{"id":7535,"date":"2021-03-29T09:52:55","date_gmt":"2021-03-29T13:52:55","guid":{"rendered":"https:\/\/www.esm.rochester.edu\/sibley\/?page_id=7535"},"modified":"2021-03-29T09:52:55","modified_gmt":"2021-03-29T13:52:55","slug":"sub1","status":"publish","type":"page","link":"https:\/\/www.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/msalvador\/sub1\/","title":{"rendered":"MARIO SALVADOR COLLECTION"},"content":{"rendered":"

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<\/a>SUB-GROUP I: WORKING MUSIC LIBRARY<\/h3>\n

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<\/a>Series 1: Works for solo organ by individual composers<\/h3>\n

[\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617025915898{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nAdolphe, Adam. Cantique de No\u00ebl. New York: G. Schirmer, 1939. Plate no.\u00a038719 c x.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nAhrens, Joseph. Pange Lingua: Hymnus f\u00fcr Orgel. Mainz: Schott, 1936. Plate no. B.S.S. 34690.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nAhrens, Joseph. Toccata eroica. Mainz: Schott, 1935. Plate no. B.S.S. 34359.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nAlain, Albert. Scherzo pour Orgue. Paris: H. H\u00e9relle. Plate no. 1509(5).<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nAlain, Jehan. \u00a0L\u2019\u0152uvre d\u2019Orgue de Jehan Alain, Tome 1. Paris: Alphonse Leduc, 1951.Plate no. 20,184.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nAlain, Jehan. Trois Pi\u00e8ces pour Grand Orgue. Paris: Alphonse Leduc, 1939. Plate 744.19,744.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nAlbinoni, Tommaso, and S. Drummond Wolff, arr. Suite for Organ. St. Louis:\u00a0Concordia Publishing House, 1970. Plate no. 97-5000.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nAndriessen, Hendrik. Premier Choral for Organ. New York: Edward B. Marks, 1947.\u00a0Plate no. 12435-7.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\n\u00a0Andriessen, Hendrik. Quattro Studi per Organo. Utrecht: J. R. van Rossum, 1954.\u00a0Plate no. 376.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nAndriessen, Hendrik. Sinfonia per Organo (tweede druk). Utrecht: J. R. van\u00a0Rossum.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nAndriessen, Hendrik. Toccata voor Orgel (tweede druk). Utrecht: J. R. van\u00a0Rossum, 1917.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nArnell, Richard. Chorale Variations on \u201cEin feste Burg ist unser Gott\u201d for Organ.\u00a0London: Hinrichsen, 1961. Plate no. 551e.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nAshfield, Robert. Carillon, Plaint and Paean for Organ. London: Novello, 1962.\u00a0Plate no. 19155.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nAsma, Feike. Muziek voor Kerk en Huis. boek 3, serie 1: Geestelijke Liederen.\u00a0Naarden, NL: Basart, 1954.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nBach, J. S. Bach-Album: Sammlung ber\u00fchmter Orgelkompositionen von Johann\u00a0Sebastian Bach. Leipzig: Peters. Plate no. 6786.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nBach, J. S. Choralvorspiele. Leipzig: Breitkopf & H\u00e4rtel. Plate no. J.S. B. Org. 8.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nBach, J. S. Complete Organ Works, Vol. III. \u00a0New York: Kalmus, 1947.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nBach, J. S. Compositions pour Orgue, 4\u1d50\u1d49 Livre: 14 Pieces.\u00a0 Paris: Richault.\u00a0 Plate\u00a09780. R.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nBach, J. S. Fantasia chromatica et Fuga f\u00fcr Orgel. F\u00fcr Orgel eingerichtet von Paul\u00a0Homeyer. Leipzig: Leuckart. Plate no. F.E.C.L. 4096.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nBach, J. S. Fifteen Pieces for Organ (Historical Organ Recitals, vol. II). Edited by Joseph Bonnet. Boston: Schirmer, 1918. Volume now lacking its binding.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nBach, J. S. Fugue in G Major (Fugue a la Gigue). London: Novello. Plate no. S.S.O.C.No.35-(5).<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nBach, J. S. A Group of Five: Suite of Pieces. Freely selected and transcribed for organ by Garth Edmundson. New York: J. Fischer. Plate no. 7527.
\nContents:\u00a0 1. Prelude. \u2014 2. Gigue. \u2014 3. Adagio. \u2014 4. Allegretto. \u2014 5. Fugue.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nBach, J. S. Jesu, Joy of Man\u2019s Desiring. Arranged for organ solo from Cantata No. 147 by E. Power Biggs. London: Novello, 1944. Plate no. St. Cecilia No. 700 \u2013 (5).<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nBach, J. S. The Liturgical Year (Orgelb\u00fcchlein). Philadelphia: Oliver Ditson. Plate no. 77123-137.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 2″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617130678109{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nBach, J. S. Organ Works, Vol. I: Preludes and Fugues of the Youthful Period.\u00a0New York: Schirmer, 1940. Plate no. 22699.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nBach, J. S. Organ Works, Vol. III: Preludes and Fugues of the Mature Master-\u00a0Period. New York: Schirmer, 1940. Plate no. 22711.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nBach, J. S. Organ Works, Vol. IV: Preludes and Fugues of the Mature Master-\u00a0Period. New York: Schirmer, 1940. Plate no. 22712.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nBach, J. S. Organ Works, Vol. V: Organ Concertos and Organ Sonatas. New York: Schirmer, 1941. Plate no. 22706.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nBach, J. S. Johann Sebastian Bach\u2019s Werke f\u00fcr Orgel, band III. Leipzig: Breitkopf & H\u00e4rtel. Plate no. J.S.B. Org. 3.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nBach, J. S. Johann Sebastian Bach\u2019s Werke f\u00fcr Orgel, band IV. Leipzig: Breitkopf & H\u00e4rtel. Plate no. J.S.B. Org. 4.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nBach, J. S. Johann Sebastian Bach\u2019s Compositionen f\u00fcr die Orgel. Leipzig: Peters. Plate no. 2968.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nBach, J. S. Orgel-Album Hervorragende Tons\u00e4tze. Braunschweig: Henry Litolff\u2019s Verlag. Plate no. Collection Litolff No. 49.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nBach, J. S. The Organ Works of J. S. Bach: The Chorale Preludes, Book XVI.\u00a0London: Novello. Plate no. 13885<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 3″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617130685444{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nBach, J. S. Orgelkonzert nach Vivaldi. Leipzig: Peters. Plate no. 8722.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nBach, J. S. Orgelwerke, band IV. Leipzig: Peters. Plate no. 8659.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nBach, J. S. Orgelwerke, band VIII. Frankfurt: Peters. Plate no. 8663.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nBach, J. S. Prelude and Fugue in G Minor (The Great). Publisher\u2019s name lacking. Plate no. 31147.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nBach, J. S. Sechs Chorale und Achtzehn Chor\u00e4le. Frankfurt: Peters, 1951. Plate 10636.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nBach, J. S. Sheep May Safely Graze (from Cantata No. 208). Trans. by Irwin Fischer. Chicago: Clayton F. Summy, 1948. Plate no. C.F.S. C0. 3920.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nBach, J. S. Short Pieces for the Organ from the Anna Magdalena Book. Edited by Henry Coleman. London: Oxford, 1947. Plate no. C.F.S. C0. 3920.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nBach, J. S. Twelve Chorale Preludes for Organ. New York: G. Schirmer, 1931. Plate no. 35361c.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nBach, J. S. [Six Trio Sonatas]. Volume lacking its binding and also lacking numerous pages at both its beginning and end; extant pages numbered 19-74.
\nPublisher\u2019s information not present.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nBach, J. S. [Collection of organ works by or after J. S. Bach] Boston: Boston\u00a0Music Co., 1921. Plate no. 28247.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nBach, W. F. Complete Works for Organ. New York: Music Press, 1947. Plate no.\u00a0MPI-522.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nBarber, Samuel. Adagio for Strings. Arranged for organ by William Strickland.New York: Schirmer, 1949. Plate no. 41760.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nBarber, Samuel. Chorale Prelude on \u201cSilent Night\u201d. New York: Schirmer, 1961.\u00a0Plate no. 44946.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nBari\u00e9, Augustin. Marche from Trois Pi\u00e8ces pour Orgue, Op. 7. Paris: Durand, 1911. Plate no. D & F 8077.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nBarnes, Edward Shippen. Solemn Prelude, Op. 24. New York: Schirmer, 1916.\u00a0Plate no. 26878.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nBarnes, Edward Shippen. Symphonie pour Orgue, Op. 18. New York: Schirmer.\u00a0Plate no. 27925.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nBart\u00f3k, B\u00e9la. Suite f\u00fcr Orgel. Nach Klavierst\u00fccken aus dem \u201cMikrokosmos\u201d bearbeitet von Helmut Bornefeld. London: Boosey & Hawkes, 1955. Plate no. B & H 18157.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nBartelink, Bernard. Toccata per organo. Utrecht: J. R. van Rossum, 1956. Plate\u00a0400.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nBatiste, \u00c9douard. Four Grand Offertories. New York: J. Fischer, 1897. J. F. & B.\u00a01029-10.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nBaumgartner, H. L. Easter Morning: A Descriptive Fantasie. Boston: White- Smith, 1912. Plate no. 14130-8.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nBax, Arnold. Paean (Passacaglia) for the Organ. London: Chappell & Co., 1949. Plate no. 39220.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nBedell, Robert L. L\u2019Adoration Mystique. Edition Le Grand Orgue, 1955.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nBeethoven, Ludwig van. Hymn to Joy. Arranged by Ian Hare. London: Oxford University Press, 1975.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nBeethoven, Ludwig van. Organ Works. London: Hinrichsen, 1962. Plate no. 1438.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nBender, Jan. Oh, Come, Emmanuel. St. Louis (?): The Concordia Hymn Prelude Series. Plate no. 97-5537.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nBennett, W. Sterndale. Overture to W. Sterndale Bennett\u2019s Na\u00efdes<\/em>. Arranged from the full score for the organ with pedal obbligato by Edwin Evans. London: William Reeves. Plate no. W R. 30c.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nBenoit, Paul. Cantil\u00e8ne Pascale sur \u201cl\u2019Alleluia\u201d from Suite Liturgique pour <\/em>P\u00e2ques<\/em>. New York: J. Fischer, 1947. Plate no. J. F. & B. 8359-5.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nBenoit, Paul. Quatre Preludes pour Grand Orgue. New York: J. Fischer, 1950. Plate no. J. F. & B. 8509-15.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nBest, William Thomas. A Christmas Fantasy on Old English Carols. London: Augener\u2019s Edition. Plate no. 4385.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nBingham, Seth. Bells of Riverside, Op. 36, No. 5. New York: J. Fischer, 1939. Plate no. J. F. & B. 7509-6.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nBingham, Seth. Harmonies of Florence, Op.27. New York: H. W. Gray, 1947(?). Plate no. Bingham \u2013 Harmonies of Florence (28).<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nBingham, Seth. Offertory on a Spanish Folk Song. Cincinnati: World Library of Sacred Music, 1964. Plate no. O-687.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nBingham, Seth. Sonata of Prayer and Praise. New York: H. W. Gray, 1959. Plate 1. Bingham \u2013 Sonata of Prayer and Praise (48).<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\nBingham, Seth. Ut queant laxis. New York: C. F. Peters, 1962. Plate no. 6289.<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\nBizet, Georges. Le Carillon from Suite L\u2019Arlesienne.<\/em> Arranged from the orchestral score for organ by M. P. Ingle. New York: H. W. Gray, 1947. Plate no. St. Cec. 735 \u2013 (9).<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\nBizet, Georges. Fantasia on\u00a0Carmen<\/em>. Transcribed for the organ by Edwin H.\u00a0Lemare. New York: H. W. Gray, 1921.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 4″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617130772496{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nBlanchard, Robert. Preludio Festivo. London: Novello, 1966. Plate no. St. Cec.\u00a0No. 923 \u2013 (8).<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nBliss, Arthur. Royal Fanfares and Interludes. Arranged for organ by Basil\u00a0Ramsey. London: Novello, 1964. Plate no. 19634.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nB\u00f6ellmann, Leon. Fantasy for Organ. New York: Edward B. Marks, 1947. Plate no.12 283-19.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nB\u00f6ellmann, Leon. Heures Mystiques, Vol. I, Op. 29. Paris: Enoch, 1896. Plate no. E & C. 2709.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nB\u00f6ellmann, Leon. Heures Mystiques, Vol. II. Paris: Enoch, 1896. Plate no. E. & C. 2710.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nB\u00f6ellmann, Leon. Suite Gothique. Paris: Durand, 1895. Plate no. D. & F. 5003.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nBonnal, Ermend. Symphonie pour Grand Orgue d\u2019apr\u00e8s \u201cMedia vita.\u201d Paris: Alphonse Leduc, 1933. Plate no. A. L. 18,119.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nBonnet, Joseph. Douze pi\u00e8ce nouvelles. New York: Edward B. Marks, 1943. Plate no. 12001-72ph.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nBonnet, Joseph. \u00c9tude de Concert. Paris: Alphonse Leduc, 1910. Plate no. A. L.\u00a014, 539.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nBonnet, Joseph. Intermezzo. [New York]: Die grosse Orgel [Edition Le Grand\u00a0Orgue]. Plate no. #228.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nBossi, Marco Enrico. Marche H\u00e9ro\u00efque. Paris: Durand. Plate no. D. & F. 4493.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nBossi, Marco Enrico. Orgelwerke, Band I. Leipzig: Peters. Plate no. 10132a.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nBossi, Marco Enrico. Orgelwerke, Band II. Leipzig: Peters. Plate no. 10133.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nBossi, Marco Enrico. Preludio e fuga. New York: Edward B. Marks, 1947. Plate no.12486-15.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nBossi, Marco Enrico. Scherzo in G Minor. New York: Edition Musicus. Plate no.\u00a0M.28 C.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nBourdon, Emile. Marche Solennelle. Paris: Bornemann, 1947. S. B. 5341.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nBoyce, William. Introduction and Trumpet Tune. Edited by Vernon Butcher. London: Hinrichsen, 1953. Plate no. 180d.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nBrahms, Johannes. The Organ Works of Johannes Brahms, Vol. I: Eleven Choral Preludes, Op. 122. New York: Edward B. Marks, 1948. Plate no. 12651-28.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nBrahms, Johannes. The Organ Works of Johannes Brahms, Vol. II: Miscellaneous Compositions. New York: Edward B. Marks, 1948. Plate no. 12650-27.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nBratt, C. Griffith. Six Seasonal Preludes for Organ. Cincinnati: World Library of Sacred Music, 1957.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nBrewer, John Hyatt. Echo Bells. New York: G. Schirmer, 1941. Plate no. 24230.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nde Bricqueville, Eug\u00e8ne. Pedal Exercitium. New York: Le Grand Orgue.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nBritten, Benjamin. Prelude and Fugue on a Theme of Vittoria. London: Boosey & Hawkes, 1952. Plate no. B. & H. 17194.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nBull, John. Rondo in G. Freely arranged for modern organ by Richard Ellsasser. Toronto: Canadian Music Sales, 1951.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nBusoni, Ferruccio Benvenuto. Praeludium (Basso Ostinato), Op. 7. London: Cranz & Co. Plate no. C. 25369.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nBusser, Henri. \u201cIl est n\u00e8 le divin enfant\u201d from Deux pieces sur des noels <\/em>populaires<\/em>, Op. 82, No. 1. Paris: Durand, 1931. Plate no. D. & F. 12123.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nBusser, Henri. \u201cAccourez Pastoureaux\u201d from Deux pieces sur des noels<\/em>\u00a0populaire<\/em>, Op. 82, No. 2. Paris: Durand, 1931. Plate no. D. & F. 12124.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nBuxtehude, Dietrich. Chorale Prelude on \u201cKommt her zu mir, spricht Gottes\u00a0Sohn.\u201d Revised and edited by Eric De Lamarter. New York: M. Witmark, 1948.\u00a0Plate no. 20700-3.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 5″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617130852008{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nBuxtehude, Dietrich. Free Compositions for the Organ, Part II, Vol. II. Melville,\u00a0NY: Belwin Mills. Plate no. 3278.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nBuxtehude, Dietrich. How Lovely Shines the Morning Star. Edited by Walter E. Buszin. St. Louis: Concordia, 1950. Plate no. OS 213.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nBuxtehude, Dietrich. Orgelwerke, Band I: Praeludien und Fugen. New York:\u00a0Peters, 1938. Plate no. 11383.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nBuxtehude, Dietrich. Orgelwerke, Band II: Choralbearbeitungen. New York: Peters, 1939. Plate no. 11420.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nBuxtehude, Dietrich. S\u00e4mtliche Orgelwerke, Vol. I. Copenhagen: Wilhelm Hansen, 1952. Plate no. 26980.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nBuxtehude, Dietrich. S\u00e4mtliche Orgelwerke, Vol. II. Copenhagen: Wilhelm Hansen, 1952. Plate no. 26990.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nBuxtehude, Dietrich. S\u00e4mtliche Orgelwerke, Vol. III. Copenhagen: Wilhelm Hansen, 1952. Plate no. 27006.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nBuxtehude, Dietrich. S\u00e4mtliche Orgelwerke, Vol. IV. Copenhagen: Wilhelm\u00a0Hansen, 1952. Plate no. 27040.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nCalkin, John Baptiste. Wedding Song. Edited by C. H. Trevor. London:\u00a0Bosworth, 1958. Plate no. 21964.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nCallaerts, Joseph. Toccata. New York: Mills Music, 1947. Plate no. Toccata \u2013 6.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nCampbell, Sidney S. Pageantry. London: Novello, 1962. Plate no. 19060.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nCampbell-Watson, Frank. Praeludium I \u201cRorate Caeli.\u201d New York: M. Witmark, 1946.\u00a0Plate no. 20534-3.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nCampbell-Watson, Frank. Praeludium No. II \u201cPuer natus est nobis.\u201d New York: 1946.\u00a0Witmark, 1946. Plate no. 20533-4.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nCampra, Andr\u00e9. Rigaudon (from \u201cIdom\u00e9n\u00e9e\u201d). Arranged for the organ by Gustave Ferrari. New York: H. W. Gray, 1948. Plate no. St. Cecilia No. 717 \u2013 (4).<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nCastelnuovo-Tedesco, Mario. Fanfare. New York: H. W. Gray, 1953. Plate no. C. O. S. No. 28 \u2013 (7).<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\n\u0108ernohorsk\u00fd, Bohumil. Varhann\u00ed Skladby. Prague: Hudebn\u00ed Nakladatelstv\u00ed Orbis, 1949.\u00a0Plate no. E. O. 5.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nCharpentier, Marc-Antoine. Trumpet Tune. Arranged for the organ by Bryan\u00a0Hesford. London: J. B. Cramer, 1978. Plate no. 16386.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nChausson, Ernest. Interlude du Po\u00e8me de l\u2019amour et de la mer. Transcription pour\u00a0orgue par Edouard Commette. Paris: Rouart-Lerolle. Plate no. R. L. 11716 & Cie.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nChubb, Frederick. Stillness of Night. New York: J. Fischer, 1919. Plate no. J.F. & B. 4439-4.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nChuckerbutty, Oliphant. The Queen\u2019s Procession. London: Bosworth, 1952. Plate no. B & Co. Ltd. 21532.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nChuckerbutty, Oliphant. P\u00e6an: A Song of Triumph (Fanfare). London: Bosworth, 1948.\u00a0Plate no. B & Co. Ltd. 21254.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nClark, Florence Durell. Carillon. Philadelphia: Elkan-Vogel, 1949. Plate no.\u00a0Carillon – 6<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nClarke, Jeremiah. Trumpet Voluntary (The Prince of Denmark\u2019s March).\u00a0Arranged for organ by Desmond Ratcliffe. London: Novello, 1949. Plate no.\u00a017432.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nClokey, Joseph Waddell. Bell Prelude. New York: H. W. Gray, 1943. Plate no. St.\u00a0Cecilia No. 692 \u2013 (11).<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nClokey, Joseph Waddell. Legende. New York: H. W. Gray, 1922. Plate no. St.\u00a0Cec. 191.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nCoates, Douglas. Idyll. London: Bosworth, 1953. Plate no. B. & Co. Ltd. 21553.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nColeridge-Taylor, Samuel. Funeral March (No. 3 from\u00a0Othello\u00a0<\/em>Suite). Arranged\u00a0for organ solo by Herbert F. Ellingford. London: Metzler, 1920. Plate no. M &\u00a0Co. (1020) Ltd. 709.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nCollin, Charles-Augustin. Offertoire pour la f\u00eate de No\u00ebl. Paris: H\u00e9relle. Plate no.\u00a0H. & Cie. 1509(2)<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nCook, John. Fanfare. London: Novello, 1952. Plate no. 17687.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nCook, John. Paean on \u201cDivinum Mysterium.\u201d London: Novello, 1952. Plate no.18334.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nCouperin, Fran\u00e7ois. Bells of Arcadia. Transcribed by Joseph W. Clokey. New York: J. Fischer & Bro., 1937. J. F. & B. 7337-11.<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nCouperin, Fran\u00e7ois. Suite for Organ from Solemn Mass for Parish Use. <\/em>New York: J. Fischer, 1947. Plate no. J. F. & B. 8327-26.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nCouperin, Louis. L\u2019\u0152uvre d\u2019orgue. Paris: \u00c9ditions musicales de la Schola\u00a0Cantorum. Plate no. 0.0006 L.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 6″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617130970297{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nCowell, Henry. Processional. New York: H. W. Gray, 1944. Plate no. C. O. S. No.\u00a016 \u2013 (3).<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\n\u00a0Dagincourt, [Fran\u00e7ois] J. Rondeau l\u2019\u00e9tourdie. Arranged for organ by Harry Wall.\u00a0London: Novello, 1938. Plate no. 16665.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nDallier, Henri. Cinq Invocations. Paris: Henry Lemoine, 1926. Plate no. 21,908.H.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nDaquin, Louis Claude. New Book of Noels, Vol. II: Noels 7-12. New York:\u00a0Music Press, 1948. Plate no. MPI-60.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nDavid, Johann Nepomuk. Chaconne in A minor. Leipzig: Breitkopf & H\u00e4rtel, 1933.\u00a0Plate no. 30591.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nDebussy, Claude. [Douze pi\u00e8ces pour orgue]. Paris: Durand, 1911. Plate no. 8072.
\nBinding and title page lacking.
\nContents:<\/p>\n
    \n
  1. 1re Arabesque (Transcription L\u00e9on Roques)<\/li>\n
  2. 2me Arabesque. (Transcription L\u00e9on Roques)<\/li>\n
  3. La Cath\u00e9drale engloutie. (Transcription L\u00e9on Roques)<\/li>\n
  4. En bateau. (Transcription L\u00e9on Roques)<\/li>\n
  5. Cort\u00e8ge. (Transcription L\u00e9on Roques)<\/li>\n
  6. (Transcription L\u00e9on Roques)<\/li>\n
  7. (Transcription L\u00e9on Roques)<\/li>\n
  8. Pr\u00e9lude de \u201cLa Damoiselle \u00e9lue\u201d. (Transcription Gaston Choisnel)<\/li>\n
  9. Le Petit Berger. (Transcription Gaston Choisnel)<\/li>\n
  10. La Fille aux Cheveux de Lin. (Transcription L\u00e9on Roques)<\/li>\n
  11. Andante du Quatuor. (Transcription Alexandre Gilmant)<\/li>\n
  12. Pr\u00e9lude de l\u2019Enfant Prodigue. (Transcription L\u00e9on Roques)<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nDebussy, Claude. Clair de lune (extrait de la \u201cSuite Bergamasque\u201d). Transcription\u00a0pour orgue par Alex Cellier. Paris: Jobert, 1925. Plate no. J. J. 293.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nDe Lamarter, Eric. At St. Etienne-du-Mont. New York: M. Witmark, 1948. Plate no.\u00a020675-11.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nDe Lamarter, Eric. Carillon. New York: Novello, 1921. Plate no. St. C. 154.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nDe Lamarter, Eric. Festival Prelude. New York: M. Witmark, 1945. Plate no.\u00a020499-14.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nDe Lamarter, Eric. Four Eclogues. New York: Witmark, 1947. Plate no. 20592-\u00a029.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nDe Lamarter, Eric. Overture. New York: Witmark, 1947. Plate no. 20593-14.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nDemessieux, Jeanne. Twelve Choral Preludes on Gregorian Chant Themes.\u00a0Boston: McLaughlin & Reilly Co., 1950. Plate no. M. & R. Co. 1662-31.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nDemuth, Norman. Processional Fanfare for Organ. London: Novello, 1958. Plate no.18810.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nDevernay, Edoard. Fantaisie sur des Vieux No\u00ebls. Paris: H. H\u00e9relle. Plate no. H.\u00a0& Cie. 1506(2).<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nDevernay, Edoard. Le Miracle de la Temp\u00eate. Paris: H. H\u00e9relle. Plate no. H. &\u00a0Cie. 1512(4). Inside front cover bears an extensive handwritten list of organ stops\u00a0from an unknown instrument.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\n\u00a0Dickinson, Peter. Postlude on Adeste Fideles. London: Novello, 1964. Plate no. 19326.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nDiggle, Roland. American Fantasy. Boston: White-Smith Publishing Company, 1916.\u00a0Plate no. 14927-6.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nDiggle, Roland. Rustic Scherzo. New York: Edward Schuberth, 1950. Plate no. E. S.\u00a0& Co. 5261-6. Bears an inscription to Mario Salvador from the composer.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nDonovan, Richard. Two Choral Preludes on American Folk Hymns. New York:\u00a0Music Press, 1948. Plate no. MPI-601.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\n\u00a0Douglas, Ernest. Samarkand: An Oriental Pastel. New York: J. Fischer. Plate no. J. F. & B. 7828 \u2013 8.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nDouglas, Ernest. Solace. St. Louis: Shattinger, 1949. Plate no. 631-4.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nDubois, Theodore. Alleluia \u201cO Filii et filiae.\u201d Boston: McLaughlin & Reilly Co.\u00a0Plate no. M. & R. Co. 1428 \u2013 5.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nDubois, Theodore. Cantil\u00e8ne nuptiale. Paris: Alphonse Leduc, 1957. Plate no. A.\u00a024,737.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nDubois, Theodore. Messe de Mariage. New York: Edward B. Marks, 1941.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nDupr\u00e9, Marcel. Angelus. Paris: H. H\u00e9relle, 1938. Plate no. P. 2345.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nDupr\u00e9, Marcel. Cort\u00e8ge et Litanie. Paris: Alphonse Leduc, 1924. Plate no. A. L. 16, 850.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nDupr\u00e9, Marcel. Fifteen Pieces Founded on Antiphons, Op. 18. London: Novello, 1920.\u00a0Plate no. 14748.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nDupr\u00e9, Marcel. Offrande \u00e0 la vierge. Paris: Bornemann, 1945. Plate no. S. B.\u00a05338.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nDupr\u00e9, Marcel. Po\u00e8me H\u00e9ro\u00efque. London: Novello, 1938. Plate no. Po\u00e8me\u00a0H\u00e9ro\u00efque \u2013 13.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nDupr\u00e9, Marcel. Scherzo. Paris: Alphonse Leduc, 1920. Plate no. A. L. 16,008.<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nDupr\u00e9, Marcel. Suite pour orgue, Op. 39. Paris: Bornemann, 1945. Plate no. S. B.\u00a05336.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nDupr\u00e9, Marcel. Trois \u00c9l\u00e9vations. Paris: H. H\u00e9relle, 1935. Plate no. P.2409.<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\nDupr\u00e9, Marcel. Trois Pr\u00e9ludes et Fugues. Paris: Alphonse Leduc, 1920. Plate no.\u00a0L. 16,405.<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\nDupr\u00e9, Marcel. Two Chorales. London: Novello, 1932. Plate no. St. Cec. No.\u00a0770-(4).<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\nDupr\u00e9, Marcel. Variations sur un No\u00ebl. Paris: Alphonse Leduc, 1923. Plate no. A. L. 16,626.<\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\nDurufl\u00e9, Maurice. Fugue sur le theme du Carillon des Heures de la cath\u00e9drale de Soissons. Ligug\u00e9, FR: Editions Europart-Music.<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\nDurufl\u00e9, Maurice. Scherzo pour Orgue. Paris: Durand, 1929. Plate no. D. & F.\u00a011,703.<\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\nDurufl\u00e9, Maurice. Suite pour Orgue, Op. 5. Paris: Durand, 1934. Plate no. D. & F.\u00a012,350.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 7″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617131039544{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nEdmundson, Garth. Apostolic Symphony. New York: J. Fischer, 1936. Plate no. J. F.\u00a0& B. 7104.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nEdmundson, Garth. Christmas Suite No. 1. New York: H. W. Gray, 1932. Plate no.\u00a0St. Cecilia, No. 582.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nEgener, Frederic Tristram. Drifting Boat and Evening Chimes from\u00a0Scenes\u00a0<\/em>Canadian<\/em>, Op. 12, No. 1. Waterloo, ON: Waterloo Music Co., 1929<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nElgar, Edward. Chanson de nuit, Op. 15, No. 1. Transcribed by A. Herbert\u00a0Brewer. London: Novello, 1940 [?]. Plate no. 11805.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nElgar, Edward. Pomp and Circumstance: Military March, op. 39, no. 1. Arranged\u00a0as an organ solo by Edwin H. Lemare. London: Boosey, 1902. Plate no. H 3590.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nElgar, Edward. Sonata for Organ, Op. 28. London: British and Continental Music\u00a0Agencies. Plate no. 3404.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nFaur\u00e9, Gabriel. Pavane, Op. 50. Arranged for organ solo by Patricia Bird. New\u00a0York: Galaxy Music, 1974. Plate no. GMC 1.2512.2.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nFederlein, Gottfried H. Sunset and Evening Bells. New York: J. Fischer, 1914. J. F.\u00a0& B. 3860-5.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nFischer, Irwin. Chorale Prelude \u201cLiebster Jesu, wir sind hier.\u201d Chicago: Clayton F.\u00a0Summy, 1949. Plate no. C. F. S. Co. 4149-2.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nFischer, Irwin. Chorale Prelude on \u201cJesu, meine Freude.\u201d Unpublished\u00a0reproduction of handwritten manuscript. No date information available.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nFischer, Irwin. Chorale Prelude on \u201cNun ruhen alle W\u00e4lder\u201d (\u201cInnsbruck\u201d).\u00a0Unpublished reproduction of handwritten manuscript. No date information\u00a0available.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nFischer, Irwin. Prelude on \u201cFranconia\u201d. Manuscript reproduction. 6 pages of\u00a0music. Undated.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nFischer, Irwin. Recitative and Aria. New York: M. Witmark, 1946. Plate no. M. W.\u00a0& Sons 20578-4.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nFischer, Irwin. Toccata for Organ. Unpublished reproduction of handwritten\u00a0manuscript. No date information available. Contains handwritten dedication to\u00a0Mario Salvador.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nFleury, Andr\u00e9. Pr\u00e9lude, Andante et Toccata. Paris: Henry Lemoine, 1935. Plate no.\u00a022,764.H.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nForbes, Sebastian. Haec dies. London: Oxford University Press, 1971.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\n\u00a0Fricker, Peter Racine. Six Short Pieces. Minneapolis: Augsburg Publishing\u00a0House, 1971.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nFricker, Peter Racine. Toccata Gladius Domini. Minneapolis: Augsburg, 1971.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nForchhammer, Theophil. Toccata. Arranged by Robert L. Bedell. New York:\u00a0Edition \u201cLe Grand Orgue\u201d.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nFranck, C\u00e9sar. Choral No. 3. New York: Edward B. Marks, 1948. Plate no.\u00a012556-37.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nFranck, C\u00e9sar. The Organworks of C\u00e9sar Franck, Vol. II. New York: Edward B.\u00a0Marks, 1948. Plate no. 12557-44.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nFranck, C\u00e9sar. The Organworks of C\u00e9sar Franck, Vol. III. New York: Edward B.\u00a0Marks, 1948. Plate no. 12611-36.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nFranck, C\u00e9sar. The Organworks of C\u00e9sar Franck, Vol. IV. New York: Edward B.\u00a0Marks, 1948. Plate no. 12590-31.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nFranck, C\u00e9sar. L\u2019Organiste. Paris: Enoch, 1934. Plate no. 1830.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nFranck, C\u00e9sar. Pi\u00e8ces pour orgue ou harmonium (L\u2019Organiste, Vol. II). Paris:\u00a0Enoch, 1905. Plate no. 5767.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nFranck, C\u00e9sar. Pr\u00e9lude, Fugue et Variation. New York: Edward B. Marks, 1948.\u00a0Plate no. 12557-44.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nFranck, C\u00e9sar. Pri\u00e8re, Op. 20. Paris: Durand.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nFranck, C\u00e9sar. Symphony in D minor. Arranged by Herbert M. Kidd. New York:\u00a0H. W. Gray. Plate no. St. Cecilia No. 561-562. (The three movements published\u00a0separately, herein collated as a binder\u2019s collection.)<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nFranck, C\u00e9sar. Three Chorals. New York: Edward B. Marks, 1948. Plate no.\u00a012556-37.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\n\u00a0Franck, C\u00e9sar. Three Chorals for Organ. New York: J. Fischer, 1948. Plate no. J.\u00a0F. & B. 7913-44.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 8″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617131086032{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nFranck, C\u00e9sar. Trois Chorals. Paris: Durand, 1892. Plate no. D. S. 4414.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nFrescobaldi, Girolamo. Fiori musicali. Rome: Edizioni de Santis, 1936. Plate no. E.\u00a0D. S. 461.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nFrescobaldi, Girolamo. Toccate e partite d\u2019intavolatura di cimbalo et organo, Part I.\u00a0Rome: Edizioni de Santis, 1936. Plate no. E. D. S. 451.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nFrescobaldi, Girolamo. Toccate e partite d\u2019intavolatura di cimbalo et organo, Part II.\u00a0Rome: Edizioni de Santis, 1936. Plate no. E. D. S. 491.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nFrescobaldi, Girolamo. Complete Works for Organ, Vol. I: Fiori musicali. New\u00a0York: C. F. Peters, 1943. Plate no. 11520.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nFrescobaldi, Girolamo. Complete Works for Organ, Vol. I: Toccatas, Ricercars,\u00a0Canzonas, Capriccios. New York: C. F. Peters, 1943. Plate no. 11549.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nGaul, Harvey. Hymn of the American Navy. New York: H. W. Gray, 1915. Plate no.\u00a0St. Cecilia No. 715-(6).<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nGaul, Harvey. La Sortie des Trois Rois \u2013 Noel! New York: J. Fischer, 1942. Plate no.\u00a0J. F. & B. 7901-8.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nGaul, Harvey B. The Little Bells of Our Lady of Lourdes and Vesper\u00a0Processional. New York: J. Fischer, 1924. Plate no. J. F. & B. 5454-10.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nGerecke, Arthur D. Nativity Suite. Handwritten manuscript. No date information\u00a0available.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nGermani, Fernando. Toccata, Op. 12. Rome: Edizioni de Santis, 1937. Plate no. E. D.\u00a0S. 460.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nGigout, Eug\u00e8ne. 100 Short Pieces for Organ (or Harmonium). London: J. & W.\u00a0Chester, 1920. Plate no. J. & W. C. 3031.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nGigout, Eug\u00e8ne. L\u2019Orgue d\u2019Eglise. Paris: Enoch. Plate no. E. & C. 5734.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nGigout, Eug\u00e8ne. Toccata for Organ. New York: Edward B. Marks, 1944. Plate no.\u00a012184-12.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nGilles, Joseph. Symphonie in E Major. Paris: S. Bornemann, 1937. Plate no. S. B.\u00a05273.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nGlasunow, Alexander. Orgelwerke. Frankfurt: Belaieff. Plate no. 3515.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nGli\u00e8re, Reinhold Moritzovitch. Three Holy Kings. Transcribed for organ by H.\u00a0Clough-Leighter. Boston: Boston Music Co., 1920.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nGounod, Charles. M\u00e9ditation sur le 1er. Pr\u00e9lude de Johann Sebastian Bach.\u00a0Leipzig: Schott. Plate no. 07229.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nGrainger, Percy Aldridge. Bridal Song (To a Nordic Princess). Arranged for organ\u00a0by Lynnwood Farnam. New York: Schirmer, 1930. Plate no. 34960.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nGrainger, Percy Aldridge. Children\u2019s March. New York: Schirmer, 1927. Plate no.\u00a030928.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nGreene, Maurice. A Trumpet Tune. From \u201cSix Overtures for the Harpsichord or Spinnet. Being proper Pieces for the Improvement of the Hand,\u201d circa 1740.
\nArranged by Harry Wall. London: J. B. Cramer, 1948. Plate no. 15567.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nGrieg, Edvard. An den Fr\u00fchling (To Spring), Op. 43, No. 6. Transcribed for organ\u00a0by Edwin H. Lemare. New York: Schirmer, 1909. Plate no. 20845.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nGrieg, Edward. Scenes from \u201cSigurd Jorsalfar.\u201d Arranged by G. C. Gow. New\u00a0York: Schirmer, 1906. Plate no. 18044.
\nContents: 1. Borghilds Traum (Borghild\u2019s Dream). \u2014 2. Beim Trinkgelage (At the Drinking-bout: March).<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nGriffiths, Vernon. Meditation on \u201cMaria zu lieben.\u201d London: Novello, 1964. Plate no.\u00a019345.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nGrison, Jules. Cantabile in G major. New York: Schirmer, 1890. Plate no. 9131.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nGrison, Jules. Cantilena. No publishing information available. Plate no. 19164.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nGrison, Jules. Fantaisie pour Orgue sur le Chant de No\u00ebl \u201cAdeste Fideles.\u201d Paris: Dupr\u00e9, 1890. Plate no. 19 69 R.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nGrison, Jules. Fantasy on \u201cAdeste Fideles.\u201d Edited by Mario Salvador. Ink MS; 20 pages of music. Undated.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nGrunenwald, Jean-Jacques. Suite No. 1 from Deux Suites pour Orgue<\/em>. Paris: Alphonse Leduc, 1937. Plate no. A. L. 19, 556.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nGrunenwald, Jean-Jacques. Suite No. 2 from Deux Suites pour Orgue<\/em>. Paris: Alphonse Leduc, 1937. Plate no. A. L. 19, 564.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nGuilmant, Alexandre. Invocation in B-flat. Boston: Oliver Ditson, 1914. Plate no. 5-106-70015-155.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 9″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617131169530{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\u00a0<\/td>\nN.B. Works by Alexandre Guilmant are arranged by opus number.<\/em><\/span><\/td>\n<\/tr>\n
folder 1<\/strong><\/td>\nGuilmant, Alexandre. Marche Fun\u00e8bre et Chant S\u00e9raphique, op. 17. London:\u00a0Schott, 1913. Plate no. 29770c.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nGuilmant, Alexandre. Second Meditation, Op. 20, No. 2. New York: Schirmer.\u00a0Plate no. 1869.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nGuilmant, Alexandre. Nuptial March, op. 25. New York: G. Schirmer. Plate no.1871r.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nGuilmant, Alexandre. Sonata in D minor, Op. 42. New York: G. Schirmer, 1940.\u00a0Plate no. 38964.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nGuilmant, Alexandre. Lamentation, Op. 45, No. 1. New York: Schirmer, 1876.\u00a0Plate no. 1875.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nGuilmant, Alexandre. Offertory on \u201cO filii,\u201d op. 49, no. 2. Boston: McLaughlin\u00a0Reilly, 1902. Plate no. M. & R. Co. 1472 (1902).<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nGuilmant, Alexandre. Sonata in C minor, Op. 80. New York: G. Schirmer, 1941.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nGuilmant, Alexandre. Sonata No. 7, Op. 89. Leipzig: Schott, 1920. Plate no. 30008.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nGuilmant, Alexandre. Sonata in A major, Op. 91. Leipzig: Schott, 1907. Plate no.\u00a029717.
\nPlate no. 39139 r x.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nGuilmant, Alexandre. The Practical Organist, Book I. New York: J. Fischer &\u00a0Bro., 1901. Plate no. Coll. 1884_104.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nGuilmant, Alexandre. The Practical Organist, Vol. II. Edited by John D. Hazen.\u00a0New York: Carl Fischer, 1908. Plate no. 10967-108.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nHandel, G. F. Allegro from the 13th<\/span>\u00a0Organ Concerto (The Cuckoo and the\u00a0Nightingale). London: Leonard, Gould & Bottler, 1953. Plate no. 10147.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nHandel, G. F. Concerto for Organ in F Major (No. 13) \u201cThe Cuckoo and the\u00a0Nightingale\u201d. Arranged for organ solo by E. Power Biggs. New York: H. W.\u00a0Gray, 1938. Plate no. Concerto for Organ in F Major \u2013 19.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nHandel, G. F. Handel\u2019s Organ Concertos, Set I, Op. 4. Edited by G. S. Holmes.\u00a0London: Paxton, 1908. Plate no. 22164.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nHandel, G. F. Handel\u2019s Organ Concertos, Set II, Op. 7. Edited by G. S. Holmes.\u00a0London: Paxton, 1940. Plate no. 22244.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nHandel, G. F. Largo (from \u201cXerxes\u201d). Arranged by S. B. Whitney. Philadelphia:\u00a0Oliver Ditson, 1890. Plate no. 53553-3.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nHandel, G. F. Seize Concertos pour grand orgue, vol. I. Arrang\u00e9s, doigt\u00e9s, annot\u00e9s\u00a0par Marcel Dupr\u00e9. Paris: Bornemann, 1937. Plate no. S. B. 5272 (A).<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nHandel, G. F. Seize Concertos pour grand orgue, vol. III. Arrang\u00e9s, doigt\u00e9s,\u00a0annot\u00e9s par Marcel Dupr\u00e9. Paris: Bornemann, 1942. Plate no. S. B. 5272 (C).<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nHandel, G. F. Six Organ Concertos, Op. 4. Melville, NY: Belwin Mills. No plate information available<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nHandel, G. F.. Water Music. Arranged for organ by O. H. Peasgood. London:\u00a0Novello, 1938. Plate no. 16636.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nHarris, William H. Processional March. London: Novello, 1960. Plate no. 18910.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\n\n

