{"id":6435,"date":"2020-10-20T12:03:07","date_gmt":"2020-10-20T16:03:07","guid":{"rendered":"https:\/\/www.esm.rochester.edu\/sibley\/?page_id=6435"},"modified":"2020-10-20T12:03:07","modified_gmt":"2020-10-20T16:03:07","slug":"sub5","status":"publish","type":"page","link":"https:\/\/www.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/falcinelli\/sub5\/","title":{"rendered":"ROLANDE FALCINELLI ARCHIVE"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

SUB-GROUP V: OVERSIZED MATERIALS<\/h3>\n

[\/vc_column_text][vc_custom_heading text=”Box 42″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1603209816079{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\nRecital programs of 10 Mars 1974; and, 17 Octobre 1982.
\nSeparated from II\/2\/B<\/td>\n<\/tr>\n
folder 2<\/th>\nMusique et Radio, No. 663, D\u00e9cembre 1963.
\nContains RF\u2019s article \u201cL\u2019Enseignement de l\u2019orgue\u201d (pages 71-74).
\nSeparated from II\/IV<\/td>\n<\/tr>\n
folder 3<\/th>\nCours No. 1: Haydn.
\nInk manuscript (9 pages).
\nExcerpts from: Symphonie No. 101, Ie morceau.
\nSeparated from III\/3.<\/td>\n<\/tr>\n
folder 4<\/th>\nCours No. 2: Mozart.
\nInk manuscript (8 pages).
\nExcerpts from: Ouverture des Noces de Figaro.
\nSeparated from III\/3.<\/td>\n<\/tr>\n
folder 5<\/th>\nCours No. 3: Beethoven I.
\nInk manuscript (10 pages).
\nExcerpts from: Ouverture de Coriolan, opus 62.
\nSeparated from III\/3.<\/td>\n<\/tr>\n
folder 6<\/th>\nCours No. 4: Beethoven II.
\nInk manuscript (8 pages).
\nExcerpts from: 5e Symphonie\u20141e morceau.
\nSeparated from III\/3.<\/td>\n<\/tr>\n
folder 7<\/th>\nCours No. 5: Schubert.
\nInk manuscript (8 pages).
\nExcerpts from: Ouverture de Rosemonde; and, God Save the King (orchestr\u00e9 par Weber).
\nSeparated from III\/3.<\/td>\n<\/tr>\n
folder 8<\/th>\nCours No. 6: Mendelssohn.
\nInk manuscript (8 pages).
\nExcerpts from: Ouverture de Ruy Blas; and, Ouverture de la Grotte de Fingal; and, Ouverture du Songe d\u2019une nuit d\u2019\u00e9t\u00e9; and le Songe d\u2019une nuit d\u2019\u00e9t\u00e9 (Scherzo); and, 3e Symphonie (Ecossaise); and, 4e Symphonie (Italienne).
\nSeparated from III\/3.<\/td>\n<\/tr>\n
folder 9<\/th>\nCours No. 7: Schumann.
\nInk manuscript (9 pages).
\nExcerpts from: 1ere Symphonie (Larghetto; and, Final); 2e Symphonie (Scherzo; and, Final); 3e Symphonie (Adagio; and, Feierlich); 4e Symponie (Romance; and, Final).
\nSeparated from III\/3.<\/td>\n<\/tr>\n
folder 10<\/th>\nCours No. 8: Berlioz.
\nInk manuscript (13 pages).
\nExcerpts from: Ouverture des Francs-Juges, opus 3; Beatrice et Benedict; Benvenuto Cellini, opus 23; Symphonie Fantastique, \u201cLe Bal\u201d opus 14; Le Bal (Suite); Symphonie Fantastique, \u201cSc\u00e8ne aux Champs (Fin)\u201d; Romeo et Juliette, \u201cF\u00eate chez Capulet\u201d opus 17; Romeo et Juliette, \u201cScherzo de la Reine Mab\u201d; La Damnation de Faust, \u201cMarche Hongroise\u201d opus 24; Damnation, \u201cBallet des Sylphes\u201d opus 24.
