{"id":6647,"date":"2020-11-10T12:59:25","date_gmt":"2020-11-10T17:59:25","guid":{"rendered":"https:\/\/www.esm.rochester.edu\/sibley\/?page_id=6647"},"modified":"2020-11-10T12:59:25","modified_gmt":"2020-11-10T17:59:25","slug":"ser1-3","status":"publish","type":"page","link":"https:\/\/www.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/afarwell\/ser1-3\/","title":{"rendered":"ARTHUR FARWELL COLLECTION"},"content":{"rendered":"

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<\/a>Series 1: Music by Farwell<\/h3>\n

[\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1605034480931{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n

<\/a>Sub-series A: Vocal Solo<\/span><\/em><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\n<\/a>C26. \u201cThou\u2019rt like unto a tender flower.\u201d For voice and piano.
\nFacsimile of published score (Boston: Oliver Ditson, 1901). 3 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\n<\/a>C27. Early Songs without opus numbers. [Manuscript sketches and scores.]
\n\u201cMeeting.\u201d For voice and piano. Text by Johanna Ambrosius. Piano vocal score. Fair copy (ink, with annotations in pencil); dated [1907]. 3 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nC27. Early Songs without opus numbers. [Published scores.]
\n\u201cBlow Golden Trumpets.\u201d Easter carol. For SATB chorus. Words by Margaret Deland. Published score (choral octavo) (Boston: Oliver Ditson, 1897). 2 pp. of music. Published under the pseudonym John Francis.
\n\u201cThe Message of the Lilies.\u201d Easter carol. For SATB chorus. Words by Margaret Deland. Published score (choral octavo) (Boston: Oliver Ditson, 1897). 2 pp. of music. Published under the pseudonym John Francis.
\n\u201cIn a Rose Garden.\u201d For voice and piano. Words by John Bennett. Published score (Oliver Ditson, 1895). 4 pp. of music.
\n\u201cStrow Poppy Buds.\u201d For low voice and piano in A. Words by A. Mary F. Robinson. Published score (Boston: Oliver Ditson, 1895). 2 pp. of music
\n\u201cStrow Poppy Buds.\u201d For high voice and piano in C. Words by A. Mary F. Robinson. Published score (Boston: Oliver Ditson, 1895). 2 pp. of music. Stamp on front cover: \u201cSample Copy with Our Compliments.\u201d
\n\u201cO Ships That Sail.\u201d For voice and piano. Words by Mary F. Robinson. Published score (Boston: Oliver Ditson, 1897). 4 pp. of music.
\n\u201cSilenced Are My Songs (Dahin).\u201d For voice and piano. Words by Johanna Ambrosius. Translated by A. F. Published score (Boston: Oliver Ditson, 1898). 3 pp. of music. 2 copies.
\n\u201cInvocation.\u201d For voice and piano. Words by W. E. Henley. Published score (Boston: Oliver Ditson, 1898). 2 pp. of music.
\n\u201cMeeting (Dr\u00fccke mich an deine Brust).\u201d For low voice and piano in A flat. Words by Johanna Ambrosius. Translated by A. F. Published score (Boston: Oliver Ditson, 1902). 3 pp. of music.
\n\u201cWenlock Town.\u201d For voice and piano. Words by A. E. Hausman. Published score (Boston: Oliver Ditson, 1902). 3 pp. of music. 2 copies.
\n\u201cLaddie Boy.\u201d For voice and piano. Words by Mary T. Brown. Published score (Boston: Oliver Ditson, 1937). 2 pp. of music.
\nAccompanying oversized item (press clipping) separated; see Box 48, Folder 2.<\/em><\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\n<\/a>C28. M\u00e4dchenlieder,<\/em> op. 2. Four folk songs for voice and piano. Words by Johanna Ambrosius.
\nPublished score (Boston: H. B. Stevens Co., 1899). 10 pp. of music<\/span><\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\n<\/a>C29. Three Songs,<\/em> op. 3. For medium voice and piano.
\n\u201cIndian Serenade\u201d (op. 3, no. 1). Words by Percy Bysshe Shelley. Published score (Boston: H. B. Stevens Co., 1899). 5 pp. of music.
\n\u201cTo be a Little Child Once More\u201d (op. 3, no. 2). Words by Gertrude Hall. Facsimile of published score (Boston: H. B. Stevens Co., 1900). 3 pp. of music.
\n\u201cRosinella\u201d (op. 3, no. 3). Words by A. Mary F. Robinson. Published score (Boston: H. B. Stevens Co., 1900). 3 pp. of music.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\n<\/a>C30. \u201cCounty Guy.\u201d For medium voice and piano. Words by Walter Scott.
\nScore. Fair copy (ink); undated. 3 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\n<\/a>C31. \u201cTransfiguration,\u201d op. 5. For mezzo-soprano and piano.
\nScore. Fair copy (ink, with annotations in pencil); dated 1899. 3 pp.
\nRevised score. Fair copy (ink); dated October 1899. 3 pp. Score torn; repaired with tape. Inscription on first page of score (in pencil): \u201cFor Beatrice Ayer.\u201d<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\n<\/a>C32. Two Songs for Medium Voice,<\/em> op. 59a. [\u201cOn a Summer Morning.\u201d Poem by Belle Willey Gue. \u201cWishing.\u201d Poem by Thomas Hood.] For medium voice and piano.
\nTwo Songs for Medium Voice.<\/em> Score. Fair copy (ink); dated 1921. 4 pp. of music.
\n\u201cWishing.\u201d Manuscript sketches (pencil); revised July 1941. 2 pp.
\n\u201cWishing.\u201d Facsimile of fair copy of score. 2 pp. Accompanied by manuscript note. 1 p.
\n\u201cOn a Summer Morning.\u201d Facsimile of fair copy of score. 2 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\n<\/a>C33.Four Songs,<\/em> Op. 14. For voice and piano. [Manuscript sketches.]
\n\u201cA Ruined Garden.\u201d Manuscript sketches (ink and pencil); undated. 2 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nC33. Four Songs,<\/em> Op. 14. For voice and piano. [Published scores.]
\n\u201cA Ruined Garden.\u201d Poem by Philip Bourke Marston. Published score (New York: G. Schirmer, 1904). 7 pp. of music.
\n\u201cLove\u2019s Secret.\u201d Poem by William Blake. In Wa-Wan Series of American Compositions: Three Songs. <\/em>Published score (Newton Center, MA: Wa-Wan Press, 1903). 13 pp.<\/p>\n
    \n
  • Published with: Henry F. Gilbert, \u201cThe Lament of Deirdr\u00e9\u201d; Alfred E. Little, \u201cI Look Into My Glass.\u201d<\/li>\n<\/ul>\n

    \u201cLost Love (Verfehlte Liebe).\u201d Words by Heinrich Heine. Published score (New York: Circle Publishing Company, June 1909). 2 pp. of music.
    \n\u201cLost Love (Verfehlte Liebe).\u201d Words by Heinrich Heine. English version by Charles Fleischer. Published score (New York: G. Schirmer, 1929). 2 pp. of music.
    \n\u201cRequiescat.\u201d Words by Katherine Ruth Heyman. Published score (Newton Center, MA: Wa-Wan Press, 1904). 1 p. of music.<\/p>\n<\/td>\n<\/tr>\n

folder 11<\/strong><\/td>\n\n

<\/a>C34. American Indian Melodies.<\/em> Harmonized by Arthur Farwell for voice(s) and piano. [Manuscript sketches and scores; undated].<\/p>\n

