{"id":6082,"date":"2020-09-29T11:21:51","date_gmt":"2020-09-29T15:21:51","guid":{"rendered":"https:\/\/www.esm.rochester.edu\/sibley\/?page_id=6082"},"modified":"2024-03-05T15:25:48","modified_gmt":"2024-03-05T20:25:48","slug":"ser1","status":"publish","type":"page","link":"https:\/\/www.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/adler-99-18\/ser1\/","title":{"rendered":"SAMUEL ADLER PAPERS (1999-2018 Gifts): Series 1"},"content":{"rendered":"

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Series 1: Sheet Music<\/h3>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1709670344630{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 2px !important;}”]<\/a>Sub-series A: Original Compositions and Arrangements<\/em><\/strong><\/span>[\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1601408683716{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\nAh, Those Were The Days<\/em>. Three nostalgic portraits for soprano and piano. Poems by Donald Justice. Dedicated to Ren\u00e9e Fleming.
\nFull score (1999). Fair copy, pencil. 1 p. of text, 14 pp. of music.<\/td>\n<\/tr>\n
folder 2<\/th>\nAmerican Arias and Dances<\/em>. For orchestra.
\nFull score. Manuscript facsimile. 1 p. of text, 83 pp. of music.
\nFull score (transposed score). Typescript. 74 pp.<\/td>\n<\/tr>\n
folder 3<\/th>\nAnd Will the God of Grace Perpetual Silence Keep<\/em>. For woodwind quintet. Melody by James Hewitt (\u201cFadoral Street\u201d).
\nFull score. Ozalid manuscript. 24 pp.<\/td>\n<\/tr>\n
folder 4<\/th>\nArt Creates Artists<\/em>. Celebration for orchestra. For the Florida Youth Orchestra, Jonathan May, conductor, to celebrate the 20th anniversary of the Atlantic Center for the Arts.
\nFull score (1996). Typescript, bound. 1 p. of text, 25 pp. of music.<\/td>\n<\/tr>\n
folder 5<\/th>\nAt the Young Composer\u2019s Concert<\/em>. For soprano and piano. Text by Donald Justice.
\nFull score. Manuscript facsimile. 5 pp.<\/td>\n<\/tr>\n
folder 6<\/th>\nBegin, My Muse<\/em>. A cycle of songs for male chorus and percussion ensemble. Commissioned by the Sinfonai Foundation of Phi Mu Alpha Sinfonia Fraternity for premiere at the Fraternity\u2019s regional conventions, October-December 1969.
\nFull score (1969). Manuscript facsimile, bound. 29 pp. of music.<\/td>\n<\/tr>\n
folder 7<\/th>\nBeyond the Pale<\/em>. A portrait of a klezmer for clarinet and string orchestra. Dedicated to Alexander Fiterstein.
\nFull score (2002). Fair copy, pencil. 23 pp.
\nFull score (score in C). Typescript, bound. 29 pp.<\/td>\n<\/tr>\n
folder 8<\/th>\nA Bonnie Tune<\/em>. A scherzo for solo flute. Dedicated to Bonita Boyd in celebration of 35 years of teaching at the Eastman School of Music.
\nFull score. Fair copy, pencil. 1 p. of text, 2 pp. of music.<\/td>\n<\/tr>\n
folder 9<\/th>\nBrahmsiana<\/em>. A celebration for eight horns in F. For the Eastman Horn Choir and its conductor Peter Kurau.
\nFull score (transposed score). Typescript, bound. 19 pp. 2 copies.<\/td>\n<\/tr>\n
folder 10<\/th>\nBravura<\/em>. A concert piece for bass trombone. For Jonathan Warburton.
\nScore. Fair copy, pencil. 2 pp.<\/td>\n<\/tr>\n
folder 11<\/th>\nBridges to Span Adversity<\/em>. For harpsichord. In celebration of the life of my good friend and colleague Jan DeGaetani (1933-1989).
\nPublished score (Bryn Mawr, PA: Theodore Presser, 1991). 7 pp.<\/td>\n<\/tr>\n
folder 12<\/th>\nB\u2019ruchim Habaim<\/em>. For voices and piano. To cantor Sally Neff on the occasion of her wedding.
\nFull score. Fair copy, pencil. 1 p.<\/td>\n<\/tr>\n
folder 13<\/th>\nCanto IV<\/em>. For solo alto saxophone.
