{"id":6680,"date":"2020-11-16T16:58:55","date_gmt":"2020-11-16T21:58:55","guid":{"rendered":"https:\/\/www.esm.rochester.edu\/sibley\/?page_id=6680"},"modified":"2020-11-16T16:58:55","modified_gmt":"2020-11-16T21:58:55","slug":"ser10-14","status":"publish","type":"page","link":"https:\/\/www.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/afarwell\/ser10-14\/","title":{"rendered":"ARTHUR FARWELL COLLECTION"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text css=&#8221;.vc_custom_1606168287391{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<h3><a id=\"S10\"><\/a>Series 10: Research Papers<\/h3>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 45&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1605635747017{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Kirk, Edgar (Correspondence).<br \/>\nAndrews, Marguerite (Executive Director, Third Street Music School Settlement), to Edgar Kirk. 1 letter (typescript); dated May 25, 1955. 1 p.<br \/>\nBehrend, Jeanne, to Edgar Kirk. 3 letters (2 ink, 1 typescript), 1 postcard (ink); dated October 20, 1954; October 26, 1954; December 13, 1954; December 20, 1954. 4 pp.<br \/>\nBarton, Howard R, to Edgar Kirk. 1 letter (ink); dated June 11, 1955. 2 pp.<br \/>\nBlanchard, Ednah (Secretary, Department of Electrical Engineering, Massachusetts Institute of Technology), to Edgar Kirk. 3 letters (3 typescript); dated November 26, 1954; March 4, 1955; April 6, 1955. 3 pp.<br \/>\nBorland, Eileen (MIT Library), from Edgar Kirk. 1 letter (typescript); dated May 29, 1955. 1 p. Response from Eileen Borland typescript in red ink; dated June 1, 1955.<br \/>\nBradford, E. F. (Registrar, Cornell University), to Edgar Kirk. 1 letter (typescript); dated June 24, 1955. 1 p.<br \/>\nBuchanan, L. B. (Stone &amp; Webster Service Corporation), to Edgar Kirk. 1 letter (typescript); dated June 2, 1955. 2 pp.<br \/>\nCodman, John S., to Edgar Kirk. 1 letter (ink); dated June 1, 1955. 2 pp.<br \/>\nFiske, Vocha, to Edgar Kirk. 3 letters (3 typescript, with annotations in ink and colored pencil); dated June 10, 1956; June 27, 1956; June 27, 1956. 4 pp.<\/p>\n<ul>\n<li>Correspondence accompanied by manuscript note: \u201cFiske &amp; Pilg. Play.\u201d 1 p.<\/li>\n<li>Letters dated June 27, 1956, accompanied by typescript notes, with annotations in colored pencil. 1 p.<\/li>\n<\/ul>\n<p>Hackett, Margaret (Reference Department, Library of the Boston Athenaeum), to Edgar Kirk. 1 letter (typescript); dated April 24, 1956. 1 p.<br \/>\nHamilton, Gordon C. (Secretary, The Players), to Edgar Kirk. 1 letter (typescript); dated May 26, 1955. 1 p.<br \/>\nHeale, Evelina C., to Edgar Kirk. 1 letter (ink); dated May 25. 2 pp.<br \/>\nHenderson, William M. (Executive Secretary, Delta Kappa Epsilon), to Edgar Kirk. 1 letter (typescript); dated June 7, 1955. 1 p.<br \/>\nHensley, Richard G. (Chief Librarian, Division of Reference and Research Services, Boston Public Library), to Edgar Kirk. 1 letter (typescript); dated April 14, 1956. 1 p.<br \/>\nIrish, John W., to Edgar Kirk. 1 letter (ink); dated August 21, 1956. 2 pp.<br \/>\nKirkpatrick, John (Department of Music, Cornell University), to Edgar Kirk. 1 letter (typescript); dated October 13, 1954. 1 p.<br \/>\nKeyes, Frederic, to Edgar Kirk. 1 letter (ink); dated June 10, 1955. 1 p.<br \/>\nLichtenwanger, William (Assistant Reference Librarian, Library of Congress), to Edgar Kirk. 3 letters (3 typescript); dated August 2, 1954; September 10, 1954; October 22, 1954. 4 pp.<br \/>\nMcNamara, Daniel I. (Director of Public Relations, ASCAP), to Edgar Kirk. 1 letter (typescript); dated May 26, 1955. 1 p.<br \/>\nPerry, Henry L. (Membership Records, Bohemian Club), to Edgar Kirk. 1 letter (typescript); dated June 13, 1955. 1 p.<br \/>\nPevear, Arthur S. (Fairfield &amp; Ellis Insurance), to Edgar Kirk. 1 letter (typescript); dated June 24, 1955. 1 p.<br \/>\nShepherd, Arthur, to Edgar Kirk. 3 letters (3 typescript); dated November 14, 1954; June 7, 1955; May 4, 1956. 6 pp.<br \/>\nSchuster, Sascha, to Edgar Kirk. 1 letter (typescript); dated December 28, 1954. 1 p.<br \/>\nSmith, Eva (Reference Librarian, St. Paul Public Library), to Edgar Kirk. 1 letter (typescript); dated June 3, 1955. 1 p.<br \/>\nStones, Elleine H. (Chief, Burton Historical Collection, Detroit Public Library), to Edgar Kirk. 1 letter (typescript); dated October 26, 1954. 2 pp.<br \/>\nTemperley, John, to Edgar Kirk. 1 letter (ink); dated October 16, 1956. 4 pp.<br \/>\nThomas, Percy, to\/from Edgar Kirk. 1 letter (typescript); dated May 29, 1955. Response from Percy Thomas written below original letter (ink); dated June 1, 1955.<br \/>\nWalden, Carol (Librarian, New England Conservatory of Music), to Edgar Kirk. 1 letter (typescript); dated April 25, 1956. 2 pp.<br \/>\nWaters, Edward N. (Assistant Chief, Library of Congress), to Edgar Kirk. 1 letter (typescript); dated October 12, 1954. 1 p.<br \/>\nWhiston, William C., to Edgar Kirk. 1 letter (typescript); dated June 2, 1955. 1 p.<br \/>\nBatchelder, Ernest A., to Richard M. Loucks. 1 letter (typescript); dated January 6, 1955. 1 p.<\/p>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td style=\"vertical-align: top\">Kirk, Edgar (Research Materials).<br \/>\nTranscriptions of correspondence from Arthur Farwell to Jeanne [Behrend] (typescript, with annotations in ink). 5 pp.<\/p>\n<ul>\n<li>Includes letters dated December 8, 1949; May 17, 1950; June 17, 1947; June 22, 1950; July 14, 1950; August 9, 1950.<\/li>\n<\/ul>\n<p>Transcriptions of correspondence from Arthur Farwell to [Arthur] Shepherd (typescript, with annotations in pencil and ink). 11 pp. Pages numbered 1-5 and 9-14.<\/p>\n<ul>\n<li>Accompanied by manuscript note: \u201cA. Shepherd to AF.\u201d 1 p.<\/li>\n<li>Includes letters dated July 18, 1905 (06?); August 26; September 15, 1906; September 24; undated; undated; January 9; Christmas Day 1907; undated; June 7, 1905; June 30, 1905; June 1905; August 31, 1905; October 12, 1907; September 17, 1907; October 2, 1907.