folder 12<\/strong><\/td>\n<\/a>C35. Folk Songs of the West and South,<\/em> op. 19. Negro spiritual. Harmonized by Arthur Farwell for medium voice and accompaniment. [Manuscript scores; undated.]
\n\u201cMoanin\u2019 Dove.\u201d Piano vocal score. Fair copy (ink). 2 pp. of music.
\n\u201cMoanin\u2019 Dove.\u201d For symphonic orchestra. Full score (incomplete). Fair copy (ink, with annotations in colored pencil). 9 pp. of music. Copy 2 (incomplete; consists of p. 1 of score only). 1 p.
\n\u201cMoanin\u2019 Dove.\u201d Orchestrated by Benjamin [illegible]. For symphonic orchestra. Full score (incomplete). Fair copy (ink). 4 pp. of music.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nC35. Folk Songs of the West and South,<\/em> op. 19. [Published scores.]
\n\u201cMoanin\u2019 Dove.\u201d Photostat negative of published score (Newton Center, MA: Wa-Wan Press, 1905). 2 pp.
\n\u201cMoanin\u2019 Dove.\u201d Facsimile of published score (Newton Center, MA: Wa-Wan Press, 1905). 2 pp. 2 copies.
\nTwo Negro Spirituals<\/em> [\u201cMoanin\u2019 Dove\u201d and \u201cDe Rocks a\u2019 Renderin\u2019\u201d]. Published score (Newton Center, MA: Wa-Wan Press, 1905). 3 pp. of music.
\n\u201cThe Lone Prairee.\u201d For voice and piano. Published score (Newton Center, MA: Wa-Wan Press, 1905). 2 pp. of music. 2 copies.
\nTwo Spanish-Californian Folk-Songs<\/em> [\u201cThe Hours of Grief\u201d and \u201cThe Black Face\u201d]. Published score (Newton Center, MA: Wa-Wan Press, 1905). 5 pp. of music.
\n\u201cBird Dance Song.\u201d For voice and piano. Facsimile of published score (Newton Center, MA: Wa-Wan Press, 1905). 1 p. Accompanied by manuscript note. 1 p.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\n<\/a>C36. \u201cDrake\u2019s Drum,\u201d op. 22. For baritone and piano. Poem by Henry Newbolt.
\nPublished score (Newton Center, MA: Wa-Wan Press, 1907). 7 pp. of music.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\n<\/a>C37. \u201cThe Sea of Sunset,\u201d op. 26. For medium voice and piano. Poem by Emily Dickinson. [Manuscript sketches.]
\nScore. Fair copy (ink, with annotations in pencil and colored pencil); copyright 1919. 5 pp.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nC37. \u201cThe Sea of Sunset.\u201d [Published score.]
\nPublished score (New York: G. Schirmer, 1928). 5 pp. of music. 2 copies.
\nFacsimile of published score (New York: G. Schirmer, 1928). 7 pp.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\n<\/a>C39. Three Indian Songs,<\/em> op. 32. [Manuscript score and parts; undated.]
\n\u201cThe Old Man\u2019s Love Song.\u201d For SATB voices and piano. Score (piano accompaniment incomplete). Fair copy (ink). 3 pp. of music.
\n\u201cThe Old Man\u2019s Love Song.\u201d For symphony orchestra. Includes:<\/p>\n
    \n
  • Full score. Fair copy (ink). 10 pp. of music.<\/li>\n
  • Instrumental parts: 1st violin, 2nd violin, viola, cello, basso, flute, oboe, clarinet in A, 1st horn in F, 2nd horn in F, trumpet in B flat, trombone, kettle drums. Fair copies (ink). 14 pp.\n
      \n
    • On reverse of parts for cello, basso, flute, oboe, clarinet in A, 1st horn in F, 2nd horn in F, trumpet in B flat, trombone, and kettle drums: manuscript sketches (pencil). 10 pp.<\/li>\n<\/ul>\n<\/li>\n
    • Instrumental parts: 1st violin (5 copies), 2nd violin (4 copies), viola (2 copies), cello (2 copies), bass (2 copies), flutes, oboes, fagotti, 1st & 2nd horns in F, 3rd & 4th horns in F, 1st & 2nd trumpet in B flat, 1st & 2nd trombone, 3rd trombone, timpani, harp. Fair copies (ink). 33 pp.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nC39. Three Indian Songs,<\/em> op. 32. For medium voice and piano. [Published score.]
\n\u201cSong of the Deathless Voice.\u201d Published score (New York: G. Schirmer, 1912). 4 pp. of music. Score trimmed.
\n\u201cInketunga\u2019s Thunder Song.\u201d Facsimile of published score (New York: G. Schirmer, 1912). 3 pp.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\n<\/a>C40. \u201cIt Was a Long and a Tiresome Go.\u201d For medium voice and piano.
\nScore. Fair copy (ink); copyright 1908. 1 p. of music. Accompanied by manuscript note. 1 p.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\n<\/a>C41. \u201cUp on the Trail.\u201d For voice and piano.
\nScore (text missing from vocal part). Fair copy (ink); undated. 1 p. of music.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\n<\/a>C42. \u201cWunct in My Saddle.\u201d For voice.
\nOn recto: Vocal part, with text. Fair copy (ink); undated. 1 p.
\nOn verso: Manuscript sketches (ink). 1 p.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\n<\/a>C43. The Farewell,<\/em> op. 33. For baritone and piano. Poem by Robert Burns.
\nPublished score (Newton Center, MA: Wa-Wan Press, 1911). 7 pp. of music. 2 copies.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\n<\/a>C44. Sea Vision,<\/em> op. 36. For high voice and piano. Poem by George Sterling.
\nScore. Fair copy (ink); dated 1912. 12 pp. of music.
\nScore. Fair copy (Ozalid manuscript). 12 pp.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\n<\/a>C46. Three Poems by Percy Bysshe Shelley,<\/em> op. 43. For voice and piano. [Manuscript sketches and scores; undated.]
\n\u201cBridal Song\u201d and \u201cDaughter of Ocean.\u201d Manuscript sketches (ink and pencil). 4 pp.
\n\u201cBridal Song.\u201d Score. Fair copy (ink). 3 pp.
\n\u201cDaughter of Ocean.\u201d Score. Fair copy (ink, with annotations in pencil). 4 pp.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nC46. Three Poems by Percy Bysshe Shelley,<\/em> op. 43. [Published score].
\n\u201cBridal Song.\u201d For high voice and piano. Published score (New York: G. Schirmer, 1927). 4 pp. of music. 2 copies.
\n\u201cOn a Faded Violet.\u201d For medium or high voice and piano. Published score (New York: G. Schirmer, 1927). 3 pp. of music.
\n\u201cDaughter of Ocean.\u201d For medium or high voice and piano. Published score (New York: G. Schirmer, 1927). 5 pp. of music.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\n<\/a>C48. Four Songs for Community Singing,<\/em> op. 51. For voice and piano.
\n\u201cOur Country\u2019s Prayer.\u201d For high voice and piano in D. Poem by Carl Roppel. Published score (Cincinnati: John Church Co., 1919). 3 pp. of music.
\n\u201cOur Country\u2019s Prayer.\u201d For low voice and piano in B flat. Poem by Carl Roppel. Published score (Cincinnati: John Church Co., 1919). 3 pp. of music.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\n<\/a>C49. Soldier, Soldier,<\/em> op. 53. For baritone and piano. [Manuscript sketches and score; undated.]
\nManuscript sketches (pencil, with annotations in ink). 16 pp. of music.
\nScore. Fair copy (ink). 13 sheets.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nC49. Soldier, Soldier,<\/em> op. 53. For baritone and piano. [Published score.]
\nPublished score (Cincinnati: John Church Co., 1920). 24 pp. of music.
\nFacsimile of published score (Cincinnati: John Church Co., 1920). 24 pp. Accompanied by manuscript note. 1 p.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\n<\/a>C50. \u201cUp and Away!\u201d For voice(s) and piano. Poem by H. C. Nutting.
\nScore. Fair copy (ink); undated [probably ca. 1918-19]. 2 pp. of music.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\n<\/a>C51. Three Songs,<\/em> op. 54. For voice and piano.
\n\u201cLove\u2019s Cathedral.\u201d Poem by James Grun. Published score (Cincinnati: John Church Co., 1920). 4 pp. of music.
\n\u201cThe Wild Flower\u2019s Song.\u201d Poem by William Blake. Published score (Cincinnati: John Church Co., 1920). 4 pp. of music.
\n\u201cCold on the Plantation.\u201d Poem by Frank L. Stanton. Published score (Cincinnati: John Church Co., 1920). 3 pp. of music.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\n<\/a>C52. Three Songs for Soprano,<\/em> op. 56. [Manuscript scores.]
\n\u201cPassion of Sunrise.\u201d Score. Fair copy (ink); undated. 3 pp. of music.
\n\u201cBy Golden Streams.\u201d Score. Fair copy (ink); dated 1902 or 1903. 2 pp. of music. 2 copies.<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nC52. Three Songs for Soprano,<\/em> op. 56. [Published score.]
\n\u201cPassion of Sunrise.\u201d Published score (Cincinnati: John Church Co., 1929). 3 pp. of music.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\n<\/a>C54. Spanish Songs of Old California,<\/em> op. 59.
\nPublished volume (Los Angeles, CA: Chas. F. Lummis, 1923). 35 pp. Includes annotations in pencil by Arthur Farwell.
\nPublished volume (New York: G. Schirmer, 1929). 31 pp.<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\n<\/a>C55. \u201cSong of the Holy Virgin,\u201d op. 60. For contralto and piano. Words by Maurice Maeterlink.
\nScore. Fair copy (ink); undated. 1 p.<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\n<\/a>C56. \u201cSonnet to a City,\u201d op. 64. For voice and piano. Poem by Celeste Turner.
\nManuscript sketches (pencil); undated. 2 pp.
\nScore. Fair copy (ink); dated August 1922. 4 pp.<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\n<\/a>C57. \u201cPetal Lips.\u201d For medium voice and piano. Poem by Rosalyn Martin.
\nScore. Fair copy (ink); dated 1922. 4 pp. 2 copies.<\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\n<\/a>C58. Two Poems by Emily Dickinson,<\/em> op. 66. For voice and piano. [Manuscript sketches.]
\n\u201cI Shall Know Why.\u201d Manuscript sketches (pencil); dated July 7, 1923. 3 pp.
\n\u201cResurgam.\u201d Manuscript sketches (pencil); dated December 31, 1922. 2 pp.<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\nC58. Two Poems by Emily Dickinson,<\/em> op. 66. [Published score.]
\n\u201cI Shall Know Why,\u201d op. 66, no. 1. For medium voice and piano. Published score (New York: G. Schirmer, 1926). 3 pp. of music. 2 copies.
\n\u201cResurgam,\u201d op. 66, no. 2. For medium of high voice and piano. Published score (New York: G. Schirmer, 1926). 3 pp. of music. Missing front cover of score.<\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\n<\/a>C59. Three Songs for Medium Voice,<\/em> op. 69. For voice and piano.
\n\u201cThe Ravens Are Singing,\u201d op. 69, no. 1. For medium or low voice and piano. Words by Charles O. Roos. Published as No. 2 of Two Indian Poems<\/em> (New York: G. Schirmer, 1929). 5 pp. of music. 2 copies. Copies 3-4 (facsimiles of published score). 12 pp.
\n\u201cA Dawn Song,\u201d op. 69, no. 2. For medium voice and piano. Words by Charles O. Roos. Published as No. 1 of Two Indian Poems<\/em> (New York: G. Schirmer, 1929). 5 pp. of music. 4 copies. Copies 5-6 (facsimiles of published score). 12 pp.
\n\u201cDark Her Lodge Door,\u201d op. 69, no. 3. For voice and piano. Words by Charles O. Roos. Published score (Boston: Oliver Ditson Co., 1927). 5 pp. of music. Copy 2 (duplicate facsimile).<\/td>\n<\/tr>\n
folder 40<\/strong><\/td>\n<\/a>C60. Two Shelley Songs,<\/em> op. 72. For voice and accompaniment. [Manuscript scores.]
\n\u201cSong of Proserpine,\u201d op. 72, no. 1. For voice and piano. Manuscript sketches (pencil); dated April 1926. 2 pp.
\n\u201cSong of Proserpine,\u201d op. 72, no. 1. For voice and orchestra. Full score. Fair copy (ink, with annotations in colored pencil); undated. 7 pp.
\n\u201cTo Night,\u201d op. 72, no. 2. For voice and piano. Manuscript sketches (pencil). 4 pp. Annotation on last page of score: \u201cWritten very [illegible] about 1895; Copy lost about 1900; Rewritten from memory April 7, 1926.\u201d
\n\u201cTo Night,\u201d op. 72, no. 2. For voice and piano. Score. Fair copy (ink); undated. 5 pp. 2 copies.<\/td>\n<\/tr>\n
\u00a0<\/td>\nC60. Two Shelley Songs,<\/em> op. 72. [Published scores.]
\n\u201cSong of Proserpine,\u201d op. 72, no. 1. For low voice and piano. Published score (New York: G. Schirmer, 1943. 3 pp. of music. 2 copies.
\n\u201cSong of Proserpine,\u201d op. 72, no. 1. For high voice and piano. Published score (New York: G. Schirmer, 1943. 3 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\n<\/a>C61. Two Emily Dickinson Poems,<\/em> op. 73. For voice and piano. [Manuscript sketches and scores.]
\n\u201cSummer Shower,\u201d op. 73, no. 1. For voice and piano. Manuscript sketches (pencil); dated April 1926. 4 pp.
\n\u201cSummer Shower,\u201d op. 73, no. 1. For voice and piano. Score. Fair copy (ink); undated. 4 pp.
\n\u201cMine,\u201d op. 73, no. 2. For voice and piano. Manuscript sketches (pencil); dated April 1926. 2 pp. of music.
\n\u201cMine,\u201d op. 73, no. 2. For voice and piano. Score. Fair copy (ink); undated. 3 pp.
\nAlso in folder: typescript citation for texts used in songs. 1 p.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nC61. Two Emily Dickinson Poems,<\/em> op. 73. [Published scores.]
\n\u201cMine,\u201d op. 73, no. 2. For high voice and piano. Published score (New York: G. Schirmer, 1928). 2 pp. of music. Copy 2 (duplicate facsimile). 2 pp.
\n\u201cSummer Shower,\u201d op. 73, no. 1. For medium or high voice and piano. Published score (New York: G. Schirmer, 1928). 4 pp. of music. Copy 2 (duplicate facsimile). 4 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\n<\/a>C62. Three Desert Songs,<\/em> op. 74. For voice and piano. Text by James Sheridan.
\n\u201cThe Desert.\u201d Manuscript sketches (pencil); dated 1927. 4 pp.
\n\u201cThe Desert Flower.\u201d Manuscript sketches (pencil); [dated 1927]. 2 pp.
\n\u201cThe Rain Cloud.\u201d Manuscript sketches (pencil); dated July 16, 1927. 3 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\n<\/a>C63. Four Children\u2019s Songs,<\/em> op. 75. For voice and piano. [Manuscript scores.]
\n\u201cThe Faries,\u201d op. 75, no. 1. Poem by William Allingham. Score. Fair copy (ink); dated 1927. 4 pp. 2 copies.
\n\u201cDay\u2019s End,\u201d op. 75, no. 2. Poem by Henry Newbolt. Score. Fair copy (ink); dated 1927. 1 p. 2 copies.
\n\u201cCalico Pie,\u201d op. 75, no. 3. Poem by Edward Lear. Manuscript sketches (pencil, with annotation in ink); dated 1927. 1 p.
\n\u201cAfternoon on a Hill,\u201d op. 75, no. 4. Poem by Edna St. Vincent Millay. Score. Fair copy (ink); dated 1927. 3 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nC63. Four Children\u2019s Songs,<\/em> op. 75. [Published score.]
\n\u201cAfternoon on a Hill,\u201d op. 75, no. 4. Poem by Edna St. Vincent Millay. Published score (New York: Galaxy Music Corp., 1945). 2 pp. of music.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\n<\/a>C64. Two Songs on Poems by William Blake,<\/em> op. 88. For voice(s) and piano. [Manuscript sketches and scores.]
\n\u201cThe Lamb.\u201d For voice and piano. Score. Fair copy (ink); dated \u201cSummer of 1930.\u201d 2 pp. of music.
\n\u201cThe Lamb.\u201d For SATB quartet or chorus with accompaniment or a cappella. Score. Fair copy (ink); dated 1930. 2 pp. of music.
\n\u201cA Cradle Song.\u201d For voice and piano. Manuscript sketches (pencil); dated August 1931. 4 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nC64. Two Songs on Poems by William Blake,<\/em> op. 88. [Published scores.]
\n\u201cThe Lamb,\u201d op. 88, no. 1. For medium voice and piano. Published score (East Lansing, MI: Arthur Farwell, 1935). 2 pp. of music. 3 copies.
\n\u201cA Cradle Song,\u201d op. 88, no. 2. For medium voice and piano. Published score (East Lansing, MI: Arthur Farwell, 1936). 6 pp. of music. 2 copies.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\n<\/a>C65. Invocation to the Sun God,<\/em> op. 89. For baritone voice and piano. Poem by Charles O. Roos.
\nManuscript sketches (pencil); dated August 8, 1930. 4 pp.
\nScore. Fair copy (ink); undated. 5 pp. 2 copies. Annotation on copy 2, p. 1: \u201cobsolete.\u201d<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\n<\/a>C66. \u201cArbutus.\u201d For voice and piano. Words by William Carlton.
\nManuscript sketches (pencil); dated October 3, 1930. 2 pp. Accompanied by manuscript note (ink). 1 p.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\n<\/a>C67. \u201cGrace.\u201d For voice and piano.
\nScore. Fair copy (ink); dated December 2, 1931. 1 p.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\n<\/a>C68. \u201cThe Tyger,\u201d op. 98. For voice and piano.
\nManuscript sketches (pencil); undated. 5 pp.
\nScore. Fair copy (ink, with annotations in pencil); dated 1934. 7 pp.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\n<\/a>C69. D. K. E. Waltz.<\/em> Music by Lewis S. Thompson. Arranged for medium voice and piano. Words by Burges Johnson.
\nDraft of score (pencil and ink); undated. 2 pp. of music.
\nScore. Fair copy (ink); undated. 2 pp.
\nAccompanying document (correspondence between Arthur Farwell and Thornton W. Allen Co., publisher) separated; see Box 32, Folder 7.<\/em><\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\n<\/a>C70. Fog from the Pacific,<\/em> op. 99. For voice and piano.
\nManuscript sketches (pencil); dated April 27, 1935. 4 pp.
\nScore. Fair copy (ink); dated April 27, 1935. 4 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\n<\/a>C71. The Hound of Heaven,<\/em> op. 100. For voice and piano or orchestra. Poem by Francis Thompson.
\nDraft of piano vocal score (pencil); dated Easter 1935. 36 pp.
\nManuscript sketches (additions or corrections to score) (pencil and colored pencil); undated. 3 pp.
\nPiano vocal score. Fair copy (ink); dated 1935. 43 pp. of music.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\n<\/a>C72. Four Emily Dickinson Songs,<\/em> op. 101. For voice and piano.
\n\u201cSavior,\u201d op. 101, no. 1; \u201cUnto Me,\u201d op. 101, no. 2. Draft of score (pencil); dated September 27, 1936. 3 pp. of music.
\n\u201cSavior,\u201d op. 101, no. 1. Includes (3 items):<\/p>\n
    \n
  • Fair copy (ink); dated September 27, 1936. 2 pp. of music.<\/li>\n
  • Ozalid manuscript; undated. 2 pp. 3 copies. Copy 3 incomplete, consists of p. 1 of score only.<\/li>\n
  • Manuscript facsimile. 2 pp.<\/li>\n<\/ul>\n

