{"id":6376,"date":"2020-10-15T11:37:05","date_gmt":"2020-10-15T15:37:05","guid":{"rendered":"https:\/\/www.esm.rochester.edu\/sibley\/?page_id=6376"},"modified":"2020-10-15T11:37:05","modified_gmt":"2020-10-15T15:37:05","slug":"sub2","status":"publish","type":"page","link":"https:\/\/www.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/falcinelli\/sub2\/","title":{"rendered":"ROLANDE FALCINELLI ARCHIVE"},"content":{"rendered":"

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SUB-GROUP II: PROFESSIONAL PAPERS<\/h3>\n

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<\/a>Series 1: RF at the Conservatoire National Sup\u00e9rieur de Musique, Paris<\/span><\/strong><\/p>\n

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<\/a>Sub-series A: Student papers<\/em><\/span><\/p>\n

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folder 1<\/th>\nManuscript book containing solf\u00e8ge exercises, and pencil sketches of various compositions.
\nRubric on notebook cover, in RF\u2019s hand: \u201cDict\u00e9es \u00e0 1 voix\/2 voix\/d\u2019accords Tr\u00e8s dificiles\u201d<\/td>\n<\/tr>\n
folder 2<\/th>\nExercises completed in the Fugue class. Consisting of loose signatures and pages of manuscript music.
\nContains themes by the following:
\nHenri Rabaud (then-Director of the Conservatoire)
\nGeorges Hue (Academy of Fine Arts, Paris)
\nEdouard Batiste (organist)
\nGabriel Faur\u00e9
\nJ. S. Bach
\nH. BusserSimone Pl\u00e9-Coussade (RF\u2019s teacher in the Fugue class)
\nM. S. Rousseau
\nJ. Morpain
\nG. Marty
\nE. Guiraud
\nL\u00e9o Delibes<\/td>\n<\/tr>\n
folder 3<\/th>\nEarliest surviving student papers, 1932-33.
\nManuscript exercises from the Concours de dict\u00e9es; loose pages with handwritten questions<\/em> and r\u00e9ponses<\/em>; and a manuscript book containing handwritten formules de classe.<\/em><\/td>\n<\/tr>\n
folder 4<\/th>\nTwo texts used by RF.
\nBouquet des Tons,<\/em> opus 125: 24 T\u00e4gliche Studien f\u00fcr die Fl\u00f6te \/ von A. B.
\nF\u00fcrstenau. Braunschweig: Henry Litolff\u2019s Verlag.
\nCinquante le\u00e7ons de Mr. Ch. Lenepveu<\/em>. Henry Lemoine et Cie, 1898.
\nN.B. An accompanying note by Sylviane Falcinelli establishes that \u201cMany students of the Paris Conservatoire, at the beginning of XX century, studied Harmony in these texts by Charles Lenepveu\u201d.<\/td>\n<\/tr>\n
folder 5<\/th>\nThree manuscript notebooks containing exercises, primarily dictation.<\/td>\n<\/tr>\n
folder 6<\/th>\nCours pratique de piano \u00e9l\u00e9mentaire et progressif<\/em> \/ A. Le Carpentier. M\u00e9thode de piano pour les enfants, 69e \u00e9dition. Paris: Mackar & No\u00ebl.<\/td>\n<\/tr>\n
folder 7<\/th>\nExercises and examinations from the Harmony class, 1934-37.
\nContains themes by the following:
\nTh. Dubois
\nJ. Morpain
\nM. Samuel Rousseau
\nJ. S. Bach
\nG. Coussade
\nR\u00e9n\u00e9 Guillou
\nBecker
\nGuy Ropartz
\nP. Revel
\nP. Bazelaire
\nM. Dautremer
\nH. B\u00fcsser
\nS. Cacheux
\nA. G\u00e9dalge
\nP. Paray
\nMax D\u2019Ollone
\nRobert Dussaut
\nJ. D\u00e9r\u00e9
\nP. Fauchet
\nS. Pl\u00e9-Caussade
\nG. Hue
\nCh. Tournemire<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Contents altogether are 17 notebooks containing exercises and themes.<\/p>\n

N.B. Accompanied by Sylviane Falcinelli\u2019s note verifying the use of these notebooks by RF in her girlhood and student years, and during her improvisation studies in Marcel Dupr\u00e9\u2019s organ class.<\/p>\n

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<\/a>Sub-series B: Professorial papers<\/em><\/span><\/p>\n

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<\/a>Sub-sub-series i: Pedagogical materials for her class<\/em><\/p>\n

