{"id":7540,"date":"2021-03-29T11:58:01","date_gmt":"2021-03-29T15:58:01","guid":{"rendered":"https:\/\/www.esm.rochester.edu\/sibley\/?page_id=7540"},"modified":"2021-03-29T11:58:01","modified_gmt":"2021-03-29T15:58:01","slug":"sub2","status":"publish","type":"page","link":"https:\/\/www.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/msalvador\/sub2\/","title":{"rendered":"MARIO SALVADOR COLLECTION"},"content":{"rendered":"

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SUB-GROUP II: ORIGINAL COMPOSITIONS, ARRANGEMENTS, AND TRANSCRIPTIONS<\/h3>\n

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<\/a>Series 1: Liturgical music in manuscript<\/h3>\n

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<\/a>Sub-series A: Propers of the Mass<\/em><\/strong><\/span><\/p>\n

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<\/a>Sub-sub-series i: Agnus Dei<\/em><\/span><\/span><\/p>\n

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folder 1<\/strong><\/td>\nLamb of God (Rienzi). Text: Agnus Dei.
\nFor TB and organ. Ink manuscript; 3 pages of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-sub-series ii: Gloria<\/em><\/span><\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
folder 2<\/strong><\/td>\nGlory to God \/ Dubois; arranged by Mario Salvador.
\nFor TTB voices. Ink manuscript; 4 pages of music.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nGlory to God \/ Hammerschmidt; arranged by Mario Salvador.
\nFor TTB voices with organ. Ink manuscript; 8 pages of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nGlory to God: from Missa Choralis by L. Refice; adapted to 1970 text by Mario Salvador.
\nTwo ink manuscripts; one is 11 pages of music, the other 4 pages of music.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nHymn of Praise. Text of the Gloria set in responsorial fashion.
\nMS facsimile with typescript text; 1 page of music.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nGlory to God in the Highest: Mass for Congregations. 1970 text.
\nInk manuscript; 5 pages of music.
\nAccompanied by 3 copies of the separate vocal score (manuscript facsimile; each 1 page of music).<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nGloria by Schubert; transcribed by Mario Salvador. For SATB chorus with organ.
\nInk manuscript; 11 pages of music. Accompanied by one facsimile.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-sub-series iii: Responsorial Psalms<\/em><\/span><\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 8<\/strong><\/td>\nPsalm 15 [The man whose way of life is blameless, who always does what is\u00a0right].
\nInk manuscript with typescript text underlaid; 3 pages of music. Accompanied by vocal part (typescript; 1 page of music).<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nPsalm 22 [for Passion Sunday].
\nInk manuscript; 4 pages of music.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nPsalm 40 [for the Feast of the Annunciation].
\nInk manuscript with typescript text underlaid; 6 pages of music.
\nDedicated to His Excellency The Most Reverend John L. May on the occasion of his installation as Bishop of St. Louis, March 25th, 1980.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nPsalm 84 [How lovely is Thy dwelling place]. For cantor, choir, and organ.
\nInk manuscript with typescript text underlaid; 4 pages of music.
\nAccompanied by choral score (ink manuscript with typescript text underlaid; 3 pages of music).<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nPsalm 89 [for the Chrism Mass]. For SAT voices, flutes, and guitar.
\nInk manuscript with typescript text underlaid; 3 pages of music.
\nAccompanied by choral score (ink manuscript with typescript text underlaid; 3 pages of music.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nPsalm 96 [for the Christmas Midnight Mass]. October 15, 1971. For people, cantor and choir with organ accompaniment.
\nInk manuscript; 7 pages of music.
\nAccompanied by the Alleluia verse (ink manuscript; 2 pages of music).<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nPsalm 97 [for the 7th Sunday in Easter]. For two equal voices.
\nInk manuscript with typescript text underlaid; 2 pages of music.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nPsalm 98 [All the ends of the earth have seen the salvation of our God].
\nMS facsimile with typescript text underlaid; 4 pages of music.
\n\u201cTo Bob Simon in appreciation. Mario Salvador\u201d\u2014at head of music.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nPsalm 98 [The Lord has revealed to the nations his new song; for the sixth Sunday after Easter]. For cantor or choir, brass quintet, timpani, and organ.
\nInk manuscript with typescript text underlaid; 13 pages of music.
