{"id":1433,"date":"2019-07-13T09:43:21","date_gmt":"2019-07-13T13:43:21","guid":{"rendered":"https:\/\/www.esm.rochester.edu\/sibley\/?page_id=1433"},"modified":"2024-04-02T13:13:24","modified_gmt":"2024-04-02T17:13:24","slug":"italian-vocal-manuscripts-ii","status":"publish","type":"page","link":"https:\/\/www.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/italian-vocal-manuscripts-ii\/","title":{"rendered":"ITALIAN VOCAL MANUSCRIPTS II"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<p>SC 1997.4<\/p>\n<p>Ruth T. Watanabe Special Collections<br \/>\nSibley Music Library<br \/>\nEastman School of Music<br \/>\nUniversity of Rochester<\/p>\n<p>prepared by Michael V. Pisani<br \/>\nApril 1997<\/p>\n<p><a name=\"Contents\"><\/a><a name=\"Contents\"><\/a><\/p>\n<h3>CONTENTS<\/h3>\n<ul>\n<li><a href=\"#Descrip\">Description of Collection<\/a><\/li>\n<li><a href=\"#Series\">Description of Series<\/a><\/li>\n<li><a href=\"#Inventory\">Box Inventory<\/a><\/li>\n<li><a href=\"#Index\">Index by Composer<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><a id=\"Descrip\" name=\"Descrip\"><\/a><\/p>\n<h3>DESCRIPTION OF COLLECTION<\/h3>\n<p>Italian Vocal Manuscripts Collection, Two<br \/>\nLocation: M2A 1, 4 &#8211; 5<br \/>\n3 linear feet<\/p>\n<p>&nbsp;<\/p>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;5473&#8243; img_size=&#8221;medium&#8221; add_caption=&#8221;yes&#8221; alignment=&#8221;center&#8221; style=&#8221;vc_box_outline&#8221; onclick=&#8221;link_image&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text]<\/p>\n<h4>Provenance<\/h4>\n<p>This manuscript collection was purchased by J. &amp; J. Lubrano agents in London at an auction at Sotheby\u2019s, 6 December 1996. Original provenance is unknown.<\/p>\n<p>&nbsp;<\/p>\n<h4>Scope and Content<\/h4>\n<p>This collection of some 120 items consists of early nineteenth-century scribal manuscripts. Many of these include items from copyists\u2019 shops contemporary with the earliest editions, including arias and romanze by Rossini, Bellini, Donizetti, Crescentini, Gazzaniga, Paisiello, Jommelli, Mercadante, Pavesi, Buzzola, and others. It also includes autograph manuscripts of Carlo Pedrotti\u2019s opera La Fiorinna and R. Zardo\u2019s Aci e Galatea and parts of N. Zardo\u2019s La vedova scaltra. Some items were originally bound together and originate from the collections of Amalia Astori Duodo and Matilda Murari Br\u00e0. Most of the manuscripts are for one or two voices with keyboard accompaniments. A few are in full orchestral score and have been indicated as such. The scores are largely unmarked.<\/p>\n<p>&nbsp;<\/p>\n<h4>Restrictions and Use<\/h4>\n<p>None.<\/p>\n<p>&nbsp;<\/p>\n<h4>Associations<\/h4>\n<p>Italian Vocal Manuscripts (now referred to as Italian Vocal Manuscripts I).<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><a id=\"Inventory\" name=\"Inventory\"><\/a><\/p>\n<h3>BOX INVENTORY<\/h3>\n<p>&nbsp;<\/p>\n<p><strong>Box 1<\/strong><\/p>\n<p><strong>* Items in folders 1-38 are all indicated as having belonged to the library of Amalia Astori Duodo and are paginated in red ink.<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.1\"><\/a>folder 1<\/strong><\/td>\n<td>Rossini, Duetto a Soprano e Alto \u201cEben permia memoria\u201d nell\u2019opera La Gazza Ladra<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.2\"><\/a>folder 2<\/strong><\/td>\n<td>Mercadante, Scena e Duetto \u201cIo trover\u00f2 nell\u2019Asia\u201d nell\u2019opera Zaira<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.3\"><\/a>folder 3<\/strong><\/td>\n<td>Mercadante, Romanza \u201cDe miei giorni sul mattino\u201d nell\u2019opera Il Bravo<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.4\"><\/a>folder 4<\/strong><\/td>\n<td>Rossini, Recitativo precedente il Duetto \u201cAnna tu piangi\u201d del\u2019 Maometto<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.5\"><\/a>folder 5<\/strong><\/td>\n<td>A. Ronzi, \u201cLa farfalla\u201d: Scherzo di Gio. Beruzzini<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.6\"><\/a>folder 6<\/strong><\/td>\n<td>Mercadante, Recitativo e Duetto \u201cEmma! tu qui!\u201d nell\u2019opera Emma d\u2019Antiochia<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.7\"><\/a>folder 7<\/strong><\/td>\n<td>Rossini, Cavatina, Recitativo, e Duettino nell\u2019introductione dell\u2019opera La Donna del Lago<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.8\"><\/a>folder 8<\/strong><\/td>\n<td>A. Neumane, Due Canzonette (1. La bocca del mio ben, 2. La partenza)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.9\"><\/a>folder 9<\/strong><\/td>\n<td>Rossini, Recitativo e Duetto \u201cVorrei ch\u2019 il tuo pensiero\u201d nell\u2019 Otello<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.10\"><\/a>folder 10<\/strong><\/td>\n<td>Rossini, Duetto \u201cPace gioja sia con voi\u201d nel Barbier di Siviglia [orchestral score]<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.11\"><\/a>folder 11<\/strong><\/td>\n<td>Rossini, Duettino \u201cPerch\u00e8 mi guardi\u201d nell\u2019opera Zelmira<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.12\"><\/a>folder 12<\/strong><\/td>\n<td>Rossini, Duetto \u201cEbben a te ferisci\u201d nella Semiramide<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.13\"><\/a>folder 13<\/strong><\/td>\n<td>L. &amp; F. Ricci, Scena e Duetto \u201cTaci, taci, intendo, intendo\u201d nel Disertore per Amore<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.14\"><\/a>folder 14<\/strong><\/td>\n<td>Mercadante, Duettino \u201cNo no non crederlo\u201d nell\u2019opera I Brignanti<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.15\"><\/a>folder 15<\/strong><\/td>\n<td>Rossini, Terzetto \u201cL\u2019usato ardir\u201d nella Semiramide [orchestral score]<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.16\"><\/a>folder 16<\/strong><\/td>\n<td>Rossini, \u201cPreghiera giusto ciel\u201d nell\u2019opera Maometto Secondo<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.17\"><\/a>folder 17<\/strong><\/td>\n<td>Mercadante, \u201cAh! mira gl\u2019incensi\u201d nella Vestale<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.18\"><\/a>folder 18<\/strong><\/td>\n<td>Mercadante, Duettino \u201cSegui delo segui a piangere\u201d nell\u2019opera Zaira<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.19\"><\/a>folder 19<\/strong><\/td>\n<td>Rossi, Duetto \u201cLa tua mano a me dar dei\u201d nell\u2019opera La Casa Disabittata<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.20\"><\/a>folder 20<\/strong><\/td>\n<td>Rossini, Scena e Duetto, \u201cAmor possente nome\u201d nell Armida<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.21\"><\/a>folder 21<\/strong><\/td>\n<td>Rossini, Grande Duetto \u201cAll\u2019idea di qual metallo\u201d nell\u2019opera Il Barbiere di Siviglia [orchestral score]<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.22\"><\/a>folder 22<\/strong><\/td>\n<td>Mercadante, Duettino \u201cDeh! tu soccorri tremante core\u201d nel\u2019 Proscritto<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.23\"><\/a>folder 23<\/strong><\/td>\n<td>N. Vaccaj, Duetto \u201cDeh! lascia ch\u2019io respiri\u201d nell\u2019opera Zadig e