Harsch, Harold. Pontifical Processional. Manuscript reproduction. Accompanied\u00a0by two pages of typescript verse, each page signed by the author:<\/p>\n

    \n
  1. \u201cOn a Moonlight Night\u201d, by Harold Harsch.<\/li>\n
  2. \u201cIn Memory of William Holden, Jr.\u201d, by Harold Harsch.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nHarsch, Harold. Solitude. Reproduction of a handwritten manuscript. Dedicated to\u00a0M.S.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nHartley, Walter S. Prelude and Fanfare. Bryn Mawr: Theodore Presser, 1967.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nHaugene, Ragnar B\u00f8vre. Toccata, kanon og fuge over koralen \u201cFolkefrelsar, til\u00a0oss kom\u201d. Drammen, Norway: Harald Lyche, 1955. Plate no. Edition Lyche Nr.\u00a0300.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nHaydn, F. J. The Musical Clocks: a Suite of Seven Pieces. Arranged for organ by E.\u00a0Power Biggs; Hammond registration by Chester Kingsbury. New York: H. W.\u00a0Gray, 1946. Plate no. Haydn \u2013 Biggs \u2013 Musical Clocks (10).<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nHealey, Derek. Three Preludes on French Hymn-Tunes. London: Novello, 1965.\u00a0Plate no. 19408.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nHeld, Wilbur. A Nativity Suite. St. Louis: Concordia, 1959. Plate no. 97 \u2013 4461.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nHopson, Hal. H. Processional of Joy. New York: Carl Fischer, 1977.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nHill, Eugene. Sonatine for Organ. Toronto: BMI Canada, 1949. Plate no. Sonatine\u00a0\u2013 17.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 10″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617131253321{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nHovland, Egil. Nu la oss take Gud. Oslo: Norsk Musikforlag, 1876. Plate no.\u00a0N.M.O. 8822.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nHurford, Peter. Five Verses on a Melody from the Paderborn Gesangbuch.\u00a0London: OUP, 1960.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nHuybrechts, Lode. Preludio e fuga. Antwerp: Editions Metropolis, 1952.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nIbert, Jacques. Trois Pi\u00e8ces. Paris: Heugel, 1920. Plate no. H. 27,663.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nIves, Charles. Variations on \u201cAmerica\u201d and\u00a0Adeste Fidelis<\/em>\u00a0In an Organ Prelude.\u00a0Bryn Mawr, PA: Mercury Music, 1949. Plate no. M.P. 601.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nJackson, Francis. Toccata, Chorale, and Fugue. London: Novello, 1957. Plate no.18460.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\n\u00a0James, Philip. Pantomime. New York: H. W. Gray, 1941. Plate no. C.O.S. No. 8-\u00a0(8).<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nJan\u00e1\u0109ek, Leo\u015d. Organov\u00e9 Solo: Z \u2018Glagolsk\u00e9 M\u015de\u2019 aus der \u2018Festlichen Messe\u2019.\u00a0Vienna: Universal Edition, 1929. Plate no. UE 12653.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nde Jong, Marinus. Passacaglia con fuga on the dorien theme of \u201cAve maris stella,\u201d\u00a0Op. 90. Cincinnati: World Library. Plate no. 420. Score contains a handwritten\u00a0dedication to M.S. by the composer.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nJongen, Joseph. Chant de Mai, Op. 53, No. 1. London: Chester, 1917. Plate no.\u00a0JWC 3015.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\n\u00a0Jongen, Joseph. Choral, Op. 37. Paris: Durand, 1911 [?]. Plate no. D. & F. 8142.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\n\u00a0Jongen, Joseph. Sonata Ero\u00efca. Paris: Alphonse Leduc, 1932. Plate no. A. L.\u00a018,032.<\/td>\n<\/tr>\n
\u00a0<\/td>\nN.B. Works of Sigfrid Karg-Elert are arranged by opus number.<\/em><\/span><\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nKarg-Elert, Sigfrid. Chorale Improvisations for Advent and Christmastide, Op.\u00a065, Vol. I. New York: Edward B. Marks. Plate no. 12119-22.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nKarg-Elert, Sigfrid. Chorale Improvisations, Op. 65, Vol. 2. Edited by Felix\u00a0Guenther; Hammond registration by Charles R. Cronham. New York: Edward B.\u00a0Marks. Plate no. 11529-29ph.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nKarg-Elert, Sigfrid. Chorale Improvisations, Op. 65, Vol. 4. Annotations on\u00a0organ stop registration by Robert Leech Bedell. New York: Edward B.\u00a0Marks. Plate no. 12237-34.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nKarg-Elert, Sigfrid. Chorale Improvisations, Op. 65, Vol. 5. Annotations on\u00a0organ stop registration by Robert Leech Bedell. New York: Edward B. Marks.\u00a0Plate no. 12247-34.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nKarg-Elert, Sigfrid. Chorale Improvisations, Op. 65, Vol. 6. Edited by Robert\u00a0Leech Bedell; Hammond registration by Charles R. Cronham. New York: Edward B.\u00a0Marks. Plate no. 11530-42.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nKarg-Elert, Sigfrid. Harmonies du Soir, Op. 72, No. 1. New York: H. W. Gray.\u00a0Plate no. S. S. O. C. No. 1,-(4).<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nKarg-Elert, Sigfrid. Clair de lune, Op. 72, No. 2. New York: H. W. Gray. Plate no.\u00a0S. S. O. C. No. 3,-(4).<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nKarg-Elert, Sigfrid. Leichte Pedalstudien f\u00fcr Orgel, Op. 83. Leipzig: C. F. Peters.\u00a0Plate no. 9992.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nKarg-Elert, Sigfrid. Cathedral Windows: Six Pieces on Gregorian Themes, Op. 106.\u00a0London: Elkin, 1923. Plate no. E. & Co. 1382.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nKarg-Elert, Sigfrid. Legend from\u00a0Triptych<\/em>, Op. 141, No. 1. London: Elkin, 1930.\u00a0Plate no. E. & Co. 1767.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nKarg-Elert, Sigfrid. Gregorian Rhapsody from\u00a0Triptych<\/em>, Op. 141, No. 2. London:\u00a0Elkin, 1930. Plate no. E. & Co. 1768.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nKarg-Elert, Sigfrid. Marche Pontificale from\u00a0Triptych<\/em>, Op. 141, No. 3. London:\u00a0Elkin, 1930. Plate no. E. & Co. 1769.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nKarg-Elert, Sigfrid. Stimmen der Nacht from\u00a0Drei st\u00fccke<\/em>, Op. 142, No. 1.\u00a0Leipzig: Carl Simon, 1936. Plate no. Collection Simon Nr. 1719a.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nKarg-Elert, Sigfrid. Kaleidoscope, Op. 144. London: OUP, 1932. No plate\u00a0information available.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nKarg-Elert, Sigfrid. Music for Organ, Op. 145. London: OUP, 1932. No plate\u00a0information available.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\n\u00a0Karg-Elert, Sigfrid. Eight Short Pieces, Op. 154. London: Paxton, 1934. Plate no.\u00a022247.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nKeck, Samuel. Chime Preludes. Chicago: Clayton F. Summy, 1952. Plate no. C. F.\u00a0S. Co. 4313 \u2013 14.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nde Klerk, Albert. Postludium. Amsterdam: Annie Bank [?], 1943. Reproduction of\u00a0handwritten manuscript.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nKrebs, Johann Ludwig. Prelude and Fugue in C major (The \u201cPostilion\u201d Fugue).\u00a0New York: Music Press, 1948. Plate no. MPI-604.<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nKreckel, Philip G. Musica Divina: Choral Improvisations for the Organ. New\u00a0York: J. Fischer, 1932. Plate no. J. F. & B. 6623 \u2013 72.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nKreisler, Fritz. Caprice Viennois. Transcribed for organ by Philip James. New\u00a0York: Charles Foley, 1929. Plate no. 25265-7.<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\nKreisler, Fritz. Caprice Viennois. Transcribed for the Hammond organ by Ethel\u00a0Smith. New York: Charles Foley, 1945. Plate no. ES 115-6.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 11″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617131330225{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nLanglais, Jean. Ave Maria, Ave Maris Stella. Paris: H\u00e9relle, 1938. Plate no. H. &\u00a0Cie. 1519.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nLanglais, Jean. Four Postludes for Organ. Boston: McLaughlin & Reilly, 1951.\u00a0Plate no. M & R. Co. 1798015.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nLanglais, Jean. Hommage \u00e0 Frescobaldi: Huit pi\u00e8ces pour orgue. Paris:\u00a0Bornemann, 1952. Plate no. S. B. 5361.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nLanglais, Jean. Hymne d\u2019actions de graces \u201cTe Deum\u201d from\u00a0Trois Paraphrases<\/em>\u00a0Gr\u00e9goriennes<\/em>. Paris: H\u00e9relle, 1938. Plate no. H. & Cie. 1516(1).<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nLanglais, Jean. Incantation pour un jour Saint. [Paris: Schola Cantorum?]. Plate no.\u00a00. 0001 L.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nLanglais, Jean. Miniature. New York: H. W. Gray, 1959. Plate no. Langlais \u2013\u00a0Miniature \u2013 (12).<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nLanglais, Jean. Neuf pieces pour Grand Orgue. Paris: Bornemann, 1945. Plate no. S.\u00a0B. 5337.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nLanglais, Jean. Suite Fran\u00e7aise pour Grand Orgue. Paris: Bornemann, 1949. Plate\u00a0no. S. B. 5350.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nLangstroth, Ivan. Toccata and Fugue. New York: M. Witmark, 1947. Plate no. M. W.\u00a0& Sons 20595-10.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nde La Tombelle, Fernand. Toccata. New York: Edition \u201cLe Grand Orgue\u201d.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nLecuona, Ernesto. Malague\u00f1a. Arranged for the Hammond organ (with additional\u00a0pipe organ registration) by Don Baker. New York: Edward B. Marks, 1928. Plate no.\u00a012504-10.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nLeighton, Kenneth. Et resurrexit: Theme, Fantasy, and Fugue, Op. 49. London:\u00a0Novello, 1967. Plate no. 19651.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nLemare, Edwin H. Twelve Short Pieces. New York: H. W. Gray, 1922. Plate no.\u00a0Lemare-Twelve Short Pieces-(16)<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nLester, William. M\u00e9ditation-Carillon. New York: Schirmer, 1929. Plate no.\u00a034553.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nLiszt, Franz. Orgelwerke, Band I. Leipzig: Peters. Plate no. 8920.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nLiszt, Franz. Orgelwerke, Band II. Leipzig: Peters. Plate no. 9989.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nLiszt, Franz. Saint Francis of Assisi Preaching to the Birds. Transcribed for organ\u00a0by Camille Saint-Sa\u00ebns; edited by Clarence Dickinson. New York: H. W. Gray.\u00a0Plate no. Preaching to the Birds \u2013 (14).<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nLitaize, Gaston. Douze pieces, Vol. II. Paris: Alphonse Leduc, 1939. Plate no.19,732.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nL\u00fcbeck, Vincent. Orgelwerke. New York: Peters, 1940. Plate no. 11461.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nLugge, John. Three Voluntaries for Double Organ. London: Novello, 1956. Plate no.\u00a018174.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nMcCabe, John. Dies Resurrectionis. London: OUP, 1964.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nMacMillan, Ernest. Cort\u00e8ge Acad\u00e9mique. London: Novello, 1957. Plate no.\u00a018434.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nMaekelberghe, August. Night Soliloquy. New York: H. W. Gray, 1957. Plate no.\u00a0St. Cec. 839 \u2013 (4).<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nMaekelberghe, August. Triptych. New York: H. W. Gray, 1942. Plate no.\u00a0Maekelberghe \u201cTriptych\u201d \u2013 (18).<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nde Maleingreau, Paul. Opus sacrum: from \u0152uvres pour Orgue, Vol. II. Paris:\u00a0Maurice Senart, 1923. Plate no. 6067.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nde Maleingreau, Paul. Symphonie de No\u00ebl de la s\u00e9rie \u201cCath\u00e9drale\u201d. London: J. & W.\u00a0Chester, 1920. Plate no. J. W. C. 3025.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nde Maleingreau, Paul. Toccata from\u00a0Suite<\/em>, Op. 14. Paris: Durand, 1919. Plate no.\u00a09739.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nde Maleingreau, Paul. Toccata. New York: Edition \u201cLe Grande Orgue\u201d.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nManari, Raffaele. Fantasia Siciliana. Rome: Ediziono \u201cPsalterium\u201d, 1930.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\n\u00a0Manari, Raffaele. Leggenda. Rome: Ediziono \u201cPsalterium\u201d, 1930.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nManari, Raffaele. Salve Regina (Concert Study). Boston: McLaughlin & Reilly, 1954.\u00a0Plate no. M. & R. Co. 2459. Edited and annotated by M.S.<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nManari, Raffaele. Scherzo. Rome: Ediziono \u201cPsalterium\u201d, 1931. No plate\u00a0information available.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nManari, Raffaele. Studio da Concerto sopra la melodia gregoriana del \u201cSalve\u00a0regina\u201d. Rome: Ediziono \u201cPsalterium\u201d, 1930.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 12″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617131544202{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nManz, Paul. Ten Chorale Improvisations, Set III. St. Louis: Concordia, 1970.\u00a0Plate no. 97-4950.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nManz, Paul. Ten Chorale Improvisations, Set V. St. Louis: Concordia, 1974. Plate no.\u00a097-5257.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nMarriott, Frederick. Moonlight on the Lake. New York: H. W. Gray, 1948. Plate no.\u00a0Marriott \u2013 Moonlight etc. \u2013 (16).<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nMatthews, J. Variations on the Quarter Chimes of Malines. London: J. B. Cramer, 1927.\u00a0Plate no. J. B. C. & Co. Ltd. 13380.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nMendelssohn, Felix. Capriccio. Arranged for organ by Van Denman Thompson.\u00a0New York: H. W. Gray, 1925. Plate no. St. Cecilia No. 347.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nMendelssohn, Felix. Organ Works: Three Preludes and Fugues, op. 37; and, Six\u00a0Sonatas, op. 65. Edited and revised by Edwin H. Lemare. New York: Schirmer, 1939.\u00a0Plate no. 21403.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nMessiaen, Olivier. Messe de la Pentec\u00f4te. Paris: Alphonse Leduc, 1951. Plate no. A.\u00a0L. 20906.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nMessiaen, Olivier. La Nativit\u00e9 du Seigneur, Book I. Paris: Alphonse Leduc, 1936.\u00a0Plate no. 19,268.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nMilford, Robin. Three Christmas Pieces. London: OUP, 1930.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nMiller, Russell King. Nocturne, Op. 6, No. 1. New York: Schirmer, 1897. Plate no.\u00a013154 C.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nMonnikendam, Marius. Cort\u00e9ge. Utrecht: van Rossum, 1963. Plate no. 522.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nMonnikendam, Marius. Tema con Variazione per la Notte di Natale. Amsterdam:\u00a0Annie Bank, 1951. Reproduction of a handwritten manuscript.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nMozart, W. A. Andante for Organ: composed for a musical clock. Edited by F.\u00a0Brinkmann. Boston: McLaughlin & Reilly. Plate no. M. & R. Co. 1852-8.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nMozart, W. A. Fantaisie in F minor. Revue, annot\u00e9e, doigt\u00e9e par Marcel Dupr\u00e9.\u00a0Paris: Bornemann, 1942. Plate no. S. B. 5296.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nMozart, W. A. \u201cHear the Pretty Tinkling Bells\u201d from\u00a0The Magic Flute<\/em>.\u00a0Transcribed by Caspar Koch. New York: Schirmer, 1941. Plate no. 39235.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nMulet, Henri. Carillon-Sortie. New York: Edward B. Marks, 1943. Plate no.\u00a012042-10ph.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nMulet, Henri. Esquisses Byzantines: Dix pieces pour Grand-Orgue. New York:\u00a0Edward B. Marks, 1943. Plate no. 11592-58ph.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nM\u00fcller, Sigfrid Walther. Pr\u00e4ludium und Fuge. Leipzig: Breitkopf & H\u00e4rtel, 1929.\u00a0Plate no. 30151.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nM\u00fcller-Zurich, Paul. Toccata, Op. 12. Leipzig: Schott, 1930. Plate no. 32629.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nM\u00fcller-Zurich, Paul. Toccata III in A minor, Op. 50. Leipzig: Schott, 1954. Plate no.\u00a0B.S.S. 38615.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nMuset, Joseph. Litany for Organ, Vol. I. Boston: McLaughlin & Reilly. Plate no. M.\u00a0& R. Co. 1461.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nMuset, Joseph. Litany for Organ, Vol. II. Boston: McLaughlin & Reilly. Plate no. M.\u00a0& R. Co. 2024.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nNear, Gerald. Passacaglia. Minneapolis: Augsburg, 1966.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nNear, Gerald. Preludes on Four Hymn Tunes. Minneapolis: Augsburg, 1969.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nNear, Gerald. Toccata for Organ. Minneapolis: Augsburg, 1971.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nNevin, Ethelbert. The Rosary. New York: Schirmer, and Boston: Boston Music\u00a0Co., 1910. Plate no. B. M. Co. 2288.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nNibelle, Henri. Toccata. Paris: Henry Lemoine, 1947. Plate no. 23363 HL.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nNieland, Jan. Marche Triomphale. Amsterdam: Edition Heuwekemeijer. Plate no. H.56.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 13″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617131584851{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nNielsen, Carl. Commotio. Copenhagen: Edition Dania, 1954. Plate no. E. D. 154.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nNystedt, Knut. Toccata, Op. 9. Drammen, Norway: Edition Lyche, 1954. Plate no.\u00a0260.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nO\u010den\u00e1\u0161, Andrej. Portr\u00e9ty pre organ. Bratislava, Czechoslovakia: Panton, 1970. Plate no. PB-100.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nOre, Charles W. 11 Compositions for Organ. St. Louis: Concordia, 1971. Plate no. 97 – 5019.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nOrr, Robin. Toccata alla Marcia for the Organ. London: Hinrichsen, 1957. Plate no. Hinrichsen Edition No. 540a.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nPachelbel, Johann. Canon in D (\u201cThe Celebrated Canon\u201d). St. Louis: Concordia, 1977. Plate no. 97-5415.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nPachelbel, Johann. Chaconne in D Minor. Edited by Eugene Devereaux. New\u00a0York: J. Fischer, 1949. Plate no. J. F. & B. 8454-10.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nPalestrina, Giovanni Pierluigi. 8 Ricercari dan les 8 tons. Paris: Les \u00c9ditions\u00a0musicales de la Schola Cantorum, [1935?]. Plate no. 0.0003 L.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nPaponaud, Marcel. Quelques pages d\u2019orgue. Paris: Henry Lemoine, 1941. Plate no.\u00a02310HL.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nParry, C. Hubert H. Bridal March from\u00a0The Birds of Aristophanes<\/em>. Arranged by 1906.\u00a0G. Alcock. London: Novello, 1906. Plate no. 12317a.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nPasquini, Bernardo. Toccata con lo Scherzo del cucc\u00fa. Trascrizione per organo di Ferruccio Vignanelli. Roma: Edizioni de Santis, 1941. Plate no. E. D. S. 585.<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nN.B. Works by Flor Peeters are arranged by opus number.<\/em><\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nPeeters, Flor. Sixty Short Pieces. Hammond registration by Chester Kingsbury. New York: H. W. Gray, 1955. Peeters \u2013 Sixty Short Pieces \u2013 (80).<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nPeeters, Flor. Symphonic Fantasy (Based on an Easter plainsong), Op. 13. New York: H. W. Gray. Plate no. Peeters-Symphonic Fantasy-(12).<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nPeeters, Flor. Toccata, Fugue et Hymne sur Ave Maris Stella, Op. 28. 2me \u00e9dition. Paris: Henry Lemoine, 1935. Plate no. 22, 784. HL.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nPeeters, Flor. Modale Suite, Op. 43. Paris: Henry Lemoine, 1939. Plate no. 300.54 H.L. & Cie.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nPeeters, Flor. Concert Piece, Op. 52a. New York: Peters, 1955. Plate no. Peters Edition No. 6077.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nPeeters, Flor. Variations on an Original Theme, Op. 58. Philadelphia: Elkan- Vogel, 1947. Plate no. Variations On An etc. \u2013 13.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nPeeters, Flor. Lied-Symphony, Op. 66. New York: Peters, 1950. Plate no. Peters Edition 6002.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nPeeters, Flor. Ten Chorale Preludes on Well-known Hymn Tunes, Op. 68. New York: Peters, 1950. Plate no. Peters Edition No. 6023.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nPeeters, Flor. Ten Chorale Preludes on Well-known Hymn Tunes, Op. 69. New York: Peters, 1950. Plate no. Peters Edition No. 6024.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nPeeters, Flor. Final from Four Pieces for Organ, Op. 71. Boston: McLaughlin & Reilly, 1950. Plate no. M. & R. Co. 1718-10.
\nScore bears a handwritten inscription to Mario Salvador M.S. by the composer (December 20th, 1950).<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nPeeters, Flor. Ten Chorale Preludes on Gregorian Hymns, Op. 77. New York: Peters, 1956. Plate no. Peters Edition No. 6090.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nPeeters, Flor. Thirty Short Preludes on Well-Known Hymns, Op. 95. New York: Peters, 1960. Plate no. Edition Peters 6195.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nPeeters, Flor. Organ Partita on \u201cAlmighty God of Majesty,\u201d Op. 109. Boston: McLaughlin & Reilly, 1963. Plate no. M. & R. Co. 2443-10.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nPelz, Walter L. Variations on \u201cFrom Heaven Above.\u201d Minneapolis: Augsburg, 1987. Bear an inscription to Mario Salvador by the composer.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nPepin, Normand A. Carillon on the \u201cEcce panis angelorum.\u201d Boston: McLaughlin & Reilly Co., 1962. Plate no. M. & R. Co. 2349.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nPepping, Ernst. Concerto II. Mainz: Schott, 1942. Plate no. B.S.S. 36584.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nPepping, Ernse. Drei Fugen \u00fcber BACH. London: Schott, 1949. Plate no. B.B. S 36903.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nPepping, Ernst. Gro\u00dfes Orgelbuch: Choralvorspiele und Orgelchor\u00e4le, Teil I. Mainz: Schott, B.S.S. 36054.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nPepping, Ernst. Gro\u00dfes Orgelbuch: Choralvorspiele und Orgelchor\u00e4le, Teil III. Mainz: Schott, B.S.S. 36210.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 14″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617131590274{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nPepping, Ernst. Toccata und Fuge \u00fcber den Choral \u201cMitten wir im Leben sind\u201d. Mainz: Schott, B.S.S. 36585.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nPhillips, Gordon. Six Carol Preludes. London: OUP, 1937.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nPoirier, Beno\u00eet. Basso Ostinato. Boston: McLaughlin & Reilly, 1945. Plate no. M.\u00a0& R. Co. 1423-12.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nPorter, Ambrose. Epithalamium. London: OUP, 1951.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nProulx, Richard. Fanfare. Minneapolis: Augsburg, 1970.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nPurcell, Henry. Sonata for Trumpet and Strings. Arranged for organ by Edward C.\u00a0Bairstow. London: OUP, 1942.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nPurvis, Richard. Greensleeves. New York: Leeds Music Corporation, 1944.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nPurvis, Richard. Carol Rhapsody. New York: Leeds Music Corporation, 1941.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nRabey, Ren\u00e9. Communion. Paris: Durand, 1949. Plate no. D. & F. 13,401.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nRachmaninoff, Sergei. Prelude in C-sharp Minor. Transcribed by H. Clough-\u00a0Leighter. Boston: Ditson, 1908. Plate no. 5-39-66695-5.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nRasbach, Oscar. Trees. New York: Schirmer, 1949. Plate no. 35452.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nRead, Edward M. Offertoire in A-flat. New York: Edwin H. Morris, 1944. Plate no.\u00a04027-7.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\n\u00a0Read, Edward M. Offertoire in E-flat. New York: Edwin H. Morris, 1915. Plate no.\u00a02832-6 W.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nRead, Edward M. Offertoire in B-flat. New York: Edwin H. Morris, 1902. Plate no.\u00a011923-6.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nRead, Edward M. Prayer. New York: Edwin H. Morris, 1905. Plate no. 12706-2.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nRead, Edward M. Processional March. Cincinnati: Willis, 1916. Plate no. 2953-\u00a06W.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nReda, Siegfried. Orgelkonzert I. Kassel: B\u00e4renreiter, 1948. Plate no. 2069.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nReda, Siegfried. Orgelkonzert II (manualiter). Kassel: B\u00e4renreiter, 1948. Plate no.\u00a02073.<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nN.B. Works by Max Reger are arranged by opus number.<\/em><\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nReger, Max. Phantasie \u00fcber den Choral \u201cEin feste Burg ist unser Gott\u201d, Op. 27.\u00a0New York: Peters, 1938. Plate no. 11390.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nReger, Max. Phantasie \u00fcber den Choral \u201cFreu\u2019 dich sehr, O Meine Seele\u201d, Op. 30.\u00a0Vienna: Universal Edition, 1926. Plate no. U. E. 1181.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nReger, Max. Phantasie \u00fcber den Choral \u201cWie sch\u00f6n leucht\u2019t uns der Morgenstern\u201d, Op. 40, No. 1. Vienna: Universal Edition, 1926. Plate no. U. E. 1181.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nReger, Max. Phantasie und Fuge \u00fcber B-A-C-H, Op. 46. Vienna: Universal- Edition, 1928. Plate no. U. E. 1222.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nReger, Max. Symphonische Phantasie und Fuge, Op. 57. Vienna: Universal- Edition, 1901. U.E. 1268.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nReger, Max. Suite for Organ from Op. 59. Edited by Robert Leech Bedell. New York: Edition Musicus. Plate no. 0-61.
\nI. Intermezzo \u2014 II. Canon \u2014 III. Toccata \u2014 IV. Fugue.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nReger, Max. Benedictus, Op. 59, No. 9. Hammond registration by Charles R. Cronham. New York: Edward B. Marks, 1942. Plate no. 11706-5.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nReger, Max. Zweite Sonate (in D moll), Op. 60. Leipzig: Leuckart, 1930. Plate no.\u00a0F. E. C. L. 5525.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nReger, Max. Monologue: zw\u00f6lf St\u00fccke f\u00fcr Orgel, Op. 63, Heft II. Leipzig: Leuckart, 1902. Plate no. F. E. C. L 5555.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nReger, Max. Zw\u00f6lf St\u00fccke f\u00fcr Orgel, Op. 65, Heft I. Leipzig: C. F. Peters, 1930.\u00a0Plate no. 8842.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nReger, Max. Zw\u00f6lf St\u00fccke f\u00fcr Orgel, Op. 65, Heft II. Leipzig: C. F. Peters, 1930.\u00a0Plate no. 8843.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nReger, Max. Orgelst\u00fccke, Op. 80, Heft I. Leipzig: Peters, 1904. Plate no. 9014.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nReger, Max. Ave Maria, from Op. 80. Published in: Some Separate Organ Pieces.\u00a0Leipzig: C. F. Peters, 1957. Plate no. 8956.<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nReger, Max. Neun St\u00fccke f\u00fcr die Orgel, Op. 129, 1. Heft. Berlin-Wiesbaden: Bote\u00a0& G. Bock, 1937. Plate no. B. & B. 18156.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nReger, Max. Neun St\u00fccke f\u00fcr die Orgel, Op. 129, 2. Heft. Berlin-Wiesbaden: Bote\u00a0& G. Bock, 1937. Plate no. B. & B. 18157.<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\nReger, Max. Glorious Things of Thee Are Spoken: Choral for Organ. Without\u00a0opus number. Arranged by Robert L. Bedell. Brooklyn, N.,Y.: Edition \u201cLe Grand\u00a0Orgue\u201d.<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\nRehm, P. Otto. Kleines Konzert in d f\u00fcr Orgel \u00fcber das Choralthema des\u00a0Einsiedler \u201cSalve regina\u201d. Einsiedeln, Switzerland: Meinrad Ochsner. Plate no. M.\u00a0O. 272.<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\nReuchsel, Eug\u00e8ne. Promenades en Provence (Wanderings in Provence): pi\u00e8ces\u00a0pour Grand Orgue. 1er Recueil. Paris: Henry Lemoine, 1938. Plate no. 23,076 1.HL.<\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\nReuchsel, Eug\u00e8ne. Promenades en Provence: pi\u00e8ces pour Grand Orgue. 2me Recueil. Paris: Henry Lemoine, 1938. Plate no. 23,076 2. HL.<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\nRheinberger, Josef. Pastoral Sonata in G, Op. 88. New York: G. Schirmer, 1909.\u00a0Plate no. 20843.<\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\nRheinberger, Josef. Recital and Service Pieces from the Sonatas of Joseph Rheinberger. Selected, Edited and Registrated [sic] by T. Tertius Noble. New York: J. Fischer, 1940. Plate no. J. F. & B. 8507-63.<\/td>\n<\/tr>\n
folder 40<\/strong><\/td>\nRheinberger, Josef. Sonata in A minor, Op. 98. New York: G. Schirmer, 1909.\u00a0Plate no. 20844.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 15″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617131595355{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nRheinberger, Josef. Sonata No. 12 in D-flat, Op. 154. New York: G. Schirmer, 1909.\u00a0Plate no. 20809<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nRhodes, Harold. Alla marcia. London: Novello, 1958. Plate no. 18639.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nRimsky-Korsakov, Nikolai. The Flight of the Bumble-Bee: from the Opera \u201cThe Legend of Tsar Saltan\u201d. Transcribed for organ by Gordon Balch Nevin. New York: J. Fischer & Bro., 1928. Plate no. J. F. & B. 6003-4.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nRoberts, Myron J. Carillon. New York: H. W. Gray, 1947. Plate no. St. Cecilia No. 731-(4).<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nRoger-Ducasse, Jean. Pastorale. Paris: Durand, 1909. Plate no. D. & F. 7425.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nRoget, Henriette. Cort\u00e9ge Fun\u00e9bre. Paris: Durand, 1939. Plate no. D. & F. 12,947.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nRopartz, J. Guy. Rhapsodie sur deux No\u00ebls. Paris: Durand, 1919. Plate no. D. & F.\u00a09663.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nRopek, Ji\u0159\u00ed. Variations on \u201cVictimae paschali laudes\u201d. London: OUP, 1963.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nRoss, Colin. Improvisation on the Chorale \u201cIch ruf\u2019 zu dir\u201d (I call to Thee, Lord Jesus). London: Novello, 1966. Plate no.19489.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nRossini, Giaochino. Overture to William Tell<\/em>. Transcribed for the organ by Dudley Buck. New York: G. Schirmer, 1866. Plate no. 939.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nRousseau, Samuel. Double Th\u0207me Vari\u00e9. New York: Schirmer, 1898. Plate no. 14037.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nRowley, Alec. Choral Preludes: Four Seasonal Improvisations. New York:\u00a0Hinrichsen, 1948. Plate no. 620.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nRowley, Alec. Christmas Suite. London: Novello, 1970. Plate no. 17055.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nRowley, Alec. Fantasia on \u201cVeni Emmanuel.\u201d London: Novello, 1943. Plate no.17057<\/span><\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nRowley, Alec. Toccata (Moto Perpetuo). London: Novello, 1951. Plate no. 17711.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nRussell, Alexander. The Bells of St. Anne de Beaupr\u00e9: from\u00a0St. Lawrence\u00a0<\/em>Sketches.<\/em>\u00a0New York: J. Fischer & Bro., 1949. Plate no. J. F. & B. 5011-7.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nRussell, Alexander. Song of the Basket-Weaver: from\u00a0St. Lawrence Sketches.\u00a0<\/em>New York: J. Fischer & Bro., 1949. Plate no. J. F. & B. 5012-5.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nSaint-Sa\u00ebns, Camille. Carillon [from the Album, opus 72 for solo piano].\u00a0Transcribed for organ by Sumner Salter. New York: G. Schirmer, 1934. Plate no. 36273<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nSaint-Sa\u00ebns, Camille. Evening Bells (Les Cloches du Soir). Transcribed by\u00a0Sumner Salter. New York: G. Schirmer, 1936. Plate no. 37150.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nSaint-Sa\u00ebns, Camille. Fantaisie, Op. 101 (D-flat major). Paris: Durand. Plate no. D.\u00a0& F. 5032.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nSaint-Sa\u00ebns, Camille. Fantaisie pour orgue (E-flat major). Paris: \u00c9ditions M.-R.\u00a0Braun & G. Billaudot, 1940. Plate no. Costallat-2745-Paris.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nSaint-Sa\u00ebns, Camille. 3e (Troisi\u00e8me) Fantaisie pour orgue, Op. 157 (C major).\u00a0Edition originale. Paris: Durand, 1919. Plate no. D. & F. 9787.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nSaint-Sa\u00ebns, Camille. Sept Improvisations, Op. 150. Paris: Durand, 1917. Plate no.\u00a0D. & F. 9507.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nSaint-Sa\u00ebns, Camille. Six Pr\u00e9ludes et Fugues. Premier livre, Op. 99. Paris:\u00a0Durand, 1894. Plate no. D. & F. 4888.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nSaint-Sa\u00ebns, Camille. Six Pr\u00e9ludes et Fugues. 2me Livre, Op. 109. Paris: Durand, 1898.\u00a0Plate no. D. & F. 5421.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nSaint-Sa\u00ebns, Camille. Six Preludes and Fugues. Vol. II, Op. 109. Revised by Gerard Alphenaar; registrations for pipe organ and Hammond organ. New York: Edward B. Marks, 1955. Plate no. 13480-31.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nSaint-Sa\u00ebns, Camille. Tollite Hostias: final chorus from the\u00a0Christmas Oratorio<\/em>.\u00a0Transcribed by Eug\u00e8ne Gigout. Boston: McLaughlin & Reilly, 1946. Plate no. M.& R.Co. 1454-39<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\n\u00a0Sanders, Herbert, arr. The Londonderry Air. New York: H. W. Gray, 1948. Plate no.\u00a0St. Cecilia No. 137-(4).<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nSandvold, Arild. To Orgelstykker. Oslo: Norsk Musicforlag. Plate no. N. M. Oslo\u00a05227.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nSaxton, Stanley E. Christ\u2019s Entry into Jerusalem. New York: Galaxy Music, 1948. Plate no. G. M. 1660-4.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nSaxton, Stanley E. Fanfare and Tuba Tune. New York: Galaxy Music, 1959. Plate no. G. M. C. 2154.<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nSaxton, Stanley E. Tune for Chimes and Trumpets. New York: Galaxy Music, 1951.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nScarlatti, Domenico. Pastorale Sonata. Arranged for organ by Gilbert Beard. London: Novello, 1933. Plate no. 15896.<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\nScarlatti, Alessandro. Toccata No. 11 per cembalo e per organo. Trascrizione di Ferrucio Vignanelli. Rome: Edizioni de Santis. Plate no. E. D. S. 572.<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\nSceats, Geoffrey. Carillon. London: J. B. Cramer, 1927. Plate no. J. B. C. & Co.\u00a013349.<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\nSchafer, George. Two Preludes for Christmas. St. Louis: Concordia, 1958. Plate no.\u00a097-4433.<\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\nSchehl, J. Alfred. Prelude, Theme with Variations, Fughetta and Chorale-Finale. Boston: McLaughlin & Reilly, 1945. Plate no. M. & R. Co. 1395-12. \u00a0Bears an inscription to Mario Salvador by the composer.<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\nSchehl, J. Alfred. Toccata. New York: J. Fischer & Bro., 1958. Plate no. J. F. & B. 9095-4.<\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\nSchmidt, Franz. Chaconne. Leipzig: Leuckart, 1927. Plate no. F. E. C. L.\u00a0 8709.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 16″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617131601009{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nSchmidt, Franz. Toccata. Vienna: Edition Kern, [1924?]. Plate no. L. 9 K.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nSchmidt, Franz. Tokkata und Fuge. Vienna: Universal Edition, 1955. Plate no. U. E.\u00a012295.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nSchmitt, Florent. Apr\u00e8s l\u2019\u00e9t\u00e9. Transcrit pour orgue par Harold Geer. Paris:\u00a0Durand, 1922. Plate no. D. & F. 10244.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nSchmitt, Florent. Marche Nuptiale. Paris: Durand, 1951. Plate no. D. & F. 13,508.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nScholte, Luc. Toccata. Tilburg, NL: W. Bergmans. Plate no. 669.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nSchroeder, Hermann. Toccata, Op. 5a. D\u00fcsseldorf: Musikverlag Schwann. Plate no.\u00a0SI 1384.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nSchroeder, Hermann. 12 Organ Carols for Christmas. St. Louis: Concordia, 1972.\u00a0Plate no. 97-5017.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nSchroeder, Hermann. Veni creator Spiritus. Partita. Mainz: B. Schott\u2019s S\u00f6hne, 1959.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nSchroth, Godfrey. Meditation Songs for Organ: A Lenten Suite. Chicago:\u00a0Gregorian Institute of America, 1967. Plate no. G-1443.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nSchubert, Franz. L\u2019Abeilla (The Bee). Arranged by Arnold Richardson. London: 1939.\u00a0B. Cramer, 1939. Plate no. J. B. C. & Co., Ltd. 15091.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nSchubert, Franz. Ave Maria (Hymne an die Jungfrau). Bearbeitet von W. J.\u00a0Westbrook; revidiert von C. Falkenstein. Einzel-Ausgabe. Mainz: Schott. Plate no.\u00a0Edition Schott No. 05087.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nSchubert, Franz. Harmonium Album: Sammlung beliebter Tonst\u00fccke. Band VII.\u00a0Uebertragen von E. Stapf u. R. Bibl. Leipzig: Peters. Plate no. 9534.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nSchumann, Robert. Four Sketches, Op. 58. Arranged for the organ by John E.\u00a0West. New York: H. W. Gray. Plate no. S. S. O. C. No. 8-(20).<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nSchumann, Robert. Six Fugues on B-A-C-H. Revised by Robert Leech Bedell.\u00a0New York: Edward B. Marks. Plate no. 12566-30.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\n\u00a0Schumann, Robert. Three Fughettas. Arranged for organ by Bryan Hesford.\u00a0London: Cramer, 1981. Plate no. J. B. C. & Co. Ltd. 2052.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nSeder, Edwin Stanley. The Chapel of San Miguel. New York: J. Fischer & Bro.,\u00a0[publication year obliterated]. Plate no. J. F. & B. 6533-8. \u00a0Copy damaged.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nSeger, Josef Ferdinand Norbert. Composizioni per organo: Preludi e fughe. Parte\u00a0seconda. Prague: St\u00e1tn\u00ed Hudebn\u00ed Vydavateslstv\u00ed, 1962. Plate no. H 3364.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nShaw, Geoffrey. Variations on an Old Carol Tune. London: J. B. Cramer, 1925. Plate no. J. B. C. & Co. 13167.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nShera, F. H. Aubade. London: OUP, 1928. Reproduction, annotated for\u00a0performance use.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nSibelius, Jean. The Bells of Berghall Church, Op. 65b. Transcribed for organ by\u00a0John Klein. New York: Associated Music Publishers, 1949. Plate no. The Bells\u00a0etc. 4.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nSibelius, Jean. Finlandia, Op. 26, No. 7. Transcribed for organ by H. A. Fricker.\u00a0\u201cReprinted by special permission of Associated Music Publishers, Inc., agents for\u00a0Breitkopf & Hartel Editions, Wiesbaden.\u201d<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nSibelius, Jean. Processional (\u201cOnward, Ye Peoples!\u201d). Transcribed for organ by\u00a0Channing Lefebvre. New York: Galaxy Music, 1939. Plate no. G. M. 962-4.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nSowerby, Leo. Air with Variations from\u00a0Suite for Organ<\/em>. London: OUP, 1935.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nSowerby, Leo. Carillon. New York: H. W.Gray, [1920?]. Plate no. St. Cecilia\u00a0244.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nSowerby, Leo. Comes Autumn Time. Boston: Boston Music Co., 1927. Plate no. B.\u00a0M. Co. 7074.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nSowerby, Leo. A Joyous March. Boston: Boston Music Co., 1920. Plate no. S. C. 254.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nSowerby, Leo. Pageant. New York: H. W. Gray, 1931. Plate no. St. Cecilia No.\u00a0555-556.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nSowerby, Leo. Prelude on \u201cLand of Rest.\u201d New York: H. W. Gray, 1956. Plate no.\u00a0St. Cec. 826 \u2013 (8).<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nSowerby, Leo. Prelude on \u201cSt. Patrick.\u201d New York: H. W. Gray, 1956. Plate no.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nSowerby, Leo. Prelude on \u201cWere You There?\u201d. New York: H. W. Gray, 1956.\u00a0Plate no. St. Cec. 825-(6).<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nSowerby, Leo. Requiescat in pace. New York: H. W. Gray, 1954. Plate no. St.\u00a0Cecilia No. 386.<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nSowerby, Leo. Symphony in G Major. London: OUP, 1932.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nSpinks, Charles. Three Arabesques, Op. 12. London: OUP, 1951.<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\nStellhorn, Martin. Prelude-Toccata on \u201cWith the Lord Begin Thy Task.\u201d St.\u00a0Louis: Concordia, 1948.<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\nStout, Alan. Eight Organ Chorales. Minneapolis: Augsburg, 1969.<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\nStrategier, Herman. Tweede Passacaglia. Utrecht, NL: J. R. van Rossum, 1946.<\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\nStrauss, Richard. The Three Holy Kings. Arranged by Edwin Arthur Kraft;\u00a0Hammond organ registration by Charles F. Paul. New York: Schirmer, 1949.\u00a0Plate no. 41562.<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\nSuk, Josef. Meditation na staro\u010desk\u00fd choral (Meditation \u00fcber den altb\u00f6hmischen Choral) \u201cSvat\u00fd V\u00e1clave\u201d.\u00a0 Pro varhany upravil (F\u00fcr die Orgel bearbeitet von) Fr. Picka. Prague: Fr. A. Urb\u00e1nek, 1914. Plate no. U. 1695.<\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\nSumsion, Herbert. \u201cAdeste Fideles\u201d from\u00a0Four Preludes on Well-Known Carols<\/em>.
