{"id":17048,"date":"2022-01-03T10:30:30","date_gmt":"2022-01-03T15:30:30","guid":{"rendered":"https:\/\/www.esm.rochester.edu\/sibley\/?page_id=11194"},"modified":"2022-01-03T10:30:30","modified_gmt":"2022-01-03T15:30:30","slug":"ser1-4","status":"publish","type":"page","link":"https:\/\/www.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/jdegaetani-ml\/ser1-4\/","title":{"rendered":"JAN DEGAETANI COLLECTION (MUSIC LIBRARY)"},"content":{"rendered":"

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SUB-GROUP 1: LIBRARY<\/h3>\n

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<\/a>Series 1: Oratorios, Masses, and Cantatas<\/h3>\n

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folder 1<\/strong><\/td>\nAlfonzo X, King of Castille and Leon. Cantigas de Santa Maria.
\nVocal line and texts (English translations) only. Performance photocopies from unidentified source(s). 36 pp.
\nAccompanied by note: \u201cCantigas de Santa Maria \/ recording with Waverly Ensemble.\u201d<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nBach, C. P. E. Magnificat. For soli, chorus, and orchestra.
\nVocal score. Edited and the orchestral accompaniment adapted for piano or organ by Carl Deis. German and English text. New York: G. Schirmer, c1950. 124 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nBach, J. S. Christmas Oratorio. For chorus, soli, and orchestra.
\nVocal score. Edited by Max Spicker. English text. Translated and adapted by J. Troutbeck from the original German text. New York: G. Schirmer, [s.d.]. 195 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nBach, J. S. Christmas Oratorio, BWV 248. For four solo voices, chorus, and orchestra.
\nVocal score. Vocal score by Gustav R\u00f6sler. German text. Frankfurt: C. F. Peters, [s.d.]. 163 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nBach, J. S. Mass in B Minor. For soli, chorus, and orchestra.
\nVocal score. Edited by Frank Damrosch. Latin text. New York: G. Schirmer, c1927. 199 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nBach, J. S. Messe in H Moll, BWV 232. For soli, mixed chorus, and orchestra.
\nVocal score. Arranged by Gottfried M\u00fcller. Latin text. Kassel: B\u00e4renreiter, c1955. 240 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nBach, J. S. The Passion According to St. John. For soli, chorus, and orchestra.
\nVocal score. Edited and with an introduction by Arthur Mendel. German and English texts. Translations by Henry S. Drinker and Harvey Officer. New York: G. Schirmer, c1951. 241 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nBach, J. S. Passionsmusik nach dem Evangelisten Johannes. For soli, chorus, and orchestra.
\nVocal score. Piano reduction by Gustav R\u00f6sler. German text. Frankfurt: C. F. Peters, c1940. 135 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nBach, J. S. The Passion of Our Lord According to St. Matthew. For soli, chorus, and orchestra.
\nVocal score. English text. English translation by Robert Shaw. New York: G. Schirmer, c1959. 168 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nBach, J. S. Matth\u00e4us-Passion, BWV 244.
\nVocal score. Piano reduction by Alfred D\u00fcrr. English translation by Henry S. Drinker. Kassel: B\u00e4renreiter, c1974. 304 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nBach, J. S. The Passion of Our Lord According to St. Matthew.
\nVocal score. Edited by H. W. Nicholl. English text. English translation and adaptation by Rev. Dr. Troutbeck. New York: G. Schirmer, c1932. 219 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nBach, J. S. W\u00e4r Gott nicht mit uns diese Zeit, BWV 14. Cantata for soli, chorus, and orchestra.
\nFacsimile of holograph parts, edited by Bach-Archiv Leipzig. German text. Kassel: B\u00e4renreiter, 1955. Presentation copy inscribed by Victor Rangel-Riberin.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nBeethoven, Ludwig van. Messe C dur, Op. 86. For four solo voices, choir, and orchestra.
\nVocal score. Latin text. Frankfurt: C. F. Peters, [s.d.]. 64 pp. Inscribed to JDG by \u201cRyland\u201d [Davies].<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nBeethoven, Ludwig van. Missa solemnis, Op. 123. For soli, choir, orchestra, and organ.
\nVocal score. Piano reduction by Salomon Jadassohn. Latin text. Leipzig: Breitkopf & H\u00e4rtel, 1980. 119 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nBerlioz, Hector. The Childhood of Christ, Op. 25. Sacred trilogy for soloists, chorus, and orchestra.
\nVocal score. English, French, and German texts. New York: Edwin F. Kalmus, [s.d.]. 156 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nBritten, Benjamin. Phaedra, Op. 93. Dramatic cantata for mezzo-soprano and small orchestra. Words from a verse translation of Racine\u2019s Ph\u00e8dre by Robert Lowell.
\nVocal score. English text. London: Faber, c1977. 22 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nBuxtehude, Dietrich. Aperite Mihi Portas Justitiae. Cantata for alto, tenor, bass, two violins, and basso continuo.
\nVocal score. Realization of the figured bass by Fritz Oberdoerffer. Latin and English texts. Edition and adaption of English text prepared by Walter E. Buszin. New York: C. F. Peters, c1953. 24 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nCopland, Aaron. In the Beginning. For mixed chorus a cappella with mezzo-soprano solo.
\nVocal score. English text. [New York]: Boosey & Hawkes, c1947. 56 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nDvo\u0159\u00e1k, Antonin. Stabat Mater, Op. 58. For soli, chorus, and orchestra.
\nVocal score. Latin text. New York: Kalmus, [s.d.]. 112 pp.
\nAccompanied by photocopied pages from the Latin Proper of the Saints set in chant with English translation. Facsimile from unidentified published source (pp. 1422\u20131427). 3 leaves.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nHandel, G. F. Ah! Crudel, nel pianto mio. Cantata for soprano, two oboes, strings, and continuo.
\nPerformance photocopies of score. Italian text. [s.l.: s.n., s.d.]. Pl. no. W.W.52A. 16 pp.
\nAccompanied by English translation in JDG\u2019s hand. Ink MS. 1 p.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nHandel, G. F. Dettingen Te Deum.
\nVocal score. English text. Melville, NY: Belwin Mills, [s.d.]. 70 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nHandel, G. F.\u00a0Hercules.<\/em>\u00a0Oratorio for soli, chorus, and orchestra.
\nVocal score. English and German texts. Leipzig: Breitkopf & H\u00e4rtel, 1965. 262 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nHandel, G. F.\u00a0Israel in Egypt<\/em>. Sacred oratorio for soli, chorus, and orchestra.
\nVocal score. Edited by H. W. Nicholl. English text. New York: G. Schirmer, c1900. 195 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nHandel, G. F. Italianische Kantaten<\/em>: \u201cTra le fiamme.\u201d Cantata for soprano, solo viola da gamba, two flutes, oboe, bassoon, two violins, and thoroughbass.
\nFull score and 8 parts (bassoon part missing). German and Italian texts. Kassel: B\u00e4renreiter, 1977. 50 pp., total. Viola da gamba part emended with insertions from a different edition.
\nFull score. Facsimile from published source (pp. 66\u201378). [s.l.: s.n., s.d.]. Pl. no. H.W.52B. 12 pp.
\nVioloncello\/contrabasso part, recitative only. Performance photocopy, affixed to file folder. [s.l.: s.n., s.d.]. [In same key as facsimile score.] 1 p.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nHandel, G. F. Jephtha<\/em>. Oratorio.
\nVocal score. Edited and the pianoforte accompaniment arranged by Vincent Novello. London: Novello, [s.d.]. 195 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nHandel, G. F. The Messiah<\/em>.
\nVocal score. New York: G. Schirmer, c1912. 252 pp. Hardbound, with foil stamp \u201cJan Ruetz\u201d on cover.
\nAlso in folder: \u201cMessiah Recording Schedule.\u201d Typescript document, dated December 6, 1983. 1 p.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nHandel, G. F.\u00a0The Messiah<\/em>.
\nVocal score. Edited by T. Tertius Noble. Revised according to Handel\u2019s original score by Max Spicker. New York: G. Schirmer. c1912. 252 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nHandel, G. F. Semele<\/em>. Opera [\u201cafter the manner of an oratorio\u201d]. Libretto by William Congreve.
\nVocal score. Edited by Anthony Lewis and Charles Mackerras. Rental score. London: Oxford University Press, [1970]. 294 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nHaydn, Joseph. Missa Solemnis in B-Flat<\/em>. For four-part chorus of mixed voices with organ or piano accompaniment.
\nVocal score. Edited and with keyboard reduction by William Herrmann. New York: G. Schirmer, c1966. 140 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nHaydn, Joseph. Nelson Messe<\/em>. For four-part choir, soli, orchestra, and organ.
\nVocal score. Piano reduction by Wilhelm Weismann. Frankfurt: C. F. Peters, c1959. 79 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nHaydn, Joseph. Die sieben Worte<\/em>. For chorus and orchestra.
\nVocal score. Piano reduction by Wilhelm Weismann. Frankfurt: C. F. Peters, c1938. 79 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nHonegger, Arthur. King David<\/em>. Symphonic psalm after a drama by Ren\u00e9 Morax.
\nVocal score. English text. English version by Edward Agate. Boston: E. C. Schirmer, c1952. 93 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nMarcello, Alessandro. Serenata ad Irene<\/em>. Chamber cantata for soprano and continuo
\nVocal score. Italian text. Performance photocopy from unidentified source (pp. 49\u201376). [s.l.: s.n., s.d.]. No pl. no. 28 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nMendelssohn, Felix. Elijah<\/em>. Oratorio for soli, chorus, and piano.
\nVocal score. English text. New York: G. Schirmer, [s.d.]. 198 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nMendelssohn, Felix. Elijah<\/em>. Oratorio.
\nVocal score. English and German texts. Kalmus Vocal Scores. Melville, NY: Belwin Mills, [s.d.]. 200 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nMozart, W. A. Coronation Mass, <\/em>K. 317. For four-part chorus of mixed voices with soprano, alto, tenor, and bass soli.
\nVocal score. Piano reduction by Otto Taubmann. Latin text. New York: G. Schirmer, [s.d.]. 53 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nMozart, W. A. Missa C Moll, <\/em>KV 427 (417a).
\nVocal score. Edited by H. C. Robbins Landon. Piano score by Josef Nebois. Latin text. Z\u00fcrich: Eulenburg GMBH, c1956. 133 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nMozart, W. A. Requiem Mass<\/em>.
\nVocal score. Edited and the pianoforte accompaniment arranged by W. T. Best. Latin text. New York: H. W. Gray Co., [s.d.]. 84 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nMozart, W. A. Requiem<\/em>.
\nVocal score. Piano reduction by F. Brissler. Latin text. New York: C. F. Peters, [s.d.]. 80 pp.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nMozart, W. A. Vesperae Solennes de Confessore, <\/em>K. 339. For four voices, two violins, bassoon, two trumpets, three trombones, timpani, bass, and organ.
\nVocal score. Reduction by J. Fuller Maitland. New York: Kalmus, [s.d.]. 68 pp. Inscribed by Sergius Kagen.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nProkofieff, Serge.\u00a0Alexander Nevsky<\/em>, Op. 78. Cantata for chorus and orchestra.
\nVocal score. Russian and English texts. New York: Kalmus, [s.d.]. 88 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nRitter, Christian. O amantissime sponse Jesu<\/em>. Cantata for voice, strings, and basso continuo.
\nVocal score. Edited by Richard Buchmayer. Latin text. Performance photocopy. [s.l.]: Breitkopf & H\u00e4rtel, c1906. 2 copies. 15 pp., each.
\nFull score. Latin text. Ink MS, bound. 77 pp.
\nString parts (5 parts: violin I, violin II, viola, cello I, cello II). Ink MS, with emendations. 31 pp, total.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nScarlatti, Alessandro. [Two chamber cantatas.]
\nFrom folder labeled \u201cChamber \/ A. Scarlatti \/ Cantatas.\u201d
\n\u201cMitilde, addio, poich\u00e8 di nuovo amante.\u201d Cantata for soprano and basso continuo. Vocal score. Italian text. MS repro (transcribed by unidentified hand). 10 pp. Accompanied by typed Italian text and English translation. 2 pp.
\n\u201cCelinda \u00e8 la mia vita.\u201d Cantata for voice and basso continuo. Italian text. MS repro (transcribed by unidentified hand). 12 pp. Accompanied by typed Italian text and English translation. 2 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nScarlatti, Domenico. Salve Regina<\/em>. For soprano, strings, and continuo.
\nFull score. Latin text. Performance photocopy. K\u00f6ln: Arno Volk, c1960. 2 copies. 22 pp., each.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nSchubert, Franz. Mass in A-Flat<\/em>. For four voices, orchestra, and organ.
\nVocal score. Latin text. New York: Kalmus, [s.d.]. 107 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nSchubert, Franz. Mass in A-Flat<\/em>.
\nVocal score. Pianoforte accompaniment arranged from the full score by Berthold Tours. Latin text. London: Novello, [s.d.]. 99 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nSchubert, Franz. Mass in C<\/em>, Op. 48. For four-part chorus of mixed voices with piano accompaniment.
\nVocal score. Edited by William Ramsey. Latin text. New York: G. Schirmer, c1967. 52 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nSessions, Roger. When Lilacs Last in the Dooryard Bloom\u2019d<\/em>. Cantata for soprano, contralto, baritone, mixed chorus, and orchestra.
\nVocal score. Published music reproduced from the composer\u2019s manuscript. English text. Bryn Mawr, PA: Merion Music, c1974. 150 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nThompson, Randall. Mass of the Holy Spirit<\/em>. Communion service for mixed voices, unaccompanied.
\nVocal score. Latin and English texts. Boston: E. C. Schirmer, c1957. 92 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nTippett, Michael. A Child of Our Time<\/em>. Oratorio for soli, chorus, and orchestra.
\nVocal score. English text. London: Schott, c1944. 109 pp. Inscribed to JDG by \u201cLengin\u201d (spelling?).<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nVerdi, Giuseppe. Requiem<\/em>.
\nVocal score. Latin and English texts. New English version by Geoffrey Dunn. London: G. Ricordi, c1956.
\nAccompanied by a telegram from Tom Paul to JDG; dated February 23, 1983. 1 p.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nVivaldi, Antonio. Stabat Mater<\/em>. For alto voice, strings, and thorough-bass.
\nVocal score. Edited by Gian Francesco Malipiero. Piano reduction by Vilmos Lesk\u00f3. Latin and English texts. English version by Geoffrey Dunn. Milano: G. Ricordi, c1970. 26 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 2: Symphonies and Ballets<\/h3>\n

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folder 12<\/strong><\/td>\nBerg, Alban. Lyrische Suite<\/em>. For string quartet (alternate version of movement 6 includes vocal line).
\nMiniature score. Wien: Universal, c1955. 83 pp. Accompanied by duplicate photocopy of movement 6 (pp. 77\u201383). 4 leaves.
\nTranscription of vocal line from movement 6 (mm. 12\u201340). German text. MS repro. 3 pp. MS Repro of the vocal line from Movement VI (measures 12-40).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nBerlioz, Hector. La Damnation de Faust<\/em>. For soli, chorus, and orchestra.
\nVocal score. New reduction by Charles Malherbe. French text. Paris: Costallat, [s.d.]. Handmade cover is inscribed [author unidentified].<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nBerlioz, Hector. Romeo and Juliet, <\/em>Op. 17. A dramatic symphony.
\nVocal score. French, German, and English texts. Words by Emile Deschamps. English translation by John Bernhoff. New York: Kalmus, [s.d.]. 189 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nBritten, Benjamin. Spring Symphony, <\/em>Op. 44. For soprano, alto, and tenor soli; mixed chorus; boys\u2019 choir; and orchestra.
\nVocal score. Reduction by Arthur Oldham. English text. London: Boosey & Hawkes, c1950. 124 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nFalla, Manuel de. El Sombrero de tres picos<\/em>. Ballet by G. Martinez Sierra after the novel by P. A. de Alarcon.
