{"id":6742,"date":"2020-11-20T19:28:17","date_gmt":"2020-11-21T00:28:17","guid":{"rendered":"https:\/\/www.esm.rochester.edu\/sibley\/?page_id=6742"},"modified":"2020-11-20T19:28:17","modified_gmt":"2020-11-21T00:28:17","slug":"title","status":"publish","type":"page","link":"https:\/\/www.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/afarwell\/title\/","title":{"rendered":"ARTHUR FARWELL COLLECTION"},"content":{"rendered":"

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TITLE INDEX<\/h3>\n

This index provides a cross reference between the main titles of Farwell’s works and the Culbertson (C) numbers by which the collection is arranged. It does not include titles from individual movements or songs within compositions.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Title<\/strong><\/td>\nC Number<\/strong><\/td>\n<\/tr>\n
\u201cA Soldier\u2019s Explanation\u201d (for voice and piano)<\/td>\n78<\/a><\/td>\n<\/tr>\n
Academic Overture \u201cCornell,\u201d<\/em> op. 9<\/td>\n218<\/a><\/td>\n<\/tr>\n
\u201cAfter All!\u201d (for voice and piano)<\/td>\n84<\/a><\/td>\n<\/tr>\n
Altar Gift<\/em> (for solo piano)<\/td>\n122<\/a><\/td>\n<\/tr>\n
America the Beautiful<\/em> (for SATB voices and piano)<\/td>\n185<\/a><\/td>\n<\/tr>\n
American Indian Melodies<\/em> (for voice\/s and piano)<\/td>\n34<\/a><\/td>\n<\/tr>\n
American Indian Melodies,<\/em> op. 11 (for solo piano)<\/td>\n96<\/a><\/td>\n<\/tr>\n
Americana,<\/em> op. 78 (for solo piano)<\/td>\n112<\/a><\/td>\n<\/tr>\n
\u201cArbutus\u201d (for voice and piano)<\/td>\n66<\/a><\/td>\n<\/tr>\n
Ballade for Violin and Piano, op. 1<\/td>\n146<\/a><\/td>\n<\/tr>\n
Caliban, the Shakespeare Tercentary Masque,<\/em> op. 47<\/td>\n208<\/a><\/td>\n<\/tr>\n
Cartoon or Once Upon a Time Recently<\/em> (operatic fantasy of music in America in three acts)<\/td>\n215<\/a><\/td>\n<\/tr>\n
\u201cCathedral Scene (Finale, part I)\u201d (for SATB voices and soprano solo with two pianos)<\/td>\n191<\/a><\/td>\n<\/tr>\n
\u201cChoral: Around the Lodge,\u201d from From Mesa and Plain,<\/em> op. 20 (arranged for violin and piano)<\/td>\n149<\/a><\/td>\n<\/tr>\n
Christ Child\u2019s Christmas Tree, The,<\/em> op. 41 (for SATB voices and accompaniment)<\/td>\n168<\/a><\/td>\n<\/tr>\n
Cinderella<\/em> (incidental and background music for piano)<\/td>\n195<\/a><\/td>\n<\/tr>\n
Coming of Song,<\/em> The <\/em>(music drama)<\/td>\n200<\/a><\/td>\n<\/tr>\n
\u201cCountry Guy\u201d (for medium voice and piano)<\/td>\n30<\/a><\/td>\n<\/tr>\n
D. K. E. Waltz<\/em> (for medium voice and piano)<\/td>\n69<\/a><\/td>\n<\/tr>\n
D. K. E., A Masque of Fraternity<\/em><\/td>\n207<\/a><\/td>\n<\/tr>\n
\u201cDance of Seven Wails\u201d from Cat Ballet<\/em><\/td>\n\u2014<\/td>\n<\/tr>\n
Dawn,<\/em> op. 12 (for solo piano)<\/td>\n98<\/a><\/td>\n<\/tr>\n
Dawn. <\/em>Fantasy for orchestra, op. 12<\/td>\n219<\/a><\/td>\n<\/tr>\n
Death of Virginia<\/em>, The,<\/em> op. 4 (fantasy for orchestra)<\/td>\n216<\/a><\/td>\n<\/tr>\n