<\/li>\n<\/ul>\n<p>\u201cThe Farwells, by Ernestine Mears January 1955.\u201d Facsimile of typescript document. 3 pp.<br \/>\nBiographies and obituaries for Arthur Farwell. Typescript transcriptions, with annotations in ink and colored pencil. 7 pp. Accompanied by manuscript note: \u201cBiographies, obits.\u201d 1 p.<br \/>\n\u201cTeresa Cloud.\u201d Summary of telephone conversation between Teresa Cloud and Dick [Loucks] (typescript, with annotations in ink and colored pencil); dated December 21, 1954. 1 p.<br \/>\nResearch notes from Dick [Loucks] to Edgar Kirk (typescript, with annotations in pencil and colored pencil); dated December 27, 1954. 8 pp.<br \/>\n\u201cFarwell. UCLA Library.\u201d Research notes [from Dick Loucks] (typescript). 1 p.<br \/>\n\u201cWalter A. Allen.\u201d Research notes [from Dick Loucks] (typescript, with annotation in colored pencil); dated December 31, 1954. 1 p.<br \/>\n\u201cFarwell.\u201d Research notes from\u00a0<em>Hollywood Bowl,<\/em>\u00a0by Isabel Morse Jones (Los Angeles, CA: G. Schirmer, 1936) [from Dick Loucks] (typescript, with annotations in ink); undated. 3 pp.<br \/>\nManuscript note summarizing contents for use in microfilm duplication (ink). 1 p.<\/p>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td style=\"vertical-align: top\">Culbertson, Evelyn (AF Correspondence).<br \/>\nFacsimiles of correspondence between Arthur Farwell and various individuals. Includes:<\/p>\n<ul>\n<li>De Golier, Ralph J., to Arthur Farwell. Facsimile of 1 letter (manuscript); dated May 28. 1 p.<\/li>\n<li>Farwell, Sara, from Arthur Farwell. Facsimiles of 8 letters (manuscript); dated May 5, 1946; December 3, 1946; January 19, 1947; May 4, 1947; July 6, 1947; [July 6, 1947] (incomplete); October 5, 1947; 1 undated (incomplete). 29 pp.<\/li>\n<li>Humperdinck, Engelbert, to Arthur Farwell. Facsimile of 1 letter (manuscript); dated September 8, 1911. 1 p.<\/li>\n<li>Patton, Beatrice, to Arthur Farwell. Facsimiles of 3 letters (2 manuscript, 1 typescript); dated February 2, 1944; November 2, 1944; January 3, 1946. 4 pp.<\/li>\n<li>Osborne, Thomas M. (Commissioner, State of New York Forest, Fish, and Game Commission), to William Gaynor (Mayor, New York, NY). Facsimile of 1 letter (typescript); dated April 18, 1911. 2 pp.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Culbertson, Evelyn (Other Correspondence).<br \/>\n[Farwell], Bea[trice], to Brice [Farwell]. 1 note (ink); dated October 28. 1 p.<\/p>\n<ul>\n<li>Accompanied by facsimile of press clipping (\u201cLondon Diary for October,\u201d\u00a0<em>Musical Times<\/em>); dated September 1980. 1 p.<\/li>\n<\/ul>\n<p>Farwell, Brice and Ruth, to Fran and Em. 1 letter (typescript); dated March 11, 1976. 1 p.<\/p>\n<ul>\n<li>Accompanied by facsimile of concert program (National Gallery of Art); dated April 4, 1976. 1 p.<\/li>\n<\/ul>\n<p>Farwell, Sara, to Mr. and Mrs. Hoeschler. 1 letter (typescript); dated August 24, 1989. 1 p.<br \/>\nHaas, Karl, to Sarah Farwell. Facsimile of 1 letter (typescript); dated July 20, 1990. 1 p.<br \/>\n\u201cJan\u201d to Sara [Farwell]. 1 letter (typescript); undated. 1 p.<\/p>\n<ul>\n<li>Accompanied by:\n<ul>\n<li>Concert program (recital by Dawn Upshaw); undated. 2 pp. 2 copies.<\/li>\n<li>Press clipping (\u201cRecital: Dawn Upshaw, In Settings of Dickinson\u201d); undated [ca. 1988]. 1 p.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Culbertson, Evelyn (Research Materials).<br \/>\nExcerpts from Karl Krueger,\u00a0<em>The Musical Heritage of the United States: The Unknown Portion<\/em>\u00a0(New York: Society for the Preservation of the American Musical Heritage, 1973). Facsimiles of pp. 48-49, 210-213. 3 pp.<br \/>\nFacsimile of various research notes and materials (typescript); dated April 1974. 5 pp.<br \/>\n\u201cSong and Arthur Farwell.\u201d Typescript document; dated July 24, 1975. 1 p.<\/p>\n<ul>\n<li>Accompanied by:\n<ul>\n<li>Facsimile of press clipping (\u201cFarwell Work Unexplored\u201d); dated June 22, 1975. 1 p.<\/li>\n<li>Publicity circular, advertising radio broadcast; dated April 16, 1975. 1 p.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>Lowens, Irving, \u201cArthur Farwell: Rediscovering an American Original,\u201d\u00a0<em>High Fidelity Magazine<\/em>\u00a0(November 1978), pp. 100-102. 3 pp.<br \/>\nConcert flyer (announcing staged reading by Sara Farwell); dated April 22, 1944. 1 p.<br \/>\nExcerpt of untitled document (typescript, with annotations in ink); undated. 1 p.<\/p>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td style=\"vertical-align: top\">Culbertson, Evelyn (Publicity and Press Materials).<br \/>\nPublicity materials pertaining to performances of music by Arthur Farwell, including brochures, flyers, circulars, press clippings, and concert programs and facsimiles; dated between 1904 and Winter 1991; 6 undated. 39 items.<\/p>\n<ul>\n<li><em>Oversized items (5 press clippings) separated; see Box 48, Folder 17.<\/em><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7-8<\/strong><\/td>\n<td style=\"vertical-align: top\"><em>A Guide to the Music of Arthur Farwell and to the Microfilm Collection of His Work.<br \/>\n<\/em>Prepared by Brice Farwell, editor, with Beatrice Farwell, Sara Farwell Milbert, Emerson Farwell, Jonathan Farwell, and Cynthia Farwell Hensch. Issued in a limited edition (Briarcliff Manor, NY, 1972). 4 copies.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1606168322231{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<h3><a id=\"S11\"><\/a>Series 11: Microfilm Collection<\/h3>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 45 `{`cont.`}`&#8221; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1605635477695{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<p><a name=\"S1\"><\/a><\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>\u201cCatalog of the Microfilm Collection of the Music of Arthur Farwell.