{"id":1532,"date":"2019-07-14T16:05:09","date_gmt":"2019-07-14T20:05:09","guid":{"rendered":"https:\/\/www.esm.rochester.edu\/sibley\/?page_id=1532"},"modified":"2019-07-14T16:05:09","modified_gmt":"2019-07-14T20:05:09","slug":"gullo-index","status":"publish","type":"page","link":"https:\/\/www.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/gullo\/gullo-index\/","title":{"rendered":"GULLO HARP COLLECTION: Index to Binders Collections"},"content":{"rendered":"

A<\/a> | B<\/a> | C<\/a> | D<\/a> | E<\/a> | F<\/a> | G<\/a> | H<\/a> | I | J<\/a> | K<\/a> | L<\/a> | M<\/a> | N<\/a> | O | P<\/a> | Q | R<\/a> | S<\/a> | T<\/a> | U | V<\/a> | W<\/a> | X | Y | Z<\/p>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Binders
\nCollection(s)<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Adams, J. B.<\/th>\n<\/tr>\n
3<\/a><\/td>\nSelect Songs<\/td>\n<\/tr>\n
 <\/td>\nD’Albert, C.<\/th>\n<\/tr>\n
11<\/a><\/td>\nSultan Polka<\/td>\n<\/tr>\n
 <\/td>\nArban<\/th>\n<\/tr>\n
11<\/a>
\n11<\/a><\/td>\n		Lancers Quadrille
\nLe Premier Jour de Bonheur<\/td>\n<\/tr>\n
 <\/td>\nArditi, L.<\/th>\n<\/tr>\n
14<\/a><\/td>\nIl Bacio, The Kiss<\/td>\n<\/tr>\n
 <\/td>\nAscher, J.<\/th>\n<\/tr>\n
10<\/a>
\n10<\/a>
\n12<\/a>
\n10<\/a>, 11<\/a><\/td>\n		Illustration de l’opera de Martha
\nMorceau de Concert, Lucrezia Borcia, Op.19
\nStyrienne Originale, Op.35
\nVaillance, Polka<\/td>\n<\/tr>\n
 <\/td>\nAuber<\/th>\n<\/tr>\n
9<\/a><\/td>\nThe Celebrated Galop, from Lestocq<\/td>\n<\/tr>\n
 <\/td>\nAvery, H.<\/th>\n<\/tr>\n
14<\/a><\/td>\nGentle maiden see before thee, Duett<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Baker, J. C.<\/th>\n<\/tr>\n
14<\/a><\/td>\nMy Trundle Bed; or Recollections of Childhood<\/td>\n<\/tr>\n
 <\/td>\nBaker, T.<\/th>\n<\/tr>\n
14<\/a><\/td>\nThe Water Spirits, duet<\/td>\n<\/tr>\n
 <\/td>\nBalfe, M. W.<\/th>\n<\/tr>\n
14<\/a><\/td>\nI dreamt that I dwelt in marble halls<\/td>\n<\/tr>\n
 <\/td>\nBar\u00e8s, B.<\/th>\n<\/tr>\n
11<\/a>
\n11<\/a><\/td>\n		La Capricieuse, Valse de Salon
\nDelphine, Grande Valse Brillante, Op.11<\/td>\n<\/tr>\n
 <\/td>\nBaumbach, A.<\/th>\n<\/tr>\n
12<\/a><\/td>\nLluvia de Plata<\/td>\n<\/tr>\n
 <\/td>\nBeethoven<\/th>\n<\/tr>\n
14<\/a><\/td>\nThou art gone<\/td>\n<\/tr>\n
 <\/td>\nBeyer, F.<\/th>\n<\/tr>\n
10<\/a><\/td>\nRobert le Diable, Bouquet de m\u00e9lodies<\/td>\n<\/tr>\n
 <\/td>\nBishop, H. R.<\/th>\n<\/tr>\n
5<\/a><\/td>\nTrio<\/td>\n<\/tr>\n
 <\/td>\nBochsa, N. C.<\/th>\n<\/tr>\n
4<\/a>
\n8<\/a>
\n7<\/a>
\n6<\/a>
\n1<\/a>
\n2<\/a>
\n6<\/a>
\n6<\/a>
\n4<\/a>
\n6<\/a>
\n8<\/a>
\n6<\/a>
\n7<\/a>
\n2<\/a>
\n1<\/a>
\n2<\/a>
\n2<\/a>, 4<\/a>
\n4<\/a>
\n6<\/a>
\n4<\/a>
\n6<\/a>
\n7<\/a>
