{"id":7683,"date":"2021-04-19T15:26:31","date_gmt":"2021-04-19T19:26:31","guid":{"rendered":"https:\/\/www.esm.rochester.edu\/sibley\/?page_id=7683"},"modified":"2021-04-19T15:26:31","modified_gmt":"2021-04-19T19:26:31","slug":"ser1-2","status":"publish","type":"page","link":"https:\/\/www.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/jmontaine\/ser1-2\/","title":{"rendered":"JOHN LA MONTAINE COLLECTION"},"content":{"rendered":"

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<\/a>Series 1: Manuscripts and sketches<\/h3>\n

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<\/a>Sub-series A: Student works and sketches <\/em><\/strong><\/span><\/p>\n

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folder 1<\/strong><\/td>\nFestival <\/em>(1938). For orchestra. 3 documents. Items include:
\nManuscript title page, in pencil, with note \u201c1st orchestral work to be performed, Howard Hanson, cond.; Eastman Rochester Symphony, NBS National Broadcast 1939.\u201d 1 p. of text.
\nInstrumental parts: flute, oboe, B flat clarinet, A clarinet, bassoon, French horns I-IV, B flat trumpet, trombones I-III, violin I, violin II, viola, violoncello, contrabass. Ozalid manuscript. 49 pp. of music.
\nAccompanied by envelope labeled \u201cLa Montaine first orchestra pieces 1938 (incomplete).\u201d<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nDirge for Clytemnestra<\/em> (1938). For viola and orchestra. Instrumental parts (incomplete): solo viola, oboe, French horn, B flat trumpet violin I, violin II. Ozalid manuscript. 7 pp. of music.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nThe Fly Sat on the Wall <\/em>(n.d.). For piano and orchestra. Piano solo part. Manuscript in ink. 2 pp. of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nIntermezzo and Scherzo<\/em> (n.d.). For violin and piano. Violin part. Ozalid manuscript. 3 pp. of music.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nIntermezzo and Scherzo<\/em> (1939). For violin and piano. 3 documents. Items include:
\nPiano score. Manuscript in ink, with annotations in pencil and red pencil. 10 pp. of music.
\nFacsimile of violin part. 4 pp. of music.
\nAccompanied by envelope labeled \u201cJohn La Montaine\u2019s Student Works & Sketches while at Eastman School, 1938-1942.\u201d<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nScherzo<\/em>. For piano and orchestra (n.d.). Two piano reduction. Ozalid manuscript. 6 pp. of music.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nScherzo<\/em>. For piano and orchestra (n.d.). Two piano reduction. Manuscript facsimile. 6 pp. of music.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nUntitled sketches (1938-1942). Manuscript in pencil and ink. 4 pp. of music. Accompanied by note: \u201cLa Montaine Student works and sketches….\u201d 1 p. of text.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series B: Mature works <\/em><\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
folder 9<\/strong><\/td>\nCompositions of John La Montaine, Op. 1-8. <\/em>(1950). Bound manuscript facsimile. 145 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nFront matter for Compositions of John La Montaine, Op. 1-8 <\/em>(1950). Ozalid manuscript. 4 pp. of text.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nToccata<\/em>, Op. 1. For solo piano. Score. New York: Broude Brothers Ltd., 1957. 8 pp.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nFour Songs<\/em>, Op. 2 (1950). For high voice, violin or flute, and piano. 6 documents. Items include:
\nFull score. Ozalid manuscript. 1 p. of text, 16 pp. of music.
\nInstrumental part. Ozalid manuscript. 5 pp. of music.
\n\u201cWanderers Nachtlied,\u201d Op. 2, No. 1. For voice and piano, with German text. Score. Ozalid manuscript. 2 pp. of music.
\n\u201cEvening Song,\u201d [Op. 2, No. 1]. For medium voice and piano. Score. Ozalid manuscript. 2 pp. of music.
\n\u201cEvening Song,\u201d Op. 2, No. 1. For medium voice, violin or flute, and piano. Full score. Ozalid manuscript. 2 pp. of music.
\n\u201cIslanded in Thought,\u201d Op. 2, No. 3 (1946). For voice and piano. Score. Ozalid manuscript. 2 pp. of music.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nFour Songs<\/em>, Op. 2 (1950). For high voice, violin or flute, and piano. Full score. Manuscript facsimile, with annotations in ink, bound. 16 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nSonata for Piano, Op. 3 (n.d.). Score. Manuscript facsimile. 14 pp. of music. Score (copy 2). Manuscript facsimile, bound, with ink inscription to Ruth [White]. 14 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nSonata for Piano, Op. 3 (1950). Full score. American Composers\u2019 Edition. Rochester, NY: Eastman School of Music, University of Rochester, 1970. New York: Carl Fischer Inc. 20 pp. of music.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nInvocation,<\/em> Op. 4. For voice and piano. Score. Ozalid manuscript, with annotations in blue pencil. 6 pp. of music.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nInvocation,<\/em> Op. 4 (1950). For voice and piano. Score. Manuscript facsimile, bound. 6 pp. Score (copy 2). Hollywood, CA: Fredonia Press, 1950. 9 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 15<\/strong><\/td>\nThe Puppets<\/em>, Op. 5 (1950). Suite for two pianos. Score. Ozalid manuscript. 1 p. of text, 20 pp. of music.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nThe Puppets<\/em>, Op. 5 (1950). Suite for two pianos. Score. Manuscript facsimile, bound, with annotations in pencil. 20 pp. Score (copy 2). Manuscript facsimile, bound. 20 pp.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nMarch from The Puppets <\/em>(n.d.). Arranged for symphony orchestra. Full score. Ozalid manuscript. 8 pp. of music.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nThe Rose of Sharon<\/em>, Op. 6 (n.d.). Song cycle for soprano and orchestra. Piano vocal reduction. Manuscript facsimile, bound, with annotations in pencil. 20 pp.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nSongs of the Rose of Sharon<\/em>, Op. 6. Song cycle for soprano and orchestra. Conductor\u2019s score, marked \u201cPersonal Copy,\u201d with annotations in ink and pencil and errata list in pencil. Contemporary Composers Study Score Series, No. 24. New York: Broude Brothers Ltd., 1976. 58 pp.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nSongs of the Rose of Sharon<\/em>, Op. 6. For high voice with piano accompaniment. Piano vocal score. New York: Broude Brothers, 1962. 22 pp. 2 copies. Copy 1 has inscription on cover to Mrs. Lawrence Gilman. Copy 2 marked \u201cPersonal Copy,\u201d with annotations in red ink.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nSongs of the Rose of Sharon<\/em>, Op. 6. Adapted for high voice and organ. Piano vocal score, with emendations and annotations for organ accompaniment in pencil and ink. New York: Broude Brothers, 1962. 22 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 4<\/strong><\/td>\nSongs of the Rose of Sharon, <\/em>Op. 6 (1950). Song cycle for soprano and orchestra. Piano vocal reduction. Ozalid manuscript. 16 pp. of music.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nHoheslied<\/em> [Songs of the Rose of Sharon], Op. 6. Song cycle for soprano and orchestra. Vocal part, with note \u201cThis setting of the German Biblical text made for Jessye Norman.\u201d Ozalid manuscript. 11 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nSongs of the Rose of Sharon<\/em>, Op. 6. Song cycle for soprano and orchestra. Conductor\u2019s score. Contemporary Composers Study Score Series, No. 24. New York: Broude Brothers Ltd., 1976. 58 pp. of music.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nSongs of the Rose of Sharon<\/em>, Op. 6. For high voice with piano accompaniment. Piano vocal score. New York: Broude Brothers, 1962. 22 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 22<\/strong><\/td>\nA Child\u2019s Picture Book<\/em>, Op. 7 (n.d.). For solo piano. Score (incomplete). Ozalid manuscript. 2 pp. of illustrations; 2 pp. of music.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nA Child\u2019s Picture Book<\/em>, Op. 7 (n.d.). For solo piano. Score, with illustrations by Laura Howard. Manuscript facsimile, bound. 2 copies. Copy 2 marked \u201cPersonal Copy.\u201d 31 pp. Score (copy 3). New York: Broude Brothers Ltd., 1957. 12 pp.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nSonata for \u2018Cello and Piano, Op. 8. Score with solo part. 2 copies. Copy 2 marked \u201cPersonal Copy.\u201d Philadelphia: Elkan-Vogel Co. Inc., 1966. 31 pp. (piano score) and 10 pp. (cello solo).<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nConcerto for Piano and Orchestra, Op. 9. Full score. Manuscript facsimile, bound. 103 pp.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nConcerto for Piano and Orchestra, Op. 9. Two piano reduction. Score, marked \u201cPersonal Copy: Corrections and Revisions,\u201d with annotations in red and blue ink. New York: Galaxy Music Corporation, 1965. 68 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 8<\/strong><\/td>\nConcerto for Piano and Orchestra, Op. 9. Full score. Manuscript facsimile, bound, with annotations in pencil, colored pencils, and ink. Revisions pasted over pp. 8, 41, 75-79, 100-101. Marked \u201cRental Material, Broude Brothers.\u201d 103 pp. of music.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nConcerto for Piano and Orchestra, Op. 9. Full score. Manuscript facsimile, bound, with annotations in pencil, colored pencils, and ink. Marked \u201cRental Library, Galaxy Music Corporation.\u201d 103 pp. of music. Two piano reduction. New York: Galaxy Music Corp., 1965. 68 pp. of music.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nConcerto for Piano and Orchestra, Op. 9. Full score. Manuscript facsimile, bound. Hollywood, CA: Fredonia Press, 1959. 103 pp. of music.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nConcerto for Piano and Orchestra, Op. 9. Instrumental parts: violin I, violin II, viola, violoncello, contrabass. Ozalid manuscript. 47 pp.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nConcerto for Piano and Orchestra, Op. 9. Instrumental parts: violin I, violin II, viola, violoncello, contrabass. Manuscript facsimile, bound, with annotations in pencil and colored pencil. 56 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nConcerto for Piano and Orchestra, Op. 9. Instrumental parts: violin I (11 copies). Manuscript facsimiles, bound, marked \u201cGalaxy Music Corp.,\u201d with performance markings in pencil. 99 pp. of music, total.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nConcerto for Piano and Orchestra, Op. 9. Instrumental parts: violin II (9 copies). Manuscript facsimiles, bound, marked \u201cGalaxy Music Corp.,\u201d with performance markings in pencil and colored pencil. 90 pp. of music, total.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nConcerto for Piano and Orchestra, Op. 9. Instrumental parts: viola (8 copies). Manuscript facsimiles, bound, marked \u201cGalaxy Music Corp.,\u201d with performance markings in pencil and colored pencil. 88 pp. of music, total.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nConcerto for Piano and Orchestra, Op. 9. Instrumental parts: cello (8 copies). Manuscript facsimiles, bound, marked \u201cGalaxy Music Corp.,\u201d with performance markings in pencil and colored pencil. 104 pp. of music, total.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nConcerto for Piano and Orchestra, Op. 9. Instrumental parts: bass (6 copies). Manuscript facsimiles, bound, marked \u201cGalaxy Music Corp.,\u201d with performance markings in pencil and colored pencil. 54 pp. of music, total.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nTwelve Relationships<\/em>, Op. 10. For solo piano. Score. Manuscript facsimile, marked \u201c1st edition, copy of original manuscript,\u201d bound. 12 pp. Score (copy 2). New York: Carl Fischer Inc., 1965.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nCanons for Orchestra<\/em>, Op. 10a (1965). Full score. Manuscript facsimile. 26 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 13<\/strong><\/td>\nCanons for Orchestra,<\/em> Op. 10a (1965). Full score. Ozalid manuscript. 26 pp. of music.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nCanons for Orchestra,<\/em>\u00a0Op. 10a (1965). Full score. Manuscript facsimile, bound. 26 pp. of music. 2 copies (different sizes).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 3<\/strong><\/td>\nOde for Oboe and Orchestra<\/em>, Op. 11 (1952). 4 documents. Items include:
\nTitle page. Ozalid manuscript. 1 p. of text.
\nFull score. Ozalid manuscript. 18 pp. of music.
\nPiano reduction. Ozalid manuscript. 7 pp. of music.
\nInstrumental parts: oboe solo (2 copies), flute I-II, clarinet I-II in A, bassoon I-II, horns I-IV, trumpet in C, trumpet (optional) in D, trombone, violin I-II, viola, cello, bass, timpani. Ozalid manuscript. 29 pp. of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nOde for Oboe and Orchestra<\/em>, Op. 11 (1952). Full score. Manuscript facsimile. 18 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nFive Sonnets of Shakespeare<\/em>, Op. 12 (n.d.). For voice and piano. Score (incomplete): Nos. 2, 4. Manuscript facsimile, with annotations in pencil. 8 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 15<\/strong><\/td>\nSonnets of Shakespeare,<\/em>\u00a0Op. 12 (n.d.). For voice and piano. Score (incomplete). 1 p. of text and 21 pp. of music (missing p. 19). Score (copy 2; incomplete). 1 p. of text and 18 pp. of music (missing pp. 1-5).<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nFive Sonnets of Shakespeare,<\/em>\u00a0Op. 12 (n.d.). For low voice and piano. Score. 22 pp. of music.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nFive Sonnets of Shakespeare,<\/em>\u00a0Op. 12 (1962). For voice and piano. Score (incomplete): No. 1. Manuscript facsimile, with annotations in pencil and ink, marked \u201cPersonal Copy.\u201d 4 pp. of music. Score (copy 2, incomplete): No. 1. Manuscript facsimile, reverse printing. 4 pp. of music.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nSix Sonnets of Shakespeare,<\/em> Op. 12 (1962). For voice and piano. Score. Hollywood, CA: Fredonia Press, 1962. 36 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 2″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1618927010096{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 6<\/strong><\/td>\nSongs of the Nativity<\/em>, Op. 13. For alto or baritone solo, SATB chorus, piano, and bells. Full score. Ozalid manuscript. 14 pp. of music.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nSongs of the Nativity<\/em>, Op. 13 (1954). For SATB voices. Score. Typescript, copyright 1954, John La Montaine. 22 pp. of music. Score (copy 2, incomplete). Typescript. 18 pp. of music, with 11 duplicate pp. of music. Score (copy 3). Melville, NY: H. W. Gray Publications, 1954. 22 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 37″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1618925957954{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 19<\/strong><\/td>\nSongs of the Nativity<\/em>, Op. 13 (1954). For SATB voices. Score. Hollywood, CA: Fredonia Press, 1954. 22 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 2″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1618927010096{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 8<\/strong><\/td>\nSongs of the Nativity<\/em>, Op. 13a. A cycle of Christmas songs for medium voice and organ. Score. Hollywood, CA: Fredonia Press, 1963. 31 pp. Score (copy 2), marked \u201cPersonal Copy.\u201d New York: H. W. Gray Co. Inc., 1963. 31 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nFuguing Set<\/em>, Op. 14. For solo piano. Score. New York: Carl Fischer Inc., 1965. 20 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 37″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1618925957954{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 20<\/strong><\/td>\nThree Poems of Holly Beye,<\/em> Op. 15 (1954). For medium voice and piano. Score. New York: Cordon Press, 1954. 12 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 2″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1618927010096{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 10<\/strong><\/td>\nString Quartet, Op. 16 (n.d.). Full score. Ozalid manuscript. 48 pp. of music.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nString Quartet, Op. 16 (1969). Full score. Manuscript facsimile. 48 pp. of music. Copy 2 (incomplete). 26 pp. of music. Copy 3. Bound. 48 pp. of music. Instrumental parts (incomplete): violin I, viola, cello. 42 pp. of music.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nRecitative, Aria, and Finale<\/em>, Op. 16a (1965). For string orchestra. Full score. Manuscript facsimile, bound. 29 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 37″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1618925957954{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 21<\/strong><\/td>\nRecitative, Aria, and Finale<\/em>, Op. 16a (1965). For string orchestra. Full score. Hollywood, CA: Fredonia Press, (n.d.). 29 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 2″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1618927010096{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 13<\/strong><\/td>\nSanctuary<\/em>, Op. 17. For solo baritone, SATB chorus, and organ. Full score. Manuscript facsimile, bound. 20 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 37″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1618925957954{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 22<\/strong><\/td>\nSanctuary<\/em>, Op. 17. For solo baritone, SATB chorus, and organ. Full score. New York: H. W. Gray Co., Inc., 1956. 20 pp. of music. Copy 2. Full score. Hollywood, CA: Fredonia Press, 1956. 20 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 2″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1618927010096{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 14<\/strong><\/td>\nSix Dance Preludes<\/em>, Op. 18. For solo piano. Score. New York: Broude Brothers, 1964. 21 pp.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nNonsense Songs from Mother Goose<\/em>, Op. 19 (1973). For TTBB chorus and piano. Title page. Ozalid manuscript. 1 p. of text. Composer\u2019s notes. Typescript. 1 p. of text. Full score. Ozalid manuscript. 49 pp. of music.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nNonsense Songs from Mother Goose<\/em>, Op. 19 (1973). For TTBB chorus and piano. Full score. Manuscript facsimile, bound. 49 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 37″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1618925957954{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 23<\/strong><\/td>\nNonsense Songs from Mother Goose<\/em>, Op. 19 (1973). For SATB voices and piano. Hollywood, CA: Fredonia Press, 1974.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 2″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1618927010096{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 17<\/strong><\/td>\n\u201cThe Proposal,\u201d from Nonsense Songs from Mother Goose<\/em>, Op. 19, No. 2. For SATB voices and piano. Hollywood, CA: Fredonia Press, 1974. 4 pp. 2 copies.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nJubilant Overture<\/em>, Op. 20 (1959). For symphony orchestra. Full score. Manuscript facsimile. 30 pp. of music. Full score (copy 2), marked \u201cPersonal Copy.\u201d New York: Carl Fischer Inc., 1971. 40 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 38″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619013658475{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 1<\/strong><\/td>\nJubilant Overture<\/em>, Op. 20 (1959). For symphony orchestra. 3 documents. Items include:
\nFull score, with annotations in pencil and ink, marked \u201cpersonal copy\u201d and \u201chas corrections.\u201d New York: Carl Fischer, 1971. 40 pp.