\nSeparated from III\/3.<\/td>\n<\/tr>\n
folder 11<\/th>\nCours No. 9: Liszt.
\nInk manuscript (10 pages).
\nExcerpts from: Ce qu\u2019on entend sur la montagne (Victor Hugo); Les Pr\u00e9ludes (Lamartine); Prom\u00e9th\u00e9e; Mazeppa (Victor Hugo); Jour de f\u00eate; H\u00e9ro\u00efde fun\u00e8bre; Bataille des Huns; Les id\u00e9als (Schiller); Faust; Faust (Gretchen).
\nSeparated from III\/3.<\/td>\n<\/tr>\n
folder 12<\/th>\n\u201cE.B.\u201d Theme for improvisation.
\nAnnotated in MD\u2019s hand: \u201cZurich 22 Mai 67. Passacaille, Th\u00e8me Directeur Conservatoire\u201d
\nSeparated from III\/4.<\/td>\n<\/tr>\n
folder 13<\/th>\nKorkuiler; and, Groningen. Themes for improvisation.
\nTwo leaves: 6 Avril 32; and, 20 Mars 35.
\nSeparated from III\/4.<\/td>\n<\/tr>\n
folder 14<\/th>\nLeopold Stokowski. Theme for improvisation.
\nInscribed to MD: \u201cPardonez, Monsieur, ces th\u00eames banales. J\u2019attends avec impatience vous entendre jouer les oeuvres de Bach et de faire votre connaisance. L.S.\u201d Without date.
\nSeparated from III\/4.<\/td>\n<\/tr>\n
folder 15<\/th>\nAlfred Bruneau. Theme for improvisation.
\nWithout date.
\nSeparated from III\/4.<\/td>\n<\/tr>\n
folder 16<\/th>\n\u00a0Joseph Jongen. Themes for improvisation.
\nTwo leaves: 3 Juillet 49; and, Novembre 49.
\nSeparated from III\/4.<\/td>\n<\/tr>\n
folder 17<\/th>\n\u00a0\u201cNEITI URKURI: Pariisin kirkoissa on toistakymment\u00e4 naisurkuria\u201d
\nArticle extracted from an unidentified publication (page 23). The accompanying photos depict RF and Marie-Claire Alain.
\nAnnotated \u201c1953\u201d in RF\u2019s hand.
\nSeparated from III\/6.<\/td>\n<\/tr>\n
folder 18<\/th>\nVision: po\u00e8me symphonique pour orgue<\/em> \/ Marcel Dupr\u00e9.
\nParis: S. Bornemann, 1948. Two copies.
\nOne copy inscribed on title page: \u201cA Nina Falcinelli \/ L\u2019inspiratrice de vision, dont l\u2019Ame, lumi\u00e8re cach\u00e9e luit \u00e9ternellement dans les coeurs de ceux qu\u2019elle accueille dans son coeur. Son ami reconnaissant \/ Marcel Dupr\u00e9 \/ Paris 8 Mars 1948\u201d. Evidence indicates that the title page of the other copy was once inscribed, but the inscription is now lacking. Accompanied by Sylviane Falcinelli\u2019s comments (1 page) regarding same.
\nSeparated from III\/7.<\/td>\n<\/tr>\n
folder 19<\/th>\nLa France au Calvaire: oratorio pour soli, choeurs, orchestre et orgue<\/em> \/ Marcel Dupr\u00e9, opus 49.
\nUnmarked copy of the organ reduction score (S. Bornemann, 1954).
\nSeparated from III\/7.<\/td>\n<\/tr>\n
folder 20<\/th>\nTrois Pr\u00e9ludes & Fugues; Six Sonates<\/em> \/ F. Mendelssohn; r\u00e9vues, annot\u00e9es et doigt\u00e9es par Marcel Dupr\u00e9. Paris: S. Bornemann, 1948.