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folder 1<\/th>\nThemes provided to students of the organ class for the study of improvision. 32 2 manuscript books containing thematic material in ink. One bears dates from 1949-52; the other contains themes attributed to various individuals.<\/td>\n<\/tr>\n
folder 2<\/th>\nThemes provided to students of the organ class for the study of improvision. 1 spiral-bound manuscript book (13.5 x 10.5\u201d), containing thematic material in ink. Dates represented are 1954-55 through 1971-72.1 spiral-bound manuscript book (11 14\/16\u201d x 9\u201d), containing thematic material in in ink Dates represented are 1975-76 through 1983-84.<\/td>\n<\/tr>\n
folder 3<\/th>\nOriginal material composed for examining Conservatoire students in D\u00e9chiffrage<\/em>.
\nDated material. Concours de D\u00e9chiffrage, Avril 1955 [each item a manuscript facsimile]:
\nSarabande. Degr\u00e9 sup\u00e9rieur. No. 1 (2 copies)
\nInvention \u00e0 3 voix. Degr\u00e9 pr\u00e9paratoire. No. 1 bis (2 copies)
\nInvention \u00e0 3 voix. Degr\u00e9 sup\u00e9rieur. No. 1 bis (2 copies)
\nChoral. Degr\u00e9 pr\u00e9paratoire. No. 2 (2 copies)
\nInvention \u00e0 3 voix\/ Degr\u00e9 pr\u00e9paratoire. No. 2 bis (2 copies)
\nInvention \u00e0 3 voix. Degr\u00e9 sup\u00e9rieur. No. 2 bis (2 copies)
\nAria. Degr\u00e9 sup\u00e9rieur. No. 2 (2 copies)
\nLitanies. Degr\u00e9 pr\u00e9paratoire. No. 1 (2 copies)Gavotte. Examen, 10 Janvier 1956 (2 MS. copies); and same, 1 printed copy.
\nDans l\u2019\u00e9sprit d\u2019un No\u00ebl. Examen, 3 Novembre 1958 (MS.)
\nArietta. Examen, Mars. 1958 For use 10 Mai 1958. (2 MS. copies)
\nArietta. Examen, Mars. 1958 (2 printed copies)
\nChanson. 29 Mars. 1959. For use 27 Avril 1959. (MS.)
\nChaconne. 25 Mars. 1959. For use 27 Avril 1959. (MS.)
\nTr\u00e8s calme et souple. Oct. 1960. (MS.)
\nIntermezzo. For the Concours prof. d\u2019orgue, D\u00e9c. 1965. (MS.)
\nLent. Undated. 2 printed copies
\nFour pencil manuscripts: Litanies; Aria; Choral; Sarabande.<\/td>\n<\/tr>\n
folder 4<\/th>\nOriginal material composed for examining Conservatoire students in the Harmonie<\/em> class.<\/td>\n<\/tr>\n
folder 5<\/th>\nOriginal works composed for examining Conservatoire students in the Accompagnement de piano<\/em> class.<\/td>\n<\/tr>\n
folder 6<\/th>\nExamination papers, 1971-1984.<\/td>\n<\/tr>\n
folder 7<\/th>\nExamination papers. Examens \u00e9liminatoires et d\u2019admission. Harmonie, Contrepoint, Orgue.<\/td>\n<\/tr>\n
folder 8<\/th>\n\u00a0Jury notes, 1973-1980.\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0RESTRICTED<\/strong><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Jury and examination notes, 1955-1986.
\nAccompanied by Sylviane Falcinelli\u2019s handwritten comments.<\/td>\n		RESTRICTED<\/strong><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Themes submitted by various authors for the final competition of the organ class at the Conservatoire].
\nIn two sequences: 1952-53 through 1965-66, and 1966-67 through 1984-85<\/p>\n

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Themes for improvision, submitted by RF to her students in the organ class.
\n14 small spiral-bound manuscript books, each numbered by RF. While their content is meticulously dated, its presentation is not in strict chronological order.<\/p>\n

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folder 1<\/th>\nLivre I<\/td>\n<\/tr>\n
folder 2<\/th>\nLivre II<\/td>\n<\/tr>\n
folder 3<\/th>\nLivre III<\/td>\n<\/tr>\n
folder 4<\/th>\nLivre IV<\/td>\n<\/tr>\n
folder 5<\/th>\nLivre V<\/td>\n<\/tr>\n
folder 6<\/th>\nLivre VI<\/td>\n<\/tr>\n
folder 7<\/th>\nLivre\u00a0VII<\/td>\n<\/tr>\n
folder 8<\/th>\nLivre\u00a0VIII<\/td>\n<\/tr>\n
folder 9<\/th>\nLivre IX<\/td>\n<\/tr>\n
folder 10<\/th>\nLivre X<\/td>\n<\/tr>\n
folder 11<\/th>\nLivre XI<\/td>\n<\/tr>\n
folder 12<\/th>\nLivre XII<\/td>\n<\/tr>\n
folder 13<\/th>\nLivre XIII<\/td>\n<\/tr>\n
folder 14<\/th>\nLivre XIV<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-sub-series ii: Administrative memoranda and documents<\/em><\/p>\n

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folder 1<\/th>\nConservatoire. R\u00e9glement des \u00e9tudes. 1929; 1950; 1955; 1959.<\/td>\n\u00a0<\/td>\n<\/tr>\n
folder 2<\/th>\nConservatoire. R\u00e9glement des \u00e9tudes. 1980.<\/td>\n\u00a0<\/td>\n<\/tr>\n
folder 3<\/th>\n(1st of 3)<\/td>\nRESTRICTED<\/strong><\/span><\/td>\n<\/tr>\n
folder 4<\/th>\n(2nd of 3)<\/td>\nRESTRICTED<\/strong><\/span><\/td>\n<\/tr>\n
folder 5<\/th>\n(3rd of 3)<\/td>\nRESTRICTED<\/strong><\/span><\/td>\n<\/tr>\n
folder 6<\/th>\nAdministrative<\/td>\nRESTRICTED<\/strong><\/span><\/td>\n<\/tr>\n
folder 7<\/th>\nLetters of recommendation<\/td>\nRESTRICTED<\/strong><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 2: RF as concert organist<\/span><\/strong><\/p>\n

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<\/a>Sub-series A: Instruments: specifications and published literature<\/em><\/span><\/p>\n