Astartea<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.24\"><\/a>folder 24<\/strong><\/td>\n<td>F. Morlacchi, Recitative e Romanza \u201cCaro suono lusinghiero\u201d nell\u2019opera Teobaldo e Isolina<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.25\"><\/a>folder 25<\/strong><\/td>\n<td>Rossini, Cavatina, Recitativo, e Duetto \u201cOh mattutini albori\u201d nell\u2019opera La Donna del Lago<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.26\"><\/a>folder 26<\/strong><\/td>\n<td>Rossini, Terzetto \u201cQuel sembiante quello sguardo\u201d nell\u2019 Inganno Felice [orchestral score]<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.27\"><\/a>folder 27<\/strong><\/td>\n<td>A. Buzzolla, Duetto \u201cAh! mio bravo Cavaliere\u201d (1838)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.28\"><\/a>folder 28<\/strong><\/td>\n<td>F. Tessarin, Duetto (dedicato ai dilettanti Amalia Duodo e Luigi Zanetti, 1843)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.29\"><\/a>folder 29<\/strong><\/td>\n<td>Mercadante, Scena e Duetto \u201cE sia ver? Cess\u00f2 lo degno\u201d nell\u2019 Elissa e Claudio<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.30\"><\/a>folder 30<\/strong><\/td>\n<td>Rossini, Duettino \u201cQuale assalto\u201d nell\u2019opera Mos\u00e8 in Egitto<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.31\"><\/a>folder 31<\/strong><\/td>\n<td>Mercadante, Scena e Duetto \u201cQuest\u2019\u00e8 la volta estrema\u201d nell\u2019opera I Briganti<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.32\"><\/a>folder 32<\/strong><\/td>\n<td>Mercandante, Adagio nell\u2019 Emma<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.33\"><\/a>folder 33<\/strong><\/td>\n<td>Rossini, Preghiera \u201cAl mio pregar t\u2019arrendi\u201d dell\u2019opera Semiramide<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.34\"><\/a>folder 34<\/strong><\/td>\n<td>Rossini, \u201cLargo al factotum\u201d nell\u2019opera Il Barbier di Siviglia<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.35\"><\/a>folder 35<\/strong><\/td>\n<td>Savesi, Duetto \u201cIo ti vidi t\u2019amirai\u201d nella Festa della Rosa<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.36\"><\/a>folder 36<\/strong><\/td>\n<td>Rossini, Duetto \u201cDunque io son, tu non m\u2019inganni\u201d nel Barbiere di Siviglia [orchestral score]<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.37\"><\/a>folder 37<\/strong><\/td>\n<td>P. Bresciani, Romanza (nella celebre tradedia Antonio Foscarini)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"1.38\"><\/a>folder 38<\/strong><\/td>\n<td>Donizetti, Duetto \u201cCaro, caro a me tu sei\u201d nell\u2019opera I Pazzi per progetto<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Box 2<\/strong><\/p>\n<p><strong>* Items in folders 1-18 are all indicated as having belonged to the library of Amalia Astori Duodo and are paginated in black ink.<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.1\"><\/a>folder 1<\/strong><\/td>\n<td>Rossi, Recitativo e Duetto \u201cNon affetto, disprezzo soltanto\u201d nell\u2019opera Cellini a Parigi<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.2\"><\/a>folder 2<\/strong><\/td>\n<td>Rossini, Scena e Cavatina \u201cAh quel giorno ognor rammento\u201d nella Semiramide<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.3\"><\/a>folder 3<\/strong><\/td>\n<td>Rossini, Cavatina \u201cAh che scordar non s\u00f2\u201d [Tancredi] [orchestral score]<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.4\"><\/a>folder 4<\/strong><\/td>\n<td>A. Buzzolla, Romanza, \u201cLa Lontananza\u201d and Buzzolla, Romanza, \u201cL\u2019eco\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.5\"><\/a>folder 5<\/strong><\/td>\n<td>Buzzolla, Duetto, \u201cPerch\u00e8 non ho del vento\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.6\"><\/a>folder 6<\/strong><\/td>\n<td>Buzzolla, Scena e Romanza \u201cAll\u2019urna, all\u2019urna gelida\u201d nell\u2019 Amleto<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.7\"><\/a>folder 7<\/strong><\/td>\n<td>Buzzolla, \u201cL\u2019Addio\u201d [Amleto]<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.8\"><\/a>folder 8<\/strong><\/td>\n<td>Buzzolla, Duettino \u00e0 due soprani \u201cO amabile Maria\u201d<br \/>\nBuzzolla, \u201cI Giardinieri,\u201d Duetto<br \/>\nBuzzolla, \u201cI Mateleri,\u201d Duetto in dialetto veneziano<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.9\"><\/a>folder 9<\/strong><\/td>\n<td>Buzzolla, \u201cL\u2019alba,\u201d Canzonetta<br \/>\nBuzzolla, Romance<br \/>\nBuzzolla, Canzonette Veneziane [12 songs]<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.10\"><\/a>folder 10<\/strong><\/td>\n<td>Rossini, Duetto \u201cTutto apprendi o sventurato\u201d dell\u2019opera Guglielmo Tell<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.11\"><\/a>folder 11<\/strong><\/td>\n<td>Rossini, Duetto \u201cUn soave non so che\u201d nella Cenerentola<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.12\"><\/a>folder 12<\/strong><\/td>\n<td>Rossini, \u201cFede, Speranza, Carit\u00e0\u201d (\u201cTrois Choeur Religieux\u201d)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.13\"><\/a>folder 13<\/strong><\/td>\n<td>Tessarin, Romanza<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.14\"><\/a>folder 14<\/strong><\/td>\n<td>Tessarin, Romanza, \u201cLa Balia\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.15\"><\/a>folder 15<\/strong><\/td>\n<td>Tessarin, Romanza, \u201cNon cercate sul mio volto\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.16\"><\/a>folder 16<\/strong><\/td>\n<td>Rossini, Duetto \u201cParlar spiegar non posso\u201d nell\u2019opera Mos\u00e8<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.17\"><\/a>folder 17<\/strong><\/td>\n<td>Rossini, Cavatina \u201cPiangie il mio Ciglio\u201d nella Matilda di Chabran [orchestral score]<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.18\"><\/a>folder 18<\/strong><\/td>\n<td>Rossini, Duetto \u201cPer piacere all signora\u201d nel Turco in Italia<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.19\"><\/a>folder 19<\/strong><\/td>\n<td>G. Panizza [Giacomo Panizza], &#8220;L&#8217;Ingenua&#8221; a 12 anni, Canto populare, indicated as belonging to the Puzzi Collection<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>* Items in folders 20-31 are marked with purple class marks.