\u201cDefenders\u201d (for SATB chorus and piano)<\/td>\n175<\/a><\/td>\n<\/tr>\n
Distant Warrior, The <\/em>(for solo piano)<\/td>\n107<\/a><\/td>\n<\/tr>\n
Domain of Hurakan,<\/em> The, <\/em>op. 15 (for orchestra)<\/td>\n220<\/a><\/td>\n<\/tr>\n
Domain of Hurakan,<\/em> The,<\/em> op. 15 (for solo piano)<\/td>\n100<\/a><\/td>\n<\/tr>\n
\u201cDrake\u2019s Drum,\u201d op. 22 (for baritone and piano)<\/td>\n36<\/a><\/td>\n<\/tr>\n
Dream Flower,<\/em> op. 79 (for solo piano)<\/td>\n114<\/a><\/td>\n<\/tr>\n
Early Songs without opus numbers (for voice\/s and piano)<\/td>\n27<\/a><\/td>\n<\/tr>\n
Evergreen Tree,<\/em> The, <\/em>op. 50 (Christmas masque for community singing and acting)<\/td>\n209<\/a><\/td>\n<\/tr>\n
Eothen,<\/em> op. 92 (for violin and piano)<\/td>\n155<\/a><\/td>\n<\/tr>\n
Fantasie on a Turkish Air (for solo piano)<\/td>\n134<\/a><\/td>\n<\/tr>\n
Farewell,<\/em> The,<\/em> op. 33 (for baritone and piano)<\/td>\n43<\/a><\/td>\n<\/tr>\n
Five Agnes M. Stanko Songs <\/em>(for voice and piano)<\/td>\n80<\/a><\/td>\n<\/tr>\n
Five Songs for Community Chorus,<\/em> op. 57 (for voice\/s and piano)<\/td>\n177<\/a><\/td>\n<\/tr>\n
Fog from the Pacific,<\/em> op. 99 (for voice and piano)<\/td>\n70<\/a><\/td>\n<\/tr>\n
Folk Songs of the West and South,<\/em> op. 19 (for medium voice and piano)<\/td>\n35<\/a><\/td>\n<\/tr>\n
For America <\/em>(for SATB voices and piano)<\/td>\n187<\/a><\/td>\n<\/tr>\n
For Cynthia <\/em>(for solo piano)<\/td>\n129<\/a><\/td>\n<\/tr>\n
Four Children\u2019s Songs,<\/em> op. 75 (for voice and piano)<\/td>\n63<\/a><\/td>\n<\/tr>\n
Four Emily Dickinson Songs,<\/em> op. 101 (for voice and piano)<\/td>\n72<\/a><\/td>\n<\/tr>\n
Four Emily Dickinson Songs,<\/em> op. 107 (for voice and piano)<\/td>\n74<\/a><\/td>\n<\/tr>\n
Four Meditations,<\/em> op. 97 (for solo piano)<\/td>\n121<\/a><\/td>\n<\/tr>\n
Four Part Songs for Community Chorus,<\/em> op. 51 (for voice\/s and piano)<\/td>\n173<\/a><\/td>\n<\/tr>\n
Four Songs for A Capella Chorus,<\/em> op. 102 (for SSAATTBB choir)<\/td>\n190<\/a><\/td>\n<\/tr>\n
Four Songs for Community Singing,<\/em> op. 51 (for voice and piano)<\/td>\n48<\/a><\/td>\n<\/tr>\n
Four Songs,<\/em> op. 14 (for voice and piano)<\/td>\n33<\/a><\/td>\n<\/tr>\n
From Mesa and Plain,<\/em> op. 20 (for solo piano)<\/td>\n103<\/a><\/td>\n<\/tr>\n
Fugue Fantasy<\/em>, op. 44 (for solo piano)<\/td>\n108<\/a><\/td>\n<\/tr>\n
Fugue Fantasy,<\/em> op. 44 (for string quartet)<\/td>\n140<\/a><\/td>\n<\/tr>\n
\u201cGod of Battles\u201d (for voice and piano)<\/td>\n75<\/a><\/td>\n<\/tr>\n
Gods of the Mountain,<\/em> The,<\/em> op. 68 (incidental music for harp, violin, and violoncello)<\/td>\n198<\/a><\/td>\n<\/tr>\n
Gods of the Mountain,<\/em> The, <\/em>op. 52 (incidental music for orchestra; revised suite for violin, violoncello, and piano)<\/td>\n232<\/a><\/td>\n<\/tr>\n
\u201cGrace\u201d (for voice and piano)<\/td>\n67<\/a><\/td>\n<\/tr>\n