\n6<\/a>
\n2<\/a>
\n7<\/a>
\n7<\/a>
\n4<\/a>
\n1<\/a>
\n8<\/a>
\n1<\/a>
\n2<\/a>
\n8<\/a>
\n4<\/a>
\n4<\/a>
\n8<\/a>
\n1<\/a>
\n5<\/a>
\n4<\/a>
\n8<\/a>
\n7<\/a>
\n7<\/a>
\n8<\/a>
\n2<\/a>
\n8<\/a>
\n7<\/a>
\n8<\/a>
\n8<\/a>
\n6<\/a>
\n8<\/a>
\n1<\/a>
\n1<\/a>
\n2<\/a>
\n4<\/a><\/td>\n		Les Adieux, Fantasia Guerriere
\nAdmired Krakoviak, The
\nAirs Favoris de la Dame du Lac, Op.201
\nAurora; che sorgerai,Rossini’s La Donna del Lago
\nBatti Batti O Mio Masetto
\nLa Belle Bourbonnaise
\nBlue Bells, The, a favorite Ballad
\n“Cease Your Funning”, Fantasia with variations
\nCelebrated March, The
\nDe tanti palpiti, with variations
\nDeh! Con te, from Bellini’s Norma
\nFantasia
\nFantaisie, Op.189
\nFantasie, avec sept variations
\nFantasie et Variations
\nFantaisie, sur les folies d’Espagne
\nFantasie Martiale, avec variations
\nFavorite Airs, The Tancredi
\nFavorite March and Polonoise, A
\nFavorite Masquerade Minuet, The
\nFavorite Quick March (in the Turkish Style)
\nLes Fleurs \u00e0 la Pisaroni . . .Fantasie, Op.298
\nForty Studies, Book 1
\nLe Gar\u00e7on Volage, Contredanse
\nGramachree, Air favori Irlandais, Op.217
\nGuillaume Tell, Ouverture
\nHome! Sweet Home!
\nIntroduction et Th\u00eame Vari\u00e9, Op.77
\nIo l’udia, from Donizetti’s Torquato Tasso
\nMarche et Polonaise, Op.81
\nMon coeur soupire de Mozart
\nTyrolienne, The
\n“My Lodging is on the cold Ground”
\nNel cor piu non mi sento
\nOriginal French Grenadier’s March, The
\nPastorale et Th\u00eame Vari\u00e9
\nPreludes for the Harp
\nPria che l’impegno
\nQuando di Sangue tinto, from Donizetti’s Belisario
\nQuinze Pr\u00e9ludes courts et brillants, Op.207
\nR\u00e9miniscence d’Ecosse, Op.308
\nRisplendi oh! suol beat
\nRondo a la Polonaise, Op.89
\nRory O’More, the favorite Irish Air
\nSacred Fantaisie 6Second Petit M\u00e9lange, Il Crociate in Egitto, Op.267
\nSe Romeo from Bellini’s I Capuletti e Montecchi
\nStrauss’s \u00e0 Londres, Liv. 3
\nSul margine d’un rio
\nTaglioni’s Last Pas-Galop
\nTemp\u00eate Rondeau, La, Op.80
\nTh\u00eame Favori de Rossini
\nTrois Airs Connus, Op.66
\nVariations, Brulant d’amour. . .<\/td>\n<\/tr>\n
 <\/td>\nBochsa, N. C. & L. Duport<\/th>\n<\/tr>\n
5<\/a>
\n5<\/a><\/td>\n		Nocturnes
\nThree Notturnos Concertante<\/td>\n<\/tr>\n
 <\/td>\nBoieldien<\/th>\n<\/tr>\n
5<\/a><\/td>\nBoieldien’s Celebrated Pot Pourri<\/td>\n<\/tr>\n
 <\/td>\nBuckley, F.<\/th>\n<\/tr>\n
14<\/a><\/td>\nGentle Annie Ray<\/td>\n<\/tr>\n
 <\/td>\nBudd, Jr.<\/th>\n<\/tr>\n
3<\/a><\/td>\nA Collection of Divertimentos<\/td>\n<\/tr>\n
 <\/td>\nBull, O.<\/th>\n<\/tr>\n
12<\/a><\/td>\nPolaca Guerrera<\/td>\n<\/tr>\n
 <\/td>\nBurgm\u00fcller, F.<\/th>\n<\/tr>\n
12<\/a>