    \u201cUnto Me,\u201d op. 101, no. 2. Includes (2 items):<\/p>\n

      \n
    • Ozalid manuscript; undated. 2 pp.<\/li>\n
    • Manuscript facsimile. 2 pp.<\/li>\n<\/ul>\n

      \u201cAs If the Sea,\u201d op. 101, no. 3. Includes (3 items):<\/p>\n

        \n
      • Draft of score (pencil); dated September 28, 1936. 2 pp.<\/li>\n
      • Fair copy (ink); dated September 28, 1936. 3 pp.<\/li>\n
      • Ozalid manuscript; undated. 3 pp.<\/li>\n<\/ul>\n

        \u201cGood Morning, Midnight,\u201d op. 101, no. 4. Includes (3 items):<\/p>\n

          \n
        • Draft of score (pencil); dated October 15, 1936. 2 pp.<\/li>\n
        • Ozalid manuscript; undated. 2 pp.<\/li>\n
        • Manuscript facsimile; undated. 2 pp.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\n<\/a>C73. Twelve Emily Dickinson Songs,<\/em> op. 105. For voice and piano.
\n\u201cHow the Sun Rose,\u201d op. 105, no. 1. Includes (3 items):<\/p>\n
    \n
  • Draft of score (pencil); dated July 2, 1938. 2 pp.<\/li>\n
  • Fair copy (ink); dated July 2, 1938. 2 pp. of music.<\/li>\n
  • Ozalid manuscript; undated. 2 pp. Title on score: \u201cI\u2019ll Tell You How the Sun Rose.\u201d<\/li>\n<\/ul>\n

    \u201cSafe in Their Alabaster Chambers,\u201d op. 105, no. 2. Includes (2 items):<\/p>\n

      \n
    • Draft of score (pencil); dated November 16, 1938. 2 pp. of music.<\/li>\n
    • Ozalid manuscript; undated. 3 pp.<\/li>\n<\/ul>\n

      \u201cThe Sabbath,\u201d op. 105, no. 3. Includes (2 items):<\/p>\n

        \n
      • Draft of score (pencil); dated November 5, 1938. 2 pp.<\/li>\n
      • Ozalid manuscript; undated. 3 pp.<\/li>\n<\/ul>\n

        \u201cThese Saw Vision,\u201d op. 105, no. 4. Includes (4 items):<\/p>\n

          \n
        • Fair copy (ink); dated October 21, 1938. 3 copies.<\/li>\n
        • Facsimile of published score (New York: Galaxy Music Corporation, 1944). 3 pp.<\/li>\n<\/ul>\n

          \u201cI Never Saw a Moor,\u201d op. 105, no. 5. Includes (3 items):<\/p>\n

            \n
          • Draft of score (pencil); dated December 3, 1938. 1 p.<\/li>\n
          • Fair copy (ink); dated December 3, 1938. 2 pp. of music.<\/li>\n
          • Ozalid manuscript; undated. 2 pp.<\/li>\n<\/ul>\n

            \u201cThe Little Tippler,\u201d op. 105, no. 6. Includes (2 items):<\/p>\n

              \n
            • Draft of score (pencil); dated July 4, 1938. 2 pp.<\/li>\n
            • Ozalid manuscript; undated. 3 pp.<\/li>\n<\/ul>\n

              \u201cAristocracy,\u201d op. 105, no. 7. Includes (4 items):<\/p>\n

                \n
              • Draft of score (pencil); dated November 5, 1938. 2 pp.<\/li>\n
              • Fair copy (ink); dated November 5, 1938. 1 p. of music. 2 copies.<\/li>\n
              • Ozalid manuscript; undated. 1 p.<\/li>\n<\/ul>\n

                \u201cThe Test,\u201d op. 105, no. 8. Includes (2 items):<\/p>\n

                  \n
                • Draft of score (pencil); dated June 28, 1938. 2 pp.<\/li>\n
                • Ozalid manuscript; undated. 3 pp.<\/li>\n<\/ul>\n

                  \u201cSummer\u2019s Armies,\u201d op. 105, no. 9. Includes (2 items):<\/p>\n

                    \n
                  • Draft of score (pencil); dated November 6, 1938. 4 pp.<\/li>\n
                  • Fair copy (ink); dated November 6, 1938. 7 pp.<\/li>\n<\/ul>\n

                    \u201cThe Level Bee,\u201d op. 105, no. 10. Includes (2 items):<\/p>\n

                      \n
                    • Draft of score (pencil); dated \u201cFall of 1940.\u201d 3 pp.<\/li>\n
                    • Fair copy (ink); dated October 1, 1940. 4 pp. of music.<\/li>\n<\/ul>\n

                      \u201cWith a Flower,\u201d op. 105, no. 11.<\/p>\n

                        \n
                      • Draft of score (pencil); undated. 2 pp.<\/li>\n
                      • Fair copy (ink); dated September 22, 1940. 2 pp. of music.<\/li>\n<\/ul>\n