\nErrata list. Typescript, with annotations in pencil. 2 pp.
\nFull score (copy 2). Full score. Carl Fischer Archive Orchestra Edition. New York: Carl Fischer, 1971.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nJubilant Overture<\/em>, Op. 20 (1959). For symphony orchestra. New York: Carl Fischer, 1971. Includes:
\nFull score, with annotations in colored pencil. 40 pp.
\nInstrumental parts, with performance markings in pencil: violin I (10 copies), violin II (10 copies), viola (8 copies), cello (7 copies), contrabass (5 copies), flute I-II (2 copies), piccolo, oboe I-II (2 copies), clarinet I-II in B flat (2 copies), bassoon I-II (2 copies), contrabassoon, horn I-II (2 copies), horn III-IV (2 copies), trumpet I in C, trumpet II-III in C (2 copies), trombone I-II (2 copies), bass trombone, tuba, timpani, percussion (2 copies), folio marked \u201cAdditional Parts A to B-B to C\u201d (2 copies).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 3″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619016435669{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nColloquy for Strings<\/em>, Op. 21 (1964). Performance note in pencil. 1 p. of text. Full score. Ozalid manuscript. 17 pp. of music.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nColloquy for Strings<\/em>, Op. 21 (1964). 4 documents. Items include:
\nFull score. Manuscript facsimile. 23 pp. of music.
\nFull score (copies 2-3). Manuscript facsimile, bound, with annotations in pencil. 23 pp. 2 copies.
\nFull score (copy 4). Manuscript facsimile, bound. 23 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nColloquy for Strings<\/em>, Op. 21. 4 documents. Items include:
\nFull score. Hollywood, CA: Fredonia Press, 1965. 25 pp.
\nFull score (copy 2), marked \u201ccorrected score,\u201d with annotations in pencil and ink. Hollywood, CA: Fredonia Press, 1965. 25 pp.
\nFull score (copy 3), marked \u201cerrata,\u201d with annotations in ink. Hollywood, CA: Fredonia Press, 1965. 25 pp.
\nFull score (copy 4), fair copy. 25 pp. of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nColloquy for Strings<\/em>, Op. 21 (n.d.). Instrumental parts: violin I, violin II, viola, violoncello, contrabass. Manuscript facsimile. 44 pp. of music. Accompanied by note in ink: \u201cColloquy …. Full score & parts, Masters.\u201d 1 p. of text.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nColloquy for Strings<\/em>, Op. 21 (n.d.). Instrumental parts (set 2): violin I (4 copies), violin II (3 copies), viola (3 copies), violoncello (2 copies), contrabass (1 copy). Manuscript facsimile, with annotations in pencil. 102 pp. of music.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nColloquy for Strings<\/em>, Op. 21 (n.d.). Instrumental parts (set 3): violin I (2 copies), violin II (4 copies), viola (2 copies), violoncello (6 copies), contrabass (6 copies). Manuscript facsimile, with annotations in pencil. 170 pp. of music.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nColloquy for Strings<\/em>, Op. 21 (n.d.). Instrumental parts (set 4, marked \u201cRafael Durian Parts\u201d): violin I (4 copies), violin II (3 copies), viola (3 copies), violoncello (2 copies), contrabass (1 copies). Manuscript facsimile, with annotations in pencil. 102 pp. of music.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nPassacaglia and Fugue<\/em>, Op. 21a (1970). For string orchestra. Performance note in pencil. 1 p. of text. Full score. Ozalid manuscript. 1 p. of text, 15 pp. of music.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nGod of Grace and God of Glory<\/em>, Op. 22 (n.d.). Cantata for double chorus and organ. Full score. Manuscript facsimile, bound. 20 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nWonder Tidings<\/em>, Op. 23. For SATB chorus, harp, organ, and percussion. 6 documents. Items include:
\nFull score, marked \u201cComposer\u2019s Copy,\u201d with annotations in red pencil. New York: H. W. Gray Co. Inc., 1964. 72 pp.
\nFull score (copy 2), marked \u201ccorrected score by Ed Low,\u201d with annotations in pencil and colored pencils. New York: H. W. Gray Co. Inc., 1964. 72 pp.
\nFull score (copy 3), marked \u201cpersonal copy.\u201d New York: H. W. Gray Co. Inc., 1964. 72 pp.
\nPercussion part. Manuscript facsimile. 12 pp. of music. 3 copies.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 38″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619013658475{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 3<\/strong><\/td>\nWonder Tidings<\/em>, Op. 23. For SATB chorus, harp, organ, and percussion. 3 documents. Items include:
\nFull score. New York: H. W. Gray Co. Inc., 1964. 72 pp.
\nErrata list. Facsimile of typescript document. 2 pp.
\nHarp part. Hollywood, CA: Fredonia Press, 1964. 32 pp., with 3 loose pp. marked \u201coptional fold-out.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 3″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619026972860{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 11<\/strong><\/td>\nSonata for Flute Solo, Op. 24. Full score. New York: Broude Brothers, 1958. 9 pp. 3 copies. Copy 2 has inscription on front cover \u201cTo Ruthie.\u201d Copy 3 marked \u201c1st edition.\u201d<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nQuartet for Woodwinds, Op. 24a (n.d.). Instrumental parts: flute, oboe, clarinet, bassoon. Ozalid manuscript. 32 pp. of music.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nQuartet for Woodwinds, Op. 24a (1969). Full score, marked \u201cpersonal copy.\u201d Manuscript facsimile. 23 pp. of music. Instrumental parts: flute, oboe, clarinet, bassoon. Manuscript facsimile. 32 pp. of music. Full score and parts (copy 2), marked \u201cpersonal copy.\u201d Hollywood, CA: Fredonia Press, 1969.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 4<\/strong><\/td>\nQuartet for Woodwinds, Op. 24a (n.d.). Full score. Ozalid manuscript. 23 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nQuartet for Woodwinds, Op. 24a (1969). Full score and parts. Hollywood, CA: Fredonia Press, 1969.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nQuartet for Woodwinds, Op. 24a (1969). Full score and parts. Hollywood, CA: Fredonia Press, 1969.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 6<\/strong><\/td>\nSonata for Piano Four Hands, Op. 25 (1965). Full score. Manuscript facsimile, bound. 23 pp. of music. 2 copies.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 4″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619027210019{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n
folder 2<\/strong><\/td>\nCopycats<\/em>, Op. 26. For solo piano. Hollywood, CA: Fredonia Press, 1976. 16 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nSpreading the News<\/em>, Op. 27 (n.d.). A gossipy opera in one act. Piano vocal score. Ozalid manuscript. 3 pp. of text, 111 pp. of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nSpreading the News<\/em>, Op. 27 (n.d.). A gossipy opera in one act. Piano vocal score. Manuscript facsimile. 51 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nSymphony No. 1, Op. 28 (n.d.). Full score. Ozalid manuscript. 1 p. of text, 97 pp. of music.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nSymphony No. 1, Op. 28 (n.d.). Full score. Manuscript facsimile, bound, with annotations in pencil, colored pencils, and ink. 97 pp. Accompanied by envelope with note about first performance.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nFragments from the Song of Songs<\/em>, Op. 29 (1959). For soprano and orchestra. Piano vocal score. Manuscript facsimile, bound, marked \u201cPersonal copy.\u201d 38 pp. Piano vocal score (copy 2). Manuscript facsimile. 38 pp. of music. Piano vocal score (copy 3). Manuscript facsimile, with annotations in pencil and ink. 38 pp. of music.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nFragments from the Song of Songs<\/em>, Op. 29. For soprano and orchestra. Full score. Hollywood, CA: Fredonia Press, 1959. 109 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 7<\/strong><\/td>\n\u00a0Fragments from the Song of Songs,<\/em>\u00a0Op. 29 (1959). For soprano and orchestra. Piano vocal score. Ozalid manuscript. 38 pp. of music.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\n\u00a0Fragments from the Song of Songs,<\/em>\u00a0Op. 29 (n.d.). For soprano and orchestra. Instrumental parts (incomplete): English horn, first page only. Ozalid manuscript. 1 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nFragments from the Song of Songs<\/em>, Op. 29 (1959). For soprano and orchestra. Full score. Manuscript facsimile, unbound, accompanied by note \u201cOrchestral score originals.\u201d 109 pp. of music.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nFragments from the Song of Songs,<\/em> Op. 29 (n.d.). For soprano and orchestra. 4 documents. Includes:
\nManuscript note, in ink, listing contents of folio. 1 p. of text.
\nList of comments and corrections on orchestral parts, in pencil, colored pencil, and ink, on letterhead for Dorian Records. 2 pp. of text.
\nUnlabeled instrumental parts (incomplete). Manuscript facsimile, reverse printing. 8 pp.
\nPercussion part to movement VI (\u201cI Sleep But My Heart Waketh\u201d). Manuscript facsimile. 2 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nFragments from the Song of Songs,<\/em> Op. 29 (1959). For soprano and orchestra. Full score. Manuscript facsimile, bound, marked \u201cPersonal Copy,\u201d with annotations in pencil, colored pencil and ink. 118 pp. of music.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nFragments from the Song of Songs,<\/em> Op. 29 (1959). For soprano and orchestra. Full score. Manuscript facsimile, bound, marked \u201cProperty of G. Schirmer, Supplied on loan.\u201d 109 pp. of music. 2 copies. Copy 2 has performance markings in pencil and water damage on pp. 100-109.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nFragments from the Song of Songs,<\/em> Op. 29 (1959). For soprano and orchestra. Instrumental parts: violin I (5 copies), violin II (3 copies), viola (3 copies), cello (3 copies). Manuscript facsimile.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nFragments from the Song of Songs,<\/em> Op. 29 (1959). For soprano and orchestra. Full score. Hollywood, CA: Fredonia Press, 1959. 109 pp. of music.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nFragments from the Song of Songs,<\/em> Op. 29 (1959). For soprano and orchestra. Piano vocal score. Hollywood, CA: Fredonia Press, 1959. 38 pp. of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nOrchestral Interlude from Fragments from the Song of Songs,<\/em> [Op. 29a]. For symphony orchestra. Full score. Ozalid manuscript. 9 pp. of music. Conductor\u2019s score (incomplete). Ozalid manuscript. 4 pp. Instrumental parts: flute I-II; piccolo, English horn, and bassoon; oboe; clarinet I in B flat; violin I; violin II; viola; violoncello; contrabass; harp and piano; percussion. 13 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nOrchestral Interlude from\u00a0Fragments from the Song of Songs,<\/em>\u00a0[Op. 29a]. For symphony orchestra. Full score (incomplete). Manuscript facsimile, reverse printing. 2 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nInterlude from the Song of Songs, \u201cLet my beloved come into his garden.\u201d For symphony orchestra. Full score. Manuscript facsimile, bound. 9 pp. of music. Full score (copy 2), titled \u201cCome Into My Garden.\u201d Hollywood, CA: Fredonia Press, 1959. 9 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 4″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619027634022{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 9<\/strong><\/td>\nOverture: From Sea to Shining Sea,<\/em>\u00a0Op. 30 (1965). For symphony orchestra. Full score. Manuscript facsimile, marked \u201cPersonal Copy, 1st edition,\u201d with annotations in pencil and colored pencil. 28 pp. Full score (copies 2-3). Manuscript facsimile, marked \u201c1st edition.\u201d 28 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nFrom Sea to Shining Sea<\/em>, Op. 30. For symphony orchestra. Program notes. Typescript, Ozalid print (reversed). 1 p. of text.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nNovellis, Novellis<\/em>, Op. 31. Pageant opera.
\nList of vocal numbers, in pen. 2 pp. of text.
\nPiano vocal score, marked \u201cPersonal,\u201d with annotations in ink. New York: G. Schirmer, 1962. 73 pp.
\nPiano vocal score (copy 2), with inscription on front cover \u201cFor Ruth White.\u201d New York: G. Schirmer, 1962. 73 pp.
\nPiano vocal score (copy 3), with autograph on front cover. New York: G. Schirmer, 1962. 73 pp.
\nFront matter. Typescript. 4 pp. of text.
\nPiano vocal score (copy 4), marked \u201cPersonal Copy.\u201d Hollywood, CA: Fredonia Press, 1973. 73 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 7<\/strong><\/td>\nA Summer\u2019s Day,<\/em> Op. 32. After a sonnet of Shakespeare. For voice and orchestra. Condensed score. Manuscript facsimile. 6 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 5″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619027671941{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 1<\/strong><\/td>\nCanticle for Orchestra<\/em>, Op. 33 (1965). Full score. Manuscript facsimile. 8 pp. of music. Full score (copy 2). Manuscript facsimile, bound. 8 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nBirds of Paradise<\/em>, Op. 34. For piano and orchestra. Full score, marked \u201cPersonal Copy.\u201d Carl Fischer Study Score Series. New York: Carl Fischer Inc., 1966. 53 pp. Two piano reduction, marked \u201cPersonal copy.\u201d New York: Carl Fischer Inc., 1973. 32 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 7<\/strong><\/td>\nBirds of Paradise<\/em>, Op. 34. For piano and orchestra. Full score. Carl Fischer Study Score Series. New York: Carl Fischer Inc., 1966. 53 pp. Two piano reduction. New York: Carl Fischer Inc., 1973. 32 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 3<\/strong><\/td>\nTe Deum<\/em>, Op. 35 (1964). For SATB chorus and orchestra. 4 documents. Items include:
\nFull score, marked \u201cPersonal Copy.\u201d Manuscript facsimile, bound. 33 pp.
\nFull score (copy 2), with inscription on front cover \u201cFor Irene Grafton Whaley.\u201d Manuscript facsimile, bound. 33 pp.
\nFull score (copy 3). Manuscript facsimile, bound. 33 pp.
\nVocal part. Manuscript facsimile, bound, with annotations in red pencil. 24 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 8<\/strong><\/td>\nThree Psalms, <\/em>Op. 36. For solo voice, SATB chorus, and small orchestra (or organ). 5 documents. Items include:
\nTitle page for Three Psalms<\/em> vocal score. Ozalid manuscript. 1 p. of text.
\n\u201cMake a Joyful Noise unto the Lord,\u201d Op. 36, No. 1. Full score. Ozalid manuscript. 34 pp.
\n\u201cThe Lord is My Shepherd,\u201d Op. 36, No. 2. Full score. Ozalid manuscript. 9 pp.
\n\u201cThe Lord is My Shepherd,\u201d Op. 36, No. 2. Piano vocal reduction for high voice (in E flat). Ozalid manuscript. 4 pp.
\n\u201cThe Lord is My Shepherd,\u201d Op. 36, No. 2. Piano vocal reduction for medium voice (in C). Ozalid manuscript. 4 pp.
\n\u201cThe Earth is the Lord\u2019s,\u201d Op. 36, No. 3. Piano vocal reduction. Ozalid manuscript. 20 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nThree Psalms,<\/em> Op. 36. For solo voice, SATB chorus, and small orchestra (or organ). 3 documents. Items include:
\nConductor\u2019s score (SATB and organ or orchestral reduction). Manuscript facsimile, bound, with annotations in colored pencil. 42 pp. of music.
\n\u201cThe Lord is My Shepherd,\u201d Op. 36, No. 2. Full score. Manuscript facsimile, bound, with annotations in pencil. 10 pp.
\n\u201cThe Earth is the Lord\u2019s,\u201d Op. 36, No. 3. Full score. Manuscript facsimile, bound, with annotations in pencil. 37 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\n\u201cThe Lord is My Shepherd,\u201d Op. 36, No. 2. For medium voice and piano. Score. New York: H. W. Gray Co. Inc., 1968. 5 pp. of music.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\n\u201cThe Earth is the Lord\u2019s,\u201d Op. 36 [No. 3] (1965). For SATB chorus and orchestra. Piano vocal reduction. Manuscript facsimile, bound. 20 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 4<\/strong><\/td>\n\u201cThe Earth is the Lord\u2019s,\u201d Op. 36 [No. 3] (1965). For SATB chorus and orchestra. Full score. Ozalid manuscript. 37 pp. of music.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\n\u201cThe Earth is the Lord\u2019s,\u201d Op. 36 [No. 3] (1965). For SATB chorus and orchestra. Piano vocal reduction. Manuscript facsimile. 29 pp. of music.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\n\u201cThe Lord is My Shepherd,\u201d [Op. 36, No. 2] (1963). For voice and orchestra. Full score. Ozalid manuscript. 10 pp. of music.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\n\u201cThe Lord Is My Shepherd,\u201d Op. 36, No. 2 (1963). For medium voice and piano or organ. Score. Ozalid manuscript. 4 pp. of music.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\n\u201cThe Lord is My Shepherd,\u201d Op. 36, No. 2 (1963). For voice and piano or organ. 8 documents. Items include:
\nVersion for high voice in C sharp minor. Score. Manuscript facsimile. 4 pp. of music.
\nVersion for medium voice in B minor. Score. Manuscript facsimile. 4 pp. of music. 5 copies.