\n13<\/a>
\n11<\/a><\/td>\n		Ai Chiquita
\nGrande Valse Brillante sur le Juif Errant
\nValse de Salon, sur Les Dragons de Villars<\/td>\n<\/tr>\n
 <\/td>\nBurrowes, J. F.<\/th>\n<\/tr>\n
4<\/a><\/td>\nBook 2 of Select Airs, from Semiramide<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Callcott, J. W.<\/th>\n<\/tr>\n
3<\/a><\/td>\nJuvenile Improvement, Arithmetic<\/td>\n<\/tr>\n
 <\/td>\nCamidge, M.<\/th>\n<\/tr>\n
3<\/a><\/td>\nThe Weeping Willow<\/td>\n<\/tr>\n
 <\/td>\nCardon<\/th>\n<\/tr>\n
5<\/a><\/td>\nFour Sonatas for the Harp, Op.7<\/td>\n<\/tr>\n
 <\/td>\nCasimir<\/th>\n<\/tr>\n
4<\/a><\/td>\nA March, La Gerogette & La Fiev\u00e9e<\/td>\n<\/tr>\n
 <\/td>\nCastle, H.<\/th>\n<\/tr>\n
14<\/a><\/td>\nMother waiting for the news<\/td>\n<\/tr>\n
 <\/td>\nChalloner, N. B.<\/th>\n<\/tr>\n
4<\/a>
\n4<\/a><\/td>\n		Book 1 of Favorite Airs, Il Crociato in Egitto
\nBook 2 of Favorite Airs, Il Crociato in Egitto<\/td>\n<\/tr>\n
 <\/td>\nCherry, J. W.<\/th>\n<\/tr>\n
14<\/a><\/td>\nTrees of the Forest<\/td>\n<\/tr>\n
 <\/td>\nCianchettini, V. C.<\/th>\n<\/tr>\n
9<\/a><\/td>\nA Trip to Paris, A Favorite Reel<\/td>\n<\/tr>\n
 <\/td>\nCoach, S. L.<\/th>\n<\/tr>\n
11<\/a><\/td>\nThe Unlucky Velocipedist, Galop<\/td>\n<\/tr>\n
 <\/td>\nComellas, J.<\/th>\n<\/tr>\n
13<\/a><\/td>\nPotpourri sobre motivos de la opera Fausto<\/td>\n<\/tr>\n
 <\/td>\nConcone, J.<\/th>\n<\/tr>\n
14<\/a>
\n14<\/a><\/td>\n		Holiday, The
\nValley of Roses, The, Theme and Variations<\/td>\n<\/tr>\n
 <\/td>\nConverse, C. C.<\/th>\n<\/tr>\n
14<\/a><\/td>\nThe Rock Beside the Sea, a Romanza<\/td>\n<\/tr>\n
 <\/td>\nCramer, H.<\/th>\n<\/tr>\n
10<\/a>
\n13<\/a>
\n13<\/a>
\n13<\/a>
\n13<\/a><\/td>\n		Beauties of the Opera
\nLes Dragons de Villars, Bouquet de Melodies
\nM\u00e9lange sur Fra Diavolo
\nNorma, de Bellini, Potpourri
\nSemiramide de Rossini, Potpourris<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Dance, W.<\/th>\n<\/tr>\n
9<\/a><\/td>\nThe old Langolee<\/td>\n<\/tr>\n
 <\/td>\nDavis, A.<\/th>\n<\/tr>\n
11<\/a><\/td>\nMarie Mazurka<\/td>\n<\/tr>\n
 <\/td>\nDizi, F.<\/th>\n<\/tr>\n
4<\/a>
\n6<\/a>
\n4<\/a>
\n4<\/a>
\n6<\/a>
\n6<\/a>
\n4<\/a><\/td>\n		Ferrari’s Favorite Air, Un bacio tenero
\nPaesiello’s Air, Quant \u00e9 piu bella
\nSecond Air, A
\nSix French Romances
\nSix French Romances, Book 1
\nSix French Romances, Book 2
\nToujours Toujours<\/td>\n<\/tr>\n
 <\/td>\nDonizetti, G.<\/th>\n<\/tr>\n
10<\/a>
\n13<\/a>
\n14<\/a><\/td>\n		Cavatina de la Opera La Hija del Regimiento
\nL’Elisire d’Amore, arrang\u00e9s pour Piano solo
\n“I’ll pray for thee” from Lucia di Lammermoor<\/td>\n<\/tr>\n
 <\/td>\nDrake, Mr.<\/th>\n<\/tr>\n
14<\/a><\/td>\nPensez a moi<\/td>\n<\/tr>\n