\nLondon: Hinrichsen, 1955. Plate no. Hinrichsen Edition No. 333a.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 17″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617131606347{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nSumsion, Herbert. \u201cCoventry Carol\u201d from\u00a0Four Preludes on Well-Known Carols<\/em>.\u00a0London: Hinrichsen, 1955. Plate no. Hinrichsen Edition No. 333b.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nSumsion, Herbert. \u201cThe Holly and the Ivy\u201d from Four Preludes on Well-Known <\/em>Carols<\/em>. London: Hinrichsen, 1955. Plate no. Hinrichsen Edition No. 333c.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nSumsion, Herbert. \u201cUnto us is born a Son\u201d from Four Preludes on Well-Known <\/em>Carols<\/em>. London: Hinrichsen, 1955. Plate no. Hinrichsen Edition No. 333d.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nTardif, Hilaire-Marie. Chaconne et fugue \u00e0 la gigue. Montreal: Editions Franciscaines, 1964. Manuscript reproduction. Bears an inscription to Mario Salvador by the composer (March 20, 1966).<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nTchaikovsky, Pyotr. Andante Cantabile: from\u00a0String Quartet<\/em>, Op. 11. New York:\u00a0Carl Fischer, 1958. Plate no. N 2953.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nTchaikovsky, Pyotr. Andante Cantabile [from String Quartet<\/em>, Op. 11]. Transcribed for organ by James H. Rogers. New York: G. Schirmer, 1905. Plate No. 17520 C.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nTchaikovsky, Pyotr. Andantino in modo di Canzona: from Symphony No. 4<\/em> in F\u00a0 <\/em>minor<\/em>, Op. 36. Arranged by George J. Bennett. London: Novello. Plate no. 11849.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nTchaikovsky, Pyotr. Chanson Triste, Op. 40, No. 2. Arranged by Dr. Ralph H. Bellairs. London: Enoch, 1906. Plate no. E. & S. 3450.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nTelemann, George Philipp. Suite Baroque. Arranged for organ by Ludwig Altman. New York: J. Fischer & Bro., 1946. Plate no. J. F. & B. 8225-12.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nThiman, Eric H. Interludes in Miniature. London: Ascherberg, Hopwood & Crew, 1963. Plate no. 45879.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nThompson, Martha Lynn. Fanfare: from Suite de Symphonies No. 1 by Jean-\u00a0Joseph Mouret. Edited and arranged by Martha Lynn Thompson. St. Louis:\u00a0Concordia, 1985. Plate no. 97-5895.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nThorkildsen, John. Koralforspill. Drammen, Norway: Edition Lyche, 1947.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nTitcomb, Everett. Credo in Unum Deum. Boston: B. F. Wood, 1940. Plate no. B. F.\u00a0W. 7466-3.<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nN.B. Works by Charles Tournemire are arranged by opus number.<\/em><\/span><\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nTournemire, Charles. Pi\u00e8ce Symphonique, Op. 16. Arranged by Robert Leech\u00a0Bedell. New York: Mills Music, 1947.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nTournemire, Charles. Triple Choral, Op. 41. New York: Kalmus.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nTournemire, Charles. Circumcisio Domini (La Circoncision): No. 5 from\u00a0L\u2019Orgue Mystique<\/em>, Cycle de No\u00ebl, Op. 55.\u00a0 Paris: Heugel, 1929. Plate no. H.\u00a030,155.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nTournemire, Charles. Epiphania Domini: No. 7 from\u00a0L\u2019Orgue Mystique,\u00a0<\/em>Cycle de\u00a0No\u00ebl, Op. 55. Paris: Heugel, 1929. Plate no. H. 30,013.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nTournemire, Charles. Dominica Resurrectionis: No. 17 from\u00a0L\u2019Orgue Mystique,<\/em>\u00a0<\/em>Cycle de P\u00e2ques, Op. 56. Paris: Heugel, 1928. Plate no. H. 30,015.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nTournemire, Charles. In Ascensione Domine (L\u2019Ascension): No. 23 from\u00a0L\u2019Orgue Mystique,\u00a0<\/em>Cycle de P\u00e2ques, Op. 56. Paris: Heugel, 1929. Plate no. H.\u00a030,016.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nTournemire, Charles. In Festo Pentecostes (Pentec\u00f4te): No. 25 from\u00a0L\u2019Orgue\u00a0<\/em>Mystique,\u00a0<\/em>Cycle de P\u00e2ques, Op. 56. Paris: Heugel, 1928. Plate no. H. 30,017.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nTournemire, Charles. In Festo Corporis Christi (Le Tr\u00e8s-Saint Sacrement): No. 27 from L\u2019Orgue Mystique, <\/em>Cycle apr\u00e8s la Pentec\u00f4te, Op. 57. Paris: Heugel, 1928. Plate no. H. 30,021.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nTournemire, Charles. Festum Omnium Sanctorum (La Toussaint): no. 48 from\u00a0L\u2019Orgue Mystique,<\/em> Cycle apr\u00e8s la Pentec\u00f4te, Op. 57. Paris: Heugel, 1928. Plate no. H. 30,021.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nTournemire, Charles. Po\u00e8me I: from Trois Po\u00e8mes<\/em>, Op. 59. Paris: Henry Lemoine, 1933. Plate no. 22,498. HL.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nTournemire, Charles. Po\u00e8me III: from Trois Po\u00e8mes<\/em>, Op. 59. Paris: Henry Lemoine, 1933. Plate no. 22,500. HL.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nTournemire, Charles. Sei Fioretti: Pages d\u2019Orgue, Op. 60. Premier cahier. Paris: 1933. H\u00e9relle, 1933. Plate no. H. & Cie. 1513(1).<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nTournemire, Charles. \u201cPater, dimite illis nesciunt enim quid faciunt\u201d No. 1 from\u00a0Sept Chorals-Po\u00e8mes d\u2019Orgue, <\/em>Op. 67. Paris: Max Eschig, 1937. M. E. 5483.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nTournemire, Charles. Symphonie-Choral d\u2019Orgue, Op. 69. Brussels: Schott Fr\u00e8res, 1939. Plate no. S. F. 8630
\n[<\/u><\/em>without opus number]<\/em><\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nTournemire, Charles. Grand Chorus in march-form. Edited by Robert Leech\u00a0Bedell. New York: Edition \u201cLe Grand Orgue\u201d.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nTorres, Eduardo. Cantos \u00edntimos, II. San Sebastian, ES: Casa Erviti, 1939. Plate no. C. 1996 E.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nTorres, Eduardo. Cantos \u00edntimos, III. Segunda edici\u00f3n. San Sebastian, ES: Casa Erviti, 1953. Plate no. C.E. 1997.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nTrid\u00e9my, Armand. Grand Offertoire sur \u201cAdeste fideles\u201d. Paris: H. H\u00e9relle. Plate no. H. & Cie. 1516(1).<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nTynsky, Richard. Phrygian Toccata. Edited by Bedrich Janacek. London: Novello, 1960. Plate no. 18740.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nUnknown composer. Aria in E minor. Ink manuscript; 4 pages of music. Lacking both attribution and date.<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\nVandelli, P. Ermanno. Messa di San Francesco. Firenze: Editrice Citt\u00e0 di Vita, 1981. Presentation copy from the composer to Mario Salvador.<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\nVangelis. Hymne. Arranged by Bill Irwin. Secaucus, NJ: Warner Bros. Publication, 1986.<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nN.B. Works by Camil Van Hulse are arranged by opus number.<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\nVan Hulse, Camil. Toccata for Grand Organ, Op. 39. New York: J. Fischer & Bro., 1946. Plate no. J. F. & B. 82831-12. Bears an inscription to Mario Salvador by the composer:\u00a0 \u201cTo my excellent friend the eminent virtuoso Mario Salvador, with my heart\u2019s best wishes Camil Van Hulse St. Louis Aug. 8th 1947\u201d.<\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\nVan Hulse, Camil. Festival Postlude on \u201cVeni Creator Spiritus\u201d, Opus 52, No. 1. New York: M. Witmark, 1948. Plate no. M. W. & Sons 20727-8.<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\nVan Hulse, Camil. Symphonia Mystica for Organ, Op. 53. New York: J. Fischer & Bro., 1949. Plate no. J. F. & B. 8501-46.<\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\nVan Hulse, Camil. Ricercata quasi Fantasia sopra B.A.C.H., Op. 56, No. 1. New York: M. Witmark, 1949. Plate no. M. W. & Sons 20760-11.<\/td>\n<\/tr>\n
folder 40<\/strong><\/td>\nVan Hulse, Camil. Gaudeamus (Toccata-Fantasy), Op. 62. New York: H. W. Gray, 1953. Plate no. Van Hulse-Gaudeamus-(12).<\/td>\n<\/tr>\n
folder 41<\/strong><\/td>\nVan Hulse, Camil. Lamentoso, Op. 64. Chicago: H. T. FitzSimons, 1951. Plate no. 304-4.<\/td>\n<\/tr>\n
folder 42<\/strong><\/td>\nVan Hulse, Camil. Jubilee Suite, Op. 65. New York: H. W. Gray, 1951. Plate no. Van Hulse – Jubilee Suite – (39).\u00a0 Bears an inscription to Mario Salvador by the composer:\u00a0 \u201cTo my sterling best interpreter — my second inner self — with all my best wishes Camil Van Hulse.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nVan Hulse, Camil. St. Louis, King of France: Symphonic Poem in Seven Tableaux, Op. 66. Chicago: H. T. FitzSimons, 1954. \u00a0N.B.\u00a0 The work is dedicated to Mario and Isabelle Salvador.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nVan Hulse, Camil. Father Brebeuf\u2019s Carol, Op. 76, No. 1: from Five Christmas <\/em>Fantasies<\/em>. Chicago: H. T. FitzSimons, 1951. Plate no. 309-5.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nVan Hulse, Camil. Yuletide Echoes: Fantasy on Old English Carols, Op. 76, No. 3: from Five Christmas Fantasies<\/em>. Chicago: H. T. FitzSimons, 1951. Plate no. 311-6.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nVan Hulse, Camil. The Child Jesus in Flanders, Op. 76, No. 4: from Five <\/em>Christmas Fantasies<\/em>. Chicago: H. T. FitzSimons, 1951. Plate no. 312-4.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nVan Hulse, Camil. Joyeux Noel!, Op. 76, No. 5: from Five Christmas Fantasies<\/em>. Chicago: H. T. FitzSimons, 1951. Plate no. 313-8.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nVan Hulse, Camil. Organ Postlude on \u201cAdeste Fideles\u201d from Messe Basse No. 3, <\/em>[Op. 77]. Boston: McLaughlin & Reilly, 1956. Plate no. M. & R. Co. 2133-6.
\nBears an inscription to the Salvador family from the composer.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nVan Hulse, Camil. Symphonia Elegiaca (In Memoriam Bernard La Berge), Op. 83. Wiesbaden: Aug. Cranz, Plate no. C. 50.048.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nVan Hulse, Camil. Hommage \u00e0 Breughel: Po\u00e8me rhapsodique pour grand orgue, Op. 140. Brussels: Schott, 1974. Plate no. S. F. 9303. Bears an inscription from the composer: \u201cWith love to Mario & Isabelle Salvador from a composer who was raised in Breughel country Camil Van Hulse May 1 1975\u201d.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nVan Hulse, Camil. Pr\u00e9lude et Fugue sur B.A.C.H, Op. 150. Brussels: Schott, 1974. Plate no. S. F. 9296. Bears an inscription from the composer: \u201cWith all best wishes to Mario Salvador Camil Van Hulse Tucson May 1 \u201875\u201d.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nVaughan Williams, Ralph. Greensleeves: adapted from an old air. Arranged for organ by Stanley Roper. London: OUP, 1947.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nVaughan Williams, Ralph. Prelude and Fugue in C minor. London: OUP, 1930.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nVaughan Williams, Ralph. Three Preludes (Founded on Welsh Hymntunes). London: Stainer & Bell, 1920. Plate no. S. & B. 2155.<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nN.B. Works by Louis Vierne are arranged by opus number.<\/em><\/span><\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nVierne, Louis. Deuxi\u00e8me Symphonie, Op. 20. Paris: Hamelle, 1903. Plate no. J.\u00a06180.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nVierne, Louis. 3\u00e8me (Troisi\u00e8me) Symphonie, Op. 28. Paris: Durand, 1912. Plate no. D. & F. 8322.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nVierne, Louis. Messe Basse, [Op. 30]. New York: Edward B. Marks, 1945. Plate no.\u00a012189-27.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nVierne, Louis. Quatri\u00e8me Symphonie, Op. 32. New York: G. Schirmer, 1917.\u00a0Plate no. 26740 C.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\n\u00a0Vierne, Louis. 5\u00e8me (Cinqui\u00e8me) Symphonie, Op. 47. Paris: Durand, 1925. Plate no.\u00a0D. & F. 10663.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nVierne, Louis. Tryptique, Op. 58. Paris: Henry Lemoine, 1936. Plate no. 22,825\u00a0HL.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nVierne, Louis. 6\u00e8me (Sixi\u00e8me) Symphonie, Op. 59. Paris: Henry Lemoine, 1931.\u00a0Plate no. 22,406. HL.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nVranken, Jaap. Preludium en Fuga. Amsterdam: Annie Bank.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nVranken, Jaap. Toccata en Fuga over \u201cVeni Sancte Spiritus\u201d. Utrecht: J. R. Van Rossum, 1942.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nWagner, Richard. Festival March (The Kaiser March). Arranged by Herbert A.\u00a0Fricker. New York: H. W. Gray. Plate no. St. Cecilia No. 438.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nWagner, Richard. The Ride of the Valkyries. Arranged by Herbert F. Ellingford. New York: H. W. Gray, 1926. Plate no. St. Cecilia No. 376 & 377.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nWalcha, Helmut. Choralvorspiele, Vol. II. Frankfurt: Henry Litolff, 1963. Plate no.\u00a030187.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nWalther, Johann Gottfried. Chorale Partita on \u201cPraise God the Lord, Ye Sons of Men\u201d. Edited by Walter E. Buszin. St. Louis: Concordia, 1948.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nWalther, Johann Gottfried. Chorale Partita on \u201cSoul, Adorn Thyself with Gladness\u201d. Edited by Walter E. Buszin. St. Louis: Concordia, 1948.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\n\u00a0Walther, Johann Gottfried. Prelude and Fugue in D Minor. Edited by Walter E.\u00a0Buszin. St. Louis: Concordia, 1948.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nWalther, Johann Gottfried. Prelude and Fugue in A Major. Edited by Walter E. Buszin. St. Louis: Concordia, 1948.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nWalton, Kenneth. Choral Prelude on \u201cO Come, Emmanuel\u201d; and, Postlude on \u201cO Saving Victim\u201d. New York: Sprague-Coleman, 1943. Plate no. S. C. 232-7002E<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nWalton, William. Crown Imperial: A Coronation March. Arranged for organ by\u00a0Herbert Merrill. London: OUP, 1937.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 19″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617131619105{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nWalton, William. Orb and Sceptre: Coronation March (1953). Arranged for organ by William McKie. London: OUP, 1953.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nWalton, William. Three Pieces: March; Elegy; and, Scherzetto. London: OUP, 1963.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nWeitz, Guy. Prologue and Scherzo from Symphony no. 2. London: : J. & W. Chester, 1949. Plate no. J. W. C. 3049c.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nWeitz, Guy. Symphonic Movement. London: J. & W. Chester, 1936. Plate no. J. W. C. 3044.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nWeitz, Guy. Symphony. London: J. & W. Chester, 1932. Plate no. J. W. C. 3038.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nWetz, Richard. Toccata. Edited by Robert Leech Bedell. New York: Edition \u201cLe Grand Orgue\u201d, [publication year lacking owing to cropping of the score].<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nWhitford, Homer. Four Tone Pictures. Boston: Boston Music Co., 1965. Plate no. B.M.Co. 13476.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nWhitford, Homer. Ten Choral Preludes and Postludes on Familiar Hymns.\u00a0Boston: Boston Music Co., 1964. Plate no. B.M. Co. 13084.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nWhitlock, Percy. Four Extemporizations. London: OUP, 1961.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nWider\u00f8e, Harald. Devant la Cr\u00e8che de Bethl\u00e9hem: Sicilienne pour l\u2019orgue. Drammen, Norway: Harald Lyche, 1946<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nN.B. Works by Charles-Marie Widor are arranged by opus number.<\/em><\/span><\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nWidor, Charles-Marie. Marche Pontificale: from\u00a0Symphonie No. 1,\u00a0<\/em>[op. 13, no. 1]\u00a0Revision and Hammond registration by Gerard Alphenaar. New York: Edward B.\u00a0Marks, Plate no. 13811-12.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nWidor, Charles-Marie. Second Symphony, Op. 13, No. 2. New edition by Norman\u00a0Dello Joio. New York: Edward B. Marks, 1936.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nWidor, Charles-Marie. Fourth Symphony, Op. 13, No. 4. New York: Edward B.\u00a0Marks, 1936. \u201cThis is the only authentic edition as originally written by the\u00a0composer.\u201d<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nWidor, Charles-Marie. Fifth Symphony, Op. 42, No. 5. New edition by Norman\u00a0Dello Joio. New York: Edward B. Marks, 1936. \u201cThis is the only authentic\u00a0edition as originally written by the composer, without any revision or changes.\u201d<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nWidor, Charles-Marie. Sixth Symphony, Op. 42, No. 6. New York: Edward B. Marks, 1941. Plate no. 11692-44ph.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nWidor, Charles-Marie. Seventh Symphony, Op. 42. Edited by Robert Leech\u00a0Bedell. New York: Edward B. Marks, 1947. Plate no. 12380-50.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nWidor, Charles-Marie. Eighth Symphony, Op. 42. Edited by Robert Leech Bedell.\u00a0New York: Edward B. Marks, 1947. Plate no. 12381-67.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nWidor, Charles-Marie. Symphonie Gothique, Op. 70. Mainz: Schott, 1895. Plate no.\u00a025798.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nWidor, Charles-Marie. Symphonie Romane, Op. 73. Edition originale. Paris:\u00a0Hamelle, 1900. Plate no. J. 4518. H<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nWidor, Charles-Marie. Suite Latine, Op. 86. Paris: Durand, 1927. Plate no. D. & F.11,221.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nWiedermann, Bed\u0159ich Anton\u00edn. T\u0159i chor\u00e1lov\u00e9 p\u0159edehry. Prague: Hudebn\u00ed Matice\u00a0Um\u0207leck\u00e9 Besedy, 1944. Plate no. H. M. 844. Title page bears a handwritten\u00a0inscription by the composer, dated 16\/12. 1944.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nWiedermann, Bed\u0159ich Anton\u00edn. T\u0159i skladby. Edited by Dr. Ji\u0159i Reinberger.\u00a0Prague: Orbis, 1951. Plate no. 450.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nWillan, Healey. Evensong: No. 2 from Two Pieces for Organ<\/em>. New York: Peters, 1961. Plate no. Edition Peters 6359.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nWillan, Healey. Introduction, Passacaglia, and Fugue. London: OUP, 1919. Plate no.\u00a028638 c.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nWilliams, David H. The Bells of Aberdovey. Bryn Mawr: Theodore Presser, 1950. Plate no. 113-40006-3.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nWilliams, David H. Carol-Prelude on \u201cBring a Torch\u201d. New York: H. W. Gray, 1959. Plate no. St. Cec. No. 864-(3).<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nWills, Arthur. Alla Marcia. London: Novello, 1962. Plate no. 19146.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nWills, Arthur. Christmas Meditations. London: Novello, 1968. Plate no. 19719.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nWills, Arthur. Five Pieces. London: Novello, 1963. Plate no. 19195.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nWills, Arthur. Prelude and Fugue (Alkmaar). London: Novello, 1972.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nWolff, S. Drummond. Flourish for an Occasion. New York: H. W. Gray, 1954. Plate no. St. Cecilia No. 801-(6).<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nSixteen Preludes for the organ. (Founded on Melodies from the English and Scottish Psalters.) Volume 2. London: Stainer & Bell, 1912. Plate no. S. & B. Ltd. 1033<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nYon, Pietro A. Cristo Trionfante: Processionale di Pasqua (Christ Triumphant: Easter Processional). New York: J. Fischer & Bro., 1924. Plate no. J. F. & B. Plate no. 5375-4.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 20″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617131629002{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nYon, Pietro A. Ges\u00f9 Bambino (The Infant Jesus): Pastorale. New York: J. Fischer\u00a0& Bro., 1917. Plate no. 4456-5.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nYoung, Gordon. Five Toccatas. New York: Harold Flammer, 1965. Plate no.4366.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nYoung, Gordon. Nine Pieces for Organ. Dayton, Ohio: The Sacred Music Press, 1966.\u00a0Plate no. NPO-13.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nZ\u00fa\u00f1iga, Juli\u00e1n. Guadalupana (Virgin of Guadalupe). Strasbourg: \u00c9ditions le\u00a0Roux, 1953. Plate no. G. Bears an inscription to Mario Salvador by the composer,\u00a0dated Septiembre 21 1954.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nZ\u00fa\u00f1iga, Juli\u00e1n. Sonata (\u201cAdeste Fideles\u201d). Strasbourg: \u00c9ditions le Roux, 1953.\u00a0Plate no. S. Bears an inscription to Mario Salvador by the composer, dated\u00a0Septiembre 21, 1954.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nZ\u00fa\u00f1iga, Juli\u00e1n. Toccata en Do. Strasbourg: \u00c9ditions le Roux, 1953. Plate no. T.\u00a0Bears an inscription to Mario Salvador by the composer, dated Mayo 24, 1953.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1618326373718{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 2: Collections of works for solo organ by multiple composers<\/h3>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 7<\/strong><\/td>\nAn Album of Memorial and Funeral Music: Seven Pieces for Organ. London:\u00a0OUP, 1960.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nAn Album of Postludes: Seven Pieces for Organ. London: OUP, 1964.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nAlte Meister des Orgelspiels: eine Sammlung deutscher Orgelkompositionen aus\u00a0dem XVII und XVIII Jahrhundert. F\u00fcr den praktischen Gebrauch bearbeitet von\u00a0Karl Straube. Leipzig: C. F. Peters. Plate no. 8989.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nThe Angelus Collection for Organ with Chimes: by contemporary composers.\u00a0New York: Harold Flammer, 1965. Plate no. 4311.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nAnthologia pro organo: oeuvres choisies de la musique d\u2019orgue du 13me au 18me\u00a0si\u00e8cle. R\u00e9vision et registration par Flor Peeters. Vol. II. \u00a0Brussels: Schott Fr\u00e8res, 1949.\u00a0Plate no. S. F. 8839.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nA Book of Simple Organ Voluntaries. London: OUP, 1949.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nCeremonial Music for Organ: Fanfares and Trumpet Tunes. London: OUP, 1970.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\n\u010cesk\u00e1 varhann\u00ed tvorba: Music boemica per organo. Vybral a revidoval (Selected and edited): Dr. Ji\u0159i Reinberger. Prague: St\u00e1tn\u00ed nakladatelstvi, 1954. Plate no. H.1337.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nChoralvorspiele alter Meister. F\u00fcr den praktischen Gebrauch bearbeitet von\u00a0Karl Straube. Leipzig: C. F. Peters, 1907. Plate no. 9124.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nA Christmas Album for Organ. London: OUP, 1956.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nThe Church and Concert Organist: a collection of pieces with registration, fingering and pedal marking, adapted for church and concert use. Compiled and arranged by H. Clarence Eddy and Frederick Grant Gleason. New York: Edward Schuberth, 1882. Plate no. E. S. & Co. 1191.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nThe Church and Concert Organist. Compiled and arranged by H. Clarence Eddy\u00a0with Frederick Grant Gleason. New York: Schuberth, 1885. Plate no. E. S. & 1478.\u00a0INCOMPLETE: only pages 22-23, 55-58, and 19-20 are present.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nClassic and Modern Gems for the Reed Organ. Philadelphia: Theodore Presser, 1899.\u00a0Each work bears its own plate number; the ranges run 825-842, 1243-1258.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nClassici Italiani dell\u2019 Organo. Preface by Ireneo Fuser. Padua: Edizioni G.\u00a0Zanibon, 1955.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 21″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617131563354{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nThe Colours of the Organ: Six Pieces by Modern Composers. London: Novello, 1960.\u00a0Plate no. 18819.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nThe Devotional Organ Album for Church and Home: 43 Selections for the Organ. With registration for pipe organ and Hammond organ. Compiled and arranged by Frank W. Asper. New York: Carl Fischer, 1942. Plate no. N482-101.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nEarly Spanish Organ Music. Collected, transcribed, and edited by Joseph Muset.\u00a0New York: G. Schirmer, 1948. Plate no. 41526.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nEaster Music: Selected Pieces for Organ. London: Novello, 1964.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nEasy Modern Organ Music: Six Pieces by British Composers. Book I. London:\u00a0OUP, 1967.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nElkan-Vogel Organ Series. Vol. II, Early English. H. William Hawke, editor.\u00a0Philadelphia: Elkan-Vogel, 1947. Plate no. Early English \u2013 14.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nElkan-Vogel Organ Series. Vol. V, Early Spanish. H. William Hawke, editor. Philadelphia: Elkan-Vogel, 1948. Plate no. Early Spanish \u2013 15.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nEthel Smith\u2019s Concert Hour Album. For Hammond organ with pipe organ\u00a0registrations. New York: Ethel Smith Music Corp., 1950. Plate no. ES 67-47.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nEverybody\u2019s Favorite Series, No. 11: Organ Pieces. With Hammond registration\u00a0by Dr. Roland Diggle. New York: Amsco Music Publishing, 1936.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nEverybody\u2019s Favorite Series, No. 27: Everybody\u2019s Favorite Organ Music.\u00a0Selected by Roland Diggle. New York: Amsco Music Sales, 1939.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nEverybody\u2019s Favorite Series, No. 57: Everybody\u2019s Favorite Universal Organ\u00a0Album. Roland Diggle, editor. New York: Amsco Music Publishing, 1946.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nEverybody\u2019s Favorite Series, No. 59: Everybody\u2019s Favorite Organ Masterpieces.\u00a0Edited by Dr. Robert Leech Bedell. New York: Amsco Music Publishing, 1948.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nEverybody\u2019s Favorite Series, No. 74: Everybody\u2019s Favorite Organ Classics.\u00a0Arranged and edited by Roland Diggle. New York: Asmco Music Publishing, 1950.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nFanfares and Processionals: Eight Pieces for Organ by Modern Composers.\u00a0London: Novello, 1961. Plate no. 18996.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nFestal Voluntaries: Advent. London: Novello, 1956. Plate no. 18320.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nFestal Voluntaries: Christmas and Epiphany. London: Novello, 1956. Plate no.18334.<\/span><\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nFestal Voluntaries: Lent, Passiontide and Palm Sunday. London: Novello, 1956.\u00a0Plate no. 18242.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nFestal Voluntaries: Easter. London: Novello, 1956. Plate no. 18250.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nFestal Voluntaries: Ascension, Whitsun and Trinity. London: Novello, 1956.\u00a0Plate no. 18265.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 22″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617132246291{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nA Festive Album for Organ. London: OUP, 1956.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nSchreiner, Alexander, ed. French Masterworks. New York: J. Fischer & Bro..
\nPlate no. J. F. & B. 9431-56.\u00a0 Item lacking its covers.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nGems for the Organ: A Collection of Voluntaries and Melodious Movements. Carefully selected and arranged for the use of organists in church service by Samuel Jackson. New York: G. Schirmer, 1907. Plate no. 2149.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nGems for the Organ. [Selected by] Harry Rowe Shelley. New York: G. Schirmer, 1887. Plate no. 5000.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nThe Gramercy Organ Book. Arranged by Gilman Chase. New York: Harold Flammer, 1958.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nHandbuch f\u00fcr Organisten: Sammlung von Orgelst\u00fccken in verschiedenen Tonarten. Herausgegeben von Bernhard Kothe. II. Theil. Leipzig: F. E. C. Leuckart, [1879]. Plate no. F. E. C. L. 3296.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nHarker Harmonium Collection. Revised, arranged and edited by F. Flaxington Harker. New York: G. Schirmer, 1938. Plate no. 20821.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nHarker\u2019s Organ Collection: 27 pieces selected from the works of modern masters\u00a0of the organ. Book I. Carefully revised and edited by F. Flaxington Harker. New\u00a0York: G. Schirmer, 1937. Plate no. 20520.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nHarker\u2019s Organ Collection: 27 pieces selected from the works of modern masters of the organ. Book II. Carefully revised and edited by F. Flaxington Harker. New York: Schirmer, 1937. Plate no. 20521.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nHarmonium-Album: Sammlung beliebter Tonst\u00fccke f\u00fcr Harmonium. Uebertragen von Ernst Stapf u. Rud. Bibl. Leipzig: C. F. Peters. Plate no. 8404.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nHistorical Organ Collection. Boston: Boston Music Co., 1919. Plate no. B. M. Co. 5775. Item lacking its covers.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nHistorical Organ-Recitals: in six volumes. Vol. I: Forerunners of Bach: 25 pieces for organ. Collected, edited, and annotated by Joseph Bonnet. New York: G. Schirmer, 1917. Plate no. 27751.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nHistorical Organ-Recitals: in six volumes. Vol. II: [Works of J. S. Bach]. [New York: G. Schirmer.] Plate no. 28247.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nHistorical Organ-Recitals: in six volumes. Vol. III: Masters of the 18th and early 19th centuries. Collected, edited, and annotated by Joseph Bonnet. New York: G. Schirmer, 1918. Plate no. 27709.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\n[Historical Organ-Recitals: in six volumes. Vol. IV: Three Composers of the Romantic Period. New York: G. Schirmer, 1919.] Plate no. 28648. Item lacking its covers and pages 1-36 of the text block.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 23″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617132283829{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nHow Great Thou Art: featuring Dave Coleman arrangement plus other outstanding favorites. Volume 1. Arranged by Fred Bock. Hollywood, CA: Manna Music, 1967.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nThe Liturgical Organist: Preludes, Interludes, Postludes for pipe or reed organ.
\nVolume IV, Medium Compositions. Compiled and arranged by Carlo Rossini.
\nNew York: J. Fischer & Bro., 1943. Plate no. J. F. & B. 7905-113.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nManualiere: Practical and Distinctive Pieces for the Church Organist. Vol. 2, No. 2 (March-April 1969). Cincinnati: World Library of Sacred Music, 1969. Plate no. 0-1811.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nManualiere: Practical and Distinctive Pieces for the Church Organist. Vol. 2, No.\u00a04 (July-August 1969). Cincinnati: World Library of Sacred Music, 1969. Plate no.\u00a00-1813.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nMarcia delle trombe d\u2019argento \/ G. Longhi; and, Armonia Religiosa \/ D. Silveri.\u00a0Trascrizione per organo od armonio di Enrico Piglia. Roma: Edizioni Musicali C.\u00a0Casimiri. Plate no. C. 78 C.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nMasterpieces for the Organ. Edited and provided with registrations by William C.\u00a0Carl. New York: G. Schirmer, 1926. Plate no. 14250.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nModern Organ Music, Book 1: Six Pieces by Contemporary British Composers. London: OUP, 1965.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nModern Organ Music, Book 2: Five Pieces by Contemporary Composers. London: OUP, 1967.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nModern Organ Music, Book 3: Five Pieces by Contemporary Composers.\u00a0London: OUP, 1974.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nModern Spanish Organ Music, Volume 1.\u00a0 Edited and prepared for the American church and concert organ by Sidney C. Durst. Cincinnati: John Church, 1920. Plate no. 18286-C-10.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nOrgan Album of Ten Pieces by Spanish Composers. Edited by Henry Clough- Leighter. Boston: Boston Music, 1922. Plate no. B. M. Co. 6620.
\nItem is incomplete; only pages 15-42 are present.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nOrgan Masters of the Baroque Period, Volume 2. Revised by Gerard Alphenaar. New York: Edward B. Marks. Plate no. 12626-60.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nOrgan Music for Festivals of the Fall Season. Compiled and arranged by Willard 1962.\u00a0Nevins. New York: Harold Flammer, 1962. Plate no. 3926.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nOrgan Music for Processions. Arranged by Samuel Walter; with added Hammond\u00a0registration. New York: Harold Flammer, 1966. Plate no. 4447.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nOrgan Music of the Netherlands and Scandinavia. Edited and compiled by Robert\u00a0Leech Bedell. New York: Edward B. Marks. Plate no. 12567-52.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nL\u2019Organist Catholique: 1er volume contenant 12 Offertoires, 12 El\u00e9vations et 12\u00a0Sorties. Transcrits pour orgue harmonium par Renaud de Vilbac. Braunschweig:\u00a0Henry Litolff. Plate no. 10163.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nThe Organist\u2019s Companion, Volume 5, No. 2 (February 1983): General, Lent,\u00a0Holy Week, Funerals. Edited by Wayne Leupold. Melville, NY: McAfee Music\u00a0Publication, 1983.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nThe Organist\u2019s Favorite: A Collection of Preludes, Interludes, Postludes, Solos, Etc., especially adapted for church and parlor use. Selected and revised for pipe or reed organ by John D. Hazen. New York: Carl Fischer, 1904. Plate no. 8709-1.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\n\n