\nVersion for low voice in B flat minor. Score. Manuscript facsimile. 4 pp. of music. 2 copies.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\n\u201cThe Lord Is My Shepherd,\u201d Op. 36, No. 2. For medium voice and piano. Hollywood, CA: Fredonia Press, 1968. 3 copies.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 5″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619027671941{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 10<\/strong><\/td>\nMissa Naturae\u00a0<\/em>(Mass of Nature), Op. 37 (1968). For SATB chorus and orchestra. Piano vocal score. Manuscript facsimile, bound. 54 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nMass of Nature<\/em>, Op. 37. For SATB chorus and orchestra. Piano vocal score. Hollywood, CA: Fredonia Press, 1968. 54 pp. 2 copies. Full score (copy 3), marked \u201cPersonal Copy.\u201d Hollywood, CA: Fredonia Press, 1968. 84 pp.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nMass of Nature<\/em>, Op. 37. For SATB chorus and orchestra. Title pages for instrumental parts. Ozalid manuscript. 26 pp. of text.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 39″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619027553624{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 12<\/strong><\/td>\nMass of Nature,<\/em> Op. 37. For SATB chorus and orchestra. Piano vocal score. Ozalid manuscript. 1 p. of text and 54 pp. of music.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nMass of Nature<\/em>, Op. 37. For SATB chorus and orchestra. Full score. Hollywood, CA: Fredonia Press, 1968. 84 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 5″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619027671941{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n
folder 13<\/strong><\/td>\nThe Shephardes Playe<\/em>, Op. 38. Pageant opera. Piano vocal score (incomplete, pp. 103-121 only), with note \u201cSave but do not use.\u201d Ozalid manuscript. 1 p. of text, 19 pp. of music.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nThe Shephardes Playe<\/em>, Op. 38. Pageant opera. Piano vocal score. Manuscript facsimile. 115 pp.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nErode the Greate<\/em>, Op. 40. Pageant opera in two acts. Title page. Ozalid manuscript. 1 p. of text.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nErode the Greate<\/em>, Op. 40. Pageant opera in two acts. Instrumental parts (incomplete): piccolo (flute II). Ozalid manuscript. 2 pp. of music.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nErode the Greate<\/em>, Op. 40. Pageant opera in two acts. Piano vocal score. Manuscript facsimile, bound, marked \u201cPersonal Copy.\u201d 169 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 39″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619027553624{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 14<\/strong><\/td>\nErode the Greate,<\/em> Op. 40. Pageant opera in two acts. Full score. Hollywood, CA: Fredonia Press, 1969. 227 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 5″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619027671941{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 18<\/strong><\/td>\nWilderness Journal<\/em>, Op. 41. Symphony for bass-baritone, organ, and orchestra. Study score. Manuscript facsimile, bound. 173 pp.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nExcerpts from Wilderness Journal<\/em>, Op. 41. Symphony for bass-baritone, organ, and orchestra. Piano vocal score. Manuscript facsimile, bound. 22 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 39″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619027553624{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 15<\/strong><\/td>\nWilderness Journal,<\/em>\u00a0Op. 41. Symphony for bass-baritone, organ, and orchestra. Manuscript sketches in pencil, colored pencil, and ink. 21 pp. of music.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nWilderness Journal,<\/em> op. 41. Symphony for bass-baritone, organ, and orchestra. 4 documents. Items include:
\nOzalid composer\u2019s notes, typescript. 2 pp. of text.
\nOzalid title page, typescript. 1 p. of text.
\nPiano vocal score (incomplete): \u201cIn Wildness Is the Preservation of the World,\u201d and \u201cThe World Is Gilded for My Delight.\u201d Ozalid manuscript, marked \u201cThis is the first sketch\u2014not used in completed score.\u201d 9 pp. of music.
\nCondensed score (1971). Ozalid manuscript. 85 pp. of music.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nWilderness Journal,<\/em>\u00a0op. 41. Symphony for bass-baritone, organ, and orchestra. 3 documents. Items include:
\nTitle page. Ozalid manuscript. 1 p. of text.
\nErrata list. Ozalid manuscript. 2 pp.
\n\u201cEpilogue,\u201d revision. Organ part. 2 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 40″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619027983266{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nWilderness Journal,<\/em> Op. 41 (1971). Symphony for bass-baritone, organ, and orchestra. Piano vocal score. Manuscript facsimile, bound. Hollywood, CA: Fredonia Press, 1971. 86 pp. Organ part. Typescript, bound, with annotations in pencil. 36 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nWilderness Journal,<\/em> Op. 41 (1971). Symphony for bass-baritone, organ, and orchestra. Piano vocal score. Manuscript facsimile, bound. 86 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nWilderness Journal,<\/em> Op. 41. Symphony for bass-baritone, organ, and orchestra. Songs. 14 documents. Items include:
\nSongs from Part I (incomplete). Condensed score. Manuscript facsimile, bound, with note \u201cFirst sketch before orchestrated.\u201d 25 pp. of music.
\nSongs from Part II. Condensed score. Manuscript facsimile, bound. 29 pp. of music.
\n\u201cIn Wildness Is the Preservation of the World.\u201d Condensed score. Manuscript facsimile. 6 pp. of music.
\n\u201cWe need the tonic of wildness.\u201d Condensed score. Manuscript facsimile, bound, with annotations in pencil and colored pencil. 7 pp. of music.
\n\u201cLittle Brook.\u201d Condensed score. Manuscript facsimile, bound. 5 pp. of music.
\n\u201cSpruce Swamp.\u201d Condensed score. Manuscript facsimile, with annotations in colored pencil. 3 pp. of music.
\n\u201cFrogs.\u201d Condensed score. Manuscript facsimile. 4 pp. of music.
\n\u201cI sit in my boat on Walden.\u201d Condensed score. Manuscript facsimile. 4 pp. of music.
\n\u201cMy Friend.\u201d Condensed score. Manuscript facsimile. 4 pp. of music.
\n\u201cCobwebs.\u201d Condensed score. Manuscript facsimile. 2 pp. of music. 2 copies.
\n\u201cSilence.\u201d Condensed score. Manuscript facsimile, with annotations in colored pencil. 4 pp. of music.
\n\u201cIce Crystals.\u201d Condensed score. Manuscript facsimile. 5 pp. of music.
\n\u201cIn Wildness Is the Preservation of the World.\u201d Condensed score. Manuscript facsimile, bound. 7 pp. of music.
\n\u201cSunset.\u201d Condensed score. Manuscript facsimile. 4 pp. of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nWilderness Journal,<\/em> Op. 41. Symphony for bass-baritone, organ, and orchestra. 5 documents. Items include:
\nTitle page. Typescript, on transparency. 1 p.
\nLayout of front cover for printed score. 1 p.
\nLayout of cover back for printed score. 1 p.
\nList of instrumentation. Manuscript facsimile. 1 p.
\nNotes on Wilderness Journal<\/em>, Op. 41. \u201cSome notes for the bass-baritone soloist,\u201d in ink. 2 pp. of text.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nWilderness Journal,<\/em> Op. 41 (1971). Symphony for bass-baritone, organ, and orchestra. Piano vocal score. Typescript, with annotations in colored pencil. 2 pp. of text and 36 pp. of music.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nWilderness Journal,<\/em> Op. 41. Symphony for bass-baritone, organ, and orchestra. Instrumental parts. Includes: piccolo, flute, oboe (English horn), clarinet in E flat, clarinet in B flat, bassoon, trumpet in D, trumpet in C, horn, trombone I (tenor), trombone II (bass), piano, harp, percussion, violin I, violin II, viola, cello, bass. Ozalid manuscript.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nWilderness Journal,<\/em> Op. 41. Symphony for bass-baritone, organ, and orchestra. Instrumental parts (woodwinds and brass). Includes: piccolo, flute, oboe (English horn), clarinet in E flat, clarinet in B flat, bassoon, trumpet in D, trumpet in C, horn, trombone I (tenor), trombone II (bass). Manuscript facsimile, with performance markings in pencil.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nWilderness Journal,<\/em> Op. 41. Symphony for bass-baritone, organ, and orchestra. Instrumental parts (keyboards and percussion). Includes: piano, harp, percussion (4 parts). Manuscript facsimile, with performance markings in pencil.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nWilderness Journal,<\/em> Op. 41. Symphony for bass-baritone, organ, and orchestra. Instrumental parts (violins). Includes violin I (10 copies), violin II (9 copies). Manuscript facsimile, with performance markings in pencil.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nWilderness Journal, <\/em>Op. 41. Photographic negative of publisher\u2019s imprint of title page and copyright page. 2 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 41″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619028109211{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 1<\/strong><\/td>\nWilderness Journal,<\/em> Op. 41. Symphony for bass-baritone, organ, and orchestra. Instrumental parts (low strings). Includes viola (7 copies), cello (6 copies), bass (5 copies). Manuscript facsimile, with performance markings in pencil.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 5″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619034032108{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 20<\/strong><\/td>\nConversations<\/em>, Op. 44 [recte<\/em>\u00a0Op. 42a] (1973). For B flat clarinet and piano. Solo part. Ozalid manuscript. 8 pp. of music.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nConversations<\/em>, Op. 44 [recte<\/em>\u00a0Op. 42a] (1973). For B flat clarinet and piano. Full score (in C). Manuscript facsimile. 23 pp. of music. Full score, with instrumental part. Hollywood, CA: Fredonia Press, 1977. 22 pp. and 9 pp.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nConversations<\/em>, Op. 44 [recte<\/em>\u00a0Op. 42b] (n.d.). For flute and piano. Manuscript sketches (corrections), in pencil. 5 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 41″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619028109211{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 2<\/strong><\/td>\nConversations,\u00a0<\/em>Op. 42b (1979). For flute and piano. Solo part. Ozalid manuscript. 7 pp. of music.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nConversations,\u00a0<\/em>Op. 42b (1979). For flute and piano. Solo part, labeled \u201cDoriot\u2019s part.\u201d Manuscript facsimile, with annotations in pencil, colored pencils, and ink. 7 pp. of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nConversations, <\/em>Op. 42b (1979). For flute and piano. Solo part. Typescript, bound. [Hollywood, CA: Fredonia Press, 1979]. 7 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 5″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619034032108{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 23<\/strong><\/td>\nConversations<\/em>, Op. 44 [recte<\/em> Op. 42c] (n.d.). For trombone and piano. Solo part. Ozalid manuscript. 6 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 41″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619028109211{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 5<\/strong><\/td>\nConversations,<\/em> Op. 42c (1977). For trombone and piano. Solo part. Riverside, IL: Fredonia Press, 1977. 8 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 5″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619034032108{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 24<\/strong><\/td>\nConversations<\/em>, Op. 44 [recte<\/em> Op. 42d] (1975). For violin and piano. Solo part. Ozalid manuscript. 7 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 41″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619028109211{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 6<\/strong><\/td>\nConversations,<\/em> Op. 42d. For violin and piano. Solo part. Typescript, uncut (pages printed on single sheet). [Hollywood, CA: Fredonia Press, 1978]. 8 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 5″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619034032108{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 25<\/strong><\/td>\nConversations,<\/em> Op. 42d. For violin and piano. Solo part. Typescript, uncut (pages printed on single sheet). [Hollywood, CA: Fredonia Press, 1978]. 8 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 41″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619028109211{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 7<\/strong><\/td>\nConversations, <\/em>Op. 42e (1977). For viola and piano. Solo part. Hollywood, CA: Fredonia Press, 1977. 8 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 6″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619022250807{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 1<\/strong><\/td>\nConversations<\/em>, Op. 44 [recte<\/em>\u00a0Op. 42f] (1978). For marimba and piano. Solo part. Ozalid manuscript. 7 pp. of music.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nConversations<\/em>, Op. 44 [recte<\/em> Op. 42f] (1973). For marimba and piano. 4 documents. Items include:
\nFull score. Manuscript, in pencil and ink. 23 pp. of music.
\nSolo part. Manuscript facsimile. 7 pp. of music. 4 copies.
\nSolo part. Publisher\u2019s imprint, with annotations in red pencil. 1 p. of text, 17 pp. of music.
\nSolo part. Hollywood, CA: Fredonia Press, 1977. 17 pp. 2 copies. Copy 1 marked \u201cPersonal copy.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 41″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619028109211{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n
folder 8<\/strong><\/td>\nConversations,<\/em>\u00a0Op. 42g (1977). For oboe and piano. Solo part. Typescript, bound. 12 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nBe Glad Then America<\/em>, Op. 43 (1976). Opera. Libretto, includes composer\u2019s notes and illustrations. Hollywood, CA: Fredonia Press, 1976. 44 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nBe Glad Then America,<\/em>\u00a0Op. 43. Opera. Piano vocal score. Ozalid manuscript. 154 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nBe Glad Then America,<\/em>\u00a0Op. 43. Opera. \u201cEntr\u2019acte,\u201d for voice and guitar. Score. Manuscript facsimile. 6 pp.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nBe Glad Then America,<\/em>\u00a0Op. 43. Opera. Full score, unbound, copy filed as \u201cMasters.\u201d Hollywood, CA: Fredonia Press, 1976. 262 pp. of music. Full score (copy 2; incomplete). Hollywood, CA: Fredonia Press, 1976. 10 pp. of text. 14 pp. of music.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nBe Glad Then America,<\/em> Op. 43 (1975). Opera. Piano vocal score. Hollywood, CA: [Fredonia Press], 1975. 146 pp. of music. Piano vocal score (copy 2). Second edition of printing. Hollywood, CA: [Fredonia Press], 1975. 146 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nBe Glad Then America,<\/em> Op. 43 (1976). Opera. Full score, Act I. Hollywood, CA: Fredonia Press, 1976. 179 pp. Full score, Act II. Bound with libretto and mini DV tape of performance labeled \u201cLa Montaine: Be Glad Then America; Donald Gramm, David Lloyd, Richard Lewis, Odetta.\u201d Hollywood, CA: Fredonia Press, 1976. 89 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 42″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619036047400{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 1<\/strong><\/td>\nBe Glad Then America: Overture,\u00a0<\/em>Op. 43. For symphony orchestra. Instrumental parts (winds and percussion): piccolo, flute I, flute II, oboe I, oboe II, clarinet I in B flat, clarinet II in B flat (clarinet in E flat), clarinet III in B flat, bassoon I, bassoon II, contrabassoon, horn I-II (2 copies), horn III-IV (2 copies), trumpet in D, trumpet I-II in C (2 copies), trombone I, trombone II, trombone III, tuba, percussion. Manuscript facsimile, with performance markings in pencil, stamped \u201cRental Material, Paul J. Sifler.\u201d<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nBe Glad Then America: Overture,<\/em>\u00a0Op. 43. For symphony orchestra. Instrumental parts (violins): violin I (8 copies), violin II (7 copies). Manuscript facsimile, with performance markings in pencil, stamped \u201cRental Material, Paul J. Sifler.\u201d<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nBe Glad Then America: Overture,<\/em> Op. 43. For symphony orchestra. Instrumental parts (low strings): viola (4 copies), cello (4 copies), bass (3 copies). Manuscript facsimile, with performance markings in pencil, stamped \u201cRental Material, Paul J. Sifler.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 6″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619022250807{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 3<\/strong><\/td>\nOverture: Be Glad Then America<\/em>, Op. 43. For symphony orchestra. 3 documents. Items include:
\nFull score. Manuscript facsimile, with annotations in pencil and red pencil, marked \u201cPerformance notes.\u201d 32 pp.
\nFull score (titled Overture: An Early American Sampler<\/em>). Hollywood, CA: Fredonia Press, 1975. 32 pp.
\nInstrumental parts (incomplete): piccolo. Hollywood, CA: Fredonia Press, [n.d.]. 3 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 42″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619036047400{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 4<\/strong><\/td>\nOverture: Be Glad Then America,<\/em> Op. 43. For symphony orchestra. Full score. Hollywood, CA: [Fredonia Press], 1975. 32 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 6″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619022250807{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 4<\/strong><\/td>\nLexington Green<\/em>, Op. 43b. For band or orchestra. Conductor\u2019s score. Manuscript facsimile. 5 pp. of music. Conductor\u2019s score (copy 2), with annotations in ink, marked \u201cPersonal.\u201d Hollywood, CA: Fredonia Press, 1974. 12 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 42″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619036047400{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 5<\/strong><\/td>\nLexington Green<\/em>, Op. 43b. For band or orchestra. 3 documents. Items include:
\nLayout of title page and condensed conductor\u2019s score. Hollywood, CA: Fredonia Press, [n.d.]. 1 p. of text and 12 pp. of music.
\nCondensed conductor\u2019s score, with annotations in ink. Hollywood, CA: Fredonia Press, 1974. 12 pp.
\nCondensed conductor\u2019s score. Hollywood, CA: Fredonia Press, 1974. 12 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nLexington Green,<\/em> Op. 43b. For band or orchestra. Instrumental parts: piccolo I-II (3 copies), flute I (2 copies), flute II (2 copies), oboe I-II (2 copies), clarinet in E flat, clarinet I in B flat (2 copies), clarinet II-III in B flat (5 copies), bass clarinet in B flat (2 copies), bassoon I-II (2 copies), alto saxophone I in E flat, alto saxophone II in E flat, tenor saxophone in B flat, baritone saxophone in E flat, cornet I in B flat, cornet II in B flat, cornet III in B flat, trumpet I in B flat, trumpet II in B flat, trumpet III in B flat, horn I-II (2 copies), horn III-IV (2 copies), trombone I, trombone II-III (2 copies), baritone (bass clef), baritone (treble clef), tuba (3 copies), percussion (3 copies), bass. Manuscript facsimile.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nFreedom Proclamation<\/em>\u00a0(1975).<\/em>\u00a0From the opera\u00a0Be Glad Then America,<\/em>\u00a0Op. 43. Anthem for soloists, SATB chorus, organ, handbells in G, and optional guitar. Full score. Typescript masters. 12 pp. Full score (copy 2). Hollywood, CA: Fredonia Press, 1975. 12 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 6″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619022250807{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 5<\/strong><\/td>\nThe Nine Lessons of Christmas<\/em>, Op. 44 (1975). For narrator, soloists, SATB chorus, harp, and percussion. 7 documents. Items include:
\nFull score. Ozalid manuscript. 49 pp. of music.
\nPrelude: \u201cThe Garden of Eden.\u201d Instrumental score (for harp and percussion). Ozalid manuscript. 2 pp. of music.
\n\u201dA Boy Was Born.\u201d Vocal score. Ozalid manuscript. 4 pp. of music. Harp part. Ozalid manuscript. 3 pp. of music.
\n\u201cCame He to a World Forlorn.\u201d Vocal score. Ozalid manuscript. 4 pp. of music. Harp part. Ozalid manuscript. 2 pp. of music.
\n\u201cGentle Jesus, Meek and Mild.\u201d Vocal score (incomplete). Ozalid manuscript. 2 pp. of music.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nThe Nine Lessons of Christmas<\/em>, Op. 44 (1975). For narrator, soloists, SATB chorus, harp, and percussion. Harp part. Hollywood, CA: Fredonia Press, 1975. 31 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 43″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619036910196{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 1<\/strong><\/td>\nThe Nine Lessons of Christmas<\/em>, Op. 44 (1975). For narrator, soloists, SATB chorus, harp, and percussion. 4 documents. Items include:
\nFull score. Hollywood, CA: Fredonia Press, 1975. 79 pp.
