u201cResume of John LaMontaine,\u201d from www.geocities.yahoo.com\/filemanager\/advancededitor (Accessed May 14, 2004). Incomplete (pp. 1, 3). 2 pp. of text.
\nList of commissions and orchestras that have performed La Montaine compositions. Typescript. 1 p. of text.
\n\u201cListing for International Biographical Center: La Montaine, John.\u201d Typescript. 1 p. of text.
\nPrintout of library catalog records for compositions by John La Montaine (possibly from Sibley Music Library).
\nTypescript. 13 pp. of text.
\nNotes about study scores and parts, in pencil. 1 p. of text.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series C: Programs, articles, and reviews<\/em><\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 3<\/strong><\/td>\nToccata, Op. 1. For solo piano. Programs and press materials, 1988. 1 concert program.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nFour Songs, Op. 2. For soprano and piano. Programs and press materials, 1992-94. 3 concert programs.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nSonata for Piano, Op. 3. Programs and press materials, 1984-92. 8 documents. Items include:
\n6 concert programs.
\n1 press clipping, 2 facsimiles of press clippings.
\nFacsimile of magazine article: Paul A. Snook, review of \u201cMusic in the American Grain,\u201d Fanfare <\/em>(November\/December 1992).
\n1 press release, on letterhead for Nathan J. Silverman Co. Public Relations, dated July 1992.
\n1 flyer (advertisement) for recording.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nTwo Songs for Soprano, Op. 4. Programs and press materials, 1974, 1 undated. 2 concert programs.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nSongs of the Rose of Sharon<\/em>, Op. 6. Programs and press materials, 1956-96, 2 undated. 41 documents. Items include:
\n23 concert programs, 1 separate program notes and text.
\n6 press clippings, 1 facsimile of press clipping, 1 facsimile collage of press clippings (with duplicates).
\n2 binder collections of facsimiles of press clippings. 14 pp. of text.
\nEnglish translations of Italian reviews of performance at Teatro di San Carlo, Naples, conducted by Robert Feist. 1 p. of text.
\n1 press release, on letterhead for Southwest Missouri State University, dated March 30, 1995.
\nTypescript excerpts from reviews of Songs of the Rose of Sharon<\/em>, with comments from the composer, on letterhead for Dorian Records. 3 pp. of text.
\n4 letters:
\nMargaret Flower to John La Montaine, typescript, on letterhead for the National Symphony Orchestra, dated July 10, 1972.
\nThor [Johnson] to John La Montaine, typescript, on letterhead for the Nashville Symphony Association, dated December 6, 1972.
\nMax Rudolf to John La Montaine, ink manuscript, on letterhead for the Cincinnati Musical Festival Association, dated May 12, 1963.
\nStuart Ball to John La Montaine, facsimile of typescript letter, on letterhead for the Orchestral Association [Chicago], dated July 8, 1975.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nSonata for \u2018Cello and Piano, Op. 8. Programs and press materials, 1967-88, 1 undated. 5 documents. Items include:
\n4 concert programs.
\n1 press clipping.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nConcerto for Piano and Orchestra, Op. 9. Programs and press materials, 1958-90, 4 undated. 45 documents. Items include:
\n13 concert programs (with 1 duplicate), 1 separate booklet of program notes, 1 p. of program notes from unidentified concert program.
\n3 concert\/festival season brochures:
\nCincinnati Symphony Orchestra, dated 1960-61. 15 pp.
\nPeninsula Music Festival, dated August 6-21, 1976.
\nWaterbury Symphony Orchestra, dated 1989-90.
\n9 press clippings (with 1 duplicate facsimile), 3 facsimiles of press clippings, 1 collage of press clippings, 1 facsimile collage of press clippings (with duplicates).
\n1 binder collection of facsimiles of press clippings. 7 pp.
\n2 articles:
\nArticle from Musical Courier <\/em>(January 1959): 19-20.
\nFacsimile of \u201cCurrent Chronicle\u201d from Musical Quarterly<\/em> (n.d.), pp. 235-37. 3 pp. of text.
\n1 catalog of recordings, from The American International Music Fund, Inc., Recording Guarantee Project, dated 1957-59. 10 pp. of text.
\n1 flyer (advertisement). 1 p. of text.
\n6 letters:
\nBoris Sokoloff to John La Montaine, typescript, on letterhead for the Minneapolis Symphony Orchestra, dated December 4, 1958.