\nPublished score (n.p.: Dorn Productions, 1973). 5 pp.<\/td>\n<\/tr>\n
folder 14<\/th>\nCanto Via<\/em>. A scherzo for double bass solo with apologies to many composers, especially Beethoven.
\nScore. Typescript. 3 pp.<\/td>\n<\/tr>\n
folder 15<\/th>\nCanto VI<\/em> A. A Scherzo for Double Bass Solo, with apologies to many composers especially Beethoven. Dedicated to J. O. Vandermark.
\nScore. Fair copy, pencil. 3 pp.<\/td>\n<\/tr>\n
folder 16<\/th>\nCanto X<\/em>. . For \u2018cello solo. For David Cowley.
\nPublished score (Cleveland: Ludwig, 1988). 10 pp.<\/td>\n<\/tr>\n
folder 17<\/th>\nCanto XI<\/em>. Horn solo. To Verne Reynolds.
\nPublished score (Cleveland: Ludwig, 1986). 6 pp.<\/td>\n<\/tr>\n
folder 18<\/th>\nCanto XIII<\/em>. For solo piccolo. For Jan Gippo.
\nPublished score (Cleveland: Ludwig, 1995). 6 pp.<\/td>\n<\/tr>\n
folder 19<\/th>\nCanto XIV<\/em>. A Klezmer fantasy for clarinet solo. To Franklin Cohen.
\nPublished score (Cleveland: Ludwig, 1998), with annotations in pencil. 4 pp.<\/td>\n<\/tr>\n
folder 20<\/th>\nCanto XX<\/em>. For solo oboe. For Jacqueline Leclaire.
\nScore. Typescript. 3 pp.<\/td>\n<\/tr>\n
folder 21<\/th>\nCanto XXI<\/em>. For solo harp. For Bridgit Kibbey and June Han.
\nScore (2009). Typescript. 1 p. of text, 6 pp. of music.<\/td>\n<\/tr>\n
folder 22<\/th>\nCanto XXII<\/em>. For euphonium solo. For Christian Becher.
\nScore. Fair copy, pencil. 4 pp. Copy 2 (duplicate facsimile).<\/td>\n<\/tr>\n
folder 23<\/th>\nChoral Trilogy<\/em>. For SATB and organ. Commissioned by the choirs and friends of Eastminster Presbyterian Church, Stone Mountain, GA, in honor of Edward J. Weaver, III.
\nTypescript publisher\u2019s proofs (Orleans, MA: Paraclete Press, 2015), with corrections and annotations in pencil. 32 pp.<\/td>\n<\/tr>\n
folder 24<\/th>\nConcertino No. 3 for String Orchestra. Commissioned by the Missouri Unit of the American String Teachers Association.
\nFull score. Typescript, bound, with annotations in pencil and colored pencil. 1 p. of text, 26 pp. of music.
\nPublished score (Cleveland: Ludwig, 1996). 30 pp.<\/td>\n<\/tr>\n
folder 25<\/th>\nConcerto for Guitar and Orchestra. Commissioned by and dedicated to Nicholas Goluses, Adam Holzman, and Stephen Robinson.
\nReduced score (piano reduction). Typescript, bound. 1 p. of text, 42 pp. of music.
\nPublished score (solo part and piano reduction) (Bryn Mawr, PA: Theodore Presser, 1998). 12 pp. (solo part), 33 pp. (score).<\/td>\n<\/tr>\n
folder 26<\/th>\nConcerto for Horn and Orchestra. Commissioned by the Houston Symphony Orchestra, Hans Graf, music director, for William Ver Meulen.
\nFull score. Manuscript facsimile, bound. 1 p. of text, 26 pp. of music. 2 copies.<\/td>\n<\/tr>\n
folder 27<\/th>\nConcerto for Viola and Orchestra. Commissioned by the Pittsburgh Symphony Orchestra, Marris Jansons, music director, for Randolph Kelly.
\nReduced score (piano reduction) (1998). Typescript, bound. 33 pp.
\nViola solo part. Typescript, bound. 10 pp.
\nPublished score (solo part and piano reduction) (King of Prussia, PA: Theodore Presser, 2002). 10 pp. (solo part), 33 pp. (score).<\/td>\n<\/tr>\n
folder 28<\/th>\nContrasting Inventions<\/em>. For alto and tenor saxophone duet. For Lawrence Gwozdz.
\nFull score (transposed score). Typescript, bound. 9 pp. On back cover: stamp for Carl Fischer Music.
\nAlto saxophone part. Typescript. 3 pp.