\nPiano reduction. London: J. & W. Chester, c1949. 78 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nHindemith, Paul. When lilacs last in the door-yard bloom\u2019d<\/em>. A requiem \u201cfor those we love.\u201d For mezzo-soprano and baritone soli, chorus, and orchestra.
\nPiano score. On the poem by Walt Whitman. English and German texts. London: Schott, c1948. 153 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nMahler, Gustav. Symphony No. 2.
\n<\/em>Full score. Wien: Universal, c1952. 209 pp. Title page inscribed with name and address of Esther Hinds.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nMahler, Gustav. Symphony No. 3.
\n<\/em>Score. New York: Kalmus, [s.d.]. 231 pp. Title page has inscription to JDG by Levyin (?); first page of score autographed by Seiji Ozawa.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nMahler, Gustav. Symphony No. 4.
\n<\/em>Miniature score. New York: International Music Co., [s.d.]. 188 pp. Inscribed by [illegible] \u201cwith happy memories of the performances on the Japan Tour of the BBC, 5.23.75.\u201d<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nPicker, Tobias. Symphony II.
\n<\/em>Photocopy of full score (from Rental Library, European American Music Distributors Corporation). Valley Forge, PA: European American Music, [s.d.].
\nLetter from George Class (European American Music) to JDG; dated February 22, 1988. 1 p.
\nLetter from Mary Plaine (Baltimore Symphony Orchestra) to JDG; dated February 25, 1988. 1 p.
\nOriginal folder.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nRavel, Maurice. Sh\u00e9h\u00e9razade<\/em>. Three poems for voice and orchestra (or piano).
\nMiniature score. French and English texts. Poem by Tristan Klingsor. English version by Hermann Klein. Paris: Durand, c1914. 52 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nShostakovich, Dmitri. Symphony No. 14.<\/em> For soprano, bass, and chamber orchestra.
\nVocal score. Russian (transliteration) and English texts. MS repro. Rental score from MCA Music. 120 pp. Russian texts and English translations for each movement taped in the margins.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nStravinsky, Igor. Pulcinella<\/em>. Ballet in one act with three solo voices.
\nPiano reduction. Italian text. London: J. & W. Chester, c1920. 86 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 3: Operas<\/h3>\n

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folder 4<\/strong><\/td>\nBirtwistle, Harrison. Punch and Judy<\/em>. Opera in one act. Libretto and vocal score by Stephen Pruslin.
\nVocal score. Reproduced from the autograph. English text. London: Universal, c1968. 240 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nBizet, Georges. Carmen<\/em>. Opera in four acts.
\nVocal score. Piano reduction by the composer. Paris: Choudens, [s.d.]. 363 pp. Hardbound. Fragile condition.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nCavalli, Francesco. Erismena<\/em>.
\nScore (vocal line with basso continuo). Italian and English texts. MS repro. [Transcription in unidentified hand.] 128 pp. Incomplete; missing pp. 1\u201310 of Act I.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nCimarosa, Dominico. Il Matrimonio Segreto<\/em>. Dramma giocoso in two acts.
\nVocal score. Libretto by Giovanni Bertati. Italian text. Milano: Ricordi, [s.d.]. 312 pp. Hardbound. Fragile condition.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nDavies, Peter Maxwell. The Martyrdom of St. Magnus<\/em>. Chamber opera in nine scenes. Libretto by the composer after the novel Magnus<\/em> by George Mackay Brown.
\nFull score with piano reduction by Richard Emsley. English text. Rental score from Boosey & Hawkes Rental Library (Oceanside, NY). London: Boosey & Hawkes, c1977. 303 pp. Accompanied by libretto (Boosey & Hawkes, 31 pp.) and handwritten note (1 p.).<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nDonizetti, Gaetano. L\u2019Elisir d\u2019Amore<\/em>. Melodrama in two acts.
\nVocal score. Italian text. Milano: Ricordi, [s.d.]. 252 pp. Hardbound. Fragile condition.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nGluck, Christopher. Orpheus<\/em>.
\nVocal score. English and Italian texts. New York: Kalmus, [s.d.]. 135 pp.
\n\u201cEuridice! Consorte! Ah pi\u00f9 non vive\u201d (recitative) and \u201cChe far\u00f2 senza Euridice?\u201d (aria). Vocal score. Facsimile from unidentified published source (pp. 38-43). [s.l.: s.n., s.d.]. from a reduced score. 6 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nGluck, Christoph. Orfeo ed Euridice<\/em>. Vienna version of 1762.
\nVocal score. Arranged by Heinz Moehn. Italian and German texts. German words by Hans Swarowsky. Kassel: B\u00e4renreiter, c1962. 156 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nGoehr, Alexander. Behold the Sun (Die Wiedert\u00e4ufer)<\/em>. Opera in three acts. Libretto by John McGrath and the composer.
\nVocal score. English and German texts. German translation by Bernhard Laux. London: Schott, c1985. 541 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nHandel, G. F. Acis and Galatea<\/em>. Masque.
\nMiniature score (full score). English and German texts. Melville, NY: Belwin Mills, [s.d.]. 132 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nMenotti, Gian Carlo. Amahl and the Night Visitors<\/em>. Opera in one act.
\nVocal score. English text. New York: G. Schirmer, c1952. 65 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nMenotti, Gian Carlo. The Medium<\/em>. Tragedy in two acts.
\nVocal score. Revised version. English and French texts. French version by L\u00e9on Kochnitzky. New York: G. Schirmer, c1967. 121 pp. Accompanied by the Ave Maria in Latin with English translation on a typed note from a friend taped into the front cover.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nMenotti, Gian Carlo. The Old Maid and the Thief<\/em>. A grotesque opera in 14 scenes.
\nVocal score. English text. New York: G. Ricordi, c1954. 180 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nMonteverdi, Claudio. L\u2019Orfeo<\/em>. For soloists, chorus, and orchestra.
\nVocal score. Edited by Denis Stevens. Italian text. London: Novello, c1967. 150 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nMozart, W. A. Cos\u00ec fan Tutte<\/em>. Opera in two acts. Libretto by Lorenzo da Ponte.
\nVocal score. Italian and English texts. English version by Ruth and Thomas Martin. New York: G. Schirmer, c1952. 366 pp. Hardbound, with foil stamp \u201cJan Ruetz\u201d on cover.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nMozart, W. A. Le Nozze di Figaro<\/em>. Opera in four acts. Libretto by Lorenzo da Ponte.
\nVocal score. Italian and English texts. English version by Ruth and Thomas Martin. With an essay on the story of the opera by Nathan Broder. New York: G. Schirmer, c1951. 481 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nMozart, W. A. Die Zauberfl\u00f6te<\/em>. Opera in two acts.
\nVocal score. Edited by Kurt Soldan. Leipzig: C. F. Peters, [s.d.]. 181 pp. Hardbound.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nPuccini, Giacomo. Madame Butterfly<\/em>. Opera in three acts.
\nVocal score. Arranged for voice and pianoforte by Carlo Carignani. English and Italian texts. English version by R. H. Elkin. New York: Ricordi, c1905. 266 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nPurcell, Henry. Dido and Aeneas<\/em>. Opera.
\nVocal score with basso continuo. New York: Broude Brothers, [s.d.]. 89 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nRameau, Jean-Philippe. Hippolyte and Aricie<\/em>. Trag\u00e9die lyrique in five acts. Libretto by l\u2019Abb\u00e9 Pellegrin.
\nVocal score. Revised by Vincent d\u2019Indy. French text. Paris: Durand, [s.d.]. 232 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nRameau, Jean-Philippe. Pygmalion<\/em>. Acte de ballet.
\nVocal score. Transcribed by Henri B\u00fcsser. French text. Paris: Durand, c1913. 55 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nRavel, Maurice. L\u2019enfant et les Sortil\u00e8ges. Opera in one act. Libretto by Colette.
\nVocal score. French and English texts. English translation by Katharine Wolff. Paris: Durand, c1925\u20131932. 101 pp.
\nAccompanied by photocopied reproductions of fine line (pencil) drawings of children by A. S\u00e9gur. 12 pp.<\/td>\n<\/tr>\n
folder 2<\/span><\/strong><\/td>\nRossini, Gioachino. The Barber of Seville. Comic opera in two acts. Italian libretto by Cesare Sterbini.
\nVocal score in three stage versions. Italian and English texts. English adaptation by Virginia Card. Lynbrook, NY: Boosey & Hawkes, c1956. 365 pp.<\/td>\n<\/tr>\n
folder 3<\/span><\/strong><\/td>\nScarlatti, Alessandro. Il Trionfo dell\u2019Onore. Operatic \u201ccommedia\u201d in three acts.
\nVocal score. Stage reduction, elaboration, and adaptation by Virgilio Mortari. Italian text. Milano: Carisch S. A., 1954. 102 pp.<\/td>\n<\/tr>\n
folder 4<\/span><\/strong><\/td>\nStravinsky, Igor. Mavra. Opera buffa in one act after Pushkin by Boris Kochno.
\nVocal score. Piano reduction by the composer. English, French, and German texts. English version by Robert Craft. French version by Jacques Larmanjat. German version by A. Elukhen. London: Boosey & Hawkes, c1956. 89 pp.<\/td>\n<\/tr>\n
folder 5<\/span><\/strong><\/td>\nStravinsky, Igor. Oedipus Rex.
\nFrom folder labeled \u201cOedipus Rex \/ Stravinsky \/ performance copies.\u201d
\nFull score. Excerpts (mainly Act II). Photocopies from published score. [New York: Boosey & Hawkes, s.d.]. Pl. no. B.&H. 16497. 3 copies: pp. 70\u201398; pp. 70\u201399 and 114\u2013144; pp. 63\u201386.
\nVocal score. Excerpts (mainly Act II). Photocopy from published source (pp. 40\u201362). [s.l.: s.n., s.d.]. Pl. no. R.M.V. 431. 23 pp.<\/td>\n<\/tr>\n
folder 6<\/span><\/strong><\/td>\nSullivan, Arthur. Trial by Jury. Book by W. S. Gilbert.
\nVocal score. Authentic version edited by Bryceson Treharne. New York: G. Schirmer, c1941. 89 pp.<\/td>\n<\/tr>\n
folder 7<\/span><\/strong><\/td>\nWagner, Richard. Das Rheingold.
\nVocal score. Facilitated arrangement by Karl Klindworth. German and English texts. English translation by Frederick Jameson. New York: G. Schirmer, [s.d.]. 221 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 4: Songs and Song Collections, Pre-1960<\/h3>\n

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<\/a>Sub-series A:\u00a0Solo Songs<\/strong><\/span><\/em><\/p>\n

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<\/a>Sub-sub-series 1: French solo songs<\/strong><\/span><\/span><\/em><\/p>\n

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folder 8<\/strong><\/td>\nBemberg, Henri. \u201cDu Christ avec ardeur\u201d from La Mort de Jeanne d\u2019Arc. For voice and piano.
\nScore. Medium key. English and French texts. English version by Dr. Th. Baker. New York: G. Schirmer, c1922. 7 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nBerlioz, Hector. Les Nuits d\u2019Et\u00e9, Op. 7. Cycle of six songs for voice and piano. Poems by Th\u00e9ophile Gautier.
\nScore. High key. French and English texts. English version by Humphrey Procter-Gregg. New York: International Music Co., c1968. 42 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nBerlioz, Hector. Les Nuits d\u2019Et\u00e9, Op. 7. Cycle of six songs for voice and piano. Poems by Th\u00e9ophile Gautier.
\nScore. Low key. French and English texts. English version by Humphrey Procter-Gregg. New York: International Music Co., c1968. 42 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nBerlioz, Hector. [Performance photocopies of four songs for voice and piano.]
\n\u201cPetit Oiseau.\u201d French, German, and English texts. Facsimile from published source (pp. [235]1\u20136[240]). [s.l.: s.n., s.d.]. 6 pp.
\n\u201cChant de Bonheur.\u201d French, German, and English texts. Facsimile from published source (pp. 2[66]\u2013[69]5). [s.l.: s.n., s.d.]. 4 pp.
\n\u201cLa Captive.\u201d French, German, and English texts. Facsimile from published source (pp. [93]1\u20138[100]). [s.l.: s.n., s.d.]. 8 pp.
\n\u201cZa\u00efde.\u201d French, German, and English texts. Facsimile from published source (pp. [191]1\u2013[196]6). 6 pp.
\nFrench texts and English translations. Translations by Raymond Ostrovsky. Typescript. 3 pp.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nBizet, Georges. \u201cChanson Boh\u00eame\u201d from Carmen. Aria arranged for voice and piano.
\nScore. French, Italian and English texts. English version by F. W. Rosier. New York: G. Schirmer, [s.d.]. 9 pp.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nBizet, Georges. \u201cHaba\u00f1era\u201d from Carmen. Aria arranged for voice and piano.
\nScore. French, Italian and English texts. English text by George Rochberg. Bryn Mawr, PA: Oliver Ditson, c1952. 7 pp. German translation written in the margin in JDG\u2019s hand.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nChabrier, Emmanuel. Recueil de M\u00e9lodies. Collection of songs for solo voice and piano (first work for SSAA quartet and piano).
\nScore. French text. Paris: Enoch, [s.d.]. 119 pp. Very fragile condition.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nChausson, Ernest. 20 Songs. Collection of songs for voice and piano. (Folder 1 of 2).
\nScore. Low keys. Edited by Sergius Kagen. French texts. Incomplete (pp. 1\u20136, 15\u201318, 23\u201328, 35\u201342, 47\u201368, 75\u201389). New York: International Music Co., c1952<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nChausson, Ernest. Pages removed from 20 Songs. Collection of songs for voice and piano. (Folder 2 of 2).
\nScore. Low keys. [Edited by Sergius Kagen.] French texts. Incomplete (pp. 7\u201314, 19\u201322, 29\u201334, 43\u201346, 69\u201374). [New York: International Music Co., c1952.]<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nChausson, Ernest. \u201cChanson Perp\u00e9tuelle.\u201d For voice and piano. Poem by Charles Cros.
\nPerformance photocopy of score. French text. English translation written in ink above staves. Photocopy from published imprint (pp. 86\u201393). [New York: International, s.d.]. Pl. no. 1130. 8 pp.
\nPerformance photocopy scored for voice with string quartet and piano. French text. Paris: Durand, [s.d.]. 11 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nDebussy, Claude. 37 Songs. Collection of songs for voice and piano.
\nScore. High keys. Edited by Sergius Kagen. French texts. New York: International Music Co., c1955. 180 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nDebussy, Claude. 37 Songs. Collection of songs for voice and piano.
\nScore. Low and medium keys. Edited by Sergius Kagen. French texts. New York: International Music Co., c1955. 177 pp. Fragile condition.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nDebussy, Claude. Ariettes Oubli\u00e9es. Song cycle for voice and piano. Poems by Paul Verlaine.
\nPerformance photocopies of score. French texts. English translations written in the margins. Facsimile from unidentified published source (pp. 63\u201390). [s.l.: s.n., s.d.]. Pl. no. 1136. 28 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nDebussy, Claude. Chansons de Bilitis. Song cycle for voice and piano.
\nFrom folder labeled \u201cDebussy \/ Chansons de Bilitis \/ performance copies.\u201d
\nPerformance photocopies of score. French texts. Facsimile from unidentified published source (pp. 157\u2013168). [s.l.: s.n., s.d.]. 12 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nDebussy, Claude. [Performance group of seven songs from F\u00eates Galantes, Books One and Two, and Chansons de Bilitis.] For voice and piano.
\n\u201cEn Sourdine\u201d from Chansons de Bilitis. French text. Facsimile from unidentified published source (pp. 116\u2013119). [s.l.: s.n., s.d.]. Pl. no. 1136. 4 pp.
\n\u201cClair de lune\u201d from Chansons de Bilitis. French text. Facsimile from unidentified published source (pp. 120\u2013123). [s.l.: s.n., s.d.]. Pl. no. 1136. 4 pp.
\n\u201cFantoches\u201d from F\u00eates Galantes. French text. Facsimile from unidentified published source (pp. 124\u2013127). [s.l.: s.n., s.d.]. Pl. no. 1136. 4 pp.