Grail Song,<\/em> op. 70 (masque for community singing, acting, and dancing)<\/td>\n213<\/a><\/td>\n<\/tr>\n
Hako,<\/em> The, <\/em>op. 65 (for string quartet)<\/td>\n142<\/a><\/td>\n<\/tr>\n
Happy Moment <\/em>(for solo piano)<\/td>\n126<\/a><\/td>\n<\/tr>\n
Heroic Breed,<\/em> The, <\/em>op. 115 (for orchestra)<\/td>\n225<\/a><\/td>\n<\/tr>\n
Hound of Heaven,<\/em> The, <\/em>op. 100 (for narrator, high baritone, and SSA chorus with orchestra)<\/td>\n89<\/a><\/td>\n<\/tr>\n
Hound of Heaven,<\/em> The,<\/em> op. 100 (for voice and piano or orchestra)<\/td>\n71<\/a><\/td>\n<\/tr>\n
How Beautiful is Night,<\/em> op. 30 (for mixed chorus)<\/td>\n164<\/a><\/td>\n<\/tr>\n
Hymn to Liberty,<\/em> op. 35 (for SATB voices with accompaniment)<\/td>\n166<\/a><\/td>\n<\/tr>\n
\u201cI Had No Time to Hate\u201d (for medium voice and piano)<\/td>\n83<\/a><\/td>\n<\/tr>\n
Ichibuzzhi,<\/em> op. 13 (for solo piano)<\/td>\n99<\/a><\/td>\n<\/tr>\n
Impressions of the Wa-Wan Ceremony of the Omahas,<\/em> op. 21 (for solo piano)<\/td>\n104<\/a><\/td>\n<\/tr>\n
In the Tetons, Suite,<\/em> op. 86 (for solo piano)<\/td>\n118<\/a><\/td>\n<\/tr>\n
Invocation to the Sun God,<\/em> op. 89 (for baritone voice and piano)<\/td>\n65<\/a><\/td>\n<\/tr>\n
\u201cIt Was a Long and Tiresome Go\u201d (for medium voice and piano)<\/td>\n40<\/a><\/td>\n<\/tr>\n
Joseph and His Brethren,<\/em> op. 38 (incidental music for orchestra)<\/td>\n196<\/a><\/td>\n<\/tr>\n
K\u00e9ramos,<\/em> op. 28 (for chorus and piano)<\/td>\n163<\/a><\/td>\n<\/tr>\n
Lamb,<\/em> The, <\/em>op. 88 (arranged for SATB voices)<\/td>\n188<\/a><\/td>\n<\/tr>\n
Land of Luthany,<\/em> op. 87 (for violoncello and piano)<\/td>\n154<\/a><\/td>\n<\/tr>\n
Laughing Piece <\/em>(for solo piano)<\/td>\n110<\/a><\/td>\n<\/tr>\n
Line Study<\/em> (for solo piano)<\/td>\n125<\/a><\/td>\n<\/tr>\n
Maedchenlieder<\/em>, op. 2 (for voice and piano)<\/td>\n28<\/a><\/td>\n<\/tr>\n
March of Man,<\/em> The, <\/em>op. 71 (masque)<\/td>\n214<\/a><\/td>\n<\/tr>\n
Melody in D Minor (for solo piano)<\/td>\n131<\/a><\/td>\n<\/tr>\n
Melody in E Minor, op. 77 (for solo piano)<\/td>\n113<\/a><\/td>\n<\/tr>\n
Melody in E Minor, op. 77 (for violin and piano)<\/td>\n151<\/a><\/td>\n<\/tr>\n
Modal Inventions,<\/em> op. 68 (for solo piano)<\/td>\n111<\/a><\/td>\n<\/tr>\n
Mountain Song, a Symphonic Song Ceremony of the High Sierras<\/em>, op. 90 (for orchestra with occasional choruses)<\/td>\n229<\/a><\/td>\n<\/tr>\n
Mountain Song,<\/em> op. 90 (for orchestra with occasional choruses)<\/td>\n189<\/a><\/td>\n<\/tr>\n
\u201cMouse Whose Name is Time, The\u201d (for voice and piano)<\/td>\n81<\/a><\/td>\n<\/tr>\n
\u201cMystery for Strings,\u201d op. 90 (for string orchestra)<\/td>\n144<\/a><\/td>\n<\/tr>\n
Navajo War Dance No. 1,<\/em> op. 110 (for orchestra)<\/td>\n224<\/a><\/td>\n<\/tr>\n
Navajo War Dance No. 2,<\/em> op. 29 (for solo piano)<\/td>\n101<\/a><\/td>\n<\/tr>\n
Northern Song <\/em>(for solo piano)<\/td>\n92<\/a><\/td>\n<\/tr>\n