\u201d<br \/>\nFacsimile of typescript catalog compiled by Brice Farwell; dated 1975. 29 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 46&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1605635498526{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>item 1<\/strong><\/td>\n<td>\n<p>Microfilm Reel A.<br \/>\nContains larger musical compositions by Arthur Farwell, sequenced chronologically. Includes:<\/p>\n<ul>\n<li><em>Symbolistic Study No. 3, \u201cOnce I Passed Through a Populous City,\u201d<\/em>\u00a0 op.18. For orchestra.<\/li>\n<li><em>Symbolistic Study No. 6, \u201cMountain Vision,\u201d<\/em> op. 37. For piano with string orchestra and second piano.<\/li>\n<li>Music for the\u00a0<em>Pageant of Meriden, N. H.,<\/em> op. 39.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>item 2<\/strong><\/td>\n<td style=\"vertical-align: top\">\n<p>Microfilm Reel B.<br \/>\nContains larger musical compositions by Arthur Farwell, sequenced chronologically. Includes:<\/p>\n<ul>\n<li>Music for the\u00a0<em>Pageant of Darien, Conn.,<\/em> op. 40.<\/li>\n<li><em>The Evergreen Tree, <\/em>op<em>.<\/em>\u00a050. A Christmas masque for community singing and acting by Percy MacKaye.<\/li>\n<li><em>The Gods of the Mountain,<\/em> op. 68 [on score: op. 52]. Incidental music for the play by Lord Dunsany.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>item 3<\/strong><\/td>\n<td style=\"vertical-align: top\">\n<p>Microfilm Reel C.<br \/>\nContains larger musical compositions by Arthur Farwell, sequenced chronologically. Includes:<\/p>\n<ul>\n<li>Music for\u00a0<em>The Pilgrimage Play, the Story of the Christ,<\/em> op. 58.<\/li>\n<li><em>Spanish Songs of Old California, <\/em>op.\u00a059.<\/li>\n<li><em>Symphonic Hymn on \u201cMarch! March!\u201d<\/em> op. 49.<\/li>\n<li><em>Symphonic Song on Old Black Joe,<\/em> op. 67. For orchestra and audience.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>item 4<\/strong><\/td>\n<td>\n<p>Microfilm Reel D.<br \/>\nContains larger musical compositions by Arthur Farwell, sequenced chronologically. Includes:<\/p>\n<ul>\n<li><em>Grail Song,<\/em> op. 70. A masque for community singing, acting, and dancing.<\/li>\n<li><em>Mountain Song, op.<\/em>\u00a090.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>item 5<\/strong><\/td>\n<td>\n<p>Microfilm Reel E.<br \/>\nContains larger musical compositions by Arthur Farwell, sequenced chronologically. Includes:<\/p>\n<ul>\n<li><em>Rudolph Gott Symphony,<\/em> op. 95. For orchestra.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>item 6<\/strong><\/td>\n<td style=\"vertical-align: top\">\n<p>Microfilm Reel F.<br \/>\nContains larger musical compositions by Arthur Farwell, sequenced chronologically.<\/p>\n<ul>\n<li><em>Studies in Pure Polytonality.<\/em><\/li>\n<li><em>The Heroic Breed,<\/em> op. 115. For orchestra.<\/li>\n<li><em>Cartoon or Once Upon a Time Recently.<\/em>\u00a0An operatic fantasy of music in America in three acts.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>item 7<\/strong><\/td>\n<td style=\"vertical-align: top\">\n<p>Microfilm Reel G.<br \/>\nContains various concluding items, indexed in reel sequence. Includes:<\/p>\n<ul>\n<li><em>Cartoon or Once Upon a Time Recently.<\/em>\u00a0[cont.]<\/li>\n<li>Collected musical material, including sketches and drafts, labeled \u201cUnfinished Compositions.\u201d<\/li>\n<li>Lectures of Sara G. Farwell, as well as family records, etc.<\/li>\n<li>Research and correspondence compiled by Edgar L. Kirk.<\/li>\n<li>Lists of library holdings of music by Arthur Farwell.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>item 8<\/strong><\/td>\n<td style=\"vertical-align: top\">\n<p>Microfilm Reel 1.<br \/>\nContains musical compositions by Arthur Farwell, sequenced chronologically.<\/p>\n<ul>\n<li><em>See catalogues of the microfilm collection for full list of contents.<\/em><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>item 9<\/strong><\/td>\n<td>\n<p>Microfilm Reel 2.<br \/>\nContains musical compositions by Arthur Farwell, sequenced chronologically.<\/p>\n<ul>\n<li><em>See catalogues of the microfilm collection for full list of contents.<\/em><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>item 10<\/strong><\/td>\n<td style=\"vertical-align: top\">\n<p>Microfilm Reel 3.<br \/>\nContains musical compositions by Arthur Farwell, sequenced chronologically.<\/p>\n<ul>\n<li><em>See catalogues of the microfilm collection for full list of contents.<\/em><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>item 11<\/strong><\/td>\n<td style=\"vertical-align: top\">\n<p>Microfilm Reel 4.<br \/>\nContains Arthur Farwell\u2019s writings as well as background and related materials.<\/p>\n<ul>\n<li><em>See catalogues of the microfilm collection for full list of contents.<\/em><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>item 12<\/strong><\/td>\n<td style=\"vertical-align: top\">\n<p>Microfilm Reel 5.<br \/>\nContains Arthur Farwell\u2019s writings as well as background and related materials.<\/p>\n<ul>\n<li><em>See catalogues of the microfilm collection for full list of contents.<\/em><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>item 13<\/strong><\/td>\n<td>\n<p>Microfilm Reel 6.<br \/>\nContains images of materials housed at the New York Public Library.<\/p>\n<ul>\n<li><em>See catalogues of the microfilm collection for full list of contents.<\/em><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1606168346270{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<h3><a id=\"S12\"><\/a>Series 12: Ephemera<\/h3>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"S1\"><\/a><\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>item 14<\/strong><\/td>\n<td>Copyright stamp.