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folder 1<\/th>\nAllemagne; Autriche<\/td>\n<\/tr>\n
folder 2<\/th>\nAngleterre; Ecosse<\/td>\n<\/tr>\n
folder 3<\/th>\nFrance: Paris (first of two<\/em>)<\/td>\n<\/tr>\n
folder 4<\/th>\nFrance: Paris (second of two<\/em>)<\/td>\n<\/tr>\n
folder 5<\/th>\nParis: Salle Berlioz<\/td>\n<\/tr>\n
folder 6<\/th>\nParis: Conservatoire<\/td>\n<\/tr>\n
folder 7<\/th>\nFrance: Region parisienne<\/td>\n<\/tr>\n
folder 8<\/th>\nFrance: The provinces (first of two<\/em>)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/th>\nFrance: The provinces (second of two<\/em>)<\/td>\n<\/tr>\n
folder 2<\/th>\nFrance: Est<\/td>\n<\/tr>\n
folder 3<\/th>\nFrance: Nord<\/td>\n<\/tr>\n
folder 4<\/th>\nFrance: Normandie<\/td>\n<\/tr>\n
folder 5<\/th>\nFrance: Ouest<\/td>\n<\/tr>\n
folder 6<\/th>\nFrance: Sud-est<\/td>\n<\/tr>\n
folder 7<\/th>\nFrance: Sud-ouest<\/td>\n<\/tr>\n
folder 8<\/th>\nItalie; Suisse; Hollande; Belgique<\/td>\n<\/tr>\n
folder 9<\/th>\n\u00a0USA; Canada<\/td>\n<\/tr>\n
folder 10<\/th>\nJapan: Tokyo<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/th>\nGeneral literature (first of three<\/em>)<\/td>\n<\/tr>\n
folder 2<\/th>\nGeneral literature (second of three<\/em>)<\/td>\n<\/tr>\n
folder 3<\/th>\nGeneral literature (third of three<\/em>)<\/td>\n<\/tr>\n
folder 4<\/th>\nPublished literature on various churches, not elsewhere classified<\/td>\n<\/tr>\n
folder 5<\/th>\nOrgan iconography<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series B: Recital programs (i.e., RF\u2019s own performances)<\/em><\/span><\/p>\n