 <\/td>\nDuchatz, W.<\/th>\n<\/tr>\n
3<\/a><\/td>\nProgressive Lessons, Op.2<\/td>\n<\/tr>\n
 <\/td>\nDussek<\/th>\n<\/tr>\n
5<\/a>
\n5<\/a>
\n14<\/a><\/td>\n		Dussek’s Celebrated Duet, Op.38
\nDussek’s Favorite Sonate, Op.37<\/td>\n<\/tr>\n
 <\/td>\nDussek, J. L.<\/th>\n<\/tr>\n
3<\/a><\/td>\nViotti’s Favorite Pollacca<\/td>\n<\/tr>\n
 <\/td>\nDussek, S.<\/th>\n<\/tr>\n
6<\/a>
\n6<\/a><\/td>\n		Second Favorite Waltz, with variations
\nWe’re A’Noddin, with an Introduction & Variations<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Eley, C.<\/th>\n<\/tr>\n
5<\/a><\/td>\nThe Harmonious Blacksmith<\/td>\n<\/tr>\n
 <\/td>\nElouis, J.<\/th>\n<\/tr>\n
3<\/a>
\n3<\/a>
\n3<\/a>
\n3<\/a>
\n3<\/a>
\n3<\/a>
\n3<\/a>
\n3<\/a><\/td>\n		A compir gia vo l’impressa
\nAllor che da pazzo sposai
\nA me tutte le belle
\nBella rosa proporina
\nCelebrated Overture, The
\nIo parto mio bene
\nPiche cornacchie e nottole <brpieta<\/td>\n<\/tr>\n
 <\/td>\nEmanuel, L.<\/th>\n<\/tr>\n
3<\/a>
\n14<\/a><\/td>\n		Son gia tu o bel idol mio
\nSyren & Friar, The; Duett<\/td>\n<\/tr>\n
 <\/td>\nL’\u00c9pine, M.<\/th>\n<\/tr>\n
13<\/a><\/td>\nMarche Favorite des Invincibles Soldats de Plomb<\/td>\n<\/tr>\n
 <\/td>\nEttling, \u00c9.<\/th>\n<\/tr>\n
11<\/a><\/td>\nLa Vie Parisienne<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Fahrbach, P.<\/th>\n<\/tr>\n
11<\/a><\/td>\nVarsovienne, Op.175<\/td>\n<\/tr>\n
 <\/td>\nFerrari, G. G.<\/th>\n<\/tr>\n
3<\/a><\/td>\nFour Sonatinas, Op.16<\/td>\n<\/tr>\n
 <\/td>\nFiorillo, F.<\/th>\n<\/tr>\n
5<\/a>
\n9<\/a><\/td>\n		Serenata, Op.50
\nFavorite Air of Young Colinette, The<\/td>\n<\/tr>\n
 <\/td>\nFiorini, G. E.<\/th>\n<\/tr>\n
9<\/a><\/td>\nThe Marseilles March<\/td>\n<\/tr>\n
 <\/td>\nFrigerio, P. A.<\/th>\n<\/tr>\n
11<\/a><\/td>\nLa Farfalletta, Mazurka<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Getze, J. A.<\/th>\n<\/tr>\n
14<\/a><\/td>\nSave Our Flag!<\/td>\n<\/tr>\n
 <\/td>\nGlover, S.<\/th>\n<\/tr>\n
14<\/a>
\n14<\/a><\/td>\n		Our Beautiful Mountain Home, Duett
\nGently sighs the breeze, the popular Duet<\/td>\n<\/tr>\n
 <\/td>\nGodefroid, F.<\/th>\n<\/tr>\n
13<\/a>
\n12<\/a><\/td>\n		Don Carlos, Op\u00e9ra de Verdi, Op.142
\nLe R\u00e9veil des Fauvettes, Op.90<\/td>\n<\/tr>\n
 <\/td>\nGottschalk, L. M.<\/th>\n<\/tr>\n
12<\/a>
\n11<\/a>
\n12<\/a>
\n12<\/a><\/td>\n		Dying Poet, The, Meditation
\nEl Festival, Contradanza
\nLast Hope, The, religious meditation
\nPasquinade, Caprice pour le Piano<\/td>\n<\/tr>\n
 <\/td>\nGrobe, C.<\/th>\n<\/tr>\n
12<\/a>
\n12<\/a><\/td>\n		Hail Columbia
\nNew Star Spangled Banner, Op.1554<\/td>\n<\/tr>\n
 <\/td>\nGounod, C.<\/th>\n<\/tr>\n