\nThor Johnson to John La Montaine, 3 letters (3 typescript, 2 on letterhead for the Nashville Symphony Association, 1 on personal letterhead), dated May 7, 1970; May 22, 1970; July 28, 1970.
\nLenore R. Farness to John La Montaine, typescript, on letterhead for the Civic Music Association of Milwaukee, dated October 9, 1972.
\nJohn La Montaine to Donald Waxman, typescript, on letterhead for Fredonia Press-Discs, dated June 21, 1983.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nTwelve Relationships<\/em>, Op. 10, and Canons for Orchestra<\/em>, Op. 10a. Programs and press materials, 1953-94. 3 documents. Items include:
\n1 concert program.
\n1 concert season brochure: Springfield Symphony Orchestra, dated 1953-54.
\n1 facsimile of press clipping.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nOde for Oboe and Orchestra<\/em>, Op. 11. Programs and press materials, 1972-73. 1 concert season brochure: Harrisburg Symphony Orchestra., dated 1972-73.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nSix Sonnets of Shakespeare<\/em>, Op. 12. Programs and press materials, 1960-93, 1 undated. 10 documents. Items include:
\n5 concert programs, 1 excerpt from conference program booklet.
\n2 concert flyers.
\n1 press clipping, 1 facsimile of press clipping.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nSongs of the Nativity, <\/em>Op. 13. Programs and press materials, 1963-82, 1 undated. 12 documents. Items include:
\n8 concert programs, 1 invitation to concert (includes concert program).
\n1 facsimile of church bulletin.
\n1 repertoire booklet for Whittier College Choir, 1977-78.
\n1 press clipping.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nFuguing Set<\/em>, Op. 14. Programs and press materials, 1966-67. 3 concert programs.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nString Quartet, Op. 16, and Recitative, Aria, and Finale<\/em>, Op. 16a. Programs and press materials, 1962-76. 11 documents. Items include:
\n7 concert programs.
\n1 invitation to concert (includes concert program).
\n3 letters:
\nJohn Pozdro to John La Montaine, typescript, dated February 10, 1962.
\nAda Honderick to John La Montaine, ink manuscript, on letterhead for the National Federation of Music Clubs, dated June 10, 1975.
\nMerle Montgomery to John La Montaine, typescript, on letterhead for the National Music Council, dated April 9, 1976.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nSanctuary<\/em>, Op. 17. Programs and press materials, 1968. 4 documents. Items include:
\n2 religious service programs (with 1 duplicate program).
\n1 letter: \u201c[illegible]\u201d [Ross Rosazza] to \u201cJungo\u201d [John La Montaine], typescript, on letterhead for Rollins College, dated October 21, 1968.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nSix Dance Preludes<\/em>, Op. 18. Programs and press materials, 2007. 1 typescript liner notes to Steven Graff Plays Piano Music from America\u2019s First and Second Cities<\/em>, notes by Phillip Ramey. 8 pp. of text.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nNonsense Songs from Mother Goose<\/em>, Op. 19. Programs and press materials, 1973, 1 undated. 3 documents. Items include:
\n2 concert programs (with 1 duplicate program).<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nJubilant Overture<\/em>, Op. 20. Programs and press materials, 1959-82, 2 undated. 9 documents. Items include:
\n5 concert programs.
\n1 newsletter, \u201cNew Music for the New Year from the Carl Fischer Rental Library,\u201d undated. 2 pp. of text.
\n2 letters:
\nVernon Kirkpatrick to John La Montaine, typescript, on letterhead for the National Symphony Orchestra, undated [ca. 1971].
\nDonald E. McGinnis to John La Montaine, typescript, on letterhead for The Ohio State University, dated March 8, 1972.
\n1 typescript biographical sketch. 1 p. of text.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nColloquy for Strings<\/em>, Op. 21. Programs and press materials, 1956-84, 2 undated. 15 documents. Items include:
\n8 concert programs.
\n1 facsimile of flyer: \u201cCBC British Columbia Radio Programs Jan-Mar 1980.\u201d 1 p. of text.
\n4 press clippings.
\n1 binder collection of press clippings. 3 pp.
\n1 letter: Michael Charry to John La Montaine, ink manuscript, on letterhead for the Cleveland Orchestra, undated.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nWonder Tidings<\/em>, Op. 23. Programs and press materials, 1964-96, 2 undated. 34 documents. Items include:
\n10 concert programs (with 1 duplicate program), 1 concert flyer.