\nLibretto insert. Hollywood, CA: Fredonia Press, 1975. 4 pp. of text.
\nPercussion part. Hollywood, CA: Fredonia Press, 1975. 21 pp.
\nHarp part. Hollywood, CA: Fredonia Press, 1975. 31 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 6″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619022250807{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 7<\/strong><\/td>\nThe Whittier Service<\/em>, Op. 45. For SATB chorus, guitar, and organ. Full score, with annotations in red ink, marked \u201cPersonal Copy.\u201d Hollywood, CA: Fredonia Press, 1979. Full score (copy 2). Hollywood, CA: Fredonia Press, 1979. Full score (copy 3), reduction for choir and organ, marked \u201cComplimentary.\u201d Hollywood, CA: Fredonia Press, 1979.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 43″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619020924726{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 2<\/strong><\/td>\nThe Whittier Service<\/em>, Op. 45. For SATB chorus, guitar, and organ. Full score. Hollywood, CA: Fredonia Press, 1979. 53 pp. Guitar part. Hollywood, CA: Fredonia Press, 1979. 11 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 6″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619022250807{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 8<\/strong><\/td>\nThe Whittier Hymns<\/em>\u00a0[from Op. 45]. For SATB voices. Full score. Hollywood, CA: Fredonia Press, 1978. 19 pp. (includes duplicate pages).<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\n[Hymns from The Whittier Service]. 10 documents. Items include:
\n\u201cDear Lord and Father\u201d (1978). For SATB voices. Full score. Ozalid manuscript. 1 p. of music.
\n\u201cLord of All Gifts\u201d (1978). For unison voices and keyboard accompaniment, with optional instrumental obbligato. Full score. Ozalid manuscript. 1 p. of music. Part for oboe and guitar. Ozalid manuscript. 1 p. of music.
\n\u201cAscent of Man\u201d (1978). For SATB voices. Full score. Ozalid manuscript. 1 p. of music.
\n\u201cImmortal Love\u201d (1978). For SATB voices and organ. Full score. Ozalid manuscript. 1 p. of music. 2 copies.
\n\u201cBlow, Winds of God\u201d (1978). For SATB voices. Full score. Ozalid manuscript. 1 p. of music.
\n\u201cThe Light, the Truth, the Way\u201d (1978). For SATB voices. Full score. Ozalid manuscript. 1 p. of music.
\n\u201cGod\u2019s Mercy\u201d (1978). For SATB voices. Full score. Ozalid manuscript. 1 p. of music.
\n\u201cBrotherhood\u201d (n.d.). For two-part voices and organ. Full score. Ozalid manuscript 1 p. of music.
\n\u201cBrotherhood\u201d (1978). For two-part voices and organ (different version). Full score. Ozalid manuscript. 1 p. of music.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\n[Hymns from The Whittier Service]. 22 documents. Items include:
\n\u201cDear Lord and Father\u201d (1978). For SATB voices. Full score. Manuscript facsimile. 1 p. of music. 3 copies.
\n\u201cLord of All Gifts\u201d (1978). For unison voices and keyboard accompaniment, with optional instrumental obbligato. Full score. Manuscript facsimile. 1 p. of music. 2 copies.
\n\u201cAscent of Man\u201d (1978). For SATB voices. Full score. Manuscript facsimile. 1 p. of music. 3 copies.
\n\u201cImmortal Love\u201d (1978). For SATB voices and organ. Full score. Manuscript facsimile. 1 p. of music.
\n\u201cThe Light, the Truth, the Way\u201d (1978). For SATB voices. Full score. Manuscript facsimile. 1 p. of music. 4 copies. Copies 1-3 have annotations in pencil and colored pencil.
\n\u201cGod\u2019s Mercy\u201d (1978). For SATB voices. Full score. Manuscript facsimile. 1 p. of music. 3 copies. Copy 1 has annotations in pencil.
\n\u201cBlow, Winds of God\u201d (1978). For SATB voices. Full score. Manuscript facsimile. 1 p. of music. 4 copies. Copy 1 has annotations in blue pencil.
\n\u201cBrotherhood\u201d (n.d.). For two-part voices and organ. Full score. Manuscript facsimile. 1 p. of music.
\n\u201cBrotherhood\u201d (1978). For two-part voices and organ (different version). Full score. Manuscript facsimile. 1 p. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 43″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619020924726{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n
folder 3<\/strong><\/td>\nTwelve Studies for Two Flutes, Op. 46 (1979). Full score. Ozalid manuscript. 1 p. of text and 17 pp. of music. Full score (copy 2). Ozalid manuscript. 1 p. of text and 17 pp. of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nTwelve Studies for Two Flutes, Op. 46. Full score. Hollywood, CA: Fredonia Press, 1979. 17 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nCanonic Variations for Flute and Clarinet,<\/em>\u00a0Op. 47 (1980). Full score. Ozalid manuscript. 11 pp. of music.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nCanonic Variations for Flute and Clarinet,<\/em>\u00a0Op. 47. Full score. Manuscript facsimile. 11 pp. of music.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nCanonic Variations for Flute and Clarinet,<\/em>\u00a0Op. 47. Full score. Hollywood, CA: Fredonia Press, 1980. 12 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 6″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619022250807{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
folder 11<\/strong><\/td>\nConcerto for Flute, Op. 48 (1980). 3 documents. Items include:
\nPiano reduction. Manuscript facsimile. 41 pp. of music.
\nPiano reduction (copy 2). Manuscript facsimile, with annotations in pencil, colored pencil, and ink, bound, marked \u201cPersonal Copy.\u201d 41 pp. of music.
\nPiano reduction (copy 3). Manuscript facsimile, with annotations in pencil and colored pencil, bound, marked \u201cPersonal Copy.\u201d 41 pp. of music.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nConcerto for Flute, Op. 48 (1980). Instrumental parts (woodwinds): piccolo, flute, oboe, English horn, E flat clarinet, B flat clarinet, B flat bass clarinet, bassoon, contrabassoon. Ozalid manuscript. 59 pp.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nConcerto for Flute, Op. 48 (1980). Instrumental parts (brass and percussion): horn I-II, trumpet I-II, trombone I-II, percussion, timpani. Ozalid manuscript. 58 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nConcerto for Flute, Op. 48 (1980). Instrumental parts (strings): violin I-II, viola, violoncello, contrabass, harp. Ozalid manuscript. 60 pp.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nConcerto for Flute, Op. 48 (1980). Instrumental parts (incomplete): violin II, trombone I, harp. Manuscript facsimile, with annotations in ink. 22 pp. of music.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nConcerto for Flute, Op. 48. 3 documents. Items include:
\nFull score, marked \u201c1st edition.\u201d Hollywood, CA: Fredonia Press, 1980. 91 pp.
\nSolo flute part. Hollywood, CA: Fredonia Press, 1980. 13 pp.
\nPiano reduction, marked \u201c1st edition.\u201d Hollywood, CA: Fredonia Press, 1980. 41 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 43″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619020924726{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
folder 8<\/strong><\/td>\nConcerto for Flute, Op. 48 (1980). Solo part and piano reduction, marked \u201cBob copy.\u201d Ozalid manuscript. 1 p. of text and 11 pp. of music; 2 pp. of text and 40 pp. of music.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nConcerto for Flute, Op. 48 (1980). Solo part, with alternate ending. Ozalid manuscript. 2 pp. of text and 12 pp. of music.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nConcerto for Flute, Op. 48. Piano reduction, with alternate ending. Ozalid manuscript. 41 pp. of music.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nConcerto for Flute, Op. 48. 3 documents. Items include:
\nErrata list, in ink. 2 pp. of text.
\nPiano reduction. Manuscript facsimile, pp. 35-36. 2 pp. of music.
\nSolo part, alternative ending (p. 13). 1 p. of music.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nConcerto for Flute, Op. 48. Instrumental parts (incomplete): piccolo, flute, oboe, English horn, clarinet in E flat, clarinet in B flat, bass clarinet in B flat, bassoon, contrabassoon, horn I, horn II, trumpet I in C, trumpet II in B flat, tenor trombone I, trombone II, timpani, harp, violoncello (2 copies). Facsimile of typescript scores.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nConcerto for Flute, Op. 48. 3 documents. Items include:
\nFull score. Hollywood, CA: Fredonia Press, 1980. 91 pp.
\nSolo flute part. Hollywood, CA: Fredonia Press, 1980. 13 pp.
\nPiano reduction. Hollywood, CA: Fredonia Press, 1980. 41 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 6″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619022250807{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n
folder 16<\/strong><\/td>\n\u201cCome Into My Garden.\u201d For flute and piano. Score, marked \u201c1st edition.\u201d Hollywood, CA: Fredonia Press, 1978. 7 pp.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\n\u201cCome Into My Garden.\u201d Sonata 3 for electronic keyboards. Score. Typescript (2006). 16 pp. of music.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\n\u201cCome Into My Garden.\u201d Arranged for trombone. 5 documents. Items include:
\nScore (draft A). Typescript. 14 pp. of music.
\nTrombone part. Realized by David Begnoche. Typescript (2006). 2 pp. of music.
\nScore (draft B). Typescript. 17 pp. of music.
\nScore (draft C, incomplete). Typescript. 14 pp. of music.
\nScore (draft D, incomplete). Typescript. 10 pp. of music.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\n\u00a0\u201cMy Beloved, Let Us Go Forth,\u201d Op. 49, No. 2. For flute and piano. Score and instrumental part. Hollywood, CA: Fredonia Press, 1980. 11 pp. and 4 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 43″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619020924726{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 14<\/strong><\/td>\nTwo Scenes from the Songs of Solomon,<\/em> Op. 49. Adapted from Fragments from the Song of Songs,<\/em> Op. 29. For flute solo, strings, piano, and percussion. Full score. Hollywood, CA: Fredonia Press, 1980. 34 pp. Instrumental parts: violin I (8 copies), violin II (8 copies), viola (6 copies), cello (6 copies), bass (4 copies), piano, percussion. Hollywood, CA: Fredonia Press, 1980.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\n\u201cCome into My Garden,\u201d [Op. 49, No. 1]. For flute and piano. Score. Ozalid manuscript, with annotations in colored pencil. 4 pp. of music.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\n\u201cCome into My Garden,\u201d [Op. 49, No. 1]. For flute and piano. Score and instrumental part. Hollywood, CA: Fredonia Press, 1980. 7 pp. and 2 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 6″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619022250807{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 20<\/strong><\/td>\nSymphonic Variations for Piano and Orchestra<\/em>, Op. 50. 3 documents. Items include:
\nFull score. Manuscript facsimile. 79 pp.
\nPiano score, marked \u201cpersonal copy.\u201d Hollywood, CA: Fredonia Press, 1982. 29 pp.
\nInstrumental parts (incomplete): percussion I-II. Manuscript facsimile. 16 pp.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nSymphonic Variations for Piano and Orchestra<\/em>, Op. 50. Title pages for instrumental parts (incomplete): violin 2, contrabass. Ozalid manuscript. 2 pp. of text.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 43″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619020924726{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 17<\/strong><\/td>\nSymphonic Variations for Piano and Orchestra,<\/em> Op. 50. Full score. Hollywood, CA: Fredonia Press, 1982. 79 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nConcerto for String Orchestra, Op. 16 [recte\u00a0<\/em>Op. 51] (1981). Instrumental parts: violin I, violin II, viola, violoncello, contrabass. Ozalid manuscript. 64 pp. of music.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nConcerto for String Orchestra, Op. 16 [recte <\/em>Op. 51] (1981). Instrumental parts: violin I, violin II, viola, violoncello. Manuscript facsimile. 1 p. of text, 55 pp. of music. Copy 2 of instrumental parts (bound). 1 p. of text, 55 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 43″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619020924726{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 18<\/strong><\/td>\nConcerto for String Orchestra, Op. 51. Full score. Hollywood, CA: Fredonia Press, 1981. 65 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 7″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619021209158{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 3<\/strong><\/td>\nThe Lessons of Advent<\/em>, Op. 52. Cantata for narrator, soloists, double chorus, oboe, trumpet, drums, handbell choir, harp, guitar, and organ. 4 documents. Items include:
\nFull score (copies 1-2). Hollywood, CA: Fredonia Press, 1983. 107 pp. 2 copies.
\nFull score (copy 3), with annotations in red pencil, marked \u201cerrata.\u201d Hollywood, CA: Fredonia Press, 1983. 107 pp.
\nHarp part. Manuscript facsimile. 10 pp. of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nThe Marshes of Glynn<\/em>, Op. 53 (1984). For bass, SATB chorus, and orchestra. 3 documents. Items include:
\nHarp part (mvmt. IV), fair copy. Ink manuscript. 5 pp. of music.
\nHarp part (mvmt. IV). Manuscript facsimile, with annotations in pencil and ink. 4 pp. of music.
\nHarp part (mvmt. IV, incomplete). Manuscript facsimile. 2 pp. of music.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nThe Marshes of Glynn<\/em>, Op. 53. For bass, SATB chorus, and orchestra. 4 documents. Items include:
\nFull score, with annotations in pencil and ink, marked \u201cErrata, do not use.\u201d Hollywood, CA: Fredonia Press, 1984. 68 pp.
\nFull score, with annotations in ink, marked \u201crevised and corrected, errata, lacks preamble.\u201d Hollywood, CA: Fredonia Press, 1984. 68 pp.
\nFull score, marked \u201cwith added preamble.\u201d Hollywood, CA: Fredonia Press, 1984. 72 pp.
\nSecond edition. Full score, with annotations in colored pencil, marked \u201cpersonal copy.\u201d Hollywood, CA: Fredonia Press, 1984. 71 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 43″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619020924726{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 19<\/strong><\/td>\nThe Marshes of Glynn<\/em>, Op. 53. For bass, SATB chorus, and orchestra. Full score, with \u201cPreamble\u201d insert. Hollywood, CA: Fredonia Press, 1984. 71 pp. and 4 pp. Piano vocal score. Second edition. Hollywood, CA: Fredonia Press, 1984. 46 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 7″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619021209158{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n
folder 6<\/strong><\/td>\nConcerto II for Piano and Orchestra, Op. 55 [recte<\/em>\u00a0Op. 54] (n.d.). Piano part (incomplete). Ozalid manuscript. 3 pp. of music.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nConcerto II for Piano and Orchestra, Op. 55 [recte<\/em>\u00a0Op. 54] (1986). Full score (incomplete: pp. 1-41, 65-68, and assorted duplicate pages). Manuscript facsimile. 52 pp. of music.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nConcerto II for Piano and Orchestra, Op. 55 [recte<\/em>\u00a0Op. 54]. Full score, with annotations in colored pencils and ink, marked \u201cPersonal Copy.\u201d Hollywood, CA: Fredonia Press, 1986. 140 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nConcerto II for Piano and Orchestra, Op. 55 [recte<\/em> Op. 54] (1987). Two piano reduction, with annotations in pencil and colored pencil. 84 pp. of music. Two piano reduction (copy 2), with annotations in colored pencils and ink, marked \u201cpersonal copy.\u201d 84 pp. of music.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nConcerto II for Piano and Orchestra, Op. 55 [recte<\/em>\u00a0Op. 54] (1987). Two piano reduction. Fair copy for publisher. 5 pp. of text, 84 pp. of music. Accompanied by envelope marked \u201cOriginals, Concerto II Two piano score,\u201d with notes in pencil on reverse.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 43″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619020924726{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 20<\/strong><\/td>\nConcerto II for Piano and Orchestra, Op. 55 [recte<\/em> Op. 54]. Full score. Hollywood, CA: Fredonia Press, 1986. 140 pp. Two piano reduction. Manuscript facsimile, bound. 84 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nConcerto III for Piano and Orchestra, Op. 55. Full score. Manuscript facsimile. 78 pp. of music.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nConcerto III for Piano and Orchestra, Op. 55. Full score (trimmed, incomplete). 37 pp. of music.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nConcerto III for Piano and Orchestra, Op. 55. Full score, with annotations in pencil and colored pencils, marked \u201cThis is the only copy with scenario suggestions for ballet.\u201d Hollywood, CA: Fredonia Press, 1985. 78 pp. Full score (copy 2), with annotations in pencil, marked \u201cscenario for ballet.\u201d Hollywood, CA: Fredonia Press, 1985. 78 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nConcerto III for Piano and Orchestra, Op. 55. Two piano reduction. Manuscript facsimile. 3 pp. of text, 47 pp. of music, with duplicates of pp. 1-3.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nConcerto III for Piano and Orchestra, Op. 55: Movement III: Rondo. Full score. Ozalid manuscript. 27 pp. of music. Solo part. Ozalid manuscript. 26 pp. of music.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nConcerto III for Piano and Orchestra, Op. 55: Movement III: Rondo. Solo part. Manuscript facsimile, with annotations in pencil. 26 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 44″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619013718254{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 1<\/strong><\/td>\nSketches for Two Pianos,<\/em> Op. 56. Full score. Hollywood, CA: Fredonia Press, 1985. 71 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nOf That Hallowed Season,<\/em>\u00a0Op. 57. Adapted from\u00a0Songs of the Nativity,\u00a0<\/em>Op. 13. For solo organ. Score. Manuscript facsimile (masters). 6 pp. of text and 11 pp. of music. Score (copy 2). Hollywood, CA: Fredonia Press, 1987. 11 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 8″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619014704584{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 7<\/strong><\/td>\nThe Birth of Freedom<\/em>, Op. 58. Dramatic cantata for narrator, soloists, SATB chorus, and orchestra. Piano vocal reduction, with annotations in red pencil. Hollywood, CA: Fredonia Press, 1988. Piano vocal reduction (copy 2, incomplete: pp. 11, 40-51). Manuscript facsimile. 9 pp. of music.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\n\u201cSoliloquy: Be a King, George,\u201d from\u00a0The Birth of Freedom<\/em>, Op. 58. Dramatic cantata for narrator, soloists, SATB chorus, and orchestra. Piano vocal reduction. Ozalid manuscript. 5 pp. of music.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\n\u201cEntr\u2019acte: Freedom has a Thousand Charms,\u201d from\u00a0The Birth of Freedom<\/em>, Op. 58. Dramatic cantata for narrator, soloists, SATB chorus, and orchestra. 3 documents. Items include:
\nTypescript libretto for scene. 1 p. of text.
