{"id":7395,"date":"2021-03-04T10:01:48","date_gmt":"2021-03-04T15:01:48","guid":{"rendered":"https:\/\/www.esm.rochester.edu\/sibley\/?page_id=7395"},"modified":"2021-03-04T10:01:48","modified_gmt":"2021-03-04T15:01:48","slug":"ser1-2","status":"publish","type":"page","link":"https:\/\/www.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/awilder\/ser1-2\/","title":{"rendered":"ALEC WILDER ARCHIVE"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=”.vc_custom_1614871553924{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 1: Music Manuscripts<\/h3>\n

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<\/a>Sub-series 1: Large instrumental ensemble<\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 4″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614871618481{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nFleugel<\/em>\u00a0\u2014 [without date]
\nSketches
\nIn pencil; 6 pages of music<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nPiece for Eddie Powell<\/em>\u00a0\u2014 [undated]
\nFor Orchestra; sketches
\nIn pencil; 10 pages of music<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nPowell Piece<\/em> \u2014 [undated]
\nFor Orchestra Reproduction, fair copy
\n50 pages of music; some pages photo-static copies in negative exposure<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nShakespeare (girl)<\/em> \u2014 [undated]
\nDraft MS
\nIn pencil; 11 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nShakespeare II: Ophelia<\/em>. \u2014 [undated]
\nDraft MS
\nIn pencil; 9 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nSong bag suite<\/em> \u2014 [undated]
\nSuite Sketches;
\n1st<\/sup> mood
\n<\/em>2nd<\/sup> mood
\n<\/em>3rd<\/sup> mood
\n<\/em>4th<\/sup> mood
\n<\/em>In pencil; 22 pages of music<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nNew England suite<\/em> \u2014 [without date]
\nSketches
\nSeasons
\n<\/em>Hopscotch
\n<\/em>Cambridge Valley
\n<\/em>Lullaby
\n<\/em>Grandma
\n<\/em>Anna Mary
\n<\/em>Viennese
\n<\/em>Farmer\u2019s Daughter
\n<\/em> Pioneer Stock
\n<\/em>Sewing
\n<\/em>Hopscotch
\n<\/em>Pastorale
\n<\/em>In pencil; 57 pages of music<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nGrey<\/em> [the gaunt] \u2014 [without date]
\nSketches
\nIn pencil; 14 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 6″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614872678971{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 21<\/strong><\/td>\nBlue<\/em>\u00a0& [untitled] \u201cSwing easy\u201d \u2014 [without date]
\nMS horn parts
\nIn pencil; 2 pages of music<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nPiece for Strings #1<\/em> \u2014 [without date]
\nDraft MS
\nIn pencil; 6 pages of music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 8″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614874037919{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 15<\/strong><\/td>\nI\u2019ll get by<\/em> \u2014 [without date]
\nFor big band Reproduction
\n17 parts, incl. one labeled for \u201cBenny\u201d
\n29 pages of music
\nProvenance: Yale University – Benny Goodman papers<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nAs long as we still believe<\/em> \u2014 [without date]
\nFor big band
\nReproduction; 8 pages of music
\nProvenance: Yale University \u2013 Benny Goodman papers<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 9″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614874100879{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 24<\/strong><\/td>\nSuite for brass quintet and strings<\/em> \u2014 [without date]
\nFair copy score; 61 pages of music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 15″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614874158775{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 6<\/strong><\/td>\nFour sentiments<\/em>\u00a0\u2014 [without date]
\nSee oversize box 2\/4<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nFour sentiments (and an afterthought)<\/em> \u2014 [without date]
\nFair copy
\n18 parts: Flutes (picc), oboes, clarinets, bassoons, horn 1 & 2, horn 3 & 4, trumpets 1 & 2, trumpet 3, trombones 1 & 2, trombone 3, percussion & timpani, percussion – set, harp, violin I, violin II, viola, cello, bass
\nInk on Ozalid masters; 89 pages of music
\nProvenance: Mitch Miller<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nEntertainment no. III<\/em> \u2014 [without date]
\nSee oversize box 3\/1<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nEntertainment\u00a0<\/em>[no.]\u00a06<\/em>\u00a0\u2014 [1974-1975]
\nSee oversize box 3\/2<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nEntertainment # 6<\/em> \u2014 [1975]
\nSee oversize box 3\/3<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nSuite for Chamber Orchestra (\u201cSmall Pieces\u201d)<\/em> \u2014 [without date]
\nMusic by Jerome Hill; Orchestration by Alec Wilder
\nReproduction, 5 wind parts (fl, ob, clar, hrn, bsn)
\nThree part invention
\n<\/em>Petite suite
\n<\/em>Canone all\u2019ottava <\/em>(no hrn)
\nLament <\/em>(no fl, clar)
\nEpisode #2 <\/em>(no fl, ob, clar, hrn)
\nEpisode #3 <\/em>(no clar, hrn)
\nVariations on a theme
\n<\/em>Theme
\n<\/em>Variation II
\n<\/em>Variation V
\n<\/em>Variation X <\/em>(no fl)
\nAir <\/em>path\u00e9tique<\/em>, homage \u00e0 Scriabine
\n<\/em>Calliope waltz
\n<\/em>Barcarolle
\n<\/em>Improvisation
\n<\/em>11, 14, 15, 15, 18 (73) pages of music, respectively<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nSuite for Chamber Orchestra (\u201cSmall Pieces\u201d)<\/em> \u2014 [without date]
\nMusic by Jerome Hill; Orchestration by Alec Wilder
\nReproduction, Harpsichord\/percussion parts
\nPetite Suite
\n<\/em>Canone All\u2019Ottava
\n<\/em>Episode #2 (glockenspiel)
\n<\/em>Episode #3 (glockenspiel)
\n<\/em>Barcarolle
\n<\/em>Improvisation
\n<\/em>8 pages of music<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nSuite for Chamber Orchestra (\u201cSmall Pieces\u201d)<\/em> \u2014 [without date]
\nMusic by Jerome Hill; Orchestration by Alec Wilder
\nReproduction, violin I parts
\nThree part invention <\/em>(6 copies)
\nPetite Suite <\/em>(6 copies)
\nSarabande <\/em>(6 copies)
\nCanone All\u2019Ottava <\/em>(6 copies)
\nEpisode #2 <\/em>(2 copies)
\nEpisode #3<\/em>(1 copy)
\nVariations on a theme <\/em>(1 copy)
\nTheme
\n<\/em>Variation II
\n<\/em>Variation V
\n<\/em>Variation X <\/em>(6 copies)
\nAir <\/em>path\u00e9tique<\/em> (6 copies)
\nCalliope waltz <\/em>(6 copies)
\nBarcarolle <\/em>(1 copy)
\n67 Pages of music; multiple copies of most parts
\nSome water damage to margins<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nSuite for Chamber Orchestra (\u201cSmall Pieces\u201d)<\/em> \u2014 [without date]
\nMusic by Jerome Hill; Orchestration by Alec Wilder
\nReproduction, violin II parts
\nThree part invention <\/em>(6 copies)
\nPetite Suite <\/em>(6 copies)
\nCanone All\u2019ottava <\/em>(6 copies)
\n Episode #2 <\/em>(2 copies)
\nEpisode #3 <\/em>(6 copies)
\nVariation X <\/em>(6 copies)
\nAir <\/em>path\u00e9tique<\/em> (6 copies)
\nCalliope waltz <\/em>(6 copies)
\n74 Pages of music; multiple copies of most parts
\nSome water damage to margins<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nSuite for Chamber Orchestra (\u201cSmall Pieces\u201d<\/em>) \u2014 [without date]
\nMusic by Jerome Hill; Orchestration by Alec Wilder
\nReproduction, viola parts
\nThree part invention <\/em>(6 copies)
\nPetite Suite <\/em>(6 copies)
\nSarabande <\/em>(6 copies)
\nCanone all\u2019ottava <\/em>(6 copies)
\nLament <\/em>(6 copies)
\nEpisode #2 <\/em>(2 copies)
\nEpisode #3 <\/em>(1 copy)
\nVariation on a theme <\/em>(1 copy)
\nTheme
\n<\/em>Variation II
\n<\/em>Variation V
\n<\/em>Variation X <\/em>(6 copies)
\nAir <\/em>path\u00e9tique<\/em> (6 copies)
\nCalliope waltz <\/em>(6 copies)
\nBarcarolle <\/em>(1 copy)
\n66 pages of music; multiple copies of most parts
\nSome water damage to margins<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nSuite for Chamber Orchestra (\u201cSmall Pieces\u201d)<\/em> \u2014 [without date]
\nMusic by Jerome Hill; Orchestration by Alec Wilder
\nReproduction, cello parts
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Three part invention <\/em>(6 copies, one missing second page)
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Petite suite <\/em>(6 copies)
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sarabande <\/em>(6 copies)
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Canone all\u2019ottava <\/em>(6 copies)
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Lament <\/em>(6 copies)
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Episode #2 <\/em>(2 copies)
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>Episode #3 <\/em>(1 copy)
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>Variation on a theme <\/em>(1 copy)
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Theme
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Variation II
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Variation V<\/em>
\nVariation X <\/em>(6 copies)
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Air <\/em>path\u00e9tique<\/em> (6 copies)
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>Calliope waltz <\/em>(6 copies)
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>Barcarolle <\/em>(1 copy)
\n79 pages of music; multiple copies of most parts<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nSuite for Chamber Orchestra (\u201cSmall Pieces\u201d)<\/em> \u2014 [without date]
\nMusic by Jerome Hill; Orchestration by Alec Wilder
\nReproduction, Production score
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Three part invention <\/em>(2 copies)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Petite suite <\/em>(2 copies)
\nSarabande <\/em>(2 copies)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Canone All\u2019ottava <\/em>(2 copies)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Lament <\/em>(2 copies)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Episode #2 <\/em>(2 copies)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Episode #3 <\/em>(2 copies)
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Variation on a theme <\/em>(2 copies)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Theme
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Variation II
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Variation V<\/em>
\nVariation X <\/em>(2 copies)
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Air <\/em>path\u00e9tique<\/em> (1 copy)
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Calliope waltz <\/em>(1 copy)
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Barcarolle <\/em>(2 copies)
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Improvisation<\/em> (2 copies)
\n40 pages of music; two copies of most parts<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 17″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614874248377{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 37<\/strong><\/td>\nThe way you look<\/em> \u2014 [without date]
\nMS fair copy – incomplete
\nIn pencil; 13 pages of music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 18″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614874357314{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nIt\u2019ll never sell<\/em>\u00a0\u2013 [without date]
\nMS score \u2013 misc. jazz band arrangements
\nIn pencil; 12 pages
\nProvenance: Gunther Schuller<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nInstrumental piece
\n<\/em>See oversize 4\/7<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nSpring morning
\n<\/em>See oversize 4\/8<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nSomething for the girls
\n<\/em>See oversize 4\/9<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nLonely man seeks company
\n<\/em>See oversize 4\/10<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1614874430411{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series 2: Vocal or instrumental solo with large ensemble<\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 8″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1613405801439{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 13<\/strong><\/td>\nEntertainment no. 4<\/em> \u2014 [without date]
\nFor French horn and chamber orchestra
\nDraft MS
\nIn pencil; 98 pages of music
\nCorrections and notes in black ink.
\n\u201cFor Verne Reynolds\u201d in heading
\nProvenance: Donald Hunsberger<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nConcerto for cello and orchestra<\/em> \u2014 [without date]
\nFair copy –\u00a0 bound score in hard cover
\nIn ink; 86 pages of music
\nAccompanied by an excerpt of a letter to Aaron Copland in which he refers to this concerto (excerpt from Letters I Never Mailed by Alec Wilder)
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nConcerto for cello and orchestra <\/em>[4th movement only] \u2014 [without date]
\nDraft MS, piano reduction
\nIn ink with corrections in pencil; 7 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 9″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1613406564967{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n
folder 18<\/strong><\/td>\nElegy for the whale<\/em>\u00a0\u2014 [without date]
\nFor tuba and orchestra
\nReproduction score ( 2 copies)
\n19 pages of music each
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nElegy for the whale<\/em> \u2014 [without date]
\nDraft MS, piano reduction
\nIn pencil; 5 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nConcerto for flute and chamber orchestra<\/em> \u2014 [without date]
\nDraft MS
\nIn pencil; 98 pages of music
\n\u201cFor Frances Miller\u201d in heading
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nSuite for tenor saxophone and strings<\/em> \u2014 [without date]
\nFair copy, score
\nIn pencil; 38 pages of music<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nSuite for horn and strings<\/em> \u2014 [without date]
\nFair copy, score
\nIn pencil; 38 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 10″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1613409588057{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 3<\/strong><\/td>\nConcerto for alto saxophone and concert band<\/em>\u00a0\u2014 [without date]
\nReproduction, piano reduction by David Demsey
\n25 pages of music
\nContains performance markings
\nProvenance: David Demsey<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nConcerto for alto saxophone and concert band<\/em> \u2014 [without date]
\nReproduction, piano reduction by David Demsey
\nFolder only contains movement III
\n8 pages of music
\nProvenance: David Demsey<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nConcerto for alto saxophone and concert band<\/em> \u2014 [without date]
\nErrata sheet
\n5 pages of handwritten notes
\nProvenance: David Demsey<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 16″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614874980375{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 16<\/strong><\/td>\nPiece for piano and small orchestra<\/em> \u2014 [without date]
\nBound draft MS
\nIn pencil; 34 pages of music
\nPerformance markings in red and blue pencil<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 17″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614875167045{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 35<\/strong><\/td>\nIt had to be you<\/em> \u2014 [without date]
\nMS fair copy
\nIn pencil; 12 pages of music<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\nMadelaine<\/em>\u00a0\u2014 [without date]
\nMS fair copy
\nIn pencil; 7 pages of music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 18″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614877414963{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 6<\/strong><\/td>\nSpring magic<\/em> \u2013 [without date]
\nSee oversize Box 4\/11<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nClarinet suite no. 1<\/em> \u2013 [without date]
\nFor clarinet and string ensemble
\nMS, score
\nIn pencil; 53 pages<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1614881702057{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series 3: Instrumental solos with or without accompaniment<\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614877570357{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 37<\/strong><\/td>\nBehind the barn<\/em> \u2014 [without date]
\nDraft MS, lead sheet
\nIn pencil. 1 page of music
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\nIncurably romantic<\/em> \u2014 [without date]
\nDraft MS, lead sheet
\nIn pencil
\n2 pages of music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 2″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614881207381{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 21<\/strong><\/td>\nClarinet suite<\/em> \u2014 [without date]
\nSketches
\nIn ink and pencil; 35 pages of music<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nClarinet suite<\/em> \u2014 [without date]
\nReproduction
\nScore; 18 pages of music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 4″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614877611516{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
folder 19<\/strong><\/td>\nWhat a way to go!<\/em> \u2014 [without date]
\nMS horn part
\nIn ink; one page of music
\nSlight water damage to part
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nSonata for baritone horn (euphonium)<\/em> W131 \u2014 [without date]
\nFair copy; Ozalid masters
\n2 parts; baritone horn (10 pages of music), piano (22 pages of music)<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nSuite No. 2 for tuba and piano (Jesse suite)<\/em> \u2014 [without date]
\nReproduction; 9 pages of music
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nSuite No. 3 for tuba and piano (suite for little Harvey)<\/em> \u2014 [copyright 1980]
\nFair copy and Reproduction
\nFair copy \u2013 Ozalid masters for tuba part and piano part (13 pages of music); photocopy \u2013 piano part only (9 pages of music)
\nProvenance: fair copy: Margun Music; photocopy: Marian McPartland<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nSuite No. 4 for tuba and piano (\u201cThomas suite\u201d)<\/em> W127 \u2014 [copyright 1981]
\nFair copy and Reproduction
\nOzalid masters for tuba part and piano part (10 pages of music)
\nReproduction of piano part (8 pages of music)
\nFair copy of tuba part and piano part (10 pages of music)
\n\u201cFor Thomas Phillips\u201d in upper left hand corner of title page
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nSonatina for violin and piano<\/em> \u2014 [without date]
\nMS sketch and Reproduction
\nIn ink; 2 pages of music
\n2 photocopies of handwritten draft; each 5 pages of music
\n1 violin part, missing solo interludes (4 pages of music) with piano score (21 pages of music)
\nNote on score indicates, \u201c2 different MS copies of score and part of vln sonatina in hand of Ken Richmond.\u201d
\nReproduction of violin part (2 copies); 9 pages of music each
\nNote: Copies are different; printed pages 6 and 7 are switched so that in one copy the second interlude comes after mvt III and in the other edition, it comes in the middle of mvt III
\nReproduction of score; 11 pages of music
\nContains only the 1st<\/sup> and 2nd<\/sup> movements and no interludes
\nReproduction of violin interludes; 2 pages of music
\nWritten on head of page in AW\u2019s hand, \u201cFor Dr. M. H. Presberg\u201d
\nProvenance: Max Presberg<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nSonatina for violin and piano<\/em> \u2014 [without date]
\nDraft MS & Reproduction
\nIn pencil; 24 pages of music
\n\u201cFor M. H. Presberg\u201d at head of title page
\nReproduction of movement III; 5 pages of music
\nCorrections in red ink
\nPhotocopies of MS for first and second interludes; 2 pages of music
\nProvenance: Max Presberg<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nSonatina for violin and piano<\/em> \u2014 [without date]
\nSketches contained in a MS book
\nAlso contains sketches titled, Tuba, Piano suite (childhood suite), Tuba and strings
\n<\/em>In pencil; 17 pages of music
\nIn memo section, \u201cBy Alec Wilder to Dr. May Presberg\u201d
\nProvenance: Louis Ouzer<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nSmall suite for bass and piano<\/em>\u00a0\u2014 [without date]
\nReproduction; 15 pages of music
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 5″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614881276996{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nFlute pieces no. 3 & 4<\/em>\u00a0\u2014 [without date]
\nMS flute parts
\nIn ink; 4 pages of music
\nProvenance: Gift of Margun Music<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nGeiger suite for flute<\/em> \u2014 [without date]
\nReproduction; 4 pages of music
\nOn head of page, \u201cfor Michael\u201d
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nSonata No. I for flute and piano<\/em> \u2014 [without date]
\nDraft MS
\nIn pencil; 23 pages of music
\nCorrections in red pencil
\nProvenance: Gif of Margun Music<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nEnglish Horn Sonata<\/em> W 133 \u2014 [copyright 1981]
\nFair copy
\n2 parts; piano score (18 pages of music), English horn part (8 pages of music)
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nErica suite for clarinet & piano\u00a0<\/em>\u2014 [without date]
\nDraft MS.
\nIn pencil; 4 pages of music
\nProvenance: Gift of Margun Music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 6″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614881326404{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 6<\/strong><\/td>\nTwo pieces for flute with bongos<\/em> \u2014 [without date]
\nSketches & reproduction
\nSketch in pencil; 5 pages of music
\nRepro; 6 pages
\nPiece No. I requires switching between flute and alto flute.
\nProvenance: Sam Baron 5\/24\/88<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 8″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614881403869{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 17<\/strong><\/td>\nSonatina for violin and piano<\/em> \u2014 [without date]
\nReproduction
\nComplete score; 21 pages of music
\nSecond copy of 1st<\/sup> movement; 6 pages of music
\nSecond copy of 2nd<\/sup> movement; 5 pages of music
\nPossibly a different version; begins on page 8 rather than page 7 as in the complete score. Also does not contain \u201cInterlude 1 \u2013 Tacet\u201d marking at the end of the movement as marked in the complete score
\nViolin part; 6 pages of music
\nContains 1st<\/sup> and 2nd<\/sup> movements and 2 interludes
\nViolin part; 4 pages of music
\nContains 1st<\/sup> and 2nd<\/sup> movements w\/o interludes
\nProvenance: Rose Presberg 5\/12\/97<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nSonatina for violin and piano<\/em> \u2014 [without date]
\nReproduction of sketch
\nViolin part; 2 pages of music.
\nIn heading, \u201cFor M. H. Presberg\u201d
\nProvenance: Rose Presberg<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 10″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614881432819{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 6<\/strong><\/td>\nSuite for trumpet and marimba<\/em>\u00a0\u2014 [without date]
\nReproduction; 13 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nFrench horn solo no. 1-3<\/em> \u2014 [without date]
\n\u201cSuite\u201d for French horn solo with improvisatory percussion
\nDraft MS
\nNo I and II in ink with corrections in pencil, no III in pencil; 12 pages of music
\n\u201cFor David Kappy from Alec Wilder\u201d written in heading of no. III
\nAlso contains one page typed letter from David Kappy with notes about the piece
\nAccording to letter:<\/p>\n
    \n
  1. Horn with bass<\/li>\n
  2. Solo horn (written in 1967)<\/li>\n
  3. Horn with reggae band<\/li>\n<\/ol>\n