\n1 yearbook: American Guild of Organists Pasadena Chapter, 1969-70 (includes reprints of concert programs).
\n9 religious service programs (with 2 duplicate programs).
\n3 press clippings, 2 facsimiles of press clippings.
\n1 press release, dated December 1968.
\n2 articles:
\nReview of \u201cMusic by John La Montaine,\u201d by Seth Bingham, from The American Organist<\/em> (June 1967), pp. 9-10.
\nSamuel Walter, \u201cIn Our Opinion,\u201d from The American Organist<\/em> (August 1967), pp. 5-6.
\nComposer\u2019s notes, typescript, undated. 1 p. of text.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nSonata for Flute Solo, Op. 24, and Quartet for Woodwinds, Op. 24a. Programs and press materials, 1959-97, 1 undated. 19 documents. Items include:
\n10 concert programs (with 2 duplicate programs), 1 festival program booklet.
\n1 invitation to concert (includes concert program).
\n1 press clipping, 1 facsimile of press clipping.
\n1 facsimile collage with 1 concert program and 1 press clipping.
\n2 letters:
\nPaul Wolfe to John La Montaine, typescript, on letterhead for New College, dated May 5, 1969. Accompanied by list of concerts for 1969 New College Summer Music Festival.
\nDoriot Dwyer to John La Montaine, ink manuscript, dated April 21, 1997. On reverse: flyer for concert.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nSonata for Piano Four Hands, Op. 25. Programs and press materials, 1967-75, 1 undated. 7 documents. Items include:
\n3 concert programs.
\n2 press clippings, 2 facsimiles of press clippings.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nSymphony No. 1, Op. 28. Programs and press materials, 1958. 2 documents. Items include:
\n1 concert program with press clipping pasted on cover; 1 festival brochure.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nFragments from the Song of Songs<\/em>, Op. 29. Programs and press materials, 1957-84. 16 documents. Items include:
\n8 concert programs.
\n2 press clippings (with 1 duplicate facsimile), 5 facsimiles of press clippings.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nOverture: From Sea to Shining Sea<\/em>, Op. 30. Programs and press materials, 1961-2006. 13 documents. Items include:
\n2 concert programs, 1 printout of email outlining concert program.
\n5 press clippings, 1 facsimile of press clipping.
\n1 press release, on G. Schirmer letterhead, undated.
\n1 newsletter: University of Rochester Parents Letter, Vol. 111, No. 6 (March 1961) (with facsimile duplicate).
\n1 letter: John La Montaine to Mr. Tauhert, typescript, with annotation in red ink, undated.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nNovellis, Novellis<\/em>, Op. 31. Programs and press materials, 1961-82, 2 undated. 22 documents. Items include:
\n7 concert programs, 2 concert posters, 1 concert mailing.
\n3 press clippings, 5 facsimiles of press clippings.
\n1 invitation: Dr. and Mrs. Vahe H. Simonian, invitation to post-concert reception, November 30, 1978.
\n2 letters:
\nBob Holton to John La Montaine, typescript, signed in ink, on Washington Cathedral letterhead, dated December 11, 1961.
\nCarl Gerbrandt to John La Montaine, typescript, signed in ink, on Southern Baptist Theological Seminary letterhead, dated January 6, 1982.
\n1 typescript composer\u2019s notes.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nA Summer\u2019s Day<\/em>, Op. 32. Programs and press materials, 1964. 3 documents. Items include:
\n1 concert program.
\n2 press clippings (with 2 duplicate facsimiles).<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nBirds of Paradise<\/em>, Op. 34, and Nightwings<\/em>. Programs and press materials, 1964-88. 33 documents. Items include:
\n7 concert programs (with 1 duplicate facsimile of program notes), 1 concert series brochure, 2 concert season calendars, 1 concert mailing.
\n14 press clippings (with 2 duplicate facsimiles), 1 facsimile of press clipping, 1 article facsimile (unidentified source).
\n1 magazine cover: Dance Magazine<\/em> (September 1967) (2 copies, 1 laminated).
\n1 radio program guide: WNIB\/WNIZ Chicago, February 1988.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nTe Deum<\/em>, Op. 35. Programs and press materials, 1964-66. 3 documents. Items include:
\n2 concert programs, 1 dedication booklet (Washington Cathedral\u2019s \u201cGloria in Excelsis Tower,\u201d May 1964).<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nThe Earth is the Lord\u2019s<\/em>, Op. 36. Programs and press materials, 1965-91. 6 documents. Items include:
\n2 religious service programs, 1 convention program booklet.