\nAccompanied by vocal part (ink manuscript with typescript text underlaid; 3 pages of music) and by parts for trumpet I, trumpet II, French horn I, French horn II, tuba, and timpani (all ink manuscript).<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nPsalm 118 [for Easter Vigil and Easter Sunday]. For TTB.
\nInk manuscript; 4 pages of music.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nPsalm 128 [Happy are you who fear the Lord].
\nInk manuscript with typescript text underlaid; 3 pages of music.
\nAccompanied by a facsimile of same with a response pasted at head of the first page.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nPsalm 145 [Your friends tell the glory of Your Kingship, Lord]. For the feast of St. Luke.
\nFor cantor and congregation with organ. Ink manuscript; 4 pages of music.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nPsalm 146 [Praise the Lord, my soul]. \u2014 July 31, 1985.
\nFor cantor and congregation with organ. Ink manuscript with typescript text underlaid; 3 pages of music. Accompanied by a separate voices part (ink manuscript with typescript text underlaid; 1 page of music).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-sub-series iv: Alleluias and\/or Gospel Acclamations<\/em><\/span><\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 22<\/strong><\/td>\nGood news and great joy to all the world (Luke 2:10). \u00a0Midnight Mass.
\nFor choir with organ. MS facsimile; 2 pages of music.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nI am the good Shepherd, says the Lord (John 10:14).
\nFor choir with organ. Ink MS; 2 pages of music.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nI have chosen and sanctified this house, says the Lord (2 Chronicles 7:16). For the Feast of the Dedication of the Church.
\nFor unison voices and TTB with organ. Ink manuscript; 2 pages of music.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nI have chosen and sanctified this house, says the Lord (2 Chronicles 7:16).
\nFor choir with organ. MS facsimile; 1 page of music.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nIf any one loves me, he will hold to my words (John 14:23). For Easter Sunday.
\nFor cantor with organ. Ink manuscript; 2 pages of music.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nThe Lord said to me, \u201cYou are my Son; this day I have begotten you\u201d (Psalm 2:7).
\nFor boys\u2019 chorus and TB. MS facsimile; 1 page of music.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nThe Lord sent forth His Word to heal them and to snatch them from destruction (Psalm 107:20). For the second Sunday after Epiphany.
\nFor congregation with organ. Ink manuscript; 4 pages of music.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nThe Spirit of the Lord is upon me; He sent me to bring the Good News (Luke 4:18). For the Chrism Mass.
\nFor cantor with organ. MS facsimile; 1 page of music.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nThe Word of God became man and lived among us (John 1:14). For the Feast of the Annunciation.
\nFor choir, TB, and congregation with organ. Ink manuscript; 3 pages of music.
\nDedicated to His Excellency Most Reverend John L. May on the occasion of his installation as Archbishop of St. Louis, March 25, 1980.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nYou are Peter, the rock on which I will build my Church (Matthew 16:18).
\nFor cantor with organ. Ink manuscript; 2 pages of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-sub-series v: Sanctus<\/em><\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n
folder 32<\/strong><\/td>\nHoly, holy, holy (Cherubini). Arrangement of a setting in G major of the Sanctus.
\nFor boys\u2019 chorus and TTB a cappella. Ink manuscript; 3 pages of music.
\nAccompanied by one copy of publication: Lord God of Sabaoth (Sanctus) \/ Luigi Cherubini; edited by Arthur Hilton. Bryn Mawr, Pa.: Mercury Music Corp., 1971.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nSanctus (Salvador). Setting in B-flat major.
\nFor SATB. MS facsimile; 1 page of music.<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\nSanctus (Schubert-Salvador). Setting in F major.
\nFor boys\u2019 chorus and TTB with organ. MS facsimile; 1 page of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-sub-series vi: Agnus Dei<\/em><\/span><\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
folder 35<\/strong><\/td>\nLamb of God\u00a0 (Carnevali). Text: Agnus Dei.
\nFor boys\u2019 chorus and TTBB voices a cappella. Ink manuscript; 1 page of music.<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\nLamb of God (Dubois-Salvador). Text: Agnus Dei.
\nFor TTB and organ. Ink manuscript; 3 pages of music.<\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\nLamb of God (Gabrieli-Salvador). Text: Agnus Dei.
\nFor SSATB a cappella. MS facsimile; 3 pages of music. Two copies.<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\nLamb of God (Refice). Text: Agnus Dei.