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folder 1<\/th>\n1930s<\/td>\n<\/tr>\n
folder 2<\/th>\nFrance: Est<\/td>\n<\/tr>\n
folder 3<\/th>\nFrance: Nord<\/td>\n<\/tr>\n
folder 4<\/th>\n1950-1954<\/td>\n<\/tr>\n
folder 5<\/th>\n1955-1959<\/td>\n<\/tr>\n
folder 6<\/th>\nNorth American Tour, 1950<\/td>\n<\/tr>\n
folder 7<\/th>\n1960 (i.e., 1961)-1964<\/td>\n<\/tr>\n
folder 8<\/th>\n1965-1969<\/td>\n<\/tr>\n
folder 9<\/th>\n1970-1972<\/td>\n<\/tr>\n
folder 10<\/th>\n1973-1974<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 16″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1602776042601{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
folder 1<\/th>\n1975-1977<\/td>\n<\/tr>\n
folder 2<\/th>\n1978-1979<\/td>\n<\/tr>\n
folder 3<\/th>\n1980-1981<\/td>\n<\/tr>\n
folder 4<\/th>\n1982-1984<\/td>\n<\/tr>\n
folder 5<\/th>\n1985-1987<\/td>\n<\/tr>\n
folder 6<\/th>\n1992-1993<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series C: Themes given to RF in concert for improvisation<\/em><\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 17″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1602776119275{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\n\u00a01920s<\/td>\n<\/tr>\n
folder 2<\/th>\n1940s<\/td>\n<\/tr>\n
folder 3<\/th>\n1950s<\/td>\n<\/tr>\n
folder 4<\/th>\n1960s<\/td>\n<\/tr>\n
folder 5<\/th>\n1970s<\/td>\n<\/tr>\n
folder 6<\/th>\n1980s<\/td>\n<\/tr>\n
folder 7<\/th>\n1990s<\/td>\n<\/tr>\n
folder 8<\/th>\nUndated<\/td>\n<\/tr>\n
folder 9<\/th>\nNorth American tour, 1950<\/td>\n<\/tr>\n
folder 10<\/th>\nJean Langlais<\/td>\n<\/tr>\n
folder 11<\/th>\nClaude R. Rolland<\/td>\n<\/tr>\n
folder 12<\/th>\nTorvald Tor\u00e9n and Claude R. Rolland<\/td>\n<\/tr>\n
folder 13<\/th>\nPierre Wissmer<\/td>\n<\/tr>\n
folder 14<\/th>\nAntoine Tisn\u00e9<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 3: RF as juror<\/span><\/strong><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 18″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1602776870898{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\nLinz, 1978 (first of five)<\/td>\n<\/tr>\n
folder 2<\/th>\nLinz, 1978 (second of five<\/em>)<\/td>\n<\/tr>\n
folder 3<\/th>\nLinz, 1978 (third of five<\/em>)<\/td>\n<\/tr>\n
folder 4<\/th>\nLinz, 1978 (fourth of five<\/em>)<\/td>\n<\/tr>\n
folder 5<\/th>\nLinz, 1978 (fifth of five<\/em>)<\/td>\n<\/tr>\n
folder 6<\/th>\nConservatoire de N\u00eemes; Ecole de Musique, Pau<\/td>\n<\/tr>\n
folder 7<\/th>\n1er Concours Europeen de Beauvais, 1981<\/td>\n<\/tr>\n
folder 8<\/th>\nInstitut Marcel Dupr\u00e9 (Chartres) (first of two<\/em>)<\/td>\n<\/tr>\n
folder 9<\/th>\nInstitut Marcel Dupr\u00e9 (Chartres) (second of two<\/em>)<\/td>\n<\/tr>\n
folder 10<\/th>\nAssociation Douaisienne des Amis des Orgues<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 19″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1602777192126{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
folder 1<\/th>\nUnion des Femmes Artistes Musiciens<\/td>\n<\/tr>\n
folder 2<\/th>\nConcours de Rome<\/td>\n<\/tr>\n
folder 3<\/th>\nEglise de Saint-Pierre, 1990<\/td>\n<\/tr>\n
folder 4<\/th>\nBeaune (Burgundy), 1979<\/td>\n<\/tr>\n
folder 5<\/th>\nLyons (first of two<\/em>)<\/td>\n<\/tr>\n
folder 6<\/th>\nLyons (second of two<\/em>)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 4: Original writings, including statements and addresses<\/span><\/strong><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 19″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1602777192126{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 7<\/th>\nInitiation \u00e0 l\u2019orgue<\/em>. 1\u00e8re Partie.
\nPencil manuscript. Pages numbered 1-28 with numerous interpolations.
\nOn outer folder, in RF\u2019s hand: \u201cA mon ma\u00eetre Marcel Dupr\u00e9\u201d<\/td>\n<\/tr>\n
folder 8<\/th>\nInitiation \u00e0 l\u2019orgue<\/em>. 2\u00e8me Partie.
\nPencil manuscript. Pages numbered 29-76.<\/td>\n<\/tr>\n
folder 9<\/th>\n\u201cIntroduction \u00e0 l\u2019enseignement de l\u2019orgue.<\/em>\u201d
\nPublished in Musique et instruments, F\u00e9vrier 1978, pages 45-48.<\/td>\n<\/tr>\n
folder 10<\/th>\n[Hommage \u00e0 Yves Devernay]
\n<\/em>Published In memoriam Yves Devernay 1937-1990, page 22. Published by the Association \u201cLes Orgues de Saint-Christophe\u201d. RF\u2019s contribution appears in manuscript facsimile.<\/td>\n<\/tr>\n
folder 11<\/th>\nTwo writings on Marcel Dupr\u00e9.
\nBiographical sketch for the promotional pamphlet Marcel Dupr\u00e9<\/em>, published by Alphonse Leduc (Paris). The sketch also appears in English and in German. Copy inscribed in RF\u2019s hand: \u201cPour ma ch\u00e8re petite Maman. Tendrement. Rolande\u201d
\nBiographical entry for Die Musik In Geschichte und Gegenwart (B\u00e4renreiter). 5 off-prints.<\/td>\n<\/tr>\n
folder 12<\/th>\n\u201cParsifal: Analyse dramaturgique musicale. Pr\u00e9lude \u2014 1er Acte.\u201d
\nTypescript. 18 pages (numbered 1-17, 17).
\nAccompanied by correspondence from Brigitte Str\u00fcder (letter of 30 D\u00e9c. 1992; postcard of 23\/3\/93; letter of 11 mars 1993; letter of 19\/4\/93); and by one handbill announcing RF\u2019s presentation at a conference (16 Octobre; 27 Novembre; 18 D\u00e9cembre 1994) sponsored by two associations: Le Cercle Musicale du Conservatoire International de Musique de Paris; and, Le Cercle National Richard Wagner de Paris.<\/td>\n<\/tr>\n
folder 13<\/th>\nAnalysis of Symphonie-Passion<\/em> by Marcel Dupr\u00e9.
\nInk manuscript. 92 numbered pages in one spiral-bound notebook.
\nAt end: 31\/3\/94.
\nN.B. Later published in the Bulletin of the Association Maurice & Marie- Madeleine Durufl\u00e9, No. 7-8 (2008).<\/td>\n<\/tr>\n
folder 14<\/th>\n\u201cHommage \u00e0 Andr\u00e9 Fleurry\u201d
\nPublished in the Bulletin d\u2019information de l\u2019Association des Amis de l\u2019Orgue de Versailles et de sa R\u00e9gion<\/em>, page 40. Special issue, \u201cHommage \u00e0 Ma\u00eetre Andr\u00e9 Fleurry\u201d. RF\u2019s contribution appears in manuscript facsimile.<\/td>\n<\/tr>\n
folder 15<\/th>\nResponse to the article [title here] by [author name here], which had appeared in L\u2019Art sacr\u00e9 (Mai-Juin 1967) and in Les Lettres Fran\u00e7aises (19-25 Juillet 1967).
\nPublished in: L\u2019Orgue en France: construction, restauration, relevage<\/em>, pages 14-15.<\/td>\n<\/tr>\n
folder 16<\/th>\nCatalogue analytique of the composition Le Chemin de la Croix<\/em> by Marcel Dupr\u00e9
\n(text by Paul Claudel).
\nFor distribution at a conference (11 et 12 Avril 1984) organized by the Collegium Musicum (Tournai) and Musique Vivant (Charleroi). Typescript. 21 numbered pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/th>\nAnalysis of the 1\u00e8re Choral<\/em> and the 2\u00e8me Choral<\/em> by C\u00e9sar Franck.
\nInk manuscript. 40 numbered pages in one spiral-bound notebook. At end: Pau.
\n8 D\u00e9cembre 1997.<\/td>\n<\/tr>\n
folder 2<\/th>\nThree original writings in one spiral-bound notebook, each paginated separately:
\nPanorama de la technique de l\u2019orgue. Ink manuscript<\/em>.
\n19 numbered pages. At end: R.F. Pau. 2\/5\/98
\nRegard sur l\u2019interpr\u00e8tation \u00e0 l\u2019orgue.<\/em>
\nInk manuscript. 28 numbered pages. At end: R.F. Pau. 28\/5\/98
\nAnalysis of the 3\u00e8me Choral<\/em> by C\u00e9sar Franck.
\nInk manuscript. 23 numbered pages. At end: Rolande Falcinelli. Pau 3\/3\/02<\/td>\n<\/tr>\n
folder 3<\/th>\nOn the Trois Chorals<\/em> by C\u00e9sar Franck.
\nI. Analyse. Word-processed manuscript. 14 pages, numbered 4-17.
\nII. Interpretation. Word-processed manuscript. Pages numbered 18-30.
\nAccompanied by pages of draft manuscript in ink.<\/td>\n<\/tr>\n
folder 4<\/th>\n\u201cL\u2019Orgue\u201d [Communication du 25 Novembre 1964].
\nPublished in: Acad\u00e9mie des Beaux-Arts: situation artistique et social du <\/em>musicien en 1964<\/em>, pages [105]-116.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 5:\u00a0 Professional projects and associations<\/span><\/strong><\/p>\n