14<\/a><\/td>\nSing, Smile, Slumber!<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Handel.<\/th>\n<\/tr>\n
14<\/a><\/td>\nAngels Ever Bright and Fair<\/td>\n<\/tr>\n
 <\/td>\nHart, J.<\/th>\n<\/tr>\n
9<\/a>
\n9<\/a>
\n9<\/a><\/td>\n		Eighteenth Set of Quadrilles
\nRoyal Mazourkas
\nSecond Set of Scotch Quadrilles<\/td>\n<\/tr>\n
 <\/td>\nHarvey, R. F.<\/th>\n<\/tr>\n
14<\/a><\/td>\nI breath once more my native air<\/td>\n<\/tr>\n
 <\/td>\nHess, J. C.<\/th>\n<\/tr>\n
13<\/a><\/td>\nR\u00eaverie, sur Semiramide, de Rossini, Op.62<\/td>\n<\/tr>\n
 <\/td>\nHerz, H.<\/th>\n<\/tr>\n
12<\/a>
\n12<\/a><\/td>\n		La Tapada, Polka caract\u00e9ristique du P\u00e9rou, Op.171
\nVariations brillantes, Op.48<\/td>\n<\/tr>\n
 <\/td>\nHime, E. L.<\/th>\n<\/tr>\n
14<\/a>
\n14<\/a><\/td>\n		Joy that grows on the old Abbey wall, The
\nMorn is the time for me<\/td>\n<\/tr>\n
 <\/td>\nHoffman, E.<\/th>\n<\/tr>\n
12<\/a><\/td>\nGrand Fantasia, on The Mocking Bird<\/td>\n<\/tr>\n
 <\/td>\nHolmes, O. W.<\/th>\n<\/tr>\n
14<\/a><\/td>\nHymn of Peace, A<\/td>\n<\/tr>\n
 <\/td>\nHolst, G.<\/th>\n<\/tr>\n
4<\/a>
\n6<\/a>
\n4<\/a>
\n4<\/a>
\n6<\/a><\/td>\n		Amor possente nome, from Rossini’s Armida
\nCara deh attendimi, Zelmira
\nCelebrated Overture Der Freyschutz, The
\nCielo il mio labbro ispira
\nWill you come to the Bower?<\/td>\n<\/tr>\n
 <\/td>\nHolst, M.<\/th>\n<\/tr>\n
9<\/a><\/td>\nVariations on a French Air, J’aime meux m’amie<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Jones, J. P.<\/th>\n<\/tr>\n
14<\/a><\/td>\nThe Mountain Legion<\/td>\n<\/tr>\n
 <\/td>\nJouve, J.<\/th>\n<\/tr>\n
9<\/a><\/td>\nThe Austrian Retreat<\/td>\n<\/tr>\n
 <\/td>\nJullien, F.<\/th>\n<\/tr>\n
11<\/a><\/td>\nLa Rosita Vals<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Kendon, H.<\/th>\n<\/tr>\n
9<\/a><\/td>\nCelebrated Original Polish Mazourka, The<\/td>\n<\/tr>\n
 <\/td>\nKerkel, F.<\/th>\n<\/tr>\n
11<\/a><\/td>\nHenriette Mazurka<\/td>\n<\/tr>\n
 <\/td>\nKetterer, E.<\/th>\n<\/tr>\n
12<\/a>
\n10<\/a>, 13<\/a>
\n10<\/a>
\n13<\/a><\/td>\n		Caprice Hongrois, etude de concert, Op.7
\nFantaisie Brillante, Les Dragons de Villars, Op.234
\nFantaisie de salon sur Rom\u00e9o et Juliette, Op.216
\nLe Premier Jour de Bonheur, Op.229<\/td>\n<\/tr>\n
 <\/td>\nKinkel, C.<\/th>\n<\/tr>\n
12<\/a><\/td>\nTreaty of Washington Grand March<\/td>\n<\/tr>\n
 <\/td>\nKr\u00fcger, W.<\/th>\n<\/tr>\n
10<\/a><\/td>\nSc\u00e8ne du bal du Don Juan, Op.140<\/td>\n<\/tr>\n
 <\/td>\nKrumpholtz, J. B.<\/th>\n<\/tr>\n
5<\/a>
\n5<\/a><\/td>\n		Avec les Jeux dans le Village, with variations
\nDuett, Op.10<\/td>\n<\/tr>\n
 <\/td>\nKrumpholtz, Ms.<\/th>\n<\/tr>\n
5<\/a>
\n5<\/a><\/td>\n		Dans mon petit Reduit, Air, with variations