\nFor TTB a cappella. MS facsimile; 2 pages of music. Three copies.<\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\nLamb of God (Rienzi-Salvador). Text: Agnus Dei.
\nFor TB and organ. Ink manuscript; 3 pages of music.<\/td>\n<\/tr>\n
folder 40<\/strong><\/td>\nLamb of God (Salvador). Text: Agnus Dei.
\nFor unison voices a cappella. MS facsimile; 1 page of music. Three copies.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-sub-series vii: Acclamations<\/em><\/span><\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n
folder 41<\/strong><\/td>\nMemorial acclamations. Presents five acclamations (melodies and texts).
\nMS facsimile; 1 page of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series B: Mass settings for specific occasions <\/em><\/span><\/strong><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n
folder 42<\/strong><\/td>\nFestive Liturgy in honor of the Infant Jesus of Prague. Respectfully dedicated to\u00a0His Excellency John Lawrence May, Archbishop of St. Louis. March 7th, 1988.
\nIncludes the Sprinkling of Water; Glory to God; Holy, Holy, Holy; Memorial Acclamation; the Great Amen; and, Lamb of God.\u00a0For cantor\/choir with organ. Ink manuscript; 15 pages of music.<\/td>\n<\/tr>\n
folder 43<\/strong><\/td>\nMass for Congregation, Choir and Cantor. \u2014 Nov. 14th, 1971.
\nInk manuscript; 19 pages of music.
\nAccompanied by three MS facsimiles of the vocal part for the \u201cGlory to God in the Highest\u201d movement.<\/td>\n<\/tr>\n
folder 44<\/strong><\/td>\nMass in English for three equal voices and congregation with organ. \u2014 April 3, 1965
\nIncludes the Kyrie; Gloria; Creed; Sanctus; Agnus Dei; and, The Blessing.
\nInk manuscript; 33 pages of music.<\/td>\n<\/tr>\n
folder 45<\/strong><\/td>\nMass on Easter melodies. For congregation and TB voices with organ.
\nIncludes the Kyrie; Glory to God; Holy, Holy, Holy; and, Lamb of God.\u00a0Ink manuscript; 22 pages of music.<\/td>\n<\/tr>\n
folder 46<\/strong><\/td>\nMissa Sanctae Marial Novelae. \u2014 Sept. 8, 1945.
\nComposed while M.S. was serving in Italy with the U.S. Air Force.
\nFor TTB, organ, clarinet, and strings. Ink manuscript; 81 pages of music.<\/td>\n<\/tr>\n
folder 47<\/strong><\/td>\nPentecost Sunday. Includes the Introit; Offertory; and, Communion.
\nFor unison congregation voices, TTB, and organ. Two separate ink manuscripts; one having 19 pages of music and the other 24 pages.<\/td>\n<\/tr>\n
folder 48<\/strong><\/td>\nPropers for the First Sunday of Advent. Includes the Introit; Gradual; and,\u00a0Offertory.
\nFor three equal voices and organ. Ink manuscript; 9 pages of music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\n[Propers for an unspecified occasion]. Includes the Sprinkling of Water; Glory to \u00a0God; Holy, Holy, Holy; Memorial Acclamation; Great Amen; and, Lamb of God.
\nMS facsimile with typescript text underlaid; 15 pages of music.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\n[Propers for an unspecified occasion]. Includes the Entrance Song; Gradual; Alleluia; Offertory Song; Communion Song.
\nInk manuscript; 22 pages of music.
\nN.B. Inclusion of the antiphon \u201cYou are a priest forever\u201d suggests this setting may have been intended for an ordination Mass.<\/span><\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series C: Other choral \u00a0and\/or vocal settings <\/em><\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 3<\/strong><\/td>\nAdvent Vespers: favorite music refrains of the Benedictine Sisters of Perpetual\u00a0Adoration. 7 pages of music, extracted from a longer work (numbered 8-14).<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nAmerica the Beautiful. Vocal part only. MS facsimile with typescript text underlaid; 1 page of music.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nAntiphons for the Office for the Solemnity of St. Joseph. Written for the Benedictine Sisters of Perpetual Adoration.
\nTwo ink manuscripts of identical musical content; one having 7 pages of music and the other 6 pages of music.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\n[From the Benedictus (Luke 1:68-75)]. Vocal part only. MS facsimile with typescript text underlaid; 1 page of music.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nChristmas Proclamation, 1989. For solo voice. Ink manuscript with typescript text underlaid; 2 pages of music.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nCollectio Rituum VII. The Rite for the Burial of Adults: for use in the Archdiocese of St. Louis. Ink manuscript; 19 pages of music.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nThe Fifteen Mysteries of the Rosary. \u2014 1954.
\nChoral settings for voices with keyboard. Manuscript facsimile; 47 pages of music.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\n\n