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<\/a>Sub-series A: Projects<\/em><\/span><\/p>\n

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folder 5<\/th>\nAffaire
\n<\/em>Documents regarding work on the film of that title by producer Federico Savio, depicting Marcel Dupr\u00e9, and for which RF was commissioned to provide commentary.<\/td>\n<\/tr>\n
folder 6<\/th>\nB\u00e4renreiter
\nDocuments regarding RF\u2019s work on the biographical entry on Marcel Dupr\u00e9 that she wrote for publication of Die Musik in Geschichte und Gegenwart.<\/td>\n<\/tr>\n
folder 7<\/th>\nBesan\u00e7on
\nDocuments regarding RF\u2019s concert engagement here at the Festival International de Musique de Besan\u00e7on.<\/td>\n<\/tr>\n
folder 8<\/th>\nLe Chemin de la Croix
\n<\/em>Correspondence and press items on the 2001 release of the CD recording of RF\u2019s recording of this Dupr\u00e9 composition.<\/td>\n<\/tr>\n
folder 9<\/th>\nEmmanuel, Frank
\nCorrespondence with Mr. et Mme Emmanuel (Paris).<<\/td>\n<\/tr>\n
folder 10<\/th>\nDossier belge. Detournay, St\u00e9phane<\/td>\n<\/tr>\n
folder 11<\/th>\nDossier belge. Rolande, Claude R.<\/td>\n<\/tr>\n
folder 12<\/th>\nDossier belge. Slys, Jozef<\/td>\n<\/tr>\n
folder 13<\/th>\nErlenbach, Germany
\nRF was engaged to perform here in 1986. Contains a published booklet on Die neue Orgel von Sankt Peter un Paul in Erlenbach a. Main<\/em>, showing the instrument\u2019s complete disposition<\/em> ]<\/td>\n<\/tr>\n
folder 14<\/th>\nFestival van Vlaanderen Mechelen
\nRF was engaged to perform here in 1986.<\/td>\n<\/tr>\n
folder 15<\/th>\nHommage \u00e0 Marcel Dupr\u00e9 (1981)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/th>\n\u00a0Hommage \u00e0 Marcel Dupr\u00e9 (1982)<\/td>\n<\/tr>\n
folder 2<\/th>\nHommage \u00e0 Marcel Dupr\u00e9 (1986) (first of two<\/em>)<\/td>\n<\/tr>\n
folder 3<\/th>\nHommage \u00e0 Marcel Dupr\u00e9 (1986) (second of two<\/em>)<\/td>\n<\/tr>\n
folder 4<\/th>\nHommage \u00e0 Rolande Falcinelli (2000)<\/td>\n<\/tr>\n
folder 5<\/th>\nInitiation \u00e0 l\u2019Orgue<\/td>\n<\/tr>\n
folder 6<\/th>\nJourn\u00e9es musicales pour la solidarit\u00e9 dans le monde (1981)<\/td>\n<\/tr>\n
folder 7<\/th>\nLissett Publications<\/td>\n<\/tr>\n
folder 8<\/th>\nMinist\u00e8re de la Culture et de l\u2019Environnement<\/td>\n<\/tr>\n
folder 9<\/th>\nL\u2019Orgue du XXe si\u00e8cle, sa technique, son avenir Contains the scenario for an unrealized film project.<\/td>\n<\/tr>\n
folder 10<\/th>\nParis Academy of Music<\/td>\n<\/tr>\n
folder 11<\/th>\nPro Organo Musikverlag<\/td>\n<\/tr>\n
folder 12<\/th>\nRoth, Daniel<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/th>\nMarana Tha<\/em>
\nDocuments regarding the work\u2019s first performance, Rouen, February 2000.<\/td>\n<\/tr>\n
folder 2<\/th>\nSaint-Sulpice
\nContains two copies of the AAAMD\u2019s printed circular \u201cQuelques considerations sur l\u2019orgue de Saint-Sulpice\u201d.<\/td>\n<\/tr>\n
folder 3<\/th>\nSaint-Sulpice
\nDocuments from the search for a successor to Marcel Dupr\u00e9, and for the later search for a successor to Jean-Jacques Grunenwald.<\/td>\n<\/tr>\n
folder 4<\/th>\nUnited Music Publishers<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series B: Associations<\/em><\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 22″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1602777993541{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n
folder 5<\/th>\nAssociation des Amis de l\u2019Art de Marcel Dupr\u00e9 (first of two<\/em>).<\/td>\n<\/tr>\n
folder 6<\/th>\nAssociation des Amis de l\u2019Art de Marcel Dupr\u00e9 (second of two<\/em>)<\/td>\n<\/tr>\n
folder 7<\/th>\nAssociation des Amis de L\u2019Art de Marcel Dupr\u00e9 [by RF: Meudon]<\/td>\n<\/tr>\n
folder 8<\/th>\nAssociation des Amis de L\u00e9once de Saint-Martin<\/td>\n<\/tr>\n
folder 9<\/th>\nAssociation Cavaill\u00e9-Coll<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/th>\nAssociation Aristide Cavaill\u00e9-Coll<\/td>\n<\/tr>\n
folder 2<\/th>\nAssociation Elisabeth Havard de la Montagne<\/td>\n<\/tr>\n
folder 3<\/th>\nAssociazione Italiana de S. Cecilia<\/td>\n<\/tr>\n
folder 4<\/th>\nCercle National Richard Wagner (first of three<\/em>)<\/td>\n<\/tr>\n
folder 5<\/th>\nCercle National Richard Wagner (second of three<\/em>)<\/td>\n<\/tr>\n
folder 6<\/th>\nCercle National Richard Wagner (third of three<\/em>)<\/td>\n<\/tr>\n
folder 7<\/th>\nF\u00e9d\u00e9ration des Amis de Marcel Dupr\u00e9<\/td>\n<\/tr>\n
folder 8<\/th>\nF\u00e9d\u00e9ration Francophone des Amis de l\u2019Orgue (first of two<\/em>)<\/td>\n<\/tr>\n
folder 9<\/th>\nF\u00e9d\u00e9ration Francophone des Amis de l\u2019Orgue (second of two<\/em>)<\/td>\n<\/tr>\n
folder 10<\/th>\nFr\u00e8res des Hommes<\/td>\n<\/tr>\n
folder 11<\/th>\nFondation Cond\u00e9<\/td>\n<\/tr>\n
folder 12<\/th>\nOrgue pour notre Temps
\nDocuments in observance of the centenaries of both Liszt and Dupr\u00e9, 1986.<\/td>\n<\/tr>\n
folder 13<\/th>\nOrgue pour notre Temps
\nDocuments in observance of the Semaine Musicale de Belley, 1990, 1991, and 1992.<\/td>\n<\/tr>\n
folder 14<\/th>\nOrgue pour notre Temps
\nIssues of the bulletin annuel<\/em>, for the years 1983, 1984, 1985, 1986, 1987, and 1988-89.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 6: Correspondence<\/span><\/strong><\/p>\n