Torres, Eduardo. El Organista Espa\u00f1ol: collecci\u00f3n de obras para organo (pedal ad libitum) o armonio. Volumen 1 (Mediana dificultad). San Sebastian: Casa Erviti, 1953. Accompanied by two additional items that have been fastened within the item with tape:<\/p>\n

    \n
  1. One copy of American Organ Monthly,<\/em> I, No. 9 (January, 1921); and,<\/li>\n
  2. Two pieces by Eduardo Torres, \u201cPlegaria\u201d and \u201cComuni\u00f3n,\u201d extracted from Modern Spanish Organ Music,<\/em> I, edited by Sidney C. Durst (Cincinnati: John Church, 1920. Plate no. 18286-C-10).<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nL\u2019Organiste Liturgique, 5: P\u00e2ques. \u201cSous la direction de Gaston Litaize et Jean Bonfils.\u201d Paris: Editions Musicales de la Schola Cantorum, 1954. Plate no. S. 5400 P.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nOrgel-Album: Sammlung Klassischer Orgelkompositionen, Band I (leicht). Progressiv geordnet und herausgegeben von Dr. Wilhelm Volckmar. Leipzig: C. F. Peters. Plate no. 5777.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nOrgelst\u00fccke moderner Meister. Herausgegeben von Johannes Diebold. Leipzig: Otto Junne, 1925. Plate no. I. J. 5390.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 24″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617132301820{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nOrgue et Liturgie, 1: P\u00e2ques. \u201cCe fascicule a \u00e9t\u00e9 \u00e9tabli par MM. Norbert\u00a0DUFOURCQ et F\u00e9lix RAUGEL.\u201d Paris: Editions Musicales de la Schola\u00a0Cantorum. Plate no. 0.0001 L.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nOrgue et Liturgie, 2: L\u2019Orgue en Europe aux XVIe. et XVIIe si\u00e8cles. \u201cCe fascicule a \u00e9t\u00e9 \u00e9tabli par Mlle No\u00eblie PIERRONT, MM. Andr\u00e9 MARCHAL, Norbert DUFOURCQ et Jean BONFILS.\u201d Paris: Editions Musicales de la Schola Cantorum. Plate no. 0.0002 L.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nOrgue et Liturgie, No. 4: No\u00ebl. \u201cSous la direction de N. DUFOURCQ, F. RAUGEL et J. de VALOIS.\u201d Paris: Editions Musicales de la Schola Cantorum. Plate no. 0.0004 L.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nPreludes and Postludes for Pipe or Reed Organ. Composed, selected and edited by Orlando A. Mansfield. Dayton, Ohio: Lorenz, 1923. Plate no. Preludes and P.-35.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nPreludes, Interludes, Postludes: A new series of original compositions of medium\u00a0difficulty playable on a 2-manual organ and with indications for the use of a Choir\u00a0Organ or Solo Organ where available. Volume Two. Gordon Phillips, General\u00a0Editor. London: Hinrichsen, 1957. Plate no. Hinrichsen Edition No. 600b.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nPreludes, Offertories, and Postludes: for the organ with Hammond registration.\u00a0Volume I. Edited and arranged by Harry Rowe Shelley. New York: G. Schirmer, 1939.\u00a0Plate no. 20859.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nPreludes, Offertories, and Postludes: for the organ with Hammond registration. Volume II. Edited and arranged by Harry Rowe Shelley. New York: G. Schirmer, 1939. Plate no. 20916.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nA Second Easy Album for Organ: Six pieces by contemporary British composers. London: OUP, 1975.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nSymphonic Pieces for Organ. Selected and edited by Albert E. Weir. New York: Harcourt, Brace and Company, 1935.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nThirty Offertories for the organ. Edited by James H. Rogers. Boston: Oliver Ditson, 1912. Plate no. 5-87-69104-3-116.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nTreasury of Early Organ Music: organ music of the 15th to 18th centuries from England, Italy, Germany and France. Edited by E. Power Biggs. New York: Music Press, 1947. Plate no. MPI-539.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nTwelve Compositions for Organ with Bells. With Hammond registration. Bryn Mawr, Pennsylvania: Theodore Presser, 1949. Plate no. 413-41000-55.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nTwenty-Five Pieces for Small Organ. With Hammond organ registration.\u00a0Selected, edited and composed by Alexander Schreiner. Glen Rock, New Jersey: 1953.\u00a0Fischer & Bro., 1953. Plate no. J. F. & B. 8727-73.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 25″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617132383925{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nThe Two Manual Organ. Compiled by John Holler; Hammond registration by Chester Kingsbury. New York: H. W. Gray, 1947. Plate no. Holler \u2013 Two Manual Organ \u2013 (64).<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nVarhann\u00ed Kn\u00ed\u017aka: Popul\u00e1rni skladby k r\u016fzn\u00fdm p\u0155\u00edle\u017eitostem pro varhany nebo harmonium. Upravil Josef Chuchro. Praha: Edition Supraphon, 1970. Plate no. H 4435.<\/span><\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nWedding Music, Book I: Pre-Nuptial. Compiled, edited, and arranged by David N. Johnson. Minneapolis: Augsburg, 1970.<\/span><\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nWedding Music, Volume II: also for other festive occasions. Arranged by Carlo\u00a0Rossini. New York: J. Fischer & Bro., 1942. Plate no. J. F. & B. 7904-61.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 3: Collections of works for solo organ by multiple composers<\/h3>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 5<\/strong><\/td>\nRed Album of Twenty Pieces for the Organ, Vol. I. London: Schott, 1905.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nBlue Album of Twenty Pieces for the Organ, Vol. II. London: Schott.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nGreen Album of Twenty Pieces for the Organ, Vol. III. Edited by R. Goss- Custard. London: Schott.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nYellow Album of Twenty Pieces for the Organ, Vol. IV. London: Schott.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nBrown Album of Twenty Pieces for the Organ, Vol. V. London: Schott.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nGrey Album of Twenty Pieces for the Organ, Vol. VII. London: Schott.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nSilver Album of Twenty Pieces for the Organ, Vol. VIII. London: Schott.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nOrange Album of Twenty Pieces for the Organ, Vol. IX (Transcriptions). London: Schott.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nPurple Album of Twenty Pieces for the Organ, Vol. X. Edited by R. Goss- Custard. London: Schott.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nBuff Album of Twenty Pieces for the Organ, Vol. XI. Edited by R. Goss-Custard. London: Schott.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nBlack Album of Twenty Pieces for the Organ, Vol. XII. Edited by R. Goss- Custard. London: Schott.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nRed and Black Album of Twenty Pieces for the Organ, Vol. XII. Edited by R.\u00a0Goss-Custard. London: Schott.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1618326404781{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 4: Organ methods and pedagogical works<\/h3>\n

[\/vc_column_text][vc_custom_heading text=”Box 26″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617132674100{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nBossi, Enrico, and Giovanni Tebaldini. Metodo Teorico-Pratico per Organo.\u00a0Milano: Carisch S. A., 1948. Plate no. 13120.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nCarl, William C., compiler and editor. Master-Studies for the Organ. Revised and\u00a0augmented edition by Willard Irving Nevins. New York: G. Schirmer, 1938. Plate no.19095.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nDickinson, Clarence. The Technique and Art of Organ Playing. With the\u00a0collaboration of H. A. Dickinson. New York: H. W. Gray, 1922. Plate no.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nGermani, F. Metodo per Organo: in 4 parti. Parte II. Roma: Edizioni de Santis, 1942. Plate no. E. D. S. 606.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nGermani, F. Metodo per Organo: in 4 parti. Parte III. Roma: Edizioni de Santis, 1944.\u00a0Plate no. E. D. S. 628.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nK\u00f6rner, Gotthilf Wilhelm. Der praktische Organist: Sammlung kurzer Orgel-\u00a0Kompositionen in den gebr\u00e4uchlichste Dur- und Moll-Tonarten. Herausgegeben\u00a0von Gotth. Wilh. K\u00f6rner; neue Ausgabe von Karl Straube und Paul Claussnitzer.\u00a0Leipzig: C. F. Peters. Plate no. 10146.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nNilson, L. A System of Technical Studies in Pedal Playing for the Organ.Translated from the Swedish by J. E. Barkworth. New York: G. Schirmer, 1904.\u00a0Plate no. 16906.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nPhillips, C. Henry. Modern Organ Pedalling. With a Preface by Ernest Bullock;\u00a0and an Editorial Note by Leonard Blake. London: OUP, 1951.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nRiemann, Hugo, and Carl Armbrust. Technische Studien f\u00fcr Orgel: Ein\u00a0Supplement zu jeder Orgelschule (Technical Studies for the Organ: A Supplement\u00a0to any Organ School). Edited by Dr. Th. Baker. Leipzig: C. F. Peters. Plate no.10243.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nRitter. August Gottfried. Praktische Orgelschule (Kunst des Orgelspiels). Band I,\u00a0Op. 15. Neue Ausgabe von Alfred Glaus. Leipzig: C. F. Peters. Plate no. 8026.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 27″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617132714804{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 1<\/strong><\/td>\nSchildknecht, Joseph. Orgelschule, Op. 33: f\u00fcr Kirchenmusikschulen und Lehrerbildungsanstalten. Zwanstigste Auflage. Unter Benetzung der Bearbeitung von Max Springer, neu herausgegeben von Otto Dunkelberg. Alt\u00f6tting: Alfred Coppenrath (H. Pawelek), 1896. Plate no. A. C. 664.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nSchneider, Julius. Studien f\u00fcr die Orgel: zur Erreichung des obligaten Pedalspiels.\u00a0Neu revidiert von Karl Straube. Leipzig: C. F. Peters. Plate no. 8406. N.B. Bound\u00a0together as one volume are: Heft I, Op. 67; and, Heft II, Op. 48.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nYon, Pietro A. Organ Pedal Technic: Incorporating the fundamental principles of\u00a0brilliant pedal playing. New York: J. Fischer & Bro., 1944. Plate no. J. F. & B.\u00a08034.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1618326416461{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 5: Self-prepared editions of organ repertory<\/h3>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 4<\/strong><\/td>\nAlain, Albert. Scherzo. New York: Le Grand Orgue.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nAlain, Jehan. Trois Pi\u00e8ces pour Grand Orgue.<\/em>\u00a0Paris: Alphonse Leduc, 1939. Plate no.\u00a019,744. Contains: I. Variations sur un th\u00eame de Cl\u00e9ment Jannequin. \u2014 II. Le\u00a0jardin suspendu. \u2014 III. Litanies.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nArne, Thomas A. Flute Solo. Revised by H. William Hawke. Extracted from\u00a0Elkan-Vogel Organ Series: Vol. II, Early English<\/em>. Philadelphia: Elkan-Vogel, 1947.\u00a0Plate no. Early English \u2013 14.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nBach, J. C. Presto from\u00a0Sinfonia in B-flat<\/em>. Arranged for the organ by Purcell J.\u00a0Mansfield. London: J. B. Cramer, 1939. Plate no. 15092. With registration\u00a0indications by M. S.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\n\n

Bach, J. S. Binder\u2019s collection: contains pieces culled from an assortment of editions, bound as one hardcover volume. Includes an (inaccurate) handwritten index inside the front cover. Contents, in order of appearance:<\/p>\n