\nPiano vocal reduction. Manuscript facsimile. 6 pp. of music. 3 copies.
\nPiano vocal reduction (incomplete: p. 1). Manuscript facsimile. 1 p. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 3<\/strong><\/td>\nThe Birth of Freedom,<\/em>\u00a0Op. 58. Dramatic cantata for narrator, soloists, SATB chorus, and orchestra. Condensed score (incomplete). Ozalid manuscript. 12 pp. of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nThe Birth of Freedom,<\/em>\u00a0Op. 58. Dramatic cantata for narrator, soloists, SATB chorus, and orchestra. Condensed score (incomplete, p. 6). Manuscript facsimile. 1 p. of music.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nThe Birth of Freedom<\/em>, Op. 58. Dramatic cantata for narrator, soloists, SATB chorus, and orchestra. Piano vocal reduction. Manuscript facsimile including typescript front matter and narration (masters), with corrections in ink. 4 pp. of text and 100 pp. of music. Hollywood, CA: Fredonia Press, 1988.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nThe Birth of Freedom<\/em>, Op. 58. Dramatic cantata for narrator, soloists, SATB chorus, and orchestra. Piano vocal reduction. Manuscript facsimile (masters). 4 pp. of text and 100 pp. of music. Hollywood, CA: Fredonia Press, 1988. Accompanied by folder, labeled \u201cThe Birth of Freedom Op. 58 A Dramatic Cantata, Masters pgs. 1-100, Adapted from\u00a0Be Glad Then America,<\/em>\u00a0op. 43.\u201d<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nExcerpts from The Birth of Freedom<\/em>, Op. 58 (1973). Dramatic cantata for narrator, soloists, SATB chorus, and orchestra. 2 documents. Items include:
\n\u201cFreedom Has a Thousand Charms\u201d (1973). For voice and guitar. Score. Ozalid manuscript. 3 pp. of music.
\nEnlargement of the Muse\u2019s appearance in Act I. For solo voices, guitar, and organ. Score. Ozalid manuscript, with annotations in colored pencil. 3 pp. of music.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nEntr\u2019acte (\u201cFreedom Has a Thousand Charms\u201d) (1974). From The Birth of Freedom,<\/em> Op. 58. For voice and guitar. Score. Manuscript facsimile. 6 pp. of music. Score (copy 2). Manuscript facsimile. 3 pp. of music. Score (copy 3). Manuscript facsimile. 2 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 8″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619014704584{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
folder 10<\/strong><\/td>\nConcerto IV for Piano and Orchestra, Op. 59. Full score. Hollywood, CA: Fredonia Press, 1989. 100 pp. Full score (copy 2). Facsimile copy. 6 pp. of text, 100 pp. of music.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nConcerto IV for Piano and Orchestra, Op. 59. Full score (incomplete). Manuscript facsimile. 53 pp. of music.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nConcerto IV for Piano and Orchestra, Op. 59. 8 documents. Items include:
\nSolo part. Hollywood, CA: Fredonia Press, 1989. 21 pp. 6 copies.
\nSolo part, with note \u201c(There is no 2 piano score).\u201d Hollywood, CA: Fredonia Press, 1989. 21 pp.
\nSolo part, with annotations in pencil, marked \u201ccorrected with cues.\u201d Hollywood, CA: Fredonia Press, 1989. 21 pp.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nConcerto IV for Piano and Orchestra, Op. 59. Instrumental parts (incomplete): violin I, percussion. Manuscript facsimile. 26 pp. of music.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nConcerto IV for Piano and Orchestra, Op. 59. Two piano reduction. Fair copy. 55 pp. of music. Two piano reduction (copy 2), marked \u201cCorrected 2 Piano Version.\u201d Hollywood, CA: Fredonia Press, 1989. 55 pp. 3 copies.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nConcerto IV for Piano and Orchestra, Op. 59. Errata list. 4 pp. of text.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nOf Age<\/em>, Op. 60 (1990). For symphony orchestra. Full score. Manuscript facsimile. 3 pp. of text, 23 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 44″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619013718254{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 9<\/strong><\/td>\nOf Age,<\/em> Op. 60. An Ode, Epode, and Fanfares. For symphony orchestra. Full score. Hollywood, CA: Fredonia Press, 1990. 34 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 9″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619013961849{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 2<\/strong><\/td>\nSonata for Piccolo and Piano, Op. 61. 4 documents. Items include:
\nScore, with annotations in pencil, colored pencils, and pen, marked \u201cPersonal Copy.\u201d Hollywood, CA: Fredonia Press, 1993. 30 pp.|
\nErrata list. 1 p. of text.
\nScore and instrumental part, marked \u201c1st edition.\u201d Solo part is incomplete (pp. 3-14). Hollywood, CA: Fredonia Press, 1993.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 44″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619013718254{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 10<\/strong><\/td>\nSonata for Piccolo and Piano, Op. 61. Score and instrumental part. Hollywood, CA: Fredonia Press, 1993. 30 pp. and 15 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 9″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619013961849{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 3<\/strong><\/td>\nIn Praise of Britain\u2019s Queen and Elgar\u2019s Enigma<\/em>, Op. 63. For SATB chorus and orchestra. Items include: Sketches, in pencil. 4 pp. of music.
\nFront matter, with annotations in pen. Includes duplicate pages. Hollywood, CA: Fredonia Press, 1991. 15 pp. of text.
\nFull score (incomplete, pp. 1-88), with annotations in pencil. Hollywood, CA: Fredonia Press, 1991.
\nTitle pages, typescript. 5 pp. of text.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\n <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 11<\/strong><\/td>\nIn Praise of Britain\u2019s Queen and Elgar\u2019s Enigma<\/em>, Op. 63. For SATB chorus and orchestra. Full score. Hollywood, CA: Fredonia Press, 1991. 94 pp.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\n\u00a0Trio Sonata, Op. 66. For 3 flutes or 30 flutes or 300 flutes. Score. Hollywood, CA: Fredonia Press, 2001. 21 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series C: Works with no opus number <\/em><\/strong><\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 9″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619037088811{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 4<\/strong><\/td>\n\u201cAlleluja,\u201d from\u00a0Motet: Ex sultate, jubilate<\/em>\u00a0by W. A. Mozart (n.d.). Arranged for voice, flute or violin, and piano. Full score. Ozalid manuscript. 7 pp. of music.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\n\u201cAn Anthem, for Fast Day\u201d (n.d.). Sketches, in ink. 3 pp. of music.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\n\u201cAryse up, Josoff\u201d (n.d.). Four parts, for voice and accompaniment. Ozalid manuscript. 2 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 44″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619013718254{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 13<\/strong><\/td>\n\u201cAryse up, Josoff\u201d (n.d.). Four parts, for voice and accompaniment. Manuscript facsimile. 2 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 9″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619037088811{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
folder 7<\/strong><\/td>\n\u201cAs I Out Rode this End\u2019res Night\u201d (1966). For three voices (SAT). Vocal score. Ozalid manuscript. 1 p. of music. Full score (with percussion parts). Ozalid manuscript. 2 pp. of music.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\n\u201cAs I Out Rode this End\u2019res Night\u201d (1966). For three voices (SAT). Vocal score. Manuscript facsimile. 1 p. of music. Vocal score (copy 2). Manuscript facsimile, bound, printed with \u201cSong I\u201d in medieval notation, with note in ink on inside front cover. 2 pp. of music.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nBe Patient Weary Heart<\/em>\u00a0(1940). For contralto and orchestra. Full score. Ink manuscript. 4 pp. of music. Instrumental parts: flute I-II, oboe I-II, English horn, clarinet I-II in A, bass clarinet in B flat, bassoon, horns I-IV, trombones I-III, timpani. Ink manuscript. 9 pp. of music.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\n\u201cBirds\u2019 Courting Song\u201d (1954). For voice and piano. Score. New York: Cordon Press, 1954. 6 pp. of music. 2 copies.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\n\u201cBlack is the Color of My True Love\u2019s Hair\u201d (n.d.). For medium voice and piano. Score. Ozalid manuscript. 2 pp. of music.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\n\u201cBlack is the Color of My True Love\u2019s Hair\u201d (n.d.). For voice and piano. Score. Manuscript facsimile, with annotations in pencil, colored pencils, and ink. 2 pp. of music. Score. Typescript (2000). 4 pp. of music. 9 copies.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\n\u201cBright As the Morning Light\u201d\/\u201cCan We Get Along.\u201d For voice and piano. 3 documents. Items include:
\n\u201cBright As the Morning Light.\u201d Typescript score, with annotations in pencil. 3 pp. of music.
\n\u201cCan We Get Along\u201d (1993). Typescript score. 3 pp. of music.
\n\u201cCan We Get Along.\u201d Hollywood, CA: Fredonia Press, 1993. 3 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\n\u00a0\u201cA Child\u2019s Prayer.\u201d For voice(s) and accompaniment. Title page. Ozalid manuscript. 1 p. of text. Score. Ozalid manuscript. 2 pp. of music.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\n\u201cA Child\u2019s Prayer.\u201d For voice(s) and accompaniment. 4 documents. Items include:
\nScore, for solo voice. New York: H. W. Gray Co. Inc., 1956. 3 pp.
\nScore, for solo and treble voices with accompaniment. Typescript (1991). 4 pp. of music. 4 copies.
\nPart for solo voice. Typescript. 1 p. of music. 2 copies.
\nInstrumental part for piano or cello II. Typescript. 1 p. of music.
\nScore, for five parts. Typescript (1991). 2 pp. of music. 3 copies.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 44″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619013718254{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 14<\/strong><\/td>\n\u201cA Child\u2019s Prayer.\u201d For solo and treble voices, with accompaniment. Score. Hollywood, CA: Fredonia Press, 1991. 4 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 9″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619037088811{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n
folder 16<\/strong><\/td>\nDivertimento<\/em>\u00a0(n.d.). For piano and chamber orchestra. Full score (incomplete). Ozalid manuscript. 6 pp. of music.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\n\u00a0\u201cEpithalamium Toast\u201d (n.d.). For voice and piano. Score. Manuscript facsimile. 1 p. of music.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nEven Song<\/em>\u00a0(1962). For solo organ. 3 documents. Items include:
\nScore. Typescript. 4 pp. of music.
\nScore. Hollywood, CA: Fredonia Press, 1962. 4 pp.
\nScore. New York: H. W. Gray Co. Inc., 1962. 4 pp.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\n\u201cEvening Song\u201d (n.d.). For medium voice and piano. Manuscript facsimile. 2 pp. of music. 2 copies.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nSelections \u201cFor the Master Figure-Skaters of America\u201d (n.d.). Unidentified instrumentation (3 staves). 4 documents. Items include:
\nScore (incomplete, p. 1). Typescript. 1 p. of music.
\nScore. Typescript. 28 pp. of music.
\nScore (incomplete, \u201cGrief for the Fallen\u201d). 6 pp. of music.
\nAccompanied by envelope with movement titles.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 44″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619013718254{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 15<\/strong><\/td>\n\u201cFor the Master Figure-Skaters of America\u201d (n.d.). Unidentified instrumentation (3 staves). Score. Typescript. 41 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 9″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619037088811{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 21<\/strong><\/td>\n\u201cFriendship\u201d (n.d.). For solo piano. Score. Typescript. 6 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 44″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619013718254{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 16<\/strong><\/td>\nGigue (1940). For piano. Score. Manuscript facsimile. 3 pp. On reverse, in ink: Gigue, John La Montaine, June 1940.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 9″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619037088811{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 22<\/strong><\/td>\nGigue, from Capriccio for Piano and Orchestra<\/em> (n.d.). For symphony orchestra. Instrumental parts: flute, oboe, clarinet in B flat, bassoon, horn I-II, trumpet in B flat, trombone, violin I-II, viola, violoncello, double bass, timpani, piano. Ozalid manuscript. 21 pp. of music.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nGigue, from Capriccio for Piano and Orchestra<\/em> (n.d.). For symphony orchestra. Instrumental parts: flute, oboe, clarinet in B flat, bassoon, horn I-II, trumpet in B flat, trombone, violin I (4 copies), violin II (3 copies), viola (2 copies), violoncello (2 copies), double bass (2 copies), timpani, triangle, piano. Manuscript facsimile. 37 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 44″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619013718254{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 17<\/strong><\/td>\n\u201cHis Name\u201d (n.d.). For voice and piano. Lyrics by Ralph Cain. Score. Manuscript facsimile, with annotations in pencil. 4 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 9″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619037088811{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 24<\/strong><\/td>\n\u201cHoliday Greeting\u201d (n.d.). For voice(s) and piano. 3 documents. Items include:
\nScore, for voice and piano. Ozalid manuscript. 1 p. of music.
\nScore, for voice, zimbelsterne, chimes, tambourine, and bells. Ozalid manuscript. 1 p. of music.
\nScore, for three voices. Ozalid manuscript. 1 p. of music.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\n\u201cHoliday Greeting.\u201d For SATB voices and piano. Evanston, IL: Summy-Birchard Publishing Co., 1960. 3 copies.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\n\u00a0\u201cHoly Spirit\u201d (1977). For SATB and accompaniment. Score. Ozalid manuscript. 7 pp. of music.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\n\u201cHoly Spirit\u201d (n.d.). For SATB and accompaniment. Score. Manuscript facsimile. 7 pp. of music.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\n\u201cI Saw a Sweet and Silly Sight.\u201d For voice and piano. Score (1989). Manuscript facsimile. 3 pp. of music. 3 copies. Score (n.d.). Typescript. 4 pp. of music.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nInterlude from the Song of Solomon (\u201cLet my beloved come into the garden\u201d) (n.d.). For symphony orchestra. 3 documents. Items include:
\nFull score. Manuscript facsimile, bound. 9 pp. of music.
\nFull score (incomplete, pp. 3-6). Manuscript facsimile. 4 pp. of music.
\nConductor\u2019s score. Manuscript facsimile. 3 pp. of music.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\n\u201cJe ne sais pas\u201d (1947). For voice and piano. Score. Ozalid manuscript. 3 pp. of music.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\n\u201cJe ne sais pas\u201d (n.d.). For voice and piano. Score (incomplete, p. 3). Manuscript facsimile. 1 p. of music.<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\n\u201cJugoslav Dance\u201d (1974). For solo piano. Score. Manuscript facsimile. 3 pp. of music. Score (copy 2). Manuscript facsimile, with note \u201cNo one has ever seen this. JL.\u201d 3 pp. of music.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\n\u00a0\u201cLetter from Prison\u201d (1986). For SATB chorus and organ. Score (incomplete, pp. 1-7). Ink manuscript. 7 pp. of music. Score (incomplete, pp. 1-7). Manuscript facsimile. 7 pp. of music.<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\n\u201cLight-Foot\u201d (n.d.). For solo piano. Score. Typescript. 4 pp. of music.<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\n\u201cLully, Lulla\u201d (n.d.). For SAB. Score. Ozalid manuscript. 2 pp. of music.<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\n\u201cMary\u2019s Blessing and Farewell\u201d (n.d.). For solo organ. Score. Typescript. 3 pp. of music.<\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\n\u201cMay the Roads Rise with You\u201d (n.d.). For voice and piano. Score. Ozalid manuscript. 2 pp. of music.<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\n\u201cMay the Roads Rise with You\u201d (n.d.). For voice and piano. Score (incomplete). Manuscript facsimile. 1 pp. of music.<\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\n\u201cMerry Let Us Part and Merry Meet Again.\u201d For SATB chorus and piano Evanston, IL: Summy-Birchard Co., 1958. 6 pp. 5 copies.<\/td>\n<\/tr>\n
folder 40<\/strong><\/td>\n\u201cMy Country \u2018Tis of Thee\u201d (1952). For voice and piano. Score. Ozalid manuscript. 1 p. of music.<\/td>\n<\/tr>\n
folder 41<\/strong><\/td>\n\u201cNativity Morn.\u201d For SATB chorus with accompaniment ad lib. Score. New York: H. W. Gray Co. Inc., 1957. 8 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 44″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619038777643{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 18<\/strong><\/td>\n\u201cNo, No, Mrs. Malaprop\u201d (1982). For voice and piano. Lyrics by Ralph Cain. Score. Manuscript facsimile, with annotations in pencil and ink. 2 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 9″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619037088811{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 42<\/strong><\/td>\n\u201cNotre P\u00e8re\u201d (Henri B\u00fcsser). Arranged for voice, flute, and piano (n.d.). Score. Ozalid manuscript. 2 pp. of music.<\/td>\n<\/tr>\n
folder 43<\/strong><\/td>\n\u201cNovellis, Novellis, of Wondrfull Mervellys\u201d (n.d.). For solo voice and piano. Score. Ozalid manuscript. 3 pp. of music.<\/td>\n<\/tr>\n
folder 44<\/strong><\/td>\n\u201cNovellis, Novellis, of Wondrfull Mervellys\u201d (n.d.). For solo voice and piano. Score. Manuscript facsimile, bound, with inscription \u201cFor Ruth.\u201d 3 pp. of music. Score. Manuscript facsimile. 3 pp. of music. 5 copies.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 44″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619038777643{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 19<\/strong><\/td>\n\u201cNow Begin on Christmas Day\u201d (n.d.). Flute obbligato. Manuscript sketch. 1 p. of music. Manuscript facsimile. 1 p. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 9″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619037088811{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 45<\/strong><\/td>\n\u201cNuntium Pastoribus\u201d (n.d.). For chorus, percussion, and bagpipe. Score. Ozalid manuscript. 3 pp. of music.<\/td>\n<\/tr>\n
folder 46<\/strong><\/td>\n\u201cNuntium Pastoribus\u201d (n.d.). For chorus, percussion, and bagpipe. Score. Manuscript facsimile. 3 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 10″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619038544977{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\n\u201cO Lord, to Thee We Pray.\u201d For SATB chorus. Score. Chicago: Neil A. Kjos Music Co., 1944. 8 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\n\u201cO Magnum Mysterium\u201d (n.d.). For SATB chorus. Score. Manuscript facsimile. 1 p. of music.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\n\u201cA Prayer for Evening.\u201d For voice and accompaniment. 3 documents. Items include:
\nScore, for high voice and piano (1977). Ozalid manuscript. 3 pp. of music.