                        \u201cPresentiment,\u201d op. 105, no. 12. Includes (2 items):<\/p>\n

                          \n
                        • Fair copy (ink); dated April 8, 1941. 1 p. of music.<\/li>\n
                        • Ozalid manuscript; undated. 1 p.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\n<\/a>C74. Four Emily Dickinson Songs,<\/em> op. 107. For voice and piano.
\n\u201cOn This Long Storm,\u201d op. 107, no. 1; \u201cTie the Strings to My Life,\u201d op. 107, no. 2. Draft of score (pencil); dated April 17 and 23, 1941. 4 pp.
\n\u201cOn This Long Storm,\u201d op. 107, no. 1. Score. Fair copy (ink); undated. 2 pp. of music.
\n\u201cTie the Strings to My Life,\u201d op. 107, no. 2. Includes (3 items):<\/p>\n
    \n
  • Manuscript sketches (pencil); undated. 2 pp. Title on sketches: \u201cRevise of last part of \u2018Tie the Strings to My Life.\u2019\u201d<\/li>\n
  • Fair copy (ink); dated April 23, 1941. 4 pp. of music. Copy 2 (duplicate facsimile).<\/li>\n<\/ul>\n

    \u201cOn This Wondrous Sea,\u201d op. 107, no. 3. Includes (3 items):<\/p>\n

      \n
    • Draft of score (pencil); undated. 3 pp.<\/li>\n
    • Fair copy (ink); dated 1943. 3 pp.<\/li>\n
    • Ozalid manuscript; undated. 3 pp.<\/li>\n<\/ul>\n

      \u201cBlazing in Gold,\u201d op. 107, no. 4. Includes (2 items):<\/p>\n

        \n
      • Draft of score (pencil); sketch dated April 16, 1941; finished May 22, 1944. 2 pp. On reverse: manuscript sketches for \u201cOn This Wondrous Sea\u201d and \u201cPresentiment,\u201d op. 105, no. 12. Pencil. 2 pp.<\/li>\n
      • Fair copy (ink, with annotations in pencil); dated May 22, 1944. 3 pp.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\n<\/a>C75. \u201cGod of Battles.\u201d For voice and piano. Words by George S. Patton, Jr.
\nText of poem, from Woman\u2019s Home Companion<\/em> (before November 11, 1943), mounted on paper. 1 p.
\nScore. Fair copy (ink); undated. 4 pp. of music.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\n<\/a>C76. Ten Emily Dickinson Songs,<\/em> op. 108. For voice and piano.
\n\u201cHeart, We Will Forget Him,\u201d op. 108, no. 1. Includes (3 items):<\/p>\n
    \n
  • Fair copy (ink); undated. 2 pp.<\/li>\n
  • Ozalid manuscript; undated. 1 p. 2 copies.<\/li>\n<\/ul>\n

    \u201cThe Butterfly,\u201d op. 108, no. 2. Includes (1 item):<\/p>\n

      \n
    • Fair copy (ink); dated July 23, 1944. 2 pp. of music.<\/li>\n<\/ul>\n

      \u201cI Never Felt at Home Below,\u201d op. 108, no. 3. Includes (2 items):<\/p>\n

        \n
      • Draft of score (pencil); dated June 27, 1944. 4 pp.<\/li>\n
      • Fair copy (ink); undated. 3 pp.<\/li>\n<\/ul>\n

        \u201cAnd I\u2019m a Rose!\u201d op. 108, no. 4. Includes (2 items):<\/p>\n

          \n
        • Fair copy (ink); undated. 1 p.<\/li>\n
        • Ozalid manuscript; undated. 1 p.<\/li>\n<\/ul>\n

          \u201cThe Sea Said, \u2018Come\u2019 to the Brook,\u201d op. 108, no. 5. Includes (2 items):<\/p>\n

            \n
          • Fair copy (ink); dated July 21, 1944. 2 pp. of music. Copy 2 (duplicate facsimile). 2 pp.<\/li>\n<\/ul>\n

            \u201cWe Should Not Mind so Small a Flower,\u201d op. 108, no. 6; \u201cAnd I\u2019m a Rose! op. 108, no. 4.<\/p>\n

              \n
            • Drafts of scores (pencil); dated July 24 and 26, 1944. 3 pp.<\/li>\n<\/ul>\n

              \u201cWe Should Not Mind so Small a Flower,\u201d op. 108, no. 6. Includes (3 items):<\/p>\n

                \n
              • Fair copy (ink); dated July 24, 1944. 2 pp. of music.<\/li>\n
              • Ozalid manuscript; undated. 2 pp.<\/li>\n<\/ul>\n

                \u201cAmple Make This Bed,\u201d op. 108, no. 7. Includes (2 items):<\/p>\n

                  \n
                • Draft of score (pencil); dated July 24, 1944. 2 pp.<\/li>\n
                • Fair copy (ink); dated July 24, 1944. 1 p.<\/li>\n<\/ul>\n

                  \u201cI\u2019m Nobody, Who Are You?\u201d op. 108, no. 8. Includes (3 items):<\/p>\n

                    \n
                  • Draft of score (pencil); dated September 21, 1944. 2 pp.<\/li>\n
                  • Fair copy (ink); dated September 1, 1944. 2 pp. of music. Copy 2 (duplicate facsimile). 2 pp.<\/li>\n<\/ul>\n

                    \u201cPapa Above!\u201d op. 108, no. 9. Includes (2 items):<\/p>\n

                      \n
                    • Draft of score (pencil); dated September 1944. 2 pp.<\/li>\n
                    • Fair copy (ink); undated. 3 pp. Copy 2 (duplicate facsimile). 3 pp.<\/li>\n<\/ul>\n

                      \u201cDropped Into the Ether Acre,\u201d op. 108, no. 10.<\/p>\n

                        \n
                      • Draft of score (pencil); dated October 20, 1944. 2 pp.<\/li>\n
                      • Fair copy (ink); dated October 20, 1944. 2 pp. of music.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\n<\/a>C77. Three Patriotic Songs.<\/em> For medium voice and piano.
\n\u201cWe Want Straight Talk.\u201d Score. Fair copy (ink); undated. 2 pp. of music.
\n\u201cLend a Hand.\u201d Score. Fair copy (ink); undated. 3 pp.
\n\u201cLet\u2019s Go!\u201d Score. Fair copy (ink); undated. 3 pp.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\n<\/a>C78. \u201cA Soldier\u2019s Explanation.\u201d For voice and piano.
\nScore. Ozalid manuscript; undated. 5 pp.
\nScore. Fair copy (manuscript facsimile); undated. 5 pp. 2 copies. Copy 2 bound.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\n<\/a>C80. Five Agnes M. Stanko Songs.<\/em> For voice and piano. [Manuscript drafts.]
\n\u201cMother in Paradise.\u201d Draft of score (pencil and colored pencil); undated. 3 pp.
\n\u201cLight in the Darkness.\u201d Draft of score (pencil); dated Christmas 1944. 2 pp. Copy 2 (duplicate facsimile). 2 pp.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nC80. Five Agnes M. Stanko Songs.<\/em> For voice and piano. [Manuscript facsimile.]
\n\u201cMillions of Souls.\u201d For SATB chorus and piano. Score. Manuscript facsimile. 5 pp.
\n\u201cMillions of Souls.\u201d For voice and piano. Score. Manuscript facsimile. 2 pp. of music. Score reproduced and bound by Independent Music Publishers.
\n\u201cSoldiers Are Calling.\u201d For voice and piano. Score. Manuscript facsimile. 3 pp. of music. Score reproduced and bound by Independent Music Publishers.
\n\u201cSun Song.\u201d For voice and piano. Score. Manuscript facsimile. 3 pp. of music. Score reproduced and bound by Independent Music Publishers.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\n<\/a>C81. \u201cThe Mouse Whose Name Is Time.\u201d For voice and piano. Words by Robert Francis.
\nText of poem, from Sunday Times<\/em> (August 27, 1944). 1 p.
\nDraft of score (pencil); dated September 6, 1944. 3 pp.
\nScore. Fair copy (ink); dated September 1948. 3 pp.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\n<\/a>C82. Three Emily Dickinson Songs,<\/em> op. 112. For voice and piano.
\n\u201cWild Nights! Wild Nights!\u201d op. 112, no. 1. Includes (4 items):<\/p>\n
    \n
  • Text of poem. Pencil. 1 p.<\/li>\n
  • Manuscript sketches (pencil); undated. 2 pp.<\/li>\n
  • Draft of score (pencil); dated February 16, 1949. 2 pp.<\/li>\n
  • Facsimile of fair copy; undated. 2 pp.<\/li>\n<\/ul>\n

    \u201cThe Grass so Little Has to Do,\u201d op. 112, no. 2. Includes (2 items):<\/p>\n

      \n
    • Draft of score (pencil); dated February 19, 1946. 2 pp.<\/li>\n
    • Ozalid manuscript; undated. 2 pp.<\/li>\n<\/ul>\n

      \u201cAn Awful Tempest Mashed the Air.\u201d<\/p>\n

        \n
      • Draft of score (pencil); dated February 11, 1949. 3 pp.<\/li>\n
      • Facsimile of fair copy; undated. 3 pp.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\n<\/a>C83. \u201cI Had No Time to Hate.\u201d For medium voice and piano. Text by Emily Dickinson.
\nText of poem (version used by Arthur Farwell in song setting). Typescript. 1 p.
\nDraft of score (pencil); dated October 2, 1949. 1 p. Copies 2-5 (duplicate facsimiles). 4 pp.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\n<\/a>C84. \u201cAfter All!\u201d For voice and piano.
\nScore. Fair copy (ink); undated. 4 pp.
\n4 “After all!” MS fair copy.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\n<\/a>C85. \u201cPriestess Rose.\u201d For voice and piano. Text by Betty Richardson.
\nDraft of score (pencil); undated. 2 pp. Copy 2 (duplicate facsimile). 2 pp.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\n<\/a>C89. The Hound of Heaven,<\/em> op. 100. For narrator, high baritone, and SSA chorus with orchestra. Poem by Francis Thompson. [Ozalid manuscript.]
\nFull score (incomplete; consists of pp. 1-40 only). Ozalid manuscript; undated. 40 pp.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nC89. The Hound of Heaven,<\/em> op. 100. For narrator, high baritone, and SSA chorus with orchestra. Poem by Francis Thompson. [Manuscript facsimile.]
\nFull score (incomplete; consists of pp. 1-40 only). Manuscript facsimile, bound; undated. 40 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text]<\/p>\n