    \n
  1. Prelude and Fugue in D, BWV 532<\/li>\n
  2. \u201cLittle\u201d Prelude and Fugue in G (spurious)<\/li>\n
  3. Prelude in G, BWV 568<\/li>\n
  4. Fantasia in C, BWV 570<\/li>\n
  5. Prelude and Fugue in C minor, BWV 549<\/li>\n
  6. Toccata and Fugue in D minor, BWV 565<\/li>\n
  7. Prelude and Fugue in A, BWV 536<\/li>\n
  8. Prelude and Fugue in B minor, BWV 544<\/li>\n
  9. Prelude and Fugue in C minor, BWV 546<\/li>\n
  10. Toccata and Fugue in F, BWV 540<\/li>\n
  11. Toccata and Fugue in D minor, BWV 538<\/li>\n
  12. Passacaglia in C minor, BWV 582<\/li>\n
  13. Fugue in G minor (\u201cLittle\u201d), BWV 578<\/li>\n
  14. Prelude and Fugue in E minor, BWV 548<\/li>\n
  15. Fantasia and Fugue in G minor, BWV 542<\/li>\n
  16. Toccata, Adagio, and Fugue in C, BWV 531<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nBach, J. S. Air in A-minor: from the Toccata and Fugue in C, for Organ. Boston: Boston Music Co., 1921. Plate. no. B.M. Co. 6631.
\nN.B. Also present are the printed pages with: Arioso; Sarabande, from the Sixth Violoncello Suite; and, Christmas Pastorale, on the Choral, \u201cFrom High Heaven\u201d arranged by A. H\u00e4nlein; only the pages of the Air in A-minor indicate use by M.S.<\/em><\/span><\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nBach, J. S. Aria [arranged from the Orchestral Suite No. 3 in D major, BWV\u00a01068]. With registrations indicated for pipe organ, electronic organ, and\u00a0Hammond organ. [New York: J. Fischer & Bro..] Plate no. J. F. & B. 9534-96.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nBach, J. S. Aus Tiefe Noth (sic). Transcribed for organ by Ernest Douglas. Ink\u00a0manuscript; 3 pages of music.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nBach, J. S. Christ, unser Herr, zum Jordan kam. Edited by J. F. Bridge and James Higgs. Publisher\u2019s information not present. Plate no. 13885.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nBach, J. S. Coral para \u00f3rgano: Herzlich tut mich verlangen (De todo coraz\u00f3n deseo). Transcripci\u00f3n de N. Ota\u00f1o, S.J. Extract from revista \u201cMusica Sacro-Hispana\u201d VIII, No. 12 Diciembre, 1915). Vitoria: Editorial M\u00fasica Sacro-Hispana.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nBach, J. S. Fantasie and Fugue in G minor. Publisher\u2019s information not present. Plate no. 26247. With numerous fingering indications by M. S.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nBach, J. S. Fantasy in A minor. Edited and arranged for organ by Max Reger. Publisher\u2019s information not present.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nJ. S. Bach. Fugue [in D minor]. Publisher\u2019s information not present. Extract from a longer work or collection, of which this is No. 257.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nBach, J. S. Fugue in G-Dur. Publisher\u2019s information not present. Plate no. 22699. In cover bearing M.S. handwritten title \u201cGigue\u201d.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nBach, J. S. Fugue in G [from 8 Little Preludes and Fugues, BWV 557\/II]. Publisher\u2019s information not present. Bears M.S. handwritten annotation \u201cPostlude \u2014 Bach\u201d.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nBach, J. S. Jesu, Joy of Man\u2019s Desiring (Chorale from Cantata 147, \u201cHerz und Mund\u201d). Transcribed by Irwin Fischer. Chicago: Clayton F. Summy, 1940. Plate no. C. F. S. Co. 3430.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nBach, J. S. Now Thank We All Our God (\u201cNun danket alle Gott\u201d): from Cantata No. 79. Arranged for organ by Claude Means. Extract from A Collection of <\/em>Thanksgiving<\/em>, ed. John Holler. New York: H. W. Gray, 1938. Plate no. Holler Thanksgiving Music \u2013 (29).<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nBach, J. S. Passacaglia et Thema Fugatum. Paris: S. Bornemann. Plate no. S. B. 5275.\u00a0In cover bearing M.S. handwritten title \u201cPassacaglia\u201d.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nBach, J. S. Passacaglia et Thema Fugatum. Extract from: Historical organ-<\/em>\u00a0recitals, <\/em>vol. 2: Johann Sebastian Bach. Collected, edited and annotated by Joseph Bonnet. New York: G. Schirmer. Plate no. 28247.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nBach, J. S. Passacaglia [et Thema Fugatum]. Leipzig: C. F. Peters. Plate no. 8656.
\nIn cover bearing M.S. handwritten title \u201cPassacaglia\u201d.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 28″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617132851774{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nBach, J. S. Praeludium et Fuga [in C, BWV 547]. Paris: S. Bornemann. Plate no. S. B. 5274.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nBach, J. S. Praeludium et Fuga [in D, BWV 532]. Leipzig: C. F. Peters. Plate no. 8659. Contains numerous fingering and registration indications by M. S.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nBach, J. S. Praeludium et Fuga [in B minor, BWV 544]. Paris: S. Bornemann. Plate no. S. B. 5275.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nBach, J. S. Praeludium et Fuga [in E minor, BWV 548]. Paris: S. Bornemann. Plate no. S. B. 5274.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nBach, J. S. Prelude in D [BWV 532]. New York: G. Schirmer, 1951. Plate no. 42366.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nBach, J. S. Preludio IV [in C-sharp minor] from the Well-Tempered Clavichord [book I, BWV 849]. Transcribed for organ by Edward Shippen Barnes.
\nPublisher\u2019s information not present.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nBach, J. S. Praeludium et Fuga [in A minor, BWV 543]. Paris: S. Bornemann. Plate no. S. B. 5276. Contains numerous fingering and registration indications by M.S.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nBach, J. S. Pr\u00e4ludium und Fuge [in B-flat minor, from WTC I, BWV 867].\u00a0Bearbeitet von Max Reger. [Leipzig: Jos. Aibl Verlag, 1903. Plate no. 3025].<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nBach, J. S. Toccata et Fuga [in D minor, BWV 565]. Paris: S. Bornemann, 1938. Plate no. S. B. 5277.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nBach, J. S. Toccata et Fuga [in D minor, BWV 565]. Leipzig: C. F. Peters. Plate no.\u00a08659.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\n\u00a0Bach, J. S. Toccata et Fuga [in D minor, BWV 565]. Publisher\u2019s information not\u00a0present.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\n\n

Bach, J. S. [Three works individually published and bound together. Publishers\u2019 information not present].<\/p>\n

    \n
  1. Toccata in F, BWV 540<\/li>\n
  2. Toccata and Fugue in D \u201cDorian\u201d, BWV 538<\/li>\n
  3. Toccata and Fugue in D minor, BWV 565<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nBach, J. S. Toccata et Fuga [Toccata, Adagio, and Fugue in C, BWV 564].
\nPublisher\u2019s information not present. Plate no. 29720.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nBach, J. S. [Chorale prelude on] Wer nur den lieben Gott l\u00e4sst walten, [BWV 647]. Extract from: Six organ chorals (Schu\u0308bler), edited by Albert Riemen- schneider. Philadelphia: Oliver Ditson, [1942]. Plate no. 78332-97.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nBartmu\u00df, Richard. Gebet: from\u00a0Zehn Characterst\u00fccke<\/em>, Op. 36. Leipzig: Gebr\u00fcder,\u00a0Hug & Co., 1902. Plate no. 3434b.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nBatiste, \u00c9douard. Communion. Publisher\u2019s information not present.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nBatiste, \u00c9douard. Offertoire in A-flat, Op. 23, No. 2. New York: Edward\u00a0Schuberth, 1885. Plate no. E. S. & Co. 1473.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nBenoit, Peter. Belgian Mother\u2019s Song (Myn Moederspraak). Transcribed and\u00a0arranged by Charles M. Courboin; Hammond registration by Chester Kingsbury.\u00a0Publisher\u2019s information not present.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nBizet, Georges. Duo, Op. 22. Transcribed for organ by Alex. Guilmant. New\u00a0York: J. Fischer & Bro., 1897. Plate no. J. F. B. 1037-3.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nBo\u00ebllmann, Leon. Offertoire sur des No\u00ebls. Paris: Durand, 1909. Plate no. D. & F.\u00a07377.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nBo\u00ebllmann, Leon. Verset No. 1 from Deux Versets de Procession sur l\u2019Adoro Te<\/em>. Publisher\u2019s information not present. Plate no. 42366.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nBoex, Andrew J. Marche Champ\u00eatre (Rustic March). Publisher\u2019s information not\u00a0present.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nBonnal, Ermend. Symphonie d\u2019apr\u00e8s \u201cMedia Vita\u201d. Paris: Alphonse Leduc, 1933.\u00a0Plate no. A. L. 18,119.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nBonnet, Joseph. Variations de Concert, Op. 1. New York: Edward B. Marks.\u00a0Copyright 1908 by Emile Leduc, P. Bertrand & Cie. Plate no. 11978-10ph.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nBossi, Marco Enrico. Angelus, Op. 118, No. 4. \u00a0[Milan]: Carisch & J\u00e4nichen, 1900.\u00a0Plate no. C. 104.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nBossi, Marco Enrico. Chant du Soir, Op. 92, No. 1. Leipzig: C. F. Peters. Plate no.10132a.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nBossi, Marco Enrico. Etude Symphonique, Op. 78. New York: G. Schirmer, 1897. Plate no. 13508 c.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nBossi, Marco Enrico. Marche H\u00e9ro\u00efque. Paris: Durand. Plate no. D. & F. 4493.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\n\n

Three pieces by Marco Enrico Bossi, published individually and bound together.<\/p>\n

    \n
  1. Scherzo in sol minore, Op. 49, No. 2. Torino: Societ\u00e0 Tipografico-Editrice Nazionale, 1930. Plate no. M. 28 C.<\/li>\n
  2. Scherzo in Fa, Op. 49, No. 1. Torino: Marcello Capra, 1904. Plate no. M. 891 C.<\/li>\n
  3. Etude Symphonique, Op. 78. New York: G. Schirmer, 1897. Plate no. 13508.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nBossi, Marco Enrico. Th\u00e8me et Variations, Op. 115. Leipzig: C. F. Peters.\u00a0Copyright 1907 by J. Rieter-Biedermann, Leipzig. Plate no. 10132m.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nB\u00fcsser, Henri. Marche de F\u00eate, Op. 36. Paris: Durand. Plate no. D. & F. 7377.<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nCallaerts, Joseph. Morceau de concert (Offertoire). Bruxelles: [Schott] Fr\u00e8res.\u00a0Plate no. S. F. 5355.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nCellier, Alex. Etude. Paris: Alphonse Leduc, 1920. A. L. 16,025.<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\nCellier, Alex. Le Moulin from\u00a0P\u00e9lerinages: Suite de Dix Pi\u00e8ces pour Grand<\/em>\u00a0Orgue<\/em>. Paris: Alphonse Leduc, 1924. Plate no. A. L. 16774.<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\nCellier, Alex. Le Vallon Calme [from\u00a0P\u00e9lerinages: Suite de Dix Pi\u00e8ces pour\u00a0<\/em>Grand Orgue<\/em>\u00a0]. Paris: Alphonse Leduc, 1924. Plate no. A. L. 16774.<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\nDallier, Henri. [Six Grands Pr\u00e9ludes]. Paris: Alphonse Leduc, 1891. Plate no. 8924.\u00a0Incomplete; No. I is lacking.<\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\nDandrieu, Jean-Fran\u00e7ois. [Basse de Trompette].Publisher\u2019s information not\u00a0present.<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\nDebussy, Claude. La Cath\u00e9drale engloutie: extrait du 1er Livre de Pr\u00e9ludes pour le piano. Transcription pour orgue par L\u00e9on Roques. Paris: Durand, 1910. Plate no. D. & F. 7972.<\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\nDebussy, Claude. Clair de lune: extrait de la \u201cSuite Bergamasque\u201d. Transcription\u00a0pour orgue par Alex. Cellier. Paris: Jean Joubert, 1925. Plate no. J. J. 293.<\/td>\n<\/tr>\n
folder 40<\/strong><\/td>\n[Ernest, Douglas. Allegro]. Manuscript reproduction; 7 pages of music. Undated.<\/td>\n<\/tr>\n
folder 41<\/strong><\/td>\nDouglas, Ernest. Prologue and Allegro. Ink manuscript; 9 pages of music.\u00a0Undated.<\/td>\n<\/tr>\n
folder 42<\/strong><\/td>\nDouglas, Ernest. Variations on an Ancient French Hymn \u201cO Filii et Filiae\u201d. Ink manuscript; 10 pages of music. Undated.<\/td>\n<\/tr>\n
folder 43<\/strong><\/td>\nDouglas, Ernest. Variations on an Original Theme from Organ Concerto in E<\/em>. Ink manuscript; 11 pages of music. Undated.<\/td>\n<\/tr>\n
folder 44<\/strong><\/td>\nDouglas, Ernest. Variations on an Original Theme. Ink manuscript; 11 pages of music. Undated.<\/td>\n<\/tr>\n
folder 45<\/strong><\/td>\nDuBois, Th\u00e9odore. Tocccata. New York: G. Schirmer, 1889. Plate no. 7851.<\/td>\n<\/tr>\n
folder 46<\/strong><\/td>\nDuBois, Th\u00e9odore. [Twelve Pieces for the Organ]. New York: G. Schirmer, 1929. Plate no. 14647. Item is incomplete; the final two pieces of the set are lacking.<\/td>\n<\/tr>\n
folder 47<\/strong><\/td>\nDuncan, Edmondstoune. Finale. Publisher\u2019s information not present; c1903. Plate no,\u00a022092.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 29″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617132870845{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nDupr\u00e9, Marcel. Binder\u2019s collection, containing individually published works bound together into a single hard-cover volume; a typescript list of contents affixed to the front cover.
\nContents:<\/p>\n
    \n
  1. Prelude and Fugue in A-flat Major, Op. 36, No. 2. New York: H. W. Gray, 1940.<\/li>\n
  2. Prelude and Fugue in C Major, Op. 36, No. 3. New York: H. W. Gray, 1940.<\/li>\n
  3. Prelude and Fugue in E Minor, Op. 36, No. 1. New York: H. W. Gray, 1940.<\/li>\n
  4. Po\u00e8me H\u00e9ro\u00efque, Op. 33. Arranged for organ solo by the composer. New York: H. W. Gray, 1938.<\/li>\n
  5. Seven Pieces, Op. 27. New York: H. W. Gray, 1931.<\/li>\n
  6. Paris: Alphonse Leduc, 1928. Plate no. A. L. 17,338.<\/li>\n
  7. Symphonie-Passion, Op. 23. Paris: Alphonse Leduc, 1925. Plate no. A. L. 16,921.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nDupr\u00e9, Marcel. Carillon, Op. 27, No. 4. Extract from Seven Pieces for Organ. <\/em>New York: H. W. Gray, 1931. Plate no. Dupre \u2013 Seven Pieces \u2013 (56).<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nDupr\u00e9, Marcel. Deuxi\u00e8me Symphonie, Op. 26. Paris: Editions Maurice Senart, 1930. Plate no. E. M. S. 8003.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nElgar, Edward. Carillon, Op. 75. Arranged for the organ by Hugh Blair. London: Elkin & Co., 1915. Plate no. E. & Co. 847.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nErb, M. J. Ite Missa Est (Improvisation). Boston: Boston Music Co., 1922. Plate no. B. M. Co. 6405.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nFalla, Manuel de. R\u00e9cit du P\u00eacheur (The Fisherman\u2019s Song) from \u201cEl Amor Brujo\u201d.\u00a0 Arranged for the organ by [Maurice Besly]. New York: J. W. Chester, 1926. Plate no. J. W. C. 3036B.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nFischer, Irwin. Chorale-Prelude: \u201cAls Jesus Christus in der Nacht\u201d. (canon at the upper fifth). Manuscript reproduction; 2 pages of music. Undated.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nFletcher, Percy E. Festival Toccata. Hammond registration by Chester Kingsbury. New York: H. W. Gray. Plate no. S. S. O. C. No. 23-(18).<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nFletcher, Percy E. Fountain Reverie. Hammond registration by Chester Kingsbutry. Melville, NY: H. W. Gray. Plate no. S. S. O. C. No. 24-(12).<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nFranck, C\u00e9sar. Organ Folio of Organ Compositions. Boston: Boston Music Co., 1916.\u00a0Plate no. B.M. Co. 5239.
\nContents:\u00a0 Pi\u00e8ce H\u00e9ro\u00efque\u2014Cantabile\u2014Pastorale\u2014Pri\u00e8re\u2014Allegretto (from the Sonata for Violin and Piano); transcribed for organ by Edwin Arthur Kraft)\u2014Prelude, Fugue, Variation.\u00a0 Pages 3-64 present; binding lacking.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nGigout, Eug\u00e8ne. Allegretto grazioso. [Paris: Alphonse Leduc, 1916.] Plate no.\u00a015,325.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nGigout, Eug\u00e8ne. Cort\u00e8ge Rustique. Paris: Durand. Plate no. D. & F. 6163.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nGigout, Eug\u00e8ne. Douze pi\u00e8ces pour orgue. Paris: Alphonse Leduc, 1913. Plate no. A. L. 15,325.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nGigout, Eug\u00e8ne. Grand Ch\u0153ur Dialogu\u00e9 (Grand Responsive Chorus). Revised and edited by F. Flaxington Harker. New York: G. Schirmer, 1908. Plate no. 12270.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nGigout, Eug\u00e8ne. Toccata. Edited by Alexander Schreiner. [New York: J. Fischer\u00a0& Bro.]. Plate no. J. F. & B. 9431-56.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nGrieg, Edvard. Triumphal March, Op. 56. Publisher\u2019s information not present.\u00a0Plate no. A. T. C. \u2013 141.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nGrison, Jules. Cantilena on Pastorale en La; and, Toccata en Fa majeur; Paris: Editions Costallat.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nGuilmant, Alexandre. Lamentation, Op. 45, No. 1. New York: G. Schirmer. Plate no. 1875.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nGuilmant, Alexandre. Nuptial March, Op. 25, No. 1. Hammond organ registration by Charles F. Paul. Publisher\u2019s information not present. Plate no. 1871r.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nGuilmant, Alexandre. 1\u00e8re Sonate: Symphonie en R\u00e9 mineur (in D minor), Op. 42. New edition revised by A. Eaglefield Hull. Leipzig: B. Schott\u2019s S\u00f6hne, 1912. Plate no. 29557.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nGuilmant, Alexandre. Binder\u2019s collection. Contains five of the Sonatas, bound together as one volume. Typescript contents list (inaccurate) affixed to the front cover.
\nContents:<\/p>\n
    \n
  1. 2de Sonate en R\u00e9 Majeur (in D major), Op. 50. New edition revised by A. Eaglefield Hull. Leipzig: B. Schott\u2019s S\u00f6hne, 1912. Plate no. 29558.<\/li>\n
  2. 3e Sonate in UT mineur (in C minor), Op. 56. New edition revised by A. Eaglefield Hull. Leipzig: B. Schott\u2019s S\u00f6hne, 1912. Plate no. 29559.<\/li>\n
  3. 5me Sonate, Op. 80. New edition revised by A. Eaglefield Hull. Leipzig: B. Schott\u2019s S\u00f6hne, 1913. Plate no. 29774.<\/li>\n
  4. 6\u00e8me Sonate, Op. 86. New edition revised by A. Eaglefield Hull. Leipzig: B. Schott\u2019s S\u00f6hne, 1912. Plate no. 29639.<\/li>\n
  5. 7e Sonate (Suite), Op. 89. New edition revised by A. Eaglefield Hull. Leipzig: B. Schott\u2019s S\u00f6hne, 1920. Plate no. 30008.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nHackett, Henry. Chant sans paroles, No. 2. London: Paxton. Plate no. 22064.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nHandel, G. F. Allegro (quasi presto) [in D minor]. Publisher\u2019s information not present. Plate no. 27709.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nHandel, G. F. Allegro Giocoso (Water Music) (In the style of a Hornpipe). Arranged by W. L. Snowdon. London: J. B. Cramer, 1939. Plate no. 15050.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nHandel, G. F.. Hallelujah Chorus: from \u201cThe Messiah\u201d. Arranged by Arthur Henry Brown. Boston: White-Smith Music Publishing Co. Plate no. 13953-6.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nHandel, G. F. Minuet from Organ Concerto No. 4, Set 2. Arranged by Arthur Boyse. London: J. & W. Cramer. Plate no. J. & W. C. 3012.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 30″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617132878533{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nJacob, Georges. Symphonie pour orgue. Paris: Alphonse Leduc, 1906. Plate no. A.\u00a0L. 11,365.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nJacquemin, Camille. No\u00ebl ardennais from Tableaux de p\u00e9lerinage<\/em>. Paris: H. H\u00e9relle. Plate no. H. & Cie. 1507(3).<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nJacquemin, Camille. Symphonie en SI mineur. Paris: H. Herelle, 1928. Plate no. H & Cie. 791.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nJongen, Joseph. Improvisation-Caprice, Op. 37, No. 2. Paris: Durand, 1911. Plate no. D. & F. 8140.<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\nN.B. Works by Sigfrid Karg-Elert are arranged by opus number.<\/em><\/span><\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nKarg-Elert, Sigfrid. Sunrise, Op. 7, No. 1. Publisher\u2019s information not present.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nKarg-Elert, Sigfrid. Ciacona con variazioni, Op. 14, No. 7. Publisher\u2019s information not present.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nKarg-Elert, Sigfrid. Herr, wie du willst [Auf Christi Himmelfahrt], Op. 65, No. 36. Berlin: Carl Simon, 1909. Plate no. C. S. 3284.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nKarg-Elert, Sigfrid. Komm, heiliger Geist, Herre Gott, Op. 65, No. 39.\u00a0 Berlin: Carl Simon, 1909.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nKarg-Elert, Sigfrid. Harmonies du soir, Op. 72, No. 1. Publisher\u2019s information not present. Plate no. S. O. C. No. 1,-(4).<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nKarg-Elert, Sigfrid. Choral-Improvisation on \u201cIn dulci jubilo,\u201d Op. 75, No. 2. London: Novello, 1912. Plate no. 13569.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nKarg-Elert, Sigfrid. Choral Improvisation (Festival Prelude) on \u201cGelobt sei Gott im h\u00f6chsten Thron,\u201d Op. 75, No. 4. London: Novello, 1923.\u00a0 Plate no. 14970.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nKarg-Elert, Sigfrid. Ach bleib mit deiner Gnade: Symphonischer Choral, Op. 87, No. 1. Berlin: Carl Simon, Plate no. C. S. 3336.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nKarg-Elert, Sigfrid. Three Pastels for Organ, Op. 92. London: Augener, 1911. Plate no. 14316.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nKarg-Elert, Sigfrid. III [Andantino soave] from Three Pastels for Organ, Op. 92.\u00a0London: Augener, 1911. Plate no. 14311.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nKarg-Elert, Sigfrid. The Soul of the Lake, Op. 96, No. 1. London: Novello, 1923.\u00a0Plate no. 14962.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nKarg-Elert, Sigfrid. Landscape in Mist, Op. 96, No. 2. London: Novello, 1923. Plate no. 14962.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nKarg-Elert, Sigfrid. The Legend of the Mountain, Op. 96, No. 3. London:\u00a0Novello, 1923. Plate no. 14962.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nKarg-Elert, Sigfrid. Entrata, Op. 100, No. 1. London: Novello, 1928. Plate no.15343.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nKarg-Elert, Sigfrid. Canzona, Op. 100, No. 2. London: Novello, 1928. Plate no.\u00a015343.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nKarg-Elert, Sigfrid. Rigaudon (Alla Burla), Op. 100, No. 4. London: Novello, 1928.\u00a0Plate no. 15343.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nKarg-Elert, Sigfrid. Partita, Op. 100. London: Novello, 1928. Plate no. 15343.
\nItem damaged and incomplete; movements I and II are lacking.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nKarg-Elert, Sigfrid. Aria [in g]: per Soprano con due Oboe e Fagotto obligato.\u00a0[From the Cantata di chiesa \u00e0 tre parti (alla J. S. Bach), in:\u00a0 33 Portraits, Opus\u00a0101, Heft I. Publisher\u2019s information not present.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nKarg-Elert, Sigfrid. Stimmen der Nacht (Voices of the Night), Op. 142, No. 1.\u00a0Leipzig: Breitkopf & H\u00e4rtel, 1936. Plate no. C. S. 3482I<\/span>.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nKarg-Elert, Sigfrid. Tenebrae, Op. 142, No. 4. Publisher\u2019s information not\u00a0present.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nKarg-Elert, Sigfrid. Gagliarda, Op. 154, No. 2. Boston: Arthur P. Schmidt Co., 1934.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nKarg-Elert, Sigfrid. Rondo alla Campanella (Moto perpetuo), Op. 156. Boston:\u00a0Arthur P. Schmidt Co., 1933. Plate no. A.P.S. 14609-6.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\n\n

Karl-Elert, Sigfrid. Various: individually published works herein taped together as one gathering.<\/p>\n