O Captain, My Captain,<\/em> op. 34 (for SATB voices and piano)<\/td>\n167<\/a><\/td>\n<\/tr>\n
Our Country,<\/em> op. 81 (for SATB voices and piano)<\/td>\n186<\/a><\/td>\n<\/tr>\n
Owasco Memories<\/em> (arranged for piano, violin, and violoncello)<\/td>\n138<\/a><\/td>\n<\/tr>\n
Owasco Memories,<\/em> op. 8 (for solo piano)<\/td>\n95<\/a><\/td>\n<\/tr>\n
Pageant of Darien, Conn.,<\/em> op. 40<\/td>\n206<\/a><\/td>\n<\/tr>\n
Pageant of Meriden, N. H.,<\/em> op. 39<\/td>\n204<\/a><\/td>\n<\/tr>\n
Pageant Scene,<\/em> op. 39 (for small orchestra)<\/td>\n231<\/a><\/td>\n<\/tr>\n
Palm Tree Daughters <\/em>(for solo piano)<\/td>\n133<\/a><\/td>\n<\/tr>\n
Pastorale (for solo piano)<\/td>\n127<\/a><\/td>\n<\/tr>\n
\u201cPetal Lips\u201d (for medium voice and piano)<\/td>\n57<\/a><\/td>\n<\/tr>\n
Pilgrimage Play, the Story of the Christ,<\/em> The,<\/em> op. 58 (for orchestra)<\/td>\n199<\/a><\/td>\n<\/tr>\n
Polytonal Studies,<\/em> op. 109 (for solo piano)<\/td>\n130<\/a><\/td>\n<\/tr>\n
\u201cPrairie Miniature\u201d from From Mesa and Plain,<\/em> op. 20 (arranged for woodwind quintet)<\/td>\n139<\/a><\/td>\n<\/tr>\n
Prelude and Fugue, op. 94 (for solo piano)<\/td>\n123<\/a><\/td>\n<\/tr>\n
Prelude to a Spiritual Drama,<\/em> op. 76 (for orchestra)<\/td>\n233<\/a><\/td>\n<\/tr>\n
\u201cPriestess Rose\u201d (for voice and piano)<\/td>\n85<\/a><\/td>\n<\/tr>\n
Primavera,<\/em> La,<\/em> op. 56a (for SATB voices and piano)<\/td>\n176<\/a><\/td>\n<\/tr>\n
\u201cPurple Lupine,\u201d op. 86, no. 4 (arranged for cello and piano by Richard Clayton)<\/td>\n153<\/a><\/td>\n<\/tr>\n
Quintet in E Minor, op. 103 (for piano and strings)<\/td>\n145<\/a><\/td>\n<\/tr>\n
\u201cRegrets\u201d (for solo piano)<\/td>\n90<\/a><\/td>\n<\/tr>\n
Romance <\/em>(for solo piano)<\/td>\n93<\/a><\/td>\n<\/tr>\n
Rudolph Gott Symphony,<\/em> op. 95<\/td>\n223<\/a><\/td>\n<\/tr>\n
Scene from the Inferno,<\/em> op. 85 (for orchestra and non-singing chorus)<\/td>\n203<\/a><\/td>\n<\/tr>\n
\u201cSea of Sunset, The,\u201d op. 26 (for voice and piano)<\/td>\n37<\/a><\/td>\n<\/tr>\n
Sea Vision,<\/em> op. 36 (for high voice and piano)<\/td>\n44<\/a><\/td>\n<\/tr>\n
\u201cSister Beatrice\u201d [incidental music?]<\/td>\n\u2014<\/td>\n<\/tr>\n
Soldier, Soldier,<\/em> op. 53 (for baritone and piano)<\/td>\n49<\/a><\/td>\n<\/tr>\n
Sonata for Piano, op. 113 (for solo piano)<\/td>\n132<\/a><\/td>\n<\/tr>\n
Sonata for Violin and Piano, op. 80<\/td>\n152<\/a><\/td>\n<\/tr>\n
Sonata for Violoncello and Piano, op. 116<\/td>\n158<\/a><\/td>\n<\/tr>\n
Sonata in G Minor, op. 86 (for solo violin)<\/td>\n156<\/a><\/td>\n<\/tr>\n
Sonata, op. 6 (for solo piano)<\/td>\n94<\/a><\/td>\n<\/tr>\n
Song Flight,<\/em> op. 61 (for violin and piano)<\/td>\n150<\/a><\/td>\n<\/tr>\n
\u201cSong of the Holy Virgin,\u201d op. 60 (for contralto and piano)<\/td>\n55<\/a><\/td>\n<\/tr>\n
\u201cSonnet to a City,\u201d op. 64 (for voice and piano)<\/td>\n56<\/a><\/td>\n<\/tr>\n