\nTenor saxophone part. Typescript. 3 pp.<\/td>\n<\/tr>\n
folder 29<\/th>\nDear Friend.<\/em> For voice and piano. Text by Magalit Sofir. In memory of Samuel Rosenbaum.
\nFull score (1997). Ozalid manuscript. 1 p. of text, 3 pp. of music.<\/td>\n<\/tr>\n
folder 30<\/th>\nDiary of a Journey.<\/em> Four snapshots for flute, bassoon and cello. Commissioned by the Friends of the Phoenix (AZ) Public Library for the dedication of the Music Room. First performance by Arpeggio.
\nFull score. Typescript, bound. 1 p. of text, 39 pp. of music.<\/td>\n<\/tr>\n
folder 31<\/th>\nDivertissement.<\/em> For violin and marimba. For Jacques and Michael Israelievitch.
\nFull score. Typescript, bound. 17 pp.<\/td>\n<\/tr>\n
folder 32<\/th>\nDouble Portrait.<\/em> For violin and piano. Commissioned by Cary Lewis and Ronald Nead to honor the memory of two great artists and two beautiful people, Carroll Glenn and Eugene List.
\nPublished score (solo part and piano score) (San Antonia: Southern Music, 1989). 5 pp. (solo part), 19 pp. (score).<\/td>\n<\/tr>\n
folder 33<\/th>\nDream Sequence.<\/em> For piano solo.
\nScore. Fair copy, pencil. 2 pp.<\/td>\n<\/tr>\n
folder 34<\/th>\nDrifting on Wind and Currents.<\/em> A poem for orchestra. Dedicated to Dr. Lewis Aronow in honor of his wife Gladys Aronow for the Las Vegas Philharmonic, David Itkin, music director.
\nFull score (transposed score). Typescript, bound. 1 p. of text, 51 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 2″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1601408822630{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\nEsa Einai (Psalm 121)<\/em>. Music by Shlomo Carlebach. Arranged for mixed choir and keyboard by Samuel Adler.
\nPublished score (New York: Transcontinental Music Publications, 1995). 6 pp.<\/td>\n<\/tr>\n
folder 2<\/th>\nA Euphonious Quartet<\/em>. For euphonium, violin, viola, and cello. For Eva Kelsick.
\nFull score. Fair copy, pencil. 1 p. of text, 29 pp. of music.<\/td>\n<\/tr>\n
folder 3<\/th>\nFable of Fables<\/em>. For two sopranos, two altos, and instruments. Words by Nazim Hikmet. Translated from the Turkish by Richard McKane. Commissioned and dedicated to the Young People\u2019s Chorus of New York City, Francisco Nunez, music director and conductor.
\nFull score. Ozalid manuscript. 1 p. of text, 7 pp. of music.<\/td>\n<\/tr>\n
folder 4<\/th>\nFamily Portraits<\/em>. For mixed chorus and band. Text by Jimmy Carter. Commissioned by Warner Robins (GA) High School.
\nPiano vocal score. Typescript, bound. 30 pp.
\nFull score. Typescript, bound. 1 p. of text, 52 pp. of music.<\/td>\n<\/tr>\n
folder 5<\/th>\nFantasy.<\/em> For solo piano. To Michael Brown.
\nScore. Typescript. 1 p. of text, 6 pp. of music.
\nOversized score separated (fair copy, pencil); see Box 17, Folder 1.<\/td>\n<\/tr>\n
folder 6<\/th>\nFive Choral Scherzi.<\/em> For mixed chorus, viola, and guitar. Texts by John Updike, anonymous, Thomas Wood, Dorothy Parker, and Hilaire Ballac. Dedicated to Duo Fresco (Brett Deubner, viola; Christopher Kenniff, guitar).
\nFull score. Typescript, bound. 1 p. of text, 38 pp. of music.<\/td>\n<\/tr>\n
folder 7<\/th>\nFive Early American Tunes for String Orchestra<\/em>.
\nPublished score (Kent, OH: Black Squirrel Music, 1998). 14 pp.<\/td>\n<\/tr>\n
folder 8<\/th>\nFive Sephardic Choruses.<\/em> For mixed chorus, with soloists, and piano.
\n\u201cI. Yom Gila.\u201d Published score (New York: Transcontinental Music Publications, 2001). 7 pp.
\n\u201cII. Ya Ribban Olam.\u201d Published score (New York: Transcontinental Music Publications, 2001). 5 pp.
\n\u201cIII. Ein Keloheinu.\u201d Published score (New York: Transcontinental Music Publications, 2001). 6 pp.