\n\u201cLa Chevelure\u201d from Chansons de Bilitis. French text. Facsimile from unidentified published source (pp. 161\u2013164). [s.l.: s.n., s.d.]. Pl. no. 1136. 4 pp.
\nF\u00eates Galantes, Book Two. (\u201cLes Ing\u00e9nus,\u201d \u201cLe Faune,\u201d and \u201cColloque sentimental.\u201d) French text. Facsimile of published score. New York: International Music Co., c1961. 14 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nDuparc, Henri. 12 Songs. Collection of songs for voice and piano.
\nScore. Low keys. Edited by Sergius Kagen. New York: International Music Co., c1952. 71 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nDuparc, Henri. [Performance group of four songs. For voice and piano.]
\n\u201cPhydil\u00e9.\u201d Photocopy of score. French text. New York: International Music Co., c1952. Pl. no. 1113. 9 pp.
\n\u201cChanson triste.\u201d Photocopy of score. French text. [s.l.: s.n., s.d.]. Pl. no. 1117. 7 pp.
\n\u201cLe Manoir de Rosamonde.\u201d Photocopy of score. French text. [s.l.: s.n., s.d.]. Pl. no. 1117. 5 pp.
\n\u201cLa Vie ant\u00e9rieure.\u201d Photocopy of score. French text. [s.l.: s.n., s.d.]. Pl. no. 1117. 8 pp.
\nFrench texts with English translations. [Appears to be photocopy from concert program.] 2 pp.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nFaur\u00e9, Gabriel. La bonne Chanson. Song cycle for voice and piano. Poetry by Paul Verlaine.
\nScore. French text. English translation written above staves. Paris: J. Hamelle, [s.d.]. 45 pp. No cover, three-hole punched. Fragile condition.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nFaur\u00e9, Gabriel. Album of Twenty Songs. Volume II. Collection of songs for voice (mezzo-soprano or baritone).and piano.
\nScore. French text. New York: Edward B. Marks, 1946. 84 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nFaur\u00e9, Gabriel, and Francis Poulenc. [Binder\u2019s collection, hardbound with foil stamp \u201cJan Ruetz\u201d on cover.]
\nGabriel Faur\u00e9. Twenty-Five Selected Songs. Collection of songs for voice and piano. Score. English and French texts. New York: G. Schirmer, c1946. 115 pp.
\nFrancis Poulenc. Po\u00e8mes de Ronsard pour Mezzo-soprano. Cycle of songs for voice and piano. Score. French text. Paris: Huegel, c1925. 23 pp.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nMartin, Frank. Trois Chants de No\u00ebl. Collection of songs for voice, piano, and flute. Text by Albert Rudhardt.
\nScore and flute part. French, German, and English texts. Z\u00fcrich: Universal, c1962. 12 + 5 pp.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nMassenet, Jules. \u201cTears\u201d from Werther. Aria for mezzo-soprano and piano.
\nScore. French and English texts. New York: International Music Co., c1949. 3 pp.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nMessiaen, Olivier. Po\u00e8mes pour Mi. 1er Livre. Collection of songs for voice and orchestra arranged for voice and piano.
\nScore. French text. Paris: Durand, c1937. 15 pp. Fragile condition.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nMessiaen, Olivier. Po\u00e8mes pour Mi. 2\u00e8me Livre. Collection of songs for voice and orchestra arranged for voice and piano.
\nScore. French text. Paris: Durand, c1939. 16 pp. Fragile condition.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nPoulenc, Francis. \u201cReine des mouettes\u201d from M\u00e9tamorphoses. For voice and piano. Poem by Louise de Vilmorin.
\nScore. French text. Paris: Rouart Lerolle & Cie, c1944. 9 pp. Extremely fragile condition.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nPoulenc, Francis. Tel Jour Telle Nuit. Cycle of songs for voice and piano. Poems by Paul Eluard.
\nScore. French text. Paris: Durand, c1937. 23 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nPoulenc, Francis. [Performance group of four songs for voice and piano.]
\n\u201cLes gars qui vont \u00e0 la f\u00eate\u201d [from Chansons villageoises]. Photocopy of score. French text. [s.l.: s.n., s.d.]. Pl. no. M.E.6384. 4 pp.
\n\u201cA sa guitar.\u201d Photocopy of score. French text. Paris: Durand & Cie, c1935. 2 pp.
\n\u201cC\u2019est ainsi que tu es\u201d [from M\u00e9tamorphoses]. Photocopy of score. French text. Paris: [Rouart], Lerolle & Cie., c1944. 2 pp.
\n\u201cAmoureuses \u201d [from Cinq Po\u00e8mes de Paul \u00c9luard]. Photocopy of score. French text. [Paris: Durand & Cie.], 1948. Pl. no. D.&F. 13,359. 4 pp.
\nAccompanied by note: \u201cPoulenc performance group.\u201d<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nPoulenc, Francis. [Performance group of seven songs for voice and piano.]
\nFrom folder labeled \u201cPoulenc recital performance copies.\u201d
\n\u201cAvant le Cin\u00e9ma\u201d from Quatre Po\u00e8mes de Guillaume Apollinaire. Photocopy of score. French text. Paris: Rouart-Lerolle & Cie, c1931. 3 pp.
\n\u201cAttributs\u201d from [Cinq] Po\u00e8mes de Ronsard. Photocopy of score. French text. Paris: Heugel, [s.d.]. 4 pp.
\n\u201cLe Tombeau\u201d [from Cinq po\u00e8mes de Ronsard]. Photocopy of score. French text. Paris: Heugel, [s.d.]. 4 pp.
\n\u201cBallet\u201d [from Cinq po\u00e8mes de Ronsard]. Photocopy of score. French text. Paris: Heugel, [s.d.]. 6 pp.
\n\u201cJe n\u2019ai plus que les os\u201d [from Cinq po\u00e8mes de Ronsard]. Photocopy of score. French text. Paris: Heugel, [s.d.]. 4 pp.
\n\u201cA son page\u201d [from Cinq po\u00e8mes de Ronsard]. Photocopy of score. French text. Paris: Heugel, [s.d.]. 5 pp.
\n\u201cMain domin\u00e9e par le Coeur.\u201d Photocopy of score. French text. Paris: Rouart, Lerolle & Cie, c1947. 4 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nRavel, Maurice. Histoires Naturelles. Cycle of songs for voice and piano.
\nScore. French text. English translation written in ink above staves. Paris: Durand, c1907. 23 pp. Accompanied by performance photocopy. 23 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nRavel, Maurice. Sh\u00e9h\u00e9razade. Three poems for voice and piano.
\nScore. French text. New York: International Music Co., c1958. 26 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nWeckerlin, J. B., collected and harmonized. Bergerettes (Pastoral Ditties). Twenty romances and songs of the eighteenth century for voice and piano.
\nScore. French and English texts. English translations by Sigmund Spaeth. New York: G. Schirmer, c1941. 53 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-sub-series 2: Italian solo songs<\/strong><\/span><\/span><\/em><\/p>\n

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folder 8<\/strong><\/td>\nBellini, Vincenzo. Composizioni da camera. Collection of songs for voice and piano.
\nScore. Italian text. Milan: Ricordi, 1970. 69 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nHandel, G. F. \u201cMi palpita il cor.\u201d Secular solo cantata arranged for voice and basso continuo with oboe obbligato.
\nScore. Edited by Doris Ornstein. Italian text. Performance photocopy from unidentified source (pp. 11\u201328). [s.l.: s.n., s.d.]. 18 pp.
\nCello part. Photocopy of part produced by notation software. 4 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nHandel, G. F. [Performance photocopies of three arias for voice with strings and basso continuo.]
\nFrom folder labeled \u201cHandel \/ 3 arias \/ performance copies.\u201d
\n\u201cFrondi tenere…Ombra mai fu\u201d (Serse, Act I, Scene 1). Photocopy from vocal score. German and Italian texts. [s.l.: s.n., s.d.]. 3 pp.
\n\u201cTradir di reggia sposa…Sapr\u00e0 delle mie offese\u201d (Serse, Act I, Scene 13). Photocopy from vocal score. Italian and German texts. [s.l.: s.n., s.d.]. 5 pp.
\n\u201cAwake, Saturnia, from thy lethargy!…Hence, hence, Iris, hence away\u201d (Semele, Act II, Scene 21). Photocopy from vocal score. English text. [s.l.: s.n., s.d.]. 11 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nHaydn, Joseph. Scena di Berenice. Song for soprano and orchestra arranged for voice and piano.
\nScore. Edited by H. C. Robbins Landon. Piano reduction by Karl Tr\u00f6tzm\u00fcller. Wien: Verlag Doblinger, c1965. 15 pp. Affixed to inside front cover: Italian text and English translation. Typescript. 1 p.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nJeppesen, Knud, ed. La Flora: Arie &c. Antiche Italiane. Vol. I. Collection of songs for voice and basso continuo. [Includes compositions by Monteverdi, Caccini, Gagliano, Calestani, and others ]
\nScore. Italian text. Copenhagen: Wilhelm Hansen, c1949. 149 pp.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nMozart, W. A. Twenty-One Concert Arias for Soprano in Two Volumes. Volume I. Collection of songs written for voice and orchestra arranged for voice and piano.
\nScore. Piano reductions by John Verrall. Italian and English texts. English versions by Lorraine Noel Finley. New York: G. Schirmer, c1952. 120 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nMozart, W. A. \u201cBella mia fiamma\u2026Resta, oh cara.\u201d Concert aria for voice and piano. Text by Lorenzo da Ponte (?).
\nScore. Italian and English text. English version by Lorraine Noel Finley. Performance photocopy, housed in black folder. New York: G. Schirmer, c1952. 14 pp.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nMozart, W. A. \u201cNon so pi\u00f9 cosa son\u201d from Le Nozze di Figaro. Aria for voice and piano.
\nScore. Edited by Max Spicker. Italian and English texts. English version by Henry G. Chapman. New York: G. Schirmer, c1911. 7 pp. Fragile condition.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nMozart, W. A. \u201cVoi che sapete\u201d from Le Nozze di Figaro. Aria for voice and piano.
\nScore. Italian and English texts. English version by M. Louise Baum. New York: G. Schirmer, c1936. 7 pp. Fragile condition.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nParisotti, Alessandro, ed. Anthology of Italian Song of the Seventeenth and Eighteenth Centuries. Book I. [Includes compositions by Vivaldi, Handel, Gluck, Carissimi, and others.]
\nScore. Italian and English texts. English translations by Dr. Theodore Baker. New York: G. Schirmer, c1926. 144 pp<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nStefani, Agostino. [Scenes from Niobe and Servio Tullio.] Opera scenes for voice with continuo and strings.
\nFrom folder labeled \u201cStefani, A. \/ scenes: Niobe, Servio Tullio.\u201d
\n\u201cDell\u2019alma stanca\u201d (Niobe, Act I, Scene 13). Vocal score. Italian text. MS repro. 22 pp.
\n\u201cDell\u2019alma stanca\u201d (Niobe, Act I, Scene 13). Full score. Performance photocopy. [s.l.: s.n., s.d.]. Pl. no. D.d.T.i.B.XXII. 2 copies (copy 2 is enlargement). 23 pp., each.
\n\u201cDite, dite\u201d (Servio Tullio, Prologue). Full score. Performance photocopy (enlargement). [s.l.: s.n., s.d.]. Pl. no. D.d.T.i.B.XXII. 7 pp.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nVerdi, Giuseppe. Ausgew\u00e4hlte Opern-Arien f\u00fcr Mezzosopran (Alt). Collection of opera arias arranged for voice and piano.
\nScore. Edited by Kurt Soldan. German and Italian texts. New York: C. F. Peters, [s.d.]. 43 pp. Fragile condition.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nVivaldi, Antonio. Four Arias. Collection of arias for voice and piano in high keys.
\nScore. Transcribed by Guido Turchi. Italian text. New York: International Music Co., c1950. 15 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-sub-series 3: English solo songs<\/strong><\/span><\/span><\/em><\/p>\n

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folder 21<\/strong><\/td>\nBeach, Mrs. H. H. A. \u201cForgotten.\u201d For voice and piano. Words by Cora Fabbri.
\nScore. Performance photocopy. [Boston]: Arthur P. Schmidt, c1898. 3 pp<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nBritten, Benjamin. Canticle II (Abraham and Isaac), Op. 51. Sacred duet for alto, tenor, and piano.
\nScore. English text. London: Boosey & Hawkes, c1953. 27 pp. Poor condition. Interleaved in score: New York Times obituary of Sir Peter Pears (April 1986).<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nCavanaugh, James, Vincent Rose, and Larry Stock. \u201cThe Umbrella Man.\u201d For voice and piano.
\nScore. Performance photocopy. English text. New York: Harms, c1938. 4 pp.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nChadwick, George. [Performance photocopies of four songs for voice and piano.]
\n\u201cO Love and Joy.\u201d English text. Photocopy from unidentified source (pp. 30\u201331). [Boston]: Arthur P. Schmidt, c1920. 2 pp.
\n\u201cGreen Grows the Willow.\u201d English text. [Boston]: Arthur P. Schmidt & Co., c1888. 5 pp.
\n\u201cA Ballad of Trees and the Master.\u201d English text. [Boston]: Oliver Ditson Co., c1898. 4 pp.
\n\u201cAllah.\u201d English text. [Boston]: Arthur P. Schmidt & Co., c1887. 2 pp.
\nAlso in folder: Steven Ledbetter, \u201cIntroduction,\u201d in Songs to Poems by Arlo Bates by George W. Chadwick (New York: Da Capo Press, 1980), pp. vii\u2013ix. 4 pp.
\nBiography of John Becker. Photocopy from unidentified source (New Grove Dictionary of Music and Musicians?). 2 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nCopland, Aaron. Old American Songs (Newly Arranged). First Set. Collection of songs arranged for voice and piano.
\nScore. English text. [New York]: Boosey & Hawkes, c1950. 2 copies. 24 pp., each. Copy 1 has interleaved in score Jacopo Peri, \u201cNel puro ardor\u201d from Euridice, performance photocopy ([s.l.: s.n., s.d.]), 2 pp. Copy 2 has inscription from the composer to JDG on title page.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nCopland, Aaron. Old American Songs. Second Set. Collection of songs arranged for voice and piano.
\nScore. English text. [New York]: Boosey & Hawkes, c1950. 2 copies. 32 pp., each. Copy 2 has inscription from the composer to JDG on title page.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nCopland, Aaron. Song Album. Collection of songs for high voice and piano.
\nScore. [New York]: Boosey & Hawkes, 1980. 23 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nDowland, John. The English Lute-Songs. Series I, 1 & 2. Collection of songs arranged for voice, piano and lute.
\nScore. Edited by Edmund H. Fellowes. Revised by Thurston Dart. London: Stainer & Bell, c1965. 44 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nDowland, John. The English Lute-Songs. Series I, 5 & 6. Collection of songs arranged for voice, piano and lute.
\nScore. Edited by Edmund H. Fellowes. Revised by Thurston Dart. London: Stainer & Bell, c1969. 49 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nDowland, John. [Performance copies of 11 songs for voice, lute, and piano.]
\n\u201cBurst forth my Tears\u201d et al. Performance photocopies of songs arranged for voice, lute and piano. London: Stainer & Bell.
\n\u201c8. Burst forth my tears.\u201d Photocopy from unidentified source (pp. 16\u201317). [s.l.: s.n., s.d.]. 2 copies. 2 pp., each.
\n\u201c17. Come again: Sweet love doth now invite.\u201d Photocopy from unidentified source (pp. 34\u201335). [s.l.: s.n., s.d.]. 2 copies. 2 pp., each.
\n\u201c9. Praise blindness eyes.\u201d Photocopy from collection (pp. 20\u201321). [s.l.]: Stainer & Bell, c1969. Pl. no. St.&B. 3205-9a. 2 copies. 2 pp., each.
\n\u201c4. If my complaints could passions move.\u201d Photocopy from unidentified source (pp. 8\u20139). [s.l.: s.n., s.d.]. 2 copies. 2 pp., each.
\n\u201c2. Flow my tears.\u201d Photocopy from collection (pp. 4\u20135). [s.l.]: Stainer & Bell, c1969. Pl. no. St. & B. 3205-2a. 2 copies. 3 pp., each.