<\/a>Sub-series B: Piano Music<\/span><\/em><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 31<\/strong><\/td>\n<\/a>C90. \u201cRegrets.\u201d For solo piano.
\nScore. Fair copy (ink); dated July 5, 1893. 1 p. Annotation on score: \u201cFirst composition of Arthur Farwell, original draft.\u201d
\nScore. Fair copy (ink); dated July 5, 1893. 2 pp. of music. Annotation on first page of score: \u201cSort of attempted revise–made long, long ago.\u201d<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\n<\/a>C91. Tone Pictures After Pastels in Prose,<\/em> op. 7. For solo piano.
\nPublished score (Boston: F. H. Gilson Co. [Privately Printed], 1895). 21 sheets.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\n<\/a>C92. Northern Song.<\/em> For solo piano.
\nFacsimile of published score (Boston: Oliver Ditson Co., 1897). 3 pp.<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\n<\/a>C93. Romance.<\/em> For solo piano.
\nPublished score (Boston: Oliver Ditson Co., 1897). 4 pp. of music. Copy 2 (duplicate facsimile). 5 pp.<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\n<\/a>C94. Sonata, op. 6. For solo piano.
\nScore. Fair copy (ink); dated 1899. 10 pp. Annotation on first page of score: \u201cunfinished.\u201d
\nDraft of p. 3 of score. Fair copy (ink, crossed out in colored pencil); undated. 1 p.<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\n<\/a>C95. Owasco Memories,<\/em> op. 8. For solo piano.
\nFacsimile of published score (Newton Center, MA: Wa-Wan Press, 1907). 11 pp.<\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\n<\/a>C96. American Indian Melodies,<\/em> op. 11. Harmonized by Arthur Farwell. For solo piano.
\nPublished score (Newton Center, MA: Wa-Wan Press, 1901). 29 pp. Inscription on title page of score.
\nPublished score, edited by Maurice Hinson (Chapel Hill, NC: Hinshaw Music, 1977). 19 pp.<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\n<\/a>C97. Symbolistic Study No. 1,<\/em> [\u201cToward the Dream,\u201d op. 16]. For solo piano.
\nPublished score (Newton Center, MA: Wa-Wan Press, 1904). 7 pp. Copy 2 (duplicate facsimile). 7 pp.<\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\n<\/a>C98. Dawn,<\/em> op. 12. Fantasy for piano on two Indian themes.
\nArranged by John Kirkpatrick. Score. Manuscript facsimile; dated 1901. 3 pp.<\/td>\n<\/tr>\n
folder 40<\/strong><\/td>\nC98. Dawn,<\/em> op. 12. For solo piano.
\nPublished score (Newton Center, MA: Wa-Wan Press, 1902), with annotations in pencil and colored pencil. 7 pp. Accompanied by manuscript note: \u201cAF used this copy to prepare orchestral version.\u201dPublished score (New York: G. Schirmer, 1912); published as No. 2 in Three Compositions for Piano by Arthur Farwell.<\/em> 7 pp. 2 copies.<\/td>\n<\/tr>\n
folder 41<\/strong><\/td>\n<\/a>C99. Ichibuzzhi,<\/em> op. 13. For solo piano.
\nPublished score (Newton Center, MA: Wa-Wan Press, 1902). 7 pp.<\/td>\n<\/tr>\n
folder 42<\/strong><\/td>\n<\/a>C100. The Domain of Hurakan,<\/em> [op. 15].<\/em> For solo piano.
\nPublished score (Newton Center, MA: Wa-Wan Press, 1902). 17 pp. 2 copies. Copy 1 has inscription on front cover (\u201cRobert Goldman from Arthur Farwell, Jan. \u201848\u201d).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 3″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1605295122564{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\n<\/a>C101. Navajo War Dance No. 2,<\/em> op. 29. For solo piano. [Manuscript sketches and scores.]
\nManuscript sketches (pencil); undated. 1 p.
\nScore. Fair copy (ink, with annotations in pencil and colored pencil); dated 1904. 8 pp.
\nScore. Fair copy (ink); dated 1908. 10 pp. Annotation on first page of score (\u201cOriginal manuscript for the Schroeder Foundation from Arthur Farwell, 1949).<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nC101. Navajo War Dance No. 2,<\/em> op. 29. [Publisher\u2019s transparencies.]
\nScore. Publisher\u2019s transparencies (Music Press Inc., 1947). 8 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\n<\/a>C102. Symbolistic Study No. 2, \u201cPerhilion,\u201d<\/em> op. 17. For solo piano.
\nScore. Fair copy (ink); dated 1904. 4 pp. of music.
\nScore (different version). Fair copy (ink); undated. 7 pp. Copy 2 (facsimile, on transparencies). 7 pp<\/span><\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\n<\/a>C103. From Mesa and Plain,<\/em> op. 20. For solo piano. [Manuscript facsimile.]
\n\u201cPawnee Horses,\u201d op. 20, no. 2. Score. Manuscript facsimile; undated. 1 p.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nC103. From Mesa and Plain,<\/em> op. 20. For solo piano. [Published scores.]
\nPiano Music by American Composers Presented by Jeanne Behrend, Pianist.<\/em> Facsimile of liner notes (Musical Masterpiece Series, RCA, M-764). 6 pp.
\n\u201cNavajo War Dance,\u201d op. 20, no. 1. Includes (4 copies):<\/p>\n
    \n
  • Published score (Newton Center, MA: Wa-Wan Press, 1905). 3 pp. of music.<\/li>\n
  • [Revised version.] Published score (Newton Center, MA: Wa-Wan Press, 1905). 5 pp. of music.<\/li>\n
  • [Revised version.] Published score (New York: G, Schirmer, 1912. Published as no. 3 in Three Compositions for Piano by Arthur Farwell. <\/em>5 pp. of music. 2 copies.<\/li>\n<\/ul>\n

    \u201cPrairie Miniature,\u201d op. 20, no. 2. Published score (Newton Center, MA: Wa-Wan Press, 1905). 2 pp. of music.
    \n\u201cPlantation Melody,\u201d op. 20, no. 3. Facsimile of published score (Newton Center, MA: Wa-Wan Press, 1905). 1 p.
    \n\u201cWa-Wan Choral,\u201d op. 20, no. 4. Facsimile of published score (Newton Center, MA: Wa-Wan Press, 1905). 2 pp.
    \n\u201cPawnee Horses,\u201d op. 20, no. 5. Published score (New York: G. Schirmer, 1944). 2 pp. of music. Copy 2 (duplicate facsimile). 2 pp.<\/p>\n<\/td>\n<\/tr>\n

folder 6<\/strong><\/td>\n<\/a>C104. Impressions of the Wa-Wan Ceremony of the Omahas,<\/em> op. 21. For solo piano.
\nPublished score (New York: G. Schirmer, 1906). 17 pp. of music.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\n<\/a>C106. Symbolistic Study No. 4, \u201cWa-Wan,\u201d<\/em> op. 24. For solo piano.
\nManuscript sketches (ink and pencil); dated 1906. 7 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\n<\/a>C107. The Distant Warrior.<\/em> For solo piano.
\nFacsimile of published score from The Circle<\/em> (1909). 3 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\n<\/a>C108. Fugue Fantasy,<\/em> op. 44. For solo piano.
\nScore. Manuscript facsimile; undated. 9 pp. 2 copies. Title on score: Indian Fugue-Fantasie on an Omaha Theme.<\/em><\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\n<\/a>C109. Two Poems for Pianoforte,<\/em> op. 45. For solo piano. [Manuscript scores.]
\n\u201cTreasured Deeps,\u201d op. 45, no. 1. Score. Fair copy (ink); dated 1914. 3 pp. Copy 2. 4 pp.
\n\u201cFlame-Voiced Night,\u201d op. 45, no. 2. Score. Fair copy (ink); dated 1915. 10 pp. Copy 2 has annotations in pencil. 11 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nC109. Two Poems for Pianoforte, op. 45. [Published scores.]
\n\u201cTreasured Deeps,\u201d op. 45, no. 1. Published score (New York: Carl Fischer, 1923). 5 pp. of music.
\n\u201cFlame-Voiced Night,\u201d op. 45, no. 2. Published score (New York: Carl Fischer, 1923). 15 pp. of music.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\n<\/a>C110. Laughing Piece.<\/em> For solo piano.
\nScore. Fair copy (ink); dated 1914 (revised 1940). 4 pp. Copy 2 (facsimile, on transparencies). 4 pp.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\n<\/a>C111. Modal Inventions,<\/em> op. 68. For solo piano.
\nDraft of score (pencil); dated 1923. 8 pp.
\nScore, including alternative ending. Fair copy (ink, with annotations in pencil); dated 1923. 9 pp. Copy 2 (facsimile, on transparencies). 9 pp.
\nExcerpts from score, including p. 8 and alternative ending. Manuscript facsimile, with annotations in ink (p. 8 consists of mirror image of score). 2 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\n<\/a>C112. Americana,<\/em> op. 78. For solo piano. [Manuscript sketches and scores.]
\n\u201cRarin\u2019 to Go,\u201d op. 78, no. 1. Includes (3 items):<\/p>\n
    \n
  • Typescript song text, with commentary. 1 p.<\/li>\n
  • Draft of score (pencil); undated. 5 pp.<\/li>\n
  • Fair copy (ink); dated 1927 (revises 1938). 8 pp.<\/li>\n<\/ul>\n

    \u201cPlantation Plaint,\u201d op. 78, no. 2. Includes (2 items):<\/p>\n

      \n
    • Draft of score (pencil); dated April 1928. 6 pp.<\/li>\n
    • Fair copy (ink); undated. 6 pp. 2 copies. Copy 1 has annotations in pencil and ink.<\/li>\n<\/ul>\n

      \u201cSourwood Mountain,\u201d op. 78, no. 3. Draft of score (pencil); dated 1927. 7 sheets.
      \n\u201cThings I Used to Do.\u201d Facsimile of song from Carl Sandburg, An American Songbook,<\/em> p. 482. 1 p.<\/p>\n<\/td>\n<\/tr>\n

folder 15<\/strong><\/td>\nC112. Americana,<\/em> op. 78. For solo piano. [Published scores.]
\n\u201cPlantation Plaint,\u201d op. 78, no. 2. Published score (New York: G. Schirmer, 1944). 3 pp. of music. 2 copies.
\n\u201cSourwood Mountain,\u201d op. 78, no. 3. Published score (New York: G. Schirmer, 1930). 7 pp. of music. Affixed to inside front cover of score: press clipping (image of Lester Rondell\u2019s \u201cAssignment\u201d drawing juxtaposed with photograph by Richard W. Fagan); undated. 1 p.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\n<\/a>C113. Melody in E Minor, op. 77. For solo piano.
\nScore. Fair copy (ink); dated 1928. 4 pp.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\n<\/a>C114. Dream Flower,<\/em> op. 79. For solo piano. [Manuscript score.]
\nScore. Fair copy (ink); undated. 2 pp. of music.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nC114. Dream Flower,<\/em> op. 79. [Published score.]
\nPublished score (New York: G. Schirmer, 1941). 2 pp. of music.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\n<\/a>C115. Two Poems for Pianoforte, op. 82.
\nScore. Fair copy (ink); dated 1929. 16 pp. of music.
\n\u201cLyric Tides,\u201d op. 82, no. 1. Score. Fair copy (ink); undated. 8 pp. Copy 2 (duplicate facsimile, on transparencies). 8 pp.
\n\u201cThwarted Current,\u201d op. 82, no. 2. Score. Fair copy (ink); dated August 11, 1929. 8 pp. Copy 2 (duplicate facsimile, on transparencies). 8 pp.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\n<\/a>C117. What\u2019s In an Octave?<\/em> op. 84. For solo piano.
\nDraft of score (pencil); dated April 4, 1930. 7 pp.
\nScore. Fair copy (ink); undated. 8 pp.
\nScore. Fair copy (printed on transparencies); undated. 11 pp.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\n<\/a>C118. In the Tetons, Suite,<\/em> op. 86. For solo piano. [Manuscript sketches and scores.]
\n\u201cLonely Camp Fire,\u201d op. 86, no. 2. Manuscript sketches (pencil); dated July 23, 1930. 2 pp.
\n\u201cArduous Trail,\u201d op. 86, no. 3. Manuscript sketches (pencil); undated. 2 pp.
\n\u201cWild Flower,\u201d op. 86, no. 4. Includes (3 items):<\/p>\n
    \n
  • Manuscript sketches (pencil); dated August 7, 1930. 2 pp.<\/li>\n
  • Draft of score (pencil); dated February 21, 1942. 1 p.<\/li>\n
  • Fair copy (ink); dated 1930. 3 pp.<\/li>\n<\/ul>\n