\n\u201cIV. Adon Olam.\u201d Published score (New York: Transcontinental Music Publications, 2001). 5 pp.
\n\u201cV. Zamri Li.\u201d Published score (New York: Transcontinental Music Publications, 2001). 5 pp.<\/td>\n<\/tr>\n
folder 9<\/th>\nFour Composer Portraits.<\/em> Birthday cards for piano solo.
\nScore (2001). Typescript, bound. 1 p. of text, 16 pp. of music. Computer-generated
\nmanuscript. 16 pp. of music.
\n\u201c1. Milton: A Birthday Card for Piano Solo.\u201d To my dear friend Milton Babbitt on the occasion of his 85th birthday.
\n– Score (2001). Manuscript facsimile. 1 p. of text, 2 pp. of music.
\n\u201c2. Ned.\u201d To Ned Rorem, celebrating his 78th birthday.
\n– Score (2001). Fair copy, pencil. 3 pp. Copy 2 (duplicate facsimile).
\n\u201c3. Gunther.\u201d To Gunther Schuller celebrating his 76th birthday.
\n– Score (2001). Fair copy, pencil. 3 pp. Copy 2 (duplicate facsimile).
\n\u201c4. David.\u201d To David Diamond, celebrating his 86th birthday.
\n– Score (2001). Fair copy, pencil. 4 pp. Copy 2 (duplicate facsimile).<\/td>\n<\/tr>\n
folder 10<\/th>\nFrom Generation to Generation<\/em>. A celebration for organ solo. Dedicated to Dora Sch\u00f6nberg on the occasion of her Bat Mitzvah.
\nScore (2010). Manuscript facsimile. 8 pp.
\nExcerpt from unidentified book (pertaining to Arnold Schoenberg\u2019s sketches for a \u201cJewish Symphony\u201d), in German, pp. numbered 153-172. 17 pp.<\/td>\n<\/tr>\n
folder 11<\/th>\nHeal Me, God and I Shall Be Healed<\/em>. A motet for a cappella chorus. Dedicated to my dear niece Sofie Aaron on the occasion of her Bat Mitzvah.
\nScore. Typescript. 4 pp.<\/td>\n<\/tr>\n
folder 12<\/th>\nHigh Flight.<\/em> For SATB chorus and piano. Text by John Gillespie Magee, Jr.
\nCommissioned by Keynote Arts Associates, James Dash, president, for the Manhattan Choral Festival 1987, Alexander Dashnaw, music director.
\nPublished score (New York: G. Schirmer, 1987). 16 pp.<\/td>\n<\/tr>\n
folder 13<\/th>\nHymnset<\/em>. Based on old American hymns. For woodwind quintet. To my colleagues, the New York Woodwind Quintet.
\nFull score (transposed score). Typescript publisher\u2019s proofs, with corrections and
\nannotations in ink. 18 pp.<\/td>\n<\/tr>\n
folder 14<\/th>\nIn Praise of Bach<\/em>. A fantasy for organ on BACH. Commissioned by the Cleveland chapter of the American Guild of Organists.
\nScore (2001). Fair copy, pencil. 9 pp.<\/td>\n<\/tr>\n
folder 15<\/th>\nIt Is to God I Shall Sing<\/em>. For SATB chorus and organ. For the Salt Lake City Mormon Tabernacle Choir, Jerold D. Ottley, conductor.
\nPublished score (Orleans, MA: Paraclete Press, 1999). 18 pp.<\/td>\n<\/tr>\n
folder 16<\/th>\nJona, Der Mann ohne Toleranz<\/em> (The man without tolerance). A cantata for soprano, tenor, and baritone solos with choir and orchestra. Commissioned and dedicated to the Bach Choir of Christ Church, Mannheim, Johannes Michel, director.
\nFull score. Manuscript facsimile. 1 p. of text, 44 pp. of music.<\/td>\n<\/tr>\n
folder 17<\/th>\nKol Nidre.<\/em> For orchestra.
\nFull score (score in C). Typescript, bound. 1 p. of text, 22 pp. of music.<\/td>\n<\/tr>\n
folder 18<\/th>\nL\u2019cha Dodi.<\/em> For cantor (solo or as a duet) with congregation and organ. Dedicated to my beloved son-in-law Brian Beal on the occasion of his rabbinic installation.