    \n
  1. The Soul of the Lake, Op. 96, No. 1. London: Novello, 1923. Plate no. 14962.<\/li>\n
  2. Herr, wie du willst (Lord, as Thou wilst), Op. 65, No. 36. Publisher\u2019s information not present. Plate no. 12237-34.<\/li>\n
  3. Ich dank dir, lieber Herre (I thank Thee, dear Lord), Op. 65, No. 37. Publisher\u2019s information not present. Plate no. 12237-34.<\/li>\n
  4. Jesu, meine freude (Jesu my Joy) [Passacaglia with Chorale], Op. 65, No. 38. Publisher\u2019s information not present. Plate no. 12237-34.<\/li>\n
  5. Komm, heiliger Geist, Herre Gott (Come, Holy Ghost, Lord God), Op. 65, No. 39. Publisher\u2019s information not present. Plate no. 12237-34. (Lacking pages 23-26 in the pagination sequence.)<\/li>\n
  6. O Ewigkeit, Du Donnerwort (O Eternity thou Thunder-word) [In Old Style of the Suite], Op. 65, No. 42. Publisher\u2019s information not present. Plate no. 12237-34.<\/li>\n
  7. O Gott, Du frommer Gott (O God Thou good God) [Canon in the unison, 2nd and 4th below], Op. 65, No. 43. Publisher\u2019s information not present. Plate no. 12237-34.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nKinder, Ralph. In Moonlight. New York: J. Fischer & Bro., 1913. Plate no. [J. F.\u00a0& B.] 3715-3.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nKrebs, J. L. Short Prelude and Fugue [in] C major. Publisher\u2019s information not\u00a0present. Plate no. 27709.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\n[Langlais, Jean]. Bells. London: Novello, 1957. Plate no. 18522.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nLanglais, Jean. Po\u00ebmes \u00c9vang\u00e9liques d\u2019apr\u00e8s les textes sacr\u00e9s. Paris: H. H\u00e9relle.\u00a0Plate no. H. & Cie. 878. In series:\u00a0 Librairie Musicale et R\u00e9ligieuse.<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nLanglais, Jean. Suite M\u00e9di\u00e9vale: en forme de messe basse. Paris: Rouart Lerolle,.\u00a0Plate no. R. L. 12360 & Cie.
\nN.B. Spiral-bound reproduction of the published score; bears a handwritten inscription indicating its use at a wedding on August 17th, 1985 at the Cathedral of St. Louis.<\/em><\/span><\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nLemaigre, Edward. Capriccio. Publisher\u2019s information not present.<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\nLemaigre, Edward. Meditation. New York: G. Schirmer, 1889. Plate no. 7854.<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\nLiszt, Franz. Der Papst-Hymnus. Publisher\u2019s information not present; printed in Leipzig by R\u00f6der. Plate no. 265.<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\nLoret, Clement. Canzone. New York: Edward B. Marks. Plate no. 12118-96.\u00a0Comprises pages 37-42 of a longer work or collection.<\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\nMcKinley, Carl. Cantilena. New York: J. Fischer & Bro., 1921. Plate no. J. F. & B.\u00a05028-6.<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\nMacMaster, Georges. Marche Nuptiale, No. 2, Op. 44. Publisher\u2019s information\u00a0not present.<\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\nMaessen, Antoon. Toccata sopra Te Deum Laudamus. Utrecht: Wed. J. R. van\u00a0Rossum, 1958. Plate no. 433.<\/td>\n<\/tr>\n
folder 40<\/strong><\/td>\nMailly, Alphonse. P\u00e2ques fleuries. London: Augener. Plate no. 6561.<\/td>\n<\/tr>\n
folder 41<\/strong><\/td>\nMaquaire, Arthur. Premi\u00e8re Symphonie, Op. 20. Paris: J. Hamelle. Plate no. J. 5237 H.<\/td>\n<\/tr>\n
folder 42<\/strong><\/td>\nMarcello, Benedetto. Salmo XIX: 1er morceau (1st movement). Arrang\u00e9 pour\u00a0l\u2019orgue par Alex. Guilmant. Publisher\u2019s information not present. Plate no. 30143.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 31″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617132885469{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nMendelssohn, Felix. Allegretto [from Sonata No. 4, Op. 65]. Publisher\u2019s\u00a0information not present.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nMendelssohn, Felix. Liedchen [from Songs without Words, Fourth Book], Op. 53, No. 4. Arranged by Ruth Barrett Arno. Publisher\u2019s information not present. Plate no. 28757-96.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nMerkel, Gustav. Sonate No. 5, Op. 118. Publisher\u2019s information not present. Plate no.\u00a0934.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nMessiaen, Olivier. L\u2019Ascension: Quatre M\u00e9ditations Symphoniques pour Orgue (Ascension Day: Four Symphonic Meditations for Organ). Paris: Alphonse Leduc, 1934. Plate no. A. L. 18,826.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nMessiaen, Olivier. Diptyque pour Orgue: Essai sur la vie terrestre et l\u2019\u00e9ternit\u00e9 bienheureuse. Paris: Durand, 1930. Plate no. D. & F. 11,874.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nMessiaen, Olivier. Various pieces bound together into one binder\u2019s collection.
\nTypescript list of contents affixed to the front cover.
\nItemized contents:<\/p>\n
    \n
  1. Messiaen, Olivier. Les Corps Glorieux: Sept Visions br\u00e8ves de la Vie des Ressuscit\u00e9s.
    \n1er Fascicule. Paris: Alphonse Leduc, 1942. Plate no. A. L. 20,068.
    \n2e Fascicule. Paris: Alphonse Leduc, 1942. Plate no. A. L. 20,071.
    \n3e Fascicule. Paris: Alphonse Leduc, 1942. Plate no. A. L. 20,072.<\/li>\n<\/ol>\n
      \n
    1. Messiaen, Olivier. L\u2019Ascension: Quatre M\u00e9ditations Symphoniques pour Orgue (Ascension Day: Four symphonic meditations for organ). Paris: Alphonse Leduc, 1934. Plate no. A. L. 18,826.
      \nI. Majest\u00e9 du Christ demandant sa gloire \u00e0 son P\u00e8re (Majesty of Christ praying that His Father should glorify Him)\u2014II. All\u00e9luias sereins d\u2019une \u00e2me qui d\u00e9sire le ciel (Serene Alleluias from a soul longing for Heaven)\u2014III. Transports de joie d\u2019une \u00e2me devant la gloire du Christ qui est la sienna (Outburst of joy from a soul before the Glory of Christ which is its own glory)\u2014IV. Pri\u00e8re du Christ montant vers son P\u00e8re (Prayer from Christ ascending towards His Father).<\/li>\n
    2. Messiaen, Olivier. La Nativit\u00e9 du Seigneur: Neuf M\u00e9ditations pour Orgue.
      \n1er Fascicule. Paris: Alphonse Leduc, 1936. Plate no. A. L. 19,266.
      \n2e Fascicule. Paris: Alphonse Leduc, 1936. Plate no. A. L. 19,269.
      \n3e Fascicule. Paris: Alphonse Leduc, 1936. Plate no. A. L. 19,271.
      \n4e Fascicule. Paris: Alphonse Leduc, 1936. Plate no. A. L. 19,272.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nMiddelschulte, Wilhelm. Chromatic Fantasie and Fugue (Chromatische Fantasie und Fuge). Arr. by Robert L. Bedell. Publisher\u2019s information not present.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nMozart, Wolfgang Amadeus. Andante ([from the] Twelfth Symphony). Freely arranged for organ. Publisher\u2019s information not present. Plate no. 44121.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nMulet, Henri. Carillon-Sortie. London: Novello.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nMulet, Henry [sic]. Tu es petra, et portae inferi non praevalebunt adversus te:\u00a0from Esquisses Byzantines: dix pi\u00e8ces pour grand-orgue. Paris: Alphonse Leduc.\u00a0Plate no. A. L. 16,202.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nNunn, E. Cuthbert. Nocturne. London: Paxton, 1913. Plate no. 22100.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nOta\u00f1o, N. Andante religioso. Revised and edited by Henry Clough-Leighter.\u00a0Boston: Boston Music Co. Plate no. B. M. Co. 6621.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nPachelbel, Johann. Chromatic Fugue. Publisher\u2019s information not present. Plate no.\u00a0OC 227.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nPachelbel, Johann. Ciacona [in D minor]. Publisher\u2019s information not present. Plate no. 29720.
\nN.B. Comprises pages 50-56 of an unidentified collection.<\/span><\/em><\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nPachelbel, Johann. Fantasia [in D minor]. Publisher\u2019s information not present.\u00a0Plate no. OC 227.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nParker, Horatio. Allegretto from the Organ-Sonata in E-flat minor, Op. 65. [New\u00a0York: G. Schirmer]. Plate no. 22065.
\nN.B. Comprises pages 49-57 of an\u00a0unidentified collection.<\/em><\/span><\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nParker, Horatio. Allegretto from the Organ-Sonata in E-flat minor, Op. 65. [New\u00a0York: G. Schirmer]. Plate no. 22065.
\nN.B. Comprises pages 49-57 of an\u00a0unidentified collection. This copy bound within a soft cover.<\/em><\/span><\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nParker, Horatio. Canzonetta, Op. 36, No. 1. New York: G. Schirmer, 1893. Plate no.\u00a022065.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nParker, Horatio. Festival Prelude, Op. 66, No. 1. New York: G. Schirmer, 1910.\u00a0Plate no. 22065 c.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nParker, Horatio. Scherzino, Op. 66, No. 3. New York: G. Schirmer, 1910. Plate no.\u00a022065.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nPeeters, Flor. Toccata: from Sixty Short Pieces. Publisher\u2019s information not\u00a0present. Plate no. Peeters \u2013 Sixty Short Pieces \u2013 (80).<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nPhillips, F. Montague. Empire March, Op. 68. Arranged for the organ by the\u00a0composer. London: Novello, 1942. Plate no. 17007.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nProkofieff, Serge. Prelude, Op. 12, No. 7. [New York: G. Schirmer]. Plate no.\u00a044121.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nPurcell, Henry. The Bell Symphony: arranged from the anthem \u201cRejoice in the\u00a0Lord\u201d. Edited by Dr. William C. Carl. New York: H. W. Gray, 1917. Plate no. St.\u00a0Cecelia No. 82.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nPurcell, Henry. Suite from Dioclesian<\/em>. Arranged by Eric H. Thiman. London: Novello, 1938. Plate no. 16551.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nRaff, Joachim. La Fileuse (The Spinner). Transcribed by Gottfried H. Federlein. New York: G. Schirmer, 1941. Plate no. 39243.
\nN.B. Comprises pages 139-147 of an unidentified volume or collection.<\/em><\/span><\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nReger, Max. Canzone (G moll). Leipzig: [Publisher\u2019s information not present].<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nReger, Max. Invocation. Edited by Robert Leech Bedell. New York: Edition\u00a0Musicus. Plate no. L. 55.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nReger, Max. Six Pieces, Op. 80, Heft II. Leipzig: C. F. Peters, 1932. Plate no. 9014.
\nContents: 7. Scherzo\u20148. Romanze\u20149. Perpetuum mobile\u201410. Intermezzo\u201411. Toccata\u201412. Fuge.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nRemondi, Roberto. El\u00e9gie. Publisher\u2019s information not present.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nRemondi, Roberto. El\u00e9gie. Publisher\u2019s information not present.<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nRenaud, Albert. M\u00e9lodie in E, Op. 116, No. 2. Publisher\u2019s information not present. Plate no. 22096.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nRenaud, Albert. Pastorale, Op. 101, No. 3. Publisher\u2019s information not present.<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\nRenaud, Albert. Toccata en R\u00e9 mineur, Op. 108, No. 1.\u00a0 [Paris]: Costallat, 1907.<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\nReubke, Julius. The Ninety-Fourth Psalm: Sonata for the organ. Edited by Caspar Koch. New York: G. Schirmer, 1934. Plate no. 36096c.<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\n[Rheinberger, Josef]. Allegretto-Canzone from Sonata No. 13, Op. 161. New York: J. Fischer & Bro. Plate no. J. F. & B. 8750-74.<\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\nRheinberger, Josef. Finale: from Twelve Pieces for the Organ, Op. 167. Edited by Harvey Grace. London: Novello, 1940. Plate no. 16845.<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\nRheinberger, Josef. Intermezzo from Sonata No. 6, Op. 119. [New York: J. Fischer & Bro.]. Plate no. J. F. & B. 8507-63.<\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\n[Rheinberger, Josef]. Lamento in B minor, Op. 156, No. 9. Publisher\u2019s information not present.<\/td>\n<\/tr>\n
folder 40<\/strong><\/td>\nRheinberger, Josef. Preludio from Organ Sonata No. 7, Op. 127. Edited by E. D. 1951. New York: G. Schirmer, 1951. Plate no. 42366.
\nN.B. Comprises pages 112-118 of an unidentified volume or collection.<\/span><\/em><\/td>\n<\/tr>\n
folder 41<\/strong><\/td>\nRheinberger, Josef.\u00a0 Various. Taped together into one unbound gathering.
\nContents:<\/p>\n
    \n
  1. \u201cSolemn Festival\u201d (Ernste Feier) and \u201cDuet\u201d (Zwiegesang) from Twelve Pieces, Op. 174 (Nos. 7 and 8, respectively). London: Novello. Plate no. 9718.<\/li>\n
  2. Adagio from Sonata in G minor for Violin and Piano. [New York: J. Fischer & Bro.]. Plate no. J. F. & B. 3951-34.<\/li>\n
  3. Agitato, Op. 174, No. 5; and, Improvisation, Op. 174, No. 6. Publisher\u2019s information not present. Plate no. 9717.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/vc_column_text][vc_custom_heading text=”Box 32″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617132892054{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
    folder 1<\/strong><\/td>\nRubinstein, Anton. Romance. Publisher\u2019s information not present. Plate no. A.T.C.-141.<\/td>\n<\/tr>\n
    folder 2<\/strong><\/td>\nSaint-Sa\u00ebns, Camille. Danse Macabre. Transcribed from the full score by Edwin 1919. Lemare. New York: G. Schirmer, 1919. Plate no. 28820.<\/td>\n<\/tr>\n
    folder 3<\/strong><\/td>\nSaint-Sa\u00ebns, Camille. Marche H\u00e9ro\u00efque, Op. 34. Transcription pour Grand Orgue par Alexandre Guilmant. Paris: Durand. Plate no. D. & F. 4711.<\/td>\n<\/tr>\n
    folder 4<\/strong><\/td>\nSalom\u00e9, Theodore. Rhapsodie Pastorale (Pastorale Rhapsody), Op. 48. [Boston: Arthur P. Schmidt]. Plate no. A. P. S. 2419-6.<\/td>\n<\/tr>\n
    folder 5<\/strong><\/td>\n[Schroeder, Hermann. Poco vivace from Little Preludes and Intermezzos<\/em>.] Mainz: B. Schott\u2019s S\u00f6hne. Plate no. 33316.<\/td>\n<\/tr>\n
    folder 6<\/strong><\/td>\nScott, George L. Finale. Ink manuscript; 8 pages of music. At end:\u00a0 George L. Scott \/ May 1940.\u00a0 \u201cTo Mario Salvador\u201d\u2014in caption on first page of music.<\/td>\n<\/tr>\n
    folder 7<\/strong><\/td>\nSnow, Albert W. Distant Chimes. [New York]: H. W. Gray, 1928. Plate no. St. Cecilia, No. 459.<\/td>\n<\/tr>\n
    folder 8<\/strong><\/td>\nSoler, Antonio. The Emperor\u2019s Fanfare (from Sixth Double Concerto). Freely adapted, arranged and titled by E. Power Biggs; Hammond registration by Chester Kingsbury. New York: G. Schirmer, 1969. Plate no. St. Cec. 958 \u2013 (4).<\/td>\n<\/tr>\n
    folder 9<\/strong><\/td>\nSowerby, Leo. Toccata. [New York]: H. W. Gray, 1941. Plate no. C. O. S. No. 1 \u2013 (15).<\/td>\n<\/tr>\n
    folder 10<\/strong><\/td>\nStanford, C. V. Six Short Preludes and Postludes, First Set, Op. 101. London:\u00a0Stainer & Bell, 1907. Plate no. St. & B. 160.<\/td>\n<\/tr>\n
    folder 11<\/strong><\/td>\nStanford, C. V. Six Shorts Preludes and Postludes, Second Set, Op. 105. London: Stainer & Bell, 1908. Plate no. St. & B. Ltd. 214.<\/td>\n<\/tr>\n
    folder 12<\/strong><\/td>\nStrategier, Herman. Ritornello Capriccioso. Utrecht: J. R. van Rossum, 1955.\u00a0Plate no. 396.<\/td>\n<\/tr>\n
    folder 13<\/strong><\/td>\nStrategier, Herman. Toccatina. Utrecht: J. R. van Rossum, 1955. Plate no. 395.<\/td>\n<\/tr>\n
    folder 14<\/strong><\/td>\n[Sweelinck, Jan Pieterszoon]. Echo Fantasia. Publisher\u2019s information not present.
    \nIncomplete<\/td>\n<\/tr>\n
    folder 15<\/strong><\/td>\n[Torres, Edoardo]. Nostalgia. Publisher\u2019s information not present. Plate no. C. 1893.\u00a0E.<\/td>\n<\/tr>\n
    folder 16<\/strong><\/td>\nUnidentified. Legende. Publisher\u2019s information not present. Plate no. 649-20.<\/td>\n<\/tr>\n
    folder 17<\/strong><\/td>\nUnidentified.\u00a0 Title unknown; publisher\u2019s information not present. Incomplete.
    \nN.B. The musical style and registration indications suggest that the music was composed in France in the late 19th-century or early 20th-century.<\/em><\/span><\/td>\n<\/tr>\n
    \u00a0<\/strong><\/td>\nN.B. Works by Louis Vierne are arranged by opus number.<\/em><\/td>\n<\/tr>\n
    folder 18<\/strong><\/td>\nVierne, Louis. Pastorale (III) and Allegro Vivace (IV) from Symphonie No. 1, Op. 14. Paris: J. Hamelle.
    \nCopyright by P\u00e9r\u00e9gally et Parvy fis 1899. Plate no. J.6179. 3 H.<\/td>\n<\/tr>\n
    folder 19<\/strong><\/td>\nVierne, Louis. Final (VI) from Symphonie No. 1, Op. 14. Paris: J. Hamelle, 1899.
    \nCopyright by P\u00e9r\u00e9gally et Parvy fis 1899. Plate no. J. 6179 6. H.<\/td>\n<\/tr>\n
    folder 20<\/strong><\/td>\nVierne, Louis. Scherzo from Symphonie No. 2, Op. 20. Paris: J. Hamelle.
    \nCopyright by P\u00e9r\u00e9gally et Parvy fis 1903. Plate no. J. 61803<\/sup> H.<\/td>\n<\/tr>\n
    folder 21<\/strong><\/td>\nVierne, Louis. Allegro (I), Cantabile (IV), and Final (V) from the Deuxi\u00e8me Symphonie, Op. 20. New York: Edwin F. Kalmus.<\/td>\n<\/tr>\n
    folder 22<\/strong><\/td>\nVierne, Louis. Cort\u00e8ge (No. 2) from 24 Pi\u00e8ces en style libre, Op. 31. Paris: Durand. Plate no. D. & F. 8972.<\/td>\n<\/tr>\n
    folder 23<\/strong><\/td>\nVierne, Louis. 24 Pi\u00e8ces en style libre, Op. 31. Livre II. Philadelphia: Elkan- Vogel Co. Plate no. D. & F. 8973.<\/td>\n<\/tr>\n
    folder 24<\/strong><\/td>\nVierne, Louis. \u201cClair de lune\u201d [from 24 Pi\u00e8ces de Fantaisie, 2me suite, Op. 53].\u00a0[Paris: Henry Lemoine.] Plate no. 21,985.HL.<\/td>\n<\/tr>\n
    folder 25<\/strong><\/td>\nVierne, Louis. \u201cClair de lune\u201d and \u201cToccata\u201d [from 24 Pi\u00e8ces de Fantaisie,\u00a0deuxi\u00e8me suite, Op. 53]. [Paris: Henry Lemoine.] Plate no. 21,985.HL.<\/td>\n<\/tr>\n
    folder 26<\/strong><\/td>\nVierne, Louis. \u201cImpromptu\u201d, \u201cEtoile de soir\u201d, and \u201cFant\u00f4mes\u201d [from 24 Pi\u00e8ces de Fantaisie, troisi\u00e8me suite, Op. 54]. [Paris: Henry Lemoine.] Plate no. 22,099.HL.<\/td>\n<\/tr>\n
    folder 27<\/strong><\/td>\nVierne, Louis. \u201cCarillon de Westminster\u201d [from 24 Pi\u00e8ces de Fantaisie, troisi\u00e8me suite, Op. 54]. [Paris: Henry Lemoine.] Plate no. 22,099.HL.<\/td>\n<\/tr>\n
    folder 28<\/strong><\/td>\nVierne, Louis. Pi\u00e8ces de Fantaisie pour Grand Orgue. Quatri\u00e8me suite, Op. 55.\u00a0Paris: Henry Lemoine, 1926-1927. Plate no.\u00a0 22,110.HL.<\/td>\n<\/tr>\n
    folder 29<\/strong><\/td>\nVierne, Louis. \u201cR\u00e9signation\u201d [from Pi\u00e8ces de Fantaisie pour Grand Orgue. Quatri\u00e8me suite, Op. 55. Paris: Henry Lemoine, 1926-1927.] Plate no. 22,110.HL.<\/td>\n<\/tr>\n
    folder 30<\/strong><\/td>\nVerdi, Giuseppe. Ave Maria: from Otello. Arranged for organ by Harry Rowe\u00a0Shelley. New York: G. Schirmer, 1889.<\/td>\n<\/tr>\n
    folder 31<\/strong><\/td>\nVolckmar, Wilhelm. 14 Compositions for Festival Occasions (Fest-Spiele). Edited by E. J. Biedermann. New York: J. Fischer & Bro., 1897. Plate no. J. F. & B. 1125 _ 48.<\/td>\n<\/tr>\n
    folder 32<\/strong><\/td>\n\n

    Volckmar, Wilhelm. Binder\u2019s collection containing the following:<\/p>\n

      \n
    1. Zwei Fantasien, Op. 314. Braunschweig: Henry Litolff. Plate no. 10816.<\/li>\n
    2. 6 Festpraeludien f\u00fcr Orgel, Op. 320. Braunschweig: Henry. Collection Litolff No. 994.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
    folder 33<\/strong><\/td>\nWagner, Richard. Bridal Chorus: from Lohengrin. Arranged by Franz Mahl. New\u00a0York: Emil Ascher. Plate no. E. A. 322-19.<\/td>\n<\/tr>\n
    folder 34<\/strong><\/td>\nWatling, Horace F. Cantilene. London: Paxton, 1911. Plate no. 22093.
    \nN.B. Comprises pages 161-166 of a longer volume or collection.<\/span><\/em><\/td>\n<\/tr>\n
    folder 35<\/strong><\/td>\nWeitz, Guy. Finale (V) [from Symphony No. 2 for organ]. London: J. & W. Chester, 1949. Plate no. J. W. C. 3049e<\/sup>.<\/td>\n<\/tr>\n
    folder 36<\/strong><\/td>\nWheeldon, H. A. The Minster Bells. New York: H. W. Gray, 1915. Plate no. St.\u00a0Cecilia No. 64.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/vc_column_text][vc_custom_heading text=”Box 33″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617132949942{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
    folder 1<\/strong><\/td>\nWhiting, George, E. [Duke Street]: Postlude (II) [from Six Postludes on Familiar\u00a0Church Melodies]. Melody by J. L. Hatton. Philadelphia: Theodore Presser, 1909.\u00a0Plate no. 7774-3.<\/td>\n<\/tr>\n
    folder 2<\/strong><\/td>\nWidor, Charles-Marie. Symphonie IV [Op. 13]. Paris: J. Hamelle. Plate no. J.\u00a01214 M. (4).<\/td>\n<\/tr>\n
    folder 3<\/strong><\/td>\nWidor, Charles-Marie. Toccata from the \u201cFifth Organ Symphony\u201d [Op. 42].\u00a0[Cincinnati]: John Church, 1901.<\/td>\n<\/tr>\n
    folder 4<\/strong><\/td>\n\u00a0Widor, Charles-Marie. Finale from Organ Symphony No. 6 [Op. 42]. New York: 1954.\u00a0Schirmer, 1954. Plate no. 42366.<\/td>\n<\/tr>\n
    folder 5<\/strong><\/td>\nWidor, Charles-Marie. Allegro (III), Variations (IV), Adagio (V), and Finale (VI)\u00a0[from Symphonie No. 8, Op. 42]. Paris: J. Hamelle, 1901. Plate no. J.2663 H.<\/td>\n<\/tr>\n
    folder 6<\/strong><\/td>\nWidor, Charles-Marie. Trois Nouvelles Pi\u00e8ces, Op. 87. Paris: Durand, 1934. Plate no.\u00a0D. & F. 12,393 (1).
    \nN.B. The three constituent pieces\u2014Classique d\u2019hier; Mystique; and, Classique d\u2019aujourd\u2019hui\u2014were issued separately and are herein bound together in a binder\u2019s collection. At the end of the binder\u2019s collection is the front matter from a copy of the\u00a0Suite Latine, Op. 86 (Durand).<\/span><\/em><\/td>\n<\/tr>\n
    folder 7<\/strong><\/td>\nWood, Frederic H. Evening on the Downs (Nocturne), Op. 26, No. 2. London:\u00a0Stainer & Bell, 1929. Plate no. S. & B. 4012.<\/td>\n<\/tr>\n
    folder 8<\/strong><\/td>\nWood, Frederic H. Symonds Yat (Toccata), Op. 26, No. 2. London: Stainer &\u00a0Bell, [1929?]. Plate no. S. & B. 3580.<\/td>\n<\/tr>\n
    folder 9<\/strong><\/td>\nWood, Frederic H. Scene on the Downs: 4th Suite for organ, Op. 29. London: Stainer & Bell, 1929. Plate no. S. & B. 4012.
    \nN.B. Contains four movements. ! The title \u201cScenes on the Wye: Third Suite for Organ\u201d erroneously appears on the cover of the binding.<\/span><\/em><\/td>\n<\/tr>\n
    folder 10<\/strong><\/td>\nWood, W. G. Toccata in D minor. London: Novello & Co. Plate no. 7707.<\/td>\n<\/tr>\n
    folder 11<\/strong><\/td>\nWright, Gustin. Marche Nuptiale: pour Grand Orgue. Paris: Mackar & No\u00ebl, 1898.\u00a0Plate no. A.N. 1829.\u00a0A handwritten inscription by the composer appears at head of the title page, partially removed due to cropping of the pages.<\/td>\n<\/tr>\n
    folder 12<\/strong><\/td>\nZamecnik, J. S. Neapolitan Nights. Transcribed by Floyd J. St. [Clair].\u00a0[Cleveland]: Sam Fox, 1923.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/vc_column_text][vc_column_text css=”.vc_custom_1618326434270{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

    <\/a>Series 6: Binder\u2019s collections of organ repertory<\/h3>\n

    [\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n
    folder 13<\/strong><\/td>\nBinder\u2019s collection. Front cover bears a typescript list of the composers represented therein.
    \nContents:<\/p>\n
      \n
    1. Volckmar, Wilhelm. Fantasie \u00fcber das Lied \u201cHome, Sweet Home\u201d f\u00fcr Orgel, Op. 226. Leipzig: J. Schuberth. Plate no. 4818.<\/li>\n
    2. Mendelssohn, Felix. Funeral March (so called). Arranged by Ernest Douglas. New York: G. Schirmer, 1906. Plate no. B. M. Co. 1349.<\/li>\n
    3. Mendelssohn, Felix. Andante from the Violin Concerto. Arranged by W. A. C. Cruickshank; edited by John E. West. London: Novello. Plate no. 11774.<\/li>\n
    4. Mendelssohn, Felix. Notturno from the Music to Shakespeare\u2019s \u201cMidsummer Night\u2019s Dream.\u201d<\/li>\n
    5. Arranged for the organ by Samuel P. Warren. New York: G. Schirmer, 1905. Plate no. 1977.<\/li>\n
    6. Mendelssohn, Felix. Wedding March from the \u201cMidsummer Night\u2019s Dream.\u201d Arranged by Clarence Eddy. Boston: Oliver Ditson, 1894. Plate no. 85-57780-8.<\/li>\n
    7. Mendelssohn, Felix. War March of the Priests: from Athalie<\/em>. Transcribed for the organ by Charles Steggall. New York: J. Fischer & Bro., 1895. Plate no. J. F. & B. 847_6.<\/li>\n
    8. Liszt, Franz. Pio IX: Der Papst-Hymnus: f\u00fcr Harmonium oder Orgel. Erfurt & Leipzig: Wilhelm K\u00f6rner. Plate no. 265. \u00a0B. Incomplete; only the front cover and title page are present.<\/li>\n
    9. Liszt, Franz. Ave Maria. Arranged for organ by J. D. Hazen. New York: Carl Fischer, 1904. Plate no. 8357-4.<\/li>\n
    10. Wagner, Richard. Overture [to] Rienzi<\/em>. Arranged for the chamber organ with pedal obligato by A. F. Delmar. London: Weekes & Co. Plate no. W. 1519.<\/li>\n
    11. Wagner, Richard. Introduction and Prayer from Rienzi<\/em>. Transcribed for organ by A. J. Davis. New York: J. Fischer & Bro., 1904. Plate no. J. F. & B. 2538-6.<\/li>\n
    12. Wagner, Richard. Bridal March (from Lohengrin). Transcribed for the organ by F. A. W. Docker; revised by E. J. Biedermann. New York: J. Fischer & Bro., 1895. Plate no. J. F. & B. 840_5.<\/li>\n
    13. Gounod, Charles. Postlude. Edited by E. J. Biedermann. New York: J. Fischer & Bro., 1898. Plate no. J. F. & B. 1289-4.<\/li>\n
    14. Gounod, Charles. Marche Romaine. Arranged by Edward F. Rimbault. New York: J. Fischer & Bro.. Plate no. J. F. & B. 799_3.<\/li>\n
    15. Gounod, Charles. Hymne \u00e0 Sainte C\u00e9cile. Transcribed for organ by W. J. Westbrook; registration & pedaling by S. B. Whitney. Boston: Oliver Ditson, 1890. Plate no. 53544-3.<\/li>\n
    16. Schumann, Robert. R\u00eaverie (Tr\u00e4umerei); and, Evening Song (Abendlied). Transcribed for organ by Alex. Gilmant. New York: J. Fischer & Bro., 1898. Plate no. J. F. & B. 1277-4.<\/li>\n
    17. Handel, G. F. Largo from Xerxes, <\/em> 6, No. 2. Arranged for the organ by Herve D. Wilkins. Boston: Oliver Ditson, 1896. Plate no. 129-59414-4.<\/li>\n
    18. Handel, G. F. March. [Arranged by ?] Best; edited by J. D. Hazen. New York: Carl Fischer, 1904. Plate no. 8378-2.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
    folder 14<\/strong><\/td>\nBinder\u2019s collection.
    \nContents:<\/p>\n
      \n
    1. [Reger, Max]. Scherzo. [New York?]: C. F. Peters, 1930. Plate no. 8843.<\/li>\n
    2. Kistler, Cyrill. Festpr\u00e4ludium: Freie Fantasie. Publisher\u2019s information not present. Plate no. O. J. 4348a<\/sup>.<\/li>\n
    3. Mailly, Alphonse. Allegro con brio. Publisher\u2019s information not present. Plate no. O. J. 4348a<\/sup>. B. Nos. 2 and 3 comprise pages 52-64 of an unidentified volume or collection.<\/li>\n
    4. Reger, Max. Canzonetta (3); Gigue (4); Ave Maria (5); and, Intermezzo (6): from 12 St\u00fccke f\u00fcr die Orgel, book I. <\/em>Leipzig: C. F. Peters, 1930. Plate no. 8956. B. Comprise pages 13-30 of the volume.<\/li>\n
    5. 5. Reger, Max. Toccata (11); Fuge (12); Scherzo (10); and , Intermezzo (\u00a0\u00a0 ) from 12 St\u00fccke f\u00fcr die Orgel, book II. <\/em>Leipzig: C. F. Peters, 1930. Plate no. 8843.\u00a0 N.B. Comprise pages 35-42, 27-34 of the volume.<\/span><\/em><\/span><\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

      [\/vc_column_text][vc_custom_heading text=”Box 34″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617132961605{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
      folder 1<\/strong><\/td>\nBinder\u2019s collection; hardbound. Front cover bears a typescript list of the\u00a0composers represented therein.
      \nContents:<\/p>\n
        \n
      1. Liszt, Franz. Ave Maria d\u2019Arcadelt. London: Novello.<\/li>\n
      2. Liszt, Franz. Sposalizio: from Ann\u00e9es de P\u00e9lerinage. Transcribed for the organ by Edwin H. Lemare. Mainz: B. Schott\u2019s S\u00f6hne, 1899. Plate no. 26591.<\/li>\n
      3. Wagner, Richard. Vorspiel zu Tristan und Isolde. <\/em>Arranged by W. T. Best.<\/em> Leipzig: Breitkopf & H\u00e4rtel. Plate no. 15058.<\/li>\n
      4. Wagner, Richard. Vorspiel zu Lohengrin. [Bearbeitet von] B. Sulze. Leipzig: Breitkopf & H\u00e4rtel. Plate no. 15452.<\/li>\n
      5. Wagner, Richard. Gebet nach Motiven aus Richard Wagners Lohengrin. F\u00fcr Orgel frei bearbeitet von B. Sulze. Leipzig: Breitkopf & H\u00e4rtel. Plate no. Org. Bibl. 16245.<\/li>\n
      6. Wagner, Richard. 6 \u00dcbertragungen aus Lohengrin von Wagner. [Bearbeitet von] B. Sulze. Leipzig: Breitkopf & H\u00e4rtel. Plate no. 15060.<\/li>\n
      7. Wagner, Richard, with Edwin H. Lemare. Good Friday Music: from Parsifal. Transcribed for the organ by Edwin H. Lemare. Mainz: B. Schott\u2019s S\u00f6hne, 1899. Plate no. 26670.<\/li>\n
      8. Wagner, Richard. Vorspiel zu Parsifal. Bearbeitet von Albrecht H\u00e4nlein. Mainz: B. Schott\u2019s S\u00f6hne. Plate no. 23641.<\/li>\n
      9. Wagner, Richard. Siegfried-Idyll. Transcribed for the organ by Edwin H. Lemare. Mainz: B. Schott\u2019s S\u00f6hne. Plate no. 26472.<\/li>\n
      10. Wagner, Richard. Tr\u00e4ume (aus F\u00fcnf Gedichte). [Bearbeitet von] C. S. Jekyll. Mainz: B. Schott\u2019s S\u00f6hne. Plate no. 26218.<\/li>\n
      11. Wagner, Richard. The Pilgrim\u2019s Chorus (from Tannh\u00e4user). Arranged for the organ by Edgar A. Barrell. Boston: Arthur P. Schmidt, 1900. Plate no. A.P.S. 5306-5.<\/li>\n
      12. Wagner, Richard. Chor der \u00e4ltern Pilger; Gebet der Elisabeth; and, Chor der j\u00fcngern Pilger: aus Tannh\u00e4user. Transcriptionen f\u00fcr Harmonium, Pedalfl\u00fcgel oder Orgel von Franz Liszt u. A. W. Gottschlag. Berlin: Adolph F\u00fcrstner. Plate no. A. 3214 F.<\/li>\n
      13. Handel, G. F. Marche-Gavotte de Josu\u00e9. Transcription pour Grande Orgue par Th\u00e9odore Dubois. Paris: Durand. Plate no. D. & F. 4796.<\/li>\n
      14. Handel, G. F. Menuet. Transcribed for organ by Dr. Charles W. Pearce. London: Laudy & Co., 1897. Plate no. J. 417 L.<\/li>\n
      15. Handel, G.F. Hallelujah du Messie de Haendel. Transcription pour Grand Orgue par Th. Dubois. Paris: Durand & Schoenewerk. Plate no. D. S. 3999.<\/li>\n
      16. Handel, G. F. Largo. [Arranged by] Harry Rowe Shelley. New York: G. Schirmer, 1888. Plate no. 5879.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
      folder 2<\/strong><\/td>\nBinder\u2019s collection; assembled in a file folder. On the inside back cover is a manuscript 3-part choral setting of the Agnus Dei, presumably by M.S..
      \nContents:<\/p>\n
        \n
      1. Liszt, Franz. Prelude and Fugue on the Name B-A-C-H. Arranged by Robert Leech Bedell. Publisher\u2019s information not present; comprises pages 44-63 of an unidentified volume or collection.<\/li>\n
      2. Liszt, Franz. Fuge: Ad nos, ad salutarem undam. F\u00fcr Orgel \u00fcbertragen von H. A. Fricker. Leipzig: Breitkopf & H\u00e4rtel, 1907. Plate no. V. A. 2323.<\/li>\n
      3. Saint-Sa\u00ebns, Camille. Fantaisie, Op. 157. Paris: Durand, 1919. Plate no. D. & F. 9787.<\/li>\n
      4. Durufl\u00e9, Maurice. Scherzo, Op. 2. Paris: Durand. Plate no. D. & F. 11,703.<\/li>\n
      5. [Jacquemin, Camille]. Esp\u00e9rance (II); and, Charit\u00e9 (III) [from Symphonie en Si mineur pour Grande Orgue]. Paris: Herelle, [1928]. Plate no. H. & Cie. 791.<\/li>\n
      6. [Widor, Charles-Marie]. Allegro (III) [from Symphonie No. 8, Op. 42]. Publisher\u2019s information not present. Plate no. 12381-67.<\/li>\n
      7. Manari, Raffaele. Studio da Concerto \u201cSalve Regina\u201d. Publisher\u2019s information not present.<\/li>\n
      8. de Maleingreau, Paul. Symphonie de No\u00ebl, Op. 19: de la s\u00e9rie \u201cCath\u00e9drale\u201d. New York: J. & W. Chester, 1920. Plate no. J. W. C. 3025.<\/li>\n
      9. de Maleingreau, Paul. Symphonie de la Passion, Op. 20. Paris: Salabert, 1923. Plate no. .S .6068.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
      folder 3<\/strong><\/td>\nBinder\u2019s collection. Front cover bears the rubric \u201cChristmas Music,\u201d presumably in M.S.\u2019s hand.
      \nContents:<\/p>\n
        \n
      1. Mansfield, Orlando A., ed. Seasonal Voluntaries for Organ: Book 1, Christmas. London: Paxton, 1936. Plate no. 22238. Incomplete: only the following present (pages 3-8, 19-22):<\/li>\n
      2. Front matter and index.<\/li>\n
      3. Bach, J. S. Fugue on the Christmas Carol \u201cVom Himmel hoch\u201d.<\/li>\n
      4. Mendelssohn, Felix. Allegretto in G, Op. 72, No. 3.<\/li>\n
      5. Wesley, Samuel S. Glory to God on High from \u201cBlessed be the Lord God of Israel\u201d.<\/li>\n
      6. Handel, G. F. O Thou that tellest from Messiah<\/em>.<\/li>\n
      7. Lef\u00e9bure-Wely, Louis James Alfred. Sc\u00e9ne Pastorale; and, Invocation: from L\u2019Organiste Moderne<\/em>. Paris: Costallat. Plate no. A.M. 1578 and 15222. R.<\/li>\n
      8. Two additional selections from Mansfield, Orlando A., ed. Seasonal Voluntaries for Organ: Book 1, Christmas (pages 31-45 altogether). London: Paxton, 1936. Plate no. 22238.<\/li>\n
      9. Handel, G. F. For unto us a Child is Born from Messiah<\/em>. Arranged by Henry Smart.<\/li>\n
      10. Merkel, Gustav. Christmas Pastorale in G, Op. 56.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
      folder 4<\/strong><\/td>\nBinder\u2019s collection of pieces by Josef Rheinberger and Richard Bartmu\u00df; front cover bears a handwritten list of the titles and composers represented therein.
      \nContents:<\/p>\n
        \n
      1. Rheinberger, Josef, with Gerard Alphenaar. Scherzo [from Sonata No. 5 in F-sharp major, Op. 111]. New York: Edward B. Marks, 1953. Plate no. 13066-46.<\/li>\n
      2. Bartmu\u00df, Richard. Choralfantasie \u00fcber \u201cJesu, meine Freude\u201d. Leipzig: Otto Junne, 1907. Plate no. O. J. 4348b. Reproduction of no. 3, below.<\/li>\n
      3. Bartmu\u00df, Richard. Choralfantasie \u201cJesu, meine Freude\u201d. Leipzig: Otto Junne, 1907. Plate no. O. J. 4348b. Annotated copy.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
      folder 5<\/strong><\/td>\nBinder\u2019s collection; its contents hole-punched and originally housed in a three-\u00a0ring binder (now discarded).
      \nContents:<\/p>\n
        \n
      1. Guilmant, Alexandre. Sonate en La (in A) (2m Symphonie), Op. 91. Mainz: B. Schott\u2019s S\u00f6hne, 1907. Plate no. 29717.<\/li>\n
      2. Various composers. Orgue et Liturgie, I: Paques. Paris: Les \u00c9ditions musicales. Plate no. 0.0001 L. [ ? The volume\u2019s content represented in its entirety.]<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
      folder 6<\/strong><\/td>\nBinder\u2019s collection of works by C\u00e9sar Franck and Louis Vierne: constitutes a copy of the C\u00e9sar Franck Organ Folio (Boston Music Co., 1916) into which other items have been tipped.
      \nContents:<\/p>\n
        \n
      1. Franck, C\u00e9sar, with Joseph Bonnet, ed. Three Chorals for Organ. New York: J. Fischer & Bro., 1948. Plate no. J. F. & B. 7913-44.<\/li>\n
      2. Vierne, Louis. First Symphony, Op. 14. New York: Edward B. Marks, 1941.<\/li>\n
      3. Vierne, Louis. \u201cClair de lune\u201d and \u201cToccata\u201d from 24 Pi\u00e8ces de Fantaisie<\/em>, Suite III, Op. 54. Paris: Herelle, Plate no. 21,985. HL.<\/li>\n
      4. Franck, C\u00e9sar. Pi\u00e8ce H\u00e9ro\u00efque; Cantabile; and, Pastorale. Comprise pages 3-29 from the C\u00e9sar Franck Organ Folio, compiled and edited by Edwin Arthur Kraft. Boston: Boston Music Co., 1916. Plate no. B. M. Co. 5296.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
      folder 7<\/strong><\/td>\nA self-prepared copy of the publication: 20 Pie\u0300ces Modernes pour orgue. Paris: Durand, 1909. Plate no. D. & F. 7377. Score tipped into a hard binding, now lacking its front cover; only pages 35-132 of the score are present.<\/td>\n<\/tr>\n
      folder 8<\/strong><\/td>\n\n