\nSomebody, Air, arranged with variations<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Labarre, T.<\/th>\n<\/tr>\n
7<\/a>
\n7<\/a>
\n7<\/a>
\n7<\/a>
\n7<\/a>
\n8<\/a>
\n7<\/a><\/td>\n		Air de ballet, du Dieu & La Bayad\u00e8re, Op.50
\nFantaisie, Op.44
\nFantaisie sur les motifs du Serment, Op.60
\nFantaisie et Variations, Op.42
\nFantaisie et Variations, Op.63
\nFavorite Airs, la Bayad\u00e9re, Op.48
\n5 Airs de Ballets de Robert le Diable, Op.57, no. 4<\/td>\n<\/tr>\n
 <\/td>\nLaheche, T. von<\/th>\n<\/tr>\n
12<\/a><\/td>\nMorceau de salon, Op.497<\/td>\n<\/tr>\n
 <\/td>\nLambert, L.<\/th>\n<\/tr>\n
12<\/a><\/td>\nAu Clair de la Lune, Variations & Final, Op.30<\/td>\n<\/tr>\n
 <\/td>\nLanza, F.<\/th>\n<\/tr>\n
9<\/a><\/td>\nThe Caliph of Bagdad, A Grand Romantic Ballet<\/td>\n<\/tr>\n
 <\/td>\nLef\u00e9bure-Wely<\/th>\n<\/tr>\n
12<\/a>, 13<\/a>
\n14<\/a>
\n14<\/a><\/td>\n		Les Cloches du Monast\u00e9re, Nocturne, Op.54
\nLeslie
\nRock me to sleep Mother<\/td>\n<\/tr>\n
 <\/td>\nLeybach, J.<\/th>\n<\/tr>\n
10<\/a>
\n13<\/a>
\n12<\/a>
\n10<\/a>
\n12<\/a><\/td>\n		Compositions
\nDon Pasquale, Fantaisie, Op.93
\nFantaisie, sur un th\u00eame allemand, Op.5
\nFantaisie Brillante sur la Sonnambula, Op.27
\nPremi\u00e9r Bol\u00e9ro Brillant, Op.64<\/td>\n<\/tr>\n
 <\/td>\nLoder, E. J.<\/th>\n<\/tr>\n
14<\/a><\/td>\nThere’s a path by the river<\/td>\n<\/tr>\n
 <\/td>\nLoss\u00e9, F.<\/th>\n<\/tr>\n
11<\/a><\/td>\nPrince Imperial, or Ladies Quadrille<\/td>\n<\/tr>\n
 <\/td>\nLyon, S. T.<\/th>\n<\/tr>\n
9<\/a><\/td>\nMolly put the Kettle on<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Magnus, E.<\/th>\n<\/tr>\n
13<\/a><\/td>\nL’Africaine, Potpourri<\/td>\n<\/tr>\n
 <\/td>\nMasi, G.<\/th>\n<\/tr>\n
5<\/a><\/td>\nJ’ai vu Lise hier au soir<\/td>\n<\/tr>\n
 <\/td>\nMayer, C.<\/th>\n<\/tr>\n
11<\/a><\/td>\nMine Own Love Galop<\/td>\n<\/tr>\n
 <\/td>\nMerz, C.<\/th>\n<\/tr>\n
11<\/a><\/td>\nDeliciosa Polka<\/td>\n<\/tr>\n
 <\/td>\nMew, J. H.<\/th>\n<\/tr>\n
9<\/a><\/td>\nAlbany House, Air with Variations<\/td>\n<\/tr>\n
 <\/td>\nMey, A.<\/th>\n<\/tr>\n
11<\/a><\/td>\nPolka des Ouistitis, Op.10<\/td>\n<\/tr>\n
 <\/td>\nMeyer, P. J.<\/th>\n<\/tr>\n
5<\/a>
\n5<\/a><\/td>\n		Divertimento for the Harp
\nFour Original Lessons<\/td>\n<\/tr>\n
 <\/td>\nMeyer, Jr., P. J.<\/th>\n<\/tr>\n
5<\/a><\/td>\nA Favorite Sonate composed by Hulmandel<\/td>\n<\/tr>\n
 <\/td>\nMillard, H.<\/th>\n<\/tr>\n
14<\/a><\/td>\nNational Ode, The Flag of the Free<\/td>\n<\/tr>\n
 <\/td>\nMoniot, E.<\/th>\n<\/tr>\n
12<\/a><\/td>\nLe Cr\u00e9puscule, R\u00eaverie, Op.20<\/td>\n<\/tr>\n
 <\/td>\nMoschelles, I.<\/th>\n<\/tr>\n