\nFull score (1998). Fair copy, pencil and ink. 4 pp.<\/td>\n<\/tr>\n
folder 19<\/th>\nLet the Trumpet Sound<\/em>. A prelude for an auspicious occasion for trumpet and organ. Dedicated to Nathan Arnold Schoenberg on the occasion of his Bar Mitzvah.
\nFull score (2012). Ozalid manuscript. 9 pp.<\/td>\n<\/tr>\n
folder 20<\/th>\nLiebes\u2013Lied<\/em>. For soprano or tenor and organ or piano. Text by Rainer Maria Rilke. For the wedding of Sabina Rahn and Burkhardt Krause.
\nFull score (2002). Fair copy, pencil. 1 p. of text, 3 pp. of music.<\/td>\n<\/tr>\n
folder 21<\/th>\nListen To My Words, Lord<\/em>. For two-part or SATB choir and organ or piano.
\nPublished score (Orleans, MA: Paraclete Press, 1999). 4 pp.<\/td>\n<\/tr>\n
folder 22<\/th>\nA Little Night and Day Music.<\/em> A commissioned contemporary work for school bands.
\nPublished score (New York: Carl Fischer, 1977). 24 pp.<\/td>\n<\/tr>\n
folder 23<\/th>\nLove of Country: German Life before Nazism<\/em>. For solo cello and string orchestra. For Michael Isaacson and the Israel Pops Orchestra.
\nFull score. Typescript, bound. 14 pp.<\/td>\n<\/tr>\n
folder 24<\/th>\nLovesong. For medium voice and oboe. Text by Rainer Maria Rilke. Translated by M.D. Herter Norton. For Jan and Phil with love.
\nScore (1989). Manuscript facsimile. 4 pp.<\/td>\n<\/tr>\n
folder 25<\/th>\nMah Tovu.<\/em> For cantor, mixed chorus, and organ. For Cantor Azi Schwartz and the choir of Park Avenue Synagogue.
\nFull score. Typescript. 5 pp.<\/td>\n<\/tr>\n
folder 26<\/th>\nMa\u2019oz Tsur (Rock of ages). Arranged for treble voices and keyboard.
\nPublished score (New York: Transcontinental Music Publications, 1985). 4 pp. Arranged for SATB chorus and keyboard. For Paul Salamunovich.
\nFull score. Typescript. 9 pp. Title on score: Rock of Ages.<\/td>\n<\/tr>\n
folder 27<\/th>\nMay Is Be for a Blessing<\/em>. A prayer for violin and piano. To my beloved grandson Joshua Adler Baal on the occasion of his Bar Mitzvah.
\nFull score (2012). Manuscript facsimile. 1 p. of text, 3 pp. of music.
\nViolin part. Manuscript facsimile. 2 pp. 3 copies.<\/td>\n<\/tr>\n
folder 28<\/th>\nMeadowmountetudes<\/em>. Four studies of 20th-century techniques for solo violin. For Anna Malkin.
\nPublished score (Bryn Mawr: Theodore Presser, 1996). 9 pp.<\/td>\n<\/tr>\n
folder 29<\/th>\nMi Chamocha<\/em>. For congregation (choir) and cantor with organ. In celebration of the installation of Daniel Pincus as cantor at The Temple in Toledo, OH.
\nScore (2000). Manuscript facsimile. 2 pp. 2 copies.<\/td>\n<\/tr>\n
folder 30<\/th>\nMin Hameitsar (Psalm 118)<\/em>. Music by Jacques Frommenthal Halevy. Arranged and edited by Samuel Adler. For soli, chorus, and keyboard.
\nPublished score (New York: Transcontinental Music Publications, 1993). 19 pp.<\/td>\n<\/tr>\n
folder 31<\/th>\nThe Missionary<\/em>. An opera in one act. Based on the short story The Conversion of the Jews by Philip Roth. Libretto by Judah Stampfer.
\nPiano vocal score. Manuscript facsimile, bound. 2 pp. of text, 79 pp. of music.<\/td>\n<\/tr>\n
folder 32<\/th>\nModim Anachnu Lach<\/em>. For cantor, three-part choir, and organ. In celebration of the installation of my beloved son-in-law Rabbi Brian Beal at Temple Beth Torah, Nyack, NY.
\nScore. Manuscript facsimile. 4 pp.<\/td>\n<\/tr>\n
folder 33<\/th>\nThe Music of the Heart Proclaims<\/em>. For SATB and organ.
\nPublished score (Orleans, MA: Paraclete Press, 2001). 4 pp.<\/td>\n<\/tr>\n
folder 34<\/th>\nNel spirito di Bach<\/em>. For string orchestra.