      Binder\u2019s collection of works by C\u00e9sar Franck and Louis Vierne.<\/p>\n

        \n
      1. Durufl\u00e9, Maurice. Pr\u00e9lude, Adagio et Choral vari\u00e9. Paris: Durand, 1931. Plate no. D. & F. 12,016.<\/li>\n
      2. Reger, Max. Monologe: Zw\u00f6lf St\u00fccke f\u00fcr Orgel, Op. 63. Heft III. Leipzig: F. E. C. Leuckart, 1902. Plate no. F. E. C. L. 5556.<\/li>\n
      3. Plum, P. J. M. Etude Concertante, Op. 88: pour le P\u00e9dalier. Brussels: Schott Fr\u00e8res, 1931. Plate no. S. F. 7828.<\/li>\n
      4. de Maleingreau, Paul. Symphonie de la Passion. Paris: Senart, 1923. Plate no. E. M. S. 6068.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
      folder 9<\/strong><\/td>\nWorks by Louis Vierne and J. S. Bach, joined together as one entity.
      \nContents:<\/p>\n
        \n
      1. Vierne, Louis. Clair de lune; Toccata; Lamento; and, Sicilienne: from 24 Pi\u00e8ces en style libre, Livre II, Op. 53. Paris: Henry Lemoine, 1927. Plate no. 21,985. HL.<\/li>\n
      2. Vierne, Louis. Scherzo (III) [from Deuxi\u00e8me Symphonie, Op. 20]. Publisher\u2019s information not present.<\/li>\n
      3. Vierne, Louis. \u00c9toile du soir: from 24 Pi\u00e8ces de Fantaisie, Suite III, Op. 54.<\/em> Publisher\u2019s information not present. publisher<\/li>\n
      4. Bach, J. S. Sortie [in B minor]. For keyboard (scored on two staves). Publisher\u2019s information not present. Comprises pages 125-126 from an unidentified volume or collection.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
      folder 10<\/strong><\/td>\nA self-prepared collection of works by Alexandre Guilmant and others.
      \nContents:<\/p>\n
        \n
      1. Guilmant, Alexandre. Fugue in A-flat major; Canzone; Canon; and, Final: [from Pi\u00e8ces dans different styles], 10e Livraison, Op. 40. Publisher\u2019s information not present. Plate no. A. G. 14.<\/li>\n
      2. Handel, G. F. Aria; and, Allegro: from Concerto in D minor. Published in Repertoire des concerts du Trocade\u0301ro. Mainz: B. Schott\u2019s S\u00f6hne. Plate no. 30142.<\/li>\n
      3. Guilmant, Alexandre. 5me Sonate, Op. 80. New \u00e9dition par A. Eaglefield Hull. Mainz: B. Schott\u2019s S\u00f6hne, 1913. Plate no. 29774.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
      folder 11<\/strong><\/td>\nA customized copy of Louis Vierne\u2019s 24 Pi\u00e8ces en style libre, Livre I, Op. 31.
      \nContents:<\/p>\n
        \n
      1. Vierne, Louis. 24 Pi\u00e8ces en style libre, Livre I, Op. 31. Comprises pages 15-34 of the publication; pages 1-14 comprise item no. 5 of this self-prepared collection. No. 6 Canon\u2014No. 7. M\u00e9ditation\u2014No. 8. Idylle m\u00e9lancolique\u2014No. 9. Madrigal\u2014No. 10. R\u00eaverie\u2014No. 11. Divertissement.<\/li>\n
      2. Chauvet, Alexis. Scherzo: extrait des quatres Morceaux de Genre. Transcription pour Grand Orgue par Alex. Guilmant. Paris: Mackar & No\u00ebl, [1894]. Plate no. M. & N. 1296.<\/li>\n
      3. Vierne, Louis. El\u00e9gie; Epithalame; and, Postlude: from 24 Pi\u00e8ces en style libre, Livre II, Op. 31. Comprises pages 43-54 from the publication (Nos. 22, 23, and 24).<\/li>\n
      4. Vierne, Louis. L\u00e9gende; Scherzetto; Arabesque; Choral; Lied; March fun\u00e8bre; Berceuse (sur les paroles classiques); Pastorale; Carillon. Comprises pages 1-42 of the copy of 24 Pi\u00e8ces en style libre, Book II, Op. 31.<\/li>\n
      5. Vierne, Louis. 24 Pi\u00e8ces en style libre, Livre I, Op. 31. Paris: Durand, 1914. Plate no. D. & F. 8972. \u00a0Comprises only pages 1-14; pages 15-34 comprise item 1 in this self-prepared collection. No. 1. Pr\u00e9ambule\u2014No. 2. Cort\u00e8ge\u2014No. 3. Complainte\u2014No. 4. Epitaphe\u2014No. 5. Pr\u00e9lude<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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        item 1<\/strong><\/td>\nA self-prepared collection of pieces that have been gathered into a hardcover binding.
        \nContents:<\/p>\n
          \n
        1. Renard, Frank. Prelude-Fantasia from Suite for the Organ<\/em>. New York: G. Schirmer, 1919. Plate no. 27176.<\/li>\n
        2. Renard, Frank. Interlude-Reverie from Suite for the Organ<\/em>. New York: G. Schirmer, 1919. Plate no. 27177 c.<\/li>\n
        3. Renard, Frank. Postlude-Alla Gavotta from Suite for the Organ<\/em>. New York: G. Schirmer, 1919. Plate no. 27178 c.<\/li>\n
        4. Mueller, Carl F. Faith, Hope, and Love: A Trilogy for Organ Based on Familiar Hymn-Tunes. New York: G. Schirmer, 1937. Plate no. 37468.<\/li>\n
        5. Stanford, Charles Villiers. Fantasia \u201cIn Festo Omnium Sanctorum,\u201d Op. 121, No. 1. New York: G. Schirmer, 1911. Plate no. 22448 c.<\/li>\n
        6. Stoughton, R. Spaulding. In Fairyland: Suite for Organ. Boston: Oliver Ditson, 1919. Plate no. 72686-21<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
        item 2<\/strong><\/td>\nAssorted pieces by J. S. Bach, which have been culled from other published works and joined together in a single volume. Cover title (erroneously) pasted to front cover: J. S. Bach Organ Works, Volume II: Preludes and Fugues [of the] First Master-Period (New York: G. Schirmer). A handwritten table of contents (in M.S.\u2019s hand) appears inside the front cover.
        \nContents:<\/p>\n
          \n
        1. Title page and incipits from the Widor-Schweitzer edition of Bach\u2019s Complete Organ Works, Vol. II: Preludes and Fugues of the First Master-Period<\/em>. New York: G. Schirmer, 1912. Plate no. 22699.<\/li>\n
        2. S. Prelude and Fugue in A, BWV 536.<\/li>\n
        3. Front matter from the Widor-Schweitzer edition of Bach\u2019s Complete Organ Works, Vol. II: Preludes and Fugues of the Youthful Period<\/em>. New York: G. Schirmer, 1912. Plate no. 22699.<\/li>\n
        4. Fantasie and Fugue in A minor, BWV 561.<\/li>\n
        5. Prelude and Fugue in A minor, BWV 551.<\/li>\n
        6. Front matter from the Widor-Schweitzer edition of Bach\u2019s Complete Organ Works, Vol. II: Preludes and Fugues of the First Master-Period<\/em>. New York: G. Schirmer, [1912?]. Plate no. 22710.<\/li>\n
        7. Toccata and Fugue in F major, BWV 540. Paris: S. Bournemann. Plate no. S. B. 5277.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

          [\/vc_column_text][vc_column_text css=”.vc_custom_1618326449573{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

          <\/a>Series 7: Works for organ with other instruments<\/h3>\n

          [\/vc_column_text][vc_custom_heading text=”Box 36″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617133012174{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
          folder 1<\/strong><\/td>\nBach, J. S. In Dulci Jubilo. Edited and arranged for organ and brass quartet by S.\u00a0Drummond Wolff. St. Louis: Concordia, 1985. Plate no. 97-5876.\u00a0Score with parts for four brass instruments.<\/td>\n<\/tr>\n
          folder 2<\/strong><\/td>\nBach, J. S. My Spirit Be Joyful (Wie will ich mich freuen): duet from the Easter\u00a0Cantata No. 146). Arranged for organ (or piano) with two trumpets by E. Power\u00a0Biggs. New York: Mercury Music Corp., 1952. Plate no. W 141\u20137.
          \nScore.<\/td>\n<\/tr>\n
          folder 3<\/strong><\/td>\nBeethoven, Ludwig van. The Heavens Are Telling. Edited and arranged for two\u00a0trumpets, two trombones, and organ by S. Drummond Wolff. St. Louis:\u00a0Concordia, 1983. Plate no. 97-5799.
          \nScore with parts for four brass instruments.<\/td>\n<\/tr>\n
          folder 4<\/strong><\/td>\nBenjamin, Thomas. Postludium: for organ, brass quartet, and timpani. Delaware\u00a0Water Gap, PA: Shawnee Press, 1981.
          \nScore with parts for organ, brass, and timpani.<\/td>\n<\/tr>\n
          folder 5<\/strong><\/td>\nBeversdorf, Thomas. Cathedral Music: for four-part brass choir with organ. North Easton, MA: Robert King Music, 1954.
          \nScore with parts for organ and brass instruments.<\/td>\n<\/tr>\n
          folder 6<\/strong><\/td>\nBoeringer, James. Christmas Music for Solo Instrument (primarily violin) with Keyboard Accompaniment (primarily organ, with or without pedals). Edited and arranged by James Boeringer. St. Louis: Concordia, 1974. Plate no. 97-5168.
          \nScore with instrumental parts.<\/td>\n<\/tr>\n
          folder 7<\/strong><\/td>\nCampra, Andr\u00e9. Rigaudon: from Ceremonial Music from the French Baroque. For\u00a0brass quartet and organ. Edited and arranged by S. Drummond Wolff. St. Louis:\u00a0Concordia, 1983. Plate no. 97-5773.
          \nScore with parts for brass instruments.<\/td>\n<\/tr>\n
          folder 8<\/strong><\/td>\nCharpentier, Marc-Antoine. Festival Prelude. Edited and arranged for organ and brass quartet by S. Drummond Wolff. St. Louis: Concordia Publishing House, 1986. Plate no. 97-5916.
          \nScore with parts for brass instruments.<\/td>\n<\/tr>\n
          folder 9<\/strong><\/td>\nCorelli, Arcangelo. Sonata in B-dur [i.e., in B-flat major]: f\u00fcr zwei Trompeten und Orgel. Herausgegeben von Horst Wetzlar. Merseburg: Edition Merseburger, 1976. Plate no. Edition Merseburger 1354.
          \nScore with parts for two trumpets.<\/td>\n<\/tr>\n
          folder 10<\/strong><\/td>\nDelalande, Michel-Richard. Musique Royale: from Ceremonial Music from the\u00a0French Baroque. For brass quartet and organ. Edited and arranged by W.\u00a0Drummond Wolff. St. Louis: Concordia Publishing House, 1986. Plate no. 97-\u00a05772.
          \nScore with parts for brass instruments.<\/td>\n<\/tr>\n
          folder 11<\/strong><\/td>\nDupr\u00e9, Marcel. Po\u00e8me H\u00e9ro\u00efque. For organ with trumpets, trombones and drum.\u00a0New York: H. W. Gray, 1966. Plate no. GB 619a.
          \nFull score with parts for organ and for brass instruments.<\/td>\n<\/tr>\n
          folder 12<\/strong><\/td>\nFerris, William. A Festival Flourish. For two trumpets (in C) and organ. Written\u00a0for the installation of the Most Reverend Fulton J. Sheen as the sixth Bishop of\u00a0Rochester, New York in Sacred Heart Cathedral, Thursday, December 15, 1966.\u00a0Chicago: Gregorian Institute of America, 1967. Plate no. G-1408.
          \nScore with parts for trumpets.<\/td>\n<\/tr>\n
          folder 13<\/strong><\/td>\nGuy, Nicholas. Royal Brass Music. Edited and arranged for organ and brass quartet by S. Drummond Wolff. St. Louis: Concordia, 1987. Plate no. 97-5949.
          \nScore with parts for brass instruments.<\/td>\n<\/tr>\n
          folder 14<\/strong><\/td>\nHandel, G. F. Allegretto. Edited and arranged for organ and brass quartet by S.\u00a0Drummond Wolff. St. Louis: Concordia, 1987. Plate no. 97-5950.
          \nScore with parts for brass instruments.<\/td>\n<\/tr>\n
          folder 15<\/strong><\/td>\nHandel, G. F. Hallelujah Chorus. Edited and arranged for organ and brass quartet by S. Drummond Wolff. St. Louis: Concordia, 1988. Plate no. 97-5999.
          \nScore with parts for brass instruments.<\/td>\n<\/tr>\n
          folder 16<\/strong><\/td>\nHandel, G. F. Six Processionals: for organ and optional trumpets and timpani. Edited and arranged by S. Drummond Wolff. St. Louis: Concordia, 1975. Plate no. 97-5327.
          \nScore with parts for brass instruments and for timpani.<\/td>\n<\/tr>\n
          folder 17<\/strong><\/td>\nHandel, G. F. Triumphal March: from Judas Maccabaeus. Edited and arranged for\u00a0organ and brass quartet by S. Drummond Wolff. St. Louis: Concordia, 1986. Plate no.\u00a097-5918.
          \nScore with parts for brass instruments.<\/td>\n<\/tr>\n
          folder 18<\/strong><\/td>\nKarg-Elert, Sigfrid. Kanzone und Tokkata [in] Es moll, Op. 85, Nr. 1. For organ\u00a0with trumpet solo. Leipzig: F. E. C. Leuckart, 1911. Plate no. F. E. C. L. 6804.
          \nScore with part for solo trumpet.<\/td>\n<\/tr>\n
          folder 19<\/strong><\/td>\nKarg-Elert, Sigfrid. Now Thank We All Our God: March Triomphale. Edited and\u00a0arranged by Wesley A. Day for brass quartet and organ. . St. Louis: Concordia, 1984.\u00a0Plate no. 97-5763.
          \nScore with parts for brass instruments and for timpani; accompanied by MS. parts (in M.S\u2019s hand) for French horn and for tuba.<\/td>\n<\/tr>\n
          folder 20<\/strong><\/td>\nLovelace, Austin C. Concertato on Adeste Fideles: for organ and brass. Minneapolis: Augsburg, 1976.
          \nScore with parts for trumpets; accompanied by MS. part (in M.S.\u2019s hand) for timpani.<\/td>\n<\/tr>\n
          folder 21<\/strong><\/td>\nLovelace, Austin C. Four for Three: Festive Concertatos for Three Trumpets and Organ. Minneapolis: Augsburg, 1975.
          \nScore with parts for three trumpets; accompanied by MS. parts (in M.S.\u2019s hand) for French horn and for two trombones.<\/td>\n<\/tr>\n
          folder 22<\/strong><\/td>\nLully, Jean-Baptiste. Marche Royale. Edited and arranged for organ and brass quartet by S. Drummond Wolff. St. Louis: Concordia, 1985. Plate no. 97-5908.
          \nScore with parts for brass instruments.<\/td>\n<\/tr>\n
          folder 23<\/strong><\/td>\nMarcello, Benedetto. Psalm XIX. Edited and arranged for organ and brass quartet by S. Drummond Wolff. St. Louis: Concordia, 1988. Plate no. 97-5989.
          \nScore with parts for brass instruments.<\/td>\n<\/tr>\n
          folder 24<\/strong><\/td>\nMeulemans, Arthur. Concerto voor Groot Orgel, Trompet, Hoorn & Trombone. Utrecht: J. R. Rossum, 1963. Plate no. 505.
          \nScore with parts for brass instruments.<\/td>\n<\/tr>\n
          folder 25<\/strong><\/td>\nMonnikendam, Marius. Intrada and Sortie: Processional and Recessional for\u00a0organ and brass. Cincinnati: World Library of Sacred Music, 1963. Plate no. O-\u00a0659.
          \nScore with parts for brass instruments.<\/td>\n<\/tr>\n
          folder 26<\/strong><\/td>\nMouret, Jean Joseph. Rondeau: from Ceremonial Music from the French Baroque. For brass quartet and organ. Edited and arranged by S. Drummond Wolff. St. Louis: Concordia, 1983. Plate no. 97-5771.
          \nScore with parts for brass instruments.<\/td>\n<\/tr>\n
          folder 27<\/strong><\/td>\nMouret, Jean Joseph. Sinfonies de Fanfares: Rondeau; Air; and, Fanfares.\u00a0Arranged for organ and optional trumpet by Elaine C. Gardner. Miami: H. W.Gray, 1974. Plate no. GSTC 00980.
          \nScore with part for trumpet.<\/td>\n<\/tr>\n
          folder 28<\/strong><\/td>\nShaw, Martin. Grand Processional. For organ with optional brass sextet, timpani,\u00a0choir and congregation.\u00a0Arranged by Dale Wood. Dayton, OH: Sacred Music\u00a0Press, 1976. Plate no. GP.
          \nScore with parts for brass instruments and for timpani.<\/td>\n<\/tr>\n
          folder 29<\/strong><\/td>\nSkinnell, Robert Garson. Wedding Recessional: for two trumpets, two trombones\u00a0& organ. Century City, California: Wimbledon Music, 1977.
          \nScore with parts for brass instruments.<\/td>\n<\/tr>\n
          folder 30<\/strong><\/td>\nStrauss, Richard,. Festival Intrada (Feierlicher Einzug). For brass sextet or\u00a0quintet, percussion (optional), and organ. Arranged by John Levick and Warren\u00a0Shaffer. St. Louis: Concordia, 1985. Plate no. 97-5716.
          \nScore with parts for brass instruments and for percussion.<\/td>\n<\/tr>\n
          folder 31<\/strong><\/td>\nStrauss, Richard. Feierlicher Einzug (Festival Procession): f\u00fcr Orgel (Posaunen und Pauken ad lib.). New York: C. F. Peters. Plate no. S. 9500e.
          \nScore with parts for trombones and for timpani.<\/td>\n<\/tr>\n
          folder 32<\/strong><\/td>\nTelemann, Georg Philip. Heroic Music: from Ceremonial Music from the German Baroque. For brass quartet and organ. Edited and arranged by S. Drummond Wolff. St. Louis: Concordia, 1986. Plate no. 97-5919.
          \nScore with parts for brass instruments.<\/td>\n<\/tr>\n
          folder 33<\/strong><\/td>\nVivaldi, Antonio. Sinfonia: from Ceremonial Music from the Italian Baroque for brass quartet and organ. Edited and arranged by S. Drummond Wolff. St. Louis: Concordia, 1984. Plate no. 97-5816.
          \nScore with parts for brass instruments.<\/td>\n<\/tr>\n
          folder 34<\/strong><\/td>\nWidor, Charles-Marie. Toccata-Gloria: organ accompaniment to festival anthem. Toccata from Symphony No. 5 adapted by Gordon Young. Bryn Mawr: Theodore Presser, 1966. Plate no. 113-40014.
          \nOrgan score.<\/td>\n<\/tr>\n
          folder 35<\/strong><\/td>\nWolff, Drummond S. Christmas Processional on \u201cJoy to the World.\u201d For unison choir and\/or congregation, two trumpets, two trombones, and organ. St. Louis: Concordia, 1985. Plate no. 97-5874.
          \nScore with parts for brass instruments.<\/td>\n<\/tr>\n
          folder 36<\/strong><\/td>\nWolff, Drummond S. Christmas Processional on \u201cOh, Come, All Ye Faithful.\u201d For unison choir and\/or congregation, two trumpets, two trombones, and organ. St. Louis: Concordia, 1984. Plate no. 97-5822.
          \nScore with parts for brass instruments.<\/td>\n<\/tr>\n
          folder 37<\/strong><\/td>\nWolff, Drummond S. Two Chorales from the Christmas Oratorio. J. S. Bach; edited and arranged for brass and organ by S. Drummond Wolff. St. Louis: Concordia, 1979. Plate no. 97-5466. Settings of \u00a0\u201cBreak Forth, O Beauteous Morning Light\u201d and \u201cO Dearest Jesus, Holy Child.\u201d
          \nScore with parts for brass instruments.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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          <\/a>Series 8: Works for organ with orchestra<\/h3>\n

          [\/vc_column_text][vc_custom_heading text=”Box 37″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617029330672{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
          folder 1<\/strong><\/td>\nFischer, Irwin. Chorale Fantasy for Organ and Orchestra. Manuscript reproduction; 32 pages of music. Undated.<\/td>\n<\/tr>\n
          folder 2<\/strong><\/td>\nPiston, Walter. Prelude and Allegro for Organ and Strings. New York: Associated\u00a0Music Publishers, 1944. Plate no. AMP-6725.<\/td>\n<\/tr>\n
          folder 3<\/strong><\/td>\nRowley, Alec. Meditation for String Orchestra and Organ. London: Hinrichsen, 1948. Plate no. Hinrichsen Edition Nr. 44.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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          <\/a>Series 9: Works for solo piano<\/h3>\n

          [\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
          folder 4<\/strong><\/td>\nAddinsell, Richard. Warsaw Concerto. Arranged for piano solo from the original\u00a0score by Henry Geehl. London: Keith Prowse, 1942.<\/td>\n<\/tr>\n
          folder 5<\/strong><\/td>\nAlb\u00e9niz, Isaac. Seguidillas, Op. 232, No. 5: from\u00a0Chants d\u2019Espagne<\/em>. Madrid:\u00a0Uni\u00f3n Musical Espa\u00f1ola. Plate no. 6255-5.<\/td>\n<\/tr>\n
          folder 6<\/strong><\/td>\nBach, Carl Philipp Emanuel. 18 Probest\u00fccke in Sechs Sonaten: nebst \u201cSechs\u00a0neuen Sonatinen\u201d zum Versuch \u00fcber die wahre Art das Clavier zu spielen.\u00a0Herausgegeben von Lothar Hoffmann-Erbrecht. Leipzig: Breitkopf & H\u00e4rtel, 1957.<\/td>\n<\/tr>\n
          folder 7<\/strong><\/td>\nBach, Carl Philipp Emanuel. Rondo Espressivo. Publisher\u2019s information not\u00a0present.<\/td>\n<\/tr>\n
          folder 8<\/strong><\/td>\nBach, Carl Philipp Emanuel. Solfeggietto. Philadelphia: Theodore Presser. Plate no.\u00a03586-2.<\/td>\n<\/tr>\n
          folder 9<\/strong><\/td>\nBach, Carl Philipp Emanuel. Solfeggietto. critically revised, with reference to\u00a0notation, fingering, and marks of expression, by Heinrich Germer. New York:\u00a0Edward Schuberth, 1899. Plate no. E. S. & Co. 781.<\/td>\n<\/tr>\n
          folder 10<\/strong><\/td>\nBach, J. S. Kleine Pr\u00e4ludien und Fughetten. Nach Autographen und Abschriften\u00a0herausgegeben und mit Fingers\u00e4tzen versehen von Walther Dehnhard. Vienna:\u00a0Wiener Urtext, 1973. Plate no. UT 50041.<\/td>\n<\/tr>\n
          folder 11<\/strong><\/td>\nBarwinskyj, Wassyl. March: from \u201cSix Ukrainian Miniatures\u201d. London:\u00a0Universal-Edition, 1925. Plate no. Universal-Edition Nr. 10964.<\/td>\n<\/tr>\n
          folder 12<\/strong><\/td>\nBeethoven, Ludwig van. Concerto No. 5 in E-flat Major, Op. 73. Provided with fingering, and with a complete arrangement, for piano, of the orchestral accompaniment by Franz Kullak. New York: G. Schirmer, 1929. Plate no. 15415.<\/td>\n<\/tr>\n
          folder 13<\/strong><\/td>\nBeethoven, Ludwig van. F\u00fcr Elise. Rockville Centre, NY: Belwin. Plate no. E. B.19.<\/td>\n<\/tr>\n
          folder 14<\/strong><\/td>\nBeethoven, Ludwig van. Minuet. Revised and edited by Leopold Godowsky. St.\u00a0Louis: Art Publication Society, 1918. Plate no. 415-2.<\/td>\n<\/tr>\n
          folder 15<\/strong><\/td>\nBeethoven, Ludwig van. Sonatas for the Piano, Book I. Revised and fingered by\u00a0Dr. Hans von B\u00fclow and Dr. Sigmund Lebert. New York: G. Schirmer, 1923.\u00a0Plate nos. 11604\u201411620.<\/td>\n<\/tr>\n
          folder 16<\/strong><\/td>\nBeethoven, Ludwig van. Sonatas for Pianoforte Solo, Vol. I. Revised and\u00a0fingered by Dr. Hans von B\u00fclow and Dr. Sigmund Lebert. New York: G.\u00a0Schirmer, 1894. Plate nos. 11604\u201411620. Hardbound.<\/td>\n<\/tr>\n
          folder 17<\/strong><\/td>\nBeethoven, Ludwig van. Sonatas for Pianoforte Solo, Vol. II. Revised and\u00a0fingered by Dr. Hans von B\u00fclow and Dr. Sigmund Lebert. New York: G.\u00a0Schirmer, 1894. Plate nos. 11621\u201411635. Hardbound.<\/td>\n<\/tr>\n
          folder 18<\/strong><\/td>\nBeethoven, Ludwig van. Sonatina in G. Rockville, Centre, NY: Belwin. Plate no. E.\u00a0B. 25-2.<\/td>\n<\/tr>\n
          folder 19<\/strong><\/td>\nBizet, Georges. Marsch, Op. 22, No. 6. Vierh\u00e4ndig. Mainz: Schott. Plate no.\u00a0Edition Schott No. 09193.<\/td>\n<\/tr>\n
          folder 20<\/strong><\/td>\nBrahms, Johannes. Walzer, Op. 39, Nos. 1 and 2. London: Enoch & Sons. Plate no.\u00a0V. 492. 5.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

          [\/vc_column_text][vc_custom_heading text=”Box 38″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617133172719{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
          folder 1<\/strong><\/td>\nBratfisch, Karl. Steinmetz-Marsch. Mainz: Schott. Plate no. Edition Schott No. 07109<\/td>\n<\/tr>\n
          folder 2<\/strong><\/td>\nCarl, C. Mussinan-Marsch. Mainz: Schott. Plate no. Edition Schott No. 07035.<\/td>\n<\/tr>\n
          folder 3<\/strong><\/td>\nChopin, Fr\u00e9d\u00e9ric. Fantaisie-Impromptu, Op. 66. Edited by Wm. Conrad. New York: Belwin. Plate no. E. B. No. 650-8.<\/td>\n<\/tr>\n
          folder 4<\/strong><\/td>\nChopin, Fr\u00e9d\u00e9ric. Mazurkas. Revised and fingered by Carl Mikuli. New York: G. Schirmer, 1894. Plate no. 11404.<\/td>\n<\/tr>\n
          folder 5<\/strong><\/td>\nChopin, Fr\u00e9d\u00e9ric. Nocturnes. Edited, revised, and fingered by Rafael Joseffy;\u00a0historical and analytical comments by James Huneker. New York: G. Schirmer, 1943.\u00a0Plate no. 25438.<\/td>\n<\/tr>\n
          folder 6<\/strong><\/td>\nChopin, Fr\u00e9d\u00e9ric. Polonaises. Edited and fingered by Carl Mikuli. New York: G.\u00a0Schirmer, 1894. Plate nos. 11470\u201411481.<\/td>\n<\/tr>\n
          folder 7<\/strong><\/td>\nChopin, Fr\u00e9d\u00e9ric. Polonaise, Op. 53. Arranged for piano solo by Allan Small.
          \nNew York: Claire Music Co., 1952. Plate no. Chopin Polonaise (Op. 53) \u2013 2.<\/td>\n<\/tr>\n
          folder 8<\/strong><\/td>\nChopin, Fr\u00e9d\u00e9ric. Preludes and Rondos. New York: G. Schirmer. Plate nos. 11753\u201411474.<\/td>\n<\/tr>\n
          folder 9<\/strong><\/td>\nChopin, Fr\u00e9d\u00e9ric. Sonate [in] b-moll, Opus 35. Neuausgabe von Emil Sauer. Mainz: Schott. Plate no. Edition Schott. Nc. 0398\/99.<\/td>\n<\/tr>\n
          folder 10<\/strong><\/td>\nChopin, Fr\u00e9d\u00e9ric. Waltzes. Revised and fingered by Carl Mikuli. New York: G. Schirmer, 1894. Plate nos. 11078\u201411091.<\/td>\n<\/tr>\n
          folder 11<\/strong><\/td>\nCreston, Paul. Rhythmicon, Book 3: 18 easy piano studies in rhythm. Melville, NY: Franco Colombo Publications, 1965. Plate no. N.Y. 2334-20.<\/td>\n<\/tr>\n
          folder 12<\/strong><\/td>\nCzerny, Carl. Selected Czerny Studies, Book Two. Philadelphia: Theodore\u00a0Presser, 1906. Plate no. Cz. Bk. II.<\/td>\n<\/tr>\n
          folder 13<\/strong><\/td>\nCzerny, Carl. The School of Velocity, Op. 299. Book One. Philadelphia:\u00a0Theodore Presser. Plate no. P. C. 6-110.<\/td>\n<\/tr>\n
          folder 14<\/strong><\/td>\nDaquin, Claude. Le Coucou (The Cuckoo): Rondo. New York: Century Music, 1955.\u00a0Plate no. 2303-4.<\/td>\n<\/tr>\n
          folder 15<\/strong><\/td>\nDebussy, Claude. Deux Arabesques. Original Edition. Philadelphia: Elkan-Vogel. Copyright by A. Durand & Fils, 1904.<\/td>\n<\/tr>\n
          folder 16<\/strong><\/td>\nDebussy, Claude. L\u2019isle joyeuse. Paris: Durand, 1904. Plate no. D. & F. 6446.<\/td>\n<\/tr>\n
          folder 17<\/strong><\/td>\nDebussy, Claude. Jardins sous la Pluie. Extrait des Estampes. Paris: Durand, 1903.\u00a0Plate no. D. & F. 6326(3).<\/td>\n<\/tr>\n
          folder 18<\/strong><\/td>\nDebussy, Claude. La terrasse des audiences du clair de lune. Extrait du 2me Livre\u00a0de Pr\u00e9ludes pour le piano. Paris: Durand, 1913. Plate no. D. & F. 8703.<\/td>\n<\/tr>\n
          folder 19<\/strong><\/td>\nvon Dohn\u00e1nyi, Ernst. Marsch: from Humoresken in Form einer Suite, Op. 17.\u00a0Berlin: Simrock, 1908. Plate no. 12345.<\/td>\n<\/tr>\n
          folder 20<\/strong><\/td>\nDvo\u0159\u00e1k, Anton. Largo [aus der] V. Symphonie, Op. 95. Berlin: N. Simrock, 1900.\u00a0Plate no. 11537.<\/td>\n<\/tr>\n
          folder 21<\/strong><\/td>\nFalla, Manuel de. Danse Rituelle du Feu (pour chasser les mauvais esprits.).\u00a0London: J. & W. Chester, 1921. Plate no. J. & W. C. (2093).<\/td>\n<\/tr>\n
          folder 22<\/strong><\/td>\nFalla, Manuel de. Ritual Fire Dance. Simplified arrangement for piano by Felix Greissle. London: J. & W. Chester, 1921. Plate no. 12743-7.<\/td>\n<\/tr>\n
          folder 23<\/strong><\/td>\nFox, Charles and Ed Newmark. Seasons: inspired by Pachelbel\u2019s Canon in D. Hialeah, FL: Live Music, 1980. Plate no. 1479SSMX-3-1.<\/td>\n<\/tr>\n
          folder 24<\/strong><\/td>\nGershwin, George. Rhapsody in Blue. Piano Solo. New York: New World Music., 1924. Plate no. S-109-29.<\/td>\n<\/tr>\n
          folder 25<\/strong><\/td>\nGrieg, Edvard. The Butterfly (Le Papillon), Op. 43, No. 1. Rockville Centre, NY: Belwin. Plate no. E. B. 143-4.<\/td>\n<\/tr>\n
          folder 26<\/strong><\/td>\nGrieg, Edvard. Peer Gynt Suite II, Op. 55. F\u00fcr Pianoforte solo bearbeitet vom Komponisten. Leipzig: C. F. Peters. Plate no. 7673.<\/td>\n<\/tr>\n
          folder 27<\/strong><\/td>\nGrieg, Edvard. Piano Concerto: Opening Theme. Arranged for piano solo by\u00a0Allan Small. New York: Claire Music, 1955.<\/td>\n<\/tr>\n
          folder 28<\/strong><\/td>\nHalffter, Ernesto. Marche Joyeuse. Madrid: Uni\u00f3n Musical Espa\u00f1ola, 1925. Plate no. 15635.<\/td>\n<\/tr>\n
          folder 29<\/strong><\/td>\nHaydn, Joseph. Perpetuum Mobile, Op. 64, No. 5. Arranged by Eric Steiner. Rockville Centre: NY, 1964. Plate no. Pa 1666-3.<\/td>\n<\/tr>\n
          folder 30<\/strong><\/td>\nHaydn, Joseph. Sonata [in D major]. Edited and fingered by Ludwig Klee and Dr.\u00a0Sigmund Lebert. New York: G. Schirmer. Plate no. 11701<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