    \u201cThe Peaks at Night,\u201d op. 86, no. 5. Manuscript sketches (pencil); undated. 3 pp.
    \n\u201cWind Play,\u201d op. 86, no. 6. Manuscript sketches (pencil); dated 1930. 2 pp.
    \n\u201cNorthern Lights,\u201d op. 86, no. 7. Manuscript sketches (pencil); dated July 1930. 2 pp.
    \n\u201cBig Country,\u201d op. 86, no. 8. Includes (2 items):<\/p>\n

      \n
    • Manuscript sketches (pencil); dated August 2, 1930. 4 pp.<\/li>\n
    • Fair copy (ink); undated. 11 pp.<\/li>\n<\/ul>\n

      Full suite score [Granite and Ice; Lonely Camp Fire; Arduous Trail; Wild Flower; The Peaks at Night]. Fair copy (printed on transparencies); undated. 34 pp.<\/p>\n<\/td>\n<\/tr>\n

folder 22<\/strong><\/td>\nC118. In the Tetons, Suite,<\/em> op. 86. [Published score.]
\n\u201cPurple Lupine,\u201d op. 86 [version of \u201cWild Flower\u201d]. Published score (New York: G. Schirmer, 1941). 2 pp. of music. 2 copies. Copy 1 has inscription on front cover (\u201cFor my dear Beatrice from Dad, Christmas 1941\u201d).<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\n<\/a>C119. Vale of Enitharmon, <\/em>op. 91. For solo piano. [Manuscript sketches and scores.]
\nManuscript sketches (pencil); undated. 5 sheets.
\nScore. Fair copy (ink, with annotations in pencil); undated. 4 pp.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nC119. Vale of Enitharmon, <\/em>op. 91. [Published score.]
\nPublished score (East Lansing, MI: Arthur Farwell, 1935). 8 pp. of music. 4 copies.
\nFacsimile of published score, printed on transparencies (East Lansing, MI: Arthur Farwell, 1935). 10 pp.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\n<\/a>C120. Two Compositions for Piano, op. 93.
\n\u201cFire Principle,\u201d op. 93, no. 2. Manuscript sketches (pencil and ink). 3 pp.
\nScore. Fair copy (ink, with annotations in pencil); dated 1932. 6 pp. of music. Copy 2 (duplicate facsimile, printed on transparencies). 6 pp.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\n<\/a>C121. Four Meditations,<\/em> op. 97. For solo piano.
\nScore. Fair copy (ink); dated 1934. 7 pp. of music. Copy 2 (duplicate facsimile, printed on transparencies). 7 pp.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\n<\/a>C122. Altar Gift.<\/em> For solo piano.
\nScore. Fair copy (ink); dated 1928-37. 2 pp. of music.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\n<\/a>C123. Prelude and Fugue, op. 94. For solo piano.
\nPrelude. Draft of score (pencil); dated October 7, 1936. 2 pp. Title on draft: \u201cPrelude and Fugue.\u201d
\nFugue. Draft of score (pencil); dated May 1931. 2 pp.
\nScore. Fair copy (ink, with annotations in pencil and colored pencil); dated 1931 and 1936. 4 sheets. Copy 2 (duplicate facsimile, printed on transparencies). 7 pp.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\n<\/a>C124. Two Tone-Pictures for Piano, op. 104.
\n\u201cPastel,\u201d op. 104, no. 1. Score. Fair copy (ink); dated 1936. 6 pp. Copy 2 (duplicate facsimile, printed on transparencies). 6 pp.
\n\u201cMarine,\u201d op. 104, no. 2. Manuscript sketches (pencil); undated. 5 pp.
\n\u201cMarine,\u201d op. 104, no. 2. Score. Fair copy (ink); dated October 5, 1937. 6 pp. of music. Copy 2 (duplicate facsimile, printed on transparencies). 7 pp.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\n<\/a>C125. Line Study. For solo piano.
\nScore. Fair copy (ink, with performance markings in pencil); dated November 1939. 2 pp. of music.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\n<\/a>C126. Happy Moment.<\/em> For solo piano.
\nScore. Fair copy (ink); dated 1939-40. 3 pp.<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\n<\/a>C127. Pastorale. For solo piano.
\nDraft of score (pencil); dated December 14, 1940. 4 pp.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\n<\/a>C128. Two Little Poems for Piano,<\/em> op. 106. [Manuscript score.]
\n\u201cStrange Dream,\u201d op. 106, no. 2. Score. Fair copy (ink); dated 1942. 2 pp. of music.<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\nC128. Two Little Poems for Piano,<\/em> op. 106. [Published score.]
\n\u201cGirl Singing,\u201d op. 106, no. 1. Published score (New York: G. Schirmer, 1944). 3 pp. of music.<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\n<\/a>C129. For Cynthia.<\/em> For solo piano.
\nDraft of score (pencil); dated February 20, 1942. 2 pp.
\nScore. Fair copy (ink); dated February 20, 1942. 3 pp.<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\n<\/a>C130. Polytonal Studies,<\/em> op. 109. For solo piano. [Manuscript sketches.]
\nManuscript sketches (pencil, colored pencil, and ink); undated. 48 sheets.<\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\nC130. Polytonal Studies,<\/em> op. 109. [Manuscript fair copies, Nos. 1-7.]
\n\u201cLocation of Polytonal Studies.\u201d Table (ink and pencil); undated. 1 p.
\n\u201cMaster Sheets of Polytonal Studies.\u201d Table (ink and pencil); undated. 1 p.
\nNo. 1. Score. Fair copy (ink); dated February 2, 1942. 3 pp.
\nNo. 1. Score. Ozalid manuscript; undated. 3 pp.
\nNo. 2. Score. Fair copy (ink); dated May 29, 1940. 3 pp.
\nNo. 3. Score. Fair copy (ink); dated April 28, 1945. 5 pp.
\nNo. 4. Score. Fair copy (ink); dated May 31, 1940. 3 pp.
\nNo. 5. Score. Fair copy (ink); dated March 19, 1941. 2 pp. of music.
\nNo. 6. Score. Ozalid manuscript; undated. 6 pp.
\nNo. 7. Score. Ozalid manuscript; undated. 4 pp.<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\nC130. Polytonal Studies,<\/em> op. 109. [Manuscript fair copies, Nos. 8-14.]
\nNo. 8. Score. Fair copy (ink); dated May 30, 1940. 4 pp. of music. Copy 2 (duplicate facsimile, printed on transparencies). 4 pp.
\nNo. 9. Score. Fair copy (ink); undated. 4 pp. Copy 2 (duplicate facsimile, printed on transparencies). 4 pp.
\nNo. 10. Score. Ozalid manuscript; undated. 4 pp.
\nNo. 11. Score. Fair copy (ink); dated February 11, 1942. 4 pp. Copy 2 (duplicate facsimile, printed on transparencies). 4 pp.
\nNo. 12. Score. Ozalid manuscript; undated. 3 pp.
\nNo. 13. Score. Ozalid manuscript; undated. 3 pp.
\nNo. 14. Score. Ozalid manuscript; undated. 3 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/span><\/strong><\/td>\nC130. Polytonal Studies, op. 109. [Manuscript fair copies, Nos. 15-21.]
\nNo. 15. Score. Manuscript facsimile; undated. 5 pp. of music.
\nNo. 15. Score. Ozalid manuscript; undated. 5 pp.
\nNo. 16. Score. Ozalid manuscript; undated. 3 pp.
\nNo. 17. Score. Ozalid manuscript; undated. 4 pp.
\nNo. 18. Score. Ozalid manuscript; undated. 4 pp.
\nNo. 19. Score. Ozalid manuscript; undated. 2 pp.
\nNo. 20. Score. Ozalid manuscript; undated. 6 pp.
\nNo. 21. Score. Ozalid manuscript; undated. 4 pp.<\/td>\n<\/tr>\n
folder 2<\/span><\/strong><\/td>\nC130. Polytonal Studies, op. 109. [Manuscript fair copies, Nos. 26, 34.]
\nNo. 26. Score. Fair copy (ink); dated June 10, 1940. 3 pp. Copy 2 (duplicate
\nfacsimile, printed on transparencies). 3 pp.
\nNo. 34. Score. Fair copy (ink); dated July 21, 1940. 3 pp.<\/td>\n<\/tr>\n
folder 3<\/span><\/strong><\/td>\n<\/a>C131. Melody in D Minor. For solo piano.
\nScore. Fair copy (ink); dated January 7, 1948. 2 pp. of music.<\/td>\n<\/tr>\n
folder 4<\/span><\/strong><\/td>\n<\/a>C132. Sonata for Piano, op. 113. [Manuscript draft and score.]
\nDraft of score (pencil, with annotations in colored pencil); dated April 2, 1949. 14 pp.
\nScore. Ozalid manuscript; undated. 16 pp.
\nScore. Manuscript facsimile; undated. 16 pp. Score reproduced and bound by Independent Music Publishers.<\/td>\n<\/tr>\n
folder 5<\/span><\/strong><\/td>\n<\/a>C133. Palm Tree Daughters. For solo piano.
\nScore (A flat and D flat in key signature). Draft of score (ink and pencil); undated. 6 pp.
\nScore (no flats in key signature) (incomplete; consists of pp. 1-2 only). Fair copy (ink); undated. 2 pp. of music.<\/td>\n<\/tr>\n
folder 6<\/span><\/strong><\/td>\n<\/a>C134. Fantasie on a Turkish Air. For solo piano.
\nDraft of score (pencil); undated. 6 pp. Copy 2 (duplicate facsimile). 6 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text]<\/p>\n