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<\/a>Sub-series A: Professional<\/em><\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 24″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1602778522341{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\nHonoring RF on the occasion of her 60th birthday (1980)<\/td>\n<\/tr>\n
folder 2<\/th>\nHonoring RF on the occasion of her retirement (1986)<\/td>\n<\/tr>\n
folder 3<\/th>\nHonoring RF on the occasion of her 80th birthday (2000)<\/td>\n<\/tr>\n
folder 4<\/th>\nDavid Pizarro (USA)<\/td>\n<\/tr>\n
folder 5<\/th>\nHans Steinhaus (Germany)<\/td>\n<\/tr>\n
folder 6<\/th>\nVarious correspondents, 1940s<\/td>\n<\/tr>\n
folder 7<\/th>\nVarious correspondents, 1950s<\/td>\n<\/tr>\n
folder 8<\/th>\nVarious correspondents, 1960s<\/td>\n<\/tr>\n
folder 9<\/th>\nVarious correspondents, 1970s<\/td>\n<\/tr>\n
folder 10<\/th>\nVarious correspondents, 1980s<\/td>\n<\/tr>\n
folder 11<\/th>\nVarious correspondents, 1990s<\/td>\n<\/tr>\n
folder 12<\/th>\nVarious correspondents, 2000s<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series B: Personal<\/em><\/span><\/p>\n

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Letters, cards, and postcards of a personal nature (three folders).<\/p>\n

 <\/p>\n

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Letters, cards, and postcards of a personal nature (two folders).<\/p>\n

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<\/a> Series 7: Publicity and press materials<\/span><\/strong><\/p>\n