<br \/>\nStamp: \u201cCopyright \u00a9 1975 by Betty Richardson Farwell, Brice Farwell, Arthur Bragdon Farwell, Beatrice Farwell, Sara Emerson Farwell, Emerson Farwell, Jonathan Kirkpatrick Farwell, Cynthia Farwell Hensch.\u201d 1 item.<\/p>\n<ul>\n<li><em>See Box 46, Folder 15 for accompanying note.<\/em><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 15<\/strong><\/td>\n<td>Note pertaining to copyright.<br \/>\nManuscript note from Brice Farwell concerning the copyright of materials (ink). 1 p.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1606168371205{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<h3><a id=\"S13\"><\/a>Series 13: Art Works<\/h3>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 47&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1605635051725{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<p><a name=\"S1\"><\/a><\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Visionary drawings.<br \/>\nIllustrations by Arthur Farwell (pencil and ink); undated. 10 items:<\/p>\n<ol>\n<li>\u201cVision of the Destroyer. First sketch, Sa Ch. X.\u201d [Illustration of an angel with a sword descending over a rural landscape.] Pencil. 1 p.\n<ul>\n<li><em>See also Box 43, Sleeve 11, for negative.<\/em><\/li>\n<\/ul>\n<\/li>\n<li>\u201cThe Rod and the Staff.\u201d Pencil. 1 p.<\/li>\n<li>\u201cThe Stepping Stone. See Chapter VIII.\u201d [Illustration of a man walking on two stepping stones over water.] Pencil. 1 p.<\/li>\n<li>\u201cBlack Magic.\u201d [Illustration of a wooden fabrication suspended in the sky.] Pencil. 1 p.<\/li>\n<li>\u201cLaw and Personality. First drawing. Sa Ch. XIV.\u201d [Illustration of two books.] Pencil. 1 p.<\/li>\n<li>\u201cThe Crystal Sphere. First drawing. (See Ch. XIV).\u201d [Illustration of a circle depicting various scenes with people.] Pencil. 1 p.\n<ul>\n<li><em>See also Box 43, Sleeve 21, for negative of similar image.<\/em><\/li>\n<\/ul>\n<\/li>\n<li>\u201cThe Airplane.\u201d [Illustration of a man sitting on a biplane in a forest.] Pencil. 1 p.<\/li>\n<li>\u201cAsk.\u201d [Illustration of two hands, clasped.] Pencil. 1 p.<\/li>\n<li>\u201cThe Serpentine Dance. 1.\u201d [Illustration of a group of people forming a wall at the outskirts of a forest.] Ink. 1 p.<\/li>\n<li>Untitled illustration of a group of humanoid beings with multiple limbs dancing with various instruments. Ink. 1 p.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td style=\"vertical-align: top\">Sketches.<br \/>\nVarious sketches (pencil). 19 pp.<\/p>\n<ul>\n<li>Includes duplicate facsimile (preservation copy) of 1 sketch. 2 pp.<\/li>\n<\/ul>\n<p>Facsimiles of sketches and drawings. 5 pp.<\/p>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td style=\"vertical-align: top\">Lithograph illustrations for book on intuition [1].<br \/>\n\u201cUp!\u201d [Illustration of a finger pointing in darkness.] Lithograph print of illustration from pencil drawing, for Chapter XV. 1 p.<br \/>\n[\u201cHumanity at a Standstill.\u201d] Illustration of a throng of people next to the wall of a tall building. Lithograph print. 1 p.<\/p>\n<ul>\n<li><em>See also Box 48, Folder 1, Illustration 3, for pencil drawing.<\/em><\/li>\n<\/ul>\n<p>\u201cThe Hands of the Spirit Working in the Darkness of the World.\u201d [Illustration of two hands reaching down from the sky.] Lithograph print of illustration from pencil drawing, for Chapter XV. 1 p. 4 copies.<\/p>\n<ul>\n<li><em>See also Box 48, Folder 1, Illustration 17, for pencil drawing.<\/em><\/li>\n<\/ul>\n<p>[\u201cThe Organ.\u201d] Illustration of two men in a stone building looking at a vision appearing in the sky. Lithograph print of illustration from pencil drawing. 1 p.<\/p>\n<ul>\n<li><em>See also Box 48, Folder 1, Illustration 7, for pencil drawing.<\/em><\/li>\n<\/ul>\n<p>[\u201cWork.\u201d] Illustration of a group of people building wooden frames for houses. Lithograph print of illustration. 1 p. 2 copies.<\/p>\n<ul>\n<li><em>See also Box 48, Folder 1, Illustration 9, for pencil drawing.<\/em><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Lithograph illustrations for book on intuition [2].<br \/>\n[\u201cAbundance.\u201d] Illustration of groups of people eating at long tables inside a building. Lithograph print of illustration from pencil drawing, labeled \u201cPlate XII.\u201d 1 p. 9 copies.<\/p>\n<ul>\n<li><em>See also Box 48, Folder 1, Illustration 8, for pencil drawing.<\/em><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Lithograph illustrations for book on intuition [3].<br \/>\n[\u201cCataclysm.\u201d] Illustration of people watching an angel of destruction. Lithograph print of illustration. 1 p. 11 copies.<\/p>\n<ul>\n<li><em>See also Box 48, Folder 1, Illustration 4, for pencil drawing.<\/em><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td style=\"vertical-align: top\">Lithograph illustrations for book on intuition [4].<br \/>\n\u201cThe Hand of the Unknown.\u201d [Illustration of two arms emerging out of the sea.] Lithograph print of illustration. 1 p. 14 copies. Annotation on copy 1: \u201coriginal not in collection.\u201d<\/p>\n<ul>\n<li><em>See also Box 43, Sleeve 8, for negative.<\/em><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1606168396789{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<h3><a id=\"S14\"><\/a>Series 14: Oversized<\/h3>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1605892095499{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<p><em><span style=\"font-size: 16px\"><a id=\"S14sA\"><\/a>Sub-series A: Oversized Music<\/span><\/em><\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 48\/2<\/strong><\/td>\n<td>C27. Early Songs without opus numbers.<br \/>\n<em>Separated from Box 1, Folder 3:<br \/>\n<\/em>Press clipping (\u201cLandscape and Letters: On Wenlock Edge\u201d); dated March 9, 1933. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 48\/18<\/strong><\/td>\n<td style=\"vertical-align: top\">C130. <em>Polytonal Studies,<\/em> op. 109. For solo piano. [Manuscript sketches.]