I came that men may have life and live it to the full, says the Lord [response].<\/p>\n

    \n
  1. Setting in C major. Ink manuscript; 1 page of music.<\/li>\n
  2. Setting in B-flat major. Ink manuscript; 1 page of music.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nLet the Word become flesh in us [intercessory prayers].
\nInk manuscript with typescript text underlaid; 2 pages of music.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nStrengthen, O God: Antiphon for Confirmation Service. For solo voice or unison voices with organ. Manuscript facsimile; 1 page of music.
\n\u201cFor Archdiocese of St. Louis \u2014 Congregation or Choir. September 3, 1964.\u201d
\nAccompanied by two copies of the vocal part.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nToccata (Widor). For SATB voices a cappella. Ink manuscript with typescript text; one page of music.
\nText: Glory be to God on high this day! Glory be to Thee!
\nAccompanied by one facsimile of same.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nWe are the Church in St. Louis. \u2014 April 28, 1986.
\nWords by His Excellency The Most Reverend Edward J. O\u2019Donnell.
\nManuscript facsimile; 1 page of music.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nYou Are A Priest Forever. For TTBB voices, organ, and brass. Text: Psalm 110:4.
\nTwo manifestations present:<\/p>\n
    \n
  1. Ink manuscript with typescript text; 18 pages of music. Accompanied by 1 facsimile of same.<\/li>\n
  2. Vocal part. Ink manuscript with typescript text; 5 pages of music. Accompanied by 3 facsimiles of same.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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    <\/a>Series 2: Other sacred music (non-liturgical) in manuscript<\/h3>\n

    [\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n
    folder 16<\/strong><\/td>\nAscendit Deus. The Offertorium for the Feast of the Ascension of our Lord: an anthem for four male voices composed for the Solemn High Mass celebrated on the St. Louis Memorial Plaza at the Archbishop Ritter World Mission Exhibition, May 17th, 1953. Manuscript facsimile; 3 pages of music. Two copies.<\/td>\n<\/tr>\n
    folder 17<\/strong><\/td>\nAve Maria. For tenor voice with organ. Ink manuscript; 5 pages of music.<\/td>\n<\/tr>\n
    folder 18<\/strong><\/td>\nA Cherished Gift: song for tenor voice and piano. Text and music by Mario Salvador. Ink manuscript; 5 pages of music. Accompanied by a separate copy of the text (1 page, typescript).
    \nOn first page of music: To my wife, Isabelle. November 21, 1991.<\/td>\n<\/tr>\n
    folder 19<\/strong><\/td>\nThe Three Great Kings. French carol for STTB; arranged by M.S.
    \nSeveral manifestations present:<\/p>\n
      \n
    1. Ink manuscript, scored on Sightation Brand no. 7 (12 staves) paper; 7 pages of music. Accompanied by a facsimile of same (\u201cFr. Christian\u201d copy).<\/li>\n
    2. Ink manuscript, scored on Passantino Brands No. 2 (10 stave medium) paper; 7 pages of music.<\/li>\n
    3. Ink manuscript with typescript text, scored on G. Schirmer No. 53 (10 staves) paper; 6 pages of music. Accompanied by a facsimile of same.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
    folder 20<\/strong><\/td>\nTu Es Petrus. \u2014 1952
    \nFor SATB voices and organ. Manuscript facsimile; 4 pages of music. Two copies.
    \n\u201cComposed by Mario Salvador for St. John Berchmans\u2019 School and Parish Jubilee \/ November 26, 1952. Dedicated to The Reverenced Harold A. Gaudin, S.J.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/vc_column_text][vc_column_text css=”.vc_custom_1617033151770{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