    Also mentions that part or all of MS is in Barrow\u2019s handwriting, not AW\u2019s
    \nProvenance: Margun Music<\/p>\n<\/td>\n<\/tr>\n

folder 8<\/strong><\/td>\nAir for French horn and concert band<\/em> \u2014 [without date]
\nDraft MS
\nIn pencil; 9 pages of music
\nCorrections in red ink
\nProvenance: Margun Music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 11″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614881477373{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 11<\/strong><\/td>\nBlues<\/em>\u00a0\u2014 [without date]
\nSketch, Flute part
\nAlternate flute part in place of horn 1 in\u00a0Horn duets<\/em>\u00a0(see Series 4 folder 10)
\nIn ink; 1 page of music<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nHarp <\/em>[Unidentified piece] \u2014 [without date]
\nDraft MS
\nIn ink; 3 pages of music
\nContains performance markings
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nViolin piece<\/em> \u2014 [without date]
\nSketch
\nIn pencil; 2 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nViolin piece<\/em> \u2014 [without date]
\nDraft MS
\nVln part and incomplete piano score (missing first 2 pages and last page)
\nIn ink; 11 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\n[Piece for cello and piano]. \u2014 [without date].
\nFair copy, single movement orchestrated as part of Cello concerto.
\n<\/em>In ink; 7 pages of music.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\n[Cello pieces]. \u2014 [without date].
\nSketches.
\nIn ink; 3 pages of music.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nCello piece<\/em>. \u2014 [without date].
\nSketch.
\nIn pencil; 2 pages of music.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\n[Cello piece]. \u2014 [without date].
\nDraft MS.
\nIn ink; 6 pages of music.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nCello piece<\/em>. \u2014 [without date].
\nDraft MS, fragment.
\nIn ink; 2 pages of music.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nCello piece<\/em>. \u2014 [without date].
\nSketch.
\nLast page titled, Little Miss Pink<\/em>.
\nIn pencil; 5 pages of music.
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nPiece for bassoon and strings<\/em>. \u2014 [without date].
\nFor bassoon, violin 1A, IIA, B, C, D; viola A, B; cello A, B; bass; percussion.
\nPhoto-static reproduction of score and 11 parts.
\nScore, 22 pages of music.
\nParts; 29 pages of music.|
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nBassooner or later<\/em>. \u2014 [without date].
\nReproduction, 2 copies.
\n2 pages of music.
\nProvenance: Gift of Margun Music 7\/18\/96.<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\nDouble reed goof off<\/em>. \u2014 [1955].
\nReproduction; 1 page of music.
\nCopied from volume V 1975(6) \u2013 No. 3 of \u201cTo the World\u2019s Bassoonists\u201d <\/em>newsletter.
\nIncludes note about piece by Bernie Garfield at foot of page.
\nProvenance: Gift of Margun Music 7\/18\/96.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 16″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1613486417512{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n
folder 10<\/strong><\/td>\nSonata #2 for tuba and piano<\/em>. \u2014 [without date].
\nReproduction, solo tuba part.
\n10 pages of music.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nLow register flute suite no. 3<\/em>. \u2014 [without date].
\nReproduction, flute part.
\n7 pages of music.
\nAdditional 3rd<\/sup> movement possibly intended for another low register flute suite.
\nHolograph for additional 3rd<\/sup> movement in series 7, box 1, folder 12.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nNothing but love<\/em>. \u2014 [without date].
\nFor bass and piano.
\nMS reproduction; 2 pages of music.
\n\u201cFor Al Hall from Alec Wilder\u201d in upper right corner of title page.
\n\u201cAugust 15, 1972 – To Alec Wilder: So many thanks for taking time out to think of me, in the form of your beautiful notes! Love, Al\u201d written on back.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nTrumpet Suite<\/em>. W132\u2014 [without date].
\nReproduction, piano reduction.
\n14 pages of music.
\nPerformance markings in pencil and red ink.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 17″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1613486479180{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 15<\/strong><\/td>\n2nd<\/sup> horn sonata<\/em>. \u2014 [without date].
\nMS fair copy.
\nIn ink; 10 pages of music.
\nIn pencil; 2 page of music on reverse.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 18″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1613488428030{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 1<\/strong><\/td>\nClarinet Sonata
\n<\/em>Reproduction, fair copy clarinet part
\nTwo copies of the 1st<\/sup>, 2nd<\/sup> and 3rd<\/sup> movements, one copy of 4th<\/sup> movement
\n35 pages of music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1614881663760{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series 4: Chamber Music<\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 2″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614881727070{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 23<\/strong><\/td>\nSuite for flute and strings<\/em>. \u2014 [without date].
\nDraft MS. Titled Flute Piece No. 1.
\nIn pencil, corrections in red pencil; 68 pages of music.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nSuite for flute and strings<\/em>. \u2014 [without date].
\nSketches.
\nTitled Flute Piece No. 1.
\nIn pencil; 20 pages of music.
\nAt head of page, \u201c(4 Movements)\u201d
\nNote on separate lined paper, \u201cSecond movement [of] a Suite for Flute and Strings<\/em> has been re-written in third movement for 1st<\/sup> Flute Sonata<\/em> and is, therefore, invalid\u201d; one page.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 4″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614881808248{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 30<\/strong><\/td>\nMoosacaglia<\/em>. \u2014 [without date].
\nDraft MS.
\nIn pencil; 3 pages of music.
\nOn head of page, \u201cFor Charles Lunde\u201d.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 5″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614881874832{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 6<\/strong><\/td>\nNo Plans<\/em>. \u2014 [without date].
\nReproduction; 22 pages of music.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nNobody’s heart<\/em>. \u2014 [without date].
\nDraft MS.
\nIn pencil; 9 pages of music.
\nIncludes photocopy.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nPop, what’s a passacaglia?<\/em>. \u2014 [without date].
\nReproduction; 20 pages of music.
\nMissing copy of page 13.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nWoodwind quintet no. 7<\/em>. \u2014 [without date].
\nDraft MS.
\nIn pencil; 32 pages of music.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nWoodwind quintet no. 8 (Suite for non-voting quintet)<\/em>. \u2014 [November 1964].
\nReproduction.
\nOn title page, \u201cA present from Alec Wilder\u201d.
\nOn second page, \u201cWritten especially for the following on election weekend, November 1964:Chris Nelsen, flute
\nJanet Rarick, oboe
\nKent Stahlman, clarinet
\nDouglas McNaughton, bassoon
\nNancy Schallert, horn\u201d.
\n22 pages of music.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nWoodwind quintet no. 8 (Suite for non-voting quintet)<\/em>. \u2014 [without date].
\nFair copy.
\n5 parts:
\nFlute; 5 pages of music and one Ozalid strip.
\nOboe; 6 pages of music.
\nClarinet; 6 pages of music.
\nHorn; 5 pages of music.
\nBassoon; 6 pages of music.
\nSeparate copy of each part (different fair copy version); 5 parts (3 pages of music for each part).
\nScore; 22 pages.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nWoodwind quintet no. 9<\/em>. \u2014 [without date].
\nReproduction.
\n30 pages of music.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nWoodwind quintet no. 9<\/em> W157. \u2014 [1972].
\nFair copy.
\n5 parts; draft fair copy;
\nflute; 5 pages of music and one Ozalid strip.
\noboe; 6 pages of music.
\nclarinet; 4 pages of music and one Ozalid strip.
\nhorn; 4 pages of music.
\nbassoon; 7 pages of music.
\n5 parts; each part 4 pages of music.
\nScore; 15 pages of music.
\nAt foot of page, \u201cCopyright 1972 Wilder Music, Inc. Assigned 1976 to Margun music, Inc.\u201d.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nWoodwind quintet no. 10<\/em>. \u2014 [without date].
\nReproduction.
\n32 pages of music.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nWoodwind quintet no. 12<\/em>. \u2014 [without date].
\nDraft MS.
\nIn pencil; 8 pages.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nShe never wore makeup<\/em>. \u2014 [without date].
\nReproduction.
\n15 pages of music.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nSoon<\/em>. \u2014 [without date].
\nFor trumpet, viola, 3 celli, bass, guitar and drums.
\nDraft MS.
\nIn pencil; 7 pages.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nSoon<\/em>. \u2014 [without date].
\nFor trumpet, viola A, B & C, cello A, B & C, guitar, bass and drums.
\nReproduction.
\n10 parts; each part 2 pages each.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nSuggestion for bored dancers<\/em>. \u2014 [without date].
\nReproduction.
\n18 pages of music.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nSuite for clarinet, horn and piano<\/em> W 143. \u2014 [copyright 1980].
\nFair copy.
\n2 parts: clarinet, 10 pages of music; horn, 9 pages of music.
\nScore; 37 pages of music.
\nPerformance marking throughout all parts.
\nFoot at bottom of music, \u201cCopyright Margun Music Inc.\u201d
\nIn score, in AW\u2019s hand beside his name is the date \u201c1964\u201d on 2nd<\/sup>, 3rd<\/sup> and 4th<\/sup> movements.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nSuite for clarinet, horn and piano<\/em>. \u2014 [copyright 1980].
\nFair copy.
\n2 parts: clarinet, 10 pages of music; horn, 8 pages of music
\nScore; 32 pages.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nSuite for flute, clarinet and piano<\/em>. \u2014 [without date].
\nDraft MS.
\nIn pencil; 32 pages of music.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nSuite for flute, clarinet and piano<\/em> W 144.\u2014 [copyright 1980].
\nFair copy.
\n2 parts: flute, 9 pages of music; clarinet, 10 pages of music
\nScore; 24 pages of music.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nSuite for flute and marimba<\/em>. \u2014 [without date].
\nDraft MS.
\nIn pencil; 16 pages of music.
\nProvenance: Gift of Margun Music.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nSuite no. 1 for tuba and bass [and piano]<\/em>. \u2014 [without date].
\nFair copy.
\n2 parts: string bass, 5 pages of music; tuba, 5 pages of music.
\nPiano score; 21 pages.
\n\u201c(For Carol)\u201d in caption of 3rd<\/sup> movement of all parts.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 6″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614881928537{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nSuite no. 2 for French horn, tuba and piano<\/em>\u00a0W 140. \u2014 [copyright 1980].
\nFair copy.
\nScore and parts; 52 pages of music.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nTacet for neurotics<\/em>. \u2014 [without date].
\nReproduction; 27 pages of music.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nThey didn’t believe me<\/em>. \u2014 [without date].
\nDraft MS.
\nIn pencil; 7 pages of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nTrio for violin, cello and piano<\/em>. \u2014 [without date].
\nDraft MS.
\nIn pencil; 34 pages of music.
\nIn head of page, \u201cFor Milton Kaye\u201d.
\nProvenance: Gift of Margun Music.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nTwelve duets for horn and bassoon<\/em>. \u2014 [without date].
\nDraft MS.
\nIn ink; 16 pages of music.
\nProvenance: Gift of Margun Music.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nAn unrelenting memory<\/em>. \u2014 [without date].
\nReproduction; 13 pages of music.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nWalk softly<\/em>. \u2014 [without date].
\nReproduction; 12 pages of music.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nWhat happened last night?<\/em>. \u2014 [without date].
\nReproduction; 15 pages of music.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nWhen I fall in love<\/em>. \u2014 [without date].
\nDraft MS.
\nIn pencil; 9 pages of music.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\n\n

[Violin parts, misc. pieces]. \u2014 [without date].<\/p>\n

    \n
  1. Invention for small family (vln, hrn & stomach drum)<\/em><\/li>\n
  2. Why are you only a shadow?<\/em><\/li>\n
  3. What is time?<\/em><\/li>\n
  4. A hard day at the canon<\/em><\/li>\n
  5. Rock me, Mother (Ow!)<\/em><\/li>\n
  6. For Julie<\/em><\/li>\n
  7. Sansone idyll<\/em><\/li>\n
  8. Music for enceinte instruments<\/em><\/li>\n
  9. Chaconne a son gout<\/em><\/li>\n
  10. Fugueing Tune \u2013 Nu? <\/em><\/li>\n
  11. Do you find it easy waking up? (you would!)<\/em><\/li>\n
  12. Feeling in progress<\/em><\/li>\n
  13. Terminantem<\/em>\u00e9<\/em>nte desde hambre<\/em><\/li>\n<\/ol>\n

    \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Entrada<\/em><\/p>\n

    \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fiambre secundo<\/em><\/p>\n

      \n
    1. Mensique <\/em>s\u00e9rieuse <\/em><\/li>\n
    2. Julie\u2019s first dancing lesson<\/em><\/li>\n
    3. The clown\u2019s day off<\/em><\/li>\n
    4. Convivial canon<\/em><\/li>\n
    5. And she didn\u2019t wear make up<\/em><\/li>\n<\/ol>\n

      \u00a0 \u00a0 \u00a038-40. [Tacet]<\/em><\/p>\n

        \n
      1. Julie\u2019s first tooth<\/em><\/li>\n
      2. \u201cA\u201d <\/em><\/li>\n
      3. All through the night<\/em><\/li>\n
      4. Misery with a beat<\/em><\/li>\n
      5. Chorale prelude<\/em><\/li>\n
      6. A flaxen head in a daffodil drift<\/em><\/li>\n
      7. Euphoria<\/em><\/li>\n
      8. Jack Jenny\u2019s tune<\/em><\/li>\n
      9. Rehearsal blues<\/em><\/li>\n
      10. He was my true friend<\/em><\/li>\n
      11. Lost<\/em><\/li>\n
      12. An unrelenting memory<\/em><\/li>\n
      13. The drummer went for a stroll<\/em><\/li>\n
      14. Dinah<\/em><\/li>\n<\/ol>\n

        In ink; no.\u2019s 16, 21-26, 28-29, 31, 35-36, 41-43, 46- 49.
        \nIn pencil; no. 27.
        \nRepro; no.\u2019s 32, 34, 37, 44-45, 50-54.
        \n30 pages of music total.<\/p>\n<\/td>\n<\/tr>\n

folder 14<\/strong><\/td>\n\n

[Viola parts, misc. pieces]. \u2014 [without date].<\/p>\n

    \n
  1. Julie\u2019s first dancing lesson<\/em><\/li>\n
  2. The clown\u2019s day off <\/em>[tacet]<\/li>\n
  3. Convivial canon<\/em><\/li>\n
  4. And she didn\u2019t wear make up<\/em><\/li>\n
  5. Insistence<\/em><\/li>\n
  6. Walk softly<\/em><\/li>\n
  7. They\u2019ve torn that house down<\/em><\/li>\n
  8. Julie\u2019s first tooth<\/em><\/li>\n
  9. \u201cA\u201d <\/em><\/li>\n
  10. All through the night<\/em><\/li>\n
  11. Misery with a beat<\/em><\/li>\n
  12. Chorale prelude<\/em><\/li>\n
  13. A flaxen head in a daffodil drift<\/em><\/li>\n
  14. Euphoria<\/em><\/li>\n
  15. Jack Jenny\u2019s tune<\/em><\/li>\n
  16. Rehearsal blues<\/em><\/li>\n
  17. He was my true friend<\/em><\/li>\n
  18. Lost<\/em><\/li>\n
  19. An unrelenting memory<\/em><\/li>\n
  20. The drummer went for a stroll<\/em><\/li>\n
  21. Dinah<\/em><\/li>\n<\/ol>\n

    In ink; 18 pages of music.<\/p>\n<\/td>\n<\/tr>\n

folder 15<\/strong><\/td>\n\n

[Horn 1 parts, misc. pieces]. \u2014 [without date].<\/p>\n

    \n
  1. Invention for small family (vln, hrn & stomach drum) <\/em>[tacet]<\/li>\n
  2. Colon: – Dash: –<\/em><\/li>\n
  3. And twice on Sunday<\/em><\/li>\n
  4. Evocation<\/em><\/li>\n
  5. The only exercise that counts<\/em><\/li>\n
  6. Why are you only a shadow?<\/em><\/li>\n
  7. What is time?<\/em><\/li>\n
  8. A hard day at the canon<\/em><\/li>\n
  9. Rock me, Mother (Ow!)<\/em><\/li>\n
  10. For Julie<\/em><\/li>\n
  11. Sansone idyll<\/em><\/li>\n
  12. Music for enceinte instruments<\/em><\/li>\n
  13. Chaconne a son gout<\/em><\/li>\n
  14. Fugueing Tune \u2013 Nu? <\/em><\/li>\n
  15. Do you find it easy waking up?<\/em><\/li>\n
  16. Feeling in progress<\/em><\/li>\n
  17. Terminantem<\/em>\u00e9<\/em>nte desde hambre<\/em><\/li>\n<\/ol>\n

    \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Entrada<\/em><\/p>\n

    \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fiambre secundo<\/em><\/p>\n

      \n
    1. Mensique <\/em>s\u00e9rieuse<\/em><\/li>\n
    2. Julie\u2019s first dancing lesson <\/em>[tacet]<\/li>\n
    3. The clown\u2019s day off<\/em><\/li>\n
    4. Convivial canon<\/em><\/li>\n
    5. And she didn\u2019t wear make up<\/em><\/li>\n
    6. Insistence<\/em><\/li>\n
    7. Walk softly<\/em><\/li>\n
    8. They\u2019ve torn that house down<\/em><\/li>\n
    9. Julie\u2019s first tooth<\/em><\/li>\n
    10. \u201cA\u201d<\/em><\/li>\n
    11. All through the night<\/em><\/li>\n
    12. Misery with a beat<\/em><\/li>\n
    13. Chorale prelude<\/em><\/li>\n
    14. A flaxen head in a daffodil drift<\/em><\/li>\n
    15. Euphoria<\/em><\/li>\n
    16. Jack Jenny\u2019s tune<\/em><\/li>\n
    17. Rehearsal blues<\/em><\/li>\n
    18. He was my true friend<\/em><\/li>\n
    19. Lost<\/em><\/li>\n
    20. An unrelenting memory<\/em><\/li>\n
    21. The drummer went for a stroll<\/em><\/li>\n
    22. Dinah<\/em><\/li>\n<\/ol>\n