<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.20\"><\/a>folder 20<\/strong><\/td>\n<td>Pucilla, Duetto \u201cAh chi potria resistere\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.21\"><\/a>folder 21<\/strong><\/td>\n<td>G. Gambarana, \u201cIl 5 Maggio: Ode funebre\u201d di Allessandro Manzoni<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.22\"><\/a>folder 22<\/strong><\/td>\n<td>S. Pavesi, Cavatina nel sogno \u201cDono del ciel clemente\u201d ridotto per cembal o fortepiano con violino<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.23\"><\/a>folder 23<\/strong><\/td>\n<td>n.a., \u201cEcco quel fiero istante\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.24\"><\/a>folder 24<\/strong><\/td>\n<td>N. Vaccaj, Duetto per camera, \u201cScherzando v\u00e0\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.25\"><\/a>folder 25<\/strong><\/td>\n<td>N. Vaccaj, Arietta \u201cLa Pastorella\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.26\"><\/a>folder 26<\/strong><\/td>\n<td>N. Vaccaj, Notturno \u201cQuando Aprile I colli infiora\u201d (primo pensiere in Londra)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.27\"><\/a>folder 27<\/strong><\/td>\n<td>F. Z., Notturno \u00e0 tre voci<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.28\"><\/a>folder 28<\/strong><\/td>\n<td>n.a., Duettini<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.29\"><\/a>folder 29<\/strong><\/td>\n<td>Rossini, Due ariette di Metastasio<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.30\"><\/a>folder 30<\/strong><\/td>\n<td>n.a., Cavatina \u201cSe m\u2019abbandoni speme gradita\u201d (manuscript indicated as belonging originally to the Zoppola Collection)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.31\"><\/a>folder 31<\/strong><\/td>\n<td>Ruggi, \u201cCara bene, mio dolce amore\u201d [La trium&#8230; filosofa] (manuscript indicated as belonging originally to the Baglioni Library)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>* Items in folders 32-35 are indicated as belonging originally to the Muran-Br\u00e0 Collection.<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.32\"><\/a>folder 32<\/strong><\/td>\n<td>Morlacchi, Gran scena e Duetto \u201cQuesto acciaro, che del sangue\u201d [Tebaldo ed Isolina] (eseguito . . . nel gran teatro La Fenice nel carnovale dell\u2019anno 1822)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.33\"><\/a>folder 33<\/strong><\/td>\n<td>Pavesi, Cavatina \u201cMi vien da videre\u201d nel Marcantonio [orchestral score]<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.34\"><\/a>folder 34<\/strong><\/td>\n<td>E. Petrella, lone, dramma lirico in quattro atti [piano solo]<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"2.35\"><\/a>folder 35<\/strong><\/td>\n<td>Rossini, Romance e Preghiera \u201cAssisa a pi\u00e8 d\u2019un salice\u201d nell\u2019opera Otello [bound orchestral score], \u201cMrs. Knight\u201d added on title page<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Box 3<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.1\"><\/a>folder 1<\/strong><\/td>\n<td>A. Buste, Cavatine per camera [six untitled pieces]<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.2\"><\/a>folder 2<\/strong><\/td>\n<td>Donizetti, Barcarola nell\u2019opera Marino Falliero<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.3\"><\/a>folder 3<\/strong><\/td>\n<td>Donizetti, Quartetto \u201cPiunge il Duca\u201d nell\u2019opera Parisina<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.4\"><\/a>folder 4<\/strong><\/td>\n<td>Donizetti, \u201cIl Trovatore in caricatura\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.5\"><\/a>folder 5<\/strong><\/td>\n<td>Donizetti, Romanza \u201cAh! non avea pi\u00f9 lagrime\u201d nell\u2019opera Maria de Rudenz<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.6\"><\/a>folder 6<\/strong><\/td>\n<td>Donizetti, Scena e Duetto \u201cSul suo capo aggravi un Dio\u201d noll\u2019opera Anna Bolena<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.7\"><\/a>folder 7<\/strong><\/td>\n<td>Donizetti, Duetto \u201cNella camera soletta\u201d nell\u2019opera L\u2019Ajo nell\u2019imbarazzo<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.8\"><\/a>folder 8<\/strong><\/td>\n<td>Donizetti, Andante \u201cAl dolce guidami castel natio\u201d nell\u2019 Anna Bolena<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.9\"><\/a>folder 9<\/strong><\/td>\n<td>Donizetti, Recitative ed Allegretto \u201cDa quel d\u00ec che l\u2019innocente\u201d nell\u2019opera Belisario<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.10\"><\/a>folder 10<\/strong><\/td>\n<td>Donizetti, Scena e Cavatina \u201cAh! pavea che per ineanto\u201d nell\u2019opera Anna Bolena [for the use of \u201cMad. Amalia Astori\u201d]<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.11\"><\/a>folder 11<\/strong><\/td>\n<td>Donizetti, Scena e Cavatina \u201cDa quel d\u00ec che lei perduta\u201d nell\u2019opera Anna Bolena<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.12\"><\/a>folder 12<\/strong><\/td>\n<td>Donizetti, Duetto \u201cAh perfida\u201d nell\u2019opera Il Diluvio universale<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.13\"><\/a>folder 13<\/strong><\/td>\n<td>Donizetti, Scena e Duetto \u201cMi splendeva un serto in fronte\u201d nell\u2019opera Eleonora di Guienna<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.14\"><\/a>folder 14<\/strong><\/td>\n<td>Donizetti, Scena e Duetto \u201cPer te rinunzio al soglio\u201d per la sua opera Fausta<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.15\"><\/a>folder 15<\/strong><\/td>\n<td>Donizetti, Scena, Duetto, e Terzetto Finale \u201cAh se onor di te non hai\u201d nell\u2019opera Fausta<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.16\"><\/a>folder 16<\/strong><\/td>\n<td>Donizetti, Scena e Duetto \u201cQuel tuo pianto schiude un raggio\u201d nell\u2019opera Fausta<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.17\"><\/a>folder 17<\/strong><\/td>\n<td>Donizetti, Recitativo e Duetto \u201cA figlia incauta\u201d nell\u2019opera Maria Padilla<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.18\"><\/a>folder 18<\/strong><\/td>\n<td>Donizetti, Scena e Romanza \u201cAh! Quello fu per me\u201d nell\u2019opera Maria Padilla<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.19\"><\/a>folder 19<\/strong><\/td>\n<td>Donizetti, Largo nella Cavatina \u201cL\u2019amor suo mi f\u00e8\u201d dell\u2019opera Roberto Devereux [53]<br \/>\nDonizetti, Scena ed Aria \u201cArdon gl\u2019incensi\u201d nella Lucia de Lammermoor [55]<br \/>\nDonizetti, Romanza \u201cL\u2019amor funesto\u201d [74]<br \/>\nDonizetti, Largo nell\u2019aria finale \u201cVivi ingrato a lei d\u2019accauto\u201d nell\u2019opera Roberto Devereux [77]<br \/>\nDonizetti, Romanza \u201cAll\u2019afflitto \u00e8 dolce\u201d nel Roberto Devereux [81]<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.20\"><\/a>folder 20<\/strong><\/td>\n<td>Mercadante, Romanza \u201cLamento del Moribondo\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.21\"><\/a>folder 21<\/strong><\/td>\n<td>Rossini, Duo \u201cAi capricci della sorte\u201d [orchestral score]<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.22\"><\/a>folder 22<\/strong><\/td>\n<td>n.a., [untitled] \u201cPiano un po\u2019\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.23\"><\/a>folder 23<\/strong><\/td>\n<td>Martin Holler, Air de Montano e Stepanie<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.24\"><\/a>folder 24<\/strong><\/td>\n<td>G. Paisiello, Aria con Recitativo \u201cSe cerca se dice\u201d [orchestral score]<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.25\"><\/a>folder 25<\/strong><\/td>\n<td>Angelo Tarchi, Duetto \u201cTerma &#8230; ahim\u00e8\u201d [orchestral score]<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.26\"><\/a>folder 26<\/strong><\/td>\n<td>Paisiello, Quartetto \u201cVaghe sembianze tenere\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.27\"><\/a>folder 27<\/strong><\/td>\n<td>D. Tasparo, \u201cJo