<br \/>\n<em>Separated from Box 3, Folder 36:<br \/>\n<\/em>\u201cPolytonality Vocabulary and Progression.\u201d Manuscript sketches (pencil, ink, and colored pencil). 4 pp<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 48\/9<\/strong><\/td>\n<td style=\"vertical-align: top\">C209. <em>The Evergreen Tree,<\/em> op. 50. A Christmas masque for community singing and acting by Percy MacKaye. [Manuscript scores and parts.]<br \/>\n<em>Separated from Box 9, Folder 1:<br \/>\n<\/em>\u201c<em>The Evergreen Tree,<\/em> some scores.\u201d Includes:<\/p>\n<ul>\n<li>\u201cNo. 8. The Might of Herod.\u201d For band and men\u2019s chorus. Full score. Fair copy (ink), with performance markings in colored pencil; undated. 13 pp. of music. Accompanied by manuscript note: \u201ccut to p. 10.\u201d 1 p.<\/li>\n<li>\u201cNo. 9. The Wrath of Herod.\u201d For band and SATB chorus and men\u2019s chorus. Full score. Fair copy (ink); undated. 3 pp. of music.<\/li>\n<li>\u201cNo. 20. Chorus of the Tree, Part II.\u201d For band and SATB chorus and men\u2019s chorus. Full score. Fair copy (ink); undated. 1 title page, 6 pp. of music.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 48\/10<\/strong><\/td>\n<td>C214. <em>The March of Man,<\/em> op. 71. [Production matter.]<br \/>\n<em>Separated from Box 10, Folder 4:<br \/>\n<\/em>Production personnel, synopsis, and script for <em>The March of Man.<\/em> Typescript, with annotations in pencil and colored pencil and manuscript notes interleaved; dated 1925. 29 pp.<br \/>\nTypescript script, with production notes for lighting and sound in pencil and ink; undated. 15 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 47\/7<\/strong><\/td>\n<td>C233. <em>Prelude to a Spiritual Drama,<\/em> op. 76.<br \/>\n<em>Separated from Series 1 (Music by Farwell), Box 18, Folder 6.<br \/>\n<\/em>Title page. Ozalid manuscript. 1 p.<br \/>\nInstrumental parts: violin I, violin II, viola, cello, bass. Ozalid manuscript. 22 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1605892118193{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<p><em><span style=\"font-size: 16px\"><a id=\"S14sB\"><\/a>Sub-series B: Oversized Performance Materials<\/span><\/em><\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 48\/11<\/strong><\/td>\n<td>Programs, 1911-22.<br \/>\n<em>Separated from Box 21, Folder 1:<br \/>\n<\/em>Concert flyer (<em>The Pilgrimage Play<\/em>); dated July 1921. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 47\/8<\/strong><\/td>\n<td style=\"vertical-align: top\">Programs, undated.<br \/>\n<em>Separated from Series 3 (Performance Materials), Box 21, Folder 12 (\u201cPrograms, undated.\u201d).<br \/>\n<\/em>Concert poster advertising recital by Lemare combined with Arthur Farwell\u2019s <em>Chant of Victory<\/em>; undated (\u201cJuly 6\u201d). 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 48\/3<\/strong><\/td>\n<td style=\"vertical-align: top\">New York Community Chorus: performance\/production materials.<br \/>\n<em>Separated from Box 21, Folder 15.<br \/>\n<\/em>Press clippings pertaining to the \u201cSong and Light\u201d Festival; dated September 23, 1916; [1917]. 4 pp<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 48\/6<\/strong><\/td>\n<td>Theater of the Stars: performance\/production materials.<br \/>\n<em>Separated from Series 3 (Performance Materials):<br \/>\n<\/em>\u201cA brief definitive statement of purpose by Arthur Farwell.\u201d Typescript document pertaining to the Theater of the Stars; undated. 1 p. Document enclosed in plastic.<br \/>\nConcert programs (Theater of the Stars) and facsimiles; dated June 1925; August 1925; September 1925. 3 programs. 2 copies of program dated August 1925.<br \/>\nPress clippings pertaining to the Theater of the Arts; dated September 12, 1925; November 21, 1925. 3 pp. 2 copies of press clipping dated September 12, 1925.<br \/>\n<em>Accompanying item (correspondence from Marjorie Dodge) separated; see Box 33, Folder 40.<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1605892148015{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<p><em><span style=\"font-size: 16px\"><a id=\"S14sC\"><\/a>Sub-series C: Oversized Literary Works<\/span><\/em><\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"S1\"><\/a><\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Oversized<br \/>\nIconography<br \/>\nShelf B6<\/strong><\/td>\n<td style=\"vertical-align: top\">[Lectures on Opera.] [Drafts and notes.]<br \/>\n<em>Separated from Box 22, Folder 27:<br \/>\n<\/em>Chart of operas by American composers (pencil); undated. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 47\/9<\/strong><\/td>\n<td>\u201cMusic for the People\u201d (1914).<br \/>\n<em>Separated from Box 22, Folder 30.<br \/>\n<\/em>\u201cMusic for the People.\u201d Typescript lecture for the Canadian Club Meeting, No. 24 (March 21, 1914), with annotations in pencil and ink. 22 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 48\/4<\/strong><\/td>\n<td style=\"vertical-align: top\">[Notes on Musical Subjects.]<br \/>\n<em>Separated from Box 22, Folder 36.<br \/>\n<\/em>Manuscript document, untitled (pencil); undated. 23 pages. Pages numbered 1-8 and 22A-34A. First line: \u201cIt has already become apparent that if music is to enter a new evolutionary cycle\u2026\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 48\/5<\/strong><\/td>\n<td style=\"vertical-align: top\">[Poems.]<br \/>\n<em>Separated from Box 23, Folder 3:<br \/>\n<\/em>Poems and drafts of poems attributed to Arthur Farwell. Includes:<\/p>\n<ul>\n<li>\u201cThe Circle.\u201d Typescript poem; undated. 3 pp.<\/li>\n<li>\u201cIn Kentucky Stood a Cabin.\u201d Poem, from press clipping (from the <em>Oxford Leader<\/em>), dated February 9, 1967. 1 p.<\/li>\n<li>Untitled manuscript notes (pencil); undated. 