\n\u201c11. Come away, come sweet love.\u201d Photocopy from unidentified source (pp. 22\u201323). [s.l.: s.n., s.d.]. 2 copies. 2 pp., each.
\n\u201c17. A shepherd in a shade.\u201d Photocopy from collection (pp. 36\u201337). [s.l.]: Stainer & Bell, c1969. Pl. no. St. & B. 3206-17a. 2 copies. 2 pp., each.
\n\u201c14. All ye, whom love or fortune.\u201d Photocopy from unidentified source (pp. 28\u201329). [s.l.: s.n., s.d.]. 2 pp.
\n\u201c5. Can she excuse my wrongs?\u201d Photocopy from unidentified source (pp. 10\u201311). [s.l.: s.n., s.d.]. 2 pp.
\n\u201cTread Juno\u2019s steps who list.\u201d Photocopy from unidentified source (p. 31). [s.l.: s.n., s.d.]. SML accession no. 876924. 1 p.
\n\u201c7. Dear, if you change.\u201d Photocopy from unidentified source (pp. 14\u201315). [s.l.: s.n., s.d.]. 2 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nDavis, Katherine. \u201cNancy Hanks.\u201d Song for high voice and piano.
\nScore. Performance photocopy. New York: Galaxy Music Corp., c1941. 3 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nFoster, Stephen. [Performance photocopies of 36 songs (separate imprints) and excerpts from a song collection.]
\nFrom folder labeled \u201cFoster (library) \/ keep together (clean copies).\u201d
\n\u201cCome Where My Love Lies Dreaming.\u201d Score. New York: Wm. A. Pond & Co., c1855. 6 pp.
\n\u201cComrades, Fill No Glass for Me.\u201d Score. Baltimore: Miller & Beacham, c1855. 3 pp.
\n\u201cEllen Bayne.\u201d Score. New York: Firth, Pond & Co., c1854. 4 pp.
\n\u201cHappy Hours at Home.\u201d Score. New York: John J. Daly, c1862. 3 pp.
\n\u201cThe Hour for Thee and Me.\u201d Score. New York: Firth, Pond & Co., c1852. 3 copies. 3 pp., each.
\n\u201cI Cannot Sing To-Night.\u201d Score. New York: Firth, Pond & Co., c1852. 3 pp.
\n\u201cKaty Bell.\u201d Score. New York: S. T. Gordon, c1863. 3 pp.
\n\u201cKissing in the Dark.\u201d Score. New York: John J. Daly, c1863. 3 pp.
\n\u201cMy Boy is Coming from the War.\u201d Score. New York: S. T. Gordon, c1863. 3 pp.
\n\u201cMy Loved One and My Own, or Eva.\u201d Score. New York: Firth, Pond & Co., c1858. 4 pp.
\n\u201cMy Wife is a Most Knowing Woman.\u201d Score. New York: E. A. Daggett, c1863. 3 pp.
\n\u201cNell and I.\u201d New York: John J. Daly, c1861. 3 pp.
\n\u201cNone Shall Weep a Tear for Me.\u201d Score. New York: Firth, Pond & Co., c1860. 3 pp.
\n\u201cOh! Meet me Dear Mother.\u201d Score. New York: Horace Waters, c1865. 3 pp.
\n\u201cOh! Tell Me of My Mother.\u201d Score. New York: John J. Daly, c1861. 3 pp.
\n\u201cOld Memories.\u201d Score. New York: Firth, Pond & Co., c1853. 2 copies (different imprints). 4 + 3 pp.
\n\u201cSadly to Mine Heart Appealing.\u201d Score. New York: Firth, Pond & Co., c1858. 4 pp.
\n\u201cSanta Anna\u2019s Retreat from Buena Vista.\u201d For solo piano. Score. Louisville: W. C. Peters & Co., c1848. 3 pp.
\n\u201cShe Was All the World to Me.\u201d Score. New York: Horace Waters, c1864. 3 pp.
\n\u201cThe Soiree Polka.\u201d For solo piano. [Baltimore]: W. C. Peters, [s.d.]. 2 pp.
\n\u201cThe Soiree Polka.\u201d For piano four hands. Baltimore: W. C. Peters, c1850. 4 pp.
\n\u201cSomebodies Coming to See Me To-Night.\u201d Score. New York: D. S. Holmes, c1864. 3 pp.
\n\u201cSweet Emerald Isle That I Love So Well.\u201d Score. New York: John J. Daly, c1866. 3 pp.
\n\u201cTell Me Love of Thy Early Dreams.\u201d Score. New York: John J. Daly, c1864. 3 pp.
\n\u201cThere are Plenty of Fish in the Sea.\u201d Score. New York: E. A. Daggett, c1863. 3 pp.
\n\u201cThere\u2019s a Land of Bliss Where the Weary are at Rest.\u201d Score. Cincinnati: W. C. Peters & Sons, [s.d.]. 3 pp.
\n\u201cThere\u2019s No Such Girl as Mine.\u201d Score. New York: Horace Waters, c1862. 3 pp.
\n\u201cThou Art the Queen of My Song.\u201d Score. New York: Firth, Pond & Co., c1853. 3 pp.
\n\u201cThe Tioga Waltz.\u201d For solo piano. Score. Pittsburgh, Percy F. Smith, 1896. 2 pp.
\n\u201cVillage Maiden.\u201d Score. New York: Firth, Pond & Co., c1855. 3 pp.
\n\u201cThe Voice of By Gone Days.\u201d Score. New York: Firth, Pond & Co., c1850. 3 pp.
\n\u201cWhen the Bowl goes round.\u201d Score. New York: John J. Daly, c1870. 2 copies. 3 pp., each.
\n\u201cWhere is Thy Spirit Mary.\u201d Score. Pittsburg: Geo. Mercer Jr., c1895. 2 pp.
\n\u201cWhy Have My Loved Ones Gone.\u201d Score. New York: Horace Waters, c1861. 4 pp.
\n\u201cWhy No One to Love?\u201d Score. New York: S. T. Gordon, c1862. 2 copies. 3 pp., each.
\n\u201cWillie Has Gone to the War.\u201d Score. New York: Wm. A. Pond & Co., c1863. 4 pp.
\nSongs of Stephen Foster. Excerpts (photocopies), including front matter and select songs (primarily first page only). Pittsburgh: University of Pittsburgh, 1940. 42 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nFoster, Stephen. [Performance photocopies of 37 songs (separate imprints).]
\n\u201cAh! May the Red Rose Live Always.\u201d Score. Baltimore: F. D. Benteen, c1850. 3 pp.
\n\u201cBeautiful Child of Song.\u201d Score. From Clark\u2019s School Visitor. [s.l.: s.n., s.d.]. 1 p.
\n\u201cBeautiful Dreamer.\u201d Score. New York: Wm. Pond & Co., c1862. 4 pp.
\n\u201cBetter Days are Coming.\u201d Score. New York: Horace Waters, c1862. 3 pp.
\n\u201cCome With Thy Sweet Voice Again.\u201d New York: Firth, Pond & Co., c1854. 3 copies (different imprints). 3 pp., each.
\n\u201cEulalie.\u201d Score. [s.l.: s.n., s.d.]. Pl. no. 1453. 3 pp.
\n\u201cHard Times Come Again No More.\u201d Score. New York: Firth, Pond & Co., c1854. 4 pp.
\n\u201cThe Hour for Thee and Me.\u201d Score. New York: Firth, Pond & Co., c1852. 2 copies. 3 pp., each.
\n\u201cIf You\u2019ve Only Got a Moustache.\u201d Score. New York: Horace Waters, c1862. 3 pp. Accompanied by duplicate copy of last page of score.
\n\u201cJeanie With the Light Brown Hair.\u201d Score (incomplete; consists of pp. 6\u20137 only). [s.l.: s.n., s.d.]. Pl. no. 2796. 2 pp.
\n\u201cLarry\u2019s Good Bye.\u201d Score. New York: S. T. Gordon, c1863. 2 copies. 3 pp., each.
\n\u201cLinger in the Blissful Respose.\u201d Score (incomplete; consist of p. 5 only). [s.l.: s.n., s.d.]. Pl. no. 4116. 1 p.
\n\u201cLittle Jenny Dow.\u201d Score. New York: Horace Waters, c1862. 2 copies. 4 pp., each.
\n\u201cMr. & Mrs. Brown.\u201d Score. New York: Horace Waters, c1862. 2 copies. 3 pp., each.
\n\u201cMy Old Kentucky Home, Good Night!\u201d Score. New York: Firth, Pond & Co., c1853. 4 pp.
\n\u201cNone Shall Weep a Tear for Me.\u201d Score. New York: Firth, Pond & Co., c1860. 3 pp.
\n\u201cOpen Thy Lattice Love.\u201d Score. Philadelphia: George Willig, c1844. 2 pp.
\n\u201cSlumber My Darling.\u201d Score. New York: Horace Waters, c1862. 3 pp.
\n\u201cSome Folks.\u201d Score. New York: Firth, Pond & Co., c1855. 2 pp.
\n\u201cThe Spirit of my Song.\u201d Score. Baltimore: F. D. Benteen, [s.d.]. 3 pp.
\n\u201cStay Summer Breath.\u201d Score. Louisville: W. C. Peters & Co., c1848. 3 pp.
\n\u201cSummer Longings.\u201d Score. Baltimore: W. C. Peters, [s.d.]. 2 copies. 3 pp., each.
\n\u201cThat\u2019s What\u2019s the Matter.\u201d Score. [s.l.: s.n., s.d.] Pl. no. 5282. 3 pp.
\n\u201cThere Was a Time.\u201d Score. New York: S. T. Gordon, c1853. 3 pp.
\n\u201cTurn Not Away.\u201d Score. Baltimore: F. D. Benteen, c1850. 3 pp.
\n\u201cThe Village Bells Polka.\u201d For solo piano. Score. Baltimore: F. D. Benteen, c1850. 3 pp.
\n\u201cThe Voices That Are Gone.\u201d Score. New York: Wm. A. Pond & Co., c1865. 4 pp.
\n\u201cWas My Brother in the Battle?\u201d Score. New York: Horace Waters, c1862. 3 pp.
\n\u201cWe Are Coming Father Abraham.\u201d Score. New York: S. T. Gordon, c1862. 3 pp.
\n\u201cWillie My Brave.\u201d Score. New York: Firth, Pond & Co., c1851. 3 pp.
\n\u201cWilt Thou Be Gone Love.\u201d Score. New York: Firth, Pond & Co., [s.d.]. 2 copies. 5 pp., each.
\nAlso in folder: original file folder, with note from Karen to Lucy.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nGershwin, George. [Performance photocopies of two songs.]
\n\u201cThey Can\u2019t Take That Away From Me.\u201d Score. Photocopy from unidentified collection (pp. 134\u2013136). New York: Chappell & Co., c1937. 4 pp.
\n\u201cOur Love is Here to Stay.\u201d Score. Photocopy from unidentified collection (pp. 118\u2013121). New York: Chappell & Co., c1938. 4 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nGottschalk, Louis Moreau. \u201cPastorella e Cavalliere (The Shepherdess and the Knight).\u201d For voice and piano.
\nScore. Performance photocopy. New York: William Hall & Son, c1865. 13 pp.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nHaydn, Joseph. Volksliedbearbeitungen, Nr. 1-100, Schottische Lieder. Reihe 32, Band 1 from complete works. Collection of Scottish songs for voice and piano.
\nScore. Edited by Karl Geiringer. M\u00fcnchen: G. Henle, 1961. 105 pp.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nHaydn, Joseph. [Performance photocopies of 7 English songs and canzonettas.]
\nFrom folder labeled \u201cHaydn \/ performance copies.\u201d
\n\u201cThe Mermaids Song.\u201d Score. [s.l.]: C. F. Peters, c1931. Pl. no. 10921. 4 pp.
\n\u201cThe Mermaids Song.\u201d Score. Photocopy from unidentified collection (pp. 34\u201336). 3 pp.
\n\u201cThe Wanderer.\u201d Score. Photocopy from unidentified collection (pp. 56\u201358). 2 copies. 3 pp., each.
\n\u201cShe Never Told Her Love.\u201d Score. Photocopy from unidentified collection (pp. 62\u201363). 2 copies. 2 pp., each.
\n\u201cA Pastoral Song.\u201d Score. Photocopy from unidentified collection (pp. 62\u201363). 2 copies. 2 pp., each.
\n\u201cPiercing Eyes.\u201d Score. Photocopy from unidentified collection (pp. 64\u201365). 2 copies. 2 pp., each.
\n\u201cSympathy.\u201d Score. Photocopy from unidentified collection (pp. 59\u201361). 2 copies. 3 pp., each.
\n\u201cThe Spirit\u2019s Song.\u201d Score. Photocopy from unidentified collection. 3 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nIves, Charles. Eleven Songs and Two Harmonizations. Collection of songs for voice and piano.
\nScore. Edited by John Kirkpatrick. New York: Associated Music Publishers, c1968. 51 pp.
\nAccompanied by a performance photocopy of \u201cAt the River\u201d from the 4th Violin Sonata (pp. 26\u201327). U.S.A.: Merion. c1933. 2 pp.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nIves, Charles. \u201cEvening.\u201d Song for voice and piano.
\nScore. New York: Arrow Music Press, c1939. 3 pp.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nIves, Charles. Fourteen Songs. Collection of songs for voice and piano.
\nScore. New York: Peer International Corp., c1955.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nIves, Charles. Nineteen Songs. Collection of songs for voice and piano.
\nScore. Bryn Mawr, PA: Theodore Presser, c1935. 51 pp.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nIves, Charles. Seven Songs. Collection of songs for voice and piano.
\nScore. New York: Associated Music Publishers, c1957. 18 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 15″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1641916873167{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nIves, Charles. Ten Songs. Collection of songs for voice and piano.
\nScore. New York: Peer International Corp., c1953. 28 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nIves, Charles. Thirteen Songs. Collection of songs for voice and piano.
\nScore. New York: Peer International Corp., c1958. 32 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nIves, Charles. Twelve Songs. Collection of songs for voice and piano.
\nScore. New York: Peer International Corp., c1954. 26 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nIves, Charles. [Performance photocopies of 46 songs for voice and piano.]
\nFrom folder labeled \u201cIves \/ performance copies.\u201d
\n\u201cCharles Ives groups for Germany, March, 1988.\u201d Facsimile of ink MS note in JDG\u2019s hand on Eastman stationery. 1 p.
\n\u201cTom Sails Away.\u201d Score. Performance photocopy from unidentified source (pp. 20\u201322). [s.l.]: Merion Music, c1935. 3 pp.
\n\u201cThe Cage.\u201d Score. [s.l.]: Peer International Corp., c1955. 1 p.
\n\u201cThe Side Show.\u201d Score. Performance photocopy from unidentified source (p. 20). [s.l.]: Peer International Corp., c1954. 3 copies. 1 p., each.
\n\u201cThe Indians.\u201d Score. Performance photocopy from unidentified source (pp. 9\u201310). New York: Associated Music Publishers, c1957. 3 copies. 2 pp., each.
\n\u201cSongs my Mother taught me.\u201d Score. [s.l.]: Peer International Corp., c1955. 2 copies. 2 pp., each.
\n\u201cThe One Way.\u201d Score. Performance photocopy from unidentified source (pp. 30\u201335). New York: Associated Music Publishers, c1968. 6 pp.
\n\u201cLike a sick eagle.\u201d Score. [s.l.]: Merion Music, c1933. 4 copies. 1 p., each.
\n\u201cfrom \u2018Paracelsus.\u2019\u201d Score. Performance photocopy from unidentified source (pp. 34\u201336). [s.l.]: Merion Music, c1935. 3 copies. 3 pp., each.
\n\u201cThe Circus Band.\u201d Score. [s.l.]: Peer International Corp., c1953. 2 copies. 3 pp., each.
\n\u201cAnn Street.\u201d Score. [s.l.]: Merion Music, c1933. 3 copies. 2 pp., each.
\n\u201cAfterglow.\u201d Score. [s.l.]: Merion Music, c1933. 1 p.