9<\/a><\/td>\nThe Tyrolese Family Rainer, a Divertimento<\/td>\n<\/tr>\n
 <\/td>\nMozart<\/th>\n<\/tr>\n
3<\/a>
\n9<\/a><\/td>\n		Manly Heart, The
\nVariations to favorite Airs<\/td>\n<\/tr>\n
 <\/td>\nMusard<\/th>\n<\/tr>\n
8<\/a>
\n9<\/a>
\n9<\/a><\/td>\n		Musard’s New Parisian Waltzes
\nTenth Set of Quadrilles
\nXLVIIIth Set of Quadrilles<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Naderman, J. F.<\/th>\n<\/tr>\n
5<\/a><\/td>\nLe Point du Jour, Air with variations<\/td>\n<\/tr>\n
 <\/td>\nNorton, Mrs.<\/th>\n<\/tr>\n
14<\/a><\/td>\nJuanita, a Spanish Ballad<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Perkins, H. S.<\/th>\n<\/tr>\n
14<\/a><\/td>\nThe Parting Song<\/td>\n<\/tr>\n
 <\/td>\nPhillips, C. E.<\/th>\n<\/tr>\n
14<\/a><\/td>\nMy Soul is Dark<\/td>\n<\/tr>\n
 <\/td>\nPole, J. F.<\/th>\n<\/tr>\n
4<\/a><\/td>\nThe Rose Tree<\/td>\n<\/tr>\n
 <\/td>\nPorter, J. S.<\/th>\n<\/tr>\n
14<\/a><\/td>\nHush Sweet Lute, Song<\/td>\n<\/tr>\n
 <\/td>\nPower, J.<\/th>\n<\/tr>\n
14<\/a><\/td>\nFaded Flowers<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Richards, B.<\/th>\n<\/tr>\n
12<\/a>
\n12<\/a><\/td>\n		“Sweet spirit, hear my prayer”
\nWarblings at Eve, Romance<\/td>\n<\/tr>\n
 <\/td>\nRomer, F.<\/th>\n<\/tr>\n
14<\/a><\/td>\nRhine, Thou’rt Queen of Waters, Ballad<\/td>\n<\/tr>\n
 <\/td>\nRoot, G .F.<\/th>\n<\/tr>\n
14<\/a><\/td>\nDeparted Days<\/td>\n<\/tr>\n
 <\/td>\nRosellen, H.<\/th>\n<\/tr>\n
10<\/a><\/td>\nFantaisie, Op.40<\/td>\n<\/tr>\n
 <\/td>\nRummel, J.<\/th>\n<\/tr>\n
13<\/a>
\n10<\/a><\/td>\n		Le Premier Jour . . .Bouquets de M\u00e9lodies
\nIl Trovatore, op\u00e9ra de Verdi<\/td>\n<\/tr>\n
 <\/td>\nRussell, H.<\/th>\n<\/tr>\n
14<\/a><\/td>\nCome Maidens Come, Tyrolien<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Scholer, R.<\/th>\n<\/tr>\n
11<\/a><\/td>\nPierrot Polka<\/td>\n<\/tr>\n
 <\/td>\nSchulhoff, J.<\/th>\n<\/tr>\n
11<\/a><\/td>\nGrande Valse Brillante<\/td>\n<\/tr>\n
 <\/td>\nSchultze, W.<\/th>\n<\/tr>\n
11<\/a><\/td>\nThe Brightest Eyes, Gallop<\/td>\n<\/tr>\n
 <\/td>\nScott, R. D.<\/th>\n<\/tr>\n
14<\/a><\/td>\nThe Union Now and Forever!<\/td>\n<\/tr>\n
 <\/td>\nSmith, C.<\/th>\n<\/tr>\n
6<\/a><\/td>\nO Softly Sleep<\/td>\n<\/tr>\n
 <\/td>\nSpohr<\/th>\n<\/tr>\n
14<\/a><\/td>\nTo Minona<\/td>\n<\/tr>\n
 <\/td>\nSteibelt, D.<\/th>\n<\/tr>\n
9<\/a>
\n9<\/a>
\n5<\/a><\/td>\n		Blue Beard, A French Air
\nFavorite Ballet of La Belle Laiti\u00e8re, The
\nFavorite Duet, A<\/td>\n<\/tr>\n
 <\/td>\nSteil, W. H.<\/th>\n<\/tr>\n
5<\/a><\/td>\nFantaisie Ecossaise<\/td>\n<\/tr>\n
 <\/td>\nStigelli<\/th>\n<\/tr>\n
14<\/a><\/td>\nThe Brightest Eyes<\/td>\n<\/tr>\n
 <\/td>\nStrakosch<\/th>\n<\/tr>\n