4 pp. Duplicate facsimile (preservation copy) of notes. 4 pp.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 47\/10<\/strong><\/td>\n<td style=\"vertical-align: top\">\u201cSafe and Sane Fourth of July.\u201d<br \/>\n<em>Separated from Series 4 (Literary Works), Sub-series A (Works by Arthur Farwell), Box 23, Folder 7.<br \/>\n<\/em>\u201cA Safe and Sane Fourth.\u201d Draft of essay (pencil); dated \u201caround 1914.\u201d 27 pp. Copy 2 (duplicate facsimile\/preservation copy). 27 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 47\/11<\/strong><\/td>\n<td>[Untitled essay on great liberation.]<br \/>\n<em>Separated from Series 4 (Literary Works), Sub-series A (Works by Arthur Farwell), Box 23, Folder 10.<br \/>\n<\/em>Untitled essay (typescript and pencil); undated. 13 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 47\/12<\/strong><\/td>\n<td style=\"vertical-align: top\">\u201cThe Science of Intuition.\u201d [Publicity materials.]<br \/>\n<em>Separated from Series 4 (Literary Works), Sub-series A (Works by Arthur Farwell), Box 24, Folder 1.<br \/>\n<\/em>Flyer announcing lecture by Arthur Farwell (\u201cThe Science of Intuition\u201d). 2 pp. 6 copies.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 47\/13<\/strong><\/td>\n<td>\u201cPoems (for songs).\u201d<br \/>\n<em>Separated from Series 4 (Literary Works), Sub-series B (Works by Other Authors), Box 29, Folder 18.<br \/>\n<\/em>Untitled poem (pencil); undated. 1 p. First line: \u201cMy thoughts went out to her nightly\u2026\u201d<\/p>\n<ul>\n<li>Duplicate facsimile (preservation copy). 1 p.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1605892167769{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<p><em><span style=\"font-size: 16px\"><a id=\"S14sD\"><\/a>Sub-series D: Oversized Traditional Music Studies<\/span><\/em><\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"S1\"><\/a><\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 48\/7<\/strong><\/td>\n<td>Folk songs. [Notes and texts.]<br \/>\n<em>Separated from Box 30, Folder 5:<br \/>\n<\/em>Press clipping (\u201cThe Joe Bowers Myth\u201d); undated. 1 p.<\/p>\n<ul>\n<li>Duplicate facsimile (preservation copy). 1 p.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 48\/8<\/strong><\/td>\n<td>Spanish California songs [1].<br \/>\n<em>Separated from Box 30, Folder 8:<br \/>\n<\/em>\u201cSongs for \u2018Primavera.\u2019\u201d Collection of song texts (typescript), with annotations in pencil and colored pencil; undated. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 48\/16<\/strong><\/td>\n<td>Spanish California songs [1].<br \/>\n<em>Separated from Box 30, Folder 8:<br \/>\n<\/em>Press clipping (\u201cEarly California Life of Don Antonio and Do\u00f1a Mariana Coronel\u201d); undated. 1 p.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1605892187341{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<p><em><span style=\"font-size: 16px\"><a id=\"S14sE\"><\/a>Sub-series E: Oversized Personal Papers<\/span><\/em><\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"S1\"><\/a><\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 47\/14<\/strong><\/td>\n<td>\u201cArchaeological Institute of America.\u201d<br \/>\n<em>Separated from Series 6 (Personal Papers), Box 32, Folder 1.<br \/>\n<\/em>Membership certificate for the Southwest Society of the Archaeological Institute of America; dated January 1, 1905. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 48\/12<\/strong><\/td>\n<td>Bohemian Club.<br \/>\n<em>Separated from Box 32, Folders 3-4:<br \/>\n<\/em>Posters and publicity materials for the Bohemian Club, San Francisco, CA; dated between May 1, 1941, and December 13, 1951; 7 undated. 23 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Oversized<br \/>\n<\/strong> <strong>Iconography<br \/>\n<\/strong><strong style=\"font-family: inherit\">Shelf B6<\/strong><\/td>\n<td>Bohemian Club.<br \/>\n<em>Separated from Box 32, Folders 3-4<br \/>\n<\/em>Posters and publicity materials for the Bohemian Club, San Francisco, CA; dated<br \/>\nApril 30, 1942; 1 undated. 2 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 48\/13<\/strong><\/td>\n<td>Clippings.<br \/>\n<em>Separated from Box 32, Folder 6.<br \/>\n<\/em>Newspaper clippings and facsimiles; dated between [1919] and January 21, 1952. 11 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 48\/14<\/strong><\/td>\n<td>Farwell, Arthur: Genealogy and Biographical Information.<br \/>\n<em>Separated from Box 32, Folder 13:<br \/>\n<\/em>Facsimiles of press clippings; dated September 19, 1909; 2 undated. 3 pp.<br \/>\n<em>Separated from Box 32, Folder 9:<br \/>\n<\/em>\u201cArthur Farwell 1872\u00ad\u2013.\u201d Facsimile of biographical entry, from unidentified source; dated December 30, 1947. 2 pp.<br \/>\nPress clipping; dated September 9, 1919. 1 p. Copy 2 (duplicate facsimile).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1605892208771{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<p><em><span style=\"font-size: 16px\"><a id=\"S14sF\"><\/a>Sub-series F: Oversized Correspondence<\/span><\/em><\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 48\/15<\/strong><\/td>\n<td>Harris, Roy.<br \/>\n<em>Separated from Box 34, Folder 4:<br \/>\n<\/em>Press clipping (\u201c\u2018The Six\u2019 of American Music,\u201d\u00a0<em>Christian Science Monitor<\/em>); dated March 17, 1937. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 47\/15<\/strong><\/td>\n<td>Hoffmann, Bernhard.<br \/>\n<em>Separated from Series 7 (Correspondence), Sub-series A (Personal Correspondence), Box 34, Folder 10.<br \/>\n<\/em>Press clipping (\u201cSchool of Arts\u2019 History Closed); undated. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 47\/16<\/strong><\/td>\n<td>Pfitzner, Hans.<br \/>\n<em>Separated from Series 7 (Correspondence), Sub-series A (Personal Correspondence), Box 34, Folder 53.<br \/>\n<\/em>Concert program; dated June 17, 1898. 