Spanish Songs of Old California,<\/em> op. 59<\/td>\n54<\/a><\/td>\n<\/tr>\n
Studies Toward a National Anthem<\/em> (for voice\/s and piano)<\/td>\n192<\/a><\/td>\n<\/tr>\n
Suite for Flute and Piano, op. 114<\/td>\n157<\/a><\/td>\n<\/tr>\n
Suite for Grand Orchestra<\/em><\/td>\n217<\/a><\/td>\n<\/tr>\n
Symbolistic Hymn on March! March!<\/em> op. 49 (for orchestra)<\/td>\n228<\/a><\/td>\n<\/tr>\n
Symbolistic Study No. 1, \u201cToward the Dream,\u201d<\/em> op. 16 (for solo piano)<\/td>\n97<\/a><\/td>\n<\/tr>\n
Symbolistic Study No. 2, \u201cPerhelion,\u201d<\/em> op. 17 (for solo piano)<\/td>\n102<\/a><\/td>\n<\/tr>\n
Symbolistic Study No. 3, \u201cOnce I Passed Through a Populous City,\u201d<\/em> op. 18 (for orchestra)<\/td>\n221<\/a><\/td>\n<\/tr>\n
Symbolistic Study No. 4, \u201cWa-Wan,\u201d<\/em> op. 24 (for solo piano)<\/td>\n106<\/a><\/td>\n<\/tr>\n
Symbolistic Study No. 5,<\/em> op. 25 (for orchestra)<\/td>\n222<\/a><\/td>\n<\/tr>\n
Symbolistic Study No. 6, \u201cMountain Vision,\u201d<\/em> op. 37 (for orchestra)<\/td>\n226<\/a><\/td>\n<\/tr>\n
Symbolistic Study No. 7, \u201cChild Roland to the Dark Tower Came\u201d<\/em><\/td>\n\u2014<\/td>\n<\/tr>\n
Symphonic Song on Old Black Joe,<\/em> op. 67 (for orchestra and audience)<\/td>\n184<\/a><\/td>\n<\/tr>\n
Ten Emily Dickinson Songs,<\/em> op. 108 (for voice and piano)<\/td>\n76<\/a><\/td>\n<\/tr>\n
\u201cThou\u2019rt Like Unto a Tender Flower\u201d (for voice and piano)<\/td>\n26<\/a><\/td>\n<\/tr>\n
Three Desert Songs,<\/em> op. 74 (for voice and piano)<\/td>\n62<\/a><\/td>\n<\/tr>\n
Three Emily Dickinson Songs,<\/em> op. 112 (for voice and piano)<\/td>\n82<\/a><\/td>\n<\/tr>\n
Three Indian Songs,<\/em> op. 32 (for SATB voices and piano)<\/td>\n39<\/a><\/td>\n<\/tr>\n
Three Patriotic Songs <\/em>(for medium voice and piano)<\/td>\n77<\/a><\/td>\n<\/tr>\n
Three Poems by Percy Bysshe Shelley,<\/em> op. 43 (for voice and piano)<\/td>\n46<\/a><\/td>\n<\/tr>\n
Three School Choruses,<\/em> op. 62 (for chorus and piano)<\/td>\n181<\/a><\/td>\n<\/tr>\n
Three Songs for Community Singing,<\/em> op. 48 (for voices and accompaniment)<\/td>\n172<\/a><\/td>\n<\/tr>\n
Three Songs for Medium Voice,<\/em> op. 69 (for voice and piano)<\/td>\n59<\/a><\/td>\n<\/tr>\n
Three Songs for Soprano,<\/em> op. 56<\/td>\n52<\/a><\/td>\n<\/tr>\n
Three Songs from Caliban for Medium Voice,<\/em> op. 47a<\/td>\n171<\/a><\/td>\n<\/tr>\n
Three Songs,<\/em> op. 3 (for voice and piano)<\/td>\n29<\/a><\/td>\n<\/tr>\n
Three Songs,<\/em> op. 54 (for voice and piano)<\/td>\n51<\/a><\/td>\n<\/tr>\n
To Morfydd<\/em> (for oboe and piano)<\/td>\n148<\/a><\/td>\n<\/tr>\n
Tone Pictures After Pastels in Prose,<\/em> op. 7 (for solo piano)<\/td>\n91<\/a><\/td>\n<\/tr>\n
\u201cTransfiguration,\u201d op. 5 (for mezzo-soprano and piano)<\/td>\n31<\/a><\/td>\n<\/tr>\n
Twelve Emily Dickinson Songs,<\/em> op. 105 (for voice and piano)<\/td>\n73<\/a><\/td>\n<\/tr>\n
Two A Capella Choruses<\/em>, op. 11 (for SSAATTBB choir)<\/td>\n194<\/a><\/td>\n<\/tr>\n