co ttico me nguadiarria\u201d [orchestral score, with 2 parts for first and second violin]<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.28\"><\/a>folder 28<\/strong><\/td>\n<td>Antonio Muzzio, Aria [from a cantata for Giuseppe Gazaniga] [includes 6 orchestral parts]<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"3.29\"><\/a>folder 29<\/strong><\/td>\n<td>Francesco Gnecco, Scena e Aria \u201cVedrai con tuo periglio\u201d (fatta l\u2019autunno 1800) [orchestral score]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Box 4<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"4.1\"><\/a>folder 1<\/strong><\/td>\n<td>N. Zardo, La vedova scaltra, bound full orchestral score, Act I<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"4.2\"><\/a>folder 2<\/strong><\/td>\n<td>N. Zardo, La vedova scaltra, bound full orchestral score, Act III (Act II missing)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"4.3\"><\/a>folder 3<\/strong><\/td>\n<td>Renvento Zardo, Aci e Galatea, cantata per soprano, tenore, cori, ed orchestra (Parole de Pompeo Bottini), bound full orchestral score [performed: Chiabrera, 1892 with Annunziata Cruz, soprano and Mois\u00e8 Agullini, tenor]<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"4.4\"><\/a>folder 4<\/strong><\/td>\n<td>[Carlo Pedrotti], La Fiorinna, opera in French, bound vocal score [composer unspecified, derived from information in the Sotheby\u2019s auction catalogue]<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"4.5\"><\/a>folder 5<\/strong><\/td>\n<td>\n<p>Bound Volume embossed with the name \u201cMrs. Smith.\u201dContents:<\/p>\n<ul>\n<li>Mercadante,Rondo Final \u201cIl tuo sangue a me recasti\u201d nell\u2019opera I Normanni a Parigi [printed lithograph from Milano, Fran. Lucca]<\/li>\n<li>Nicolini, G., Duetto \u201cL\u2019armi deponi o caro\u201d nell\u2019opera Il Coriolano (Mad. S. Smith, 1817) [orchestral score]<\/li>\n<li>n.a., [Song] \u201cOh ever thus from childhood\u2019s hour\u201d<\/li>\n<li>Donizetti, [Aria] \u201cTrono e corona in volami\u201d nel opera Torquato Tasso<\/li>\n<li>Donizetti, Scena e Cavatina \u201cIo l\u2019udia ne\u2019 suoi bei carmi\u201d [nel] Torquato Tasso<\/li>\n<li>Horsley, [Glee] \u201cBy Celia\u2019s Arbour\u201d<\/li>\n<li>J. W. Holder, [Duet] \u201cLassie! Would ye have me?\u201d<\/li>\n<li>M. Moore, \u201cThose Evening Bells\u201d<\/li>\n<li>Schlangenbader Volkslied<\/li>\n<li>C. Paturzo, Romanza \u201cOh crudel che il mio pianto non odi\u201d<\/li>\n<li>Donizetti, \u201cTranquillo ei posa\u201d nell\u2019opera Lucrezia Borgia<\/li>\n<li>G. Magazzari, \u201cAnno populare\u201d<\/li>\n<li>Bellini, [Excerpts for piano solo from] Beatrice di Tenda<\/li>\n<li>Bellini, Select Airs from Beatrice di Tenda, Book 2 [piano solo]<\/li>\n<li>Stephen Glover, [Song] \u201cHope\u201d<\/li>\n<li>Bellini, Recitative e Duetto \u201cE quali spergiura\u201d nell\u2019opera Beatrice di Tenda<\/li>\n<li>Bellini, Scena ed Aria \u201cQue m\u2019accolse\u201d nell\u2019opera Beatrice di Tenda<\/li>\n<li>Bellini, Cavatina nel opera Beatrice di Tenda<\/li>\n<li>Bellini, Romanza [nel] Beatrice di Tenda<\/li>\n<li>Bellini, Scena e Duetto \u201cDeh con te con te lo prendi\u201d nell\u2019opera Norma<\/li>\n<li>Stephen Paxton, Glee \u201cHappy are they\u201d<\/li>\n<li>n.a., [pencil rendering of an untitled waltz for piano]<\/li>\n<li>Bellini, Finale (Quintetto) dell\u2019 Pirata [for piano solo]<\/li>\n<li>Donizetti, Cavatina \u201cEccomi a voi\u201d nell\u2019introduzione L\u2019Escule di Roma [for piano solo]<\/li>\n<li>n.a., French Gallop (Written for the Piano Forte)<\/li>\n<li>n.a., Gallop (Taken from Walch\u2019s German Airs)<\/li>\n<li>n.a., German Waltz<\/li>\n<li>n.a., Stop Galop<\/li>\n<li>Untitled waltzes<\/li>\n<li>n.a., The Keff Valzer (Dedicated to the amiable Miss Smith . . . Mubarkek Bashivi)<\/li>\n<li>n.a., Aria Greca<\/li>\n<li>n.a., Aria nationale corsiotta<\/li>\n<li>n.a., Waltz<\/li>\n<li>M. Bertorotta, Sicilian Waltzes<\/li>\n<li>Mrs. Norton, \u201cA Health to the Outward Bound\u201d<\/li>\n<li>n.a., \u201cGod Save the Emperor\u201d<\/li>\n<li>F. Smyrna, Smyrna Waltes (Adapted for the Piano Forte)<\/li>\n<li>n.a., \u201cHurrah for the Bonnets of Blue\u201d<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Box 5<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"5.1\"><\/a>folder 1<\/strong><\/td>\n<td>\n<p>Bound Volume embossed with the names \u201cAnna &amp; Stewart L. Bethune.\u201dContents:<\/p>\n<ul>\n<li>n.a., Esercizzi [vocalises and solfege excercizes]<\/li>\n<li>Bellini, Romanzetta \u201cVaga luna che inargenti\u201d<\/li>\n<li>L. Mazocchi, Arietta \u201cLa cieca che vende fiori\u201d<\/li>\n<li>Bellini, Arietta \u201cIl feroido desio\u201d<\/li>\n<li>Donizetti, Ballata \u201cLa ninna nanna\u201d<\/li>\n<li>G. B. Perrucchini, Canzonetta \u201cPraticel di fiori adorno\u201d<\/li>\n<li>[Bellini?] \u201cAngiol di pace\u201d nella Beatrice<\/li>\n<li>Rossini, Arietta \u201cLa promessa\u201d<\/li>\n<li>Celli, Rondo \u201cLa forte barbara\u201d dell\u2019 Emma di Rosburgo<\/li>\n<li>Donizetti, Scena e Romanza \u201cCom\u2019\u00e8 bello\u201d nell\u2019opera Lucrezia Borgia<\/li>\n<li>Cimarosa, Duetto \u201cIo ti lascio, perch\u00e8 uniti che ci trovi\u201d nel Matrimonio segreto<\/li>\n<li>N. Jomelli, Recitativo ed Aria \u201cAh! non parlar d\u2019amore\u201d [orchestral score]<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"5.2\"><\/a>folder 2<\/strong><\/td>\n<td>\n<p>Bound Volume embossed with the name \u201cRoseisle.\u201dContents:<\/p>\n<ul>\n<li>F. Blangini, Duetto \u201cCare pupille\u201d<\/li>\n<li>Pietro Winter, Duetto \u201cAh confida ad altra mano\u201d nel Maometto<\/li>\n<li>G. [sic] Paesiello, Duetto \u201cOh momento fortunato\u201d<\/li>\n<li>Rossini, Duetto \u201cMio figlio non sei\u201d<\/li>\n<li>Rossini, Duetto \u201cLasciami non t\u2019ascolto\u201d<\/li>\n<li>Rossini, Scena e Duetto \u201cAh, se de mali miei\u201d nell\u2019opera Il Tancredi<\/li>\n<li>Rossini, Scena e Duetto \u201cEbben per mia memoria\u201d<\/li>\n<li>Rossini, Duetto \u201cAmore possente nome\u201d [Rinaldo]<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong><a name=\"5.3\"><\/a>folder 3<\/strong><\/td>\n<td>\n<p>Bound Volume embossed with the initials \u201cE. P.