    <\/a>Series 3: Instrumental works in manuscript<\/h3>\n

    [\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n
    folder 21<\/strong><\/td>\nBallet of Unhatched Chickens: from \u201cPictures at an Exhibition\u201d by M.
    \nMoussorgsky. Transcribed for organ by Mario Salvador. Ink manuscript; 4 pages
    \nof music.<\/td>\n<\/tr>\n
    folder 22<\/strong><\/td>\nChristmas Fantasy. For orchestra. Full score in ink; 87 pages of music.
    \n\u201cTo my good friend E. Lansing Ray \/ founder of the Christmas Choral Pageant and Patron of the Arts in St. Louis.\u201d\u2014dedication in M.S.\u2019s hand.
    \nN.B. A press item in the St. Louis Globe-Democrat, December 3rd, 1951 [filed in box 59], cited the world premiere of the Christmas Fantasy as taking place at the 1951 Christmas Choral Pageant. Mr. Ray was publisher of the Globe-Democrat.<\/em><\/span><\/td>\n<\/tr>\n
    folder 23<\/strong><\/td>\nChristmas Fantasy. Violin I parts. 8 parts in ink manuscript.<\/td>\n<\/tr>\n
    folder 24<\/strong><\/td>\nChristmas Fantasy. Violin II parts. 6 parts in ink manuscript.<\/td>\n<\/tr>\n
    folder 25<\/strong><\/td>\nChristmas Fantasy. Viola parts. 5 parts in ink manuscript.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/vc_column_text][vc_custom_heading text=”Box 45″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617130147365{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
    folder 1<\/strong><\/td>\nChristmas Fantasy. Violoncello parts. 4 parts in ink manuscript.<\/td>\n<\/tr>\n
    folder 2<\/strong><\/td>\nChristmas Fantasy. Double bass parts. 8 parts in ink manuscript.<\/td>\n<\/tr>\n
    folder 3<\/strong><\/td>\nChristmas Fantasy. Woodwind parts. 12 parts in ink manuscript.<\/td>\n<\/tr>\n
    folder 4<\/strong><\/td>\nChristmas Fantasy. Brass and percussion parts. 17 parts in ink manuscript.<\/td>\n<\/tr>\n
    folder 5<\/strong><\/td>\nThe Coming of Spring. For orchestra. Full score in ink; 70 pages of music.<\/td>\n<\/tr>\n
    folder 6<\/strong><\/td>\nLa Comparsa \/ by Ernesto Lecuona; arranged for the organ by Mario Salvador.
    \nInk manuscript; 6 pages of music.<\/td>\n<\/tr>\n
    folder 7<\/strong><\/td>\nFanfare [in E-flat major]. Ink manuscript parts for brass and timpani.<\/td>\n<\/tr>\n
    folder 8<\/strong><\/td>\nGargoyles and Chimeres. For orchestra. Full score in ink; 72 pages of music.<\/td>\n<\/tr>\n
    folder 9<\/strong><\/td>\nIn Memoriam: in memory of the late President John F. Kennedy. For organ. Ink manuscript; 10 pages of music.<\/td>\n<\/tr>\n
    folder 10<\/strong><\/td>\nThe Living Fountain. \u2014 1971.
    \nMusic by Sr. M. Ramona Varela, O.S.B.; orchestration by Mario Salvador. Copyright held by the Benedictine Sisters of Perpetual Adoration
    \n(St. Louis, Mo.). Ozalids. Ink manuscript; 13 pages of music.<\/td>\n<\/tr>\n
    folder 11<\/strong><\/td>\nMarch. For organ. Ink manuscript; 8 pages of music.
    \n\u201cTo my parents on the occasion of their fiftieth wedding anniversary.\u201d\u2014Inscription on first page of music.<\/td>\n<\/tr>\n
    folder 12<\/strong><\/td>\nMeditation on the Stabat Mater. For organ. Ink manuscript; 4 pages of music.<\/td>\n<\/tr>\n
    folder 13<\/strong><\/td>\nMighty King of Miracles. Music by Karg-Elert. For brass and timpani. Ink manuscript; 8 parts.
    \nFrench horn I \/ French horn II \/ Trumpet I \/ Trumpet II \/ Trombone I \/ Trombone II \/ Tuba \/ Timpani.<\/td>\n<\/tr>\n
    folder 14<\/strong><\/td>\nNight on Bare Mountain (Mussorgsky). Transcribed for organ. Ink manuscript; 78 pages of music.
    \nAccompanied by ink manuscript parts for brass and timpani: trumpet I \/ trumpet II \/ trombone I \/ trombone II \/ trombone III \/ timpani.<\/td>\n<\/tr>\n
    folder 15<\/strong><\/td>\nPrelude [in C minor]. For organ. Ink manuscript; 5 pages of music.<\/td>\n<\/tr>\n
    folder 16<\/strong><\/td>\nPrelude and Fugue for organ. Two ink manuscripts present; one scored on
    \nMcLaughlin & Reilly Co. paper (12 lines) and the other on Orphenus Brand Co.
    \n(14 lines) paper; each 23 pages of music.<\/td>\n<\/tr>\n
    folder 17<\/strong><\/td>\nPrelude [in G major]. For organ. Ink manuscript; 2 pages of music.<\/td>\n<\/tr>\n
    folder 18<\/strong><\/td>\nRhapsody on American Folk Tunes. For harmonica and organ. Ink manuscript; 25
    \npages of music.<\/td>\n<\/tr>\n
    folder 19<\/strong><\/td>\nSerenade to Isabelle. \u2014 April 13, 1961.
    \nFor organ. Ink manuscript; 5 pages of music. Inscribed \u201cTo my wife\u201d at head of first page of music.
    \nAccompanied by a second manuscript, scored on MAESTRO paper; 8 pages of music.<\/td>\n<\/tr>\n
    folder 20<\/strong><\/td>\nSonata for Violin and Piano. Ink manuscript. Score (43 pages of music) and part (8 pages of music).<\/td>\n<\/tr>\n
    folder 21<\/strong><\/td>\nSpoon River; Music by Grainger; transcribed by M.S.\u00a0 For organ. Ink manuscript;\u00a07 pages of music.<\/td>\n<\/tr>\n
    folder 17<\/strong><\/td>\n\n