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<\/a>Sub-series A: Serial literature<\/em><\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 27″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1602778845807{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\n\u00a0L\u2019Art Sacr\u00e9<\/em>, 9-10 (Mai-Juin 1967)
\nThe issue addresses the theme of \u201cDiabolus in musica\u201d.
\n[Contains neither any contribution by, nor citation of, RF, but this copy annotated in her hand throughout with comments and reactions.]
\nAccompanied by several items of correspondence, found within the issue\u2019s leaves, and by several pages of manuscript notes in RF\u2019s hand (4 pages in pencil; 2 pages in ink).<\/td>\n<\/tr>\n
folder 2<\/th>\nBollettino Ceciliano<\/em>, anno LV, serie III, N. 4 (aprile 1960). Two copies.
\n[Photo and brief biographical sketch of RF appear on pages 105-106.]<\/td>\n<\/tr>\n
folder 3<\/th>\nBulletin Maurice & Marie-Madeleine Durufl\u00e9<\/em>, No. 7-8 (2008)
\n[Issue devoted to hommages to Bernard Gavoty, Olivier Messiaen, and Daniel- Lesur, together with detailed dossiers profiling the work of RF (pages 49-95) and of Olivier Alain. Texts on RF contributed by Sylviane Falcinelli and by St\u00e9phane Detournay; the latter\u2019s contribution includes a list of RF\u2019s original writings. Also includes RF\u2019s original writings on two works by Marcel Dupr\u00e9, Le Chemin de la Croix and La Symphonie-Passion<\/em>.]<\/td>\n<\/tr>\n
folder 4<\/th>\nJeunesse et Orgue<\/em>, 44-45 (1981?)
\n[The feature \u201cDialogue avec Rolande Falcinelli\u201d appears on pages 4-6.]<\/td>\n<\/tr>\n
folder 5<\/th>\nJeunesse et Orgue<\/em>, 46 (1981?)
\n[RF cited on pages 9 and 22.]<\/td>\n<\/tr>\n
folder 6<\/th>\nJeunesse et Orgue<\/em>, 47 (1982?)
\n[Contains the disposition of \u201cle grand orgue de la basilique du sacr\u00e9-coeur\u201d (pages 6-8). RF cited on pages 7, 18-19, 23, and 37.]<\/td>\n<\/tr>\n
folder 7<\/th>\nJeunesse et Orgue<\/em>, 49 (1982?)
\n[RF cited on page 17.]<\/td>\n<\/tr>\n
folder 8<\/th>\nJeunesse et Orgue<\/em>, 51 (1982)
\n[RF cited on pages 17-18 and 24.]<\/td>\n<\/tr>\n
folder 9<\/th>\nJeunesse et Orgue<\/em>, 52-53 (Oct., Nov., D\u00e9c. 1982)
\n[RF cited on page 44.]<\/td>\n<\/tr>\n
folder 10<\/th>\nJeunesse et Orgue<\/em>, 54 (1983)<\/td>\n<\/tr>\n
folder 11<\/th>\nJeunesse et Orgue<\/em>, 55 (1983)<\/td>\n<\/tr>\n
folder 12<\/th>\nJeunesse et Orgue<\/em>, 56-57 (Hiver 1984)<\/td>\n<\/tr>\n
folder 13<\/th>\nJeunesse et Orgue<\/em>, 58 (1983)
\n[RF cited on page 26.]<\/td>\n<\/tr>\n
folder 14<\/th>\nJeunesse et Orgue<\/em>, 59 (1984)<\/td>\n<\/tr>\n
folder 15<\/th>\nJeunesse et Orgue<\/em>, 60-61 (Hiver 1984-85)<\/td>\n<\/tr>\n
folder 16<\/th>\nJeunesse et Orgue,<\/em> 62 (Et\u00e9 1985)<\/td>\n<\/tr>\n
folder 17<\/th>\nJeunesse et Orgue<\/em>, 64 (Printemps 1986)
\n[RF cited on pages 35 and 36.]<\/td>\n<\/tr>\n
folder 18<\/th>\nJeunesse et Orgue<\/em>, 68 (1987)
\n[RF cited on pages 27-28.]<\/td>\n<\/tr>\n
folder 19<\/th>\nJeunesse et Orgue<\/em>, 69 (1987)<\/td>\n<\/tr>\n
folder 20<\/th>\n\u00a0Jeunesse et Orgue<\/em>, 70 (1988)<\/td>\n<\/tr>\n
folder 21<\/th>\nJeunesse et Orgue<\/em>, [without issue number].
\n[RF cited on pages 20 and 23.]<\/td>\n<\/tr>\n
folder 22<\/th>\nJeunesse et Orgue<\/em> [issue number lacking]
\n[cover and pages 1-2 lacking, hence the issue number unknown. [RF cited on page 36.]<\/td>\n<\/tr>\n
folder 23<\/th>\nMusique et Instruments<\/em>, 66e ann\u00e9e, Janvier-F\u00e9vrier 1976. Two copies.
\n[Cover photo of RF. Feature by Sylviane Falcinella (pages 3-4); article \u201cEvolution de l\u2019orgue: faison le point\u201d by RF (pages 11, 13); and her list of works to date (page 29).]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Binder\u2019s collection of selected issues of journals.
\nReferences to recital performances by RF within. In order of appearance:
\nLe Guide du Concert et du Disque,<\/em> No. 209. 7 Novembre 1958.
\nLe Guide du Concert<\/em>, No. 26. 20 Novembre 1953.
\nLe Guide du Concert et du Disque<\/em>, No. 222. 6 F\u00e9vrier 1959.
\nLe Guide du Concert et du Disque<\/em>, No. 225. 27 F\u00e9vrier 1959.
\nLe Guide du Concert et du Disque<\/em>, No. 229. 3 Avril 1959.
\nLe Guide du Concert et du Disque<\/em>, No. 240. 26 Juin 1959.
\nLe Guide du Concert et du Disque<\/em>, No. 241\/242. De 25 Septembre au 8 Octobre 1959.
\nLe Guide du Concert et du Disque<\/em>, No. 272. 13 Mai 1960.
\nL\u2019Orgue: Technique, Esth\u00e9tique, Histoire<\/em>, No. 85. Janvier\/Mars 1958.
\nL\u2019Orgue: Technique, Esth\u00e9tique, Histoire<\/em>, No. 86. Avril\/Juin 1958.
\nL\u2019Orgue: Technique, Esth\u00e9tique, Histoire<\/em>, No. 89. Janvier\/Mars 1959.
\nL\u2019Orgue: Technique, Esth\u00e9tique, Histoire<\/em>, No. 90. Avril\/Juin 1959.
\nL\u2019Orgue: Technique, Esth\u00e9tique, Histoire<\/em>, No. 91. Juillet\/Septembre 1959.
\nL\u2019Orgue: Technique, Esth\u00e9tique, Histoire<\/em>, No. 92. Octobre\/D\u00e9cembre 1959.
\nL\u2019Orgue: Technique, Esth\u00e9tique, Histoire<\/em>, No. 93. Janvier\/Mars 1960.
\nL\u2019Orgue: Technique, Esth\u00e9tique, Histoire<\/em>, No. 94. Avril\/Juin 1960.
\nL\u2019Orgue: Technique, Esth\u00e9tique, Histoire<\/em>, No. 95. Juillet\/Septembre 1960.
\nL\u2019Orgue: Technique, Esth\u00e9tique, Histoire<\/em>, No. 96. Octobre\/D\u00e9cembre 1960.
\nL\u2019Orgue: Technique, Esth\u00e9tique, Histoire<\/em>, No. 97. Janvier\/Mars 1961.
\nL\u2019Orgue: Technique, Esth\u00e9tique, Histoire<\/em>, No. 98. Avril\/Juin 1961.
\nL\u2019Orgue: Technique, Esth\u00e9tique, Histoire<\/em>, No. 99. Juillet\/Septembre 1961.<\/p>\n