\n2 press clippings (with 1 duplicate facsimile).<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nMass of Nature<\/em>, Op. 37, and Sacred Service <\/em>(Te Deum<\/em>, Birds of Paradise<\/em>, and Mass of Nature<\/em>). Programs and press materials, 1976. 3 documents. Items include:
\n1 concert program.
\n2 press clippings (with 1 duplicate facsimile).<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nThe Shephardes Playe<\/em>, Op. 38. Programs and press materials, 1966-69, 2 undated. 39 documents. Items include:
\n6 concert programs (1 laminated, 1 duplicate), 3 concert brochures, 1 concert mailing.
\n1 typescript program notes.
\n1 typescript libretto (booklet).
\n12 press clippings (with 1 duplicate facsimile), 1 facsimile of press clipping.
\n1 magazine article: \u201cGlamourlog,\u201d Glamour<\/em> (December 1967).
\n4 press releases:
\nFrom composer, on John La Montaine personal letterhead, undated.
\nFrom Washington National Cathedral, with annotation in ink, dated December 9, 1966.
\nFrom Los Angeles Municipal Arts Department, dated November 14, 1968.
\nFrom ABC Television Network, dated July 17, 1969.
\n1 telecast mailing.
\n3 brochures from publishers (Paul J. Sifler, Sole Selling Agent).
\n2 letters:
\nDavid J. Billeter to John La Montaine, typescript, signed in ink, on All Saints Church letterhead, dated April 25, 1976.
\nJohn La Montaine to David J. Billeter, typescript, dated June 10, 1976.
\n1 errata list.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nIncantation<\/em>, Op. 39. Programs and press materials, 1969-76, 1 undated. 6 documents. Items include:
\n1 concert program.
\n1 workshop brochure, 1 workshop program booklet.
\n1 press clipping (with 1 duplicate facsimile), 1 facsimile press clipping.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nErode the Greate, <\/em>Op. 40. Programs and press materials, 1970, 2 undated. 9 documents. Items include:
\n1 concert program, 1 concert mailing.
\n2 press clippings, 2 facsimile press clippings.
\n1 facsimile of magazine article (unidentified source).
\n1 brochure from publisher (Paul J. Sifler, Sole Agent).
\n1 typescript composer\u2019s notes.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nWilderness Journal, <\/em>Op. 41. Programs and press materials, 1970-91, 4 undated. 39 documents. Items include:
\n5 concert programs.
\n15 press clippings (with 6 duplicate facsimiles), 4 facsimiles of press clippings, 1 facsimile collage of press clippings (with duplicates).
\n1 magazine article: \u201cNew Organ, Capital Music in D.C.,\u201d Saturday Review<\/em> (October 28, 1972).
\n1 facsimile of magazine article: \u201cClassical Reviews,\u201d High Fidelity<\/em>, (n.d.).
\n1 press release: release for Opera News<\/em>, undated.
\n3 publisher publicity items:
\nMailing from West Coast Publications, Inc.
\nRecording flyer from Columbia Artists Management.
\nBrochure from Fredonia Press.
\n2 letters:
\nThomas Paul to Paul J. Sifler, ink manuscript, on personal letterhead, with annotations in pencil, dated April 30, 1982.
\nWilliam Vickery to John La Montaine, typescript, signed in ink, on Music Associates of Aspen Inc. letterhead, dated July 10, 1982.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nConversations<\/em>, Op. 42. Programs and press materials, 1973-97, 3 undated. 28 documents. Items include:
\n14 concert programs (with 2 duplicates), 1 copy of program notes (to unidentified concert).
\n1 convention booklet.
\n7 press clippings.
\n1 facsimile of magazine article: \u201cReviews,\u201d American String Teacher<\/em>, (n.d.) (with duplicate).
\n1 press release: National Music Council, dated May 24, 1978.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nBe Glad Then America<\/em>, Op. 43. Programs and press materials, 1973-87. 40 documents. Items include:
\n4 concert programs.
\n12 press clippings (with 3 duplicate facsimiles), 14 facsimiles of press clippings, 1 facsimile collage of press clippings (with duplicates).
\n1 magazine article: \u201cPenn State: La Montaine premiere,\u201d High Fidelity<\/em> (June 1976) (laminated).