11<\/a><\/td>\nLe Papillon Polka<\/td>\n<\/tr>\n
 <\/td>\nStrauss, J.<\/th>\n<\/tr>\n
11<\/a>
\n11<\/a><\/td>\n		Neu-Wien, Op.342
\nThousand and One Night, Op.346<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Thalberg, S.<\/th>\n<\/tr>\n
12<\/a><\/td>\nHome! Sweet Home! Op.72<\/td>\n<\/tr>\n
 <\/td>\nThomas, J. R.<\/th>\n<\/tr>\n
14<\/a>
\n14<\/a>
\n14<\/a><\/td>\n		Down by the river side I stray, Ballad
\nBeautiful Cloud, Ballad
\nHappy Be Thy Dreams<\/td>\n<\/tr>\n
 <\/td>\nTucker, H.<\/th>\n<\/tr>\n
14<\/a>
\n14<\/a><\/td>\n		Star of the Evening
\nWeeping, Sad and lonely<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Vilbac, R. de<\/th>\n<\/tr>\n
10<\/a><\/td>\nLes Beaut\u00e9s Dramatiques<\/td>\n<\/tr>\n
 <\/td>\nVon Esch, L.<\/th>\n<\/tr>\n
4<\/a><\/td>\nDivertissement Religieux, Op.14<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Wallace, W. V.<\/th>\n<\/tr>\n
12<\/a>
\n14<\/a><\/td>\n		Comin Thro’ the Rye
\nIn Happy Moments, from the Opera Maritana<\/td>\n<\/tr>\n
 <\/td>\nWarren, G. W.<\/th>\n<\/tr>\n
12<\/a><\/td>\nThe star spangled Banner<\/td>\n<\/tr>\n
 <\/td>\nWebster, J. P.<\/th>\n<\/tr>\n
14<\/a>
\n14<\/a><\/td>\n		Lorena
\nShe Came to Us One Morn in May<\/td>\n<\/tr>\n
 <\/td>\nWeippert, I. M.<\/th>\n<\/tr>\n
3<\/a><\/td>\nProgressive Lessons Monzani<\/td>\n<\/tr>\n
 <\/td>\nWeippert, J. M.<\/th>\n<\/tr>\n
11<\/a><\/td>\nRossini’s Di piacermi balza il cor<\/td>\n<\/tr>\n
 <\/td>\nWhittredge, G. C.<\/th>\n<\/tr>\n
14<\/a><\/td>\nWeep no more for Willie<\/td>\n<\/tr>\n
 <\/td>\nWiebe, E.<\/th>\n<\/tr>\n
14<\/a><\/td>\nConsolation<\/td>\n<\/tr>\n
 <\/td>\nWiere, E.<\/th>\n<\/tr>\n
14<\/a><\/td>\nPipes at Lucknow, The<\/td>\n<\/tr>\n
 <\/td>\nWrighton, W. T.<\/th>\n<\/tr>\n
14<\/a><\/td>\nHer Bright Smile Haunts Me Still, Ballad<\/td>\n<\/tr>\n
 <\/td>\nWyman, A. P.<\/th>\n<\/tr>\n
12<\/a><\/td>\nShew Fly! With Brilliant Variations<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z   Binders Collection(s)   […]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":1286,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template_Special_collections.php","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-1532","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1532","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=1532"}],"version-history":[{"count":0,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1532\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1286"}],"wp:attachment":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=1532"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=1532"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=1532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}