\nFull score. Manuscript facsimile, with annotations in pencil. 5 pp.
\nOversized score separated (fair copy, pencil); see Box 17, Folder 1.<\/td>\n<\/tr>\n
folder 35<\/th>\nNetsakh Lied: Song of Eternity<\/em>. Melody by J. Weiser. Text by Eliezer Schindler.
\nArranged by Samuel Adler for soprano solo, SAB chorus, and keyboard.
\nPublished score (New York: Transcontinental Music Publications, 1995). 7 pp.<\/td>\n<\/tr>\n
folder 36<\/th>\nOf Love and Dreams<\/em>. A song cycle on Irish poetry for baritone and piano. For Mark Delavan.
\nScore. Ozalid manuscript. 1 p. of text, 14 pp. of music.<\/td>\n<\/tr>\n
folder 37<\/th>\nOn Musique, Poetrie, Art and Love<\/em>. A serenade on texts by Robert Herrick. For medium or high voice, flute (alto flute and piccolo), and piano.
\nScore. Typescript, bound. 2 pp. of text, 31 pp. of music.<\/td>\n<\/tr>\n
folder 38<\/th>\nThe Organ is King<\/em>. For solo organ.
\nScore (2001). Manuscript facsimile. 4 pp. of music.<\/td>\n<\/tr>\n
folder 39<\/th>\nPiano Concerto No. 3<\/em>. For piano and string orchestra.
\nFull score. Fair copy, pencil. 40 pp.<\/td>\n<\/tr>\n
folder 40<\/th>\nPorgy and Bess\u2019 Rondo<\/em>. A concert rondo for solo marimba based on Gershwin\u2019s Porgy and Bess. Commissioned by and dedicated to Leigh Howard Stevens.
\nPublished score (Elberon, NJ: Keyboard Percussion Publications, 1999). 24 pp.<\/td>\n<\/tr>\n
folder 41<\/th>\nPorts of Call<\/em>. A \u201cMediterranean\u201d suite for two violins and guitar.
\nPublished score (full score and 3 parts) (Bryn Mawr: Theodore Presser, 1994). 24 pp. (score), 13 pp. (violin I part), 13 pp. (violin II part), 12 pp. (guitar part).
\nOversized item separated (\u201cA Composer\u2019s Primer to the Guitar\u201d by Ross M. Mann); see Box 17, Folder 1.<\/td>\n<\/tr>\n
folder 42<\/th>\nPossibilities<\/em>. A cycle of four songs for tenor and guitar. Texts by Henry Wadsworth Longfellow, Melani Rahak, Stephen Dunn, and Robert Service. Dedicated to Brian Staufenbiel and Eladio Scharron.
\nScore. Fair copy, pencil and ink. 1 p. of text, 12 pp. of music. Accompanied by facsimile of select poems from Songs for the Open Road [(Mineola, NY: Dover Publications, 1999)]. Includes pp. 8-9 and 12-13. 2 pp.
\nScore. Typescript, bound. 1 p. of text, 15 pp. of music.<\/td>\n<\/tr>\n
folder 43<\/th>\nPraise Thy Saving Power<\/em>. Four Chanukah songs for male chorus and piano.
\nPublished score (Cleveland: Ludwig, 1984). 25 pp.<\/td>\n<\/tr>\n
folder 44<\/th>\nA Prayer for Healing<\/em>. For voice and piano or organ. Dedicated to my sister and brother-in-law Marianne and Ronald Aaron.
\nScore. Fair copy, ink. 1 p. of music.<\/td>\n<\/tr>\n
folder 45<\/th>\nA Prayer of Thanksgiving.<\/em> For soprano solo, alto solo, congregation, and keyboard accompaniment. Dedicated to my dear son-in-law, on the occasion of his 10th anniversary at Congregation Beth Torah.
\nScore. Fair copy, pencil. 2 pp.<\/td>\n<\/tr>\n
folder 46<\/th>\nA Prolific Source of Sorrow.<\/em> Five Chinese love songs for flute and chorus.Commissioned by the Paul Hill Chorale.
\nFlute part. Typescript, bound. 6 pp. Stamp on front cover: \u201cReturn to the Ensemble
\nLibrary, Eastman School of Music.\u201d<\/td>\n<\/tr>\n
folder 47<\/th>\nA Psalm of Praise<\/em>. For mixed chorus and organ or piano. Commissioned by Keynote Arts Associates, James Dash, president, for the Keynote Sacred Music Festival, Washington, DC, 1989.