    Unidentified. Folder contains two manuscripts:<\/p>\n

      \n
    1. Work without title in F major. For organ. Ink manuscript; 6 pages of music. At end: Jan. 24, 1964. Scored on Sightation Brand No. 1 (12 staves) paper.<\/li>\n
    2. Work without title in A major. For organ. Ink manuscript; 2 pages of music. Scored on Maestro Brand (10 staves) paper.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
    folder 18<\/strong><\/td>\nAdvent Vespers. Favorite music refrains of the Benedictine Sisters of Perpetual Adoration. 7 pages, numbered 8-14.<\/td>\n<\/tr>\n
    folder 19<\/strong><\/td>\nAgnus Dei. For unison voices and keyboard. 1 page of music. Two copies.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/vc_column_text][vc_custom_heading text=”Box 46″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617130216502{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n
    folder 1<\/strong><\/td>\nStarry Night. For orchestra. Full score in ink; 40 pages of music.<\/td>\n<\/tr>\n
    folder 2<\/strong><\/td>\nSuite for Piano: based on well-known liturgical hymns.\u00a0 Ink manuscript; 16 pages of music.
    \nI. Prelude. Praise to the Lord, the Almighty \u2014 II. Offertory. What a friend we have in Jesus \u2014III. Meditation. Just as I am, without one plea \u2014 IV. Postlude. Now thank we all our God.
    \nAccompanied by one facsimile of same.<\/td>\n<\/tr>\n
    folder 3<\/strong><\/td>\nSuite for Woodwind Quintet. Ink manuscript. Score (41 pages of music) and part\u00a0for Clarinet in A; no other instrumental parts present.<\/td>\n<\/tr>\n
    folder 4<\/strong><\/td>\nTrumpet Tune and Air (Purcell). Transcribed by M.S. For organ.\u00a0 Ink manuscript;
    \n4 pages of music.
    \nAccompanied by parts for brass and timpani for Trumpet Voluntary (Purcell). Present are the parts for Trumpet II \/ Trombone I \/ Trombone II \/ Timpani.<\/td>\n<\/tr>\n
    folder 5<\/strong><\/td>\n\n