\nTitle page. Ozalid manuscript. 1 p. of text.
\nScore, for medium voice and organ (n.d.). Ozalid manuscript. 3 pp. of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\n\u201cA Prayer for Evening.\u201d For medium voice and organ. Score (n.d.). Manuscript facsimile. 3 pp. of music. Score (1991). Manuscript facsimile. 3 pp. of music. 5 copies.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\n\u201cA Precious Stone.\u201d Hymn for SATB. 3 documents. Items include:
\nScore (n.d.). Ozalid manuscript, with annotations in pencil. 1 p. of music.
\nScore (1979). Ozalid manuscript, with annotations in pencil. 1 p. of music.
\nScore (n.d.). Ozalid manuscript. 1 p. of music.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nA Precious Stone: An Expandable Folio of Original Hymn Tunes<\/em>. For SATB. Hollywood, CA: Fredonia Press, 1981. 13 pp. 2 copies.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 44″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619038777643{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 20<\/strong><\/td>\nProcessional <\/em>(1964). For solo organ. Score. Typescript (master). 2 pp. of text and 7 pp. of music. Score (copy 2). Hollywood, CA: Fredonia Press, 1964. 7 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 10″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619038544977{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 7<\/strong><\/td>\n\u201cQuestioning\u201d (n.d.). For solo piano. Manuscript facsimile. 1 p. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 44″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619038777643{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 21<\/strong><\/td>\n\u201cQuestioning.\u201d Adapted from Sonata for Flute Solo, Op. 24. For solo piano. New York: Oxford University Press, 1964. 2 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 10″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619038544977{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n
folder 8<\/strong><\/td>\nSATB Hymns, assorted (1977-78). Items include:
\n\u201cBe Our Guard and Keeper Now.\u201d For two voices and organ. Score. Ozalid manuscript. 1 p. of music.
\n\u201cBut Thou, O Christ\u201d (1977). For SATB. Score. Ozalid manuscript. 1 p. of music.
\n\u201cCome, My Way, My Truth.\u201d For SATB. Score. Ozalid manuscript. 1 p. of music. 2 copies.
\n\u201cDay Star\u201d (1977). For SATB. Score. Ozalid manuscript. 1 p. of music.
\n\u201cDeck Thyself.\u201d For two voices and organ. Score. Ozalid manuscript, with annotations in pencil. 1 p. of music.
\n\u201cDeck Thyself, My Soul.\u201d For SATB. Score. Ozalid manuscript. 1 p. of music.
\n\u201cThe Divine Image.\u201d For SATB. Score. Ozalid manuscript. 1 p. of music.
\n\u201cEvery Star.\u201d For SATB. Score. Ozalid manuscript. 1 p. of music.
\n\u201cGentle Jesus\u201d (1977). For SATB. Score. Ozalid manuscript. 1 p. of music.
\n\u201cHoly Spirit\u201d (1977). For SATB. Score. Ozalid manuscript. 1 p. of music.
\n\u201cLet Us Lift Our Hearts This Day.\u201d For SATB and organ. Score. Ozalid manuscript, with annotations in pencil. 1 p. of music.
\n\u201cLord, I Believe.\u201d For SATB. Score. Ozalid manuscript. 1 p. of music.
\n\u201cMy Spirit Longeth for Thee.\u201d For SATB. Score. Ozalid manuscript. 1 p. of music.
\n\u201cO Still Small Voice of Calm\u201d (1978). For SATB. Score. Ozalid manuscript. 1 p. of music.
\n\u201cOn This Night.\u201d For solo voice and accompaniment. Score. Ozalid manuscript. 1 p. of music.
\n\u201cOn This Night.\u201d For SATB. Score. Ozalid manuscript. 1 p. of music.
\n\u201cResurrection\u201d (1977). For SATB. Score. Ozalid manuscript. 1 p. of music.
\n\u201cSaw You Never, in the Twilight.\u201d For SATB and percussion. Score. Ozalid manuscript. 1 p. of music.
\n\u201cThis is the Day\u201d (1977). For SATB. Score. Ozalid manuscript. 1 p. of music.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nSATB Hymns, assorted (1977). Items include:
\n\u201cBut Thou, O Christ\u201d (1977). For SATB. Score. Typescript. 1 p. of music.
\n\u201cCome, My Way.\u201d For SATB. Score. Manuscript facsimile. 1 p. of music. 2 copies.
\n\u201cDay Star\u201d (1977). For SATB. Score. Typescript. 1 p. of music.|
\n\u201cDay Star\u201d (1977). For SATB. Score. Manuscript facsimile. 1 p. of music.
\n\u201cDay Star\u201d (1977). For SATB. Score. Manuscript facsimile, with annotations in pencil and ink. 1 p. of music.
\n\u201cEvery Star.\u201d For SATB. Score. Manuscript facsimile. 1 p. of music.
\n\u201cGentle Jesus\u201d (1977). For SATB. Score. Typescript. 1 p. of music. 2 copies.
\n\u201cGentle Jesus\u201d (1977). For SATB. Score. Manuscript facsimile. 1 p. of music. 2 copies.
\n\u201cHoly Spirit\u201d (1977). For SATB. Score. Typescript. 1 p. of music.
\n\u201cLord, I Believe\u201d (1997). For SATB. Score. Manuscript facsimile. 1 p. of music.
\n\u201cO Light of Lights.\u201d For SATB. Score. Typescript. 1 p. of music.
\n\u201cO Still Small Voice of Calm.\u201d For SATB. Score. Manuscript facsimile, with annotations in pencil. 1 p. of music.
\n\u201cO Still Small Voice of Calm.\u201d For SATB. Score. Manuscript facsimile. 1 p. of music. 2 copies.
\n\u201cA Precious Stone,\u201d \u201cO Light of Lights,\u201d \u201cDay Star,\u201d and \u201cThe Divine Image.\u201d Score. Typescript. 4 pp. of music.
\n\u201cProcessional.\u201d For unison voices, handbells, and drum. Score. Typescript. 1 p. of music.
\n\u201cResurrection\u201d (1977). For SATB. Score. Manuscript facsimile. 1 p. of music. 2 copies.
\n\u201cThis is the Day\u201d (1977). For SATB. Score. Typescript. 1 p. of music. 3 copies.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\n\u201cSaw You Never, in the Twilight.\u201d For SATB and percussion. Score. Manuscript facsimile. 1 p. of music.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\n\u201cScherzo\u201d (1977). For 32 trombones (4 parts). Score. Ozalid manuscript. 4 pp. of music.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\n\u201cScherzo\u201d (n.d.). For 32 trombones (4 parts). Score. Manuscript facsimile, with annotations in colored pencil. 4 pp. of music.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\n\u201cSchweitzer\u2019s Prayer\u201d (1989). For voice and piano. Score. Ozalid manuscript. 1 p. of music.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\n\u201cSchweitzer\u2019s Prayer\u201d (1989). For voice and piano. Score. Manuscript facsimile. 1 p. of music. 8 copies.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\n\u201cShall I Compare Thee to a Summer\u2019s Day\u201d (1962). For voice and piano. Score. Manuscript facsimile. 4 pp. of music. 4 copies. Copies 3-4 have annotations in pencil.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 44″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619038777643{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 22<\/strong><\/td>\n\u201cShall I Compare Thee to a Summer\u2019s Day\u201d (1962). For voice and piano. Score. Ozalid manuscript. 4 pp. of music.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\n\u201cShall I Compare Thee to a Summer\u2019s Day\u201d (1962). For voice and piano. Score. Manuscript facsimile, with annotations in pencil and ink. 4 pp. of music. Score (copy 2). Manuscript facsimile. 4 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 10″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619038544977{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 16<\/strong><\/td>\n\u201cThe Shepherds and the Kings\u201d (n.d.). For SATB. Score. Ozalid manuscript. 2 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 44″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619038777643{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 24<\/strong><\/td>\n\u00a0\u201cSketch No. 1\u201d (1985). For solo piano. Score. Manuscript facsimile. 4 pp.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\n\u201cSo Soft-like\u201d (n.d.). For voice and piano. Tune and words by Azell Taylor. Accompaniment by John La Montaine. Score. Manuscript facsimile, with annotations in pencil and ink. 3 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 10″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619038544977{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 17<\/strong><\/td>\n\u201cSo Wiste I Never Non\u201d (n.d.). For two voices. Score. Ozalid manuscript. 1 p. of music.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\n\u201cSorrow\u201d (n.d.). For trombone and piano. Score. Typescript. 5 pp. of music. Score (copy 2), bound with \u201cTrombone Toys\u201d and \u201cWide Horizon.\u201d Typescript. 25 pp. of music.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\n\u201cSour Wood Mountain\u201d (n.d.). For medium voice and piano. Score. Ozalid manuscript. 2 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 44″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619038777643{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 26<\/strong><\/td>\n\u201cSour Wood Mountain\u201d (n.d.). For medium voice and piano. Score. Manuscript facsimile. 2 pp. of music. Score (copy 2). Manuscript facsimile, with annotations in pencil. 3 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 10″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619038544977{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 20<\/strong><\/td>\n\u201cSparklers.\u201d For solo piano. Score. Evanston, IL: Summy-Birchard Publishing Co., 1957. 5 pp. Score (copy 2). Hollywood, CA: Fredonia Press, 1976. 5 pp.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\n\u201cStopping by Woods on a Snowy Evening.\u201d For medium voice and piano. Score. Manuscript facsimile (reverse printing). 3 pp. of music. Score (copy 2). New York: Galaxy Music Corp., 1963. 4 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 44″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619038777643{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 27<\/strong><\/td>\n\u201cSymphony\u201d (n.d.). Instrumental parts (incomplete): bassoon I-II. Ozalid manuscript. 1 p. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 10″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619038544977{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
folder 22<\/strong><\/td>\nSymphonic Encounter<\/em>\u00a0(Paul J. Sifler). Arranged for organ and orchestra. 3 documents. Items include:
\nFull score, marked \u201cWorking copy.\u201d Typescript. 32 pp. of music.
\nFull score (copy 2), marked \u201cPersonal Copy.\u201d Hollywood, CA: Fredonia Press, 2000. 58 pp.
\nInstrumental parts (incomplete): clarinets I-II in B flat. 3 pp. of music.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nTambourin<\/em>. Arranged for voice and symphony orchestra (n.d.). Full score. Ozalid manuscript. 13 pp. of music. Instrumental parts: flutes I-II, oboes I-II, clarinet I-II in B flat, bassoon I-II, violin I-II, viola, violoncello, contrabass, timpani, tenor drum, triangle. 12 pp. of music.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nTambourin<\/em>. Arranged for voice and symphony orchestra (n.d.). Full score. Manuscript facsimile, bound. 13 pp. of music.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\n\u00a0\u201cThat Hallow\u2019d Season\u201d (n.d.). For voice. Score. Ozalid manuscript. 1 p. of music.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\n\u201cThat Hallow\u2019d Season\u201d (1963). For voice, bells, and piano. Score. Typescript. 4 pp. of music.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\n\u201cThat Special Part of You.\u201d For voice and piano. 19 documents. Items include:
\nFull score (n.d.). Fair copy, incomplete. 1 p. of music.
\nFull score (n.d.). Fair copy, in F minor. 2 pp. of music. 2 copies. Copy 1 has annotations in pencil.
\nVocal lead sheet (1988). Fair copy. 1 p. of music. 2 copies, in 2 keys. Copy 2 has typescript lyrics.
\nVocal lead sheet (1988). Manuscript facsimile. 1 p. of music. 3 copies. Copy 1 has annotations in pencil. Copy 3 in different key.
\nFull score (1988). Fair copy, with annotations in pencil and blue pencil. 2 pp. of music.
\nFull score (1988). Manuscript facsimile, with notes for second verse in pencil. 2 pp. of music.
\nFull score (1989). Fair copy, with typescript lyrics. 2 pp. of music.
\nFull score (1989). Manuscript facsimile. 2 pp. of music.
\nVocal lead sheet (1995). Typescript. 1 p. of music.
\nFull score (1995). Typescript (in B flat minor). 3 pp. of music.
\nFull score (n.d.). Typescript (in F minor). 3 pp. of music. 2 copies.
\nFull score (1996). Typescript, incomplete. 2 pp. of music.
\nFull score (1996). Typescript, in B flat minor. 3 pp. of music.
\nFull score (August 2004). Typescript. 4 pp. of music.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\n\u201cTheophilus Thistleby.\u201d For SA and piano (n.d.). Score. Ozalid manuscript. 2 pp. of music.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nThree English Folk Songs. For voice and piano. Score. Ozalid manuscript. 1 p. of text, 7 pp. of music.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nThree English Folk Songs. For voice and piano. Score. Manuscript facsimile. 7 pp. Score (copy 2). Hollywood, CA: Fredonia Press, 1991. 12 pp. 4 copies.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 44″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619038777643{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 28<\/strong><\/td>\nThree English Folk Songs. For voice and piano. Score. Manuscript facsimile, bound. 7 pp. of music. 2 copies. Score (copy 3). Manuscript facsimile (1974). 7 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 10″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619038544977{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 31<\/strong><\/td>\nThree Hymns and an Anthem. For SATB chorus. Score, missing pages. Hollywood, CA: Fredonia Press, 1977. 2 pp. of music. 2 copies.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 44″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619038777643{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 29<\/strong><\/td>\nThree Hymns and an Anthem. For SATB chorus. Score. Hollywood, CA: Fredonia Press, 1977. 8 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 10″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619038544977{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 32<\/strong><\/td>\nThree Pieces for Piano Solo. Score. Hollywood, CA: Fredonia Press, 1962. 13 pp. of music. 3 copies. Copy 3 marked \u201c1st edition.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 44″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619038777643{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 30<\/strong><\/td>\nTransformations.<\/em> Two movements: Come into My Garden; Wide Horizons. For trombone and electric piano. Score. Hollywood, CA: Fredonia Press, [n.d.]. 23 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 10″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619038544977{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n
folder 33<\/strong><\/td>\nTrio. For unspecified instruments (violin, cello, piano?) (n.d.). Score, incomplete. Ink manuscript, with annotations in pencil and red pencil. 1 p. of music.<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\nTrio. For unspecified instruments (violin, cello, piano?) (n.d.). Score, incomplete. Ozalid manuscript. 2 pp. of music.<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\nTrio Sonata. For flutes (n.d.). Score. Typescript, with annotations in pencil and inscription in red ink. 17 pp. of music. Missing pp. 2-4 of score.<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\nTrombone Quartet. 10 documents. Items include:
\nScore (2001). Typescript. 24 pp. of music.
\nInstrumental parts: trombone I (complete). 7 pp. of music. 3 copies.
\nInstrumental parts (mvmt. 1 only): trombone II. 2 pp. of music.
\nInstrumental parts (mvmt. 3 only): trombone III. 3 pp. of music. 2 copies.
\nScore, marked \u201cEdit Copy,\u201d with annotations in pencil, colored pencils, and ink. Hollywood, CA: Fredonia Press, 2001. 20 pp. of music.
\nScore, marked \u201cPersonal Copy.\u201d Hollywood, CA: Fredonia Press, 2001. 20 pp. of music.
\nScore (2001), incomplete (mvmt. 1 only). Typescript. 4 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 44″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619038777643{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 31<\/strong><\/td>\nTrombone Quartet. Full score and parts. Score edited by David Begnoche. Hollywood, CA: Fredonia Press, 2001. Score 24 pp. of music; parts 8 pp., 8 pp., 8 pp., and 7 pp. of music, respectively.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 10″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619038544977{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n
folder 37<\/strong><\/td>\nTrombone Toys\u00a0<\/em>(n.d.). For trombone and piano. Score. Typescript. 10 pp. of music. Score, pp. 4-5. Typescript. 2 pp. of music.<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\nUntitled composition (1987). For organ. Score. Ozalid manuscript. 10 pp. of music.<\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\nUntitled composition (1987). For organ. Score. Manuscript facsimile. 10 pp. of music.<\/td>\n<\/tr>\n
folder 40<\/strong><\/td>\nVariations for the Very Young\u00a0<\/em>(1985). For two violins. Score. Manuscript facsimile. 9 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 44″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619038777643{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 32<\/strong><\/td>\n\u201cWhat Would I Have a Woman Know?\u201d (1982). For voice and piano. Lyrics by Ralph Cain. Score. Manuscript facsimile. 3 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 10″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1619038544977{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 41<\/strong><\/td>\nWide Horizons<\/em> (n.d.). For trombone and piano. Items include:
\nScore. Typescript, with annotations in pencil and ink. 12 pp. of music.
\nDraft of score, incomplete (assorted pages). Typescript. 30 pp. of music.
\nScore. Typescript. 11 pp. of music. 2 copies.
\nDraft of score, incomplete (assorted pages). Typescript. 7 pp. of music.