\n\u201cSerenity.\u201d Score. Photocopy from unidentified source (p. 14). New York: Associated Music Publishers, c1957. 3 copies. 1 p., each.
\n\u201cMemories.\u201d Score. Photocopy from unidentified source (pp. 11\u201314). [s.l.]: Peer International Corp., c1953. 2 copies. 4 pp., each.
\n\u201cThe Housatonic at Stockbridge.\u201d Score. Photocopy from unidentified source (pp. 21\u201325). [s.l.]: Peer International Corp, c1954. 3 copies. 4 pp., each.
\n\u201cAt the River.\u201d Score. Photocopy from unidentified source (pp. 26\u201327). [s.l.]: Merion Music, c1933. 2 copies. 2 pp., each.
\n\u201cThoreau.\u201d Score. [s.l.]: Merion Music, c1933. 1 p.
\n\u201cYellow Leaves.\u201d Score. Photocopy from unidentified source (pp. 42\u201343). New York: Associated Music Publishers, c1968. 2 pp.
\n\u201cThe White Gulls.\u201d Photocopy from unidentified source (pp. 10\u201311). [s.l.]: Merion Music, c1933. 2 pp.
\n\u201cA Night Song.\u201d Score. [s.l.]: Peer International Corp, c1952. 2 pp.
\n\u201cfrom \u2018Night of Frost in May.\u2019\u201d Score. Photocopy from unidentified source (pp. 32\u201333). [s.l.]: Merion Music, c1935. 2 pp.
\n\u201cSoliloquy.\u201d Score. Photocopy from unidentified source (p. 16). [s.l.: s.n., s.d.]. 2 copies. 1 p., each.
\n\u201cRomanzo di Central Park.\u201d Score. Photocopy from unidentified source (pp. 14\u201315). [s.l.: s.n., s.d.]. 2 pp.
\n\u201cThe Innate.\u201d Score. Photocopy from unidentified source (pp. 16\u201317). [s.l.]: Merion Music, c1935. 2 pp.
\n\u201cA Sea Dirge.\u201d Score. Photocopy from unidentified source (pp. 46\u201347). New York: Associated Music Publishers, c1968. 2 pp.
\n\u201cRough Wind.\u201d Score. Photocopy from unidentified source (pp. 54\u201356). [s.l.]: Merion Music, c1933. 3 pp.
\n\u201cBerceuse.\u201d Score. Photocopy from unidentified source (p. 17). [s.l.]L Peer International Corp., c1958. 1 p.
\n\u201cThere is a certain garden.\u201d Score. Photocopy from unidentified source (pp. 14\u201315). New York: Associated Music Publishers, c1968. 2 pp.
\n\u201cA Christmas Carol.\u201d Score. Photocopy from unidentified source (p. 37). [s.l.]: Merion Music, c1935. 1 p.
\n\u201cMajority.\u201d Score. Photocopy from unidentified source (pp. 38\u201342). [s.l.]: Merion Music, c1935. 2 copies. 5 pp., each.
\n\u201cIn the morning.\u2019\u201d Score. Photocopy from unidentified source (pp. 50\u201351). New York: Associated Music Publishers, c1968. 2 pp.
\n\u201cDown East.\u201d Score. Photocopy from unidentified source (pp. 26\u201327). [s.l.]: Peer International Corp., c1958. 2 pp.
\n\u201cThe See\u2019r.\u201d Score. Photocopy from unidentified source (pp. 12\u201313). New York: Associated Music Publishers, c1957. 2 pp.
\n\u201cThe Things Our Fathers Loved.\u201d Score. Photocopy from unidentified source (pp. 25\u201326). [s.l.]: Peer International Corp., c1955. 2 pp.
\n\u201cTwo Little Flowers.\u201d Score. Photocopy from unidentified source (pp. 24\u201325). [s.l.]: Merion Music, c1935. 2 pp.
\n\u201cWest London.\u201d Score. Photocopy from unidentified source (pp. 39\u201341). [s.l.: s.n., s.d.]. 3 pp.
\n\u201cSunrise.\u201d Score. New York: C. F. Peters Corp., c1977. 6 pp.
\n\u201cThey Are There.\u201d Score. Photocopy from unidentified source (pp. 19\u201324). [s.l.]: Peer International Corp., c1956. 6 pp.
\n\u201cGeneral William Booth Enters Into Heaven.\u201d Score. [s.l.]: Merion Music, c1935. 6 pp.
\n\u201cThe Collection.\u201d Score. [s.l.: s.n., s.d.]. 1 p. On reverse: \u201cSerenity.\u201d
\n\u201cHe is there!\u201d Score. Photocopy from unidentified source (p. 107\u2013111). [s.l.]: Peer International Corp., c1956. 5 pp.
\n\u201cHer Eyes.\u201d Score. Edited by John Kirkpatrick. MS repro. 1 p. Accompanied by notes and list of revisions based on a view of Ives manuscripts. Typescript. 1 p.
\n\u201cIn April-tide.\u201d Score. MS repro. 2 copies. 2 pp., each. Copy 2 labeled \u201c[revised copy].\u201d Accompanied by notes and list of revisions based on a study of Ives\u2019s manuscripts. Typescript. 1 p.
\n\u201cThe Sea of Sleep.\u201d Score. MS repro. 2 pp. Accompanied by notes and list of revisions based on a view of Ives manuscripts. Typescript. 1 p.
\n\u201cFar in the Wood.\u201d Score. MS repro. 2 pp. Accompanied by notes and list of revisions based on a view of Ives manuscripts. Typescript. 1 p.
\n\u201cBecause Thou Art.\u201d Score. MS repro. 2 pp.
\n\u201cOn Judge\u2019s Walk.\u201d Score MS repro. 4 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nKagen, Sergius. [Folder of 16 songs for voice and piano, including MS and MS repro scores and published imprints.]
\nFrom folder labeled \u201cFrom: J. DeGaetani-West \/ To: Annalee Kagen \u2026\u201d (see note).
\n\u201cA Lullaby.\u201d Score. MS repro. 4 pp.
\n\u201cI\u2019m Nobody.\u201d Score. New York: Weintraub Music Co., c1950. 2 pp. Accompanied by duplicate photocopy. 2 pp.
\n\u201cLet It Be Forgotten.\u201d Score. New York: Weintraub Music Co., c1950. 2 pp. Accompanied by duplicate photocopy. 2 pp.
\n\u201cMiss It.\u201d Score. New York: Weintraub Music Co., c1948. 2 pp. Accompanied by duplicate photocopy. 2 pp.
\n\u201cSleep Now, O Sleep Now.\u201d Score. New York: Leeds Music Corp., c1951. 2 pp. Accompanied by duplicate photocopy. 2 pp.
\n\u201cAll Day I Hear.\u201d Score. New York: Weintraub Music Co., c1950. 3 pp. Accompanied by duplicate photocopy. 3 pp.
\n\u201cMemory, Hither Come.\u201d Score. New York: Mercury Music Corp., c1952. 2 pp. Accompanied by duplicate photocopy. 2 pp.
\n\u201cBecause I Could Not Stop for Death.\u201d Score. New York: Leeds Music Corp., c1951. 3 pp. Accompanied by duplicate photocopy. 3 pp.
\n\u201cMill Doors.\u201d Score. MS repro, with annotations in ink. 3 pp. Accompanied by duplicate photocopy. 3 pp.
\n\u201cShadows.\u201d Score. MS repro. 5 pp. Accompanied by duplicate photocopy. 5 pp.
\n\u201cHope.\u201d Score. MS repro. 3 pp. Accompanied by duplicate photocopy. 3 pp.
\n\u201cThe End of the World.\u201d Score. MS repro. 4 pp. Accompanied by duplicate photocopy. 4 pp.
\n\u201cNever More Will the Wind.\u201d Score. MS repro. 2 pp. Accompanied by duplicate photocopy. 2 pp.
\n[Three songs: I. Saw a grave upon a hill; II. Body my house my horse my hound; III. I will lie down in autumn.] Vocal line. Pencil MS. 3 pp. Accompanied by duplicate photocopy. 3 pp.
\n\u201cI Felt a Funeral in My Brain.\u201d Score. Pencil MS. 4 pp. Accompanied by duplicate photocopy. 4 pp.
\nEight Poems by Emily Dickinson. Score. MS repro. 12 pp. Accompanied by duplicate photocopy. 12 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nLoeffler, Charles Martin. Selections from Four Poems Set to Music for Voice and Piano, Op. 15.
\n\u201cA Dream Within a Dream.\u201d Score. Performance photocopy. New York: G. Schirmer, c1906. 6 pp.
\n\u201cTo Helen.\u201d Score. Performance photocopy. New York: G. Schirmer, c1906. 4 pp.
\nAccompanied by a note on Eastman stationery in JDG\u2019s hand that reads: \u201cRecording Project Yes.\u201d<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nMac Dowell, Edward. \u201cThe Sea,\u201d from Eight Songs with Pianoforte Accompaniment, Op. 47.
\nScore. Performance photocopy. English and German texts. Leipzig: Breitkopf & H\u00e4rtel, c1906. 2 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nMoore, Thomas. [Performance photocopies of 7 songs for Irish Melodies Recording Project.]
\nCorrespondence and notes regarding Nonesuch Records recording Irish Songs. 2 letters, including historical\/performance notes. 7 pp., total.
\n\u201cSilent, Oh Moyle, Be the Roar of Thy Water.\u201d Score. Photocopy from unidentified source (pp. 50\u201351). [s.l.: s.n., s.d.]. 2 pp.
\n\u201cThe Harp That Once.\u201d Score (quartet version). MS repro. 2 pp.
\n\u201cThe Last Rose of Summer.\u201d Score (quartet version). Photocopy from unidentified source (pp. 124\u2013125). [s.l.: s.n., s.d.]. 2 pp.
\n\u201cAt the mid hour of Night.\u201d Score (quartet version). MS repro. 3 pp.
\n\u201cThe Dirge-How Oft Has the Banshee Cried.\u201d Score (quartet version). Photocopy from unidentified source (pp. 35\u201337). [s.l.: s.n., s.d.]. 3 pp. Accompanied by transcription of verses 2 and 3 for four voices. MS repro. 1 p.
\n\u201cBelieve Me, If All Those Endearing Young Charms.\u201d Score (duet). Photocopy from unidentified source (pp. 56\u201357). [s.l.: s.n., s.d.]. 2 pp.
\n\u201cHow Dear to Me the Hour When Daylight Dies.\u201d Score. Photocopy from unidentified source (pp. 38\u201339). [s.l.: s.n., s.d.]. 2 pp.
\nAlso in folder: original envelope with annotation: \u201cMoore\u2019s Irish Melodies (recording project).<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nNiles, John Jacob. The Songs of John Jacob Niles. Collection of songs for voice and piano.
\nScore. New York: G. Schirmer, c1975. 62 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nPersichetti, Vincent. Harmonium. Song cycle for soprano and piano. Poems by Wallace Stevens.
\nScore. Bryn Mawr, PA: Theodore Presser, c1959. 105 pp. Accompanied by photocopies of \u201cThe Wind Shifts\u201d and \u201cTea.\u201d 8 pp., total.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nPorter, Cole. A Treasury of Cole Porter. Collection of songs for voice and piano.
\nScore. New York: Chappell & Co., [s.d.]. 287 pp. Inscribed by Leo Smit to JDG.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nPorter, Cole. [Performance photocopies of XX songs for concert \u201cRed, Hot, and Cole: An Evening of Cole Porter Songs.\u201d]
\nFrom folder labeled: \u201cCole Porter \/ performance copies.\u201d
\nLeo Smit to JDG. 1 letter; dated February 17, 1983. 2 pp.
\nDraft of program (concert order and list of performers) for \u201cRed, Hot, and Cole: An evening of Cole Porter Songs\u201d (with JDG and Leo Smit, piano); dated January 6, 1988. MS repro. 5 pp.
\n\u201cRed, Hot and Blue.\u201d Score. [s.l.]: Chappell & Co., c1936. 5 pp.
\n\u201cUse Your Imagination.\u201d Score. [s.l.]: Chappell & Co., c1950. 5 pp.
\n\u201cLove for Sale.\u201d Score. [s.l.]: Harms Inc., c1930. 2 copies. 4 pp., each.
\n\u201cDream Dancing.\u201d Score. Photocopy from unidentified source (pp. 160\u2013163). [s.l.]: Chappell & Co., c1941. 4 pp.
\n\u201cThe Leader of a Big Time Band.\u201d Score. Photocopy from unidentified source (pp. 194\u2013198). [s.l.]: Chappell & Co., c1943. 5 pp.
\n\u201cIt\u2019s Bad for Me.\u201d Score. Photocopy from unidentified source (pp. 30\u201333). [s.l.]: Harms Inc., c1942. 4 pp.
\n\u201cJust One of Those Things.\u201d Score. [s.l.]: Harms Inc., c1935. 4 pp.
\n\u201cArt.\u201d Score. MS repro. 10 pp.
\n\u201cBlow, Gabriel, Blow.\u201d Score. Photocopy from unidentified source (pp. 27\u201331). [s.l.]: Harms Inc., c1934. 5 pp. On reverse of p. 31: \u201cDon\u2019t Fence Me In\u201d (first page only).
\n\u201cTrust Your Destiny to a Star.\u201d Score. [s.l.]: [s.n.], c1958. 3 pp.
\n\u201cNight and Day.\u201d Score. [s.l.]: Harms Inc, c1932. 4 pp.
\n[Selections from Kiss Me Kate.] Photocopies from piano vocal score. [s.l.: s.n., s.d.]. Pl. no. 974. 46 pp., total. Includes: \u201cAnother Op\u2019nin\u2019, Another Show\u201d; \u201cWhy Can\u2019t You Behave?\u201d; \u201cSo In Love\u201d; \u201cI Hate Men\u201d; \u201cEncore-I Hate Men\u201d; \u201cToo Darn Hot\u201d; \u201cAlways True to You in My Fashion\u201d; \u201c1st Encore-Always True to You in My Fashion\u201d; \u201c2nd Encore-Always True to You in My Fashion.\u201d
\n\u201cBegin the Beguine.\u201d Score. [s.l.]: Harms Inc., c1935. 6 pp.
\n\u201cI Am In Love.\u201d Score. Photocopy from unidentified source (pp. 266\u2013270). [s.l.]: Chappell & Co., c1953. 5 pp.
\n\u201cMost Gentlemen Don\u2019t Like Love.\u201d Score. [s.l.]: Chappell & Co., c1938. 4 pp.
\n\u201cI Concentrate on You.\u201d Score. Photocopy from unidentified source (pp. 121\u2013125). [s.l.]: Chappell & Co., c1939. 5 pp.
\n\u201cEv\u2019ry Time We Say Goodbye.\u201d Score. Photocopy from unidentified source (pp. 202\u2013205). [s.l.]: Chappell & Co., c1944. 5 pp.
\n\u201cFrom This Moment On.\u201d Score. Photocopy from unidentified source (pp. 10\u201315). New York: Chappell & Co., c1950. 6 pp.
\n\u201cI Happen to Be In Love.\u201d Score. [s.l.]: Chappell & Co., c1939. 4 pp.
\n\u201cIn the Still of the Night.\u201d Score. Photocopy from unidentified source (pp. 83\u201387). [s.l.]: Chappell & Co., c1937. 5 pp.
\n\u201cNo Lover.\u201d Score. Photocopy from unidentified source (pp. 242\u2013245). [s.l.]: Chappell & Co., c1950. 2 copies. 4 pp., each.
\n\u201cI\u2019ll Be Around.\u201d Score. New York: Edwin H. Morris & Co., c1943. 2 pp.
\n\u201cJust One of Those Things.\u201d Score. Photocopy from unidentified source (pp. 38\u201341). [s.l.]: Harms Inc., c1935. 4 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nPurcell, Henry. Ten Selected Songs. Collection of songs for voice and piano.
\nScore. London: Walsh Holmes, c1927. 71 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nPurcell, Henry. Popular Edition of Selected Works, No. 1. Fifteen Songs and Airs. Soprano or Tenor keys. Collection of songs for voice and piano.