Two Choruses,<\/em> op. 10 (for SATB voices and accompaniment)<\/td>\n159<\/a><\/td>\n<\/tr>\n
Two Compositions for Piano, op. 93<\/td>\n120<\/a><\/td>\n<\/tr>\n
Two Emily Dickinson Poems,<\/em> op. 73 (for voice and piano)<\/td>\n61<\/a><\/td>\n<\/tr>\n
Two Little Poems for Piano,<\/em> op. 106<\/td>\n128<\/a><\/td>\n<\/tr>\n
Two Poems by Emily Dickinson,<\/em> op. 66 (for voice and piano)<\/td>\n58<\/a><\/td>\n<\/tr>\n
Two Poems for Pianoforte,<\/em> op. 45<\/td>\n109<\/a><\/td>\n<\/tr>\n
Two Poems for Pianoforte, op. 82<\/td>\n115<\/a><\/td>\n<\/tr>\n
Two Shelley Songs, <\/em>op. 72 (for voice and accompaniment)<\/td>\n60<\/a><\/td>\n<\/tr>\n
Two Songs for Medium Voice,<\/em> op. 59a (for medium voice and piano)<\/td>\n32<\/a><\/td>\n<\/tr>\n
Two Songs on Poems by William Blake,<\/em> op. 88 (for voice\/s and piano)<\/td>\n64<\/a><\/td>\n<\/tr>\n
Two Tone-Pictures for Piano, op. 104 (for solo piano)<\/td>\n124<\/a><\/td>\n<\/tr>\n
\u201cTyger, The,\u201d op. 98 (for voice and piano)<\/td>\n68<\/a><\/td>\n<\/tr>\n
United Nations Anthem <\/em>(for SATB voices and accompaniment)<\/td>\n193<\/a><\/td>\n<\/tr>\n
\u201cUp and Away!\u201d (for voice\/s and piano)<\/td>\n50<\/a><\/td>\n<\/tr>\n
\u201cUp on the Trail\u201d (for voice and piano)<\/td>\n41<\/a><\/td>\n<\/tr>\n
Vale of Enitharmon,<\/em> op. 91 (for solo piano)<\/td>\n119<\/a><\/td>\n<\/tr>\n
Wanderer\u2019s Night Song,<\/em> op. 27 (for TTBB quartet with rehearsal piano)<\/td>\n162<\/a><\/td>\n<\/tr>\n
What\u2019s In an Octave?<\/em> op. 84 (for solo piano)<\/td>\n117<\/a><\/td>\n<\/tr>\n
\u201cWunct in My Saddle\u201d (for voice)<\/td>\n42<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

\u2190 ARTHUR FARWELL COLLECTION<\/a><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text]   TITLE INDEX This index provides a cross reference between the main titles of Farwell’s works and the Culbertson (C) numbers by which the collection is arranged. It does not include titles from individual movements or songs within compositions. [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text] Title C Number \u201cA Soldier\u2019s Explanation\u201d (for voice and piano) 78 Academic Overture \u201cCornell,\u201d […]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":1165,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template_Finding_Aids.php","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-6742","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/6742","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=6742"}],"version-history":[{"count":0,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/6742\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1165"}],"wp:attachment":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=6742"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=6742"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=6742"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}