\nDraft of score, marked \u201cSome good stuff,\u201d incomplete (assorted pages). Typescript. 20 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1618859220984{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series D: Sketches <\/em><\/strong><\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 11″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1618932807312{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nSketchbook. On cover: \u201cMay 1945\u2014First Sketch Book<\/u>; Cello Sonata; When Morning Gilds the Skies; Songs of Nativity; Islanded in Thought;\u00a0Rose of Sharon<\/u>; Piano Quar.; Fugue; Toccata; Rose of Sh.\u201d 70 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nSketchbook. On cover: \u201cCopy cats; Misc. sketches; Spreading News; Some Say; Happy Birthday; Fragments.\u201d 68 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nSketchbook. On cover: Canons: \u201c12 Relationships, Op. 40) c. 1950; Colloquy for Strings Op. 21; Sparklers; Piano Concerto #1 Op. 9; Spreading the News Op. 27; Theophilus Thistebe; Misc. Sketches.\u201d 36 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nSketchbook. On cover: \u201c12 Invertible sets.\u201d 42 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nSketchbook. On cover: \u201cSpreading News; Sonnets; full exc. incomp.; When to the Sessions; How like a winter; end of Not from Stars.\u201d 24 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nSketchbook. On cover: \u201c4 Hand Sonata; Spreading News; easy conc. grosso; ?; D maj. string frag.\u201d 24 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nSketchbook. On cover: \u201cSymphony; Nine Lessons; misc.; Be Glad; etc.\u201d 66 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nSketchbook. On cover: \u201cSymphony; Fragments from Song of Songs; Sdre; for Symph, 3rd mvt.; slow vers. of Piano Scherzo with orch.\u201d 40 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nSketchbook. On cover: \u201cSymphony; Violin Concerto Sketches; Fragments from Song of Songs.\u201d 40 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nSketchbook. On cover: \u201cSong of Songs (see turned pages for other material).\u201d 68 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nSketchbook. On cover: \u201cSong of Songs (and other material).\u201d 56 pp.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nSketchbook. On cover: \u201cNovellis and Sea to Sh. S.\u201d 50 pp.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nSketchbook. On cover:\u201d Even Song for Organ; Novellis, Op. 31; Fragments Interlude; Venice West.\u201d 36 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nSketchbook. On cover: \u201c63; Novellis; Wonder Tidings; John Kameny: tune (Africa).\u201d 52 pp.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nSketchbook. On cover: \u201c63; John Peak; Karlsruhe.\u201d 58 pp.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nSketchbook. On cover: \u201cMass of Nature; Novellis.\u201d 44 pp.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nSketchbook. On cover: \u201c63; Novellis; Wonder Tidings; Birds of Paradise; Birds firs sketches; Venice West.\u201d 54 pp.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nSketchbook. On cover: \u201c63; Misc.; Birds; Te Deum.\u201d 52 pp.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nSketchbook. On cover: \u201cMay \u201963; Jul. \u201968; Birds; Mass; Herod.\u201d 54 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 12″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1618932818316{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\n\u00a0Sketchbook. On cover: \u201cMass of Nature; Credo.\u201d 42 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nSketchbook. On cover: \u201cMass of Nature.\u201d 26 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nSketchbook. On cover: \u201cThe Shepherds Play, Vol. I.\u201d 64 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nSketchbook. On cover: \u201cThe Shepardes Playe, Vol. II.\u201d 56 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nSketchbook. On cover: \u201cScene V Shepherds.\u201d 54 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nSketchbook. On cover: \u201cScene V Shepherds; \u201cFor God is Made Thy Friend, now on this morne\u201d; Woodwind Quartet.\u201d 56 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nSketchbook. On cover: \u201cShepherds; Novellis.\u201d 42 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nSketchbook. On cover: \u201cErode the Greate.\u201d 60 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nSketchbook. On cover: \u201cEarth is the Lord\u2019s; Erode Act II Scene II.\u201d 64 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nSketchbook. On cover: \u201cMass; Erode; Mysterium; Naturae; Erode end.\u201d 36 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nSketchbook. On cover: \u201cPiano sketches; Wilderness Journal; Canons; In Wildness.\u201d 34 pp.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nSketchbook. On cover: \u201cI, In Wildness full.\u201d 54 pp.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nSketchbook. On cover: \u201cI, In Wildness, full.\u201d 48 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nSketchbook. On cover: \u201cCanons; In Wildness II; Wizard.\u201d 56 pp.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nSketchbook. On cover: \u201cPercuss. plan; III & IV, In Wildness; canons; full.\u201d 24 pp. Sketchbook, without cover, marked \u201cWilderness Journal (Credo), also Whittier Service.\u201d 32 pp.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nSketchbook. On cover: \u201cI & II; Nature Studies; full.\u201d 42 pp.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nSketchbook. On cover: \u201cConversations.\u201d 40 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 13″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1618932825227{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nSketchbook. On cover: \u201cBe Glad.\u201d 50 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nSketchbook. On cover: \u201c8 voice fugue; Be Glad Then.\u201d 18 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nSketchbook. On cover: \u201cHymns I; Whittier Service Op. 45; Duos for Two Flutes; Viola Talk.\u201d 56 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nSketchbook. On cover: \u201cII; Book of Hymns; Whittier.\u201d 46 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nSketchbook. On cover: \u201cHymns III; Whittier; No surveyed perf.\u201d 38 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nSketchbook. On cover: \u201cHymns; Advent; Full.\u201d 54 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nSketchbook. On cover: \u201cHarp; Advent.\u201d 56 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nSketchbook. On first page: \u201c9 Lessons.\u201d 38 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nSketchbook. On cover: \u201cNine Lessons; Wizard; now.\u201d 48 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nSketchbook. On cover: \u201cI & II; Wizard.\u201d 40 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nSketchbook. On cover: \u201cWizard; Canons for children.\u201d 40 pp.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nSketchbook. On cover: \u201cConcerto III children\u2019s games.\u201d 40 pp.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nSketchbook. On cover: \u201cConcerto III finale; Marshes of Glynn; Shows & children\u2019s games, finale.\u201d 26 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nSketchbook. On cover: \u201cConcerto II Full.\u201d 14 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nSketchbook. On cover: \u201cConcerto IV.\u201d 12 pp.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nSketchbook. On cover: \u201cPicc. Sonata; Be B.\u201d 34 pp.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nSketchbook. On first page: \u201cStudies for Flute Concerto.\u201d 30 pp.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nSketchbook. On cover: \u201c12 Set; Flute Concerto.\u201d 30 pp.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nSketchbook. On cover: \u201cFl.; Fl. & Cl.; Canonic Variations Op. 47; Flute Concerto, Op. 48.\u201d 40 pp.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nSketchbook. On cover: \u201cVar. 2 Fl.; Twelve Studies for 2 Flutes, Op. 46; Canonic Variations, Op. 47; Fl. & Cl.; Flute Concerto Op. 48.\u201d 42 pp.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nSketchbook. On cover: \u201cFlute Concerto; 3rd movt. 1st sketches.\u201d 40 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 14″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1618932834066{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nSketchbook. On cover: \u201cFlute Concerto III.\u201d 44 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nSketchbook. On cover: \u201cFlute Concerto; Be Glad; Full.\u201d 34 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nSketchbook. On first page: \u201cSymphonic Variations.\u201d 26 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nSketchbook. On cover: \u201cSymphonic Variations I and other.\u201d 70 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nSketchbook. On cover: \u201cSymphonic Variations; descant for Ascent.\u201d 44 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nSketchbook. On cover: \u201cSymphonic Variations I.\u201d 40 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nSketchbook. On cover: \u201cBallet: The Black Mask (some used the \u201cSix Dance Preludes, Op. 18) (some used in \u201cFragments Op. 29); Sanctuary.\u201d 26 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nSketchbook. On cover: \u201cBallet Masque, never completed material later used in Song of Songs, Dance Preludes for pian & others.\u201d 40 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nSketchbook. On cover: \u201cBallet Sketches, full.\u201d 40 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nSketchbook. On first page: \u201cLong melodies.\u201d 48 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nSketchbook. 12 pp.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nSketchbook. On cover: \u201cFrom Sea to Shining Sea; Venice West; Novellis; Woodwind Quintet; Questioning.\u201d 52 pp.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nSketchbook. On cover: \u201cMiscell Sketches.\u201d 10 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nSketchbook. On cover: \u201c2001.\u201d 56 pp.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nAssorted loose sketches and partial scores. Manuscript sketches, manuscript facsimiles, and typescript drafts. 88 pp.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nAssorted partial scores (unidentified). Ozalid manuscript. 14 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 2: Personal papers<\/h3>\n

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<\/a>Sub-series A: Original writings<\/em><\/strong><\/span><\/p>\n

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folder 1<\/strong><\/td>\nHymn texts and poems. 7 documents. Items include:
\nHymn: \u201cA Precious Stone\u201d; typescript. 2 copies.
\nSelections from The Collected Poems of John La Montaine<\/em>: Jimmy Lobotimus, Diatonic Dittymunch; typescript. 1 p. of text.
\nThree untitled poems: \u201cI am a little baby…\u201d; \u201cLullaby Colas my little brother…\u201d; \u201cBeside my blond…\u201d; manuscript facsimile. 1 p. of text.
\nDraft of untitled poem: \u201cI am just a little boy…\u201d; typescript, with annotations in pencil. 1 p. of text.
\nUntitled hymn: \u201cFrom darkest earth…\u201d; manuscript, with annotations in pencil. 1 p. of text.
\nPoem: \u201cO Lull the Pain Away\u201d; typescript, on personal letterhead. 1 p. of text.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nLecture \u201cWhat a Composer Hopes for from Performers.\u201d 3 documents. Items include:
\nManuscript draft of lecture in pencil. 1 p. of text.
\nDraft of lecture, typescript, with annotations in pen. 8 pp. of text.
\nSecond draft of lecture, typescript, with annotations in pen. 5 pp. of text.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nMaterials for Symposium Lectures \u201cSteps to Creativity.\u201d Manuscript and typescript notes. 75 pp. of text. Accompanied by envelope labeled \u201cSteps Toward Creativity \u201976.\u201d<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nArticles, lectures, and other writings. 12 documents. Items include:
\nUntitled notes in pencil and blue pencil. 28 pp. of text.
\nPress clipping: \u201cMining Oneself: Composer Must Delve Within for His Music,\u201d New York Times <\/em>(November 23, 1958). 1 p. of text.
\nFacsimile of press clipping: \u201cA Break for Young Composers,\u201d Los Angeles Times<\/em> (August 29, 1976). 1 p. of text.
\n\u201cNew and Old Precepts for Composers,\u201d typescript. 2 pp. of text.
\nDraft of \u201cNew and Old Precepts for Composers,\u201d typescript. 4 pp. of text.
\nDraft of \u201cDo We Need a New National Anthem?\u201d typescript, with emendations in ink. 2 pp. of text.
\nDraft of \u201cDo We Need a New National Anthem?\u201d typescript, with emendations in pencil. 2 pp. of text.
\nDraft of Whittier Lecture \u201cThe Creative Process,\u201d dated November 15, 1977, typescript. 7 pp. of text.
\nNotes about Larry King\u2019s suggested initial topics for discussion, typescript, with annotations in pencil. 3 pp. of text,
\nUntitled notes about creativity, in ink. 2 pp. of text.
\nUntitled notes, in pencil. 2 pp. of text.
\nMusic Clubs Magazine<\/em>, Winter 1995. Includes reprint of \u201cCreativity,\u201d an address delivered at Hilton Head Island, South Carolina, NFMC Fall Session, August 25, 1995.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series B: Notes on composition projects<\/em><\/strong><\/span><\/p>\n

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folder 5<\/strong><\/td>\nSonata for Piano, Op. 3. Manuscript program notes, in ink. 1 p. of text. On reverse, letter from Ramon Salvatore to John La Montaine, typescript, signed in ink, dated February 18, 1988.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nConcerto for Piano and Orchestra, Op. 9. Typescript program notes. 1 p. of text.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nTwelve Relationships<\/em>, Op. 10, for solo piano. Typescript program notes, on personal letterhead. 1 p. of text,\u00a0Canons for Orchestra<\/em>, Op. 10a. Typescript notes. 1 p. of text.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nFive Sonnets of Shakespeare<\/em>, Op. 12. Typescript reprints of select Shakespeare sonnets, with annotations in blue pencil. 17 pp. of text. Facsimile of page with six Shakespeare sonnets. 1 p. of text.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nNonsense Songs from Mother Goose<\/em>, Op. 19. Typescript composer\u2019s notes, with annotations in pencil. 1 p. of text.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nJubilant Overture<\/em>, Op. 20. Facsimile of typescript program notes including information about the composer, the music, and performance notes. 1 p. of text. Facsimile of typescript composer\u2019s notes, on personal letterhead. 1 p. of text.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nWonder Tidings<\/em>, Op. 23. Manuscript program notes in pencil, with annotations in ink. 2 pp. of text.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nSpreading the News<\/em>, Op. 27. 11 documents. Items include:
\nLady Gregory, Spreading the News. A Comedy in One Act<\/em>. French\u2019s Acting Edition No. 889. London: Samuel French, 1932. 3 copies.
\nLetter from the Mechanical-Copyright Protection Society Ltd. to Paul J. Sifler; typescript, on professional letterhead; dated February 2, 1956.
\nLetter from the Mechanical-Copyright Protection Society Ltd. to John La Montaine; typescript, signed in ink, on professional letterhead; dated April 1, 1959.
\nLetter from John La Montaine to Earl of Longford; typescript, with annotations in ink and pencil; undated.
\nLetter from Longford Productions to John La Montaine; typescript, signed in ink; dated May 15, 1958.
\nLetter from Amharclann na Mainstreach (Abbey Theatre, Dublin) to John La Montaine; typescript, signed in ink; dated May 27, 1958.
\nDraft of letter from John La Montaine to Mrs. Gough; typescript, signed in ink; dated July 24, 1958.
\nLetter from Amharclann na Mainstreach (Abbey Theatre, Dublin) to John La Montaine; typescript, signed in ink; dated October 1, 1958.
\nLetter from Rea Moorery to John La Montaine; ink manuscript; dated July 4, 1960.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nFragments from the Song of Songs<\/em>, Op. 29. Typescript composer\u2019s notes, on professional letterhead. 1 p. of text. Facsimile of The Song of Solomon<\/em>, with annotations in ink; text used for Fragments highlighted in yellow and orange. 16 pp. of text.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nNovellis, Novellis<\/em>, Op. 31. 14 documents. Items include:
\nExcerpt from the \u201cPageant of the Company of Shearmen and Tailors in Coventry,\u201d from Collection of English Miracle Plays<\/em>, ed. William Marriott. Typescript, on Cordon Press letterhead, with annotations in red ink. 1 p. of text.
\nExcerpts from pageant plays, in French. Typescript, on Queens College letterhead. 2 pp. of text.
\nExcerpts from assorted pageant plays. Typescript, with annotations in ink, pencil, and colored pencils. 20 pp. of text.
\nDraft of Novellis, Novellis<\/em> libretto. Typescript, with annotations in ink, pencil, and colored pencils. 19 pp. of text.
\nNotes on libretto. Typescript and pencil manuscript, with annotations in pencil. 2 pp. of text.
\nCorrespondence with Dr. Hardin Craig, University of Missouri. 3 items: Hardin Craig to John La Montaine; typescript, signed in ink; dated February 16, 1961. John La Montaine to Hardin Craig, 2 letters; typescript; undated.
\nNotes on medieval English pronunciation, ink manuscript, on Cordon Press letterhead. 1 p. of text.
\nNotes on \u201cMedieval Musical Idioms in Novellis,\u201d in pencil, 7 pp. of text.
\nNotes on production, in pencil and ink, 7 pp. of text.
\nComposer\u2019s notes on \u201cNovellis, Novellis\u201d (\u201cNews, News\u201d). Typescript draft, with annotations in pencil, 2 pp. of text. Typescript notes, 4 pp. of text.
\nNovellis, Novellis<\/em> libretto. Typescript, with annotations in ink. 32 pp. of text.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nBirds of Paradise<\/em>, Op. 34. 4 documents. Items include:
\nDraft of letter to M. Szell, pencil manuscript, undated. 2 pp. of text.
\nDraft of letter to Dr. Mahler, pencil manuscript, dated June 3, 89. 3 pp. of text.
\nDrafts of composer\u2019s notes, pencil manuscript. 9 pp. of text.
\nTypescript composer\u2019s notes. 2 pp. of text.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nTe Deum<\/em>, Op. 35. Notes on Latin text and translations, in pencil, with annotations in pencil, colored pencils, and ink. 6 pp. of text.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nMass of Nature<\/em>, Op. 37. Typescript composer\u2019s notes. 1 p. of text.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nSacred Service<\/em>\u00a0(Mass of Nature<\/em>, Op. 37;\u00a0Birds of Paradise<\/em>, Op. 34;\u00a0Te Deum<\/em>, Op. 35). Composer\u2019s notes, in pencil. 6 pp. of text.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nThe Shephardes Playe<\/em>, Op. 38. Working copy of libretto, typescript, with annotations in pencil, colored pencils, and ink. 18 pp. of text. Facsimile of title pages to published score. 2 pp. of text.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nIncantation<\/em>\u00a0for Jazz Band, Op. 39. Draft of composer\u2019s notes, in pencil and ink. 4 pp. of text. Typescript composer\u2019s notes, with annotations in ink. 1 p. of text.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nErode the Greate<\/em>, Op. 40. Typescript synopsis. 3 pp. of text. Typescript libretto, with annotations in ink and colored pencils. 31 pp. of text.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nWilderness Journal<\/em>, Op. 41. 3 documents. Items include:
\nSpecifications for the Filene Memorial Organ, Kennedy Center for the Performing Arts. 3 pp. of text.
\nTypescript copy of texts. 2 pp. of text.
\nList of performers participating in recording of Wilderness Journal, October 10, 1972, typescript, on Fredonia Discs letterhead. 2 pp. of text.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nThe Nine Lessons of Christmas<\/em>, Op. 44. Typescript texts. 11 pp. of text. Booklet with title page and typescript texts. 4 pp. of text.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nThe Whittier Service<\/em>, Op. 45. 3 documents. Items include:
\nTypescript program notes with German translations of hymn texts. 5 pp. of text.
\nTypescript composer\u2019s notes. 1 p. of text.
\nNotes for lecture on The Whittier Service, typescript, with annotations in ink. 2 pp. of text.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nConcerto for Flute, Op. 48. 3 documents. Items include:
\n\u201cBiography of the La Montaine Flute Concerto,\u201d typescript, on Fredonia Press letterhead. 2 pp. of text.
\nFacsimile of excerpt from unidentified letter, labeled \u201cFlute Concerto Program Notes?\u201d in ink. 1 p. of text.