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<\/a>Sub-series B: Printed programs from recitals given by other performers<\/em><\/span><\/p>\n

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folder 1<\/th>\nRecital programs of RF\u2019s students (first of two<\/em>)<\/td>\n<\/tr>\n
folder 2<\/th>\nRecital programs of RF\u2019s students (second of two<\/em>)<\/td>\n<\/tr>\n
folder 3<\/th>\nRecital programs of other performers: RF compositions represented, 1950s-60s<\/td>\n<\/tr>\n
folder 4<\/th>\nRecital programs of other performers: RF compositions represented, 1970s<\/td>\n<\/tr>\n
folder 5<\/th>\nRecital programs of other performers: RF compositions represented, 1980s<\/td>\n<\/tr>\n
folder 6<\/th>\nRecital programs of other performers: RF compositions represented, 1990s-2000s<\/td>\n<\/tr>\n
folder 7<\/th>\nRecital programs of other performers: RF compositions represented, dates uncertain<\/td>\n<\/tr>\n
folder 8<\/th>\nRecital programs and publicity for other performers (RF works not represented)
\n[RF\u2019s own rubric on the original dossier was Concerts divers<\/em>]<\/td>\n<\/tr>\n
folder 9<\/th>\nRecital programs of other performers retained by RF
\n[some are autographed by their respective performers]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series C: Press material<\/em><\/span><\/p>\n

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folder 1<\/th>\nParis Tel<\/em>, May 1970 [Contains feature article on the CNSM.]<\/td>\n<\/tr>\n
folder 2<\/th>\nRouen Magazine<\/em>, 9-15 F\u00e9vrier 2000. Two copies[Contains article \u201cSymphonique et mystique\u201d on page 11 regarding the coming performance of RF\u2019s Marana Tha<\/em> by l\u2019Orchestre Symphonique du Conservatoire de Rouen]<\/td>\n<\/tr>\n
folder 3<\/th>\nTout-Rouen<\/em>, 13 au 26 Novembre, 1965. Two copies
\n[publicity, including a photograph, on pp. 16-18 for RF\u2019s performance of 21 Novembre 1965 at the cath\u00e9drale de Rouen; RF also cited on p. 40; M. Dupr\u00e9 cited on pp. 20, 22]<\/td>\n<\/tr>\n
folder 4<\/th>\nPress items<\/td>\n<\/tr>\n
folder 5<\/th>\nDrafts of three writings on Rolande Falcinelli.
\n\u201cRolande Falcinelli: un art de l\u2019interpr\u00e9tation\u201d \/ Marie-Jos\u00e9 Chasseguet. Typescript; 6 pages.
\n\u201cRolande Falcinelli: la composition\u201d \/ Fran\u00e7oise Lev\u00eachin. Typescript; 18 pages.
\n\u201cRolande Falcinelli, ou, Les \u00e9l\u00e9ments d\u2019un itineraire spirituel\u201d \/ Francine Guiberteau. Typescript; 3 pages.<\/td>\n<\/tr>\n
folder 6<\/th>\nAn occasional publication (1975) containing three hommages<\/em> to musicians.
\nThe contents are excerpts from the 1971-72 proceedings of the Acad\u00e9mie des Sciences, Belles-Lettres et Arts de Rouen.
\n\u201cTrois musiciens Rouennais: Paul Paray, Marcel Dupr\u00e9, et Emmanuel Bondeville\u201d \/ Chanoine Robert Delestre. Discours de r\u00e9ception \u00e0 l\u2019Acad\u00e9mie des Sciences, Belles-Lettres et Arts de Rouen, 6 November 1971.
\n\u201cMagnificant pour un Requiem\u201d \/ Andr\u00e9 Renaudin. R\u00e9ponse au discours de r\u00e9ception de M. le Chanoine Robert Delestre.
\n\u201cHommage \u00e0 Marcel Dupr\u00e9 (1886-1971) \/ Andr\u00e9 Renaudin. Presentation copy, inscribed to RF by Andr\u00e9 Renaudin.<\/td>\n<\/tr>\n
folder 7<\/th>\nPress items on the occasion of RF\u2019s 60th birthday (1980)<\/td>\n<\/tr>\n
folder 8<\/th>\nAgenda musical: bulletin bimensual de la Soci\u00e9t\u00e9 Philharmonique<\/em>, XXVIIe saison, num. 8 (1er F\u00e9vrier 1954)
\n[RF cited on pp. 6 and 8 (photo)]<\/td>\n<\/tr>\n
folder 9<\/th>\nPress items, accompanied by poster from the Festival de Belley 1980<\/td>\n<\/tr>\n
folder 10<\/th>\nNorth American tour, 1950 (first of three<\/em>)
\nPress items from the time of RF\u2019s North American tour, 1950. Accompanied by RF\u2019s handwritten transcriptions of several press reviews of recitals given by her<\/td>\n<\/tr>\n
folder 11<\/th>\nNorth American tour, 1950 (second of three<\/em>)
\nOne copy of The American Organist<\/em>, vol. 32, no. 11 (November, 1949). Contains a full-page advertisement for RF following p. 388.<\/td>\n<\/tr>\n
folder 12<\/th>\nNorth American tour, 1950 (third of three<\/em>)
\nOne copy of The American Organist, vol. 33, no. 3 (March, 1950). A review of RF appears on p. 100; a photo of Sacr\u00e9-Coeur appears on p. 96.<\/td>\n<\/tr>\n
folder 13<\/th>\n\n

Dossier \u201cRevues \/ Photos presses \/ Reportages diver \/ R.F. \/ M.D.\u201d<\/p>\n