\u201dContents:<\/p>\n<ul>\n<li>Bellini, Cavatina \u201cCome per me sereno\u201d nella Sonnambula [voice part only]<\/li>\n<li>Donizetti, Duetto \u201cL\u2019ardor che sento in petto\u201d nel Bergomastro di Saardam<\/li>\n<li>A. Brancaccio, Arietta per Camera [dedicated to the Prince of Stongoli]<\/li>\n<li>Ferdinando, Duetto \u201cQuel sepolcra\u201d nell\u2019 Agnese [orchestral score]<\/li>\n<li>G. Crescentini, Cantata a voce sola con accompagnamento (\u201cuna delle sei cantate\u201d)<\/li>\n<li>Pacini, Duetto \u201cTu scolori . . . tu taci\u201d nei Zidanzati<\/li>\n<li>Rossini [sic], Aria \u201cCol sorriso d\u2019innocenza\u201d [nel] Il Pirata [sic]<\/li>\n<li>Donizetti, Barcarola \u201cOr che in cielo alta \u00e8 la notte\u201d<\/li>\n<li>Fioravanti, Cavatina \u201cCome sul campo vegeta\u201d nel Folletto [orchestral score]<\/li>\n<li>Rossini, Scena e Duetto \u201cPerch\u00e8 mai destin crudele\u201d [nel] Elisabetta, regina d\u2019Inghilterra<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<hr \/>\n<p><a name=\"Index\"><\/a><a name=\"Index\"><\/a><\/p>\n<h4>INDEX<\/h4>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td>anonymous, [an untitled waltz for piano]<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, [Song] \u201cOh ever thus from childhood\u2019s hour\u201d<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, [untitled] \u201cPiano un po\u2019\u201d<\/td>\n<td><a href=\"#3.22\">(Box 3, folder 22)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, \u201cEcco quel fiero istante\u201d<\/td>\n<td><a href=\"#2.23\">(Box 2, folder 23)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;-, \u201cGod Save the Emperor\u201d<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, \u201cHurrah for the Bonnets of Blue\u201d<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Aria Greca<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Aria nationale corsiotta<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Cavatina \u201cSe m\u2019abbandoni speme gradita\u201d<\/td>\n<td><a href=\"#2.30\">(Box 2, folder 30)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Duettini<\/td>\n<td><a href=\"#2.28\">(Box 2, folder 28)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Esercizzi [vocalises and solfege excercizes]<\/td>\n<td><a href=\"#5.1\">(Box 5, folder 1)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, French Gallop (Written for the Piano Forte)<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Gallop (Taken from Walch\u2019s German Airs)<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, German Waltz<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Stop Galop<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, The Keff Valzer<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Waltz<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Bellini, [Excerpts for piano solo from] Beatrice di Tenda<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Arietta \u201cIl feroido desio\u201d<\/td>\n<td><a href=\"#5.1\">(Box 5, folder 1)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Bellini, Cavatina \u201cCome per me sereno\u201d nella Sonnambula [voice part only]<\/td>\n<td><a href=\"#5.3\">(Box 5, folder 3)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Cavatina nel opera Beatrice di Tenda<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Finale (Quintetto) dell\u2019 Pirata [for piano solo]<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Recitative e Duetto \u201cE quali spergiura\u201d nell\u2019opera Beatrice di Tenda<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Romanza [nel] Beatrice di Tenda<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Romanzetta \u201cVaga luna che inargenti\u201d<\/td>\n<td><a href=\"#5.1\">(Box 5, folder 1)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Scena e Duetto \u201cDeh con te con te lo prendi\u201d nell\u2019opera Norma<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Scena ed Aria \u201cQue m\u2019accolse\u201d nell\u2019opera Beatrice di Tenda<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Select Airs from Beatrice di Tenda, Book 2[piano solo]<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Bellini?, \u201cAngiol di pace\u201d nella Beatrice<\/td>\n<td><a href=\"#5.1\">(Box 5, folder 1)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Bertorotta, Sicilian Waltzes<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Blangini, F. Duetto \u201cCare pupille\u201d<\/td>\n<td><a href=\"#5.2\">(Box 5, folder 2)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Brancaccio, Arietta per Camera<\/td>\n<td><a href=\"#5.3\">(Box 5, folder 3)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Bresciani, Romanza<\/td>\n<td><a href=\"#1.37\">(Box 1, folder 37)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Buste, Cavatine per camera [six untitled pieces]<\/td>\n<td><a href=\"#3.1\">(Box 3, folder 1)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Buzzolla, \u201cI Giardinieri,\u201d Duetto<\/td>\n<td><a href=\"#2.8\">(Box 2, folder 8)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, \u201cI Mateleri,\u201d Duetto in dialetto veneziano<\/td>\n<td><a href=\"#2.8\">(Box 2, folder 8)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, \u201cL\u2019Addio\u201d [Amleto]<\/td>\n<td><a href=\"#2.7\">(Box 2, folder 7)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, \u201cL\u2019alba,\u201d Canzonetta<\/td>\n<td><a href=\"#2.9\">(Box 2, folder 9)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Canzonette Veneziane [12 songs]<\/td>\n<td><a href=\"#2.9\">(Box 2, folder 9)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Duettino \u00e0 due soprani \u201cO amabile Maria\u201d<\/td>\n<td><a href=\"#2.8\">(Box 2, folder 8)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Duetto \u201cAh! mio bravo Cavaliere\u201d (1838)<\/td>\n<td><a href=\"#1.27\">(Box 1, folder 27)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Buzzolla, Duetto, \u201cPerch\u00e8 non ho del vento\u201d<\/td>\n<td><a href=\"#2.5\">(Box 2, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Romance<\/td>\n<td><a href=\"#2.9\">(Box 2, folder 9)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td colspan=\"2\">&#8212;&#8212;&#8211;, Romanza, \u201cL\u2019eco\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Romanza, \u201cLa Lontananza\u201d and<\/td>\n<td><a href=\"#2.4\">(Box 2, folder 4)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Scena e Romanza \u201cAll\u2019urna, all\u2019urna gelida\u201d nell\u2019 Amleto<\/td>\n<td><a href=\"#2.6\">(Box 2, folder 6)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Celli, Rondo \u201cLa forte barbara\u201d dell\u2019 Emma di Rosburgo<\/td>\n<td><a href=\"#5.1\">(Box 5, folder 1)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Cimarosa, Duetto \u201cIo ti lascio, perch\u00e8 uniti che ci trovi\u201d nel Matrimonio segreto<\/td>\n<td><a href=\"#5.1\">(Box 5, folder 1)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Crescentini, Cantata a voce sola con accompagnamento (\u201cuna delle sei cantate\u201d)<\/td>\n<td><a href=\"#5.3\">(Box 5, folder 3)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Donizetti, [Aria] \u201cTrono e corona in volami\u201d nel opera Torquato Tasso<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, \u201cIl Trovatore in caricatura\u201d<\/td>\n<td><a href=\"#3.4\">(Box 3, folder 4)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;-, \u201cTranquillo ei posa\u201d nell\u2019opera Lucrezia Borgia<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Andante \u201cAl dolce guidami castel natio\u201d nell\u2019 Anna Bolena<\/td>\n<td><a href=\"#3.8\">(Box 3, folder 8)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Barcarola \u201cOr che in cielo alta \u00e8 la notte\u201d<\/td>\n<td><a href=\"#5.3\">(Box 5, folder 3)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Barcarola nell\u2019opera Marino Falliero<\/td>\n<td><a href=\"#3.2\">(Box 3, folder 2)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Cavatina \u201cEccomi a voi\u201d nell\u2019introduzione L\u2019Escule di Roma [for piano