      In ink;
      \nIn pencil; no. 27
      \n26 pages of music.<\/p>\n<\/td>\n<\/tr>\n

folder 16<\/strong><\/td>\n\n

[Horn 2 parts, misc. pieces]. \u2014 [without date].<\/p>\n

    \n
  1. B\u2019low the belt [tacet]<\/em><\/li>\n
  2. Chorale<\/em><\/li>\n
  3. Stop when next player turns blue<\/em><\/li>\n
  4. Invention for small family (vln, hrn & stomach drum) <\/em>[tacet]<\/li>\n
  5. Colon: – Dash: –<\/em><\/li>\n
  6. And twice on Sunday<\/em><\/li>\n
  7. Evocation<\/em><\/li>\n
  8. The only exercise that counts<\/em><\/li>\n
  9. Why are you only a shadow?<\/em><\/li>\n
  10. What is time?<\/em><\/li>\n
  11. A hard day at the canon<\/em><\/li>\n
  12. Rock me, Mother (Ow!)<\/em><\/li>\n
  13. For Julie<\/em><\/li>\n
  14. Sansone idyll<\/em><\/li>\n
  15. Music for enceinte instruments<\/em><\/li>\n
  16. Chaconne a son gout<\/em><\/li>\n
  17. Fugueing Tune \u2013 Nu? <\/em><\/li>\n
  18. Do you find it easy waking up?<\/em><\/li>\n
  19. Feeling in progress<\/em><\/li>\n
  20. Terminantem<\/em>\u00e9<\/em>nte desde hambre<\/em><\/li>\n<\/ol>\n

    \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Entrada<\/em><\/p>\n

    \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fiambre secundo<\/em><\/p>\n

      \n
    1. Mensique <\/em>s\u00e9rieuse<\/em><\/li>\n
    2. Julie\u2019s first dancing lesson <\/em>[tacet]<\/li>\n
    3. The clown\u2019s day off <\/em>[tacet]<\/li>\n
    4. Convivial canon<\/em><\/li>\n
    5. And she didn\u2019t wear make up <\/em>[tacet]<\/li>\n
    6. Insistence<\/em><\/li>\n
    7. Walk softly<\/em><\/li>\n
    8. They\u2019ve torn that house down<\/em><\/li>\n
    9. Julie\u2019s first tooth<\/em><\/li>\n
    10. \u201cA\u201d<\/em><\/li>\n
    11. All through the night<\/em><\/li>\n
    12. Misery with a beat<\/em><\/li>\n
    13. Chorale prelude<\/em><\/li>\n
    14. A flaxen head in a daffodil drift<\/em><\/li>\n
    15. Euphoria<\/em><\/li>\n
    16. Jack Jenny\u2019s tune<\/em><\/li>\n
    17. Rehearsal blues<\/em><\/li>\n
    18. He was my true friend<\/em><\/li>\n
    19. Lost<\/em><\/li>\n
    20. An unrelenting memory<\/em><\/li>\n
    21. The drummer went for a stroll<\/em><\/li>\n
    22. Dinah<\/em><\/li>\n<\/ol>\n

      In ink; 31 pages of music.
      \nSketches in pencil; 5 pages of music.<\/p>\n<\/td>\n<\/tr>\n

folder 17<\/strong><\/td>\n\n

[Horn 3 parts, misc. pieces]. \u2014 [without date].<\/p>\n

1.\u201cB\u201d <\/em>[tacet]<\/p>\n

    \n
  1. Baby Ak dance<\/em> [tacet]<\/li>\n
  2. \u201cC\u201d <\/em>[tacet]<\/li>\n
  3. Dahvin <\/em>[tacet]<\/li>\n
  4. Bloz-em up <\/em>[tacet]<\/li>\n
  5. Where you can shove it <\/em>[tacet]<\/li>\n
  6. Cream farm <\/em>[tacet]<\/li>\n
  7. Slide in easy <\/em>[tacet]<\/li>\n
  8. [missing]<\/em><\/li>\n
  9. The passing of the wind <\/em>[tacet]<\/li>\n
  10. Believing <\/em>[tacet]<\/li>\n
  11. The old goat <\/em>[tacet]<\/li>\n
  12. Resting <\/em>[tacet]<\/li>\n
  13. Chorale<\/em><\/li>\n
  14. Stop when next player turns blue [missing]<\/em><\/li>\n
  15. Invention for small family (vln, hrn & stomach drum) <\/em>[tacet]<\/li>\n
  16. Colon: – Dash: –<\/em><\/li>\n
  17. And twice on Sunday<\/em><\/li>\n
  18. Evocation<\/em><\/li>\n
  19. The only exercise that counts<\/em><\/li>\n
  20. Why are you only a shadow?<\/em><\/li>\n
  21. What is time?<\/em><\/li>\n
  22. A hard day at the canon<\/em><\/li>\n
  23. Rock me, Mother (Ow!)<\/em><\/li>\n
  24. For Julie<\/em><\/li>\n
  25. Sansone idyll<\/em><\/li>\n
  26. Music for enceinte instruments<\/em><\/li>\n
  27. Chaconne a son gout<\/em><\/li>\n
  28. Fugueing Tune \u2013 Nu? <\/em><\/li>\n
  29. Do you find it easy waking up?<\/em><\/li>\n
  30. Feeling in progress<\/em><\/li>\n
  31. Terminantem<\/em>\u00e9<\/em>nte desde hambre<\/em><\/li>\n<\/ol>\n

    \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Entrada<\/em><\/p>\n

    \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fiambre secundo<\/em><\/p>\n

      \n
    1. Mensique <\/em>s\u00e9rieuse <\/em>[score]<\/li>\n
    2. Julie\u2019s first dancing lesson <\/em>[tacet]<\/li>\n
    3. The clown\u2019s day off <\/em><\/li>\n
    4. Convivial canon [tacet]<\/em><\/li>\n
    5. And she didn\u2019t wear make up <\/em>[tacet]<\/li>\n
    6. Insistence<\/em><\/li>\n
    7. Walk softly<\/em><\/li>\n
    8. They\u2019ve torn that house down<\/em><\/li>\n
    9. Julie\u2019s first tooth<\/em><\/li>\n
    10. \u201cA\u201d<\/em><\/li>\n
    11. All through the night<\/em><\/li>\n
    12. Misery with a beat<\/em><\/li>\n
    13. Chorale prelude<\/em><\/li>\n
    14. A flaxen head in a daffodil drift<\/em><\/li>\n
    15. Euphoria<\/em><\/li>\n
    16. Jack Jenny\u2019s tune<\/em><\/li>\n
    17. Rehearsal blues<\/em><\/li>\n
    18. He was my true friend<\/em><\/li>\n
    19. Lost<\/em><\/li>\n
    20. An unrelenting memory<\/em><\/li>\n
    21. The drummer went for a stroll<\/em><\/li>\n
    22. Dinah<\/em><\/li>\n<\/ol>\n

      In ink; 30 pages of music.
      \nIn pencil; no. 33 – 5 pages of music.<\/p>\n<\/td>\n<\/tr>\n

folder 18<\/strong><\/td>\n[Unidentified parts for horn and trumpet]. \u2014 [without date].
\nDraft MS.
\n3 numbered pages with header, \u201cHorn\u201d.
\nTrumpet sketch, titled, \u201cBlue<\/em>\u201d.
\nIn pencil; 6 pages of music.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\n\n

\u00a0 [Bassoon parts, misc. pieces]. \u2014 [without date].<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a01.\u201cB\u201d<\/em>[tacet]<\/p>\n

    \n
  1. Baby Ak dance<\/em> [tacet]<\/li>\n
  2. \u201cC\u201d <\/em>[tacet]<\/li>\n
  3. Dahvin <\/em>[tacet]<\/li>\n
  4. Bloz-em up <\/em>[tacet]<\/li>\n
  5. Where you can shove it <\/em>[tacet]<\/li>\n
  6. Cream farm <\/em>[tacet]<\/li>\n
  7. Slide in easy <\/em>[tacet]<\/li>\n
  8. B\u2019low the belt <\/em>[tacet]<\/li>\n
  9. The passing of the wind <\/em>[tacet]<\/li>\n
  10. Believing <\/em>[tacet]<\/li>\n
  11. The old goat <\/em>[tacet]<\/li>\n
  12. Resting <\/em>[tacet]<\/li>\n
  13. Chorale <\/em>[tacet]<\/li>\n
  14. Stop when next player turns blue<\/em> [tacet]<\/li>\n
  15. Invention for small family (vln, hrn & stomach drum) <\/em>[tacet]<\/li>\n
  16. Colon: – Dash: –<\/em><\/li>\n
  17. And twice on Sunday<\/em><\/li>\n
  18. Evocation<\/em><\/li>\n
  19. The only exercise that counts<\/em><\/li>\n
  20. Why are you only a shadow?<\/em>[tacet]<\/li>\n
  21. What is time? <\/em>[tacet]<\/li>\n
  22. A hard day at the canon <\/em>[tacet]<\/li>\n
  23. Rock me, Mother (Ow!) <\/em>[tacet]<\/li>\n
  24. For Julie <\/em>[tacet]<\/li>\n
  25. Sansone idyll <\/em>[tacet]<\/li>\n
  26. Music for enceinte instruments <\/em>[tacet]<\/li>\n
  27. Chaconne a son gout <\/em>[tacet]<\/li>\n
  28. Fugueing Tune \u2013 Nu? <\/em>[tacet]<\/li>\n
  29. Do you find it easy waking up? <\/em>[tacet]<\/li>\n
  30. Feeling in progress <\/em>[tacet]<\/li>\n
  31. Terminantem<\/em>\u00e9<\/em>nte desde hambre <\/em>[tacet]<\/li>\n<\/ol>\n

    \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Entrada<\/em><\/p>\n

    \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fiambre secundo<\/em><\/p>\n

      \n
    1. Mensique <\/em>s\u00e9rieuse <\/em>[tacet]<\/li>\n
    2. Julie\u2019s first dancing lesson <\/em><\/li>\n
    3. The clown\u2019s day off <\/em><\/li>\n
    4. Convivial canon <\/em><\/li>\n
    5. And she didn\u2019t wear make up <\/em><\/li>\n
    6. Insistence<\/em><\/li>\n
    7. Walk softly<\/em><\/li>\n
    8. They\u2019ve torn that house down<\/em><\/li>\n
    9. Julie\u2019s first tooth <\/em>[tacet]<\/li>\n
    10. \u201cA\u201d<\/em>[tacet]<\/li>\n
    11. All through the night<\/em><\/li>\n
    12. Misery with a beat<\/em><\/li>\n
    13. Chorale prelude<\/em><\/li>\n
    14. A flaxen head in a daffodil drift<\/em><\/li>\n
    15. Euphoria<\/em><\/li>\n
    16. Jack Jenny\u2019s tune<\/em><\/li>\n
    17. Rehearsal blues<\/em><\/li>\n
    18. He was my true friend<\/em><\/li>\n
    19. Lost<\/em><\/li>\n
    20. An unrelenting memory<\/em><\/li>\n
    21. The drummer went for a stroll<\/em><\/li>\n
    22. Dinah<\/em><\/li>\n<\/ol>\n

      In ink; 19 pages of music.<\/p>\n<\/td>\n<\/tr>\n

folder 20<\/strong><\/td>\n[Unidentified horn part]. \u2014 [without date].
\nMS
\nIn pencil; one page of music.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\n[Unidentified trumpet part]. \u2014 [without date].
\nMS.
\nIn ink; 1 page of music.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nDance for B.B.<\/em>. \u2014 [without date].
\nDraft MS.
\nIn pencil; 3 pages of music.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nThe endless quest<\/em>. \u2014 [without date].
\nReproduction; 9 pages of music.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\n[Fall of] the House of Usher<\/em>. \u2014 [without date].
\nFor flute, oboe\/English horn, clarinet, bassoon, horn and percussions.
\nDraft MS.
\nIn pencil; 30 pages of music.
\nContains abundant performance marking in colored pencil.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nIn a sentimental mood<\/em>. \u2014 [without date].
\nDraft MS.
\nIn pencil; 5 pages of music.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nLady in white<\/em>. \u2014 [without date].
\nFor clarinet and flute.
\nDraft MS.
\nScore and 5 parts (flute\/clar, 2nd<\/sup> clar, eng. horn , bass clar, trombone).
\nIn ink; 5 pages of music.
\nIn pencil; 2 pages of music (score).<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\n\u00a0Let\u2019s get together and cry<\/em>. \u2014 [without date].
\nReproduction; 11 pages of music.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nMama never dug this scene<\/em>. \u2014 [without date].
\nReproduction; 23 pages of music.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nString quartet for Alec to scat over<\/em>. \u2014 [without date].
\nMS.
\nScore and 4 parts.
\nIn pencil; 6 pages of music (score).
\nIn ink; 12 pages of music (parts \u2013 each part 3 pages of music).
\nProvenance: Margun Music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 7″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614882077577{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nString quartet<\/em>. W256.\u2014 [without date].
\nDraft MS.
\nIn pencil; 38 pages of music.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nQuintet for French horn and string quartet<\/em>. \u2014 [without date].
\nFair copy.
\nIn pencil; 41 pages of music.
\nProvenance: Gift of Margun Music.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nFour horn study<\/em>. \u2014 [without date].
\nDraft MS.
\nScore and 4 parts.
\nIn pencil; 9 pages of music.
\nProvenance: Gift of Margun Music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nSuite for trombones<\/em>. \u2014 [without date].
\nFor 19 trombones.
\nFair copy.
\nIn pencil; 35 pages of music.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nSuite for oboe, clarinet and bassoon<\/em>. W 142.\u2014 [without date].
\nFair copy.
\nScore and 3 parts.
\nScore in pencil; 20 pages of music.
\nParts in ink; 26 pages of music.
\nIn caption, \u201c(For Beverly)\u201d, below that, \u201c(2nd<\/sup> movement only)\u201d
\nProvenance: Gift of Margun Music.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nThe April age<\/em>. \u2014 [without date].
\nIn pencil; 8 pages of music.
\nCorrections in red ink.
\nDraft MS.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nAround the world in 2:34<\/em>. \u2014 [without date].
\nReproduction; 21 pages of music.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nWoodwind quintet no. 4 (Aloha Suite)<\/em>. \u2014 [1957].
\nDraft MS & reproduction.
\nMS in pencil; 25 pages of music.
\nCorrections in ink.
\nRepro; 16 pages of music.
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nWoodwind quintet no. 5<\/em>. \u2014 [without date].
\nDraft MS.
\nIn pencil; 36 pages of music.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nWoodwind quintet no. 6<\/em>. \u2014 [1960].
\nFair copy.
\nIn pencil; 39 pages of music.
\nIn caption, \u201c(Dedicated to April 1960)\u201d.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nCanons for recorders<\/em>. \u2014 [without date].
\nDraft MS.
\nIn pencil; 4 pages of music.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nWoodwind quintet no. 1<\/em>. \u2014 [without date].
\nParts in fair copy; score in reproduction.
\n5 parts; 45 pages of music.
\nFull score; 39 pages of music.
\nScore of 3rd<\/sup> and 4th<\/sup> movements only; 9 pages of music.
\nProvenance: Judy Bell, TRO.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nWoodwind quintet no. 2<\/em>. \u2014 [spring 1956].
\nReproduction; 56 pages of music.
\nContains form and analysis marked in pencil throughout.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nWoodwind quintet no. 3<\/em>. \u2014 [without date].
\nDraft MS.
\nIn pencil; 18 pages of music.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nSaxophone quartet<\/em>. \u2014 [without date].
\nFair copy.
\nIn pencil; 29 pages of music.
\nProvenance: Gift of Margun Music.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nSentimental journey<\/em>.\u2014 [without date].
\nFor flute, oboe, clarinet, horn, bassoon, trumpet, trombone, guitar and bass.
\nDraft MS.
\nIn pencil; 8 pages of music.
\nCorrections in red ink.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nSuite for four bassoons<\/em>. W 145. \u2014 [without date].
\nScore in draft MS; 4 parts in fair copy.
\nParts; 8 pages of music.
\nScore in pencil; 16 pages of music.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nTape talk<\/em>.\u2014 [without date].
\nFor woodwind quintet.
\nDraft MS.
\nIn pencil; 2 pages of music.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nTrio for flute, clarinet and bassoon<\/em>. \u2014 [without date].
\nReproduction; 12 pages of music.
\nIn heading, \u201cFor Virginia\u201d.
\nProvenance: Louis Ouzer.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nChildren\u2019s suite<\/em>. \u2014 [without date].
\nDraft MS.
\nIn pencil; 9 pages of music.
\nProvenance: Gift of Margun Music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 8″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614889206371{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nDynamism<\/em>\u00a0\u2014 [without date]
\nOboe, clarinet and bassoon parts
\nDraft MS
\nIn ink; 3 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nFather and son suite no. 2<\/em>\u00a0\u2014 [without date]
\nFor oboe and English horn
\nDraft MS
\nIn pencil; 5 pages of music
\nProvenance: Gift of Margun Music<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nJingle bells<\/em> \u2014 [without date]
\nFor woodwind quintet
\nDraft MS
\nIn pencil; 3 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nOphelia<\/em> \u2014 [without date]
\nFor woodwind quintet
\nDraft MS & reproduction
\nIn pencil; 4 pages of music
\nRepro; 4 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nOverture<\/em> \u2014 [without date]
\nFor woodwind quintet
\nDraft MS
\nIn pencil; 6 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nPassacaglia<\/em> \u2014 [without date]
\nFor woodwind quintet
\nDraft MS score and 5 parts
\nScore in pencil; 2 pages of music
\nSketch in pencil on back of oboe part; one page of music
\nParts in ink; 5 pages of music
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nPavane and chaconne by Purcell<\/em> \u2014 [without date]
\nFor woodwind quintet
\nDraft MS
\nIn pencil; 11 pages of music
\nProvenance: Gift of Margun Music<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nA present for Mr. G<\/em> \u2014 [without date]
\nFor woodwind quintet
\nDraft MS
\nIn pencil; 5 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nWoodwind quintet no. 1<\/em> \u2014 [without date]
\nDraft MS
\nIn pencil; 39 pages of music
\nProvenance: Judy Bell, TRO<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nWoodwind quintet no. 1<\/em> \u2014 [without date]
\nMS copy \u2013 3rd<\/sup> and 4th<\/sup> movements
\n3rd<\/sup> movement:
\nIn pencil; 5 pages of music
\nPerformance markings in margins
\n4th<\/sup> movement:
\nIn ink; 4 pages of music
\nProvenance: Judy Bell, TRO<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 9″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614889266666{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nString quartet<\/em> \u2014 [without date]
\nFair copy, score
\nContains 5 movements
\nIn ink; 39 pages of music
\nContains corrections and markings in pencil and colored pencil
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nString quartet<\/em> \u2014 [without date]
\nFair copy, 4 parts
\nContains 5 movements
\nIn ink; 79 pages of music
\nContains markings in colored pencil
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nMovement, invention and round<\/em> W255 \u2014 [without date]
\nFor flute, oboe, viola and cello
\nDraft MS score and parts and sketches
\nSketch in pencil; 5 pages of music
\nScore in pencil; 11 pages of music
\nParts in ink; 12 pages of music
\nAdditional sketch titled Walking home from school <\/em>included on back of 3rd<\/sup> page sketch
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\n[Octet No.<\/em>] XV (The children met the train)<\/em> \u2014 [without date]
\nFor flute\/clar 2, oboe\/English horn, clar 1, bass clar, bsn, harp, drums, bass
\nDraft MS
\nIn pencil; 33 pages of music.
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\n[Octet<\/em>] No. X (Dance man buys a farm)<\/em> \u2014 [without date]
\nFor flute\/clar 2, oboe\/English horn, clar 1, bass clar, bsn, harp, drums, bass
\nDraft MS
\nIn pencil; 28 pages of music.
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\n[Octet<\/em>] No. XIV ( It’s silk, feel it)<\/em> \u2014 [without date]
\nFor flute\/clar 2\/picc or penny whistle, oboe\/English horn, clar 1, bass clar, bsn, harp, drums, bass
\nDraft MS
\nIn pencil; 31 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\n[Octet No.<\/em>] XXIII (Bull fiddle in <\/em>[a<\/em>] china shop)<\/em> \u2014 [without date]
\nFor flute\/clar 2, oboe\/English horn, clar 1, bass clar, bsn, harp, drums, bass
\nDraft MS plus bass solo part
\nScore in pencil; 24 pages of music
\nPart in ink; 1 page of music
\nCorrections in red and blue pencil
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\n[Octet No.<\/em>] XXIV (Kindergarten flower pageant)<\/em> \u2014 [without date]
\nFor flute\/clar 2, oboe\/English horn, clar 1, bass clar, bassoon, harp, drums, bass
\nDraft MS
\nIn pencil; 31 pages of music
\nCorrections in red and blue pencil
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nAndante and scherzo for strings<\/em> \u2014 [without date]
\nDraft MS and reproduction
\nIn pencil; 10 pages of music
\nPhotocopy; 10 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nSuite for trumpet and tuba<\/em> \u2014 [without date]
\nDraft MS
\nIn pencil; 13 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 10″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614889523790{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 2<\/strong><\/td>\nPiece for solo guitar and chamber group <\/em>\u2014 [without date]
\nDraft MS
\nIn pencil; 11 pages of music
\n\u201cFor Frances\u201d written at head of page
\nProvenance: Margun Music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 11″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614889699656{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 3<\/strong><\/td>\nPiece for string quartet no. 1<\/em>\u00a0\u2014 [without date]
\nMS, 3 parts – lacks violin 1
\nIn ink; 6 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nPiece for string quartet no. 2<\/em> \u2014 [without date]
\nMS, 4 parts
\nIn ink; 8 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nMovement for a string quartet no. 3<\/em> \u2014 [without date]
\nMS, 4 parts
\nIn ink; 8 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nMovement for a string quartet<\/em> \u2014 [without date]
\nDraft MS, 4 parts and score
\nScore in pencil; 7 pages
\nParts in ink; 8 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nMovement for a string quartet<\/em> \u2014 [without date]
\nDraft MS, score
\nIn ink; 6 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nHorn duets<\/em> \u2014 [without date]
\nDraft MS, 2 parts.
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Blues
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dance
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A staunch supporter of athletics
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Gigue
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Andante
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Theme without variations<\/em>In ink; 14 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nHorn duets<\/em> \u2014 [without date]
\nFair copy, 2 parts, missing second page of Hrn I<\/p>\n
    \n
  1. 83389 fanfare<\/li>\n
  2. Andante con moto<\/li>\n
  3. Blues<\/li>\n
  4. Fairly fast<\/li>\n
  5. Gigue<\/li>\n
  6. Dance<\/li>\n
  7. A staunch supporter of athletics<\/li>\n<\/ol>\n