\n1 newsletter excerpt: Penn State Intercom<\/em>, Vol. 2, No. 37 (June 14, 1973), with annotation in ink.
\n2 press releases:
\nFrom Pennsylvania State University, dated September 10, 1975.
\nFrom Fredonia Press, undated.
\n2 letters:
\nDonald E. McGinnis to John La Montaine, typescript, signed in ink, on The Ohio State University letterhead, dated November 18, 1975, with annotations in ink on reverse.
\nWilliam Allison to John La Montaine, typescript, on Pennsylvania State University Inter-Office Correspondence letterhead, dated April 5, 1982.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nThe Nine Lessons of Christmas<\/em>, Op. 44. Programs and press materials, 1973-94, 1 undated. 34 documents. Items include:
\n12 concert programs (with 1 duplicate), 1 concert flyer.
\n9 religious service programs (1 with typescript personal note, signed by Daniel Pinkham; 1 with note in ink, signed by Daniel Pinkham).
\n2 press clippings (with 1 duplicate facsimile), 1 facsimile of press clipping.
\n2 magazine articles:
\n\u201cDiscs,\u201d Pan Pipes <\/em>(1977).
\nFacsimile of Marion Bannerman, \u201cNew Music,\u201d American Harp Journal<\/em> (n.d.).
\n2 newsletters:
\nHennepin Avenue Centennial<\/em>, Vol. II, No. 26 (November 20, 1975).
\nExcerpt from Hennepin Avenue United Methodist Church paper, undated.
\n3 letters:
\nUnknown to John La Montaine, typescript, on letterhead for Southern Baptist Theological Seminary, dated January 6, 1982.
\nJohn J. Schaefer to John La Montaine, ink manuscript, on Grace and Holy Trinity Cathedral letterhead, dated October 27, 1986.
\nJohn Schaefer to John La Montaine, ink manuscript, on Grace and Holy Trinity Cathedral letterhead, dated February 16, 1987.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nThe Whittier Service<\/em>, Op. 45. Programs and press materials, 1979-96, 1 undated. 18 documents. Items include:
\n8 concert programs (with 1 duplicate program).
\n2 religious service programs.
\n1 concert announcement.
\n1 concert invitation.
\n1 typescript composer\u2019s notes, on letterhead for Fredonia Press.
\n1 press clipping.
\n1 magazine: The New Records: The Oldest Record Magazine in America<\/em>, vol. 48, no. 9 (November 1980).
\n1 church bulletin: The Messenger (First Presbyterian Church, Flint, MI)<\/em>, vol. 31, no. 50 (December 7, 1980).
\n1 letter: Dodie Lefebre to John La Montaine, typescript, on letterhead for ASCAP, dated February 28, 1985.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nConcerto for Flute and Orchestra, Op. 48. Programs and press materials, 1981, 3 undated. 13 documents. Items include:
\n3 concert programs (with 1 duplicate program), 1 festival program.
\n3 facsimiles of press clippings, 1 printout of archived press clipping.
\n1 excerpt from unidentified newsletter [from the University of Michigan].
\n1 publisher flyer, from Fredonia Press.
\n1 page musical annotations, in ink, by Doriot [Dwyer]. 1 p. of text.
\n1 letter: Andy Trudeau to John La Montaine, typescript, on letterhead for NPR, undated.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nTwo Scenes from the Song of Solomon, <\/em>Op. 49. <\/em>Programs and press materials, 1980-82. 5 documents. Items include:
\n4 concert programs, 1 concert flyer.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nSymphonic Variations<\/em>, Op. 50. <\/em>Programs and press materials, 1982-83. 8 documents. Items include:
\n2 concert programs.
\n1 excerpt from concert season brochure for the American Symphony [?]. 2 pp. of text.
\n3 press clippings, 1 facsimile collage of press clippings (with duplicates).
\n1 journal article: Terence J. O\u2019Grady, \u201cPeninsula Music Festival No. 30,\u201d Musical America<\/em>, pp. 31-34.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nThe Lessons of Advent<\/em>, Op. 52. <\/em>Programs and press materials, 1984-93. 7 documents. Items include:
\n2 concert programs.
\n2 religious service programs.
\n3 press clippings.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nThe Marshes of Glynn<\/em>, Op. 53. <\/em>Programs and press materials, 1984-94, 1 undated. 7 documents. Items include:
\n2 concert programs (with 2 duplicates of program with annotations).