solo]<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Duetto \u201cAh perfida\u201d nell\u2019opera Il Diluvio universale<\/td>\n<td><a href=\"#3.12\">(Box 3, folder 12)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Duetto \u201cCaro, caro a me tu sei\u201d nell\u2019opera I Pazzi per progetto<\/td>\n<td><a href=\"#1.38\">(Box 1, folder 38)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, \u201cL\u2019ardor che sento in petto\u201d nel Bergomastro di Saardam<\/td>\n<td><a href=\"#5.3\">(Box 5, folder 3)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Donizetti, Duetto \u201cNella camera soletta\u201d nell\u2019opera L\u2019Ajo nell\u2019imbarazzo<\/td>\n<td><a href=\"#3.7\">(Box 3, folder 7)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Largo nell\u2019aria finale \u201cVivi ingrato a lei d\u2019accauto\u201d nell\u2019opera Roberto Devereux [77]<\/td>\n<td><a href=\"#3.19\">(Box 3, folder 19)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Largo nella Cavatina \u201cL\u2019amor suo mi f\u00e8\u201d dell\u2019opera Roberto Devereux [53]<\/td>\n<td><a href=\"#3.19\">(Box 3, folder 19)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Quartetto \u201cPiunge il Duca\u201d nell\u2019opera Parisina<\/td>\n<td><a href=\"#3.3\">(Box 3, folder 3)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Recitative ed Allegretto \u201cDa quel d\u00ec che l\u2019innocente\u201d nell\u2019opera Belisario<\/td>\n<td><a href=\"#3.9\">(Box 3, folder 9)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Recitativo e Duetto \u201cA figlia incauta\u201d nell\u2019opera Maria Padilla<\/td>\n<td><a href=\"#3.17\">(Box 3, folder 17)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Romanza \u201cAh! non avea pi\u00f9 lagrime\u201d nell\u2019opera Maria de Rudenz<\/td>\n<td><a href=\"#3.5\">(Box 3, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Romanza \u201cAll\u2019afflitto \u00e8 dolce\u201d nel Roberto Devereux [81]<\/td>\n<td><a href=\"#3.19\">(Box 3, folder 19)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Romanza \u201cL\u2019amor funesto\u201d [74]<\/td>\n<td><a href=\"#3.19\">(Box 3, folder 19)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Scena e Cavatina \u201cAh! pavea che per ineanto\u201d nell\u2019opera Anna Bolena<\/td>\n<td><a href=\"#3.10\">(Box 3, folder 10)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Scena e Cavatina \u201cDa quel d\u00ec che lei perduta\u201d nell\u2019opera Anna Bolena<\/td>\n<td><a href=\"#3.11\">(Box 3, folder 11)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Scena e Cavatina \u201cIo l\u2019udia ne\u2019 suoi bei carmi\u201d [nel] Torquato Tasso<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Scena e Duetto \u201cMi splendeva un serto in fronte\u201d nell\u2019opera Eleonora di Guienna<\/td>\n<td><a href=\"#3.13\">(Box 3, folder 13)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Scena e Duetto \u201cPer te rinunzio al soglio\u201d per la sua opera Fausta<\/td>\n<td><a href=\"#3.14\">(Box 3, folder 14)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Scena e Duetto \u201cQuel tuo pianto schiude un raggio\u201d nell\u2019opera Fausta<\/td>\n<td><a href=\"#3.16\">(Box 3, folder 16)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;-, Scena e Duetto \u201cSul suo capo aggravi un Dio\u201d noll\u2019opera Anna Bolena<\/td>\n<td><a href=\"#3.6\">(Box 3, folder 6)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Donizetti, Scena e Romanza \u201cAh! Quello fu per me\u201d nell\u2019opera Maria Padilla<\/td>\n<td><a href=\"#3.18\">(Box 3, folder 18)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Scena e Romanza \u201cCom\u2019\u00e8 bello\u201d nell\u2019opera Lucrezia Borgia<\/td>\n<td><a href=\"#5.1\">(Box 5, folder 1)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&gt;&#8212;&#8212;&#8211;, Scena ed Aria \u201cArdon gl\u2019incensi\u201d nella Lucia de Lammermoor<\/td>\n<td><a href=\"#3.19\">(Box 3, folder 19)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Scena, Duetto, e Terzetto Finale \u201cAh se onor di te non hai\u201d nell\u2019opera Fausta<\/td>\n<td><a href=\"#3.15\">(Box 3, folder 15)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Ferdinando, Duetto \u201cQuel sepolcra\u201d nell\u2019 Agnese<\/td>\n<td><a href=\"#5.3\">(Box 5, folder 3)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Fioravanti, Cavatina \u201cCome sul campo vegeta\u201d nel Folletto<\/td>\n<td><a href=\"#5.3\">(Box 5, folder 3)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Francesco Gnecco, Scena e Aria \u201cVedrai con tuo periglio\u201d (fatta l\u2019autunno 1800)<\/td>\n<td><a href=\"#3.29\">(Box 3, folder 29)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Gambarana, \u201cIl 5 Maggio: Ode funebre\u201d di Allessandro Manzoni<\/td>\n<td><a href=\"#2.21\">(Box 2, folder 21)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Glover, [Song] \u201cHope\u201d<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Holder, [Duet] \u201cLassie! Would ye have me?\u201d<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Holler, Air de Montano e Stepanie<\/td>\n<td><a href=\"#3.23\">(Box 3, folder 23)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Horsley, [Glee] \u201cBy Celia\u2019s Arbour\u201d<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Jomelli, Recitativo ed Aria \u201cAh! non parlar d\u2019amore\u201d<\/td>\n<td><a href=\"#5.1\">(Box 5, folder 1)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Magazzari, \u201cAnno populare\u201d<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Mazocchi, Arietta \u201cLa cieca che vende fiori\u201d<\/td>\n<td><a href=\"#5.1\">(Box 5, folder 1)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Mercadante, \u201cAh! mira gl\u2019incensi\u201d nella Vestale<\/td>\n<td><a href=\"#1.17\">(Box 1, folder 17)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Duettino \u201cDeh! tu soccorri tremante core\u201d nel\u2019 Proscritto<\/td>\n<td><a href=\"#1.22\">(Box 1, folder 22)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Duettino \u201cNo no non crederlo\u201d nell\u2019opera I Brignanti<\/td>\n<td><a href=\"#1.14\">(Box 1, folder 14)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;-, Duettino \u201cSegui delo segui a piangere\u201d nell\u2019opera Zaira<\/td>\n<td><a href=\"#1.18\">(Box 1, folder 18)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Mercadante, Recitativo e Duetto \u201cEmma! tu qui!