<\/a>Sub-series C: Chamber and Instrumental Music <\/span><\/em><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 7<\/span><\/strong><\/td>\n<\/a>C138. Owasco Memories. Arranged for piano, violin, and violoncello from the Piano Suite, op. 8.
\nFull score. Fair copy (ink); dated 1899-1901. 19 pp.
\nInstrumental parts: violin, violoncello. Fair copies (ink). 10 pp. of music.
\n\u201cThe Casino Across the Lake.\u201d Violin part, labeled \u201cExtra Separate Copy.\u201d
\nFair copy (ink). 1 p.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\n<\/a>C139. \u201cPrairie Miniature,\u201d from From Mesa and Plain, op. 20. Arranged for woodwind quintet.
\nFull score. Ozalid manuscript; dated 1905. 5 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\n<\/a>C140. Fugue Fantasy, op. 44. For string quartet.
\nFull score (incomplete). Fair copy (ink); dated 1914. 7 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\n<\/a>C142. The Hako, op. 65. For string quartet.
\nManuscript sketches (pencil); undated. 2 pp.
\nDraft of score (pencil and colored pencil); dated 1922. 26 pp.
\n\u201cA. F. Notes on The Hako: Excerpt and Paraphrase.\u201d Manuscript notes; undated. 3 pp.
\nUntitled excerpt from draft of Evelyn Culbertson\u2019s biography (pertaining to The Hako). Typescript, with annotations in pencil and ink; undated. 2 pp. (See pp. 379-380).
\nFacsimile of performance notes. Typescript; undated. 5 pp.
\nFull score. Fair copy (manuscript facsimile); dated April 1926. 19 pp.
\nFacsimiles of materials from the Library of Congress, compiled by Wayne Shirley. Includes (4 items):
\n– Instrumental parts: violin I, violin II, viola, violoncello. Manuscript facsimile; undated. 43 pp.
\n– Copy 2 of untitled excerpt from draft of Evelyn Culbertson\u2019s biography (pertaining to The Hako). Facsimile of typescript draft, with annotations in pencil and ink; undated. 2 pp.
\n– Copy 2 of performance notes. Typescript; undated. 5 pp.
\n– Copy 2 of full score. Fair copy (manuscript facsimile); dated April 1926. 19 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\n<\/a>C144. \u201cMystery for Strings,\u201d op. 90. Interlude in Mountain Song.<\/em> For string orchestra.
\nFull score. Manuscript facsimile; undated. 6 pp.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\n<\/a>C145. Quintet in E Minor, op. 103. For piano and strings. [Full score.]
\nManuscript sketches (pencil and colored pencil); undated. 29 sheets.
\nDraft of score (pencil, with annotations in colored pencil); dated 1937. 17 pp.
\nFacsimile of full score. Fair copy (manuscript facsimile); dated 1938. 172 pp. of music<\/span><\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nC145. Quintet in E Minor, op. 103. [Instrumental parts.]
\nViolin I part. Manuscript facsimile; undated. 29 pp.
\nViolin II part. Manuscript facsimile; undated. 28 pp.
\nViola part. Manuscript facsimile; undated. 30 pp.
\nVioloncello part. Manuscript facsimile; undated. 31 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\n<\/a>C146. Ballade for Violin and Piano, op. 1.
\nPublished score (Boston: H. B. Stevens Co., 1899). 9 pp. of music. Inscription on front cover of score: \u201cMabel Torrance from Arthur Farwell – 1900.\u201d<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\n<\/a>C148. To Morfydd.<\/em> For oboe and piano.
\nPublished score and oboe part (Newton Center, MA: Wa-Wan Press, 1903). 4 pp. of music.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\n<\/a>C149. \u201cChoral: Around the Lodge,\u201d from From Mesa and Plain,<\/em> op. 20. Arranged for violin and piano.
\nScore. Fair copy (ink); dated 1905. 2 pp. of music.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\n<\/a>C150. Song Flight,<\/em> op. 61. For violin and piano.
\nDraft of score (pencil); undated. 8 pp.
\nViolin part. Fair copy (ink); undated. 2 pp.
\nScore. Fair copy (ink); dated 1922. 8 pp.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\n<\/a>C151. Melody in E Minor, op. 77. For violin and piano.
\nPublished score and violin part (East Lansing, MI: Arthur Farwell, 1936). 8 pp. of music. 2 copies.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\n<\/a>C152. Sonata for Violin and Piano, op. 80.
\nMovement I. Draft of score (pencil); \u201csketch of this movement begun in 1919\u00ad\u2013finished in December 1928.\u201d 18 pp.
\nMovement II. Draft of score (pencil); dated January 31, 1929. 19 pp.
\nMovement III. Draft of score (pencil); undated. 18 pp.
\nScore. Ozalid manuscript; dated 1928. 50 pp.
\nViolin part. Ozalid manuscript; undated. 7 pp.
\nViolin part. Manuscript facsimile; undated. 7 pp.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\n<\/a>C153. \u201cPurple Lupine,\u201d op. 86, no. 4. Arranged for cello and piano by Richard Clayton.
\nScore. Fair copy (ink, with annotations in pencil); undated. 3 pp.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\n<\/a>C154. Land of Luthany,<\/em> op. 87. For violoncello and piano. [Manuscript score and part.]
\nDraft of score (pencil); dated 1932. 8 pp.
\nVioloncello part. Fair copy (ink, with annotations in pencil and colored pencil); dated 1932. 2 pp. of music.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nC154. Land of Luthany,<\/em> op. 87. [Published score and part.]
\nPublished score and part (East Lansing, MI: Arthur Farwell, 1932). 11 pp. 3 copies.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\n<\/a>C155. Eothen,<\/em> op. 92. For violin and piano.
\nManuscript sketches (pencil); undated. 4 pp.
\nViolin part. Fair copy (ink); undated. 3 pp.
\nScore. Fair copy (ink, with annotations in pencil); dated 1931. 11 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\n<\/a>C156. Sonata in G Minor, op. 86. For solo violin. [Manuscript sketches and scores.]
\n\u201cWorksheet for Sonata for Solo Violin.\u201d Manuscript sketches (pencil); undated. 2 pp.
\nDraft of score (pencil); dated March 8, 1934. 7 sheets.
\nScore. Fair copy (pencil); undated. 15 pp. of music. Copies 2-3 (duplicate facsimiles). 16 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nC156. Sonata in G Minor, op. 86. [Publisher\u2019s proofs.]
\n\u201cFarwell\u2019s Sonata for Solo Violin: About This Edition.\u201d Typescript, with annotations in pencil. 1 p.
\nScore. Publisher\u2019s proofs (typescript, with annotations in pencil); dated 1993. 10 pp.
\nAlso in folder (2 items):<\/p>\n
    \n
  • Correspondence from Ron Erickson (Elysian String Quartet) to John Creckler. 1 letter. Typescript; dated April 9, 1993. 1 p.<\/li>\n
  • Excerpt of score of unidentified string quartet (facsimile of p. 10). 1 p.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\n<\/a>C157. Suite for Flute and Piano, op. 114.
\n\u201cWoodland Colloquy.\u201d Draft of score (pencil and colored pencil); dated 1949. 2 pp.
\n\u201cNocturn.\u201d Draft of score (pencil); ca. 1949. 4 pp.
\nScore. Ozalid manuscript; dated 1949. 13 pp.
\nFlute part. Ozalid manuscript; undated. 5 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\n<\/a>C158. Sonata for Violoncello and Piano, op. 116.
\nMovement I. Draft of score (pencil and colored pencil); dated \u201cFall of 1949.\u201d 14 pp.
\nMovement II. Draft of score (pencil and colored pencil); undated. 15 sheets.
\nScore. Ozalid manuscript; undated. 40 pp.
\nVioloncello part. Ozalid manuscript; undated. 12 pp.
\nExcerpt from score (consists of pp. 33, 34, 39, and 40 only). Manuscript facsimile, reproduced from Ozalid manuscript, with annotations in ink; undated. 4 pp.
\nVioloncello part. Manuscript facsimile, reproduced from Ozalid manuscript; undated. 12 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series D: Choral and Community Singing Music<\/span><\/em><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 5<\/strong><\/td>\n<\/a>C159. Two Choruses,<\/em> op. 10. For SATB voices and accompaniment.
\n\u201cBuild Thee More Stately Mansions.\u201d Text by Oliver Wendell Holmes. Published score, No. 118 in The Laurel Song Series of Vocal Selections<\/em> (Boston: C. Birchard & Co., 1901). 4 pp.
\nAlso in folder:<\/p>\n
    \n
  • \u201cHoof Beats.\u201d For voice. Text by Louise Ayres Garnett. Facsimile of published score, from unidentified source. 1 p.<\/li>\n
  • \u201cMorning.\u201d For voice. Text by John Fletcher. Facsimile of published score, from unidentified source. 1 p.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\n<\/a>C162. Wanderer\u2019s Night Song,<\/em> op. 27. For TTBB quartet with rehearsal piano.
\nScore. Fair copy (ink, with annotations in pencil); dated 1907. 7 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\n<\/a>C163. K\u00e9ramos,<\/em> op. 28. Poem by Henry W. Longfellow. [Manuscript score.]
\nFor TTBB voices and piano. Score. Fair copy (ink); dated 1907. 21 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nC163. K\u00e9ramos,<\/em> op. 28. [Published score.]
\nFor SATB voices and piano. Facsimile of published score (New York: Remick Music Corp., 1952). 19 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\n<\/a>C164. How Beautiful Is Night,<\/em> op. 30. Text attributed to Robert Southey.
\nManuscript sketches (pencil, ink, and colored pencil); dated 1907. 4 pp<\/span><\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\n<\/a>C166. Hymn to Liberty,<\/em> op. 35. For SATB voices with accompaniment. [Manuscript score and parts.]
\nFor SATB voices and orchestra. Full score. Fair copy (ink); undated. 4 pp.
\nInstrumental parts (incomplete): 1st violin (2 copies), 2nd violin, viola, bass, 1st flutes, 2nd flute, 2nd oboe, English horn, 1st bassoon, 2nd bassoon, 1st clarinet in A, 2nd clarinet in A, 1st trumpet in D, 3rd trumpet in D, 1st horn in F, 2nd horn in F, 3rd horn in F, 4th horn in F, 1st trombone, 2nd trombone, 3rd trombone, tuba, kettle drums. 24 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nC166. Hymn to Liberty,<\/em> op. 35. [Published score.]
\nFor SATB voices and keyboard. Published score (Newton Center, MA: Wa-Wan Press, 1911). 2 pp. of music.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\n<\/a>C167. O Captain, My Captain,<\/em> op. 34. For SATB voices and piano. Poem by Walt Whitman.
\nPublished score (Cincinnati: John Church Co., 1918). 17 pp. of music.
\nAccompanying item (correspondence between John Wannamaker and Brice Farwell) separated; see Box 35, Folder 44.<\/em><\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\n<\/a>C168. The Christ Child\u2019s Christmas Tree,<\/em> op. 41. For SATB voices and accompaniment. Poem by Jean Dwight Franklin. [Manuscript score.]
\nFor SATB chorus and orchestra. Orchestral score (vocal parts missing). Fair copy (ink), with performance markings in colored pencil; dated 1913. 11 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nC168. The Christ Child\u2019s Christmas Tree,<\/em> op. 41. [Published score.]
\nFor SATB chorus and piano or organ. Published score (New York: G. Schirmer, 1913). 7 pp. of music.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\n<\/a>C171. Three Songs from Caliban for Medium Voice,<\/em> op. 47a.
\n\u201cMany Are the Wonders of Time,\u201d op. 47, no. 3. For voice and piano. Text by Sophocles. Translation by Percy MacKaye. Score. Fair copy (ink, with annotations in colored pencil); dated 1916. 6 pp.
\nOrchestral score. Fair copy (ink), with performance markings in colored pencil; dated 1916. 8 pp. Accompanied by manuscript note. 1 p.
\nFor SATB chorus and orchestra. Full score. Fair copy (ink), with annotations in colored pencil; dated 1916. 13 pp. Accompanied by manuscript note. 1 p.
\nInstrumental parts: flute, 1st clarinet in A, 2nd clarinet in A, horn in F, 1st cornets in B flat, 2nd cornets in B flat, trombone, 1st violin (8 copies), 2nd violin (4 copies), viola, cello (2 parts), bass (2 parts). 36 pp.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\n<\/a>C172. Three Songs for Community Singing,<\/em> op. 48. [Manuscript score and parts.]
\n\u201cMarch! March!\u201d For unison chorus and orchestra. Includes:<\/p>\n
    \n
  • Full score. Fair copy (ink, with performance markings in colored pencil); undated. 5 pp. of music.<\/li>\n
  • Part\/score for two trumpets and two trombones. Fair copy (ink); undated. 1 p. of music.<\/li>\n
  • Piano copy in D flat. Fair copy (ink), with annotations in pencil; undated. 2 pp. of music.<\/li>\n<\/ul>\n