\nPublished score (Decatur, IL: Kimmel Publications, 1989). 14 pp.<\/td>\n<\/tr>\n
folder 48<\/th>\nA Psalm Trilogy<\/em>. For SATB chorus, a cappella. Commissioned by the Endowment Fund of the American Choral Directors Association, in memory of Raymond W. Brock.
\nPublished score (Bryn Mawr: Theodore Presser, 1997). 22 pp.<\/td>\n<\/tr>\n
folder 49<\/th>\nQuintet for Piano and String Quartet<\/em>. Dedicated to the American String Quartet.
\nFull score (2000). Fair copy, pencil. 1 p. of text, 35 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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[\/vc_column_text][vc_custom_heading text=”Box 3″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1601408891372{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nRomp.<\/em> A celebration for string quartet. Commissioned by Wolf Trap for the Ying Quartet.
\nFull score. Fair copy, pencil. 21 pp.
\nFull score. Typescript. 21 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nRushing Waters<\/em>. A toccata for piano solo. Dedicated to Alan Feinberg.
\nScore. Fair copy, pencil. 4 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nScherzo Schmerzo<\/em>. A fun piece for four trumpets, horn, four trombones, tuba, and percussion. Dedicated to Ensemble Beaufort.
\nFull score. Fair copy, pencil. 1 p. of text, 28 pp. of music.
\nFull score. Typescript, bound. 1 p. of text, 34 pp. of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nScherzo Variation for the Second Movement of the Trio Op. 1, No. 2, by Ludwig van Beethoven<\/em>. For violin, cello, and piano.
\nFull score. Fair copy, pencil. 6 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nSeek Your Servant, O God<\/em>. For SATB chorus and organ or piano.
\nPublished score (Orleans, MA: Paraclete Press, 1999). 8 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nSerenata Concertante<\/em>. A concerto grosso for flute, oboe, clarinet, bassoon, saxophone, and wind ensemble.
\nFull score (1996-1997). Manuscript facsimile, bound. 1 p. of text, 107 pp. of music.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nShir Hama\u2019alot: A Song of Ascents (Psalm 126).<\/em> For three-part treble choir and piano.
\nPublished score (New York: Transcontinental Music Publications, 1994). 11 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nShow an Affirming Flame. A poem for orchestra<\/em>. Dedicated to the victims of the terror attack on September 11, 2001, for the New York Chamber Symphony, Gerard Schwarz, music director.
\nFull score. Fair copy, ink and pencil. 1 p. of text, 16 pp. of music.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nSleep Now<\/em>. For treble voice and piano. Dedicated to my beloved grandson Joshua Adler Beal.
\nScore (2001). Manuscript facsimile. 1 p. of text, 3 pp. of music.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nSolemn Soliloquy<\/em>. For violin solo. For Atis Bankas.
\nScore (incomplete; consists of title page and p. 1 of score only). Typescript. 1 p. of text, 1 p. of music.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nSome Minimal Fun. For piano solo.<\/em>
\nScore. Fair copy, pencil and ink. 2 pp. Bound with: Dream Sequence<\/em>. For piano solo. Score. Fair copy, pencil and ink. 2 pp.
\nMasters of Our Day<\/em>: 22 New Works Written Specially for Young Pianists by Some of Today\u2019s Most Important American Composers.<\/em> Vol. 2. New York: Carl Fischer, 2001. 72 pp. Some Minimal Fun<\/em> included on pp. 4-6.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nSonata for Solo Guitar.
\nPublished score (Bryn Mawr, PA: Theodore Presser, 1990). 15 pp.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nSonata No. 4 for Violin and Piano. For William Steck.
\nScore (1989). Manuscript facsimile, bound. 1 p. of text, 32 pp. of music.
\nPublished score (Cleveland: Ludwig Music Publishing, 1993). 37 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nSong of the Seasons<\/em>. For two-part children\u2019s chorus. Text by Janet Freeman.
\nScore. Fair copy, pencil and ink. 1 p. of text, 10 pp. of music.
\nScore. Typescript, bound, with annotations in pencil and ink. 1 p. of text, 10 pp. of
\nmusic.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nString Quartet No. 9. Commissioned by and dedicated to the Esterhazy Quartet (Eva Szkely, Susan Jensen, Leslie Perna, and Darry Dolezal).