\n2 press clippings, 1 facsimile of press clipping.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nConcerto for Piano and Orchestra, No. 2, Op. 54. <\/em>Programs and press materials, 1988-94. 5 documents. Items include:
\n1 concert program.
\n1 press clipping, 1 facsimile of press clipping.
\n2 letters:
\nJohn La Montaine to Henry Fogel, typescript, on personal letterhead, dated March 17, 1988.
\nJohn La Montaine to John Corigliano, typescript, on personal letterhead, dated April 20, 1988.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nThat Hallowed Season<\/em>, Op. 57. <\/em>Programs and press materials, 1976. 1 religious service program.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nConcerto for Piano and Orchestra, No. 4, Op. 59. <\/em>Programs and press materials, 1989-97, 3 undated. 23 documents. Items include:
\n2 concert programs.
\n2 concert season mailers.
\n1 press clipping, 12 facsimiles of press clippings.
\n1 excerpt from magazine: review of Ganz: Concerto in E flat for Piano and Orchestra \/ La Montaine: Concerto No. 4 for Piano and Orchestra <\/em>(compact disc), review by Peter Burwasser, Fanfare<\/em>, vol. 20, no. 4 (March-April 1997).
\n1 typescript transcription of review: review of Chicago Concertos <\/em>(compact disc), review by Stephen C. Hillyer, unidentified source. 11 pp. of text.
\n1 press release: from Post College, April 2, 1990.
\n1 transcript of interview with John La Montaine, by Joanne Morrow, WMNR, Waterburt, CT, April 1990. 10 pp. of text.
\n1 evaluation form, New England Foundation for the Arts. 2 pp. of text.
\n1 transcription of reviews, typescript, 1 p. of text.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nOf Age<\/em>, Op. 60. <\/em>Programs and press materials, 1991. 1 concert program.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nSonata for Piccolo, Op. 61. <\/em>Programs and press materials, 1994-98. 2 documents. Items include:
\n1 facsimile of concert program, with note from Zart Dombourian-Eby to John La Montaine on reverse, in ink.
\n1 letter: Mart\u00edn Auza to John La Montaine, typescript, dated September 8, 1998.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nEven Song. <\/em>Programs and press materials, 1963-2006. 17 documents. Items include:
\n8 concert programs (1 program with note from Peter Coster to John La Montaine, in ink), 1 draft concert program.
\n3 religious service program (1 program with note from \u201cJW\u201d to John La Montaine, in ink).
\n1 calendar of organ recitals.
\n1 press clipping.
\n3 letters:
\nCathy Leestma to John La Montaine, typescript, on letterhead for Festival of Concerts, Crystal Cathedral, dated February 4, 1983.
\nRichard Hynson to John La Montaine, typescript, on personal letterhead, dated October 30, 2006.
\nSteven Smith to John La Montaine, typescript, dated October 30, 2006.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nWorks without opus numbers: solo keyboard compositions. Programs and press materials, 1953-87. 7 documents. Items include:
\n2 concert programs: Scherzo, A Child\u2019s Picture Book<\/em>.
\n4 religious service programs: Prelude.
\n1 convocation program for Lawrence University: Processional.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nWorks without opus numbers: hymns and religious vocal music. Programs and press materials, 1952-81, 1 undated. 5 documents. Items include:
\n3 religious service programs: Gloria in Excelsis, Psalm 100, Holy Spirit, Holy Spirit, Font of Light, This is the Day, Dear Lord and Father.
\n1 convocation program for the Hymn Society of America: Three Hymns and an Anthem.
\n1 flyer, with composer notes and excerpts from Variations<\/em>, Op. 67, \u201cThoughts and Hymns.\u201d<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nWorks without opus numbers: solo vocal works. Programs and press materials, 1963-95. 10 documents. Items include:
\n9 concert programs: Three English Folk Songs, Stopping by Woods on a Snowy Evening, A Prayer for Evening, Three Poems of Holly Beye, Shall I Compare The to a Summer\u2019s Day, May the Roads Rise with You, Three American Folk Songs.