    In ink on Ozalid paper; 13 pages of music
    \nProvenance: Margun Music<\/p>\n<\/td>\n<\/tr>\n

folder 13<\/strong><\/td>\nTrio for violin, cello and piano no. 2<\/em> \u2014 [without date]
\nDraft MS, 3 parts
\nIn ink; 9 pages of music
\nParts contain performance markings
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nTrio<\/em>\u00a0\u2014 [without date]
\nFor violin, cello and piano
\nDraft MS, score (missing pages 7 and 8)
\nContains 2 different versions of violin and cellos parts
\nScore in pencil; 8 pages of music
\nParts in ink; 10 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\n[Octet<\/em>] No. VII (Such a tender night)<\/em> \u2014 [without date]
\nFor fl\/alto fl\/clar II, oboe\/Eng horn, clar I, bass clar, bassoon, harp, bass and drums
\nDraft MS
\nIn pencil; 22 pages of music<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\n[Octet<\/em>] No. XI (She’ll be seven in May)<\/em> \u2014 [without date]
\nFor fl\/clar II, oboe\/Eng horn, clar I, bass clar, bassoon, harp, bass and drums
\nDraft MS
\nIn pencil; 20 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\n[Octet<\/em>] No. XII (Sea fugue mama)<\/em> \u2014 [without date]
\nFor fl\/clar II, oboe\/Eng horn, clar I, bass clar, bassoon, harp, bass and drums
\nDraft MS
\nIn pencil; 27 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\n[Octet no.<\/em>] XXII (Seldom the sun)<\/em> \u2014 [without date]
\nDraft MS
\nIn pencil; 20 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 15″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614889734337{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n
folder 4<\/strong><\/td>\nBrass quintet no. 8<\/em>\u00a0\u2014 [without date]
\nSee oversize Box 1\/6<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nTrio for flute, clarinet and bassoon<\/em> \u2014 [without date]
\nSee oversize Box 1\/7<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nSerenade for winds<\/em> \u2014 [without date]
\nReproduction; 33 pages of music (missing 3rd<\/sup> movement, pages 21-25)
\nAccompanied by separate folder of proof pages with notes and suggestions, possibly by Gunther Schuller
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nSerenade for winds<\/em> \u2014 [without date]
\nSee oversize Box 3\/4<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nSerenade for winds<\/em>. [movement III only] \u2014 [without date]
\nSee oversize Box 3\/5<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 16″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614889767321{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 2<\/strong><\/td>\nPeacock Feathers:<\/em>\u00a0Piece for recorder and bass<\/em>\u00a0\u2014 [without date]
\nReproduction, piano part
\n2 pages of music
\nPerhaps related to sub-series 6, Box 3, folder 16: \u201cPeacock feathers\u201d: Intro to \u201cVespa Waltz\u201d<\/em><\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nDuets for french horn and tuba<\/em> \u2014 [without date]
\nReproduction, score and 2 parts
\n31 pages of music
\n\u201cFor Marty and Gary\u201d in heading of parts
\n[For holograph score see Sketchbook I series 13, box 10, folder 13]<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nIX –<\/em>\u00a0Pop, what\u2019s a passacaglia?<\/em>\u00a0\u2014 [March 1956]
\nDraft MS
\nIn pencil; 21 pages of music
\nPerformance markings in red ink<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 17″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614889798394{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nSuite for harpsichord and flute<\/em>\u00a0\u2014 [without date]
\nReproduction. Flute part and piano score
\nIn heading, \u201cfor Frank Lowe\u201d
\nFlute part; 3 pages of music
\nScore; 6 pages of music
\nRed ink correction in piano score
\nAlso in red ink in caption, \u201cEven in red ink, this is still for Frank Lowe, that is, Frank Lowe the harpsichordist. Alec Wilder<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nSuite for baroque quartet<\/em>\u00a0\u2014 [without date]
\nFor flute, oboe, harpsichord and bass
\nReproduction, 4 parts
\n51 pages of music<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nIf I could hold you in my arms<\/em>\u00a0\u2014 [without date]
\nRepro, violins A-B-C part
\n2 pages of music<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\nLover<\/em> \u2014 [without date]
\nFor 2 fl doubling B-flat clar; bass clar doubling B-flat clar; 2 vlns; viola; Vlc; bass
\nMS fair copy
\nIn pencil; 17 pages of music<\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\nMy romance<\/em> \u2014 [without date]
\nFor 2 fl doubling B-flat clar; bass clar doubling Bb clar; 2 vlns; viola; Vlc; bass
\nMS fair copy
\nIn pencil; 8 pages of music<\/td>\n<\/tr>\n
folder 40<\/strong><\/td>\nI could write a book<\/em> \u2014 [without date]
\nFor 1 fl doubling Bb clar; 1 fl doubling Bb clar and English horn; bass clar doubling Bb clar; 2 vlns; viola; Vlc; bass
\nMS fair copy
\nIn pencil; 9 pages of music<\/td>\n<\/tr>\n
folder 41<\/strong><\/td>\nSmall hotel<\/em> \u2014 [without date]
\nFor 2 fl doubling Bb clar; 1 Bb clar doubling English horn; 2 vlns; viola; Vlc; bass
\nMS fair copy
\nIn pencil; 10 pages of music.<\/td>\n<\/tr>\n
folder 42<\/strong><\/td>\nSuite for horn and tuba<\/em>.\u2014 [without date]
\nRepro, score
\n10 pages of music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 18″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614889950075{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n
folder 9<\/strong><\/td>\nSuite for non-voting quintet<\/em> \u2013 [November 1964]
\n\u201cA present from Alec Wilder\u201d on title page in ink
\n\u201cWritten especially for the following on election weekend, November 1964:
\nChris Nelson, flute
\nJanet Rarich, oboe
\nKent Stahlman, clarinet
\nDouglas McNaughten, bassoon
\nNancy Schallert, horn\u201d
\nIn pencil; 22 pages
\nProvenance: Nancy Schallert<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nWoodwind quintet no. 2<\/em> \u2014 [without date]
\nPhotocopy of MS score
\n27 pages
\nProvenance: Judy Bell, The Richmond Organization<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nWoodwind quintet no. 12<\/em> [actual #11] \u2013 [without date]
\nMS score
\n\u201cFor the Wingra woodwind quintet\u201d written in ink in heading
\n\u201cFor Glenn Bowen\u201d written in ink on back of last page
\nIn pencil; 27 pages<\/td>\n<\/tr>\n
folder 46<\/strong><\/td>\nTrio for violin, cello and piano.<\/em> \u2014 [without date].
\nReproduction, print by request. Score and parts.
\nScore, 29 pages; violin part, 10 pages; cello part, 9 pages.
\nAccompanied by original invoice; typescript, one page.
\nProvenance: Barry Snyder.<\/td>\n<\/tr>\n
folder 47<\/strong><\/td>\nSuite for Woodwind Quintet<\/em> \u2014 [1956].
\nMS repro parts, 5 parts
\n34 pages
\nProvenance: David Van Hoesen, received July 27, 2016<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 19″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1650998197913{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 5<\/strong><\/td>\nPieces for Two Recorders <\/em>\u2014 [without date].
\nFour pieces for soprano recorder and bass recorder
\nMS parts, 2 parts; written on front and back of single folio
\nIn pencil; 4 pages
\nWritten in lower right margin of bass recorder part in AW\u2019s hand: \u201cFor the Pinslers who are a mutual act of faith.\u201d
\nAccompanied by typescript letter from Teri Chavkin containing information about the item\u2019s provenance (1 p.).
\nProvenance: Teri Chavkin, received April 12, 2022.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1614890017406{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series 5: Vocal Chamber: voice(s) as part of chamber ensemble<\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614890034676{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nJune in February<\/em>\u00a0\u2014 [without date]. Draft MS
\nFor voice, bassoon, two horns, piano and cello
\nSix parts in ink (each one page of music) and score in pencil (4 pages of music)
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nSong of Solomon<\/em> \u2014 [without date] W648
\nSketch & Fair cop
\nFor voice, English horn and harp
\nIn pencil; sketch of score (8 pages of music)
\nIn ink; sketches of all 3 parts with penciled corrections:
\nVocal part (2 pages of music)
\nEnglish horn (2 pages of music)
\nHarp (4 pages of music)
\nIn ink; fair copies of voice, English horn and score (3, 3 and 9 pages respectively)
\nFair copy score contains performance markings
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nPhyllis<\/em> McGinley Song Cycle<\/em> \u2014 [without date]
\nFor voice, bassoon and harp
\nDraft MS in pencil
\nIncludes 5 pages of poetry by Phyllis McGinley with AW\u2019s notes and sketches. Red numbers indicate which poems were set as well as the numerical order in which they appear in the sketch
\n22 pages of music
\n\u201cFor Frances\u201d written on head of title page in AW\u2019s hand
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nPretend you’re innocent<\/em> \u2014 [without date]
\nFor voice, bassoon, 2 horns, piano and cello
\nSketches in pencil; contains:
\nfull score (6 pages of music);
\ncondensed score (2 pages of music);
\none additional page of sketches (one page of music) and;
\nindividual parts (each one page of music)
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nServing Dinah <\/em>[sic] for six<\/em> \u2014 [without date]
\nFor voice, bassoon, 2 horns, piano and cello
\nDraft MS
\nIn pencil; score (5 pages of music)
\nOpposite side of last page contains sketch entitled \u201cstring quartet\u201d
\nIn ink; individual parts (one page of music each) and additional sketch (one page of music)
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\nSongs of innocence<\/em> \u2014 [without date]
\nDraft MS. In pencil
\nFor flute, oboe, clarinet, bass clarinet, bassoon, celli, tenor, soprano and alto
\nPoem by E. E. Cummings
\n42 pages of music.
\nProvenance: Margun Music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614890034676{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 10<\/strong><\/td>\nJohn the Aptest<\/em> \u2014 [without date]
\nFor voice, bassoon, two horns and piano
\nDraft MS
\nIn ink; 5 parts (one page of music each, with the exception of piano which contains two pages of music)<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nGirl meets voice<\/em> \u2014 [without date]
\nFor voice, bassoon, two horns, piano and cello
\nIn pencil; sketch of score (3 pages of music)
\nIn ink; 5 parts (each part 3 pages of music). Missing part for Horn 1<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 7″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614890123485{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 22<\/strong><\/td>\nTwelfth night songs<\/em> \u2014 [without date]
\nDraft MS of vocal score, full score, 5 woodwind parts and \u201cTunes of\u201d:
\nOh mistress, mine
\n<\/em>Come away, Death
\n<\/em>Also labeled, Chanson du Feu
\n<\/em>The rain it raineth
\n<\/em>Vocal score in pencil; 8 pages of music
\nFull score in pencil; 17 pages of music
\n5 parts in ink; 15 pages of music
\nContains performance markings
\nTunes [written out melody line without text] in ink; 2 pages of music
\nProvenance: Gift of Margun Music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 8″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614890185335{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 21<\/strong><\/td>\nAntoinette the clarinette;
\n<\/em>Knute the flute;
\n<\/em>Bobo the oboe;
\n<\/em>Muldoon the bassoon<\/em> \u2014 [without date]
\nFrom A child\u2019s introduction to the orchestra
\n<\/em>Draft MS and photocopy
\nIn pencil; 21 pages of music
\nPhotocopy; 21 pages of music
\nProvenance: Richmond Organization<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1614890645617{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series 6: Keyboard. 2 or more hands<\/span><\/em><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n
folder 34<\/strong><\/td>\nFig Lief\u00a0<\/em>[sic]\u00a0Ericson<\/em>\u00a0\u2014 [without date]
\nSketch. In pencil
\nOne page of music
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\nBallet for puppets<\/em>\u00a0\u2014 [without date]
\nDraft MS (& Reproduction)
\nIn pencil. 4 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\nChromatic quest<\/em>\u00a0\u2014 [without date]
\nDraft MS. In ink
\n\u201cFor M.M.\u201d at head of page in AW\u2019s hand
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 2″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614890233360{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 9<\/strong><\/td>\nFollow the lieder<\/em> \u2014 [without date]
\nFor voice, bassoon and cello
\nSketch & Reproduction
\nIn ink; 3 parts, one page of music each
\nPhotocopy of sketch, one page of music
\nCrossed out draft of cello part on reverse of final; one page of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 3″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614890249167{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nFloccinauncinihilipilification<\/em>\u00a0\u2014 [without date]
\nReproduction; 2 pages of music
\nIn caption, \u201c(real word meaning: \u2018estimating as worthless\u2019)\u201d
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nEleven pieces for piano 4 hands<\/em>\u00a0\u2014 [without date]
\nSketches
\nNo. 1\u00a0\u00a0\u00a0Thank you for\u00a0what\u00a0flowers?
\n<\/em>No. 2\u00a0\u00a0 [without title]
\nNo. 3\u00a0\u00a0 [without title]
\nNo. 4\u00a0\u00a0 [without title]
\nNo. 8\u00a0\u00a0\u00a0A small tune (which later is reprised by 7000 violins)
\n<\/em>No. 9\u00a0\u00a0\u00a0Schubert meets a Parisian
\n<\/em>No. 11 [without title]
\nIn pencil with corrections in red; 15 pages of music
\nProvenance: Gift of Margun Music<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nEleven pieces for piano 4 hands<\/em> \u2014 [without date]
\nReproduction; 26 pages of music
\nNo. 1\u00a0\u00a0 [untitled]
\nNo. 2\u00a0\u00a0 [untitled]
\nNo. 3\u00a0\u00a0 Aaron goes to the ball
\n<\/em>No. 4\u00a0\u00a0 Son of whistle stop
\n<\/em>No. 5\u00a0\u00a0 Le petit jazz
\n<\/em>No. 6\u00a0\u00a0 Thanks for what flowers?
\n<\/em>No. 7\u00a0\u00a0 A small march (to be played with a left arm around partner)
\n<\/em>No. 8\u00a0\u00a0 A small tune (which later is reprised by 7000 violins)
\n<\/em>No. 9\u00a0\u00a0 Schubert meets a Parisian
\n<\/em>No. 10 [untitled]
\nNo. 11 [untitled]
\nProvenance: Gift of Margun Music<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nGentle ways<\/em>\u00a0\u2014 [without date]
\nDraft MS, lead sheet
\nIn ink, accompanied by photocopy; one page of music each
\nWritten on head of page in AW\u2019s hand, \u201cFor M.M.\u201d
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nHomework<\/em>\u00a0\u2014 [1974]
\nDraft MS
\nIn ink, accompanied by photocopy; one page of music each
\nWritten on head of page in AW\u2019s hand, \u201cFor M.M.\u201d
\nIn foot of MS, \u201cCopyright 1974 Ambrose Music\u201d
\nPerformance markings in foot of photocopy
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nHomework<\/em>\u00a0\u2014 [1974]
\nReproduction
\n2 pages of music
\nWritten on head of page in AW\u2019s hand, \u201c(for M.M.)\u201d
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nHymn for a her<\/em>\u00a0\u2014 [without date]
\nDraft MS, lead sheet
\nIn ink; one page of music
\nIn bottom right hand corner in AW\u2019s hand, \u201cMcPartlandize! signed Alec Wilder\u201d
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\n\u00a0Jazz tango<\/em>\u00a0\u2014 [without date]
\nDraft MS
\nIn ink; two pages of music
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nJazz waltz for a friend Marion McPartland\u00a0<\/em>\u2014 [1974]
\nDraft MS. Laminated
\nIn ink; one page of music
\nOn foot of page, \u201cCopyright 1974 Ambrose Music\u201d
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nLullaby for a lady<\/em>\u00a0\u2014 [without date]
\nDraft MS. Laminated
\nIn ink; 2 pages of music
\nWritten on head of page in AW\u2019s hand, \u201cFor Marian McPartland\u201d
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nMama never dug this scene<\/em>\u00a0\u2014 [without date]
\nSketch, lead sheet
\nIn pencil; 4 pages of music
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nThe marryon kind<\/em>\u00a0\u2014 [without date]
\nSketch, lead sheet
\nIn ink; one page of music
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nName calling<\/em>\u00a0\u2014 [without date]
\nSketch, lead sheet
\nIn ink; 2 pages of music
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nName calling<\/em>\u00a0\u2014 [without date]
\nReproduction
\n2 copies, each copy 2 pages of music
\nCorrection in red ink on one copy.
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\n\u201cPeacock feathers\u201d: Intro to \u201cVespa Waltz\u201d<\/em>\u00a0\u2014 [without date]
\nReproduction; one page of music
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nPiano piece no. 5<\/em>\u00a0\u2014 [without date].
\nReproduction; 2 pages of music. Accompanied by photocopy.
\nProvenance: Barry Snyder, photocopy from Marian McPartland<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nPiano piece no. 25<\/em> \u2014 [without date]
\nReproduction; 2 pages of music Accompanied by photocopy.
\nProvenance: Barry Snyder, photocopy from Marian McPartland<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nPiano Piece No. 27<\/em> \u2014 [without date]
\nReproduction; one page of music Accompanied by photocopy.
\nProvenance: Barry Snyder, photocopy from Marian McPartland<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nPiano Piece No. 34<\/em>\u00a0\u2014 [without date]
\nReproduction; 2 pages of music Accompanied by photocopy.
\nProvenance: Barry Snyder, photocopy from Marian McPartland<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nTheme and variations “3 blind mice”<\/em> \u2014 [without date]
\nDraft MS
\nIn pencil; 3 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nPiano Piece No. 1 (Prelude) <\/em>\u2014 [without date]
\nSketches titled \u201cPrelude\u201d
\nIn ink and pencil; 15 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\n[Unidentified piece for piano] \u2014 [without date]
\nSketch
\nIn ink; 2 pages of music<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nInvention for too many fingers<\/em> \u2014 [without date]
\nDraft MS
\nIn pencil; 3 pages of music
\nAccompanied by photocopy; 3 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nThe march of the goons<\/em> \u2014 [without date]
\nSketch
\nIn ink; one page of music.
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nPieces for Ellis Larkins<\/em> \u2014 [without date]
\nReproduction
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Featherfall<\/em>; one page of music
\n<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0A Taste<\/em>; one page of music <\/span>
\nBittersweet;<\/em> one page of music
\n<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Walkin\u2019 on down<\/em>; 2 copies (one page of music each)
\nAt top right hand corner of each piece in AW\u2019s hand is noted, \u201cFor Ellis Larkins from Alec Wilder\u201d<\/span><\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nRalph P. Puppydog March<\/em> \u2014 [without date]
\nDraft MS
\nIn pencil; 2 pages of music
\nOn title page, \u201cDedicated to Roger Brackett*\u201d
\nFootnote of title page, \u201c*The composition of this march, although commissioned and therefore financially compensated, must also include as part of its spiritual payment petting privileges\u201d
\n\u201cFound by Bob Levy 5\/5\/88. See letter to J. Bell\u201d on separate note along with draft MS
\nProvenance: Margun MusicAlso included in folder:
\nReproduction
\n2 copies of bassoon part; one page each
\n2 copies of percussion part; one page each
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nSecond small gift for M.M<\/em>. \u2014 [without date]
\nReproduction
\n3 copies; each copy one page of music
\nProvenance: Marian McPartlandRappin\u2019 and humpin\u2019 <\/em>\u2014 [without date]
\nSketch, lead sheet
\nIn pencil; 2 pages of music
\nAccompanied by 2 photocopies
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nSeventeen<\/em> \u2014 [without date]
\nReproduction; 2 pages of music
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nSmall fry suite<\/em> \u2014 [without date]
\nDraft MS<\/p>\n
    \n
  1. Waking up in moonlight<\/em><\/li>\n
  2. I\u2019m only seven, but I\u2019m right<\/em><\/li>\n
  3. Now I\u2019m a lazy fish<\/em><\/li>\n
  4. Dancing in front of the mirror<\/em><\/li>\n
  5. Skip rope dance<\/em><\/li>\n
  6. Sometimes I feel quite grown up<\/em><\/li>\n<\/ol>\n