1 p. On reverse: pencil sketch by Hans Pfitzner (\u201ca geographical fantasy\u201d) with caption in ink in the hand of Arthur Farwell.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 47\/17<\/strong><\/td>\n<td>Schirmer, G., Inc.<br \/>\n<em>Separated from Series 7 (Correspondence), Sub-series A (Personal Correspondence), Box 34, Folder 66.<br \/>\n<\/em>\u201cRoyalties on Plantation Melody &#8211; Orchestra version, 1940-1942.\u201d Typescript document, with annotations in pencil, colored pencil, and ink. 1 p. Annotation in top margin: \u201cwith Feb 3 letter \u201948.\u201d<br \/>\n\u201cSupplementary notes on Wa-Wan Press Compositions.\u201d Typescript document. 1 p. Typescript annotation in top margin: \u201cFarwell-Schirmer, Feb. 3, \u201948.\u201d<br \/>\n\u201cCorrections for Schirmer royalty master sheets for works originally published by the Wa-Wan Press \u2026\u201d Typescript document, with annotations in pencil, colored pencil, and ink. 1 p. Annotation in top margin: \u201cwith Feb 3 letter \u201948.\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 47\/18<\/strong><\/td>\n<td>Patton, Beatrice.<br \/>\n<em>Separated from Series 7 (Correspondence), Sub-series B (Autograph Collection), Box 36, Folder 44.<br \/>\n<\/em>Beatrice Patton to Arthur Farwell. 1 letter (ink); dated January 3, 1946. 2 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1605892234657{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<p><em><span style=\"font-size: 16px\"><a id=\"S14sG\"><\/a>Sub-series G: Oversized Photographs<\/span><\/em><\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"S1\"><\/a><\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 47\/19<\/strong><\/td>\n<td>Arthur Farwell, 1934.<br \/>\n<em>Separated from Series 8 (Photographs), Box 37, Sleeve 6.<br \/>\n<\/em>Portrait of Arthur Farwell. 1 black and white photograph, 8\u201d x 10\u201d. Mounted on mounting board next to caption (ink), in the hand of Arthur Farwell.<\/p>\n<ul>\n<li><em>Negative for photograph housed in Box 43, Folder 1.<\/em><\/li>\n<li><em>See also Box 47, Folder 22, for duplicate photograph (also mounted).<\/em><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 47\/20<\/strong><\/td>\n<td>Arthur Farwell in mountain setting.<br \/>\n<em>Separated from Series 8 (Photographs), Box 37, Sleeve 34.<br \/>\n<\/em>Portrait of Arthur Farwell in mountain setting. 1 black and white photograph, 11\u201d x 14\u201d.<\/p>\n<ul>\n<li><em>Negative for photograph housed in Box 43, Folder 3.<\/em><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 47\/21<\/strong><\/td>\n<td>1921 publicity photograph of Arthur Farwell.<br \/>\n<em>Separated from Series 8 (Photographs), Box 37, Sleeve 35<br \/>\n<\/em>Portrait of Arthur Farwell. 1 black and white photograph, 7.75\u201d x 9.75\u201d. Mounted on mounting board, labeled \u201cArthur Farwell 1934.\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 47\/22<\/strong><\/td>\n<td>Arthur Farwell, 1934.|<br \/>\n<em>Separated from Series 8 (Photographs), Box 37, Sleeve 35.<br \/>\n<\/em>Portrait of Arthur Farwell. 1 black and white photograph, 8\u201d x 10\u201d. Mounted on mounting board next to caption (ink), in the hand of Arthur Farwell.<\/p>\n<ul>\n<li><em>Negative for photograph housed in Box 43, Folder 1.<\/em><\/li>\n<li><em>See also Box 47, Folder 19, for duplicate photograph (also mounted).<\/em><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 47\/23<\/strong><\/td>\n<td><em>Guide to the Music of Arthur Farwell<\/em>: negative masters [front matter and pp. 1-18].<br \/>\n<em>Guide to the Music of Arthur Farwell and to the Microfilm Collection of His Work. <\/em>Prepared by Brice Farwell, editor, with Beatrice Farwell, Sara Farwell Milbert, Emerson Farwell, Jonathan Farwell, and Cynthia Farwell Hensch. Issued in a limited edition (Briarcliff Manor, NY, 1972).<\/p>\n<ul>\n<li>Negatives of front matter and pp. 1-18 of text. 26 sheets.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 47\/24<\/strong><\/td>\n<td><em>Guide to the Music of Arthur Farwell<\/em>: negative masters [pp. 19-52].<br \/>\n<em>Guide to the Music of Arthur Farwell and to the Microfilm Collection of His Work.<\/em><\/p>\n<ul>\n<li>Negatives of pp. 19-52 of text. 36 sheets.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 47\/25<\/strong><\/td>\n<td><em>Guide to the Music of Arthur Farwell<\/em>: negative masters [pp. 53-76].<br \/>\n<em>Guide to the Music of Arthur Farwell and to the Microfilm Collection of His Work.<\/em><\/p>\n<ul>\n<li>Negatives of pp. 53-76 of text. 26 sheets.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 47\/26\/strong&gt;<\/td>\n<td><em>Guide to the Music of Arthur Farwell<\/em>: negative masters [pp. 77-98].<br \/>\n<em>Guide to the Music of Arthur Farwell and to the Microfilm Collection of His Work.<\/em><\/p>\n<ul>\n<li>Negatives of pp. 77-98. 31 sheets.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 47\/27<\/strong><\/td>\n<td><em>Guide to the Music of Arthur Farwell<\/em>: negative masters [pp. 99-117].<br \/>\n<em>Guide to the Music of Arthur Farwell and to the Microfilm Collection of His Work.<\/em><\/p>\n<ul>\n<li>Negatives of pp. 99-117. 21 sheets.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 47\/28<\/strong><\/td>\n<td><em>Guide to the Music of Arthur Farwell<\/em>: negative masters [pp. 118-138].<br \/>\n<em>Guide to the Music of Arthur Farwell and to the Microfilm Collection of His Work.<\/em><\/p>\n<ul>\n<li>Negatives of pp. 118-138. 21 sheets.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1605892255255{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<p><em><span style=\"font-size: 16px\"><a id=\"S14sH\"><\/a>Sub-series H: Oversized Research Papers<\/span><\/em><\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"S1\"><\/a><\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 48\/17<\/strong><\/td>\n<td>Culbertson, Evelyn (Publicity and Press Materials).