\n1 session program, National Federation of Music Clubs: A Child\u2019s Prayer, Stopping by Woods on a Snowy Evening, and lecture by John La Montaine.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nRecital programs with multiple compositions by John La Montaine. Programs and press materials, 1977-2003, 2 undated. 4 documents. Items include:
\n1 concert program (2003): The Lord is My Shepherd (Psalm XXIII); Stopping by Woods on a Snowy Evening; Four Songs for Soprano<\/em>, Op. 2; Two American Folk Songs; Three Poems of Holly Beye<\/em>, Op. 15; Three English Folk Songs; A Child\u2019s Prayer; A Fifteenth Century Carol; Schweitzer\u2019s Prayer; Je ne sais pas; That Special Part of You; Wanderer\u2019s Nachtlied; Invocation<\/em>, Op. 4; Six Sonnets of Shakespeare<\/em>, Op. 12; Freedom has a Thousand Charms from Be Glad Then America<\/em>.
\n1 concert program (undated), with autographs of performers and John La Montaine: Toccata for Piano<\/em>, Op. 1; Evening Song and Islanded in Thought, Op. 2; Sonata for Piano, Op. 3; A Child\u2019s Picture Book<\/em>, Op. 7; Five Sonnets of Shakespeare<\/em>, Op. 12; Fuguing Set<\/em>, Op. 14; Three American Folk Songs. 2 copies.
\n1 concert mailing (1997): Even Song<\/em>; Songs of the Nativity<\/em>, Op. 13a; Six Sonnets of Shakespeare<\/em>, Op. 12; Conversations for Viola and Piano<\/em>, Op. 44; Songs of the Rose of Sharon<\/em>, Op. 6.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nPrograms and press materials, filed as \u201cNot to be Read,\u201d 1966-97, 16 undated. 60 documents. Items include:
\n\u201cData concerting John La Montaine,\u201d typescript. 1 p. of text.
\n\u201cPress Comment,\u201d typescript, with annotations in pencil. 2 pp. of text.
\nBiographical sketch, typescript. 1 p. of text.
\nProgram notes, typescript, in French. 2 pp. of text.
\n20 press clippings, 23 facsimiles of press clippings, 3 facsimile collages of press clippings (with duplicates), 1 printout of archived press clipping.
\n1 facsimile of magazine article: review of La Montaine: Conversations, Op. 44<\/em> (recording), American String Teacher <\/em>(undated), p. 46.
\n1 press release: from National Music Council, dated May 24, 1978.
\n1 excerpt from unidentified newsletter [from Pennsylvania State University].
\n1 publicity flyer from Fredonia Press.
\n4 letters:
\nLarry G. Biser to John La Montaine, typescript, on personal letterhead, undated [before September 26, 1988].
\nJohn La Montaine to David Effron, typescript, dated January 28, 1994.
\nBarbara M. Irish to John La Montaine, typescript, on letterhead for the National Federation of Music Clubs, dated November 29, 1994.
\nMichael Klein to Publicity Department, Fredonia Discs Records, typescript, on letterhead for the University of Cincinnati, undated.
\nAccompanied by envelope labeled \u201cJLM Reviews, JLM note on this collection \u2018Not to be read.\u2019\u201d<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nPrograms and press materials for John La Montaine, pianist, 1942-55, 2 undated. 10 documents. Items include:
\n5 concert programs, 1 printout of jpg. reproductions of concert program
\n1 concert season flyer.
\n1 publicity flyer.
\n2 facsimiles of press clippings.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nPublicity and press materials associated with NBC Symphony Orchestra 1950 tour with Arturo Toscanini, 1950-68, 1 undated. 6 documents. Items include:
\nPortrait of Toscanini, by Allen S. Butler, Greenwood, SC. In pencil, on letterhead \u201cOn Tour with Maestro Arturo Toscanini.\u201d 1 p.
\nItinerary for 1950 tour, typescript. 4 pp. of text.
\n1 magazine article: \u201cToscanini on Tour,\u201d Allegro <\/em>(July 1950), pp. 9-14.
\n1 letter: Lucille Knapp to Curator, Toscanini Memorial Archives, facsimile of letter in ink, on letterhead for Wolsey Farm, dated March 25, 1968. Accompanied by brochure for the Toscanini Memorial Archives.
\nNewsletter from the Toscanini Memorial Archives, No. 3 (December 1968). 2 pp. of text.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nPublicity and press materials associated with John La Montaine\u2019s \u201cAfrican Odyssey,\u201d 1964-67, 1 undated. 8 documents. Items include:
\n3 press clippings, 1 facsimile of press clipping.
\n1 magazine article: \u201cAfrican Odyssey,\u201d Rochester Review <\/em>(March\/April 1965), pp. i-ii, 7-10.