    In pencil; 12 pages of music
    \nProvenance: Margun Music<\/p>\n<\/td>\n<\/tr>\n

folder 31<\/strong><\/td>\nSonata fantasy<\/em>\u00a0\u2014 [without date]
\nSketches in a MS notebook
\nTitled, \u201cPiano Sonata<\/em>\u201d; appears to be score from 1st<\/span>\u00a0movement of W258\u00a0Sonata Fantasy
\n<\/em>In pencil; 15 pages of music<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nSonata fantasy “Sonata for Vera and piano\u201d<\/em> \u2014 [without date]
\nDraft MS & Reproduction
\nPhotocopy of first movement
\nIn ink; 2nd<\/sup>, 3rd<\/sup> and 4th<\/sup> movements
\nIn ink and pencil; sketches
\n26 pages of music<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nSonata – fantasy<\/em>\u00a0(W258) \u2014 [without date]
\nFor piano.
\nReproduction and photocopy.
\n4 movements; 24 pages of music.
\nProvenance: Photocopy from Barry Snyder.<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\nStraight ahead<\/em> \u2014 [without date]
\nSketch, lead sheet
\n2 parts \u2013 copy of piano part (2 pages of music)
\nIn ink; bass part
\nIn upper right hand of score, \u201ca small present from Alec Wilder\u201d
\nIn marker; sketches on bottom of bass part and reverse side for MacArthur Park<\/em>.
\nIn marker; at bottom of MacArthur Park <\/em>sketch, \u201cWritten on the back of one of my ? bass parts (1960s) M McP\u201d
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\nSuite for Piano (No.1-5)<\/em> \u2014 [without date]
\nSketch
\nIn pencil; 7 pages of music
\nIn red ink; marked measure numbers
\nProvenance: Gift of Margun Music<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\nTheme number four<\/em> \u2014 [without date]
\nDraft MS
\nIn pencil; 2 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\nTwo Pieces for Two Pianos<\/em> \u2014 [without date]
\nReproduction
\n(#1)<\/em>; 2 copies (4 pages of music each)
\n(#2)<\/em>; 2 copies (2 pages of music each)
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\nThe walkaway<\/em> \u2014 [without date]
\nDraft MS, lead sheet
\nIn ink; 2 pages of music.
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\nWhere are the good companions?<\/em> \u2014 [without date]
\nFair copy & draft MS
\nIn pencil; draft (2 pages of music).
\nIn ink; fair copy (2 pages of music)
\n\u201cfor M.M.\u201d in upper left hand corner of fair copy
\nPerformance marking in fair copy; slight water damage on second page.
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 40<\/strong><\/td>\nWill I be upset<\/em>\u00a0\u2014 [without date]
\nMS lead sheet
\nIn ink; in hand of Marian McPartland
\nOne page of music; 2 photocopies present
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 41<\/strong><\/td>\nWhy?<\/em>\u00a0\u2014 [1974]
\nDraft MS
\nIn pencil; 2 pages of music
\nAt head of page, \u201cCan you suffer through the five measure phrases? (Forgive me, but it fascinates me)\u201d
\nAt foot of page, \u201cCopyright 1974 Ambrose Music\u201d
\n\u201cTitle: \u2018Why?\u2019\u201d written after end of piece
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 4″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614890493915{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 2<\/strong><\/td>\nPadelford<\/em>\u00a0\u2014 [without date]
\nSketch
\nIn pencil; 2 pages of music<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nGift for sharing, not shearing<\/em> \u2014 [without date]
\nDraft MS
\nIn ink; piano and bass parts (2 pages of music each)
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 8″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614891336102{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 14<\/strong><\/td>\nHer first party dress<\/em> \u2014 [without date]
\nReproduction; 5 pages of music
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 16″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615314331495{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n
folder 3<\/strong><\/td>\nMimosa’s solitude dance<\/em>\u00a0\u2014 [without date]
\nReproduction, piano part
\n2 pages of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nGypsy theme<\/em> \u2014 [without date]
\nReproduction
\n1 page of music
\nPenultimate and last measures crossed out, edited ending in pencil<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\n50 short pieces for piano<\/em> \u2014 [without date]
\nReproduction, spiral bound
\nNo 1 \u2013 50
\n<\/em>49 pages of music<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nShort studies for piano<\/em>\u00a0\u2014 [without date]
\nReproduction, spiral bound
\nNo. 51 \u2013 85
\n<\/em>43 pages of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 17″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615314337975{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 19<\/strong><\/td>\nSeven lively arts – opening<\/em>\u00a0\u2014 [without date]
\nRepro; 5 pages of music.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nGarden (sunken, of course)<\/em>\u00a0\u2014 [without date]
\nRepro; 1 page of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 18″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615314280237{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 12<\/strong><\/td>\nPieces written for Charlotte Allen \u2014 [without date]
\nRomantic Waltz
\n<\/em>In ink; one page
\nJolly Waltz
\n<\/em>In ink; one page
\n Boston Lullaby Waltz
\n<\/em>In ink; one page
\n A small tribute to elegance
\n<\/em>In ink; one page
\nPas seul
\n<\/em>In ink; two pages
\nProvenance: Jerry Wnuck<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nPiano piece no. 1<\/em>. \u2014 [without date].
\nReproduction. 2 pages.
\nProvenance: Barry Snyder<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nPiano piece no. 2<\/em>. \u2014 [without date].
\nReproduction. 3 pages.
\nProvenance: Barry Snyder<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nPiano piece no. 3<\/em>. \u2014 [without date].
\nReproduction. 2 pages.
\nProvenance: Barry Snyder<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nPiano piece no. 4<\/em>. \u2014 [without date].
\nReproduction. 3 pages.
\nProvenance: Barry Snyder<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nPiano piece no. 6<\/em>. \u2014 [without date].
\nReproduction. 3 pages.
\nProvenance: Barry Snyder<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nPiano piece no. 7<\/em>. \u2014 [without date].
\nReproduction. 2 pages.
\nProvenance: Barry Snyder<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nPiano piece no. 8<\/em>. \u2014 [without date].
\nReproduction. 2 pages.
\nProvenance: Barry Snyder<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nPiano piece no. 10<\/em>. \u2014 [without date].
\nReproduction. 3 pages.
\nProvenance: Barry Snyder<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nPiano piece no. 11<\/em>\u00a0[incomplete]. \u2014 [without date].
\nReproduction. 1 page.
\nProvenance: Barry Snyder<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nPiano piece no. 13<\/em>. \u2014 [without date].
\nReproduction. 2 pages.
\nProvenance: Barry Snyder<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nPiano piece no. 14<\/em>. \u2014 [without date].
\nReproduction. 3 pages.
\nProvenance: Barry Snyder<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nPiano piece no. 15<\/em>. \u2014 [without date].
\nReproduction. 2 pages.
\nProvenance: Barry Snyder<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nPiano piece no. 16<\/em>. \u2014 [without date].
\nReproduction. 2 pages.
\nProvenance: Barry Snyder<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nPiano piece no. 17<\/em>. \u2014 [without date].
\nReproduction. 2 pages.
\nProvenance: Barry Snyder<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\nPiano piece no. 19<\/em>. \u2014 [without date].
\nReproduction. 3 pages.
\nProvenance: Barry Snyder<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\nPiano piece no. 20<\/em>. \u2014 [without date].
\nReproduction. 3 pages.
\nProvenance: Barry Snyder<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\nPiano piece no. 21<\/em>. \u2014 [without date].
\nReproduction. 3 pages.
\nProvenance: Barry Snyder<\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\nPiano piece no. 22<\/em>. \u2014 [without date].
\nReproduction. 3 pages.
\nProvenance: Barry Snyder<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\nPiano piece no. 23<\/em>. \u2014 [without date].
\nReproduction. 3 pages.
\nProvenance: Barry Snyder<\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\nPiano piece no. 24<\/em>. \u2014 [without date].
\nReproduction. 3 pages.
\nProvenance: Barry Snyder<\/td>\n<\/tr>\n
folder 40<\/strong><\/td>\nPiano piece no. 26<\/em>. \u2014 [without date].
\nReproduction. 1 page.
\nProvenance: Barry Snyder<\/td>\n<\/tr>\n
folder 41<\/strong><\/td>\nPiano piece no. 28<\/em>. \u2014 [without date].
\nReproduction. 2 pages.
\nProvenance: Barry Snyder<\/td>\n<\/tr>\n
folder 42<\/strong><\/td>\nPiano piece no. 29<\/em>. \u2014 [without date].
\nReproduction. 1 page.
\nProvenance: Barry Snyder<\/td>\n<\/tr>\n
folder 43<\/strong><\/td>\nPiano piece no. 32<\/em>. \u2014 [without date].
\nReproduction. 2 pages.
\nProvenance: Barry Snyder<\/td>\n<\/tr>\n
folder 44<\/strong><\/td>\nPiano piece no. 33<\/em>. \u2014 [without date].
\nReproduction. 1 page.
\nProvenance: Barry Snyder<\/td>\n<\/tr>\n
folder 45<\/strong><\/td>\nSonatina for violin and piano<\/em>. \u2014 [without date].
\nReproduction; 21 pages. Print by request.
\nAccompanied by photocopy of violin part; 9 pages.
\nProvenance: Barry Snyder.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1614891387512{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series 7: Vocal solo<\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614891418726{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 2<\/strong><\/td>\nLove\u2019s like a lark<\/em>. \u2014 [without date].
\nLead sheet.
\nSketch in pencil; 1 page of music with vocal line and chord changes.
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nLife goes on<\/em>. \u2014 [without date].
\nFor voice and piano.
\nSketch in pencil; 2 pages of music
\nLyrics by Fran Landesman.
\nOn previous folder: \u201cSong found by Bob Levy 5\/5\/88. See letter to J. Bell\u201d
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nNever seek to tell thy love<\/em>. \u2014 [without date].
\nFor voice and piano.
\nReproduction
\n2 copies of score; one with performer marking in red ink, one with performer marks in pencil (each 5 pages).
\nPoem by William Blake.
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\n[Sketchbook]. \u2014 [without date].
\nVarious sketches within a green spiral bound notebook with \u201cSong Cycle\u201d written on the cover in AW\u2019s hand. Contains the following titles at the head of various pages:
\nIntro \u2013 song cycle & connecting passage
\n<\/em>Honest confession
\n<\/em>Apologia
\n<\/em>Serenade
\n<\/em>Low register flute suite
\n<\/em>Serenade for winds
\n<\/em>Second detective suite
\n<\/em>One more road
\n<\/em>If it\u2019s true
\n<\/em>Napa
\n<\/em>Little boat
\n<\/em>Sometimes I lie
\n<\/em>Five poems of Phyllis McGinley \u2013 I know a village
\n<\/em>In pencil; 58 pages of music.
\nProvenance: Louis Ouzer<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\n[Songs] \u2014\u00a0 [without date].
\nVarious draft MS\u2019s contained within a bound MS paper book.
\nContains the following titles:
\nAnimal song
\n<\/em>Bathtub song
\n<\/em>Chauncey the chipmunk
\n<\/em>Charlie Austin
\n<\/em>Gordon the gopher
\n<\/em>In it together
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em>Lyrics by Arnold Sondgaard.
\nIn pencil; 13 pages of music.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nNobody’s home<\/em>. \u2014 [without date].
\nReproduction.
\nLyrics by Loonis McGlohon.
\nOne page of music.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nPeaceful<\/em>. \u2014 [without date].
\nDraft MS.
\nPiano part (2 pages of music) and bass (1 page of music).
\nIn pencil with red and blue colored pencil in piano part.
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nI’m off<\/em>. \u2014 [without date].
\nDraft MS. In pencil.
\nOne page of music.
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nIf you are happy<\/em>. . \u2014 [without date].
\nFor voice and piano.
\nReproduction.
\nContains performance marking in red ink.
\nPoem by Tennessee Williams.
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nSoul is like a star<\/em>. \u2014 [without date].
\nDraft MS, lead sheet.
\nIn pencil. 2 pages of music.\u00a0<\/em>Found on reverse side:
\nIt\u2019s fun<\/em>. \u2014 [without date].
\nDraft MS, lead sheet.
\nIn pencil. 2 pages of music.
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nStay Away!<\/em>. \u2014 [without date].
\nReproduction, lead sheet.
\nMusic by Jack O\u2019Brien, lyric by Alec Wilder.
\nOne page of music.
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nSunday come-a-courtin\u2019 afternoon<\/em>. \u2014 [without date].
\nDraft MS.
\nLyric by Jack Lawrence.
\n3 pages of music. Contains one typed page of lyric along with a quote about the piece from AW.
\nContains note on separate page: \u201cSong found by Bob Levy 5\/5\/88. See letter to J. Bell.\u201d
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nThe thing about cats<\/em>. \u2014 [without date].
\nReproduction.
\nPoem by John L\u2019Heureux.
\n3 pages of music.
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\n[How sweet is the]\u00a0time remembered<\/em>. \u2014 [without date].
\nDraft MS. In pencil.
\n4 pages of music.
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nToday girl<\/em>. \u2014 [without date].
\nReproduction, draft.
\nPoem by Irving Townsend.
\n4 pages of music.
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nWeather is bad<\/em>. \u2014 [without date].
\nSketch. In pencil.
\nOne page of music.
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nWelcome home<\/em>. \u2014 [without date].
\nReproduction, lead sheet.
\nOne page of music.
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nWho can I tum to?<\/em>. \u2014 [without date].
\nDraft MS. In pencil.
\nPiano, guitar (in slash notation) and bass parts (2 pages, 1 page and 1 page respectively).
\nAdditional potentially unrelated sketch on the reverse of the bass part with \u201csong Bregman\u201d written on the head of the page.
\nIn pencil, with red and blue colored pencil markings throughout.
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nWhy do I wait any longer?<\/em>. \u2014 [without date].
\nDraft MS, lead sheet.
\nWords by Arnold Songaard [sic]
\nIn pencil. 2 pages of music.
\nContains note on separate page: \u201cSong found by Bob Levy 5\/5\/88. See letter to J. Bell.\u201d
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nSongs for Patricia<\/em>. \u2014 [without date].
\nDraft MS. In pencil.
\nPoems by Norman Rosten.
\n20 pages of music.
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nSnow<\/em>. \u2014 [without date].
\nDraft MS. In pencil.
\n3 pages of music.
\nProvenance: Margun Music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 2″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615317835929{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nBallad of the old man and time<\/em>. \u2014 [without date].
\nFair copy.
\nIn ink; 4 pages of music.
\nLyric by Bob Lehman.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nBe not afraid<\/em>. \u2014 [without date].
\nDraft MS, lead sheet.
\nIn ink; 1 page.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nThe boy who cried \u201cwolf!\u201d<\/em> . \u2014 [without date].
\nDraft MS.
\nIn pencil; 3 pages of music.
\nLyric by Jack Lawrene [sic].
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nCast your bread upon the waters<\/em>. \u2014 [1955].
\nReproduction, lead sheet.
\nWords by Marshall Barer.
\n2 pages of music.
\nIn ink, on foot of first page, \u201c1955 \u2013 Hollis Music, Inc.\u201d
\nProvenance: Marian McPartland.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nDaffodil drift<\/em>. \u2014 [without date].
\nSketch.
\nIn pencil; one page of music.
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nThe dream is gone from the land<\/em>. \u2014 [without date].
\nDraft MS, lead sheet.
\nIn ink; 2 pages of music.
\nIn head of first page \u201cFor Tony Bennett\u201d.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nEasy the hard way<\/em>. \u2014 [without date].
\nSketch, lead sheet.
\nIn pencil; 3 pages of music.
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nEver so fair<\/em>. \u2014 [without date].
\nSketch, lead sheet.
\nIn pencil; 4 pages of music.
\nLyric by Arnold Sundgaard.
\nAlso contains pencil sketches possibly for Jersey boy<\/em> and separate page of typed lyrics with pencil markings.
\nProvenance: Margun Music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614891418726{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 29<\/strong><\/td>\nWhile we’re young<\/em>. \u2014 [without date].
\nMS lead sheet; laminated.
\nIn pencil; one page of music.
\nAt bottom of page, \u201cfor Jimmy McPartland one of the true believers, thank God! Alec Wilder\u201d.
\nProvenance: Marian McPartland.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 9″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615318145533{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 21<\/strong><\/td>\nVocalese <\/em>[sic] # 1 \u2013 5<\/em>. \u2014 [without date].
\nDraft MS.
\nIn pencil; 15 pages of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 10″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615318222276{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 18<\/strong><\/td>\nLouie [Let’s sing to the memory of our loving friend]<\/em>. \u2014 [without date].
\nDraft MS, lead sheet.
\nIn ink; 1 page of music;
\n1 page of lyrics.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nHymn for a friend<\/em>. \u2014 [without date].
\nReproduction; 1 page of music.
\n\u201c(Jenny Lind Hyde)\u201d written in caption.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nLet’s go where the music is!<\/em>. \u2014 [without date].
\nReproduction; 1 page of music
\nMissing 2nd<\/sup> page – [see box 16, folder 19 for complete copy].
\nLyrics by Roger Brackett and AW.