\nPresentation copy to RF from the publisher. \u201cHommage de l\u2019auteur \u00e0 la talentueuse artiste Rolande Falcinelli \/ S. Bornemann\u201d\u2014inscription on title page.
\nSeparated from III\/7.<\/td>\n<\/tr>\n
folder 21<\/th>\nMD dossier El\u00e9ments<\/em>.
\nContains notes and sketches in MD\u2019s hand, organized around the rubrics Modes Gr\u00eace gregorien <\/span>and Th\u00eames d\u2019oeuvres R\u00e9gistrations El\u00e9ments.<\/span>
\nIn pencil.
\nAccompanied by photocopy of article \u201cessais sur la gamme chromatique de l\u2019orchestre\u201d published in Revue du SON, Nos. 278-279, Juin-Juillet 1976.
\nSeparated from III\/3.<\/td>\n<\/tr>\n
folder 22<\/th>\nMD dossier \u201cFugues \u00e0 2 sujets et travaux divers (Programme du concert d\u2019improvisations\u201d
\nContains themes in two subjects, associated with a concert of improvisations, given on December 8, 1957 at the Eglise Saint-Louis des Invalides.
\nIn pencil; 28 pages of music and two additional themes.
\nThe pages of pencilled themes accompanied by a gathering of themes in ink, \u201cTh\u00eames d\u2019improvisation: Symphonie pour orgue en 4 mouvements\u201d comprised of themes by Durufl\u00e9, Fleury, Falcinelli, and Gavoty. Stamped \u201cmusique sacr\u00e9e en avignon\u201d.
\nDossier stamped BIBLIOTHEQUE MARCEL DUPRE.
\nSeparated from III\/4.<\/td>\n<\/tr>\n
folder 23<\/th>\nMD dossier \u201cPlans: Recitals Improvisation (Gavoty)\u201d
\nContains plans and themes for improvisation in recitals. In pencil; 8 leaves.
\nSeparated from III\/4.<\/td>\n<\/tr>\n
folder 24<\/th>\nMD dossier \u201dR\u00e9pertoire Sulpice\u201d
\nContains various items, including a list headed R\u00e9pertoire par mois<\/em> (in ink, 6 pages).
\nSeparated from III\/4.<\/td>\n<\/tr>\n
folder 25<\/th>\nMD dossier \u201cPetits chorals, jou\u00e9s et copi\u00e9s par Manette en mai 1931\u201d
\nIn ink; 6 pages of music.
\nSeparated from III\/1.<\/td>\n<\/tr>\n
folder 26<\/th>\nRecital d\u2019improvisations. 20 April 1991.
\nContains publicity documents, and also themes that were presented to RF at the event.
\nSeparated from II\/6.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 43″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1603209839726{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\nDisposition of the organ of the Basilica of Sacr\u00e9-Coeur, Paris.
\nHand-drawn chart in RF\u2019s hand.
\nSeparated from II\/2\/A\/ii.<\/td>\n<\/tr>\n
folder 2<\/th>\nIssue of The Diapason<\/em>, 40th year, No. 11 (October 1, 1949).
\nRF profiled in full-page advertisement (page 24).
\nSeparated from II\/7\/B.<\/td>\n<\/tr>\n
folder 3<\/th>\nMain section of The Berea News<\/em> (Berea, Ohio), Friday, June 2, 1950.
\nRF cited in feature article (page 1) \u201cBach Festival is College\u2019s 18th,\u201d accompanied by a photograph.
\nSeparated from II\/7\/B.<\/td>\n<\/tr>\n
folder 4<\/th>\nMain section of The Berea Enterprise<\/em> (Berea, Ohio), Friday, June 2, 1950.
\nRF cited in feature article (page 1) \u201cGirl Organist will climax Bach Festival\u201d.
\nSeparated from II\/7\/B.<\/td>\n<\/tr>\n
folder 5<\/th>\nIssue of France Catholique Ecclesia<\/em>, No. 1439 (12 Juillet 1974).