\nTypescript composer\u2019s notes. 1 p. of text.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nThe Marshes of Glynn<\/em>, Op. 53. Typescript texts. 1 p. of text.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nConcerto IV for Piano and Orchestra, Op. 59. Typescript notes on \u201cThe Evolution of Piano Concerto IV.\u201d 1 p. of text. 2 copies.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nIn Praise of Britain\u2019s Queen and Elgar\u2019s Enigma<\/em>, Op. 63 (Solutions to Elgar\u2019s \u201cEnigma\u201d). 6 documents. Items include:
\nLetter from John La Montaine to Tim Page, The New York Times<\/em>, typescript, on personal letterhead, dated November 9, 1985. Accompanied by music excerpts and notes pertaining to In Praise of Britain\u2019s Queen<\/em>. 5 pp. of text, 3 pp. of music.
\nCorrespondence with Andrew Porter, The New Yorker<\/em>. 2 items. John La Montaine to Andrew Porter, typescript, on personal letterhead, dated October 2, 1990. Andrew Porter to John La Montaine, typescript, signed in ink, dated October 12, 1990.
\nCorrespondence with Stan Weintraub. 3 items: John La Montaine to Stan Weintraub, facsimile of manuscript letter, dated June 3, 1991. Stanley Weintraub to John La Montaine, 2 letters, typescript, signed in ink, dated June 3, 1991; June 7, 1991.
\nCraig R. Whitney, \u201cA New Answer to Elgar\u2019s \u2018Enigma,\u2019\u201d The New York Times<\/em> (November 7, 1991). Accompanied by letter from John La Montaine to the Chief Editor of \u201cThe Living Arts,\u201d The New York Times<\/em>, typescript, dated December 5, 1991.
\nDraft of letter to Simon Rattle, in pencil. On reverse, letter from Pearl Yeadon-Erny to John La Montaine, typescript, signed in ink, on personal letterhead, dated May 28, 1981.
\nFacsimile of Irving Kolodin, \u201cWinners of the \u2018Enigma\u2019 Contest,\u201d The Saturday Review<\/em> (May 30, 1953). 2 pp. of text.
\nWilliam D. Montalbano, \u201cStrains of an Unfinished Symphony,\u201d Los Angeles Times <\/em>(March 20, 1997).
\nManuscript notes, in ink and pencil. 3 pp. of text.
\nExcerpts from Michael De-la-Noy, Elgar the Man<\/em> (London: A. Lane, 1983). 5 pp. of text.
\nExcerpts from Jerrold Northrop Moore, Edward Elgar: A Creative Life<\/em> (New York: Oxford University Press, 1984). 18 pp. of text.
\nProgram to The Los Angeles Philharmonic concert, December 5, 1974.
\nTypescript \u201cElgar Notes.\u201d 11 pp. of text.|
\nTypescript \u201cNotes on Elgar\u2019s Enigma Variations,\u201d with annotations in pencil. 1 p. of text.
\nMusic sketches titled \u201cElgar\u2019s Enigma Solved.\u201d 3 pp. of music.
\nNotes on Elgar, Enigma Variations<\/em>, and In Praise of England\u2019s Queen<\/em>. Typescript and manuscript notes. 45 pp. of text.
\nPublisher advertisement for In Praise of England\u2019s Queen and Elgar\u2019s Enigma<\/em> (Fredonia Press). 2 pp. of text.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nThe Black Masque<\/em> (unfinished). Typescript scenario, with annotations in pencil. 2 pp. of text. Facsimile of typescript scenario. 2 pp. of text.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nThe Lance of Kanana<\/em> (unfinished). Typescript list of characters and scenario, with annotations in pencil. 3 pp. of text. Typescript libretto, with emendations in pencil and pen. 19 pp. of text.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nOf Wondrfull Marvellys<\/em>. Notes and correspondence. 6 documents. Items include:
\nCorrespondence with Ernest Simpson, director of the City of Coventry Libraries, Art Gallery and Museums Department. 1 item. Ernest Simpson to John La Montaine, typescript, signed in ink, on professional letterhead, dated July 8, 1960.
\nBrochure: The Cathedral Church of St. Michael Coventry<\/em> (Gloucester: British Publishing Co. Ltd., [n.d.]). 20 pp.
\nBrochure: Alice Lynes, Coventry\u2019s Miracle Plays: A Short Account<\/em>, Local History Pamphlets No. 1 (Coventry: Coventry City Libraries, 1959). 8 pp. 2 copies.
\nCorrespondence with Wayne Dirksen. 2 items. Wayne Dirksen to John La Montaine, typescript with annotations in ink, signed in ink, on professional letterhead, dated November 29, 1962. Accompanied by typescript \u201cComment on Of Wonderfull Marvellys<\/em>\u201d with annotations in red and blue ink. 2 pp. of text.
\nTypescript acknowledgements. 1 p. of text.<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nOf Wondrfull Marvellys<\/em>. Libretto. 4 documents. Items include:
\nDraft of libretto, typescript, with emendations in ink. 20 pp. of text.
\nRevised draft of libretto, typescript, with annotations and emendations in pencil and ink. 39 pp. of text.
\nTypescript cast of characters. 1 p. of text.
\nAccompanied by envelope labeled \u201cLibretto of \u2018Of Wondrfull Marvellys\u2019…\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nSheba<\/em> (unfinished). Notes and correspondence. 19 documents. Items include:
\nCorrespondence with Dr. Rivkah Scharf Kluger. 2 items. John La Montaine to Dr. Rivkah Scharf Kluger, typescript, dated January 9, 1968. Rivkah Sch\u00e4rf Kluger to John La Montaine, typescript, signed in ink, on personal letterhead, dated January 13, 1968.
\nList of questions for Dr. Kluger. Typescript, on John La Montaine letterhead, with annotations in ink. 2 pp. of text.
\nBibliography from \u201cThe Queen of Sheba in Bible and Legends\u201d by Rivkah S. Kluger. Manuscript notes. 2 pp. of text.
\nCorrespondence with Jim Durbin. 1 item. Jim Durbin to John La Montaine, typescript, signed in ink, on University of Southern California letterhead, undated.
\nCorrespondence with Professor Wolf Leslau. 2 items. John La Montaine to Wolf Leslau, typescript, dated January 25, 1968. Wolf Leslau to John La Montaine, typescript, signed in ink, dated February 20, 1968.
\nCorrespondence with Martha England. 4 items. John La Montaine to Martha, typescript, dated January 26, 1968. Martha England to John La Montaine, typescript, on personal letterhead, dated March 7, 1968. John La Montaine to Martha, typescript, undated. Martha England to John La Montaine, typescript, on personal letterhead, undated.
\nCorrespondence with \u201cJoanie.\u201d Manuscript letter, dated January 27, 1968.
\nCorrespondence with the officials in the Imperial Ethiopian Government.
\n5 items. John La Montaine to Haile Selassie I, facsimile of typescript letter, dated November 4, 1969. John La Montaine to Admassu Badima (Assistant Minister), typescript, on personal letterhead, dated June 15, 1970. Lionel S. Mosley to John La Montaine, typescript, signed in ink, on letterhead for the United States Information Agency, dated June 17, 1970. Yohannes Kidane Mariam (Private Secretary to His Imperial Majesty) to John La Montaine, facsimile of typescript letter, on professional letterhead, dated July 31, 1970. Getachew Mekasha (Minister of State) to John La Montaine, typescript, signed in ink, on professional letterhead, dated October 5, 1970.
\n\u201cAn Opera for Jessye Norman.\u201d Typescript, signed by John La Montaine. 2 pp. of text.
\nAssorted notes. Manuscript and typescript. 14 pp. of text.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nSheba<\/em>\u00a0(unfinished). Print materials and references. 5 documents. Items include:
\nPress clippings. 2 items.
\nExcerpt from\u00a0National Geographic<\/em>, vol. 138 (December 1970), pp. 843-84. 42 pp.
\nB. Lewis, Ch. Phellat, and J. Schacht, eds.,\u00a0The Encyclopaedia of Islam<\/em>, New Edition, Vol. I (London: Luzac & Co., 1960). 64 pp.
\nFacsimile of excerpts from\u00a0Magda Queen of Sheba<\/em>, trans. Hugues Le Roux and Mrs. John Van Vorst (New York: Funk & Wagnalls, 1907), pp. 29-145. 117 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series C: Pedagogical material<\/em><\/strong><\/span><\/p>\n

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folder 3<\/strong><\/td>\nNotes from University of Utah guest lecture on 20th-century music (Spring 1967). 3 documents. Items include:
\nMemo from Powell Durham, typescript, signed in ink, on University of Utah Department of Music message pad, dated April 18, 1967. 1 p. of text. Accompanied by list of possible questions for discussion, typescript. 2 pp. of text.
\nMemo from Jerry Call, typescript, undated. 1 p. of text.
\nTypescript notes from La Montaine lecture, by Jerry Call. 2 pp. of text.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nPedagogy of Music Theory course materials. 4 documents. Items include:
\nLecture notes, typescript. 18 pp. of text.
\nNotes on writing a fugue, in pencil. 1 p. of text, 1 p. of music.
\nList of \u201cMiscellaneous advice on fugue writing,\u201d typescript, on John La Montaine letterhead. 2 pp. of text.
\nLecture outline, in ink and pencil. 6 pp. of text.
\nNotes on \u201cPalestrina Style,\u201d compiled by Gustave Fredric Soderlund, typescript. 5 pp. of text.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nRudolf Ganz\u2019s notes on Brahms. Manuscript facsimile. 8 pp. of text. Accompanied by envelope marked \u201cRudolf Ganz\u2019s notes on Brahms.\u201d<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nMiscellaneous teaching notes. Includes typescript and manuscript notes. 55 pp. of text. Unidentified press clipping. 1 p. of text.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series D: Ephemera<\/em><\/strong><\/span><\/p>\n

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folder 7<\/strong><\/td>\nPhotograph of John La Montaine, undated. 4 B\/W prints: 2 \u2013 8\u201d x 10\u201d; 2 \u2013 4.5\u201d x 6.5\u201d, mounted on 9\u201d x 12.75\u201d mat board. Accompanied by envelope marked \u201cJLM Photos by Wilton? JLM\u2019s brother.\u201d<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nPhotographs and negatives from productions of La Montaine\u2019s pageant operas. 5 photographs, 3 pages of negatives printed on photo paper.
\nSleeve 1: Photograph of rehearsal, B\/W, 8\u201d x 10\u201d. Photo by Frank Taylor, Municipal Art Department, Bureau of Music, Los Angeles, CA.
\nSleeve 2: Photograph of John La Montaine and unidentified boy with sheep, B\/W, 8\u201d x 10\u201d. Photo by Frank Taylor, Municipal Art Department, Bureau of Music, Los Angeles, CA.
\nSleeve 3: Photograph from unidentified production, B\/W, 8\u201d x 10\u201d. Photo by Rotschild Photo, Los Angeles, CA.
\nSleeve 4: Photograph of production of Novellis, Novellis<\/em>, Washington Cathedral, B\/W, 8\u201d x 10\u201d. Unattributed.
\nSleeve 5: Photograph of performance of Novellis, Novellis<\/em>, Pasadena Presbyterian Church, B\/W, 8\u201d x 10\u201d. Unattributed.
\n3 contact sheets containing images from unidentified production (print from negatives), B\/W, 8.5\u201d x 11\u201d. Photos by Peter B. Troxell, dated December 6, 1968.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nOther photographs. 4 photographs.
\nPhotograph of Howard Mitchell, John F. Kennedy, Jackie Kennedy, and John La Montaine, from the Inaugural Concert, 1961. 1 B\/W photograph, 8\u201d x 10\u201d. Unattributed.
\nPhotograph of Howard Mitchell, John F. Kennedy, Jackie Kennedy, and John La Montaine, from the Inaugural Concert, 1961. 1 B\/W photograph, 8\u201d x 10\u201d. Unattributed.
\nPhotograph of display for \u201cThe Creative Process: John La Montaine, Session III.\u201d 1 B\/W photograph, 8\u201d x 10\u201d. Photo by Rick Corrales, Norwalk, CA.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nTabula: <\/em>[literary magazine] published semi-annually by the students of the Oak Park and River Forest Township High School<\/em> (December 1937). Includes \u201cOde\u201d by John La Montaine.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nStudent documents from the Eastman School of Music. 5 documents. Items include:
\nFacsimile of grade report for the second semester, 1938-39. 1 p. of text.
\nFacsimile of scholarship letter from Howard Hanson, typescript, on Eastman School of Music letterhead, dated July 6, 1939.
\nFacsimile of letter to John La Montaine from Margaret Neville (Executive Secretary, Family Welfare Association, Oak Park, IL), typescript, undated.
\nEssay \u201cAn Analytical Study of the Fugue with Special Emphasis on Its Importance in the Style of Bach,\u201d by John La Montaine, dated March 20, 1939. Typescript, with annotations in pencil. 6 pp. of text.
\nLetter to John La Montaine from Charles [illegible], typescript, signed in ink, on Eastman School of Music letterhead, dated January 21, 1942.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nPersonal journal titled \u201cConcert Records.\u201d 180 pp.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nPoems, hymns, and other texts by various authors. Mixed formats: typescript, manuscript, printed cards, and clippings. 30 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nDocuments pertaining to the 1994 Pulitzer Prize Music Jury. Items include:
\nLetter to John La Montaine from the Office of the Administrator of the Pulitzer Prize Board, typescript, on professional letterhead, dated October 15, 1993. 1 p. of text (missing p. 2 of letter). Accompanied by list of members of the 1994 Pulitzer Prize Nominating Jury in Music. 1 p. of text.
\nLetter to Music Jury members from Betsy Mahaffey, typescript, on professional letterhead, dated September 21, 1993.
\nPrintout of list of Pulitzer prizes in music from www.minotaurz.com\/minotaur\/articles\/pulitzer.html (accessed June 11, 2001). 8 pp. of text.
\nManuscript notes, in pencil and ink. 5 pp. of text.
\nLetter to John La Montaine from Seymour Topping (Administrator, The Pulitzer Prizes), typescript, signed in ink, on professional letterhead, dated April 18, 1994.
\nAccompanied by envelope marked \u201cJL as judge for 1994 Pulitzer Prize,\u201d with additional notes.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nNotes on Ravel\u2019s Gaspard de la Nuit<\/em>. 4 documents. Items include:
\nList of printing or editing errors, in pencil. 3 pp. of text.
\nFacsimile of list of printing or editing errors. 3 pp. of text.
\nAssorted notes on and translations of poems from Aloysius Bertrand, Gaspard de la Nuit<\/em>, manuscript and typescript. 7 pp. of text.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nBiographies, introductions, and notes about other musicians. 8 documents. Items include:
\nPolly Jo Baker: handbill for. 2 pp.
\nNadia Boulanger: reminiscences about studies with Boulanger, typescript. 2 pp. of text.
\nMichael Charry: biographical sketch for Fredonia Records, typescript. 1 p. of text.
\nHarold Daugherty: draft of recommendation letter, typescript, on John La Montaine letterhead. 1 p. of text.
\nRudolph Ganz: reminiscences about studies with Ganz, typescript, signed in ink by John La Montaine.
\nRudolph Ganz: press clipping of obituary, Daily News<\/em> (August 2, 1972).
\nHoward Hanson: press clipping, Democrat and Chronicle<\/em> (July 18, 1981).
\nMerle Montgomery: biographical sketch, typescript. 3 pp. of text.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nDocuments pertaining to Catherine Filene Shouse Celebration, June 9, 1995. Reminiscences by G. William Miller, typescript. 3 pp. of text. Catherine Shouse vita, typescript. 5 pp. of text.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nASCAP Title Registration Forms for recordings of John La Montaine compositions to be published by Fredonia Discs. 27 pp.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nOther personal documents and items. Items include:
\nConcert program for Chicago Symphony Orchestra, January 22, 1935, with annotations in ink.
\nCertificate from the National Society of the Daughters of the American Revolution in recognition of the commissioning and production of Be Glad, Then, America<\/em>.
\nHandmade \u201cWorld Premiere Award\u201d for Wilderness Journal<\/em>, dated August 12, 1971. Unattributed.
\nItinerary for John La Montaine, dated November 24, 1964. 2 pp. of text.
\nPress release from the Ford Foundation, dated March 3, 1975. 2 pp. of text.
\nLetter to John La Montaine from Richard Dirksen, typescript, signed in ink, on personal letterhead, dated July 27, 2006.
\nHandout from presentation \u201cStructure and Style in Three Flute Works of John La Montaine.\u201d Unattributed. 7 pp.
\nCredit report, dated October 25, 1995. 5 pp.
\nInvitation from the National Federation of Music Clubs to concert dated October 18, 1985. 1 p.
\nManuscript note about Allan Travis recital. 1 p.
\nExcerpt from stereo manual. 6 pp.
\nManuscript note about using Finale. 1 p.
\nPamphlet on Sibley Music Library. 6 pp.
\nClipping of \u201cBroom-Hilda\u201d cartoon, laminated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nPhotographs of John La Montaine, unattributed, undated. 8 B\/W photographs, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nPhotograph of the Washington Cathedral, unattributed, undated. Inscription on reverse from the \u201cOrgelmakers.\u201d 1 photograph.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nIn Wildness is the Preservation of the World<\/em>. Selections and photographs by Eliot Porter, with notes and texts for Wilderness Journal<\/em>, Op. 41, by John La Montaine. Front and back cover. 1 p. of text. Layout (incomplete), with poems by Henry David Thoreau, photographs, and typescript texts from Wilderness Journal,<\/em> with annotations in colored pencil. 26 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nPrintouts of library catalog records for Nightwings<\/em> (motion picture). Printout of search on WorldCat. 3 pp. of text. Printout of catalog record from the New York Public Library. 1 p. of text.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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\u2190 JOHN LA MONTAINE COLLECTION<\/a><\/p>\n

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JOHN LA MONTAINE COLLECTION: Series 3 to 4 \u2192<\/a><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text css=”.vc_custom_1618859015490{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] Series 1: Manuscripts and sketches [\/vc_column_text][vc_column_text css=”.vc_custom_1618859045764{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] Sub-series A: Student works and sketches [\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1618859252688{margin-top: 0px !important;margin-right: […]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":7674,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template_Finding_Aids.php","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-7683","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=7683"}],"version-history":[{"count":0,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7683\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7674"}],"wp:attachment":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=7683"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=7683"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=7683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}