\n\u201cDavid Platz\u201d written in pencil in heading<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 15″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615318301575{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 21<\/strong><\/td>\nThings to do tomorrow<\/em>. \u2014 [without date].
\nMusic by Jack End; words by Alec Wilder.
\nReproduction, lead sheet.
\n3 pages of music with accompanying letter in accession report.
\nProvenance: Thomas Hampson 5\/5\/97.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 16″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615318364350{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nA.M. Victor Hugo<\/em>. \u2014 [without date].
\nReproduction.
\nIn ink; 4 pages of music.
\n\u201cDedicated to Jerome Hill\u201d in heading.
\nPoem:\u00a0 Alfred De Musset.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nThings to do tomorrow<\/em>. \u2014 [without date].
\nMusic by Jack End; words by Alec Wilder.
\nReproduction, lead sheet.
\n2 copies; 3 pages of music each.
\nProvenance: Desmond Stone.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nSomething is up<\/em>. \u2014 [without date].
\nReproduction.
\n2 pages of music.
\nPoem by Percy Seitlin.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nLet’s go where the music is!<\/em>. \u2014 [without date].
\nReproduction; 2 pages of music.
\nLyrics by Roger Brackett and AW.
\nIn pencil at bottom of second page, \u201c\u2026Forget all the lovely and loving\u201d<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nPhyllis McGinley Song Cycle<\/em>. \u2014 [1979].
\nFor voice, bassoon and harp.
\nReproduction; 18 pages of music.
\n\u201cfor Frances\u201d in heading.
\nCorrections in ink and pencil.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nA long night<\/em>. \u2014 [without date].
\nReproduction lead sheet.
\n2 pages of music.
\nWords by Loonis McGlohon.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\n[Untitled song \u2013 \u201cSo sweet\u2026\u201d]. \u2014 [without date].
\nMS, fair copy.
\nIn pencil; 3 pages of music.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\n[Untitled song \u2013 \u201cYou incredibly lovely human being\u2026\u201d]. \u2014 [without date].
\nMS, fair copy.
\nIn pencil; 3 pages of music.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nGive me time<\/em>. \u2014 [without date].
\nMS, Fair copy.
\nIn pencil; 3 pages of music.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nJust one<\/em>. \u2014 [without date].
\nMS, fair copy.
\nIn pencil; 3 pages of music.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nSing me to sleep<\/em>. \u2014 [without date].
\nMS, fair copy.
\nIn pencil; 2 pages of music.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nClam-bake<\/em>. \u2014 [without date].
\nMS, draft.
\nIn pencil; 4 pages of music.
\nMarkings in red pencil.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nLovely<\/em>. \u2014 [without date].
\nDraft MS.
\nIn ink; 2 pages of music.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nOnce in a million years<\/em>. \u2014 [without date].
\nMS, fair copy.
\nIn pencil; 2 pages of music.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\n[Untitled song \u2013 \u201cSunlight\u2019s got me\u201d] . \u2014 [without date].
\nDraft MS.
\nIn pencil; 4 pages of music.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nWhy so much talk about love<\/em>. \u2014 [without date].
\nDraft MS.
\nWords and music Alex Wilder
\nIn pencil; 4 pages of music.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nIt\u2019s all done with mirrors<\/em>. \u2014 [without date].
\nFair copy MS.
\nIn pencil; 4 pages of music.<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nPoor little debutante<\/em> \u2014 [without date]
\nFair copy MS
\nMusic and words by Alex Wilder
\nIn ink; 3 pages of music<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nTime and tide<\/em> \u2014 [without date]
\nFair copy MS; in laminate sleeve
\nWords & music Alexander Wilder
\nIn ink; 4 pages of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 17″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615318410959{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 12<\/strong><\/td>\n[Unidentified song] \u2014 [without date]
\nMS repro.
\n6 (11.5\u201d x 18\u201d) pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 18″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615318522528{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n
folder 13<\/strong><\/td>\nManuscript book
\nContains:
\nI\u2019ll be around<\/em>
\nHello, hello<\/em>
\nSing a melody<\/em>
\n<\/em>[Untitled]
\n[Untitled] lead sheet
\nIn pencil; 6 pages<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nA.M. Victor Hugo
\n<\/em>MS, Fair copy
\nPoem by Alfred de Musset
\n\u201cDedicated to Jerome Hill\u201d in heading
\nOne correction in pencil; 4 pages
\nAccompanied by four reproductions, one marked Fargo
\nProvenance: Louis Ouzer<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nA long night
\n<\/em>Lead sheet, photocopy
\nMusic by AW, words by Loonis McGlohon
\n2 pages<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nDown in the coal mine
\n<\/em>\u201cTo Charlotte Whitney Allen\u201d written inside title page
\n\u201cJ.L. & A.W.\u201d written at foot of third page
\nAccompanied by typescript poem \u201cDown in a coal mine\u201d by J.B. Georghegan
\n3 pages of music; one page typescript poem
\nProvenance: Jerry Wnuck<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1614892117427{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series 8: Vocal soloist ensemble with or without accompaniment <\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 19″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615318545831{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nAfter Love.
\n<\/em>Music by Alec Wilder; lyric by Norman Gimbel. MS repro, black ink 2 pages of music. Vocal line with piano accompaniment. Copy right 1955 Meridian Music. 35 W. 51st<\/sup> Street (New York City).
\nProvenance: from the legacy of the late Mel Larned<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nBest of Friends.
\n<\/em>Music by Alec Wilder; lyric by Norman Gimbel. MS repro, black ink; 2 pages of music. Vocal line with piano accompaniment. Copyright 1955 Meridian Music, 35 W 51st<\/sup> Street, New York City.
\nProvenance: from the legacy of the late Mel Larned.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nLove Among the Young.
\n<\/em>Music by Alec Wilder; lyric by Norman Gimbel. MS repro, black ink; 4 pages of music. Vocal line with piano accompaniment. Copyright 1954 Meridian Music, 35 West 51st<\/sup> Street, New York City.
\nProvenance: from the legacy of the late Mel Larned.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\n\u201cThe New Outfit.\u201d
\nMusic by Alec Wilder. Published in: Tenggren\u2019s Cowboys and Indians,<\/em> stories by Kathryn and Byron Jackson with pictures by Gustaf Tenngren (New York: Simon and Schuster, 1948). \u201cThe New Outfit\u201d is on pages 82-83.
\nProvenance: gift of Marjorie Searl \u2013 9\/5\/2021.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1614891981630{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series 9: Choral with or without soloists and accompaniment<\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615318654730{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 5<\/strong><\/td>\nChildren\u2019s plea for peace<\/em> \u2014 [without date]
\nFor chorus and piano
\nReproduction.
\nTwo copies of score (each 16 pages of music)
\nLibretto by Children of Avon
\nBoth scores contain performance markings in pencil
\nOn cover of one score: \u201cFrom one old child to another To Lou From Alec\u201d
\nProvenance: Louis Ouzer<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nIt\u2019s so easy to say<\/em> \u2014 [without date]
\nFor chorus and piano
\nDraft MS in pencil; 9 pages
\nProvenance: Margun Music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 2″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614891876228{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n
folder 15<\/strong><\/td>\nStory of a good man<\/em>\u00a0\u2014 [without date]
\nReproduction (photocopy)
\nSolo vocal parts and score (5 and 10 pages of music respectively)
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nMountain boy<\/em>. \u2014 [4 Oct 80]
\nReproduction; 42 pages of music
\nContains photocopies of pages 23-24 and 37-41
\nLibretto by Loonis McGloHon [sic]
\nProvenance: Louis Ouzer<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nMountain boy<\/em> \u2014 [without date]
\nDraft MS
\nIn ink and pencil, some corrections and notes in ink or colored pencil; 38 pages
\nLibretto by Loonis McGlohon
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nChildren’s piece<\/em>\u00a0\u2014 [without date]
\nWritten in foot, \u201cFor tenor, boys\u2019 choir, flute, oboe, clar, bass clar, bssn, + 4 celli\u201d
\nDraft MS
\nIn pencil; 16 pages of music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 17″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615319226690{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 3<\/strong><\/td>\nChildren\u2019s plea for peace<\/em> \u2014 [without date]
\nReproduction
\n16 pages of music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 18″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615319306203{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 17<\/strong><\/td>\nChildren\u2019s plea for peace<\/em>\u2014 [without date]
\nReproduction; vocal solos
\n2 copies; 14 pages of music each<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1614891933847{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series 10: Stage Works<\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 2″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614891876228{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n
folder 12<\/strong><\/td>\nThe truth about windmills<\/em>\u00a0\u2014 [without date]
\nSketches contained in two MS books
\nIn pencil; 94 pages of music total
\nBook 1 (54 pages of music), Book 2 (40 pages of music)
\nProvenance: Louis Ouzer<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\n[The] truth about windmills<\/em> \u2014 [without date]
\nDraft MS; 146 pages of music
\nLibretto by Arnold Sundgaard
\nContains abundant performance markings in various colored pencils and highlighter
\nAt head of first page \u201cMusic dedicated to Arnold Sundgaard\u201d
\nIn caption, \u201c(Opera in one act)\u201d
\nProvenance: Louis Ouzer<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nTouch and see<\/em> \u2014 [without date]
\nBallet sketches & reproduction
\nSketch in pencil; 18 pages each
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nAlice in Wonderland<\/em> \u2014 [without date]
\nFor woodwind quintet and percussion
\nReproduction
\n6 parts; flute (23 pages of music), oboe (18 pages of music), clarinet (23 pages), bassoon (21 pages of music), horn (23 pages of music), and percussion (18 pages of music)
\nContains title page with tempo markings for each chapter:
\nPrologue
\n<\/em>Prologue to chapter II
\n<\/em>Mock turtle\u2019s story <\/em>[horn solo]
\nPrologue to chapter III
\n<\/em>Prologue to chapter IV
\n<\/em>Fourth Chapter
\n<\/em>Prologue to chapter V: A romantic caterpillar (Larva for Sale)
\n<\/em>Sixth Chapter
\n<\/em>6-A Duchess Lullaby
\n<\/em>Chapter VII
\n<\/em>Chapter VIII
\n<\/em>Prologue to chapter 9 <\/em>[only in horn part]
\nChapter X
\n<\/em>10-A Lobster Quadrille
\n<\/em>10-B Beautiful soup
\n<\/em>Chapter 11
\n<\/em>Chapter 12
\n<\/em>Father William <\/em>[no perc part]
\n[Possibly parts from both Alice in Wonderland Suite<\/em> and Alice in Wonderland<\/em>]
\nProvenance: Margun Music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 7″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615319468930{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 21<\/strong><\/td>\nOverture to twelfth night<\/em> \u2014 [without date]
\nFor woodwind quintet
\nDraft MS score and 5 parts
\nParts in ink; 15 pages of music
\nScore in pencil; 10 pages of music
\nProvenance: Gift of Margun Music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 8″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615319542780{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 1<\/strong><\/td>\nMiss chicken little<\/em> \u2014 [without date]
\nChicken Little \u2013 coloratura soprano
\nCocky Locky \u2013 lyric tenor
\nGoosey Loosey \u2013 soprano
\nDucky lucky \u2013 mezzo soprano
\nTurkey Lurkey (professor) \u2013 baritone
\nThe fox \u2013 high baritone
\nA,B,C,D,E \u2013 soloists in chorus
\nA, B, E \u2013 soprano
\nC, D alto
\nChorus: sopranos \u2013 altos- tenors \u2013 baritones \u2013 basses
\n1 fl, 1 ob, 1 cl, 1 bsn, 2 hn, 1 tpt, 1 perc, 1 pno, 6 vln, 3 vla, 3vc, 1 bass
\nDraft MS
\nIn pencil; 80 pages of music
\nContains abundant performance markings.
\nLibretto by William Engvick
\nProvenance: Judy Bell, TRO<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 10″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615319584875{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 11<\/strong><\/td>\nLife goes on<\/em> \u2014 [without date]
\nFair copy, 26 parts
\n114 pages of music
\nOne copy of each part with the exception of:
\n2 copies of part for drums;
\n4 copies of violin A;
\n3 copies of violin B;
\n3 copies of violin C;
\n4 copies of viola;
\n4 copies of cello;
\n2 copies of bass parts
\nMarkings in all parts with blue and red pencil
\nProvenance: Margun Music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 15″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615319655932{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 1<\/strong><\/td>\n[No. 1] False dawn (Three ballets in search of a dancer)<\/em> \u2014 [without date]
\nSee oversize Box 2\/1<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\n[No. 2] Life goes on (Three ballets in search of a dancer)<\/em>.\u2014 [without date]
\nSee oversize Box 2\/2<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\n[No. 3]\u00a0The green couch (Three ballets in search of a dancer)<\/em>\u00a0\u2014 [without date]
\nSee oversize Box 2\/3<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 18″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615319695971{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 18<\/strong><\/td>\nThe truth about windmills
\n<\/em>Reproduction
\nPerformance markings in pencil; 101 pages<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nThe truth about windmills
\n<\/em>Reproduction
\nPerformance markings in pencil; 98 pages
\nProvenance: Madge Briggs, widow of Wm. F Briggs MM \u201858<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nThe Scarlet Sail<\/em> [from] The Lowland Sea
\n<\/em>See oversize 5\/1<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1614891849549{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series 11: Film Scores<\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 2″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614891876228{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 16<\/strong><\/td>\nGrocer and the dragon<\/em> \u2014 [without date]
\nSketches
\nIn pencil; 13 pages
\nProvenance: Margun Music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 4″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615319793223{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 16<\/strong><\/td>\nFall of the house of usher<\/em> \u2014 [without date]
\nSketches
\nIn pencil; 24 pages of music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 8″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615319858336{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 4<\/strong><\/td>\nJust in case – cue I<\/em> \u2014 [without date]
\nFor flute, oboe, clarinet, horn, bassoon, trumpet, trombone, guitar and bass
\nDraft MS
\nIn pencil; 3 pages of music
\nCorrections in red ink
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nJust in case – cue II<\/em> \u2014 [without date]
\nFor flute, oboe, clarinet, horn, bassoon, trumpet, trombone, guitar and bass
\nDraft MS
\nIn pencil; 4 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 12″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615319867230{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\n\n

Albert Schweitzer, Reel I<\/em>\u00a0\u2014 [without date]<\/p>\n

    \n
  1. Title Idea\u00a0<\/em>[not present \u2013 see Reel X sec. B]<\/li>\n
  2. Boy on road<\/em><\/li>\n
  3. Africa map<\/em><\/li>\n
  4. Chorale (stgs) in G\u00a0<\/em>[not present]
    \nD2.\u00a0Chorale (stgs) in Ab<\/em><\/li>\n
  5. Boy on road<\/em><\/li>\n<\/ol>\n

    Reproduction; 8 pages of music; missing\u00a0Title Idea<\/em>\u00a0and\u00a0Chorale in G
    \n<\/em>Contains 2 copies of Africa map<\/p>\n<\/td>\n<\/tr>\n

folder 2<\/strong><\/td>\n\n

Albert Schweitzer, Reel II<\/em> \u2014 [without date]<\/p>\n

    \n
  1. Chorale \u2013 woodwinds \u2013 in G<\/li>\n
  2. Chorale \u2013 woodwinds \u2013 in Ab<\/li>\n<\/ol>\n

    Reproduction; 4 pages of music<\/p>\n<\/td>\n<\/tr>\n

folder 3<\/strong><\/td>\n\n

Albert Schweitzer, Reel III (Reel I German version)<\/em> \u2014 [without date]<\/p>\n

    \n
  1. Trip between villages <\/em>[not present]<\/li>\n
  2. Parsonage <\/em>[not present]<\/li>\n
  3. School Sequence<\/em><\/li>\n
  4. School Sequence<\/em><\/li>\n
  5. School Sequence<\/em><\/li>\n
  6. Run off <\/em><\/li>\n
  7. Prayer<\/em> [not present]<\/li>\n
  8. Boy on road<\/em><\/li>\n
  9. Boy on road<\/em><\/li>\n<\/ol>\n

    Reproduction; 13 pages of music; some pages unidentified and parts incomplete<\/p>\n<\/td>\n<\/tr>\n

folder 4<\/strong><\/td>\n\n

Albert Schweitzer, Reel IV (Reel II German version)<\/em> \u2014 [without date]<\/p>\n

    \n
  1. Cadences for commentary<\/em><\/li>\n
  2. School sequence (minor)<\/em><\/li>\n
  3. School sequence<\/em><\/li>\n
  4. Boy on road<\/em><\/li>\n
  5. Rainbow sequence<\/em><\/li>\n
  6. Family portrait <\/em>[not present \u2013 see Reel IX sec. C]<\/li>\n
  7. Cadences for commentary<\/em><\/li>\n<\/ol>\n

    Reproduction; 9 pages of music<\/p>\n<\/td>\n<\/tr>\n

folder 5<\/strong><\/td>\n\n

Albert Schweitzer, Reel V (Reel III German version)<\/em> \u2014 [without date]<\/p>\n

    \n
  1. Decision I<\/li>\n
  2. Title Idea<\/li>\n
  3. Letter Writing<\/li>\n<\/ol>\n