\nFull score. Typescript, bound. 1 p. of text, 47 pp. of music.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nString Quartet No. 10. For the Cassatt String Quartet in honor of the 50th anniversary of the Bowdoin International Summer Festival.
\nFull score (2013). Fair copy, pencil. 50 pp.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nThirteen Wonderful Years<\/em>. For cello and double bass. To my beloved grandson Benjamin and Ari on the occasion of their Bar Mitzvah.
\nScore. Fair copy, ink. 1 p.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nThree Pieces<\/em>. For cello and piano.
\nScore. Typescript, bound. 1 p. of text, 20 pp. of music.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nTo Remember: To Be Remembered<\/em>. For mixed chorus and piano. Commissioned by the Choir of Western Kentucky University, Kenneth Davis, conductor.
\nPublished score (Bryn Mawr, PA: Theodore Presser, 1996). 20 pp.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nTransfiguration.<\/em> An Ecumenical Mass for mixed chorus, brass quintet, and organ. Dedicated to Gloria Dei Cantores, Elizabeth C. Patterson, conductor.
\nFull score. Typescript, bound. 1 p. of text, 78 pp. of music.
\nPublished choral score (Orleans, MA: Paraclete Press, 2001). 37 pp. 2 copies.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nVerses from Isaiah<\/em>. Anthem for mixed choir accompanied by organ or organ, brass, and optional handbells. Commissioned by Westminster Choir College.
\nPublished score (New York: Oxford University Press, 1990). 22 pp.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nWedding Responses<\/em>. For voice and keyboard. To Mark and Kathryn Winer on the occasion of their wedding.
\nScore (1996). Manuscript facsimile, with annotations in pencil. 1 p. of text, 3 pp. of music.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\n\u00a0Yih\u2019yu L\u2019ratson, and Ose Shalom<\/em>. For voice and keyboard. To my dear niece Adina Lilly Aaron on the occasion of her Bat Mitzvah.
\nScore. Fair copy, pencil. 2 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a>Sub-series B: Transcriptions and Edited Music<\/span><\/strong><\/em><\/p>\n\n\n\n\n\n\n\n
folder 24<\/th>\nAlkan, Valentin. Psalm 150 (Hallelujah)<\/em>. For mixed choir and keyboard. Edited and translated by Samuel Adler.
\nPublished score (New York: Transcontinental Music Publications, 1996). 9 pp.<\/td>\n<\/tr>\n
folder 25<\/th>\n\u00a0Bach, J. S. Capriccio.<\/em> Transcribed for brass quintet by Samuel Adler. To the Eastman Brass Quintet.
\nPublished score (full score and 5 parts) (San Antonio, TX: Southern Music Co.,1974). 11 pp. (score), 2 pp. (trumpet I), 2 pp. (trumpet II), 2 pp. (horn in F), 2 pp. (trombone), 2 pp. (tuba).<\/td>\n<\/tr>\n
folder 26<\/th>\nLewandowski, Louis. Psalm 100 (Hariu L\u2019Adonai\/Shout Joyfully)<\/em>. For mixed chorus with accompaniment. Translated and edited by Samuel Adler.
\nPublished score (New York: transcontinental Music Publications, 1994). 15 pp.<\/td>\n<\/tr>\n
folder 27<\/th>\nRossi, Salomone. Psalm 92<\/em>. For double chorus of mixed voices, a cappella. Edited by Samuel Adler. English paraphrase by Samuel Rosenbaum.
\nPublished score (New York: G. Schirmer, 1977). 28 pp.<\/td>\n<\/tr>\n
folder 28<\/th>\nTwo Marches<\/em> (National Emblem by E. E. Bagley; The Stars and Stripes Forever<\/em> by John Philip Sousa). Transcribed for string sextet by Samuel Adler. Commissioned by Chamber Music Northwest for the Cleveland String Quartet.
\nFull score. Typescript, bound. 1 p. of text, 24 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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\u2190 SAMUEL ADLER PAPERS (1999-2018 Gifts)<\/a><\/p>\n

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SAMUEL ADLER PAPERS (1999-2018 Gifts): Series 2 \u2192<\/a><\/p>\n

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[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text] Series 1: Sheet Music [\/vc_column_text][vc_column_text css=”.vc_custom_1709670344630{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 2px !important;}”]Sub-series A: Original Compositions and Arrangements[\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1601408683716{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: […]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":6070,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-6082","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/6082","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=6082"}],"version-history":[{"count":0,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/6082\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/6070"}],"wp:attachment":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=6082"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=6082"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=6082"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}