    [Unidentified manuscripts]<\/p>\n

      \n
    1. Untitled for organ in key of F major. \u2014 January 24, 1964. Ink manuscript; 6 pages of music.<\/li>\n
    2. Untitled for organ in key of A major. Ink manuscript; 2 pages of music.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

      [\/vc_column_text][vc_column_text css=”.vc_custom_1617033411557{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

      <\/a>Series 4: Published works<\/h3>\n

      [\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
      folder 6<\/strong><\/td>\nAll the Ends of the Earth have Seen. For SATB voices with organ. Lafayette,\u00a0Indiana: The Choir Library, 1939. \u00a0Two copies.<\/td>\n<\/tr>\n
      folder 7<\/strong><\/td>\nAve Maria. Music by Franz Schubert; transcribed by Mario Salvador. With pipe organ registration and Hammond registration. St. Louis, Mo.: Shattinger, 1952. Two copies.<\/td>\n<\/tr>\n
      folder 8<\/strong><\/td>\nCanticle of Mary. For three equal voices a cappella. Printed with three other canticles, each lacking a title. 1 page of music.<\/td>\n<\/tr>\n
      folder 9<\/strong><\/td>\nThe Mass in English for Congregational Use: according to the official English text. Toledo, Ohio: Gregorian Institute of America, 1964. Imprimatur by + Joseph Cardinal Ritter, Archbishop of St. Louis, August 13, 1964.<\/td>\n<\/tr>\n
      folder 10<\/strong><\/td>\nMass in honor of the Assumption of the Blessed Virgin Mary. For three male voices with organ accompaniment. Toledo, Ohio: Gregorian Institute of America, 1951. Two copies.<\/td>\n<\/tr>\n
      folder 11<\/strong><\/td>\nA Method of Organ Playing. Toledo, Ohio: Gregorian Institute of America, 1949.<\/td>\n<\/tr>\n
      folder 12<\/strong><\/td>\nMusic for a Church Service. For both pre-set and spinet model Hammond organ. New York, N.Y.: Ethel Smith Music Corp., 1957. Two copies.<\/td>\n<\/tr>\n
      folder 13<\/strong><\/td>\nPanis Angelicus. Music by C\u00e9sar Franck; adapted by Mario Salvador. Hammond\u00a0registration by Gregory P. Cohn. [St. Louis, Mo.]: Shattinger, 1950.<\/td>\n<\/tr>\n
      folder 14<\/strong><\/td>\nSalve Regina (Concert Study). Music by Raffaele Manari; edited and annotated by Dr. Mario Salvador. Boston: McLaughlin & Reilly, 1964.<\/td>\n<\/tr>\n
      folder 15<\/strong><\/td>\nScherzo: for organ. New York, N.Y.: M. Witmark & Sons, 1949. Three copies, two lacking their front covers<\/td>\n<\/tr>\n
      folder 16<\/strong><\/td>\nWe Are the Church in St. Louis.
      \nWords by His Excellency The Most Reverend Edward J. O\u2019Donnell. Copyright 1987 by Mario Salvador. 1 page of music. Manuscript facsimile; 1 page of music.<\/td>\n<\/tr>\n
      folder 17<\/strong><\/td>\nWedding Album: Liturgical Collection of Music for the Catholic Service.
      \nAdapted by Mario Salvador for organ [with] pipe and Hammond registration. St.\u00a0Louis, Mo.: Shattinger, 1950. Two copies.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

      [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

      \u2190 MARIO SALVADOR COLLECTION: Sub-group I<\/a><\/p>\n

      [\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

      MARIO SALVADOR COLLECTION: Sub-group III \u2192<\/a><\/p>\n

      [\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

      [vc_row][vc_column][vc_column_text css=”.vc_custom_1617030038044{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] SUB-GROUP II: ORIGINAL COMPOSITIONS, ARRANGEMENTS, AND TRANSCRIPTIONS [\/vc_column_text][vc_column_text css=”.vc_custom_1617030091468{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] Series 1: Liturgical music in manuscript [\/vc_column_text][vc_column_text css=”.vc_custom_1617129271191{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: […]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":7524,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template_Finding_Aids.php","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-7540","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7540","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=7540"}],"version-history":[{"count":0,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7540\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7524"}],"wp:attachment":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=7540"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=7540"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=7540"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}