\nScore. [London]: Novello, [s.d.]. 67 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nPurcell, Henry. Popular Edition of Selected Works, No. 1. Fifteen Songs and Airs. Contralto or Baritone keys. Collection of songs for voice and piano.
\nScore. [London]: Novello, [s.d.]. 67 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nPurcell, Henry. Popular Edition of Selected Works, No. 12. Fifteen Songs and Airs, Set 2. Tenor or Soprano keys. Collection of songs for voice and piano.
\nScore. [London]: Novello, [s.d.]. 51 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nPurcell, Henry. Popular Edition of Selected Works, No. 12. Fifteen Songs and Airs, Set 2. Baritone or Contralto keys. Collection of songs for voice and piano.
\nScore. [London]: Novello, [s.d.]. 51 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nPurcell, Henry. 40 Songs. Volume 1, high keys. Collection of songs for voice and piano.
\nScore. Realization of the figured bass and editing by Sergius Kagen. New York: International Music Co., c1958. 28 pp.
\nAccompanied by photocopies of parts of the Queen\u2019s music from Handel\u2019s Solomon. [s.l.: s.n., s.d.]. Pl. no. H.W.26. 9 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nPurcell, Henry. \u201cBess of Bedlam.\u201d Song for voice, piano and basso continuo.
\nScore. Performance photocopy from unidentified source (pp. 45\u201348). [s.l.: s.n., s.d.]. Pl. no. 15281. 4 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nRiegger, Wallingford. \u201cThe Dying of the Light.\u201d Song for voice and piano.
\nScore. Performance photocopy. [s.l.]: Associated Music Publishers, c1956. 5 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nRuggles, Carl. \u201cToys.\u201d Song for voice and piano.
\nScore. Bryn Mawr, PA: Theodore Presser, c1983. 2 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nSondheim, Stephen. [Two songs for voice and piano.]
\n\u201cThe Miller\u2019s Son.\u201d (Original key.) Photocopy of published score. [s.l.]: Rilting Music, c1973. 6 pp.
\n\u201cThe Miller\u2019s Son.\u201d [Transposed] for Jan DeGaetani. Ink MS. 6 pp. Accompanied by 2 photocopies of transposed score. 6 pp., each.
\n\u201cSend in the Clowns.\u201d Photocopy of published score. [s.l.]: Rilting Music, c1973. 3 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nTaylor, Bernard, comp. Songs by 22 Americans. High keys. Collection of songs for voice and piano.
\nScore. New York: G. Schirmer, c1940. 152 pp.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nWeber, Ben. Four Songs, Op. 40. Collection of songs for soprano or tenor with solo cello.
\nScore. New York: New Music, 1954. 10 pp. Inscribed by Ben Weber for JDG.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nWilder, Alec. [Performance group, photocopies of six songs for voice and piano.]
\n\u201cThe Wrong Blues.\u201d Score. MS repro (property of Regent Music Corp.). 2 copies. 2 pp., each.
\n\u201cIs You A Fool, You?\u201d Score. MS repro. 3 pp.
\n\u201cSimple as A-B-C.\u201d Score (incomplete; pp. 1\u20133 only). MS repro. 2 copies. 3 pp., each.
\n\u201cHere Beside Me.\u201d Score. MS repro. 2 copies. 4 pp., each.
\n\u201cIt\u2019s So Peaceful in the Country.\u201d Score. New York: Regent Music, c1941. 4 pp.
\n\u201cDid You Ever Cross Over to Sneden\u2019s.\u201d Score. New York: Edwin Morris & Co., c1947. 4 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nWork, Henry. \u201cGrandfather\u2019s Clock.\u201d Song for voice and piano.
\nScore. Photocopy from unidentified published source (pp. 178\u2013180). [s.l.: s.n., s.d.]. 3 pp.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nUnidentified (Peter Slav?). Arabesque. Cycle of three songs for voice and piano.
\nThree movements: \u201cThey Walk on Cat\u2019s Paws\u201d; \u201cAmen\u201d; \u201cEvening Harmony.\u201d
\nScore. MS repro. 21 pp. Accompanied by typescript texts. 2 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-sub-series 4: German solo songs<\/strong><\/span><\/span><\/em><\/p>\n

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folder 16<\/strong><\/td>\nBach, J. S. Alt Arien aus Kantaten. Collection of arias from cantatas for voice and keyboard.
\nScore. Selected by Karl Straube. Edited by Max Schneider. German text. Frankfurt: C. F. Peters, [s.d.]. 79 pp.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nBach, J. S. [Performance photocopies of five arias for voice and piano (basso continuo).]
\nFrom folder labeled: \u201cBach arias \/ performance copies …\u201d
\n\u201cEs ist vollbracht.\u201d German text. Photocopy from unidentified source (pp. 108\u2013111). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8909. 2 copies. 4 pp., each.
\n\u201cMein gl\u00e4ubiges Herze.\u201d German and English texts. Photocopy from unidentified source (pp. 13\u201318). [s.l.: s.n., s.d.]. Pl. no. J.S.B.I.68. 7 pp.
\n\u201cFlosst, mein Heiland.\u201d German text. Photocopy from unidentified source (pp. 174\u2013179). [s.l.: s.n., s.d.]. Pl. no. 43. 3 pp.
\n\u201cStirb in mir.\u201d German and English texts. Photocopy from unidentified source (pp. 18\u201321). [s.l.: s.n., s.d.]. Pl. no. J.S.B.I,169. 4 pp.
\n\u201cErfreute Zeit im neuen Bunde.\u201d German text. Score. Wiesbaden: Breitkopf & H\u00e4rtel, [s.d.]. Pl. no. J.S.B.I.83. 7 pp.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nBeethoven, Ludwig van. S\u00e4mtliche Lieder. Collection of songs for voice and piano.
\nScore. German texts. Leipzig: C. F. Peters, [s.d.]. 191 pp. Very fragile condition.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nBeethoven, Ludwig van. 30 Lieder. Mezzosopran oder Bariton. Collection of songs for voice and piano.
\nScore. German texts. New York: C. F. Peters, [s.d.]. 95 pp. Affixed to p. 3: two blue sticky notes with performance times and possible concert order.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nBerg, Alban. Vier Lieder, Op. 2. Collection of songs for voice and piano.
\nScore. German text. Berlin: Robert Lienau, c1956. 7 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nBerg, Alban. 5 Orchesterlieder, Op. 4. Collection of songs for voice with orchestra arranged for voice and piano. Texts by Peter Altenberg.
\nScore. Piano reduction by H. E. Apostel. German text. Wien: Universal Edition, c1953. 13 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nBerg, Alban. Sieben Fr\u00fche Lieder. Collection of songs for voice and piano.
\nScore. German and English texts. London: Universal, c1956. 2 copies (different covers). 31 pp., each.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nBrahms, Johannes. Acht Zigeunerlieder. Collection of songs for low voice and piano.
\nScore. German and English texts. English text by Mrs. John P. Morgan. London: N. Simrock, [s.d.]. 19 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nBrahms, Johannes. Brahms Album, Band I. Collection of songs for medium voice and piano.
\nScore. Revised by Max Friedlaender. German text. New York: C. F. Peters, [s.d.]. Pl. no. 9313. 151 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nBrahms, Johannes. Brahms Album, Band I. Collection of songs for middle voice and piano.
\nScore. Revised by Max Friedlaender. German text. New York: C. F. Peters, [s.d.]. Pl. no. 9313. 151 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nBrahms, Johannes. S\u00e4mtliche Werke, Band 25, Lieder und Ges\u00e4nge. Collection of songs for voice and piano.
\nScore. German text. Wiesbaden: Breitkopf & H\u00e4rtel, [s.d.]. Interleaved in score: performance photocopies of \u201cSapphische Ode\u201d and \u201cSteig auf, geliebter Schatten\u201d (from same collection) and a text and translation page for \u201cMi palpita il cor\u201d by G. F. Handel.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nBrahms, Johannes. [Performance photocopies of Nos. 1\u20134 from F\u00fcnf Ges\u00e4nge.]
\nFrom folder labeled: \u201cBrahms songs \/ performance copies.\u201d
\n\u201cAlte Liebe.\u201d Score. German text. [s.l.: s.n., s.d.]. Pl. no. J.B.156. 5 pp.
\n\u201cSommerf\u00e4den.\u201d Score. German text. [s.l.: s.n., s.d.]. Pl. no. J.B.156. 2 pp.
\n\u201cO k\u00fchler Wald.\u201d Score. German text. [s.l.: s.n., s.d.]. Pl. no. J.B.156. 2 pp.
\n\u201cVerzagen.\u201d Score. German text. [s.l.: s.n., s.d.]. Pl. no. J.B.156. 5 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nBrahms, Johannes. Zwei Ges\u00e4nge, Op. 91. Two songs for contralto with viola and piano.
\nScore and parts (2 parts: voice, viola). German text. London: N. Simrock, [s.d.]. 2 copies of voice part taped into binding of score (3 voice parts total). Very fragile condition.
\nEnglish horn part for \u201cGeistliches Wiegenlied\u201d (number 2 in the set). [Transcription of viola part.] Ink MS. 2 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nCornelius, Peter. Weihnachtslieder, Op. 8. Collection of songs for middle voice and piano.
\nScore. German text. Kassel: B\u00e4renreiter, 1970. 23 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nHaydn, Joseph. Canzonettas and Songs. Collection of twelve English canzonettas and two English songs (also with German words) and twenty-one German songs.
\nScore. New edition for practical use revised by Ludwig Landshoff. German words for English canzonettas by Karl Wolfskehl and Franz Hessel. New York: C. F. Peters, c1931. 77 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nHaydn, Joseph. Lieder. Collection of songs for voice and piano.
\nScore. Edited by Alfred D\u00f6rffel. German text. Leipzig: C. F. Peters, [s.d.]. 75 pp.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nHaydn, Joseph. Lieder. Reihe XXIX, Band 1. Collection of songs for voice and piano.
\nScore. Edited by Paul Mies. German or English texts. M\u00fcnchen: G. Henle, 1960. 99 pp.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nMahler, Gustav. Kinder-Totenlieder. Cycle of songs for voice and piano in the original key.
\nScore. German and English texts. New York: International Music Co., c1952. 31 pp. Cover damaged.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nMahler, Gustav. Lieder eines fahrenden Gesellen. Cycle of songs for voice and piano in medium keys.
\nScore. German text. New York: International Music Co., c1950. 23 pp. Fragile condition.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nMahler, Gustav. Sieben Lieder aus Letzter Zeit. Collection of songs for middle voice and piano.
\nScore. German and English texts. [Leipzig]: C. F. Kahnt, [s.d.]. Pl. no. C.F.K.7614. 43 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nMahler, Gustav. Wunderhorn Songs. Fourteen songs for high voice and piano.
\nScore. German and English texts. English translations by Maria Pelikan. New York: G. Schirmer, c1968. Pl. no. 46489. 94 pp. Affixed to p. ii: typescript document (program order) titled \u201cDes Knabenwunderhorn \/ BSO order at Tanglewood\/Norman and Shirley-Quirk.\u201d 1 p.
\nAlso in folder: duplicate photocopies of three songs (\u201cDas irdische Leben\u201d; \u201cWer hat dies Liedlein erdacht?\u201d; \u201cRheinlegendchen\u201d) (from same imprint). 17 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nMahler, Gustav. Performance photocopies of twelve songs for voice and piano.
\nFrom folder labeled \u201cMahler \/ performance copies \/ 12 songs (incl. R\u00fcckert).\u201d
\n\u201cVerlone M\u00fch.\u201d German and English texts. Photocopy from G. Schirmer edition, Pl. no. 46489 (pp. 8\u201311). New York: G. Schirmer, c1968. 4 pp.
\n\u201cRheinlegendchen.\u201d German and English texts. German and English texts. Photocopy from G. Schirmer edition, Pl. no. 46489 (pp. 39\u201343). [s.l.]: G. Schirmer, c1968. 5 pp.
\n\u201cLob des hohen Verstands.\u201d German and English texts. Photocopy from G. Schirmer edition, Pl. no. 46489 (pp. 59\u201363). [s.l.]: G. Schirmer, c1968. 5 pp.
\n\u201cIch atmet\u2019 einen linden Duft.\u201d German and English texts. Photocopy from C. F. Kahnt edition, Pl. no. C.F.K.7614 (pp. 3\u20135). [Leipzig]: C. F. Kahnt, [s.d.]. 3 pp.
\n\u201cWer hat dies Liedlein erdacht?\u201d German and English texts. Photocopy from unidentified [G. Schirmer?] source (pp. 18\u201322). [s.l.: s.n., s.d.]. Pl. no. 46488. 5 pp.
\n\u201cWo die sch\u00f6nen Trompeten blasen.\u201d German and English texts. Photocopy from G. Schirmer edition, Pl. no. 46489 (pp. 53\u201358). [s.l.]: G. Schirmer, c1968. 2 copies. 6 pp., each.
\n\u201cLiebst du um Sch\u00f6nheit\u2026\u201d German and English texts. Photocopy from C. F. Kahnt edition, Pl. no. C.F.K.7614). [Leipzig]: C. F. Kahnt, [s.d.]. 2 pp.
\n\u201cBlikke mir nicht in die Lieder.\u201d German and English texts. Photocopy from C. F. Kahnt edition, Pl. no. C.F.K.7614. [Leipzig]: C. F. Kahnt, [s.d.]. 4 pp.
\n\u201cIch bin der Welt abhanden gekommen.\u201d German and English texts. Photocopy from C. F. Kahnt edition, Pl. no. C.F.K.7614. [Leipzig]: C. F. Kahnt, [s.d.]. 4 pp.
\n\u201cLob des hohen Verstands.\u201d German and English texts. Photocopy from G. Schirmer edition, Pl. no. 46489. [s.l.]: G. Schirmer, c1968. 5 pp.
\n\u201cDas irdische Leben.\u201d German and English texts. Photocopy from G. Schirmer edition, Pl. no. 46489. [s.l.]: G. Schirmer, c1968. 7 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nMozart, W. A. Lieder und Ges\u00e4nge. Collection of songs for voice and piano.
\nScore. Revised and edited by Kamillo Horn. German text. Wien: Universal Edition, [s.d.]. 86 pp. Hardbound and trimmed. Very fragile condition.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nMozart, W. A. Lieder (missing title page). Collection of songs for medium voice and piano.
\nScore. English and German texts. London: Novello, [s.d.]. Pl. no. 9461. 91 pp. Hardbound, with foil stamp \u201cJan Ruetz\u201d on cover. Fragile condition.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nMozart, W. A. Neue Ausgabe s\u00e4mtlicher Werke. Serie III: Lieder, mehrstimmige Ges\u00e4nge, Kanons. Collection of songs for voice and piano.
\nScore. German text. Kassel: B\u00e4renreiter, 1963. 82 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nMozart, W. A. [Performance photocopies of four Mozart Lieder for voice and piano.]
\nFrom folder labeled: \u201cMozart recital \/ performance copies.\u201d
\n\u201cDas Veilchen.\u201d German text. Photocopy from unidentified source (pp. 26\u201327). [s.l.: s.n., s.d.]. 2 pp.
\n\u201cThe Violet\/Das Veilchen.\u201d English and German texts. Photocopy from unidentified source (pp. 4\u20137). [s.l.: s.n., s.d.]. Pl. no. 9461. 4 pp.
\n\u201cAls Luise die Briefe ihres ungetreuen Liebhabers verbrannte.\u201d German text. Photocopy from unidentified source (pp. 40\u201341). [s.l.: s.n., s.d.]. 2 pp.
\n\u201cAbendempfindung an Laura.\u201d German text. Photocopy from unidentified source (pp. 42\u201345). [s.l.: s.n., s.d.]. 4 pp.
\n\u201cDie betrogene Welt.\u201d German text. Photocopy from unidentified source. [s.l.: s.n., s.d.]. 2 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nSchoenberg, Arnold. Das Buch der H\u00e4ngenden G\u00e4rten. Cycle of songs for voice and piano.
\nScore. German text. Wien: Universal Edition, c1952. 37 pp. English translations written in above the staff in JDG\u2019s hand.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nSchoenberg, Arnold. Lied der Waldtaube aus Gurrelieder. Collection of songs for voice and piano.