\u201d nell\u2019opera Emma d\u2019Antiochia<\/td>\n<td><a href=\"#1.6\">(Box 1, folder 6)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Romanza \u201cDe miei giorni sul mattino\u201d nell\u2019opera Il Bravo<\/td>\n<td><a href=\"#1.3\">(Box 1, folder 3)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Romanza \u201cLamento del Moribondo\u201d<\/td>\n<td><a href=\"#3.20\">(Box 3, folder 20)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Scena e Duetto \u201cE sia ver? Cess\u00f2 lo degno\u201d nell\u2019 Elissa e Claudio<\/td>\n<td><a href=\"#1.29\">(Box 1, folder 29)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Scena e Duetto \u201cIo trover\u00f2 nell\u2019Asia\u201d nell\u2019opera Zaira<\/td>\n<td><a href=\"#1.2\">(Box 1, folder 2)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Scena e Duetto \u201cQuest\u2019\u00e8 la volta estrema\u201d nell\u2019opera I Briganti<\/td>\n<td><a href=\"#1.31\">(Box 1, folder 31)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Rondo Final \u201cIl tuo sangue a me recasti\u201d nell\u2019opera I Normanni a Parigi<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Adagio nell\u2019 Emma<\/td>\n<td><a href=\"#1.32\">(Box 1, folder 32)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Moore, \u201cThose Evening Bells\u201d<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Morlacchi, F. Recitative e Romanza \u201cCaro suono lusinghiero\u201d nell\u2019opera Teobaldo e Isolina<\/td>\n<td><a href=\"#1.24\">(Box 1, folder 24)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Morlacchi, Gran scena e Duetto \u201cQuesto acciaro, che del sangue\u201d [Tebaldo ed Isolina]<\/td>\n<td><a href=\"#2.32\">(Box 2, folder 32)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Muzzio, Aria [from a cantata for Giuseppe Gazaniga]<\/td>\n<td><a href=\"#3.28\">(Box 3, folder 28)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Neumane, Due Canzonette (1. La bocca del mio ben, 2. La partenza)<\/td>\n<td><a href=\"#1.8\">(Box 1, folder 8)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Nicolini, G., Duetto \u201cL\u2019armi deponi o caro\u201d nell\u2019opera Il Coriolano (Mad. S. Smith, 1817)<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Norton, \u201cA Health to the Outward Bound\u201d<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Pacini, Duetto \u201cTu scolori . . . tu taci\u201d nei Zidanzati<\/td>\n<td><a href=\"#5.3\">(Box 5, folder 3)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Paesiello [sic], Duetto \u201cOh momento fortunato\u201d<\/td>\n<td><a href=\"#5.2\">(Box 5, folder 2)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Paisiello, Aria con Recitativo \u201cSe cerca se dice\u201d<\/td>\n<td><a href=\"#3.24\">(Box 3, folder 24)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Quartetto \u201cVaghe sembianze tenere\u201d<\/td>\n<td><a href=\"#3.26\">(Box 3, folder 26)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Panizza, \u201cL&#8217;Ingenua\u201d a 12 anni, Canto populare<\/td>\n<td><a href=\"#2.19\">(Box 2, folder 19)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Paturzo, C. Romanza \u201cOh crudel che il mio pianto non odi\u201d<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Pavesi, Cavatina \u201cMi vien da videre\u201d nel Marcantonio<\/td>\n<td><a href=\"#2.33\">(Box 2, folder 33)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Cavatina nel sogno \u201cDono del ciel clemente\u201d ridotto per cembal o fortepiano con violino<\/td>\n<td><a href=\"#2.22\">(Box 2, folder 22)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Paxton, Glee \u201cHappy are they\u201d<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Pedrotti, Carlo. La Fiorinna, opera in French, bound vocal score<\/td>\n<td><a href=\"#4.4\">(Box 4, folder 4)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Perrucchini, Canzonetta \u201cPraticel di fiori adorno\u201d<\/td>\n<td><a href=\"#5.1\">(Box 5, folder 1)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Petrella, E. lone, dramma lirico in quattro atti [piano solo]<\/td>\n<td><a href=\"#2.34\">(Box 2, folder 34)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Pucilla, Duetto \u201cAh chi potria resistere\u201d<\/td>\n<td><a href=\"#2.20\">(Box 2, folder 20)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Ricci, Scena e Duetto \u201cTaci, taci, intendo, intendo\u201d nel Disertore per Amore<\/td>\n<td><a href=\"#1.13\">(Box 1, folder 13)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Ronzi, \u201cLa farfalla\u201d: Scherzo di Gio. Beruzzini<\/td>\n<td><a href=\"#1.5\">(Box 1, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Rossi, Duetto \u201cLa tua mano a me dar dei\u201d nell\u2019opera La Casa Disabittata<\/td>\n<td><a href=\"#1.19\">(Box 1, folder 19)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Recitativo e Duetto \u201cNon affetto, disprezzo soltanto\u201d nell\u2019opera Cellini a Parigi<\/td>\n<td><a href=\"#2.1\">(Box 2, folder 1)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Rossini [sic], Aria \u201cCol sorriso d\u2019innocenza\u201d [nel] Il Pirata [sic]<\/td>\n<td><a href=\"#5.3\">(Box 5, folder 3)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, \u201cFede, Speranza, Carit\u00e0\u201d (\u201cTrois Choeur Religieux\u201d)<\/td>\n<td><a href=\"#2.12\">(Box 2, folder 12)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, \u201cLargo al factotum\u201d nell\u2019opera Il Barbier di Siviglia<\/td>\n<td><a href=\"#1.34\">(Box 1, folder 34)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, \u201cPreghiera giusto ciel\u201d nell\u2019opera Maometto Secondo<\/td>\n<td><a href=\"#1.16\">(Box 1, folder 16)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Arietta \u201cLa promessa\u201d<\/td>\n<td><a href=\"#5.1\">(Box 5, folder 1)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Rossini, Cavatina \u201cAh che scordar non s\u00f2\u201d [Tancredi]<\/td>\n<td><a href=\"#2.3\">(Box 2, folder 3)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Cavatina \u201cPiangie il mio Ciglio\u201d nella Matilda di Chabran<\/td>\n<td><a href=\"#2.17\">(Box 2, folder 17)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Cavatina, Recitativo, e Duettino nell\u2019introductione dell\u2019opera La Donna del Lago<\/td>\n<td><a href=\"#1.7\">(Box 1, folder 7)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Cavatina, Recitativo, e Duetto \u201cOh mattutini albori\u201d nell\u2019opera La Donna del Lago<\/td>\n<td><a href=\"#1.25\">(Box 1, folder 25)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Due ariette di Metastasio<\/td>\n<td><a href=\"#2.29\">(Box 2, folder 29)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Duettino \u201cPerch\u00e8 mi guardi\u201d nell\u2019opera Zelmira<\/td>\n<td><a href=\"#1.11\">(Box 1, folder 11)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Duettino \u201cQuale assalto\u201d nell\u2019opera Mos\u00e8 in Egitto<\/td>\n<td><a href=\"#1.30\">(Box 1, folder 30)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Duetto \u201cAmore possente nome\u201d [Rinaldo]<\/td>\n<td><a href=\"#5.2\">(Box 5, folder 2)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Duetto \u201cDunque io son, tu non m\u2019inganni\u201d nel Barbiere di Siviglia<\/td>\n<td><a href=\"#1.36\">(Box 1, folder 36)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Duetto \u201cEbben a te ferisci\u201d nella Semiramide<\/td>\n<td><a href=\"#1.12\">(Box 1, folder 12)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Duetto \u201cLasciami non t\u2019ascolto\u201d<\/td>\n<td><a href=\"#5.2\">(Box 5, folder 2)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Duetto \u201cMio figlio non sei\u201d<\/td>\n<td><a href=\"#5.2\">(Box 5, folder 2)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Duetto \u201cPace gioja sia con voi\u201d nel Barbier di Siviglia<\/td>\n<td><a href=\"#1.10\">(Box 1, folder 10)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Duetto \u201cParlar spiegar non posso\u201d nell\u2019opera Mos\u00e8<\/td>\n<td><a href=\"#2.16\">(Box 2, folder 16)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Duetto \u201cPer piacere all signora\u201d nel Turco in Italia<\/td>\n<td><a href=\"#2.18\">(Box 2, folder 18)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Duetto \u201cTutto apprendi o sventurato\u201d dell\u2019opera Guglielmo Tell<\/td>\n<td><a href=\"#2.10\">(Box 2, folder 10)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Duetto \u201cUn soave non so che\u201d nella Cenerentola<\/td>\n<td><a href=\"#2.11\">(Box 2, folder 11)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Duetto a Soprano e Alto \u201cEben permia memoria\u201d nell\u2019opera La Gazza Ladra<\/td>\n<td><a href=\"#1.1\">(Box 1, folder 1)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Rossini, Duo \u201cAi capricci della sorte\u201d<\/td>\n<td><a href=\"#3.21\">(Box 3, folder 21)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Grande Duetto \u201cAll\u2019idea di qual metallo\u201d nell\u2019opera Il Barbiere di Siviglia<\/td>\n<td><a href=\"#1.21\">(Box 1, folder 21)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Preghiera \u201cAl mio pregar t\u2019arrendi\u201d dell\u2019opera Semiramide<\/td>\n<td><a href=\"#1.33\">(Box 1, folder 33)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Recitativo e Duetto \u201cVorrei ch\u2019 il tuo pensiero\u201d nell\u2019 Otello<\/td>\n<td><a href=\"#1.9\">(Box 1, folder 9)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Recitativo precedente il Duetto \u201cAnna tu piangi\u201d del\u2019 Maometto<\/td>\n<td><a href=\"#1.4\">(Box 1, folder 4)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Romance e Preghiera \u201cAssisa a pi\u00e8 d\u2019un salice\u201d nell\u2019opera Otello<\/td>\n<td><a href=\"#2.35\">(Box 2, folder 35)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Scena e Cavatina \u201cAh quel giorno ognor rammento\u201d nella Semiramide<\/td>\n<td><a href=\"#2.2\">(Box 2, folder 2)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Scena e Duetto \u201cAh, se de mali miei\u201d nell\u2019opera Il Tancredi<\/td>\n<td><a href=\"#5.2\">(Box 5, folder 2)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Scena e Duetto \u201cEbben per mia memoria\u201d<\/td>\n<td><a href=\"#5.2\">(Box 5, folder 2)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Scena e Duetto \u201cPerch\u00e8 mai destin crudele\u201d [nel] Elisabetta, regina d\u2019Inghilterra<\/td>\n<td><a href=\"#5.3\">(Box 5, folder 3)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Scena e Duetto, \u201cAmor possente nome\u201d nell Armida<\/td>\n<td><a href=\"#1.20\">(Box 1, folder 20)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Terzetto \u201cL\u2019usato ardir\u201d nella Semiramide<\/td>\n<td><a href=\"#1.15\">(Box 1, folder 15)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Terzetto \u201cQuel sembiante quello sguardo\u201d nell\u2019 Inganno Felice<\/td>\n<td><a href=\"#1.26\">(Box 1, folder 26)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Ruggi, \u201cCara bene, mio dolce amore\u201d [La trium&#8230; filosofa]<\/td>\n<td><a href=\"#2.31\">(Box 2, folder 31)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Savesi, Duetto \u201cIo ti vidi t\u2019amirai\u201d nella Festa della Rosa<\/td>\n<td><a href=\"#1.35\">(Box 1, folder 35)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Schlangenbader Volkslied<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Smyrna, F. Smyrna Waltes (Adapted for the Piano Forte)<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Tarchi, Duetto \u201cTerma &#8230; ahim\u00e8\u201d<\/td>\n<td><a href=\"#3.25\">(Box 3, folder 25)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Tasparo, D. \u201cJo co ttico me nguadiarria\u201d<\/td>\n<td><a href=\"#3.27\">(Box 3, folder 27)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Tessarin, Duetto (dedicato ai dilettanti Amalia Duodo e Luigi Zanetti, 1843)<\/td>\n<td><a href=\"#1.28\">(Box 1, folder 28)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Romanza<\/td>\n<td><a href=\"#2.13\">(Box 2, folder 13)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Romanza, \u201cLa Balia\u201d<\/td>\n<td><a href=\"#2.14\">(Box 2, folder 14)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Romanza, \u201cNon cercate sul mio volto\u201d<\/td>\n<td><a href=\"#2.15\">(Box 2, folder 15)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Untitled waltzes<\/td>\n<td><a href=\"#4.5\">(Box 4, folder 5)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Vaccaj, Arietta \u201cLa Pastorella\u201d<\/td>\n<td><a href=\"#2.25\">(Box 2, folder 25)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Duetto \u201cDeh! lascia ch\u2019io respiri\u201d nell\u2019opera Zadig e Astartea<\/td>\n<td><a href=\"#1.23\">(Box 1, folder 23)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Duetto per camera, \u201cScherzando v\u00e0\u201d<\/td>\n<td><a href=\"#2.24\">(Box 2, folder 24)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, Notturno \u201cQuando Aprile I colli infiora\u201d<\/td>\n<td><a href=\"#2.26\">(Box 2, folder 26)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Winter, Pietro. Duetto \u201cAh confida ad altra mano\u201d nel Maometto<\/td>\n<td><a href=\"#5.2\">(Box 5, folder 2)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Z., F. Notturno \u00e0 tre voci<\/td>\n<td><a href=\"#2.27\">(Box 2, folder 27)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>Zardo, Aci e Galatea, cantata per soprano, tenore, cori, ed orchestra<\/td>\n<td><a href=\"#4.3\">(Box 4, folder 3)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, La vedova scaltra, bound full orchestral score, Act I<\/td>\n<td><a href=\"#4.1\">(Box 4, folder 1)<\/a><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td>&#8212;&#8212;&#8211;, La vedova scaltra, bound full orchestral score, Act III (Act II missing)<\/td>\n<td><a href=\"#4.2\">(Box 4, folder 2)<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text] SC 1997.4 Ruth T. Watanabe Special Collections Sibley Music Library Eastman School of Music University of Rochester prepared by Michael V. Pisani April 1997 CONTENTS Description of Collection Description of Series Box Inventory Index by Composer &nbsp; DESCRIPTION OF COLLECTION Italian Vocal Manuscripts Collection, Two Location: M2A 1, 4 &#8211; 5 3 linear [&hellip;]<\/p>\n","protected":false},"author":276,"featured_media":0,"parent":400,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"finding-aid","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[3],"class_list":["post-1433","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1433","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/276"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=1433"}],"version-history":[{"count":0,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1433\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/400"}],"wp:attachment":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=1433"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=1433"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=1433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}