          [\/vc_column_text][vc_custom_heading text=”Box 39″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617133233534{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
          folder 1<\/strong><\/td>\nIbert, Jacques. Le petit \u00e2ne blanc: from Histoires. Paris: Alphonse Leduc, 1922.\u00a0Plate no. A. L. 16,512.<\/td>\n<\/tr>\n
          folder 2<\/strong><\/td>\nIbert, Jacques. Le petit \u00e2ne blanc (The Little White Donkey). Paris: Alphonse\u00a0Leduc, 1922. Plate no. A. L. 16,512.<\/td>\n<\/tr>\n
          folder 3<\/strong><\/td>\n\u00a0Jade, Ely. March of the A.R.R. New York: Associated Music, 1943. Plate no.\u00a0A.M.P. 194237.<\/td>\n<\/tr>\n
          folder 4<\/strong><\/td>\nKrohn, Ernst. Lingering Shadows. St. Louis: Shattinger Piano & Music Co., 1921.\u00a0Plate no. 2-7.<\/td>\n<\/tr>\n
          folder 5<\/strong><\/td>\nKuhlau, Friedrich. Sonatine, Op. 55, No. 2. St. Louis: Art Publication Society, 1913.\u00a0Plate no. 20-2.<\/td>\n<\/tr>\n
          folder 6<\/strong><\/td>\nLatann, Carl. Frei weg! (Marsch). Hannover: Louis Oertel. Plate no. Edition\u00a0Schott No. 07952.<\/td>\n<\/tr>\n
          folder 7<\/strong><\/td>\nLauni, Frank. Rhapsody in B-flat Minor for Piano, Op. 30. Manuscript\u00a0reproduction; spiral-bound; 58 pages of music. In caption on first page of music:\u00a0May 6, 1972.
          \nInside front cover bears handwritten inscription by the composer to His Eminence, John Joseph Cardinal Carberry (September 8, 1978).<\/td>\n<\/tr>\n
          folder 8<\/strong><\/td>\nLecuona, Ernesto. La Comparsa: from \u201cDanzas Afro-Cubanas\u201d Suite. New York: Edward B. Marks, 1930. Plate no. 9687-3.<\/td>\n<\/tr>\n
          folder 9<\/strong><\/td>\nLevitzki, Mischa. Valse, Op. 2. For piano solo. New York: G. Schirmer, 1922. Plate no. 30958.<\/td>\n<\/tr>\n
          folder 10<\/strong><\/td>\nLiszt, Franz. La Campanella: No. 3 in the \u201cSix Grand Etudes after Paganini\u201d.\u00a0Edited by Paolo Gallico. New York: G. Schirmer, 1934. Plate no. 12295.<\/td>\n<\/tr>\n
          folder 11<\/strong><\/td>\nLiszt, Franz. Concerto No. 1 in E-flat Major. Two-piano score; edited and revised by Rafael Joseffy. New York: G. Schirmer, 1932. Plate no. 16989.<\/td>\n<\/tr>\n
          folder 12<\/strong><\/td>\nLiszt, Franz. Dream of Love (Liebestraum) (Love Dreams) (Nocturne No. 3). Edited by N. Olson. New York: Century Music, 1922. Plate no. 2117-6.<\/td>\n<\/tr>\n
          folder 13<\/strong><\/td>\nLiszt, Franz. Ten Hungarian Rhapsodies. Edited by August Spanuth and John Orth. Boston: Oliver Ditson, 1904. Plate no. ML-568-12.<\/td>\n<\/tr>\n
          folder 14<\/strong><\/td>\nLiszt, Franz. Rhapsodie hongroise No. 2. Edited and fingered by Rafael Joseffy. New York: G. Schirmer, 1930. Plate no. 15717.<\/td>\n<\/tr>\n
          folder 15<\/strong><\/td>\nLiszt, Franz. Sonata in B minor. Edited and fingered by Rafael Joseffy. New York: G. Schirmer, 1909. Plate no. 19655.<\/td>\n<\/tr>\n
          folder 16<\/strong><\/td>\nLiszt, Franz. Valse Oubli\u00e9e. Edited by Carl Deis. New York: G. Schirmer, 1938. Plate no. 38819r.<\/td>\n<\/tr>\n
          folder 17<\/strong><\/td>\nLiszt, Franz. Weihnachtsbaum (Arbre de No\u00ebl) (Christmas Tree): Altes Weihnachtslied, I. Herausgegeben [von] Thomas A. Johnson. New York: Hinrichsen, 1953. Plate no. Hinrichsen Edition No. 88a.<\/td>\n<\/tr>\n
          folder 18<\/strong><\/td>\nLiszt, Franz. Weihnachtsbaum (Arbre de No\u00ebl) (Christmas Tree): Altes\u00a0Weihnachtslied, II. Herausgegeben [von] Thomas A. Johnson. New York:\u00a0Hinrichsen, 1953. Plate no. Hinrichsen Edition No. 88b.<\/td>\n<\/tr>\n
          folder 19<\/strong><\/td>\nMacDowell, Edward. Scotch Poem, Op. 31, No. 2. Edited by William Conrad.\u00a0New York: Belwin. Plate no. E. B. 241-4<\/td>\n<\/tr>\n
          folder 20<\/strong><\/td>\nMacDowell, Edward. Woodland Sketches, Op. 51. Boston: Arthur P. Schmidt, 1899.\u00a0Copyright 1924 by Marian MacDowell. Plate no. P.L.J. 403a.<\/td>\n<\/tr>\n
          folder 21<\/strong><\/td>\nMack, E. General Grant\u2019s Grand March. Edited by William Conrad.\u00a0 New York:\u00a0Belwin. Plate no. E. B. 244-4.<\/td>\n<\/tr>\n
          folder 22<\/strong><\/td>\nMassenet, Jules. M\u00e9lodie (\u00c9l\u00e9gie). New York: G. Schirmer, 1897. Plate no.13347.<\/td>\n<\/tr>\n
          folder 23<\/strong><\/td>\nMendelssohn, Felix. [Songs Without Words]. [New York: Carl Fischer.] Plate no.\u00a07424-147 N809.
          \nItem lacks its binding and is incomplete, reflecting deliberate self-preparation for\u00a0use. Comprises Op. 19, No. 5; Op. 19, No. 6; Op. 38, No. 1; and Op. 38, No. 2<\/td>\n<\/tr>\n
          folder 24<\/strong><\/td>\nde Monfred, Avenir. Serait-ce l\u2019amour? Extrait de la Petite Suite pour piano.\u00a0Paris: \u00c9ditions Salabert, 1947. Plate no. E. A. S. 14707.<\/td>\n<\/tr>\n
          folder 25<\/strong><\/td>\nMoszkowski, Maurice. Pantomime, Op. 77, No. 8. From: Dix pi\u00e8ces mignonnes\u00a0pour piano. Edited and fingered by Louis Oesterle. New York: G. Schirmer, 1908.\u00a0Plate no. 20403.<\/td>\n<\/tr>\n
          folder 26<\/strong><\/td>\nMoszkowski, Maurice. Liebeswalzer, Op. 57, No. 5. Leipzig: C. F. Peters, 1896. Plate no. 8484.<\/td>\n<\/tr>\n
          folder 27<\/strong><\/td>\nMozart, W. A. Adagio [K. 540]. Revised and edited by Emil Sauer. St. Louis: Art\u00a0Publication Society. 1915. Plate no. Ano. 616-3.<\/td>\n<\/tr>\n
          folder 28<\/strong><\/td>\nMozart, W. A. Nineteen Sonatas for the Piano, Book II. Revised and edited by\u00a0Richard Epstein. New York: G. Schirmer, 1918. Plate no. 28342.
          \nAccompanied by one copy of liner notes to sound recording. Veinus, A. Mozart Sonata No. 5 and Sonata No. 7. Liner notes. Claudio Arrau. RCA, n.d. M-842 (18279-18281) and DM-842 (18282-18284).<\/td>\n<\/tr>\n
          folder 29<\/strong><\/td>\nMozart, W. A. Sonatas and Fantasies for the Piano. Revised edition; prepared\u00a0from the autographs and earliest printed sources by Nathan Broder. Bryn Mawr,\u00a0PA: Theodore Presser, 1960. Plate no. 410-41056-332.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

          [\/vc_column_text][vc_custom_heading text=”Box 40″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617133225582{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
          folder 1<\/strong><\/td>\n\n

          Mozart, W. A. Variations pour le piano. Revues et doigt\u00e9es par Louis K\u00f6hler & L.\u00a0\u00a0Winkler. Braunschweig: Henry Litolff\u2019s Verlag. Plate nos. 2139\u20142155.<\/p>\n

          First item in a binder\u2019s collection with the following additional publications:<\/p>\n

            \n
          1. Handel-Album: a collection of twenty-two favorite pieces for the piano. Edited and fingered by G. Buonamici. New York: G. Schirmer, 1895. Plate no. 11873.<\/li>\n
          2. Morceaux c\u00e9l\u00e8bres de Fr. Schubert; transcrits pour harmonium par Jos. L\u00f6w. Braunschweig: Henry Litolff\u2019s Verlag. Plate no. 11227.<\/li>\n
          3. Robert Schumann\u2019s Compositionen. 30 Transcriptionen f\u00fcr Harmonium von Josef L\u00f6w. Braunschweig: Henry Litolff\u2019s Verlag. Collection Litolff No. 1698.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
          folder 2<\/strong><\/td>\nMussorgsky, Modest. Promenade: extract from Pictures at an Exhibition (Bilder einer Ausstellung). Publisher\u2019s information not present.<\/td>\n<\/tr>\n
          folder 3<\/strong><\/td>\nProkofiev, Sergei. Marche, Op. 12, No. 1. Specially edited by the composer. New York: G. Schirmer, 1947. Plate no. 29335 x.<\/td>\n<\/tr>\n
          folder 4<\/strong><\/td>\nRachmaninoff, Sergei. Eighteenth Variation from Rapsodie on a Theme of Paganini. Adapted for piano solo by Hermene W. Eichhorn. New York: Charles Foley, 1953. Plate no. 2063.<\/td>\n<\/tr>\n
          folder 5<\/strong><\/td>\nRachmaninoff, Sergei. Lilacs. Revised and transcribed for the piano by the composer. New York: Charles Foley, 1941. Plate no. R-2058.<\/td>\n<\/tr>\n
          folder 6<\/strong><\/td>\nRachmaninoff, Sergei. M\u00e9lodie, Op. 3, No. 3. Edited by Hugo Ries. Boston: Boston Music Co., 1913. B. M. Co. 3540.<\/td>\n<\/tr>\n
          folder 7<\/strong><\/td>\nRachmaninoff, Sergei. Rachmaninoff 2nd Piano Concerto: Closing Theme. Arranged by Allan Small. New York: Claire Music, 1955.<\/td>\n<\/tr>\n
          folder 8<\/strong><\/td>\nRameau, Jean-Philippe. Le Tambourin. S\u00e3o Paulo: Editores Irm\u00e3os Vitale.<\/td>\n<\/tr>\n
          folder 9<\/strong><\/td>\nRavel, Maurice. Album of Maurice Ravel Masterpieces: Selected Compositions for Piano Solo. New York: Edward B. Marks.<\/td>\n<\/tr>\n
          folder 10<\/strong><\/td>\nRavel, Maurice. Bolero. Transcription pour piano \u00e0 2 mains par Roger Branga. Paris: Durand, 1929. Plate no. D. & F. 11,671.<\/td>\n<\/tr>\n
          folder 11<\/strong><\/td>\nRavel, Maurice. Jeux d\u2019Eau. Edited and revised by Rafael Joseffy. New York: G. Schirmer, 1935. Plate no. 19284.<\/td>\n<\/tr>\n
          folder 12<\/strong><\/td>\nRavel, Maurice. Sonatine. Paris: Durand, 1905. Plate no. 6624.<\/td>\n<\/tr>\n
          folder 13<\/strong><\/td>\nRimsky-Korsakov, Nicolai. Novellette, Op. 11, No. 2. Edited and fingered by Louis Oesterle. New York: G. Schirmer, 1898. Plate no. 14020 r.<\/td>\n<\/tr>\n
          folder 14<\/strong><\/td>\nRimsky-Korsakov, Nicolai. Romance in A-flat, Op. 15, No. 2. Edited by Calvin Grooms. New York: Century Music Publishing Co., 1926. Plate no. 2394-3.<\/td>\n<\/tr>\n
          folder 15<\/strong><\/td>\nScarlatti, Domenico. Sonata No. 41. Revised edition by Emil Sauer. St. Louis: Art Publication Society, 1915. Plate no. 614-4.
          \nN.B Item is incomplete: lacking several pages of music from the beginning.\u00a0\u00a0<\/em><\/span><\/td>\n<\/tr>\n
          folder 16<\/strong><\/td>\nScarlatti, Domenico. Domenico Twenty-Two Pieces for the Piano. Edited and fingered by G. Buonamici. New York: G. Schirmer, 1923. Plate no. 12458.<\/td>\n<\/tr>\n
          folder 17<\/strong><\/td>\nScarlatti, Domenico. Venticinque Sonate per clavicembalo. Criticamente rivedute ed ordinate da Alessandro Longo. New York: G. Ricordi. Plate no. E. R. 463.<\/td>\n<\/tr>\n
          folder 18<\/strong><\/td>\nSchubert, Franz. Impromptu, Op. 142, No. 2. Edited by William Conrad. New York: Belwin. E. B. 309_4.<\/td>\n<\/tr>\n
          folder 19<\/strong><\/td>\nSchubert, Franz. Serenade (St\u00e4ndchen). Revised and fingered by William Scharfenberg. New York: G. Schirmer, 1891. Plate no. 9417.<\/td>\n<\/tr>\n
          folder 20<\/strong><\/td>\nSchubert, Franz. Twenty-four Songs transcribed for the piano by Franz Liszt.\u00a0Volume I. New York: G. Schirmer, 1897. Plate no. 13427.<\/td>\n<\/tr>\n
          folder 21<\/strong><\/td>\nSchubert, Franz. Three Waltzes. Revised and fingered by William Scharfenberg. New York: G. Schirmer, 1892. Plate no. 10194.<\/td>\n<\/tr>\n
          folder 22<\/strong><\/td>\nSchumann, Robert. Concerto in A minor. With the orchestral accompaniment arranged for a second piano. Edited by Edwin Hughes. New York: G. Schirmer, 1945. Plate no. 28209.<\/td>\n<\/tr>\n
          folder 23<\/strong><\/td>\nSchumann, Robert. Fifty Piano Compositions. Edited by Xaver Scharwenka.\u00a0Boston: Oliver Ditson, 1905. Plate no. M L-791-14.<\/td>\n<\/tr>\n
          folder 24<\/strong><\/td>\nSchumann, Robert. Forest-Scenes, Op. 82; and, Romances, Op. 28.\u00a0 Edited and fingered by Max Vogrich. New York: G. Schirmer, 1895. Plate nos. 12341, 12342.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

          [\/vc_column_text][vc_custom_heading text=”Box 41″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617133217486{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
          folder 1<\/strong><\/td>\nScott, Cyril. Lotus Land, Op. 47, No. 1. New York: Galaxy Music Corporation, 1905.\u00a0Plate no. E. & Co. 322.<\/td>\n<\/tr>\n
          folder 2<\/strong><\/td>\nSinding, Christian. Marche Grotesque, Op. 32, No. 1. New York: Belwin, Plate no.\u00a0E. B. 325-4.<\/td>\n<\/tr>\n
          folder 3<\/strong><\/td>\nSpohr, Friedrich. Gru\u00df an Kiel. Mainz: Edition Schott. Plate no. Edition Schott\u00a0No. 08218.<\/td>\n<\/tr>\n
          folder 4<\/strong><\/td>\nStrauss, Johann. Ultra Modern Library Collection of Strauss Waltzes. Chicago:\u00a0M. M. Cole, 1942.<\/td>\n<\/tr>\n
          folder 5<\/strong><\/td>\nTorjussen, Trygve. Northern Festival, Op. 29, No. 8. Boston: Arthur P. Schmidt, 1925.\u00a0Plate no. A. P. S. 13032-6.<\/td>\n<\/tr>\n
          folder 6<\/strong><\/td>\nTchaikovsky, Peter Ilyich. Collection of Piano Compositions. Chicago: M. M.\u00a0Cole, 1942.<\/td>\n<\/tr>\n
          folder 7<\/strong><\/td>\nVan Hulse, Camil. Holiday in New Orleans, Op. 123. Toledo, OH: Gregorian Institute of America, 1962. Plate no. G\u20131053.<\/td>\n<\/tr>\n
          folder 8<\/strong><\/td>\nVerdi, Giuseppe. March from\u00a0A\u00efda<\/em>. Arr. by A. Garland. New York: Theodore\u00a0Presser, 1924. Plate no. 19562-2.<\/td>\n<\/tr>\n
          folder 9<\/strong><\/td>\nVillanueva, Felipe. Vals Poetico. Mexico City: A. Wagner y Levien Sucs., 1891.<\/td>\n<\/tr>\n
          folder 10<\/strong><\/td>\nSelections for the Piano from Richard Wagner\u2019s\u00a0Parsifal<\/em>. With preface, story of\u00a0the opera, and analysis by Henry T. Finck. Cincinnati: John Church, 1904. Plate no.\u00a014605.<\/td>\n<\/tr>\n
          folder 11<\/strong><\/td>\nWagner, Richard. Overture \u201cThe Flying Dutchman\u201d. Arranged for piano solo by E.\u00a0Pauer. New York: Richard A. Saalfield.<\/td>\n<\/tr>\n
          folder 12<\/strong><\/td>\nWagner, Richard. Wedding March from\u00a0Lohengrin.\u00a0<\/em>Arranged for piano four\u00a0hands.<\/em>\u00a0New York: G. Schirmer, 1898. Plate no. 14066 r.<\/td>\n<\/tr>\n
          folder 13<\/strong><\/td>\nWalton, William. Orb and Sceptre: Coronation March (1953). Arranged for piano\u00a0solo by Roy Douglas. London: OUP, 1953.<\/td>\n<\/tr>\n
          folder 14<\/strong><\/td>\nFifty-nine Piano Solos You Like to Play. New York: G. Schirmer, 1936. Plate no.\u00a037186.<\/td>\n<\/tr>\n
          folder 15<\/strong><\/td>\nAlbum of Russian piano music, Vol. 1. Sixty-eight pieces selected, edited and\u00a0fingered by Louis Oesterle. New York: G. Schirmer, c1929. Plate no. 23696.<\/td>\n<\/tr>\n
          folder 16<\/strong><\/td>\n\u00a0Album of Russian piano music, Vol. 2. Sixty-eight pieces selected, edited and\u00a0fingered by Louis Oesterle. New York: G. Schirmer, c1902. Plate no. 23697.<\/td>\n<\/tr>\n
          folder 17<\/strong><\/td>\nGrand Theoretical and Practical Piano School: for systematic instruction in all\u00a0branches of piano-playing, from the first elements to the highest perfection. By\u00a0Dr. Sigismund Lebert and Dr. Louis Stark. Boston: Oliver Ditson.<\/td>\n<\/tr>\n
          folder 18<\/strong><\/td>\nMagic Melodies for Piano: a compilation of carefully chosen works representing\u00a0all schools and eras of musical thought. New York: Remick Music Corp, 1943.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

          [\/vc_column_text][vc_custom_heading text=”Box 42″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1617133210535{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
          folder 1<\/strong><\/td>\nMy Music Note Book: Music Readiness Program.\u00a0<\/em>Sister M. Xaveria, O.S.F.,\u00a0Mus.M. Milwaukee, Wisconsin: The Seraphic Press, 1946.<\/td>\n<\/tr>\n
          folder 2<\/strong><\/td>\nA. Borodin, Ts. Kui, A. Liadov, N. Rimsky-Korsakov, N. Shcherbachev.\u00a0Parafrazy dlia fortepiano\u00a0<\/em>=\u00a0Paraphrases pour piano: 24 Variations et 15 petites\u00a0<\/em>Pi\u00e8ces pour piano sur le th\u00e8me favori et oblig\u00e9<\/em>. Nouvelle Edition. Leipzig: M. P.\u00a0Bela\u00efeff,1893.<\/td>\n<\/tr>\n
          folder 3<\/strong><\/td>\nThe Robert Pace Piano Series. <\/em>Book 1. Bryn Mawr, Pennsylvania: Theodore\u00a0Presser Co., 1954.<\/td>\n<\/tr>\n
          folder 4<\/strong><\/td>\n\n

          [Binder\u2019s collection] one bound volume containing individually published works for piano by Liszt, Wagner, and Mendelssohn.<\/p>\n

          Contents:<\/p>\n

            \n
          • Franz Liszt. Consolations nos. 1-6; and, Liebestr\u00e4ume: 3 Nocturnes. New York: G. Schirmer, c1915.<\/li>\n
          • Richard Wagner; paraphrase by Franz Liszt. March from \u201cTannh\u00e4user.\u201d (Einzug der G\u00e4ste auf Wartburg.) New York: G. Schirmer, c1893.<\/li>\n
          • Richard Wagner; arranged by Otto Hackh. Selections from the opera \u201cTannh\u00e4user.\u201d New York: G. Schirmer, c1897.<\/li>\n
          • F\u00e9lix Mendelssohn-Bartholdy. 25 Lieder ohne Worte: romances sans parole. Transcrites pour orgue-harmonium par Renaud de Vilbac. Braunschweig: Henry Litolff\u2019s Verlag, [s.d.].<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
          folder 5<\/strong><\/td>\nSonata Album: 15 Favorite Sonatas for the Piano by Haydn, Mozart, Beethoven.Edited, revised and fingered by Dr. Sigmund Lebert and others. New York: G.\u00a0Schirmer, c1895.<\/td>\n<\/tr>\n
          folder 6<\/strong><\/td>\nTwenty-five Best Piano Classics. New York: G. Schirmer, c1915. Plate no.\u00a025469.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

          [\/vc_column_text][vc_column_text css=”.vc_custom_1618326488670{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

          <\/a>Series 10: Presentation copies of works by other composers<\/h3>\n

          [\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
          folder 7<\/strong><\/td>\nFr. Raphael Adams, O.F.M. Cor Jesu: for unison voices and organ. c1939 by\u00a0Georgetown Visitions Convent. MS. facsim score; 8 pages of music.
          \n\u201cIn honor of the canonization of Saint Margaret Mary.\u201d\u2014at foot of page 6.<\/td>\n<\/tr>\n
          folder 8<\/strong><\/td>\n\n

          Original works by Adalia Seeger Allen. Accompanied by cover letter to Mrs. Isabelle Salvador from Adalia Seeger Allen (November 17, 1953;\u00a0 1 page,\u00a0 typescript).<\/p>\n

          Contents:<\/p>\n

            \n
          • This is my prayer (and my hope). Words and music by J. Jewell Allen & Adelia [sic] Allen & Edward E. Menges. Copyright 1953 by J. Jewel & Adalia Allen. MS. facsim; 3 pages of music.<\/li>\n
          • The torch. Music by Jay Jewel & Crystal; lyric by John Mills. MS. facsim; 2 pages of music.<\/li>\n
          • De pit-de patter: blues or spiritual song. Words & music by Jay Jewel & Crystal. MS. facsim; 1 page of music.<\/li>\n
          • There\u2019ll be \u201cthe devil to pay\u201d: spiritual song or hill billie [sic] spiritual. Words & music by Jay Jewel & Crystal. MS. facsim; 2 pages of music.<\/li>\n
          • I\u2019ve been once around the moon with you. Lyrics and music by Jay Jewel and Crystal. Copyright 1950 by J. Jewel and Adalia Allen. S. facsim; 3 pages of music.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
          folder 9<\/strong><\/td>\nNorbert V. Boyer. (Sanctus – Benedictus). For unison voices\u00a0and keyboard. MS. facsim; 1 page of music.
          \nAccompanied by cover note to Mario Salvador from the composer (December 18, 1983; 1 page, MS).<\/td>\n<\/tr>\n
          folder 10<\/strong><\/td>\n\n

          Johnny Broderick. A Star Stood Still. Two manifestations:<\/p>\n

            \n
          • Johnny Broderick. A Star Stood Still. Words by Barbara Ruth. New York: April Music, c1959. 3 pages. Inscribed to Dr. Mario Salvador by the composer.<\/li>\n
          • – – – – – . A Star Stood Still: song of the Nativity. Quartette [sic] arrangement. MS. facsim; 3 pages of music.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
          folder 11<\/strong><\/td>\n[L. Cain. English Mass.] For SATB voices. Four movements present: Kyrie; Creed; Sanctus; Agnus Dei. MS. facsim; 11 pages of music.<\/td>\n<\/tr>\n
          folder 12<\/strong><\/td>\n\n

          Two vocal compositions by Louise Coibion-Harter.<\/p>\n

            \n
          • Lines for Christmas: for solo voice, piano, and violin obligato. Words by Catherine Finley Miller. MS. facsim score; 1 page of music.<\/li>\n
          • Lullaby in Bethlehem: for voice and keyboard. Words by W. H. Bashfold. MS. facsim; 1 page of music.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
          folder 13<\/strong><\/td>\nClaudio Dall\u2019Albero. Recordare mei: motet for SATB and organ. MS. facsim\u00a0score; 10 pages of music. Dated at end: 27.VI.85.<\/td>\n<\/tr>\n
          folder 14<\/strong><\/td>\nFugen-Pr\u00e4ludien. A manuscript book kept by Siegfried Eckert. Contains several\u00a0selections; 20 pages of music.<\/td>\n<\/tr>\n
          folder 15<\/strong><\/td>\nEdward Hughes. It\u2019s Who You\u2019re With That Counts. For SATB and piano. Words\u00a0by Peter Westmore. Copyright 1973 British and Continental Music Agencies Ltd.
          \n6 pages of music.
          \nAccompanied by a cover note from Peter Westmore (December 14, 1973).<\/td>\n<\/tr>\n
          folder 16<\/strong><\/td>\nOscar H. Jekel. My Promise: Song. Words and music by O. Henry Jekel. St. Louis, MO.: Shattinger Piano & Music Co., c1926. Three copies.
          \nAccompanied by cover letter from O. Henry Jekel to Mario Salvador.<\/td>\n<\/tr>\n
          folder 17<\/strong><\/td>\nEdgar Lehr, Jr. Offertory for Palm Sunday. For SATB voices. MS. facsim; 2\u00a0pages of music.<\/td>\n<\/tr>\n
          folder 18<\/strong><\/td>\n\n

          Choral settings by Agnes B. Molloy; each copyright 1977 by the composer.<\/p>\n

            \n
          • Glory to God. MS. facsim; 1 page of music.<\/li>\n
          • The Kingdom, The Power, and The Glory. MS. facsim; 2 pages of music.<\/li>\n
          • Be Still and Know That I am God. MS. facsim; 2 pages of music.<\/li>\n
          • Behold the Man. MS facsim; 2 pages of music.<\/li>\n
          • They Shall See God. MS. facsim; 3 pages of music.<\/li>\n
          • Knocking Gently on Your Heart. MS. facsim; 3 pages of music.<\/li>\n
          • Jesus, My All. MS. facsim; 2 pages of music.<\/li>\n
          • I Hear His Voice Once More. MS. facsim; 3 pages of music.<\/li>\n
          • Light Your Fire in Me. facsim; 2 pages of music.<\/li>\n
          • Arise from Sleep. MS. facsim; 2 pages of music.<\/li>\n
          • Dawn Praise. MS. facsim; 2 pages of music.<\/li>\n
          • In My Dream. MS. facsim; 4 pages of music.<\/li>\n
          • Hear Me, Lord! MS. facsim; 3 pages of music.<\/li>\n
          • Come Ye to the Well of Life. MS. facsim; 2 pages of music.<\/li>\n
          • In This Whole World. MS. facsim; 2 pages of music.<\/li>\n
          • Set Me Free. MS. facsim; 2 pages of music.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
          folder 19<\/strong><\/td>\nBernard W. Pauken. The Hail Mary. \u00a0For unison voices and organ. MS. facsim; 2\u00a0pages of music.<\/td>\n<\/tr>\n
          folder 20<\/strong><\/td>\nSteven Radecke. Prelude and Chorale Fantasy: for organ and \u2018cello. MS. facsim.score; 8 pages of music. Two copies.<\/span><\/td>\n<\/tr>\n
          folder 21<\/strong><\/td>\nRay Ripani. Harvest Prayer. For SAATBB and piano. Words by Linda Johnson.\u00a0MS. facsim; 7 pages of music.
          \nAccompanied by cover letter to Dr. Mario Salvador from Ray Ripani (January 5, 1987; typescript).<\/td>\n<\/tr>\n
          folder 22<\/strong><\/td>\nMike Sammes. Why Not Buy an Extra Present? For SATB and piano. Words by\u00a0Peter Westmore. Copyright 1984 Novello & Company Limited. 4 pages of music.
          \nAccompanied by cover note from Peter Westmore (July 4, 1984).<\/td>\n<\/tr>\n
          folder 23<\/strong><\/td>\nReinhard M. Schroedel. Mary\u2019s Lullaby. For organ with spoken word. MS.\u00a0facsim; 8 pages of music.
          \nAccompanied by cover letter to Dr. Mario Salvador from Reinhard Schroedel (October 11, 1970; ink manuscript).<\/td>\n<\/tr>\n
          folder 24<\/strong><\/td>\nDavid W. Thornton. Christmas Is . . . .\u00a0 Words and music by David W. Thornton (December 18, 1973). Copyright 1973, David W. Thornton. MS. facsimile; 5 pages of music.<\/td>\n<\/tr>\n
          folder 25<\/strong><\/td>\n\n

          Two choral works by Jonathan A. Tuuk, each inscribed by hand \u201cCompliments of the composer.\u201d<\/p>\n

            \n
          • Mass of the Holy Trinity: for SATB choir, congregation, and organ. Chicago: G.I.A. Publications, c1977.<\/li>\n
          • Mass in honor of Saint Andrew: for SATB voices, congregation and organ with handbells, brass and timpani ad lib. Chicago: G.I.A. Publications, c1978.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
          folder 26<\/strong><\/td>\n\u00a0Camil Van Hulse. Saint Louis, King and Crusader: for organ and orchestra. Pencil\u00a0MS; 35 pages of music. \u00a0At end: Camil Van Hulse. Oct 12 1972.<\/td>\n<\/tr>\n
          folder 27<\/strong><\/td>\nMichael Weidlick. Concerto in C Major: for organ. Ink MS; 4 pages of music.
          \nAccompanied by cover letter to Dr. Mario Salvador from the composer (January 1, 1981; typescript).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

          [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

          \u2190 MARIO SALVADOR COLLECTION<\/a><\/p>\n

          [\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

          MARIO SALVADOR COLLECTION; Sub-group II \u2192<\/a><\/p>\n

          [\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

          [vc_row][vc_column][vc_column_text css=”.vc_custom_1617027480164{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] SUB-GROUP I: WORKING MUSIC LIBRARY [\/vc_column_text][vc_column_text css=”.vc_custom_1618326344264{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] Series 1: Works for solo organ by individual composers [\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” […]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":7524,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template_Finding_Aids.php","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-7535","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7535","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=7535"}],"version-history":[{"count":0,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7535\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7524"}],"wp:attachment":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=7535"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=7535"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=7535"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}