    Reproduction; 8 pages of music<\/p>\n<\/td>\n<\/tr>\n

folder 6<\/strong><\/td>\n\n

Albert Schweitzer, Reel VI<\/em> \u2014 [without date]<\/p>\n

    \n
  1. Decision I<\/em><\/li>\n
  2. Operation (big ending)<\/em><\/li>\n
  3. Decision I<\/em><\/li>\n
  4. Reconstruction canon <\/em>[not present]<\/li>\n
  5. Rainbow sequence intro <\/em>[not present]
    \nE2. Rainbow sequence (repeat E from reel IV) <\/em>[not present]<\/li>\n
  6. Preface to arrival<\/em><\/li>\n
  7. Arrival (horn solo)<\/em><\/li>\n<\/ol>\n

    Reproduction; 10 pages of music; 4 copies of Preface to arrival<\/em><\/p>\n<\/td>\n<\/tr>\n

folder 7<\/strong><\/td>\n\n

Albert Schweitzer, Reel VII<\/em> \u2014 [without date]<\/p>\n

    \n
  1. War years (clar. solo)<\/em><\/li>\n
  2. War years (viole, cello)<\/em><\/li>\n
  3. War years (violin, celli)<\/em><\/li>\n
  4. Operation <\/em>[not present \u2013 see Reel XI sec. B]<\/li>\n
  5. New patients<\/em><\/li>\n<\/ol>\n

    Reproduction; 6 pages of music<\/p>\n<\/td>\n<\/tr>\n

folder 8<\/strong><\/td>\n\n

Albert Schweitzer, Reel VIII<\/em> \u2014 [without date]<\/p>\n

    \n
  1. Mother and child <\/em>[not present]<\/li>\n
  2. Mother and child (film repeat) <\/em>[not present]<\/li>\n
  3. Garden (sunken, of course) (Db)<\/em><\/li>\n
  4. Title idea (repeat section A \u2013 Reel I)<\/em><\/li>\n<\/ol>\n

    Reproduction; 1 page of music<\/p>\n<\/td>\n<\/tr>\n

folder 9<\/strong><\/td>\n\n

Albert Schweitzer, Reel IX<\/em>\u00a0\u2014 [without date]<\/p>\n

    \n
  1. Garden (sunken, of course) (original key)<\/em><\/li>\n
  2. Family portrait \u2013 woodwinds<\/em><\/li>\n
  3. Family portrait \u2013 repeat reel IV sec. F<\/em><\/li>\n
  4. Beastly elevenses<\/em><\/li>\n<\/ol>\n

    Reproduction; 9 pages of music<\/p>\n<\/td>\n<\/tr>\n

folder 10<\/strong><\/td>\n\n

Albert Schweitzer, Reel X <\/em>\u2014 [without date]<\/p>\n

    \n
  1. Decision I \u2013 Repeat of Reel V sec. A<\/em><\/li>\n
  2. Title idea \u2013 Repeat of Reel I sec. A<\/em><\/li>\n<\/ol>\n

    Reproduction. 8 pages of music<\/p>\n<\/td>\n<\/tr>\n

folder 11<\/strong><\/td>\n\n

Albert Schweitzer, Reel XI<\/em> \u2014 [without date]<\/p>\n

    \n
  1. Storm<\/em><\/li>\n
  2. Operation \u2013 Repeat of Reel VII sec. D<\/em><\/li>\n
  3. Letter writing in \u201cG\u201d<\/em><\/li>\n
  4. Last letter writing<\/em><\/li>\n<\/ol>\n

    Reproduction; 13 pages of music<\/p>\n<\/td>\n<\/tr>\n

folder 12<\/strong><\/td>\nGarden (sunken, of course)<\/em> [from] Albert Schweitzer<\/em> \u2014 [without date]
\nReproduction; 1 page of music.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nNew patient<\/em>\u00a0[from]\u00a0Albert Schweitzer<\/em>\u00a0\u2014 [without date]
\nReproduction; 4 pages of music<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nCadences for commentary<\/em> [from] Albert Schweitzer<\/em> \u2014 [without date]
\nReproduction; 1 page of music<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nDecision II<\/em> [from] Albert Schweitzer<\/em> \u2014 [without date]
\nReproduction; 2 pages of music<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nBeastly elevenses<\/em>\u00a0[from]\u00a0Albert Schweitzer<\/em>\u00a0\u2014 [without date]
\nReproduction; 6 pages of music<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nStorm\u00a0<\/em>[from]\u00a0Albert Schweitzer<\/em>\u00a0\u2014 [without date]
\nReproduction; 5 pages of music
\nContains performance markings<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nStorm Revisited<\/em> [from] Albert Schweitzer<\/em> \u2014 [without date]
\nReproduction; 4 copies \u2013 24 pages of music
\n3 copies contain performance markings<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nLetter Writing II (in G) <\/em>[from] Albert Schweitzer<\/em> \u2014 [without date]
\nReproduction; 2 pages of music
\nContains performance markings<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\n[Albert Schweitzer<\/em> – notes] \u2014 [without date]
\nReproduction
\nHandwritten notes on performance order and measure numbers in various reels
\nIn pencil, ink and colored pencil; 13 pages of notes<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\n[Albert Schweitzer <\/em>sketches] \u2014 [without date]
\nReproduction
\nIncludes titles,
\nPreface to arrival
\n<\/em>Storm revisited
\n<\/em>Last letter writing
\n<\/em>Family portrait
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>In pencil, corrections in red pencil; 7 pages of music<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nAlbert Schweitzer, Reel I & II<\/em> \u2014 [without date]
\nSee oversize Box 1\/1<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nAlbert Schweitzer, Reel III & IV<\/em> \u2014 [without date]
\nSee oversize Box 1\/2<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nAlbert Schweitzer, Reel V & VI<\/em> \u2014 [without date]
\nSee oversize Box 1\/3<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\n\u00a0Albert Schweitzer, Reel VII & VIII<\/em>\u00a0\u2014 [without date]
\nSee oversize Box 1\/4<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nAlbert Schweitzer, Reel IX – XI<\/em>\u00a0\u2014 [without date]
\nSee oversize Box 1\/5<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 13″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615320073338{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nAlbert Schweitzer<\/em>, oboe part \u2014 [without date]
\nReproduction; 40 pages of music
\nContains performance markings in pencil<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nAlbert Schweitzer<\/em>, clarinet l part \u2014 [without date]
\nReproduction; 43 pages of music
\nContains performance markings in pencil<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nAlbert Schweitzer<\/em>, clarinet II\/bass clarinet part \u2014 [without date]
\nReproduction; 42 pages of music
\nContains performance markings in pencil<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nAlbert Schweitzer<\/em>, bassoon part \u2014 [without date]
\nReproduction; 41 pages of music
\nContains performance markings in pencil<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nAlbert Schweitzer<\/em>, horn I & II part \u2014 [without date]
\nReproduction; 41 pages of music
\nContains performance markings in pencil<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nAlbert Schweitzer<\/em>, horn I & II part \u2014 [without date]
\nReproduction; 41 pages of music
\nContains performance markings in pencil<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nAlbert Schweitzer<\/em>, horn III & IV part \u2014 [without date]
\nReproduction; 41 pages of music
\nContains performance markings in pencil<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nAlbert Schweitzer<\/em>, horn III & IV part \u2014 [without date]
\nReproduction; 41 pages of music
\nContains performance markings in pencil<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nAlbert Schweitzer<\/em>, violin A part \u2014 [without date]
\nReproduction; 48 pages of music
\nNote: Contains joint violin A & B part until Reel XI in which A and B parts are separate
\nContains performance markings in pencil<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nAlbert Schweitzer<\/em>, violin A part \u2014 [without date]
\nReproduction; 48 pages of music
\nNote: Contains joint violin A & B part until Reel XI in which A and B parts are separate
\nContains performance markings in pencil<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nAlbert Schweitzer<\/em>, violin A part \u2014 [without date]
\nReproduction; 48 pages of music
\nNote: Contains joint violin A & B part until Reel XI in which A and B parts are separate
\nContains performance markings in pencil<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nAlbert Schweitzer<\/em>, violin A part \u2014 [without date]
\nReproduction; 48 pages of music
\nNote: Contains joint violin A & B part until Reel XI in which A and B parts are separate
\nContains performance markings in pencil<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nAlbert Schweitzer<\/em>, violin B part \u2014 [without date]
\nReproduction; 48 pages of music
\nNote: Contains joint violin A & B part until Reel XI in which A and B parts are separate
\nContains performance markings in pencil<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 14″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615320148771{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nAlbert Schweitzer, violin B part \u2014 [without date]
\nReproduction; 48 pages of music
\nNote: Contains joint violin A & B part until Reel XI in which A and B parts are separate
\nContains performance markings in pencil<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nAlbert Schweitzer<\/em>, violin A & B parts \u2014 [without date]
\nReproduction; 51 pages of music
\nNote: Contains joint violin A & B part until Reel XI in which A and B parts are separate
\nContains both violin A & B parts for Reel XI<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nAlbert Schweitzer<\/em>, violin A & B parts \u2014 [without date]
\nReproduction; 51 pages of music
\nNote: Contains joint violin A & B part until Reel XI in which A and B parts are separate
\nContains both violin A & B parts for Reel XI<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nAlbert Schweitzer<\/em>, viola part \u2014 [without date]
\nReproduction; 42 pages of music
\nContains performance markings in pencil<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nAlbert Schweitzer<\/em>, viola part \u2014 [without date]
\nReproduction; 42 pages of music
\nContains performance markings in pencil<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nAlbert Schweitzer<\/em>, percussion part \u2014 [without date]
\nReproduction; 42 pages of music
\nExtra copy of part from Reel XI
\nContains performance markings in pencil<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nAlbert Schweitzer<\/em>, percussion part \u2014 [without date]
\nReproduction; 39 pages of music
\nContains performance markings in pencil<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nAlbert Schweitzer<\/em>, bass part \u2014 [without date]
\nReproduction; 37 pages of music
\nContains performance markings in pencil<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nAlbert Schweitzer<\/em>, cello part \u2014 [without date]
\nReproduction; 44 pages of music
\nContains performance markings in pencil<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nAlbert Schweitzer<\/em>, cello part. \u2014 [without date].
\nReproduction; 44 pages of music.
\nContains performance markings in pencil.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\n\u00a0Albert Schweitzer<\/em>, bass part \u2014 [without date]
\nReproduction; 37 pages of music
\nContains performance markings in pencil<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1614891737189{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series 12: Commercial Music<\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614891758515{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n
folder 7<\/strong><\/td>\nBroom commercial<\/em>\u00a0\u2014 [undated]
\nOzalid master; 4 pages of music
\nLyrics by William Engvick
\nAccompanied by incomplete photocopy (2 pages of music) and 5 Ozalid strips used in master copy<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nGreyhound jingle<\/em> \u2014 [undated]
\nFair copy
\nIn ink on Ozalid paper. Score (2 pages of music)<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nHalo waltz<\/em> \u2014 [undated]
\nFor woodwind quintet
\nFair copy
\nIn ink on Ozalid paper; 5 parts (each 2 pages of music)<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nJingle – spring cigarettes<\/em> \u2014 [undated]
\nFair copy
\nIn ink on Ozalid paper; Score (2 pages of music)<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nTip top bread<\/em> \u2014 [2\/29\/60]
\nReproduction; for voice and clarinet quintet
\nIn pencil; score (6 pages of music) and sketch (2 pages of music)
\nIn ink; 6 copies of vocal solo part (2 pages of music each), one copy of each instrumental part (2 pages of music each)
\nInstrumental parts contain performance markings<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1614891675410{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series 13: Sketches<\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 4″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615316887126{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n
folder 3<\/strong><\/td>\n[Unidentified] \u2014 [undated]
\nSketch; for large ensemble
\nIn pencil; one page of music<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\n[Sketchbook] \u2014 [undated]
\nIn pencil; 3 pages of music
\nIncludes short sketches titled:
\nFl & Marimba
\n<\/em>Hrn & piano<\/em><\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\n[Unidentified sketches] \u2014 [undated]
\nMS lead sheets
\nIn pencil; 4 pages of music<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nXmas cookies<\/em> \u2014 [undated]
\nSketches
\nIn pencil; 3 pages of music
\nProvenance: Glenn Bowen<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nSeparate tables<\/em> \u2014 [undated]
\nSketch lead sheets
\nIn pencil; one page of music
\nIncludes one photocopy<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nAhright ahready<\/em> \u2014 [undated]
\nSketch for clarinet
\nIn ink; one page of music<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nThree attitudes<\/em> \u2014 [undated]
\nSketches in MS notebook
\nIn pencil; 5 pages of music, 1 page of notes
\nAt head of page, \u201c(For Mitch Miller)\u201d
\nIn caption, \u201cJoy after misery\u201d
\nCorrections and edits in red marker
\nProvenance: Louis Ouzer<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nBlue<\/em>. \u2014 [undated]
\nSketch; for orchestra
\nIn pencil; 4 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 6″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615316929269{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 11<\/strong><\/td>\nChorale fantasy, Jesu meine freude<\/em> \u2014 [without date]
\nSketch
\nIn pencil and ink; 1 page of music
\nProvenance: Gift of David Koppy \u2013 10\/2\/92<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nChorale fantasy, Jesu meine freude<\/em> \u2014 [without date]
\nSketch
\nIn pencil; 3 pages of music
\nProvenance: Gift of David Koppy \u2013 10\/2\/92<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\n\u201cHorn & bassoon\u201d<\/em> \u2014 [without date]
\nSketch
\nIn pencil; 4 pages of music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 7″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615317020136{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 5<\/strong><\/td>\nSuite for alto and bass flutes<\/em> \u2014 [without date]
\nSketches
\nIn pencil; 4 pages of music
\nPerformance markings in red ink
\nProvenance: Margun Music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 8″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615317081043{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 6<\/strong><\/td>\nOboe jungle<\/em> \u2014 [without date]
\nSketch
\nIn pencil; 2 pages of music
\nOn reverse side of Oboe jungle:
\n<\/em>Duet yourselves<\/em> \u2014 [without date]
\nSketch
\nIn pencil; 2 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nWoodwind suite no. 2<\/em> \u2014 [without date]
\nSketches contained within MS notebook
\nIn pencil; 31 pages of music
\nAlso contains sketches titled,
\nFollow the lieder
\n<\/em>In pencil; 2 pages of music
\nGood night ladies
\n<\/em>In pencil; 1 page of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nPeaceful<\/em> \u2014 [without date]
\nSketch, lead sheet
\nIn pencil; one page of music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 9″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615317184857{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
folder 5<\/strong><\/td>\n\u00a0[Octet<\/em>]\u00a0No. XV (<\/em>[The<\/em>]\u00a0children met\u00a0<\/em>[the<\/em>]\u00a0train)<\/em>\u00a0\u2014 [without date]
\nSketch
\nIn pencil; 9 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\n[Octet<\/em>] No. 8 (Suburban Weekend) (Jack, this is my husband)<\/em> \u2014 [without date]
\nSketch
\nIn pencil; 9 pages of music<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\n[Octet<\/em>] No. 10 <\/em>[(Dance man buys a farm)<\/em>] \u2014 [without date]
\nFor flute\/clar 2, oboe\/English horn, clar 1, bass clar, bassoon, harp, drums, bass
\nSketch
\nIn pencil; 6 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\n[Octet<\/em>] No. 14 (It\u2019s silk, feel it)<\/em> \u2014 [without date]
\nFor flute\/clar 2\/picc or penny whistle, oboe\/English horn, clar 1, bass clar, bassoon, harp, drums, bass
\nSketch
\nIn pencil; 8 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\n[Octet No.<\/em>] XXIII (Bull fiddle <\/em>[in a china shop<\/em>])<\/em> \u2014 [without date]
\nFor flute\/clar 2, oboe\/English horn, clar1, bass clar, bassoon, harp, drums, bass
\nSketch
\nIn pencil; 9 pages of music
\nCorrections in red pencil
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\n[Octet No.<\/em>] XXIV (Kindergarten <\/em>[flower pageant<\/em>])<\/em> \u2014 [without date]
\nFor flute\/clar2, oboe\/English horn, clar1, bass clar, bassoon, harp, drums, bass
\nSketch
\nIn pencil; 8 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\n[Octet No.<\/em>] XXV <\/em>[(Little white samba)<\/em>] \u2014 [without date]
\nSketch
\nIn pencil; 12 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nElegy for the whale<\/em> \u2014 [without date]
\nSketch reproduction
\n2 copies; 4 pages of music each
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nFlute concerto<\/em>\u00a0\u2014 [without date]
\nSketches within MS notebook
\nIn pencil; 33 pages of music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 10″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615317228226{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nWoodwind trio<\/em> \u2014 [without date]
\nFor flute, clarinet and bassoon
\nSketches in MS notebook
\n\u201cFor Virginia\u201d at heading
\nAlso includes sketches titled,
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Loneliness after love (brass quintet)
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Attitudes
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Air for trumpet
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Warm feeling
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Guitar and strings
\n<\/em>In pencil; 31 pages of music
\nCorrections in red ink
\nProvenance: Louis Ouzer<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nEntertainment no. 1<\/em>\u00a0\u2014 [without date]
\nSketches in MS notebook
\nIn pencil; 24 pages of music
\n\u201cFennel\u201d written in the heading of each movement
\nCorrections in red
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nChapter 12<\/em>\u00a0[from Alice in Wonderland] \u2014 [without date]
\nSketch repro; 1 page of music
\nIn ink at heading, \u201cPossible sketches for Enter. No 1 or Alice in Wonderland. TRO has original. R.L. 5\/2\/88\u201d
\nSketch repro; 1 page of music<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nLadies love to be looked at<\/em> \u2014 [without date]
\nSketch
\nIn pencil; 2 pages of music, 2 pages of prose
\nProvenance: Arlene Bouras<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\n[Sketchbook no. 1] \u2014 [without date]
\nContains sketches titled,
\nWW Quin #14
\n<\/em>Beginning
\n<\/em>Verse to be a child
\n<\/em>Woodwind Quintet #14
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/em>\u201cFor Art Dedrick\u201d in heading
\nHrn + Tuba <\/em>[Duets for French horn and tuba<\/em>]
\n \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/em>[For horn and tuba parts see series 4, box 16, folder 12]
\n\u00a0Flute
\n<\/em>In pencil; 26 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\n[Sketchbook No. 2] \u2014 [without date]
\nContains sketches titled,
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 WW Quintet #14
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>\u201cFor Art Dedrick\u201d in heading
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Suite for low register flute <\/em>(1 page of music)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Waltz for dainty feet
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Viola concerto
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 WW Quintet #13 with marimba
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Suite for woodwind quintet
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em>In caption, \u201cAir\u201d
\nIn pencil; 55 pages of music<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\n[Sketchbook No. 3] \u2014 [without date]
\nContains sketches titled,
\nNot too hard horn solos
\n<\/em>Concerto for tuba
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>\u201cFor Michael Lind\u201d in heading
\nWarmer Place
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>[possibly from South \u2013 to a warmer place<\/em>]
\n\u201cVln\u201d
\n<\/em>In pencil; 11 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\n[Sketchbook No. 4] \u2014 [without date]
\nContains sketches titled,
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Violin interlude
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Interlude #2
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0See the world through every eye
\n<\/em>Page titled,
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Concerto for tuba and string orch<\/em> with \u201cfor Michael Lind\u201d written in the heading \u2013 no music on page
\nIn pencil; 3 pages of music<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nLet’s sing to the memory of our loving friend<\/em> \u2014 [without date]
\nSketch lead sheet
\nIn ink; 1 page of music
\nContains lyrics in pencil
\nIncludes 2 photocopies of lead sheet, 1 photocopy of writing on back<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nBrass quintet<\/em> \u2014 [without date]
\nSketch
\nIn pencil; 2 pages of music
\n\u201cFor Marian\u201d written on one side<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nThe Marian kind<\/em> \u2014 [without date]
\nSketch lead sheet
\nIn pencil; 2 pages of music
\nProvenance: Marian McPartland<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nConcerto for tuba<\/em>\u00a0\u2014 [without date]
\nSketch [fragment]
\nIn pencil; 1 page of music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 11″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615317292131{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nOctet <\/em>[no.<\/em>] XVIII (Her old man was suspicious)<\/em> \u2014 [without date]
\nSketches
\nIn pencil; 8 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\n[Brass quintet no. 1] \u2014 [without date]
\nSketches
\nIn pencil; 18 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nMovement for a string quartet no. 3<\/em> \u2014 [without date]
\nSketch
\nIn pencil; 4 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nOctet <\/em>[no.<\/em>] IV (Neurotic goldfish)<\/em> \u2014 [without date]
\nSketch
\nIn pencil; 6 pages of music
\nIncludes 1 typed page with comments about piece from Margun Music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\n[Octet<\/em>] No. 7 (<\/em>[Such a<\/em>] tender night)<\/em> \u2014 [without date]
\nSketch
\nIn pencil; 6 pages of music<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\n[Octet no.<\/em>] XII (Sea fugue mama)<\/em> \u2014 [without date]
\nSketch
\nIn pencil; 16 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\n[Octet no. XXII <\/em>[(Seldom the sun)<\/em> \u2014 [without date]
\nSketch
\nIn pencil; 5 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nOctet\u00a0<\/em>[no.<\/em>]\u00a0XVII<\/em>\u00a0\u2014 [without date]
\nSketch
\nIn pencil; 7 pages of music<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\n[Octet<\/em>] No. 9 (Walking home in spring)<\/em> \u2014 [without date]
\nAdditional title in heading, \u201c(It was her first cruise)<\/em>\u201d
\nSketch
\nAlso includes sketch titled,
\nJack, this is my husband
\n<\/em>In pencil; 9 pages of music
\nProvenance: Margun Music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 16″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615317345683{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 8<\/strong><\/td>\nThree <\/em>[Four] sentiments<\/em> \u2014 [without date]
\nSketches<\/p>\n
    \n
  1. Calm after storm<\/em><\/li>\n
  2. Joy after misery<\/em><\/li>\n
  3. Loneliness after love<\/em><\/li>\n
  4. Laughter after tears<\/em><\/li>\n<\/ol>\n