\nScore. German text. [Wien]: Universal Edition, c1940. 2 copies. 15 pp., each.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nSchoenberg, Arnold. Vier Orchesterlieder, Op. 22. Collection of songs for voice and orchestra arranged for voice and piano.
\nScore. German text. [Wien]: Universal Edition, c1968. 25 pp. English translations in JDG\u2019s hand. Accompanied by performance photocopies of all four songs. 25 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nSchostakowitsch, Dimitri. Ges\u00e4nge nach Hebr\u00e4ischen Volksdichtungen. Op. 79. Collection of five solos, four duets, and two trios for voice(s) and piano.
\nScore. German text. Leipzig: Peters, c1958. 47 pp.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nSchubert, Franz. Ges\u00e4nge. Band I. Collection of songs for medium voice and piano.
\nScore. German text. New York: C. F. Peters, [s.d.]. 260 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nSchubert, Franz. Ges\u00e4nge. Band V. Collection of songs for voice and piano in original keys.
\nScore. Revised by Max Friedlaender. German text. Leipzig: C. F. Peters, [s.d.]. 207 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nSchubert, Franz. Goethe-Lieder. Collection of songs for voice and piano in original pitch (high).
\nScore. Edited by Walther D\u00fcrr. German text. Kassel: B\u00e4renreiter, c1970. 69 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nSchubert, Franz. Schubert Album. Band I. Mezzo-Sopran oder Bariton. Collection of songs for voice and piano.
\nScore. German text. New York: C. F. Peters, [s.d.]. 260 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nSchubert, Franz. Schubert Album. Band II, Mittel. Collection of songs for middle voice and piano.
\nScore. German text. Revised by Max Friedlaender. Leipzig: C. F. Peters, [s.d.]. 239 pp. Inscribed by Sergius Kagen and Genevieve Greer.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nSchubert, Franz. Schubert Album. Band III. Mezzo-Sopran oder Bariton. Collection of songs for voice and piano.
\nScore. Revised by Max Friedlaender. German text. Frankfurt: C. F. Peters, [s.d.]. 216 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nSchubert, Franz. Schubert Album. Band IV. Collection of songs for voice and piano.
\nScore. Revised by Max Friedlaender. German text. Leipzig: C. F. Peters, [s.d.]. 223 pp. Fragile condition.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nSchubert, Franz. Schubert Album. Band VI. Collection of songs for voice and piano.
\nScore. Revised by Max Friedlaender. German text. Leipzig: C. F. Peters, [s.d.]. 181 pp. Fragile condition.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nSchubert, Franz. Winterreise, Op. 89. Mittlere Stimme (Transposition). Song cycle for voice and piano.
\nBound photocopy of published score. Edited by Walther D\u00fcrr. German text. Kassel: B\u00e4renreiter, c1979. 87 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nSchubert, Franz. [Performance photocopies of 46 songs for voice and piano.]
\nFrom Concordia College folder labeled \u201cSchubert \/ performance copies.\u201d
\n\u201cDie Sternenn\u00e4chte.\u201d Photocopy of score from unidentified source (pp. 88\u201389). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8774. 2 pp.
\n\u201cIm Fr\u00fchling.\u201d Photocopy of score from unidentified source (pp. 227\u2013230). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9309. 4 pp. Accompanied by text and English translations for \u201cWehmut\u201d and \u201cIm Fr\u00fchling\u201d (excerpt from concert program). 1 p.
\n\u201cWehmut.\u201d Photocopy of score from unidentified source (p. 15). [s.l.: s.n., s.d.]. 1 p.
\n\u201cWehmut\u201d (transposed). Photocopy of score from unidentified source (p. 81). [s.l.: s.n., s.d.]. Pl. no. 2013. 2 copies. 1 p., each.
\n\u201cWillkommen und Abschied.\u201d Photocopy of score from unidentified source (pp. 25\u201329). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8602. 5 pp.
\n\u201cLachen und Weinen.\u201d Photocopy of score from unidentified source (pp. 122\u2013123). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9309. 2 pp.
\n\u201cBlondel zu Marien.\u201d Photocopy of score from unidentified source (pp. 200\u2013201). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8796. 4 copies. 2 pp., each.
\n\u201cIm Abendrot.\u201d Photocopy of score from unidentified source (pp. 219\u2013220). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9309. 2 pp.
\nTexts and translations for six Schubert songs: \u201cAn den Mond\u201d; \u201cDer Blumen Schmerz\u201d; \u201cDer Wachtelschlag\u201d; \u201cDass sie hier gewesen\u201d; \u201cDer Musensohn\u201d; \u201cAn die Musik.\u201d Typescript (excerpt from concert program). 3 pp.
\n\u201cAn den Mond.\u201d Photocopy of score from unidentified source (pp. 116\u2013117). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9309. 2 copies. 2 pp., each.
\n\u201cDer Blumen Schmerz.\u201d Photocopy of score from unidentified source (pp. 116\u2013119). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8774. 4 pp.
\n\u201cDer Wachtelschlag.\u201d Photocopy of score from unidentified source (pp. 134\u2013135). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9309. 4 copies. 2 pp., each.
\n\u201cDass sie hier gewesen!\u201d Photocopy of score from unidentified source (pp. 30\u201331). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8602. 2 pp.
\n\u201cDer Musensohn\u201d (transposed). Photocopy of score from unidentified source (pp. 253\u2013256). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8846. 4 pp.
\n\u201cAn die Musik\u201d (transposed). Photocopy of score from unidentified source (pp. 236\u2013237). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8846. 2 pp.
\n\u201cHeidenr\u00f6slein\u201d (transposed). Photocopy of score from unidentified source (pp. 182\u2013183). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8846. 3copies. 2 pp., each.
\n\u201cDie Forelle\u201d (transposed). Photocopy of score from unidentified source (pp. 197\u2013200). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8846. 2 copies. Copy 2 missing first page of score. 4 + 3 pp.
\n\u201cErmunterung.\u201d Photocopy of score from unidentified source (pp. 46\u201348). [s.l.]: Edition Peters, [s.d.]. Pl. no. 7732. 3 pp.
\n\u201cSprache der Liebe.\u201d Photocopy of score from unidentified source (pp. 142\u2013143). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8725. 2 pp.
\n\u201cSch\u00e4fers Klagelied.\u201d Photocopy of score from unidentified source (pp. 225\u2013227). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8846. 3 pp.
\n\u201cAn mein Herz.\u201d Photocopy of score from unidentified source (pp. 73\u201377). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8796. 5 pp.
\n\u201cAbschied von einem Freunde.\u201d Photocopy of score from unidentified source (p. 169). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8796. 2 copies. 1 p., each.
\n\u201cLied der Mignon.\u201d Photocopy of score from unidentified source (pp. 214\u2013215). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8846. 2 copies. 2 pp., each.
\n\u201cSeligkeit.\u201d Photocopy of score from unidentified source (p. 111). [s.l.]: Edition Peters, [s.d.]. Pl. no. 6896. 1 p.
\n\u201cLebenslied.\u201d Photocopy of score from unidentified source (pp. 16\u201317). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8774. 2 pp.
\n\u201cSchlummerlied.\u201d Photocopy of score from unidentified source (pp. 66\u201367). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9309. 2 pp.
\n\u201cSt\u00e4ndchen.\u201d Photocopy of score from unidentified source (pp. 135\u2013137). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8846. 3 pp.
\n\u201cDer Schmetterling.\u201d Photocopy of score from unidentified source (pp. 49\u201350). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8725. 2 pp.
\n\u201cBei Dir!\u201d Photocopy of score from unidentified source (pp. 66\u201369). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8602. 2 copies. 4 pp., each.
\n\u201cAm See.\u201d Photocopy of score from unidentified source (pp. 2[74]\u2013[75]3). [s.l.: s.n., s.d.]. Pl. no. F.S.779. 2 pp.
\n\u201cDie M\u00e4nner sind mechant!\u201d Photocopy of score from unidentified source (pp. 88\u201390). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8725. 2 copies. 3 pp., each. (3 copies)
\n\u201cDie junge Nonne.\u201d Photocopy of score from unidentified source (pp. 201\u2013205). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8846. 2 copies. 5 pp., each.
\n\u201cRastlose Liebe.\u201d Photocopy of score from unidentified source (pp. 222\u2013224). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8846. 3 pp.
\n\u201cWonne der Wehmuth.\u201d Photocopy of score from unidentified source (p. 141). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8725. 1 p.
\n\u201cSehnsucht.\u201d Photocopy of score from unidentified source (pp. 100\u2013103). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8725. 4 pp.
\n\u201cDas Rosenband.\u201d Photocopy of score from unidentified source (pp. 160\u2013161). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8796. 2 pp.
\n\u201cGrenzen der Menschheit.\u201d Photocopy of score from unidentified source (pp. 144\u2013147). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8602. 4 pp.
\n\u201cAuf der Donau.\u201d Photocopy of score from unidentified source (pp. 14\u201316). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8725. 3 pp.
\n\u201cDer Sieg.\u201d Photocopy of score from unidentified source (pp. 122\u2013123). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8796. 2 pp.
\n\u201cDer Geistertanz.\u201d Photocopy of score from unidentified source (pp. 237\u2013239). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9309. 3 pp.
\nF\u00fcnf Duette (1. Mailied; 2. Mailied; 3. Der Morgenstern; 4. J\u00e4gerlied; 5. L\u00fctzow\u2019s wilde Jagd). Photocopy of vocal score. Leipzig: Breitkopf & H\u00e4rtel, [s.d.]. Pl. no. F.S. 297\u2013301. 3 pp.
\n\u201cHeimliches Lieben.\u201d Photocopy of score from unidentified source (pp. 104\u2013108). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8725. 2 copies. 5 pp., each.
\n\u201cGanymed.\u201d Photocopy of score from unidentified source (pp. 11\u201314). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8602. 4 pp.
\n\u201cDas Geheimniss.\u201d Photocopy of score from unidentified source (pp. 109\u2013113). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8774. 5 pp.
\n\u201cDie Sterne.\u201d Photocopy of score from unidentified source (pp. 58\u201359). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8774. 2 pp.
\n\u201cAugenlied.\u201d Photocopy of score from unidentified source (pp. 80\u201381). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8774. 2 pp.
\n[\u201cErlafsee.\u201d] Incomplete score (last page only). Photocopy from unidentified source (p. 21). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9309. 1 p.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nSchumann, Robert. S\u00e4mtliche Lieder. Band II. Mezzo-Sopran oder Bariton. Collection of songs for voice and piano.
\nScore. Revised by Alfred D\u00f6rffel. German text. Frankfurt: C. F. Peters, [s.d.]. 215 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nSchumann, Robert. S\u00e4mtliche Lieder. Band III. Mezzo-Sopran oder Bariton. Collection of songs for voice and piano.
\nScore. Revised by Alfred D\u00f6rffel. German text. Frankfurt: C. F. Peters, [s.d.]. 215 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nSchumann, Robert. Frauenlieben und Leben. Performance photocopies of a cycle of songs for voice and piano.
\nFrom folder labeled \u201cSchuman \/ Frauenlieben u. Leben \/ performance copies.\u201d
\nScore. German text. Photocopy from unidentified source (pp. 84\u2013105). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8714. 22 pp.
\nScore. German text. Photocopy from unidentified source (pp. 28\u201349). [s.l.: s.n., s.d.]. 22 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nSchumann, Robert. [Performance photocopies of 27 songs for voice and piano.]
\nFrom folder labeled \u201cSchumann \/ performance copies.\u201d
\n\u201cLieb\u2019 Liebchen, leg\u2019s H\u00e4ndchen\u201d (incomplete; first page only). Photocopy of score from unidentified source (p. 8). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 1 p.
\n\u201cIch wandelte unter den B\u00e4umen.\u201d Photocopy of score from unidentified source (pp. 6\u20137). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 2 pp.
\n\u201cEs treibt mich hin.\u201d Photocopy of score from unidentified source (pp. 4\u20135). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 2 pp.
\n\u201cMorgens steh\u2019 ich auf und frage.\u201d Photocopy of score from unidentified source. [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 1 p.
\n\u201cWarte, warte, wilder Schiffmann.\u201d Photocopy of score from unidentified source (pp. 14\u201317). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 4 pp.
\n\u201cBerg\u2019 und Burgen schau\u2019n herunter.\u201d Photocopy of score from unidentified source (pp. 18\u201319). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 2 pp.
\n\u201cAnfangs wollt\u2019 ich fast verzagen\u201d and \u201cSag\u2019an, o lieber Vogel mein.\u201d Photocopy of score from unidentified source (p. 20). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 1 p.
\nNo. 9 [\u201cMit Myrthen und Rosen\u201d]. Photocopy of score from unidentified source (pp. 18\u201321). [s.l.: s.n., s.d.]. 4 pp.
\n\u201cFl\u00fcgel! Fl\u00fcgel! um zu fliegen.\u201d Photocopy of score from unidentified source (pp. 99\u2013102). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 4 pp.
\n\u201cEr ist\u2019s.\u201d Photocopy of score from unidentified source (pp. 204\u2013205). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9559. 2 pp.
\n\u201cAus den hebr\u00e4ischen Ges\u00e4ngen.\u201d Photocopy of score from unidentified source (pp. 34\u201337). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9307. 4 pp.
\n\u201cSinget, nicht in Trauert\u00f6nen.\u201d Photocopy of score from unidentified source (pp. 94\u201397). [s.l.]: Edition Peters, [s.d.]. Pl. no. 10020. 4 pp.
\n\u201cZwielicht.\u201d Photocopy of score from unidentified source (pp. 78\u201379). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9307. 2 pp.
\n\u201cIn a Fair and Foreign Land (Sch\u00f6ne Fremde).\u201d Photocopy of score from unidentified source (pp. 70\u201372). [s.l., s.n., s.d.]. 3 pp.
\n\u201cMemories (In der Fremde).\u201d Photocopy of score from unidentified source (pp. 73\u201375). [s.l., s.n., s.d.]. 3 pp.
\n\u201cMondnacht.\u201d Photocopy of score from unidentified source (pp. 46\u201348). [s.l., s.n., s.d.]. 3 pp.
\n\u201cIn the Forest (Waldesgespr\u00e4ch).\u201d Photocopy of score from unidentified source (pp. 63\u201366). [s.l.], Oliver Ditson Co., c1902. Pl. no. ML-417-4. 4 pp.
\nTexts and translations for three Schumann songs: \u201cRose, Meer und Sonne\u201d; \u201cSchneegl\u00f6ckchen\u201d; \u201cFl\u00fcgel! Fl\u00fcgel! um zu fliegen.\u201d Typescript (excerpt from concert program). 1 p.
\n\u201cRose, Meer und Sonne.\u201d Photocopy of score from unidentified source (pp. 103\u2013107). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 5 pp.
\n\u201cSchneegl\u00f6ckchen.\u201d Photocopy of score from unidentified source (pp. 208\u2013209). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 2 pp.
\n\u201cJasminenstrauch.\u201d Photocopy of score from unidentified source (pp. 26\u201327). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 2 pp.
\n\u201cO Freund, mein Schirm, mein Schutz!\u201d Photocopy of score from unidentified source (pp. 110\u2013111). [s.l.]: Edition Peters, [s.d.]. Pl. no. 7097. 2 pp.
\n\u201cVolksliedchen.\u201d Photocopy of score from unidentified source (pp. 164\u2013165). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8714. 2 pp.
\n\u201cMein sch\u00f6ner Stern!\u201d Photocopy of score from unidentified source (pp. 108\u2013109). [s.l.]: Edition Peters, [s.d.]. Pl. no. 7097. 2 pp.
\n\u201cSpring Night (Fr\u00fchlingsnacht).\u201d Photocopy of score from unidentified source (pp. 76\u201378). [s.l.]: Oliver Ditson Co., c1903. Pl. no. ML-421-3. 3 pp.
\n\u201cWehmut.\u201d Photocopy of score from unidentified source (pp. 44\u201345). [s.l.: s.n., s.d.]. 2 pp.