    Instrumental parts: flute I, flute 2nd, oboe I, oboe 2nd, English horn, bassoon I, bassoon 2nd, clarinet I, clarinet 2nd, horns I-II in F, horns III-IV in F, trumpet I, 1st trumpet, trumpet 2nd, trombone I, trombone 2nd, trombone 3rd, tuba, kettledrum, bass drum and cymbals, snare drum, 2nd violin (13 copies), viola (4 copies), cello (4 copies), bass (6 copies). 49 pp.<\/p>\n<\/td>\n<\/tr>\n

folder 17<\/strong><\/td>\nC172. Three Songs for Community Singing,<\/em> op. 48. [Manuscript score and parts.]
\nPrelude to \u201cJoy! Brothers Joy!\u201d Includes:<\/p>\n
    \n
  • Cue sheet (pencil). 1 p.<\/li>\n
  • Piano part (or reduced score?). Fair copy (ink); undated. 2 pp.<\/li>\n
  • Orchestral score. Fair copy (ink), with performance markings in colored pencil. 3 pp.<\/li>\n
  • Instrumental parts: 1st violin (3 copies), 2nd violin (2 copies), viola, cello, bass (2 copies), flute, bassoon, 1st clarinet, 2nd clarinet, trumpets, horns in F, trombone, tympani. Fair copy (ink); undated. 17 pp.<\/li>\n<\/ul>\n

    \u201cJoy! Brothers Joy!\u201d For SATB chorus and orchestra. Instrumental parts: violin 1 (13 copies), violin 2 (12 copies), viola (4 copies), violoncello (4 copies), bass (6 copies), flute 1, flute 2, oboe 1, oboe 2, English horn, bassoon 1, bassoon 2, clarinet 1, clarinet 2, horns 1 & 2 in F, horns 3 & 4 in F, trumpets (2 copies), trombone 1, trombone 2, trombone 3, tuba, bass drum & cymbals, kettle drums. 58 pp.<\/p>\n<\/td>\n<\/tr>\n

folder 18<\/strong><\/td>\nC172. Three Songs for Community Singing,<\/em> op. 48. [Published score.]
\n\u201cMarch! March!\u201d For voice and piano. Published score (New York: G, Schirmer, 1916). 2 pp. of music.
\n\u201cJoy! Brothers, Joy!\u201d For SATB voices and piano. Published score (New York: G, Schirmer, 1916). 3 pp. of music.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\n<\/a>C173. Four Part Songs for Community Chorus,<\/em> op. 51. [Manuscript score.]
\n\u201cHosanna!\u201d op. 51, no. 1. For SATB voices and orchestra. Full score. Fair copy (ink, with performance markings in colored pencil); undated. 7 pp.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nC173. Four Part Songs for Community Chorus,<\/em> op. 51. [Published scores.]
\n\u201cHosanna!\u201d op. 51, no. 1. For SATB chorus and piano. Published score (Cincinnati: John Church Co., 1913). 5 pp. of music.
\n\u201cBreathe on us, Breath of God.\u201d For SATB chorus and piano. Published score (Cincinnati: John Church Co., 1913). 3 pp. of music.
\n\u201cOur Country\u2019s Prayer.\u201d Includes (3 items):<\/p>\n
    \n
  • For SATB chorus and piano. Poem by Carl Roppel. Published score (Cincinnati: John Church Co., 1919). 4 pp. of music.<\/li>\n
  • For low voice and piano in B flat. Verse by Carl Roppel. Published score (Cincinnati: John Church Co., 1919). 3 pp. of music.<\/li>\n
  • For high voice and piano in D. Verse by Carl Roppel. Published score (Cincinnati: John Church Co., 1919). 3 pp. of music.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\n<\/a>C175. \u201cDefenders.\u201d For SATB chorus and piano.
\nPublished score (Cincinnati: John Church Co., 1920). 2 pp. of music.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\n<\/a>C176. La Primavera,<\/em> op. 56a. For SATB voices and piano.
\nScore. Fair copy (ink); dated 1920. 3 pp.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\n<\/a>C177. Five Songs for Community Chorus,<\/em> op. 57. [Manuscript scores.]
\n\u201cWe Will Be Free.\u201d Poem by James Thompson. Includes:<\/p>\n
    \n
  • For voice and piano. Draft of score (pencil); undated. 2 pp.<\/li>\n
  • For medium voice and piano. Score. Fair copy (ink); undated. 2 pp. of music.<\/li>\n
  • For voice and piano. Draft of score, labeled \u201cThird revise–August 1946\u201d (pencil). 1 p.<\/li>\n
  • For voice and piano. Score. Fair copy (ink); dated June 2, [illegible]. 2 pp. of music.<\/li>\n
  • Orchestral arrangement. Score. Fair copy (ink), with performance markings in colored pencil; undated. 2 pp. On reverse: manuscript sketches (pencil and colored pencil). 2 pp.<\/li>\n
  • For TTBB quartet and piano. Score. Ozalid manuscript; copyright 1950. 3 pp.<\/li>\n
  • For SATB chorus and piano. Score. Ozalid manuscript; copyright 1950. 3 pp.<\/li>\n
  • For high voice and piano in B flat. Score. Ozalid manuscript; copyright 1950. 2 pp.<\/li>\n
  • For low voice and piano in G. Score. Ozalid manuscript; copyright 1950. 2 pp.<\/li>\n
  • For TTBB quartet and piano. Score. Manuscript facsimile. 3 pp. 4 copies.<\/li>\n
  • For SATB chorus and piano. Score. Manuscript facsimile. 3 pp. 6 copies.<\/li>\n
  • For high voice and piano in B flat. Score. Manuscript facsimile. 2 pp. 4 copies.<\/li>\n
  • For low voice and piano in G. Score. Manuscript facsimile. 2 pp. 2 copies.<\/li>\n<\/ul>\n

    \u201cAny Time for Singin,\u2019\u201d op. 57, no. 4. For voice and piano. Score. Fair copy (ink); undated. 2 pp. of music.
    \n\u201cSing Awhile Longer,\u201d op. 57, no. 5. For voice and piano. Score. Fair copy (ink); dated 1920. 1 p.<\/p>\n<\/td>\n<\/tr>\n

folder 24<\/strong><\/td>\nC177. Five Songs for Community Chorus,<\/em> op. 57. [Published scores.]
\n\u201cPasadena Community Music Meeting, Sheet 1.\u201d Compilation of song melodies. Typescript sheet (copyright Arthur Farwell, 1922). 2 pp.<\/p>\n
    \n
  • Includes songs and transcriptions by Arthur Farwell: We Will Be Free; Pena Hueca (Spanish Californian folk song); La Golondrina (Spanish Californian folk song); De Rocks a\u2019Renderin\u2019 (Negro spiritual); Omaha Game Song (Indian folk song); By the Sea (Franz Schubert); Choral, from the Matthew–Passion<\/em> (Johann Sebastian Bach); When of Old My Mother (Anton Dvo\u0159\u00e1k); Last Night (Halfdan Kjerulf).<\/li>\n<\/ul>\n

    \u201cPasadena Community Music Meeting, Sheet 1: Mixed Chorus.\u201d Compilation of songs, with SATB harmonization. Manuscript facsimile (copyright Arthur Farwell, 1922). 4 pp.<\/p>\n

      \n
    • Includes songs and transcriptions by Arthur Farwell: We Will Be Free; Pena Hueca (Spanish Californian folk song); La Golondrina (Spanish Californian folk song); De Rocks a\u2019Renderin\u2019 (Negro spiritual); Omaha Game Song (Indian folk song); By the Sea (Franz Schubert); Choral, from the Matthew–Passion<\/em> (Johann Sebastian Bach); When of Old My Mother (Anton Dvo\u0159\u00e1k); Last Night (Halfdan Kjerulf).<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\n<\/a>C181. Three School Choruses,<\/em> op. 62. For chorus and piano.
\n\u201cThe Daffodils,\u201d op. 62, no. 1. For SATB voices and piano. Poem by William Wordsworth. Score. Fair copy (ink); dated 1922. 3 pp.
\n\u201cPippa\u2019s Song,\u201d op. 62, no. 2. For SATB voices and piano. Poem by Robert Browning. Score. Fair copy (ink); dated 1922. 3 pp.
\n\u201cNew Year\u2019s Bell,\u201d op. 62, no. 3. For girl\u2019s voices (SA) with piano. Score. Fair copy (ink); dated 1922. 2 pp. of music.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\n<\/a>C184. Symphonic Song on Old Black Joe,<\/em> op. 67. For orchestra and audience. [Scores.]
\nOrchestral score. Fair copy (ink), with annotations in pencil and colored pencil; dated August 14, 1924. 23 pp.
\nOrchestral score. Ozalid manuscript; undated. 24 pp.
\nOrchestral score. Manuscript facsimile. 24 pp. Score reproduced by Independent Music Publishers. 2 copies. Copy 1 bound.
\nProgram notes. Typescript; undated. 1 p.
\nComposer\u2019s notes. Typescript; undated. 1 p. On reverse: title page for composition.
\nAlso in folder:<\/p>\n