    In pencil; 14 pages of music
    \nEdits in red ink<\/p>\n<\/td>\n<\/tr>\n

folder 15<\/strong><\/td>\n[Sketchbook \u2013 Brass Quintets] \u2014 [without date]
\nSketches
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Br. Quintet #7
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Sometimes I lie
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Flt + vlns
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Br Quint #8
\n<\/em>In pencil; 38 pages of music<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\n[Unidentified] \u2014 [without date]
\nMS repro; 1 page of music
\n\u201cfor Charlotte Allen\u201d in caption<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 17″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615317497150{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 4<\/strong><\/td>\nQuintet (I hope)\u00a0<\/em>[quintet sketches] \u2014 [without date]
\nSketches
\nIn pencil; 4 pages of music<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nFor Julie<\/em>\u00a0\u2014 [without date]
\nSketch
\nIn pencil; 4 pages of music<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nWhat does a woman do?<\/em> \u2014 [without date]
\nSketch
\nIn pencil; 2 pages of music
\nOn reverse:
\nZex<\/em> \u2014 [without date]
\nSketch
\nIn pencil; 2 pages of music<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\n[Sketches for trumpet] \u2014 [without date]
\nSketches
\nIn pencil; 7 pages of music
\nUnidentified clarinet part on back of one page<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nLightly<\/em> \u2014 [without date]
\nSketch
\nIn pencil; 2 pages of music<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nD\u2019Jan<\/em>\u0591um\u2019s Song No. 1 and No. 2<\/em> \u2014 [without date]
\nMS sketch
\nIn ink; 2 half pages of music<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nRed Sky<\/em> \u2014 [without date]
\nMS sketch
\nIn pencil; 1 page of music<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nMinute spot #3<\/em>;
\nMinute spot #4<\/em> \u2014 [without date]
\nSketch
\nIn pencil; 2 pages of music<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nScherzo for 3rd<\/sup> horn sonata<\/em> \u2014 [without date]
\nSketch
\nIn pencil; 2 pages of music<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\n2nd<\/sup> horn sonata <\/em>\u2014 [without date]
\nSketches
\nIn pencil and ink; 16 pages of music<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nFrench horn sonata<\/em> \u2014 [without date]
\nSketch
\nIn pencil; 14 pages of music<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nSoliloquy<\/em> \u2014 [without date]
\nMusic by R. Bloom, arr. Alec Wilder
\nAW\u2019s first arrangement \u2013 unfinished
\nIn pencil; 2 pages of music<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nSeven lively arts<\/em> \u2014 [without date]
\nFor 1 fl, 2 ob, 1 cl, 1 bass cl, 1 bsn, trp, 4 hrns, guitar, bass, and drums
\nSketches
\nDraft in pencil; 4 pages of music
\nDraft in ink; 4 pages of music<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\n[Instrumental sketches] \u2014 [without date]
\nSketches
\nIn pencil; 21 pages of music<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\n[Untitled \u2013 became part of horn sonata] \u2014 [without date]
\nSketch
\nIn pencil; 5 pages of music<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\n[Unidentified sketch \u2013 orchestra with chorus] \u2014 [without date]
\nSketch
\nIn pencil; 8 pages of music<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\n[Instrumental ideas] \u2014 [without date]
\nSketches
\nIn pencil; 15 pages of music<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\n[Misc. sketches] \u2014 [without date]
\nSketches
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Lead up to K\u2019s table pounding
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Brass Suite
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Piano piece
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Aloha Bassoon No 2
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Aloha 3
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Love song + opening
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Bassoon no. 2
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Pinochio <\/em>[sic]
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Bassoon piece
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0For three oboes
\n<\/em>\u00a0<\/em>In pencil; 20 pages of music<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nRock me, mother<\/em>\u00a0\u2014 [without date]
\nSketch
\nIn pencil; 2 pages of music<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nWhat is time?<\/em>\u00a0\u2014 [without date]
\nSketch
\nIn pencil; 2 pages of music<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nMundel idea<\/em>\u00a0\u2014 [without date]
\nSketch
\nIn pencil; 4 pages of music<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\n[Instrumental sketches] \u2014 [without date]
\nSketches, includes some lead sheets
\nCello, viola, oboe, flute
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>[the rest untitled]
\nIn pencil; 8 pages of music<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\n[Unidentified sketches] \u2014 [without date]
\nSketches
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Usprey
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0(heard along a branch five track)
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Horn
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Verse to \u201cafter love\u201d
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Best of friends
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mit yamel kah
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Bassoon sonata
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Penguins Christmas song
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Yvonne
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Yours not to reason why
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Brass \u2013 tuba
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Duchesses Lullaby
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Twinkle \u2013 theme for variations
\n<\/em>In pencil; 49 pages of music<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\n[Unidentified sketches] \u2014 [without date]
\nSketches
\nIn pencil; 28 pages of music<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\n[Unidentified sketches] \u2014 [without date]
\nSketches
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sansone idyll
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Horseshoes
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Passacaglia
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Strings
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Orch piece
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Moment Momentous
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Easy to say (verse)
\n<\/em>In pencil; 35 pages of music<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\n[Misc. song sketches] \u2014 [without date]
\nSketches, lead sheets
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Summer rain
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Virginny Old Black Joe
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Piano piece
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A little louie song
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Mother\u2019s lil children
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Crawdads
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 It\u2019s fun when you\u2019re me
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>Lyrics by Sarah Churchill
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Good night, sweet heart
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0An axe an apple
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Boy at a window
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Timber
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Johnny Appleseed
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Were you lost
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2nd<\/sup> birdsong
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Waltz II
\n<\/em>In pencil; 21 pages of music<\/td>\n<\/tr>\n
folder 43<\/strong><\/td>\nFlute piece #1<\/em> \u2014 [without date]
\nSketch.
\nIn pencil; 2 pages of music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1614892537671{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 2: Printed Music<\/h3>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1615307160750{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series 1: Large instrumental ensemble <\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614892596028{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 28<\/strong><\/td>\nEntertainment No. 6 for orchestra
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>Newton Centre: Margun Music, Inc., 1979
\n\u201cTo Howard Scott\u201d in heading
\n\u201cCommissioned by the New York State Arts Council\u201d in caption<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\nEntertainment No. 6 for orchestra. <\/em>[copy 2]
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em>Newton Centre: Margun Music, Inc., 1979
\n\u201cTo Howard Scott\u201d in heading
\n\u201cCommissioned by the New York State Arts Council\u201d in caption<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1615308214701{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series 3: Instrumental solos with or without accompaniment <\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 2″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615308294381{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 1<\/strong><\/td>\nSuite for solo guitar
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>Transcribed for marimba by Gordon Stout
\nWilder Music, Inc. 1968
\nAssigned 1976 to Margun Music Inc.
\n1980 Studio 4 Productions<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nAir for oboe and strings<\/em> \u2013 copyright 1952
\nParts and score
\nNew York, NY: The Richmond Organization,<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614892596028{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 8<\/strong><\/td>\nSonata for euphonium and piano
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em>Newton Centre: Margun Music, Inc., 1982
\nEdited by Gunther Schuller<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\nFive love songs for horn and chamber orchestra
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>Virginia Beach: A Moll Dur Publishing House, 1980
\n\u201cfor Morris Secon\u201d in heading
\n2 copies of the piano reduction and horn part.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1615307483839{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series 4: Chamber Music<\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615307523670{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
folder 3<\/strong><\/td>\nSuch a tender night – Alec Wilder octette for woodwinds and rhythm.
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em>[Octet No. 7]
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em>New York: Regent Music Corp, 1944
\nEdited by Walter Mourant
\nColumbia record no. 36315
\nProvenance: Margun Music<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nOctet no. XXV Little white samba
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em>Newton Centre: Margun Music, Inc., 1981<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nSuite for alto and bass flutes W147
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em>Wilder Music Inc., 1970<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nSuite for string bass and guitar [in \u201cD\u201d] W 134
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>Newton Centre: Margun Music, Inc., 1981<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nSuite for four bassoons.
\n<\/em>Newton Centre: Margun Music, Inc., 1982
\nEdited by Gunther Schuller<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\n[Woodwind] Quintet No. 4. <\/em>[Aloha suite]
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>Newton Centre: Margun Music, Inc., 1980<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nWoodwind Quintet No. 13
\n<\/em>Delevan, New York: Kendor Music, Inc., 1978
\n\u201cfor Art Dedrick\u201d in caption<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\n22 duets for horns
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em>Newton Centre: Margun Music, Inc., 1968<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\nBrass Quintet No. 1
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em>Newton Centre: Margun Music, Inc., 1980
\nParts and score<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 2″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615307575431{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n
folder 3<\/strong><\/td>\nAlice and Wonderland Suite
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em>For flute, oboe, clarinet, bassoon, horn and percussion
\nParts and score
\nNew York: TRO Ludlow Music, Inc., 1958
\nProvenance: Judy Bell, The Richmond Organization<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nHouse detective registers (Octette No. VI)
\n<\/em>For flute\/clarinet, oboe\/English horn, clarinet, bass clarinet, bassoon, harpsichord, drums and bass
\nParts and score
\nNew York: TRO Ludlow Music, Inc., 1948
\nProvenance: Judy Bell, The Richmond Organization<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nPlease do not disturb (Octette No. XIII)
\n<\/em>For clarinet, clarinet 2\/flute, English horn\/oboe, bass clarinet\/flute, bassoon, harpsichord, drums and bass
\nParts and score
\nNew York: TRO Ludlow Music, Inc., 1942
\nProvenance: Judy Bell, The Richmond Organization<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nRemember me to youth (Octette No. XXVI)
\n<\/em>For flute\/clarinet, oboe\/English horn, clarinet, bass clarinet, bassoon, harpsichord, drums and bass
\nParts and score
\nNew York: TRO Ludlow Music, Inc., 1947
\nProvenance: Judy Bell, The Richmond Organization<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1615307677417{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series 6: Keyboard. 2 or more hands<\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615307709128{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nSeldom the sun.
\n<\/em>New York: Regent Music Corp, 1942
\nColumbia record no. 35648<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nSuch a tender night.
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>New York: Regent Music Corp, 1942
\nColumbia record no 36315<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nShe\u2019ll be seven in May.
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>New York: Regent Music Corp, 1942<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nDance man buys a farm.
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>New York: Regent Music Corp, 1948
\nColumbia record no. 36189<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nThe children met the train.
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em>New York: Regent Music Corp, 1948
\nColumbia record no. 35648<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nJazz waltz for a friend
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>Ambrose Music, 1974<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nHer old man was suspicious
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>New York: Regent Music Corp, 1948
\nReproduction
\nProvenance: Margun Music, Inc.
\nOriginal plus two reproductions<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 2″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615307716656{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 7<\/strong><\/td>\nDavid Diamond solo piano books
\nDavid Diamond album for the young
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>Bryn Mawr, PA: Elkan-Vogel, Inc., 1947
\nThen and now \u2013 11 pieces for very young pianists
\n<\/em>\u201clike Louis Ouzer, from his old friend David Diamond 20 August, 1990 \u2013 Rochester, NY\u201d written on cover
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>New York: Southern Music Publishing Co. Inc., 1966
\nAlone at the piano, book one
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 N<\/em>ew York: Southern Music Publishing Co. Inc., 1968
\nAlone at the piano, book two
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>New York: Southern Music Publishing Co. Inc., 1968
\nAlone at the piano, book three
\n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>New York: Southern Music Publishing Co. Inc., 1968<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1615307971765{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series 7: Vocal solo<\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615307989650{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 9<\/strong><\/td>\nLove among the young
\n<\/em>New York: Meridian Music Corp., 1954
\nLyric by Norman Gimbel<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nI\u2019m headin\u2019 west (for a rest)
\n<\/em>New York: Cromwell Music, Inc., 1950
\nWords by Marshall Barer
\nIntroduced and featured by Dick Jurgens on Columbia Records<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nI got big eyes for you
\n<\/em>New York: Essex Music, Inc., 1952
\nIntroduced and recorded by Tommy Dorsey on Decca Records<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nGoodbye, John
\n<\/em>New York: Robert Music Corp., 1949
\nLyric by Edward Eager<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nGive me time
\n<\/em> New York: Regent Music Corp., 1941
\nFeatured and recorded by Jeri Southern<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nEverywhere I look
\n<\/em>New York: Regent Music Corp., 1943
\nWords by Bill Engvick<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nSongs were made to sing
\n<\/em>New York: TRO Ludlow Music, Inc.
\nProvenance:\u00a0 Judy Bell, TRO<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nSongs by Alec Wilder
\n<\/em>New York: TRO Hollis Music, Inc.
\nProvenance: Judy Bell, TRO<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nWestern Star
\n<\/em>New York: Hampshire House Publishing Corp & TRO Ludlow Music, Inc.
\nWords by Arnold Sundgaard<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nSleep, my heart
\n<\/em>New York: Regent Music Corp, 1941.
\nBy AW and Bill Engvick<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nIt\u2019s so peaceful in the country
\n<\/em>New York: Regent Music Corp., 1941
\n\u201cEspecially when you are there \u2013 Little Aley\u201d written in caption
\nThree photocopies
\nOne original copy; missing pages 3 and 4<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nMoon and sand
\n<\/em> New York: Regent Music Corp., 1941
\nMusic by AW and Morty Palitz
\nLyric by Bill Engvick
\n\u201cand Ellen would make a perfect picture\u201d written in caption
\n\u201cMe\u201d written beside AW\u2019s printed name on title page
\n8 photocopies<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nWhere do you go?
\n<\/em>New York: Barton Music Corp, 1959
\nLyric by Arnold Sundgaard<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nSoft as spring
\n<\/em>New York: Regent Music, Corp., 1941
\n8 \u201cprofessional use only\u201d photocopies and one original<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nListen to your heart
\n<\/em>New York: Devon Music, Inc., 1957
\nWords by Bill Engvick\u00a0\u201c(from the Talent Associates TV production, \u2018Pinocchio\u2019)\u201d in caption<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 2″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615308002122{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 8<\/strong><\/td>\nJ.P. Dooley III
\n<\/em>By AW, Bill Engvick and Morty Palitz
\nNew York: Regent Music Corp., 1942<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nTomorrow
\n<\/em>Music by Eddie Sauter, lyric by AW
\nNew York: Harman Music, Inc., 1943<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nRemember, my child (Vespa waltz)
\n<\/em>From the film, \u201cOpen the door and see all the people\u201d
\nLyric by Bill Engvick
\nNew York: Hollis Music, Inc.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nDid you ever cross over to Sneden\u2019s?
\n<\/em>New York: Edwin H. Morris & Company, Inc., 1947
\n5 photocopies<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nWho can I turn to?
\n<\/em>New York: Regent Music Corp., 1941
\n8 photocopies<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nI\u2019ll be around
\n<\/em>New York: Vogue Music Corp., 1942<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nSongs by Alec Wilder <\/em>[copy 2 and 3]
\nNew York: TRO Hollis Music, Inc.
\nPhotographs by Louis Ouzer
\nProvenance: Judy Bell, TRO<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nSongs were made to sing<\/em> [copy 2 and 3]
\nNew York: TRO Ludlow Music, Inc.
\nProvenance:\u00a0 Judy Bell, TRO<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nSongs were made to sing<\/em>, second edition
\nNew York: TRO Ludlow Music, Inc.
\nPhotographs by Louis Ouzer
\nProvenance:\u00a0 Judy Bell, TRO<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nThe Alec Wilder song collection, centennial edition
\n<\/em>New York: TRO Ludlow Music, Inc.
\nIn collaboration with William Engvick
\nPhotos by Louis Ouzer<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nAlec Wilder American popular song
\n<\/em>New York: TRO Ludlow Music, Inc.
\nIn collaboration with William Engvick
\nPhotos by Louis Ouzer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1615307297671{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series 9: Choral with or without soloists and accompaniment<\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615307307813{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 21<\/strong><\/td>\nWyoming
\n<\/em>East Stroudsberg, Penna.: Shawnee Press, Inc., 1945
\nLyric by Eddie Pola
\nArranged by Roy Ringwald
\nFred Waring Choral Arrangement
\nProvenance: Glenn Bowen<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n
folder 5<\/strong><\/td>\n <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

\u2190 ALEC WILDER ARCHIVE<\/a><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

ALEC WILDER ARCHIVE; Series 3 to 5 \u2192<\/a><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text css=”.vc_custom_1614871553924{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] Series 1: Music Manuscripts [\/vc_column_text][vc_column_text css=”.vc_custom_1614871605923{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] Sub-series 1: Large instrumental ensemble [\/vc_column_text][vc_custom_heading text=”Box 4″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614871618481{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: […]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":7392,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template_Finding_Aids.php","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-7395","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7395","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=7395"}],"version-history":[{"count":0,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7395\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7392"}],"wp:attachment":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=7395"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=7395"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=7395"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}