\n\u201cDein Bildniss wunderselig.\u201d Photocopy of score from unidentified source. [s.l.]: Oliver Ditson Co., c1903. Pl. no. ML-416-2. 2 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nSchumann, Robert. Liederkreis, Op. 39. Performance photocopies of a cycle of songs for voice and piano.
\nFrom folder labeled \u201cSchuman \/ Liederkreis Op. 39 \/ performance copies.\u201d
\nScore. German text. Photocopy from unidentified source (pp. 58\u201383). [Frankfurt]: C. F. Peters, [s.d.]. 28 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nSch\u00fctz, Heinrich. [Performance photocopies of two solo cantatas for voice and basso continuo.]
\nFrom folder labeled \u201cSch\u00fctz \/ performance copies.\u201d
\n\u201cWas hast du verwirket.\u201d Score. German text. Photocopy from unidentified source (pp. 16\u201318). [s.l.: s.n., s.d.]. 3 pp.
\n\u201cBringt her dem Herren.\u201d Score. German text. Photocopy from unidentified source (pp. 8\u201310). [s.l.: s.n., s.d.]. 3 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nTelemann, Georg Philipp. Lieder und Arien. Collection of songs and arias for voice and basso continuo.
\nScore and parts (2 parts: violin, basso continuo). Edited by Dietz Degen. German text. Kassel: B\u00e4renreiterm 1967. 24 (score) + 8 (parts) pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nThym, Jurgen, ed. 100 Years of Eichendorff Songs. Collection of songs for voice and piano. All songs are Eichendorff poetry; many composers included.
\nScore. Madison: A-R Editions, Inc., 1983. 70 pp. Dedicated to JDG and Thomas Paul. Also inscribed to JDG by Jurgen Thym. Interleaved in score: duplicate photocopy of \u201cIch wander durch die stille Nacht\u201d by Theodor Kirchner (pp. 28\u201329) and photocopy of a handwritten recital set list.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nWagner, Richard. Wesendonk-Lieder. Collection of songs for high voice (a woman\u2019s voice) and piano.
\nScore. German and English text. English text by Fr. Hueffer. Mainz: B. Schott\u2019s S\u00f6hne, [s.d.]. 17 pp. Interleaved in score: performance photocopy of \u201cTr\u00e4ume,\u201d the last song in the set, from G. Schirmer imprint (pp. 21\u201325; pl. no. 25566). 5 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nWebern, Anton. Eight Early Songs. Collection of songs for voice and piano.
\nScore. Edited by Rudolph Ganz. German text. New York: Carl Fischer, c1945. 24 pp.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nWolf, Hugo. Hugo Wolf Album. Ausgew\u00e4hlte Lieder. Collection of songs for low voice and piano.
\nScore. Edited by Elena Gerhardt. German text. Leipzig: C. F. Peters, 1932. 168 pp. Interleaved in score: Eastman School of Music recital program for Michael McKeever, tenor; dated January 31, 1985.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nWolf, Hugo. Songs on Poems by Moericke. High keys. Volume II. Collection of songs for voice and piano.
\nScore. German and English texts. New York: International Music Co., 1948. 47 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nWolf, Hugo. M\u00f6rike-Lieder. Band II. Collection of songs for low voice and piano.
\nScore. German and English texts. Leipzig: C. F. Peters, [s.l.]. 47 pp. Fragile condition.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nWolf, Hugo. M\u00f6rike-Lieder. Band V. Collection of songs for low voice and piano.
\nScore. German and English texts. Frankfurt: C. F. Peters, [s.d.]. 39 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nWolf, Hugo. Songs on Italian Lyrics. Original key. Volume I. Collection of songs for voice and piano.
\nScore. German and English texts. English translations by Lily Henkel. New York: International Music Co., [s.d.]. 35 pp. Interleaved in score: two typed pages of titles that divide the Italienisches Liederbuch songs into those for \u201che\u201d and those for \u201cshe.\u201d<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nWolf, Hugo. Songs on Italian Lyrics. Original key. Volume III. Collection of songs for voice and piano.
\nScore. German and English texts. English translations by Lily Henkel. New York: International Music Co., [s.d.]. 39 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nWolf, Hugo. Spanisches Liederbuch-Spanish Lyrics. Selection for low voice. Vol. I (Sacred songs). Collection of songs for voice and piano.
\nScore. German and English texts. [s.l.]: Edition Peters, [s.d.]. 19 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nWolf, Hugo. Spanisches Liederbuch-Spanish Lyrics. Selection for low voice. Vol. II (Secular songs). Collection of songs for voice and piano.
\nScore. German and English texts. [s.l.]: Edition Peters, [s.d.]. 33 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nWolf, Hugo. Songs on Spanish Lyrics. Original key. Volume I. Collection of songs for voice and piano.
\nScore. German and English texts. English texts by John Bernhoff. New York: International Music Co., 1948. 43 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nWolf, Hugo. Spanisches Liederbuch. Band II. Original key. Collection of songs for voice and piano.
\nScore. German and English texts. English texts by John Bernhoff. Frankfurt: C. F. Peters, c1938. 43 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nWolf, Hugo. Songs on Spanish Lyrics. Original key. Volume III. Collection of songs for voice and piano.
\nScore. German and English texts. English texts by John Bernhoff. New York: International Music Co., 1948. 43 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nWolf, Hugo. Spanisches Liederbuch. Original key. Band IV. Collection of songs for voice and piano.
\nScore. German and English texts. English texts by John Bernhoff. Frankfurt: C. F. Peters, c1944. 43 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nZemlinsky, Alexander. Sechs Ges\u00e4nge. Op. 13. Performance photocopies of a collection of songs for middle voice and piano.
\nScore. Wien: Universal Edition, c1914. 13 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-sub-series 5: Songs in other languages<\/strong><\/span><\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 21 `{`cont.`}`” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1641916268917{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 12<\/strong><\/td>\nBart\u00f3k, B\u00e9la. \u00d6t dal (Five Songs), Op. 15. Collection of songs for voice and piano.
\nScore. Hungarian, German, and English texts. London: Universal Edition, c1961. 29 pp. Taped to inside front cover: handwritten page containing the Hungarian alphabet and notes on pronunciation.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nGrieg, Edvard. 45 Songs of Edvard Grieg. Collection of songs for voice and piano.
\nScore. Edited by Bradley Ellingboe. Self-produced volume consisting of photocopies from various imprints, edited, and spiral bound. Norwegian (with IPA) and English texts. 216 pp. Editor\u2019s introduction expresses thanks JDG for her enthusiasm for the project.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nMussorgsky, Modeste. Nursery. Original key. Cycle of songs for voice and piano.
\nScore. Russian and English texts. New York: International Music Co., c1951. 35 pp. IPA written in the margin in JDG\u2019s hand.
\nAccompanied by performance photocopy of the cycle. 35 pp.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nRachmaninoff, Serge. [Performance photocopies of three songs for voice and piano.]
\nFrom folder labeled: \u201cRecital \/ Russian performance copies \/ Rachmaninoff.\u201d
\n\u201cDavno v liubvi.\u201d Russian and English texts. Photocopy from unidentified source (pp. 46\u201348). England: Boosey & Hawkes, c1947. Pl. no. B.&H.20174. 3 pp. IPA written in the margin in JDG\u2019s hand.
\n\u201cVeter pereletny.\u201d Russian and English texts. Photocopy from unidentified source (pp. 67\u201370). England: Boosey & Hawkes, c1947. Pl. no. B.&H.20175. 4 pp. IPA written in the margin in JDG\u2019s hand.
\n\u201cUzh ty, niva moia!\u201d Russian and English texts. Photocopy from unidentified source (pp. 17\u201320). England: Boosey & Hawkes, c1947. Pl. no. B.&H.20174. 4 pp. IPA written in the margin in JDG\u2019s hand.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nStravinsky, Igor. Faun und Schaferin. Op. 2. Cycle of songs for voice and piano.
\nScore. Russian, English, and German texts. Frankfurt: M.P. Belaieff, [s.d.]. 19 pp.IPA written in the margin and translations written in the inside front cover in JDG\u2019s hand.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nTchaikovsky, Peter. Six Songs, Op. 28; Six Songs, Op. 38; Seven Songs, Op. 47. Collection of songs for voice and piano.
\nScore. Russian text. Melville, NY: Belwin Mills, [s.d.]. 295 pp.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nTchaikovsky, Peter. Various Songs. Collection of songs for voice and piano.
\nScore. Russian text. Melville, NY: Belwin Mills, [s.d.]. ** pp.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nTchaikovsky, Peter. [Performance photocopies of nine songs for voice and piano.]
\n\u201cUsni, pechal\u2019ny drug.\u201d Photocopy of score from unidentified source (pp. 267\u2013273). [s.l.: s.n., s.d.]. 7 pp.
\n\u201cNyet, tol\u2019ko tot, kto znal\u2026\u201d Photocopy of score from unidentified source (pp. 39\u201342). [s.l.: s.n., s.d.]. 4 pp.
\n\u201cUnosi moio serdtse.\u201d Photocopy of score from unidentified source (pp. 89\u201394). [s.l.: s.n., s.d.]. 6 pp.
\n\u201cNi slova.\u201d Incomplete (first page missing). Photocopy of score from unidentified source (pp. 21\u201323). [s.l.: s.n., s.d.]. 3 pp.
\n\u201cIa li b pole da ne travushka byla\u2026\u201d Photocopy of score from unidentified source (pp. 288\u2013295). [s.l.: s.n., s.d.]. 8 pp.
\n\u201cNa son grjadushchij.\u201d Photocopy of score from unidentified source (pp. 145\u2013148). [s.l.: s.n., s.d.]. 4 pp.
\n\u201cKanareika.\u201d Photocopy of score from unidentified source (pp. 120\u2013124). [s.l.: s.n., s.d.]. 5 pp.
\n\u201cGlazki vesny golubye.\u201d Photocopy of score from unidentified source (pp. 95\u201399). [s.l.: s.n., s.d.]. 5 pp.
\n\u201cAli mat\u2019 menia rozhala.\u201d Photocopy of score from unidentified source (pp. 161\u2013165). [s.l.: s.n., s.d.]. 5 pp.
\n\u201cTo bylo ranneiv vesnoi.\u201d Photocopy of score from unidentified source (pp. 219\u2013223). [s.l.: s.n., s.d.]. 5 pp.
\nEnglish translations of texts. Typescript. 9 pp.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nWallach, Joelle. So\u00f1ando Sue\u00f1os de Tango. Song for voice and piano.
\nScore. Spanish text. Unpublished [MS repro], composers\u2019s copyright (c1985). 7 pp.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nWallach, Joelle. Two Spanish Songs. Songs for voice and piano.
\nScore. Spanish text. Unpublished [MS repro], composer\u2019s copyright (c1985). 7 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series B: Multi-voice Works<\/strong><\/span><\/em><\/p>\n

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folder 1<\/strong><\/td>\nBeethoven, Ludwig van. Duets from the Irische Lieder, WoO 152: Nos. 2, 19, 20, 9, and 18. For voice, piano, violin and cello.
\nFrom folder labeled \u201cBeethoven \/ 5 Folk Songs \/ performance copies \/from Irische Lieder, WoO 152.\u201d
\nNo. 2: \u201cGesangesmacht.\u201d English and German texts. Photocopy of score from unidentified source (pp. 6\u20139). [s.l.: s.n., s.d.]. Pl. no. B.261. 4 pp.
\nNo. 19: \u201cFreund, Gattin und Kind.\u201d English and German texts. Photocopy of score from unidentified source (pp. 51\u201353). [s.l.: s.n., s.d.]. Pl. no. B.261. 3 pp.
\nNo. 20: \u201cLieb\u2019und Gl\u00fcck fahrt hin auf immer.\u201d English and German texts. Photocopy of score from unidentified source (pp. 54\u201355). [s.l.: s.n., s.d.]. Pl. no. B.261. 2 pp.
\nNo. 9: \u201cSchau her, mein Lieb, der W\u00e4lder Gr\u00fcn.\u201d English and German texts. Photocopy of score from unidentified source (pp. 25\u201327). [s.l.: s.n., s.d.]. Pl. no. B.257. 3 pp.
\nNo. 18: \u201cVon Dermot heisst man lassen mich.\u201d English and German texts. Photocopy of score from unidentified source (pp. 48\u201350). [s.l.: s.n., s.d.]. Pl. no. B.261. 3 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nBrahms, Johannes. Duette, Opus 28. Four duets for voice and piano in German.
\nScore. German text. Frankfurt: C. F. Peters, [s.d.]. 24 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nBrahms, Johannes. Duette, Opus 20, 61, 66, 75. Duets for voice and piano.
\nScore. German texts. Frankfurt: C. F. Peters, [s.d.]. 56 pp. Interleaved in score: ESM recital program for Sharon Sasse, soprano, and Mary Ann McCormick, mezzo-soprano; dated 1986.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nBrahms, Johannes. Liebeslieder und Neue Liebeslieder. Waltzes for four voices and piano, four hands.
\nScore. German text. Frankfurt: C. F. Peters, c1956. 89 pp. One song (pp. 44\u201345) has the English translation written in the margin.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nDvo\u0159\u00e1k, Antonin. Kl\u00e4nge aus M\u00e4hren. Volume I, Nos. 1-7. Thirteen duets for soprano and alto voices with piano.
\nScore. German, Hungarian, and English texts. Hamburg: N. Simrock, c1928. 31 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nDvo\u0159\u00e1k, Antonin. Kl\u00e4nge aus M\u00e4hren. Volume II, Nos. 8-13. Thirteen duets for soprano and alto voices with piano.
\nScore. German, Hungarian, and English texts. Hamburg: N. Simrock, c1928. 35 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nHandel, G. F. Sechs Duette. Collection of duets in Italian and German for soprano and alto. Piano setting by Johannes Brahms.
\nScore. New York: C. F. Peters, [s.d.]. 81 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nSchumann, Robert. Duette. Collection of duets in German for various combinations of voices with piano.
\nScore. Revised by Max Friedlaender. Frankfurt: C. F. Peters, [s.d.]. 119 pp<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series C: Vocalises<\/strong><\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 22 `{`cont.`}`” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1642176469517{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 9<\/strong><\/td>\nHettich, A.L., ed. Vocalises from series R\u00e9pertoire Moderne des Vocalises-Etudes. Consists of 20 single imprints of vocalises by various composers collected by Hettich.
\nScores. Paris: Alphonse Leduc, c1907\u20131930. Somewhat fragile condition. Filed alphabetically by composer\u2019s surname. Composers included:
\nGeorges Auric, No. 41.
\nJoseph Canteloube, No. 42.
\nAaron Copland, No. 71.
\nVincent D\u2019Indy, No. 18.
\nPaul Dukas, No. 14.
\nGabriel Faur\u00e9, No. 1. (accompanied by duplicate photocopy)
\nArthur Honegger, No. 73.
\nJacques Ibert, No. 123.
\nJoseph Jongen (1\u00e9re), No. 75.
\nCharles Koechlin, No. 4.
\nRaoul LaParra, No. 19.
\nBohuslav Martin\u016f, No. 112.
\nOlivier Messiaen, No. 151.
\nDarius Milhaud, No. 88.
\nGabriel Piern\u00e9, No. 39.
\nFrancis Poulenc, No. 89.
\nAlbert Roussel, No. 99.
\nFlorent Schmitt, No. 8.
\nAlexandre Tansman, No. 120.
\nAlexandre Tch\u00e9r\u00e9pnine, No. 60.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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\u2190 JAN DEGAETANI COLLECTION<\/a><\/p>\n

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JAN DEGAETANI COLLECTION: Series 5 to 9 \u2192<\/a><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text css=”.vc_custom_1643746735139{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] SUB-GROUP 1: LIBRARY [\/vc_column_text][vc_column_text css=”.vc_custom_1641223878718{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] Series 1: Oratorios, Masses, and Cantatas [\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1623181427344{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: […]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":17046,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template_Finding_Aids.php","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-17048","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/17048","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=17048"}],"version-history":[{"count":0,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/17048\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/17046"}],"wp:attachment":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=17048"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=17048"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=17048"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}