\nContains review of RF recital under title \u201cCe soir on improvise…\u201d by Emile Martin (page 6). Two copies. Two copies. Separated from II\/7\/B.<\/td>\n<\/tr>\n
folder 6<\/th>\nVarious concert posters.
\nSeparated from II\/7\/D.<\/td>\n<\/tr>\n
folder 7<\/th>\nProjet de plan pour un trait\u00e9 d\u2019harmonie<\/em>.
\nInk MS in MD\u2019s hand (12 pages).
\nContents: I. Son \u2014 Sons harmoniques \u2014 Temp\u00e9rament \u2014 II. Intervalles \u2014 III. Modes \u2014 IV. Combinaisons de 3 sons simultan\u00e9s \u2014 V. Accords de 4 sons \u2014 VI. Accords de 5 sons.
\nSeparated from III\/2 (manuscript).<\/td>\n<\/tr>\n
folder 8<\/th>\nIssue of The Times<\/em> (London), Monday, March 12, 1951 (AIR EDITION). RF cited under \u201cRecitals of the Week\u201d (page 3). Accompanied by a French-language translation of same (carbon copy of typescript; 1 page).
\nSeparated from III\/6.<\/td>\n<\/tr>\n
folder 9<\/th>\nExcerpt from Paris-Normandie<\/em>, Samedi 22 \/ Dimanche 23 Mai 1948. MD profiled in feature article \u201cUn cinquantenaire musical .. Le Salon des Supr\u00e9\u201d (page 1), accompanied by a photograph.
\nSeparated from III\/7.<\/td>\n<\/tr>\n
folder 10<\/th>\n\u00c9cole de la Technique moderne de l\u2019orgue.
\n<\/em>Reproduction of a manuscript source other than the source in box 3; does not represent the work in its entirety.
\nPart I, pages 1-60; part II, pages 1-74.
\nAccompanied by RF\u2019s manuscript outline of the work (in ink; 8 leaves).
\nSeparated from II\/4.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Rolande Falcinelli interpr\u00e8te l\u2019oeuvre int\u00e9grale pour orgue de Marcel Dupr\u00e9<\/em>.
\nCommemorative volume, issued in a limited edition as the companion volume to RF\u2019s recording of the organ works of Marcel Dupr\u00e9. Published by Edici, 1968.
\nText in French, German, and English.
\nContents: L\u2019Auteur \u2014 L\u2019Interpr\u00e8te \u2014 L\u2019Instrument
\n\u201cCet ouvrage a \u00e9t\u00e9 tir\u00e9 sur Aquarelle d\u2019Arches fin 185 g \u00e0 100 exemplaires num\u00e9rot\u00e9s de I \u00e0 X en chiffres romains, r\u00e9serv\u00e9s aux principaux collaborateurs et de 11 \u00e0 100 en chiffres arabes.\u201d
\nThe given copy is numbered: \u201cExemplaire No. 35.\u201d
\nAccompanied by review, extracted from publication Le Guide du Concert, No. 552 (28 Juin 1969), page 33. Reviewed by Clym, the author of the companion volume\u2019s text.
\nSeparated from III\/7.<\/p>\n

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\u2190 ROLANDE FALCINELLI ARCHIVE: Sub-group IV <\/a><\/p>\n

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ROLANDE FALCINELLI ARCHIVE: Sub-group I\u2192<\/a><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

\u2190 ROLANDE FALCINELLI ARCHIVE<\/a><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text] SUB-GROUP V: OVERSIZED MATERIALS [\/vc_column_text][vc_custom_heading text=”Box 42″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1603209816079{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text] folder 1 Recital programs […]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":6360,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template_Finding_Aids.php","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-6435","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/6435","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=6435"}],"version-history":[{"count":0,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/6435\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/6360"}],"wp:attachment":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=6435"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=6435"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=6435"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}