<br \/>\n<em>Separated from Box 45, Folder 6:<br \/>\n<\/em>Press clippings; dated between April 1, 1962, and March 13, 1978. 5 items.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1605892276309{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<p><em><span style=\"font-size: 16px\"><a id=\"S14sI\"><\/a>Sub-series I: Oversized Art Works<\/span><\/em><\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"S1\"><\/a><\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>Box 48\/1<\/strong><\/td>\n<td>Artworks\u2014drawings for book on intuition.<br \/>\n<em>Separated from Series 13 (Art Works):<br \/>\n<\/em>Sketchbook, bound, with additional drawings interleaved. Contains:<\/p>\n<ol>\n<li>\u201cPlate I. The Vision of the Destroyer, 1.\u201d Caption only; illustration missing.<\/li>\n<li>\u201cPlate II. The Vision of the Destroyer, 2.\u201d [Illustration of an angel with a sword flying toward a city.] Pencil drawing. 1 p.<\/li>\n<li>\u201cPlate III. The Vision of the Great City, 1. Humanity at a Standstill.\u201d [Illustration of a throng of people next to the wall of a tall building.] Pencil drawing. 1 p. Accompanied by lithograph print of drawing, with caption: \u201cPlate VII.\u201d 1 p.<\/li>\n<li>\u201cPlate IV. The Vision of the Great City, 2. Cataclysm.\u201d [Illustration of people watching an angel of destruction.] Pencil drawing. 1 p. Accompanied by lithograph print of drawing. 1 p.<\/li>\n<li>\u201cPlate V. The Vision of the Great City, 3. The Dark Passage.\u201d [Illustration of a two people facing the entrance to a cave.] Pencil drawing. 1 p.<\/li>\n<li>\u201cPlate VI. The Vision of the Great City, 4. The Fiery Sea.\u201d Caption only; illustration missing.<\/li>\n<li>\u201cPlate VII. The Vision of the Great City, 5. The Organ.\u201d [Illustration of two men in a stone building looking at a vision appearing in the sky.] Pencil drawing. 1 p. Accompanied by lithograph print of drawing. 1 p.<\/li>\n<li>\u201cPlate VIII. The Vision of the Great City, 6. Abundance.\u201d [Illustration of groups of people eating at long tables inside a building.] Pencil drawing. 1 p. On reverse: \u201cVision of the Great City. First sketch. See Ch. XXII.\u201d Accompanied by lithograph print of drawing. 1 p.<\/li>\n<li>\u201cPlate IX. The Vision of the Great City, 7. Work.\u201d [Illustration of a group of people building wooden frames for houses.] Pencil drawing. 1 p. On reverse: \u201cVision of the Great City. First sketch. See Ch. XXII.\u201d Accompanied by lithograph print of drawing. 1 p.<\/li>\n<li>\u201cThe Saving Principles.\u201d Illustration of an angel surrounded by fire appearing to three people. Watercolor. 1 p.<\/li>\n<li>\u201cThe Message.\u201d Illustration of a harbor, with a man holding out a book. Watercolor. 1 p.<\/li>\n<li>\u201cExtending the Frontiers.\u201d Illustration of a wall that has been extended and rebuilt. Watercolor; dated September 1940. 1 p.<\/li>\n<li>\u201cThe Shining Floor.\u201d Illustration of the inside of a cathedral. Watercolor. 1 p.<\/li>\n<li>\u201cThe Saved.\u201d Illustration of a massive crowd of people surrounded by red smoke. Watercolor. 1 p.<\/li>\n<li>Illustration of a cupped hand. Pencil drawing. 1 p.<\/li>\n<li>\u201cSketch for the Spirit as Music Critic.\u201d Illustration of a man unraveling a ball of string. Pencil drawing. 1 p.<\/li>\n<li>[\u201cThe Hands of the Spirit Working in the Darkness of the World\u201d]. Illustration of two hands reaching down from the sky. Lithograph print. 1 p.<\/li>\n<li>Manuscript note: \u201cFrom Here Down Do Not See Ref in Text, in Quick Scan.\u201d Pencil [in the hand of Brice Farwell?]. 1 p.<\/li>\n<li>\u201cThe Nail [illegible].\u201d Illustration of many nails driven into a board to various depths. Pencil drawing. 1 p.<\/li>\n<li>\u201cGood Timber?\u201d Illustration of a wooden beam with four nails. Pencil drawing. 1 p.<\/li>\n<li>\u201cFaith Accusations Rolling Away.\u201d Illustration of a column surrounded by darkness. Pencil drawing. 1 p.\n<ul>\n<li><em>See also Box 43, Sleeve 20, for negative of illustration. (Illustration on negative titled \u201cFutile Accusations.\u201d)<\/em><\/li>\n<\/ul>\n<\/li>\n<li>\u201cThe Falling Saint (Explanation of a Friend\u2019s Course.\u201d Illustration of a statue of a saint falling from a recessed niche. Pencil drawing. 1 p.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<p style=\"text-align: center\"><a href=\"https:\/\/www.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/afarwell\/ser7-9\">\u2190 ARTHUR FARWELL COLLECTION: Series 7-9<\/a><\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<p style=\"text-align: center\"><a href=\"https:\/\/www.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/afarwell\/title\">ARTHUR FARWELL COLLECTION: Title Index \u2192<\/a><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text css=&#8221;.vc_custom_1606168287391{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;] Series 10: Research Papers [\/vc_column_text][vc_custom_heading text=&#8221;Box 45&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1605635747017{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid [&hellip;]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":1165,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template_Finding_Aids.php","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-6680","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/6680","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=6680"}],"version-history":[{"count":0,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/6680\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1165"}],"wp:attachment":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=6680"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=6680"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=6680"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}