\n2 press releases:
\nFrom the University of Rochester, dated December 4, 1964, with note in ink from John La Montaine to \u201cWillie & Peg and Kids.\u201d
\nFrom the University of Utah, dated May 16, 1967. Accompanied by 1 p. draft of press release with annotations in pencil.
\nUnidentified biographical account, incomplete. Typescript, labeled \u201cpage 4.\u201d 1 p. of text.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nPublicity and press materials pertaining to John La Montaine\u2019s other professional activities, 1961-96, 1 undated. 15 documents. Items include:
\n9 press clippings (with 1 duplicate facsimile), 3 facsimiles of press clippings, 1 facsimile collage of press clippings (with duplicates).
\nExcerpt from Pan Pipes of Sigma Alpha Iota<\/em> (Winter 1984), pp. 33-34.
\n1 festival flyer and events schedule.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series D: Additional publicity materials<\/em><\/strong><\/span><\/p>\n

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folder 22<\/strong><\/td>\nSerial literature. 13 documents. Items include:
\nG. Schirmer Newsletter<\/em>, vol. 1, no. 1 (Fall 1963). 4 pp.
\nThe Joffrey Circular <\/em>(Spring 1970). 4 pp.
\nThe Cathedral Age <\/em>(Spring 1970). 32 pp.
\nHighlights: News and Events from Oak Park-River Forest High School <\/em>(December 1983). 4 pp.
\nSounding Board <\/em>(American Composers Forum newsletter), vol. 33, no. 4 (March\/April 2006). 16 pp.
\n5 excerpts from serials:
\nGary Steigerwalt, \u201cMaster Class: Movement No. 2 from Sonata by John La Montaine,\u201d Virtuoso and Keyboard Classics <\/em>(1985), pp. 45-48.
\nSylvia Rabinof, \u201cMilestones in Toscanini\u2019s Life,\u201d Music Clubs Magazine<\/em> (Autumn 1989), pp. 13-14.
\n\u201cShort Takes,\u201d Time<\/em>, vol. 141, no. 6 (February 8, 1993), p. 83. Accompanied by facsimile of paragraph about John La Montaine. 1 p.
\nLois Schaefer, \u201cCompetition Winners,\u201d Flute Talk <\/em>(November 1993), pp. 29-32.
\nDonald Peck, \u201cJohn La Montaine\u2019s Solo Sonata: The Glorification of the Third,\u201d Flute Talk<\/em> (November 2004), pp. 13-32 (article on pp. 13-15).
\n3 facsimile of articles:
\nFrances Clark, \u201cQ & A,\u201d Clavier<\/em> (February 1973), pp. 38-39.
\n\u201cHonorary Board Adds New Members,\u201d The Triangle of Mu Phi Epsilon<\/em> (Winter 1979), pp. 18-19.
\nErica Beth Weintraub, \u201cJohn La Montaine: Life on the Edge,\u201d Music Educators Journal <\/em>(March 1983), pp. 41-43.
\nAccompanied by typescript draft of article, with annotations in pencil. 8 pp. of text.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nBinder collection (no. 1) of facsimiles of press clippings. 94 pp.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nBinder collection (no. 2) of facsimiles of press clippings. Title page: \u201c…a skillful man with pen in hand\u201d: Articles written about John La Montaine and his music. 91 pp.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nPublisher brochures, flyers, and works lists. 15 items.
\n1 concert program<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 5<\/strong><\/td>\nPress clippings related\u00a0 to\u00a0Wilderness Journal,\u00a0<\/em>Op. 41. 2 items.
\nPress clipping, laminated with illustration \u201cThoreau-Burgers\u201d by W. Miller.
\nCollage of press clippings, October 1972. 1 p.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nBinder collection (no. 3) of facsimiles of press clippings. 140 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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\u2190 JOHN LA MONTAINE COLLECTION: Series 1 to 2<\/a><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

JOHN LA MONTAINE COLLECTION : Series 5 to 7 \u2192<\/a><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text css=”.vc_custom_1618860479466{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] Series 3: Correspondence [\/vc_column_text][vc_column_text css=”.vc_custom_1618860502817{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] Sub-series A: Correspondence to\/from John La Montaine [\/vc_column_text][vc_custom_heading text=”Box 17″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619116282547{margin-top: 0px !important;margin-right: 0px […]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":7674,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template_Finding_Aids.php","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-7685","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=7685"}],"version-history":[{"count":0,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7685\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7674"}],"wp:attachment":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=7685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=7685"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=7685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}